Presidents Notes N1EZH Barry Kennedy Presidents Monthly Message for December 2014 from Barry – N1EZH
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The Naked Spur: Classic Western Scores from M-G-M
FSMCD Vol. 11, No. 7 The Naked Spur: Classic Western Scores From M-G-M Supplemental Liner Notes Contents The Naked Spur 1 The Wild North 5 The Last Hunt 9 Devil’s Doorway 14 Escape From Fort Bravo 18 Liner notes ©2008 Film Score Monthly, 6311 Romaine Street, Suite 7109, Hollywood CA 90038. These notes may be printed or archived electronically for personal use only. For a complete catalog of all FSM releases, please visit: http://www.filmscoremonthly.com The Naked Spur ©1953 Turner Entertainment Co., A Warner Bros. Entertainment Company. The Wild North ©1952 Turner Entertainment Co., A Warner Bros. Entertainment Company. The Last Hunt ©1956 Turner Entertainment Co., A Warner Bros. Entertainment Company. Devil’s Doorway ©1950 Turner Entertainment Co., A Warner Bros. Entertainment Company. Escape From Fort Bravo ©1953 Turner Entertainment Co., A Warner Bros. Entertainment Company. All rights reserved. FSMCD Vol. 11, No. 7 • Classic Western Scores From M-G-M • Supplemental Liner Notes The Naked Spur Anthony Mann (1906–1967) directed films in a screenplay” and The Hollywood Reporter calling it wide variety of genres, from film noir to musical to “finely acted,” although Variety felt that it was “proba- biopic to historical epic, but today he is most often ac- bly too raw and brutal for some theatergoers.” William claimed for the “psychological” westerns he made with Mellor’s Technicolor cinematography of the scenic Col- star James Stewart, including Winchester ’73 (1950), orado locations received particular praise, although Bend of the River (1952), The Far Country (1954) and The several critics commented on the anachronistic appear- Man From Laramie (1955). -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Joseph Waters
Transcript of oral history interview with Joseph Waters Gladstone/ Maplewood Fire Department, 1980-2007 by Kate Cavett of HAND in HAND Productions and Bob Jensen, President, Maplewood Area Historical Society for the Maplewood Area Historical Society December 16, 2013 at HAND in HAND Productions’ office in Saint Paul, Minnesota 1 © Maplewood Area Historical Society 2014 This project has been made possible by the Arts and Cultural Heritage Fund through the vote of Minnesotans on November 4, 2008. Administered by the Minnesota Historical Society. All pictures are from the Waters family and Maplewood Area Historical Society 2 ORAL HISTORY Oral History is the spoken word in print. Oral histories are personal memories shared from the perspective of the narrator. By means of recorded interviews oral history documents collect spoken memories and personal commentaries of historical significance. These interviews are transcribed verbatim and minimally edited for accessibility. Greatest appreciation is gained when one can listen to an oral history aloud. Oral histories do not follow the standard language usage of the written word. Transcribed interviews are not edited to meet traditional writing standards; they are edited only for clarity and understanding. The hope of oral history is to capture the flavor of the narrator’s speech and convey the narrator’s feelings through the timbre and tempo of speech patterns. An oral history is more than a family tree with names of ancestors and their birth and death dates. Oral history is recorded personal memory, and that is its value. What it offers complements other forms of historical text, and does not always require historical corroboration. -
PROFILE Book 'Rank and O Host: Staughton Lynd's Nyder
page 6 ad lib thursday, September 14, 1978 Nelson, Taml Luchow and Elizabeth Taylor. A visit to Studio 54, New York's most popular disco will also be presented. (Premiere) DTDODIldlSlW CONTEMPORARY NEBRASKA ART AND ARTISTS O JOKER'S WILD 6:00 UO MONDAY NIGHT AT THE MOVIES 'Audrey Rose' Stars: concerts Marsha Mason, Anthony OPERATION Hopkins. An unsuspecting couple are suddenly confronted PETTICOAT by a man claiming that their daughter was really his daughter In her previous life. (2 hrs., IS When Lt. Cmdr. Mike Haller mins.) (Robert Hogan) needs emergency O Q MONDAY NIGHT surgery, the nurses have to play FOOTBALL Baltimore Colts vs i' "J J ' ' doctor and the lives of the Sea New England Patriots (2 hrs., 45 .. - mins.) ' Y . ' ' in Tiger's crew are also placed 0 M.A.S.H. Hawkeye un- jeopardy as command is transferred dergoes a drastic change when to Lt. Mike Bender he becomes temporary com- l!''''''"'x the bungling mander of the 4077th and learns on ABC-T- V (Randolph Mantooth) the the bureaucracy and ac- comedy series 'Operation Petticoat,' companying headaches that Col. returning Monday, Sept. 18. Potter deals with daily. (Season In the crew is Premiere) 'Operation Spleen,' THE with of (Bffi FABULOUS SIXTIES faced the problem reaching Nixon's inauguration, the Super the only one who can perform the Bowl and the Apollo moon lan- critical operation, an old Greek ding are among the subjects with a bad heart covered in 1969. (60 mins.) doctor who, -- m MOVIE (ORAMA)'Vi "Story unfortunately, lives on an island ofa Woman" 1969 Robert Stack, taken over by the Japanese Imperial Blbl Anderson. -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
DUISTER VERLEDEN 2 PULPFICTION SCHRIJVERS WESTERNS NOIRS EN ANDERE VERHALEN © Copyright & Verantwoordelijke Uitgever Walter A.P
Walter A.P. Soethoudt DUISTER VERLEDEN 2 PULPFICTION SCHRIJVERS WESTERNS NOIRS EN ANDERE VERHALEN © Copyright & verantwoordelijke uitgever Walter A.P. Soethoudt Walter A.P. Soethoudt DUISTER VERLEDEN 2 Pulpfiction schrijvers westerns noirs en andere verhalen De consequenties van onze goede daden achtervervolgen ons onverbiddelijk en zijn vaak moeilijker te dragen dan die van onze slechte. Marie von Ebner-Eschenbach INHOUD DEEL 1 Pulpfiction schrijvers 7 Cornell Woolrich: poëet van de schaduwen 9 Robert Bloch: De meester van het kwaad 69 Marjorie Bowen: kon met haar pen nauwelijks haar geest volgen 145 Charles Einstein: terwijl de stad slaapt 175 Charles Francis Coe: toen noir nog drama werd genoemd 187 Lionel White: gesmaakt door de avant-garde 201 Lucy Malleson: de vrouw die verstoppertje speelde 217 Chandler in Hollywood 233 Tiffany Thayer: poltergeisten en andere abnormale fenomenen 299 Leo Rosten: de waarheid is vreemder dan fictie 327 Rufus King: dramatische voorloper 341 Cyril McNeile: De schrijver van Bulldog Drummond was 367 geen nette heer DEEL 2 391 Westerns noirs Van Rio Bravo, Rio Lobo, El Dorado tot Les insoumis 393 Luke Short: De cowboy die een zwartkijker was 409 C.S. Boyles, jr.: Een man met vele namen 421 Niven Bush 427 Jesse en Frank James: populaire boeven 435 Sam H. Rolfe: Het begin van een grote vriendschap 439 Stuart N. Lake: hield Wyatt Earp in leven 441 6 duister verleden 2 DEEL 3 Andere filmverhalen 455 Pierre Louÿs: De vrouw en de ledenpop 457 De Shaffer tweeling 473 De wind in de wilgen 479 De laatste dagen van Pompeii 485 Wat gebeurde er met A Month in the Country? 489 The Yellow Rose of Texas 495 Ieder zijn vergif 505 DEEL 1 PULPFICTION SCHRIJVERS Cornell Woolrich: poëet van de schaduwen “I want her back. -
AFI PREVIEW Is Published by the Sat, Jul 9, 7:00; Wed, Jul 13, 7:00 to Pilfer the Family's Ersatz Van American Film Institute
ISSUE 77 AFI.com/Silver AFI SILVER THEATRE AND CULTURAL CENTER JULY 8–SEPTEMBER 14, 2016 44T H AFI LIFE ACHIEVEMENT AWARD HONOREE A FILM RESTROSPECTIVE THE COMPOSER B EHIND THE GREAT EST A MERICAN M OVIES O F OUR TIME PLUS GLORIOUS TECHNICOLOR ★ ’90S C INEMA N OW ★ JOHN C ARPENT E R LOONEY TUNES ★ KEN ADAM REMEMBERED ★ OLIVIA DE HAVILLAND CENTENNIAL Contents AFI Life Achievement Award: John Williams AFI Life Achievement Award: July 8–September 11 John Williams ......................................2 John Williams' storied career as the composer behind many of the greatest American films and television Keepin' It Real: '90s Cinema Now ................6 series of all time boasts hundreds of credits across seven decades. His early work in Hollywood included working as an orchestrator and studio pianist under such movie composer maestros as Bernard Herrmann, Ken Adam Remembered ..........................9 Alfred Newman, Henry Mancini, Elmer Bernstein and Franz Waxman. He went on to write music for Wim Wenders: Portraits Along the Road ....9 more than 200 television programs, including the groundbreaking anthology series ALCOA THEATRE Glorious Technicolor .............................10 and KRAFT TELEVISION THEATRE. Perhaps best known for his enduring collaboration with director Steven Spielberg, his scores are among the most iconic and recognizable in film history, from the edge-of-your- Special Engagements .................. 14, 16 seat JAWS (1975) motif to the emotional swell of E.T. THE EXTRA-TERRESTRIAL (1982) and the haunting UCLA Festival of Preservation ...............14 elegies of SCHINDLER'S LIST (1993). Always epic in scale, his music has helped define over half a century of the motion picture medium. -
Oregon EMS Conference 2010
2 www.oregonemsconference.com Greetings from the Oregon EMS Conference Committee 2010 is shaping up to be quite the year for new events both locally and nationally. We’ve seen a number of high profile fire service management personnel within our state retire or change positions this year. We’ve seen Medicare (or should I say CMS) reimbursements go down and up in a few short months and we’ve seen historic disasters at home and around the Oregon EMS world. Conference 2010 And now your Oregon EMS Conference is having a number of “firsts” in Excellence in Education 2010. CONFERENCE LOCATION For the first time Salem, the State Capital, will be the host of The Oregon Salem Conference Center EMS Conference. The Salem Conference Center is shaping up to be a 200 Commercial St SE great facility to host what is the largest EMS Conference in Oregon. For that Salem, OR 97301 matter we are the only centralized EMS conference on the West Coast. www.salemconferencecenter.org Another first is our keynote speaker, Randolph Mantooth, (Johnny Gage The Grand Hotel (attached to the from the show Emergency), who will be making his debut for the first time. Salem Conference Center) Randolph’s character Johnny Gage and his partner Roy DeSoto (played www.phoenixgrandhotel.com by Kevin Tighe) were the motivation for thousands of folks to become 877-540-7800 (Say you are with paramedics and enter the world of EMS. While these actors played the role, the Oregon EMS Conference) it was really Jame’s Page the Grandfather of EMS that was the nuclei for the movement of pre-hospital care as we know it today. -
Changes at Honeycreek Will Impact Lowell's Chapter 1 Program by Thad Kraus Lowell Ledger Editor "We Depend a Lot on Fi- Nity
250 Volume 17, Issue 33 Wednesday, June 30,1993 Changes at Honeycreek will impact Lowell's Chapter 1 program By Thad Kraus Lowell Ledger Editor "We depend a lot on fi- nity. "Cift income permits us doing our job; two, Kent Critters says a decision on said. nancial gifts from the to continue to operate," he County Community of Men- what option to use will be A decision to relocate the Exploding needs and community to operate our S9 said. tal Health is doing its job; and made by the end of the sum- students to Pine Rest is not a shrinking resources have million budget," Critter says. Wedgwood provides ser- three, kids and adolescents can mer. reflection on Lowell Schools, united Wedgwood Christian "We can provide services for vices for 200 West Michigan better be served in homes If students are removed the executive director said. Youth and Family Services these children at about 25 kidson any given day. Critters closer to their communities," from the Honeycreek cam- "Just the opposite, Lowell and Honeycreek Christian percent of the cost to put them is proud to point out that there Critter explained. pus, the facility would then Schools have been outstand- in a state or psychiatric hos- are no children or adolescents The two facilities working be open to and for church Homes in order to provide Honeycreek, cont'd., p^. 8 better stewardship of funds. pital." from Kent County in a state as one allows them to operate operations and possibly hous- While it is not yet official, Critter said Wedgwood hospital. -
4. You Only Live Twice
YOU ONLY LIVE TWICE UK/1967/117mins/adv12A Dir: Lewis Gilbert With: Sean Connery, Akiko Wakabayashi, Mie Hama Waylay any passer-by in the street and ask them to respond to the phrase ‘Bond villain’, and you’ll likely receive a mixture of replies: Oddjob’s hat; Jaws’ steel gnashers; Scaramanga’s nipple; Blofeld’s pussy. There’s every chance, though, that the first three words you’ll hear from most will be “hollowed-out volcano”. With the Carry Ons, Hammer horror, and the Beatles all hitting box-office peaks, the mid 1960s for once saw something of a boom in commercial British film fortunes. Of course there are always doom merchants hovering, and doubtless those craving ‘art’, respectability, significance from cinema were up in arms about the success of our low-class franchises. So the international attention and global influence grabbed by Cubby Broccoli’s ‘James Bond’ productions can’t have met with joy in certain quarters. Eager paying punters the world over couldn’t wait for the next instalment, and in 1966 with the World Cup safely in the bag and ‘Sunny Afternoon’ jauntily spinning on everybody’s turntable, YOU ONLY LIVE TWICE was already underway. The pressure was on. This was to be the most ambitious, vast Bond to date, with a Far Eastern location, beyond-ginormous Ken Adam sets, and a plan to go out of this world. And it was already booked into U.K. cinemas for June 13th 1967. Adding to the expanding list of problems (time-consuming aerial exploratory ‘recces’ seeking non-existent Japanese coastal castles, inability of cast members to speak English, Jan Werich being fired after five days as an ineffectual Blofeld and the major production heads avoiding death when after hastily changing flight plans, their originally scheduled plane crashed 25 minutes after take off), regular scriptwriter Richard Maibaum was unavailable for the first time. -
Mcswain-Dart-Article.Pdf
'T1 DART The McSwain Dart is a twelve cm. The pre-hospital care of tension latest model has a highly machine( long, 16 french, polyvinyl catheter over a pneumothorax has been clouded in catheter over metal stilet which can b( sharp metal stilet. It is intended to pro- controversy. This controversy has easily inserted. Additionally, a radio vide a rapid method of treating tension centered on whether or not tension paque stripe will soon be added to th( pneumothorax in either the pre or in- pneumothorax should be treated in the catheter to facilitate x-ray evaluation o hospital setting. This uniquely designed field, and if so, using what! Some of this the catheter and location. Lastly, one o catheter provides a device that can be hesitancy seems to stem from a lack of a the dart's greatest advantages is that i rapidly inserted; then flanged open to se- simple, safe, reliable, and effective de- provides not only a temporary, but ir cure in place. After removal of the vice for use by appropriately trained many cases, a definitive means o introducing stilet, a one way Heimlich paramedics. The McSwain Dart seems treating a tension or simple pneumo. valve completes the system. to fill that void. Experience by one pre- thorax. Thus while the decision to treat oi The McSwain Dart represents the first hospital care system (Bellingham, not to treat, pre-hospital, must be left ur device solely designed for treating Washington) is over eighteen field inser- to each system, that decision may hav( simple and tension pneumothorax. -
A Letter from the Publisher
Vol. 2, Issue 44 June 3, 2015 A Letter from the Publisher Shekóli. With the United States Congress in the control tween the two men and the high regard Nixon had for of the Republican Party, the close of the last term of argu- Newman—whom he felt would have been a more-famous ably the best president for Indian country ever nearly at football coach had he not been discriminated against for hand, and the 2016 elections looming on the horizon, it being Indian. The combination of personal affinity, in- is worth taking time to explore a notable moment in his- tellectual knowledge and a nose for sensible policy con- tory. In this week’s issue, ICTMN columnist and UCLA tributed in making Nixon the standard by which all U.S. Professor Duane Champagne writes about the politician presidents are judged when it comes to Indian affairs. who changed U.S. policy towards Native nations for the better: GOP President Richard M. Nixon. “Nixon’s pol- It is worth remembering that for Native nations, there icy change toward tribal self-determination was a land- are beneficial policies on both sides of the political aisle. mark initiative in Indian policy,” writes Champagne, “and Hallmark Republican policies—less governmental in- has characterized federal policy ever since.” terference and bureaucracy, more control at the local level—can be leveraged for the greater good of the U.S. In the recent book The Last Great Battle of the Indian and for Indians. As election season approaches, political Wars, author and ICTMN contributor Mark Trahant re- campaigns that seek Native support will be wise to craft counts how Forest Gerrard, the Blackfeet advisor to Sena- effective policies and messages that have worked in the tor Henry “Scoop” Jackson, crafted the policy presented past and will work again.