Renewing Minds
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Enemies of Science: the Handmaiden's Handmaiden in the Early
Enemies of Science: The Handmaiden’s Handmaiden in the Early Medieval West Michael P. Honchock Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts In English Anthony J. Colaianne, Chair Joseph F. Eska Matthew Goodrum April 23, 2007 Blacksburg, Virginia Keywords: Other, Rationality, Magic, Cosmology, History, Ideas Enemies of Science: The Handmaiden’s Handmaiden in the Early Medieval West Michael P. Honchock ABSTRACT The gradual blending of classical science and epistemology with indigenous/traditional practices and modes of understanding (particularly magic and religion) in the early western Middle Ages tends to be misunderstood. The purpose of this study is to address the reason(s) why the early medieval West has been labeled an irrational, unscientific “Dark Age” in order to point out that this conception’s existence has more to do with limited historical perspectives than with reality. The anachronistic superimposition of modern presuppositions and methodological expectations is a very old phenomenon. Ironically, however, it has crept into the history of science and extended to ostensibly objective “scientific” historiography to such a degree that dismissiveness regarding the other ways of knowing that have informed our scientific and epistemological development frequently tends to obscure historical continuity. My goal in this undertaking is to firmly establish how we may understand that the intellectual revolution beginning in twelfth-century Europe was founded on a rich and multifarious tradition of knowledge and understanding; the preceding seven or eight centuries of the early Middle Ages was not one of intellectual “darkness” and should not be discarded as such. -
Myth in CS Lewis's Perelandra
Walls 1 A Hierarchy of Love: Myth in C.S. Lewis’s Perelandra A Thesis Submitted to The Faculty of the School of Communication In Candidacy for the Degree of Master of Arts in English by Joseph Robert Walls May 2012 Walls 2 Liberty University School of Communication Master of Arts in English _______________________________________________________________________ Thesis Chair Date Dr. Branson Woodard, D.A. _______________________________________________________________________ First Reader Date Dr. Carl Curtis, Ph.D. _______________________________________________________________________ Second Reader Date Dr. Mary Elizabeth Davis, Ph.D. Walls 3 For Alyson Your continual encouragement, support, and empathy are invaluable to me. Walls 4 Contents Introduction......................................................................................................................................5 Chapter 1: Understanding Symbol, Myth, and Allegory in Perelandra........................................11 Chapter 2: Myth and Sacramentalism Through Character ............................................................32 Chapter 3: On Depictions of Evil...................................................................................................59 Chapter 4: Mythical Interaction with Landscape...........................................................................74 A Conclusion Transposed..............................................................................................................91 Works Cited ...................................................................................................................................94 -
Joy Davidman Lewis: Author, Editor and Collaborator
Volume 22 Number 2 Article 3 1998 Joy Davidman Lewis: Author, Editor and Collaborator Diana Pavlac Glyer Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Glyer, Diana Pavlac (1998) "Joy Davidman Lewis: Author, Editor and Collaborator," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 22 : No. 2 , Article 3. Available at: https://dc.swosu.edu/mythlore/vol22/iss2/3 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Biography of Joy Davidman Lewis and her influence on C.S. Lewis. Additional Keywords Davidman, Joy—Biography; Davidman, Joy—Criticism and interpretation; Davidman, Joy—Influence on C.S. Lewis; Davidman, Joy—Religion; Davidman, Joy. Smoke on the Mountain; Lewis, C.S.—Influence of Joy Davidman (Lewis); Lewis, C.S. -
A CS Lewis Related Cumulative Index of <I>Mythlore</I>
Volume 22 Number 2 Article 10 1998 A C.S. Lewis Related Cumulative Index of Mythlore, Issues 1-84 Glen GoodKnight Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation GoodKnight, Glen (1998) "A C.S. Lewis Related Cumulative Index of Mythlore, Issues 1-84," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 22 : No. 2 , Article 10. Available at: https://dc.swosu.edu/mythlore/vol22/iss2/10 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Author and subject index to articles, reviews, and letters in Mythlore 1–84. Additional Keywords Lewis, C.S.—Bibliography; Mythlore—Indexes This article is available in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: https://dc.swosu.edu/mythlore/vol22/iss2/10 MYTHLORE I s s u e 8 4 Sum m er 1998 P a g e 5 9 A C.S. -
Willow Creek: the Fiction of C
C.S. Lewis and the Apologetics of Story Some have claimed that C.S. Lewis drifted towards fiction the last decade of his life because he was failed as an Apologist and no longer able to keep up with the complex philosophical questions of his day. In fact, fiction was always part of Lewis’s output. He wrote, “The imaginative man in me is older than the rational man and more continually operative.” Lewis used story as one of the tools in his rhetorical tool box because he knew that some people will not listen to a coherent and reasonable presentation of the Gospel. Their rejection of the things of God is buttressed with rationalization and self-justification. Reason stands before these people’s hearts like dragon sentries preventing even the best apologetic arguments from getting through. But, Lewis believed, sometimes story can get past watchful dragons. This Network will explore Lewis’s use of story as a rhetorical and apologetical tool for the Gospel. Jerry Root is Professor of Christian Education at Wheaton College and serves as the Director of the Evangelism Initiative. Jerry is a graduate of Whittier College and Talbot Graduate School of Theology at Biola University; he received his PhD from the Open University. Jerry is the author or co-author of numerous books on C.S. Lewis, including The Surprising Imagination of C.S. Lewis: An Introduction, with Mark Neal, C.S. Lewis and a Problem of Evil: An Investigation of a Pervasive Theme, and The Soul of C.S. Lewis: A Meditative Journey through Twenty-six of His Best Loved Writings. -
C.S. Lewis' <I>The Great Divorce</I> and the Medieval Dream Vision
Volume 10 Number 2 Article 12 1983 C.S. Lewis' The Great Divorce and the Medieval Dream Vision Robert Boeing Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Boeing, Robert (1983) "C.S. Lewis' The Great Divorce and the Medieval Dream Vision," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 10 : No. 2 , Article 12. Available at: https://dc.swosu.edu/mythlore/vol10/iss2/12 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Discusses the genre of the medieval dream vision, with summaries of some of the best known (and their precursors). Analyzes The Great Divorce as “a Medieval Dream Vision in which [Lewis] redirects the concerns of the entire genre.” Additional Keywords Lewis, C.S. -
Visions/Versions of the Medieval in C.S. Lewis's the Chronicles of Narnia
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Boise State University - ScholarWorks VISIONS/VERSIONS OF THE MEDIEVAL IN C.S. LEWIS’S THE CHRONICLES OF NARNIA by Heather Herrick Jennings A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English, Literature Boise State University Summer 2009 © 2009 Heather Herrick Jennings ALL RIGHTS RESERVED v TABLE OF CONTENTS LIST OF ABBREVIATIONS .................................................................................... vii CHAPTER ONE: INTRODUCTION ........................................................................ 1 Lewis and the Middle Ages ............................................................................ 6 The Discarded Image ...................................................................................... 8 A Medieval Atmosphere ................................................................................. 10 CHAPTER TWO: THE HEAVENS OF NARNIA .................................................... 13 The Stars above Narnia ................................................................................... 15 The Narnian Planets ........................................................................................ 18 The Influence of the Planets ........................................................................... 19 The Moon and Fortune in Narnia ................................................................... 22 An Inside-Out Universe ................................................................................. -
The Hansen Lectureship Series from Intervarsity Press
Splendour in the Dark C. S. Lewis’s Dymer in His Life and Work November 3, 2020 | $20, 256 pages, paperback | 978-0-8308-5375-5 Several years before he converted to Christianity, C. S. Lewis published a narrative poem, Dymer, which not only sheds light on the development of his literary skills but also offers a glimpse of his intellectual and spiritual growth. Including the complete annotated text of Lewis’s poem, this volume helps us understand both Lewis’s change of mind and our own journeys of faith. The Hansen Lectureship Series from InterVarsity Press The Hansen Lectureship Series features reflections related to the imaginative work and lasting influence of seven British authors, including C. S. Lewis, J. R. R. Tolkien, George MacDonald, and Dorothy L. Sayers. The books in the series are based on the Ken and Jean Hansen Lectureship, an annual lecture series hosted at the Marion E. Wade Center at Wheaton College, named in honor of former Wheaton College trustee Ken Hansen and his wife, Jean, and endowed in their memory by Walter and Darlene Hansen. Each book includes three lectures by a Wheaton College faculty member on one or more of the Wade Center authors with responses by fellow faculty members. Founded in 1965, the Marion E. Wade Center houses a major research collection of writings and related materials by and about seven British authors: Owen Barfield, G. K. Chesterton, C. S. Lewis, George MacDonald, Dorothy L. Sayers, J. R. R. Tolkien, and Charles Williams. The Wade Center collects, preserves, and makes these resources available to researchers and visitors through its reading room, museum displays, educational programming, and publications. -
Favorite Authors C.S. Lewis
Favorite Authors C.S. Lewis His writing encompassed fiction; nonfiction; children’s stories such as the Chronicles of Narnia; and books about literature, including English Literature in the Sixteenth Century, Excluding Drama; but how much do you know about C.S. Lewis and the world he lived in? Try the following puzzles to find out! First, fill in the blanks in the following puzzle using the word bank provided. Next, create a timeline of a few of C.S. Lewis’ works by writing the letter that corresponds to the correct year of publication beside each work. Finally, take a look at life in C.S. Lewis’ time. For each date, choose the correct event from U.S. history and the correct event from world history and write their corresponding letters in the blanks beside the facts. An answer key is in the back if you get stumped. Have fun! © Bonnie Rose Hudson www.writebonnierose.com C.S. Lewis Fill-In C.S. Lewis, an ____________________-born ____________________ and author of more than ____________________ books, was born on November 29, 1898, in ____________________. Education was very important to Lewis’ family. His father was a ____________________, and his mother had a college degree at a time when it was not common for women. Lewis began reading when he was only ____________________ years old and began writing stories when he was ____________________. In 1916, he won a ____________________ to ____________________. He served in ____________________and then studied at ____________________, where he became a fellow and tutor in 1925. He kept this position until 1954, when he became a professor of ____________________ and Renaissance English at the ____________________. -
C. S. Lewis As a Critic of Romanticism Teresa Bela
C. S. LEWIS AS A CRITIC OF ROMANTICISM TERESA BELA Jagiellonian University, Kraków C. S. Lewis (1898–1963), a famous Oxford tutor and lecturer, and later Professor of Medieval and Renaissance Literature at Cambridge, made his name in three main fields: as a literary historian and critic, as a Christian apol- ogist and moralist, and as a writer of fiction, both for children and adult read- ers. As the information from the annual bibliography of the Modern Language Association indicates, the number of articles and books on C. S. Lewis had been steadily growing since the late sixties, and in 1998, the year of the cele- brations of the centenary of his birth, it reached its apogee. Diana Pavlac Glyer’s selected bibliography lists over 100 modern scholarly book publica- tions on the author of Narnia stories (Glyer 1998:283-90). Richard Attenborough’s film Shadowlands (1993), which dealt with Lewis’s love for Joe Gresham and his suffering after her death, was an important sign of the ever-present interest in his life and work. The earlier instances of such consid- erable attention paid to the author of The Screwtape Letters and stories from Narnia are seen in the founding of several C.S.Lewis Societies in the United States and Canada, whose aim was to increase the knowledge and understand- ing of Lewis’s works and promote a further interest in his life and character. A renewed interest in J. R. R. Tolkien, due to the enthusiastic reception of the film The Lord of the Rings, has also helped to remind the reading public and the viewers of the strong bond of friendship that joined the author of Silmarillion and C. -
V the POSTHUMOUS NARRATIVE POEMS OF
'/v$A THE POSTHUMOUS NARRATIVE POEMS OF C. S. LEWIS THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Caroline L. Geer, B. A. Denton, Texas December, 1976 Geer, Caroline Lilian, The Posthumous Narrative Poems of C. S. Lewis. Master of Arts (English), December, 1976, 73 pp., bibliography, 15 titles. The purpose of this study is to introduce the three posthumous narrative poems of C. S. Lewis. Chapter One is an introduction to Lewis's life and scholarship. The second chapter is concerned with "Launceloti" in which the central theme of the story explores the effect of the Quest for the Holy Grail on King Arthur's kingdom. Chapter Three studies "The Nameless Isle," in which Celtic and Greek mythic ele- ments strongly influence both characterization and plot. The fourth chapter is an analysis of The Queen of Drum and its triangular plot structure in which the motivating impetus of the characters is the result of dreams. Chapter Five recapitulates Lewis1s perspectives of life and reviews the impact of his Christianity on the poems. The study also shows how each poem illustrates a separate aspect of the cosmic quest. TABLE OF CONTENTS Chapter Page I. INTRODUCTION. 1 II. "LAUNCELOT . 13 III. "THE NAMELESS ISLE" . 32 IV. THE QUEEN OF DRUM: A STORY jflFIVECANTOS ......... 50 V. CONCLUSION . * . 66 BIBLIOGRAPHY . 72 iii CHAPTER I INTRODUCTION Nothing about a literature can be more essential than the language it uses. A language has its own personality; implies an outlook, reveals a mental activity, and has a resonance, not quite the same as those of any other. -
1 AUTHORSHIP and the DISCOVERY of CHARACTER in MEDIEVAL ROMANCE Caitlin G. Watt a Dissertation Submitted to the Faculty at the U
AUTHORSHIP AND THE DISCOVERY OF CHARACTER IN MEDIEVAL ROMANCE Caitlin G. Watt A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2018 Approved by: Robert Babcock Reid Barbour Shayne Legassie Carolina Digital Repository Tedprovided Leinbaugh by View metadata, citation and similar papers at core.ac.uk CORE brought to you by Jessica Wolfe 1 ©2018 Caitlin G. Watt ALL RIGHTS RESERVED ii ABSTRACT Caitlin G. Watt: Authorship and the Discovery of Character in Medieval Romance (Under the direction of Shayne Legassie) This dissertation argues that by pioneering new ways of constructing and reading literary character, writers of twelfth- to fourteenth-century romance also claimed a new authority for vernacular fiction. Through readings of several key medieval texts, the dissertation not only illuminates character as an underestimated critical tool used by medieval writers in but also intervenes in the ongoing scholarly discussion of medieval authorship. It begins with Le Roman d’Enéas, a twelfth-century adaptation of Virgil’s Aeneid that, by revising tensions in the characters of the Latin royal court, familiarizes the epic for a courtly audience and posits its writer as an authoritative interpreter of the Aeneid. Next, medieval concepts of memory and contemporary serial narrative theory are used to argue that Chrétien de Troyes, inventor of French Arthurian romance, creates a model of character that requires audiences to read his romances as a corpus and thus establishes himself as the author of a new literary tradition.