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Manufacture and Transportation of Gunpowder In
THE MANUFACTURE AND TRANSPORTATION OF GUNPOWDER IN THE OTTOMAN EMPIRE: 1400-1800 by Cameron Rubaloff Nelson A thesis submitted to the faculty of The University of Utah in partial fulfillment of the requirements for the degree of Master of Arts in Middle East Studies/History Department of Languages and Literature The University of Utah August 2010 Copyright © Cameron Rubaloff Nelson 2010 All Rights Reserved The University of Utah Graduate School STATEMENT OF THESIS APPROVAL The thesis of Cameron Nelson has been approved by the following supervisory committee members: Peter Von Sivers , Chair 5-6-2010 Date Approved Peter Sluglett , Member 5-6-2010 bate Approved Ed Davies , Member 5-6-2010 bate Approved and by Fernando Rubio , Chair of the Department of Department of Languages and Literature and by Charles A. Wight, Dean of The Graduate School. ABSTRACT This thesis attempts to analyze the reasons for the Ottoman Empire’s successful expansion in the 1400s-1800s and its ultimate decline in the 1800s-1900s through the perspective of its national gunpowder factories and gunpowder transportation capabilities. Ultimately, all premodern firearms were only as powerful as the gunpowder they used, and a recurrent problem for all gunpowder armies was the unreliability of their powder. Such unreliability became the primary cause for the loss of a battle or an entire campaign. In comparison with their rivals to the west and to the east, the Ottomans displayed an unparalleled aptitude for the manufacture and transport of gunpowder. The abundance of natural resources, such as high quality saltpeter, sulfur, and the right kind of trees for producing charcoal, when combined with the Ottomans’ highly sophisticated state-run gunpowder works and excellent transportation network, was a major factor in their stunning successes between the 1450s and 1700s. -
AM Nr. 8-2017 Interior:Layout 1.Qxd
Serie nouã ACTUALITATEA AUGUST8 2017 (CLXLIII) 48 pagini MUZICAL~ ISSN MUZICAL~ 1220-742X REVISTĂ LUNARĂ A UNIUNII COMPOZITORILOR ŞI MUZICOLOGILOR DIN ROMÂNIA D i n s u m a r: Adio, Viorel Cosma! Remember Ştefan Niculescu Maniac după Sonomania Festivalui internaţional “George Grigoriu” Vrancea eroică În imagine: compozitoarea şi interpreta Sanremo - istoria unui festival (II) Paula Seling Editorial Erudiţie şi umanism În ultima zi a lui Cuptor, Ştefan Niculescu ar fi împlinit nouăzeci de ani. Când l-am cunoscut, în urmă cu © Liviu Haidu patru decenii, propunea un model solitar (pentru acele timpuri) de locuire a cetăţii, axat pe forţa de agregare a cunoaşterii istorice, logica entuziasmului cultural şi fidelitatea creatoare faţă de tradiţiile religioase sau laice ale modernităţii. Tinerilor, furioşi ori blazaţi, cu toţii nemulţumiţi de reţetarul oficial al ratării naţional- comuniste, Ştefan Niculescu le oferea, rezistând cultural, alături de criteriile justei notorietăţi, arma de împotrivire faţă de provincialism şi întristare. O armă ce nu necesita permis de posesie, ci doar dorinţa şi putinţa de a o curăţa şi încărca aşa cum se cuvine. În acea perioadă de răstrişte intelectuală, când sărăcia şanselor în procesul de omologare cultural europeană îţi sărea în ochi, Ştefan Niculescu a intervenit salutar, iniţiind o conversaţie internaţională, cel puţin în domeniul artei sonore, proiectele lui componistice şi muzicologice rămânând, iată, după aproape un deceniu de la dispariţia lui fizică, teme de colocvii, referate, ne bucurăm de reuşita aproapelui, cum să aplaudăm doctorate şi polemici intense. În plus, ne invită, nu de victoriile timpurii sau împlinirile autumnale ale altora, puţine ori ceremonios, la aprofundări, nuanţe şi sugerându-ne totuşi că adevăraţii campioni sunt puţini la continuităţi, în răspăr cu orice fel de festivisme. -
The Admiral's Vayvode of 1598
Early Theatre 18.1 (2015), 79–100 DOI: http://dx.doi.org/10.12745/et.18.1.1168 Misha Teramura The Admiral’s Vayvode of 1598 This essay proposes that the subject of the lost play Vayvode, performed by the Admiral’s Men in 1598, may have been John Hunyadi, a fifteenth-century Hun- garian military commander celebrated as a bulwark of Christian Europe against the Ottoman threat. It considers which historical sources would have been avail- able to the playwright, the popularity of Hunyadi in the sixteenth century, and the theatrical contexts of the 1590s, as well as some alternative possibilities for the hero of the Admiral’s play. In 1598 the Admiral’s Men performed a play, now lost, by name of Vayvode. In his Diary, Philip Henslowe records four payments from August 21 to 25 for apparel and properties relating to the play, indicating that the com- pany was preparing for a production; later that month, on August 29, a pay- ment of 20s is recorded to Henry Chettle ‘ffor his playe of vayvode’.1 Some months later, Henslowe records 40s ‘pd vnto my sonne Edward alleyn the 21 of Janewary for the playe of vayvod for the company’.2 Apart from the play’s mysterious title, the only other information we learn from Henslowe’s Diary that might indicate anything about the play’s content is the fact that its production required the services of a ‘lace man[ ]’ and a ‘tayller[ ]’, and involved a ‘sewte & a gowne’ as well as ‘diuers thinges’. Even the original dramatist is unknown: the peculiar order and amount of the payments seem to indicate that Vayvode was an old play owned, in August 1598, by Alleyn, and that Chettle was paid for last-minute revisions or additions.3 In many ways Vayvode is typical of those myriad lost plays of the Renaissance whose extant traces offer theatre historians very little (if any) evidence of their nar- rative content. -
Muzică Din Bucureşti Au Avut Ca Menire Comunicarea Şi O Viziune Subiectivă Schimbul De Idei Între Creatorii Moderni Prezenţi În Număr Mare La Festival
Serie nouă ACTUALITATEA OCTOMBRIE102019 (CCXIX) 48 pagini MUZICAL~ ISSN MUZICAL~ 1220-742X REVISTĂ LUNARĂ A UNIUNII COMPOZITORILOR ŞI MUZICOLOGILOR DIN ROMÂNIA D i n s u m a r: Festivalul Internaţional “George Enescu” (II) Seria Mari Orchestre ale lumii Mozartweek in Residence Portret Virgil Popescu Adio, Florin-Silviu Ursulescu! În imagine: Gramofon - un concert Andrei Tudor Sanda LADOŞI Editorial Ce (nu) avem Unii dintre noi, trăitori şi în vremurile de 30 de ani apuse, am fost obişnuiţi să ni se spună că “dispunem de tot ceea ce este necesar”. Adică: nu ne lipseşte nimic. Dar rostit într-o formă neangajantă, care la o adică să poată fi răsucită şi răstălmăcită, într-un comentariu de genul: am zis asta? aşa aţi înţeles voi… După Festivalul “Enescu” şi după o vizită de documentare pe Broadway, încerc să îmi pun întrebarea: avem săli de spectacole? Cum ar fi zis Ismail talente estem, regizori estem, anunţurile de spectacole noi şi atractive ne asaltează de pe Facebook, ba chiar şi bani estem – vezi Festivalul sau vezi spectacole de mare anvergură artistică finanţate pe linie privată, primite cu entuziasm de public care cumpără cu aviditate toate biletele disponibile. Dar unde se joacă ele? Nu are rost să mai reiau eternele plângeri ale dirijorilor şi soliştilor vizavi de Sala Palatului, formalizate inclusiv în petiţii sau în Scrisori deschise, la nivel internaţional… Pe hârtie avem sală, ba chiar una mai mare decât în alte capitale apusene. Deci?! Ce mai vrem?! Dacă nu se aude bine, să mai trecem pe la ORL, poate avem noi o problemă. Pentru onorabilii ministeriabili se aude, chiar foarte bine. -
The Ottoman Conquest of the Balkans
m of BohemiaBohem Kingdomdomdo of PoloniaPo Troppaupp D. = Duchy e Lembergg i r Cracowc p Margravatev of m MoraviaMora a BrünnBrünn Dnjestr Oliver Jens Schmitt (ed.)st Duchy of KremnitzK n NeusohlN hl Kaschauasschau Austriaustria M Vienna Preßburgßb g Schemnitzche it o D Suceavauceava l an Visegrad´ d ub Thee Ottoman Conquesta uchy of Lake NeusiedlN l Gran Bender Theiss Wardein Roman Pruth StyriaSty Ofen v Bistritzitz th Balaton StuhlweißenburgS ßenburg h i Klausenburg VasluiVa a Grazaz Sereth KingdomKingd m offof HungaryHu theng yBalkans Cetateaate Albbab Kalocsasas Akkermanman LaibachLaiba Schäßburgchäß Drava Fünfkirchenn n SONDERDRUCK Agram Kronronroonstadtstadt Carniolaolala MohácsM Hermannstadt ChChilChiliiliai a/FiumeFFiume SlavoniaSlaa CâmpulunCâmpulungmp Brailaaila Save Târgovistes¸ Zengg Belgradegrara Curtea de Argess C JajceJa ZvornikZ k i a r h o Smederevod V a l a c a Bobovacov c bbe SSiSilisSilistrSilistrastratra t i Giurgiu Danub k a Bosniaossn SreSreebrenica VVidViiddidinn Zadardarar SumS umeumenmen c SSplitSp SerbiaSerbir a Nikopolk VarnaV Sibenik nikik MostarMos r a 3 l a Humum NiNiss Tar novo t Novo SofiaS MMesMeesembriaese B i PecPee´ Dubrovniku ovnnikikk NNovivi Brdo O PhilippopolisPhPhilippoPhilippopPhilippopoh ppoppp c 1 2 7 7 SozS zopolisz S Kotor ShkodraShkoS odr PrizrenPrizi rerenen t e Bar VeVelelbbuzdbuz 5 t a Ulcinj SkSkokoppjepjpjee AdrianopolisAdrianAdriaAdridrianodridriaanopanonopopopolpoolil Bizye Lezhhaa o Kingdomg Bari Durrës SerresSerreseses ConstantinoConstantinopC nopop 11 OhOhrhrurrududud 6 m ThasosThaTThhhaa -
Name: Ionel, Aka Johnny Name: Bota Date of Birth: 31/01/1956. Birthplace
Name: Ionel, aka Johnny Name: Bota Date of birth: 31/01/1956. Birthplace: Timişoara, Romania Address: 300 585 Timişoara, str. No. 27 bl. A2 Surorile Martir Caceu, Ap.19 Phone: 004-0723-163471 Email: [email protected] Website: www.begabluesband.ro Marital status: Married STUDIES AND DIPLOMAS 1976-1980 musical studies at the Academy of Music "Gheorghe Dima" from Cluj-Napoca, in Violin 1980 first degree in performance and instrumental pedagogy 2008 Diploma of PhD at the Music Academy "Gheorghe Dima" from Cluj-Napoca ACTIVITY 1980 is awarded the Grand Prix at the Architecture Festival with the "Experimental Quintet" 1980 violin and viola teacher at the National College of Arts "Ion Vidu" Timişoara: get his students every year, the highest awards in performing competitions Founded in 1983 with guitarist Dan Ionescu, the "Crepuscul" group, which won the prize of Consecration at the Sibiu Jazz Festival 1983 first collaboration with Bela Kamocsa at the jazz festival in Brasov and founding the Bega Blues Band 1984-1988 bass in "Quartet Gondi" 1990 Professor and founder of the classical guitar department of the Conservatory of Timişoara 1990-2002 editor and producer of the show "Jazz Reflex" at Radio Timişoara 1990 Philharmonic violinist in the orchestra "Banat" in Timişoara 1990 and 1991 participates in Jazz Festival Debrecen Hungary, sharing the same stage with Elvin Jones, Charles Lloyd, Charlie Mariano, Larry Corryell, Niels-Henning Oersted-Pedersen, Aladar Pege 1991 Vice President of the Romanian Association of Jazz 1992 attending the Festival -
EAST-CENTRAL EUROPEAN & BALKAN CONCERTOS from The
EAST-CENTRAL EUROPEAN & BALKAN CONCERTOS From the 19th Century to the Present A Discography of CDs and LPs Prepared by Michael Herman Composers S-Z DIMITAR SAGAEV (1915-2003, BULGARIAN) Born in Plovdiv. He studied piano and music theory with Asen Dimitrov, and later continued piano studies with Dimitar Nenov. He graduated from the Bulgarian Musical Academy where he was taught composition by Pancho Vladigerov, orchestration by by Vesselin Stoianov and piano by Panka Pelishek. His catalogue includes operas, ballets, symphonic, chamber, instrumental and vocal works. Among these are Piano Concertos Nos. 1 (1992) and 2 (1994), Violin Concerto No. 2 (1964). Cello Concerto (1997), Oboe Concertos Nos. 1 (1966) and 2 (1991), Flute Concerto (1976), Horn Concerto, Trumpet Concerto (1989) and Trombone Concerto 1988). Violin Concerto No. 1 (1963) George Badev (violin)/Ivan Voulpe/Sofia State Philharmonic Orchestra ( + Wieniavski: Concert Polonaise No. 1, Tchaikovsky: Valse-Scherzo and Saeasate: Introduction and Tarantella) BALKANTON BCA 423 (LP) (1960s) Bassoon Concerto (1973) Misak Godzhikan (bassoon)/Dragomir Nenov/Bulgarian Radio Opera-Symphony Orchestra ( + Shipchenskata Epopei) BALKAHTON BCA 2188 (LP) (c. 1980) TADEÁŠ SALVA (1937-1995, SLOVAK) Born in Lúčky. He studied composition at the Academy of Performing Arts in Bratislava with Alexander Moyzes and Ján Cikker and with Bolesław Szabelski in Katowice, Poland. He worked for the music departments of Slovak Radio and Television and taught at the Faculty of Education in Nitra. His catalogue includes operas, ballets, orchestral, chamber, instrumental, vocal and choral works. Among his other works are Slovak Liturgic Concerto Grosso for Violin, Viola, Cello, Double Bass and String Orchestra (1994), Slovak Rhapsody for Flute and String Orchestra (1975), Rhapsody for Violin and Orchestra (1981),Ballad-Symphony for Clarinet, Piston Trumpet, Timpani and String Orchestra (1988) and Slovak Concerto Grosso No. -
The Long War Free
FREE THE LONG WAR PDF Terry Pratchett,Stephen Baxter | 510 pages | 28 Jan 2014 | HarperTorch | 9780062068699 | English | New York, United States FDD's Long War Journal | A Project of the Foundation for Defense of Democracies Death to the False Emperor! A symbolic hourglass shows the Long War and its slowly shifting balance in favour of the Ruinous Powers by the time of the late 41st Millennium. They intend to achieve the final victory that was denied the Warmaster Horus over ten thousand standard years ago at the end of the Horus Heresy. The events of the Heresy are nothing more than myths and legends to the people of the Imperium in the late 41st Millennium, but for many of the Traitor Marines who dwell within the Eye of Terror where the flow of time moves far slower, the terrible passions of that era are still very much alive. The Heretic Astartes are merciless and brutal warriors The Long War accursed by Human and god alike. Twisted beyond recognition by the fell powers they The Long War, their hatred of all they once held dear is writ large, corrupting The Long War bodies just as The Long War does their souls. In a galaxy full of horrors, the taint of Chaos is the most insidious threat of all. It can infect even the strongest mind and blacken the most innocent soul. The Space Marinesdespite all their transhuman enhancements, are unfortunately no exception to its lure, and those who are seduced by it fall often further than mortal men. Scarred beyond redemption by the terrors of constant war, they devolve into bitter, selfish Champions of the Chaos Gods. -
Jazz Grupo Musical & Artista Musical Lista
Jazz Grupo musical & Artista musical Lista Sexteto do Jô https://pt.listvote.com/lists/music/artists/sexteto-do-j%C3%B4-10370875/albums Nick Fatool https://pt.listvote.com/lists/music/artists/nick-fatool-1985385/albums Carlos del Junco https://pt.listvote.com/lists/music/artists/carlos-del-junco-911064/albums Bill Dowdy https://pt.listvote.com/lists/music/artists/bill-dowdy-862067/albums Victor Recording Orchestra https://pt.listvote.com/lists/music/artists/victor-recording-orchestra-7926275/albums Paleka https://pt.listvote.com/lists/music/artists/paleka-2930241/albums Frank Luther https://pt.listvote.com/lists/music/artists/frank-luther-1443687/albums Royal Swingers https://pt.listvote.com/lists/music/artists/royal-swingers-10657486/albums The Ingenues https://pt.listvote.com/lists/music/artists/the-ingenues-16367/albums Eckart Kahlhofer https://pt.listvote.com/lists/music/artists/eckart-kahlhofer-1281340/albums Wetle Holte https://pt.listvote.com/lists/music/artists/wetle-holte-7990130/albums Betinho & Seu Conjunto https://pt.listvote.com/lists/music/artists/betinho-%26-seu-conjunto-16498104/albums Malika Zarra https://pt.listvote.com/lists/music/artists/malika-zarra-6743655/albums Chelsea Bridge https://pt.listvote.com/lists/music/artists/chelsea-bridge-16826439/albums The Gilbert's Feed Band https://pt.listvote.com/lists/music/artists/the-gilbert%27s-feed-band-10381411/albums Don Thompson https://pt.listvote.com/lists/music/artists/don-thompson-1239549/albums Dinerral Shavers https://pt.listvote.com/lists/music/artists/dinerral-shavers-5278053/albums -
Romania-Europe-In-Miniature.Pdf
FOREWORD Romanians, Hungarians, Germans, Roma, Ukrainians, Turks, Tatars, Albanians, Armenians, Bulgarians, Croats, Greeks, Jews, Italians, Poles, Lippovan Russians, Serbs, Slovaks, Czechs, Macedonians, Ruthenians – they are citizens of Romania in 2005 and before long citizens of the European Union. Romania’s large array of national minorities, who intermingled for centuries with the majority population, inspired us to conceive Romania as a small scale reproduction of the European mosaic of ethnicities, languages, cultures, beliefs and traditions. This is why we intituled this book Romania, a Europe in miniature. We are bound to Europe through the respect and the openness towards ethno-cultural diversity and the commitment to the same values; therefore we believe in the value we can add to the European human and cultural heritage. Since this is a book about national minorities, it is worth mentioning that the Romanian experience in managing interethnic relations is internationally recognised as a positive practice. Cooperation with other countries and European institutions and organisations in the field is extremely rewarding. The statute of national minorities in Romania is carefully observed since it is one of the political criteria Romania needed to fulfil for accession to the European Union. The steps taken so far have been appreciated accordingly and brought Romania closer to the integration in the European Union. We dedicate this publication to the event of 25 April 2005 when Romania signed the Treaty for accession to the European Union, an event celebrated both by majority population and national minorities. We thank all who made a contribution to producing this publication, launched on Europe Day and included in the Diversity Week in Romania. -
CROMOHS Vol 21 (2017–2018) Table of Contents
CROMOHS Vol 21 (2017–2018) Full Issue View or download the full issue PDF Table of Contents From Comparative to Global History: Assessing Relational Approaches to the Past Ed. by Giovanni Tarantino Foreword PDF Giovanni Tarantino Entanglements, Political Communication, PDF and Shared Temporal Layers Margrit Pernau and Luc Wodzicki 1-17 Disciplinarity and Forgetfulness: PDF On the Older Historiography of Global Connections Henning Trüper 18-29 Forum Circulation of People, Circulation of Objects, across South Eastern Europe and the Ottoman Empire, Seventeenth to Nineteenth Centuries ed. by Giulia Calvi Introduction PDF Giulia Calvi 30-35 ‘This is their profession:’ Greek Merchants in Transylvania PDF at the End of the Seventeenth Century Maria Pakucs 36-54 Healing, Translating, Collecting. Doctor Michelangelo Tilli PDF across the Ottoman Empire (1683-85) Giulia Calvi 55-69 Greek as Ottoman? Greek Language, Ottoman Empire PDF and the Danubian Principalities Michał Wasiucionek 70-89 ‘Le Coquin Grec’ vs. ‘le Véritable François.’ Being a Foreigner PDF in the Danubian Principalities, Eighteenth Century Constanţa Vintilă-Ghiţulescu 90-105 Iordache Filipescu, the ‘Last Great Boyar’ of Wallachia and His Heritage: A World PDF of Power, Influence and Goods Nicoleta Roman 106-122 Historians and Their Craft Interview with Sanjay Subrahmanyam PDF Daniel Barbu 123-132 Global Intellectual History: Some Reflections on Recent Publications PDF Ann Thomson 133-138 Reviews and Critical Notes Belich, J., J. Darwin, M. Frenz, C. Wickham, eds, The Prospect of Global PDF History, Oxford: Oxford University Press, 2016 Serena Ferente 139-142 Calasso, Giovanna and Giuliano Lancioni, eds, Dār al-islām/dār al-ḥarb. PDF Territories, People, Identities, Leiden-Boston: Brill 2017 Caterina Bori 143-149 Cohen-Hanegbi, Naama and Piroska Nagy, eds. -
The Saxon News
THE SAXON NEWS Published by The Alliance of Transylvanian Saxons Home Offi ce: 5393 Pearl Road Cleveland, Ohio 44129-1597 Tel: (440) 842-8442 Celebrating over 100 years of Saxon Fraternalism ATS Founded in 1902 October 2, 2020 Issue 20 and leaving the facility as well as keep- BRANCH 4, CLEVELAND ing the mandated distance. Out Taco By Joan Miller-Malue Tuesdays have been doing well since we have the garden patio opened for PRESIDENT’S Social isolation is a diffi cult challenge. We the dining. keep our distance not only to help fl atten the We will have our Annual Clambake MESSAGE curve but also to show love and concern for the on Friday, October 9th in the garden. welfare of others. Our last monthly meeting was Tickets must be purchased in advance By Denise Aeling in January. We have missed our social contact by contacting the Sachsenheim, 216- Crawford with our members through Spring and Summer 651-0888. Clambake with half chicken ATS Nat’l President months. Now we are in our next season and still is only $20.95; Clambake with Strip are cautious of what is the best for our members Steak is $24.95 and extra dozen of that attend our monthly meetings. President clams is $6.50. Must contact the Sach- I can’t believe that it’s October already! The Weber, being in the medical fi eld, wants to heed nd senheim by October 2 to purchase stores are loaded with Halloween decorations to caution so has cancelled the October Branch your tickets.