DOCSLIB.ORG

£7.50 a Report on Our Flow Gives Us a Report on Our First Marathon of a Report of a Recent Social Held for Show Held in Milton Show Funded by Juniors Keynes

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
£7.50 a Report on Our Flow Gives Us a Report on Our First Marathon of a Report of a Recent Social Held for Show Held in Milton Show Funded by Juniors Keynes SPRING 2010 ISSUE 89 ISSN - 1359-4893 Page 14 Page 24 Page 36 A Marathon of a Flo’s Clownability Junior Social Show Show Pippa gives us a £7.50 A report on our Flow gives us a report on our first marathon of a report of a recent social held for show held in Milton show funded by Juniors Keynes. our Clownability Fund. 2 Contents 2 Content and Picture Index 32 Looking Up From Down Under 3 Editor’s Thoughts 33 Bonzo’s Bit...cont 4 Chairman’s Chatter 34 Serious Small Thoughts 5 Chairman’s Chatter...cont 36 Junior Christmas Social 6 The 34th Festival International Du Cirque 37 Your Photos 2 7 The 34th Festival International 38 Missive from Leipzig 1 from Hilary Chaplian Du Cirque...cont 39 Missive from Leipzig 1 from 8 A Thank You & To be Hilary Chaplian...cont Remembered Every Year 40 From the Notebook of the Custard Clowns 9 Bonzo’s Bit 41 From the Notebook of the 10 Greetings From Across The Pond Custard Clowns...cont 11 Greetings From Across The Pond...cont 42 Missive from Leipzig 2 from Hilary Chaplian 12 Humour from the Net: The 43 Missive from Leipzig 2 from Latest Darwin Awards Hilary Chaplian...cont 13 Humour from the Net: The Latest 44 Junior Christmas Social Comments Darwin Awards...cont 45 Bonzo’s Bit...cont 14 Milton Keynes Marathon Clown Show 46 Bubblz the Maths Clown 15 Your Photos 1 47 Bubblz the Maths Clown...cont 17 Hal Brooks - Royalty and The Guild 48 The Uplifting Programme 18 Hal Brooks - Royalty and The Guild...cont 49 The Uplifting Programme...cont 19 Hal Brooks - Royalty and The Guild...cont 50 The Uplifting Programme...cont 20 Hal Brooks - Royalty and The Guild...cont 51 The Uplifting Programme...cont 21 Hal Brooks - Royalty and The Guild...cont 52 Standing Order Form for C.I. 22 Hal Brooks - Royalty and The Guild...cont Annual Subscription 24 Flo’s Clownability Show 53 C.I. Membership Application Form 25 Zazzy Comments 54 The Uplifting Programme...cont 26 Zazzy Comments...cont 55 The Uplifting Programme...cont 26 Junior Colouring Competition 56 The Uplifting Programme...cont 27 Calendar of Events 56 Hey I can do This 28 Clowning from The High Diving Board 57 Hey I can do This...cont 29 Join In 58 C.I. Egg Registration Form 29 Calendar of Events 59 Committee List and Contact Details 30 History Lesson 31 Quips for Kids Picture Index 3 Stevie D 24 Flo (Mother Christmas) 4 Rainbow 25 Zaz from report in paper 10 Toto 25 Zaz 15 The Milton Keynes Group 26 Zaz on unicycle 15 Roly with the aid of Chris Stone and 28 High diving clowns Zaz rehearses his next role 34 BB Bubbles Content and Picture Index 15 Flo as Mother Xmas 34 It’s all to much for BB 15 Jolly Jingle with Dizzy Dez 37 Ally Pally and Silkie and surprized shopper 37 Pepe and Conk 15 Benjo 37 Rainbow 15 Curley Wurley and shopper 37 Dotty 15 EEK gets his marching orders from Conk 37 Junior Party Group Photo 15 Conk blows the whistle 37 Tisha 17 Hal ‘Kirby Drill’ Brooks 40 The Custard Clowns 19 Hal with Ron Moody and Bingo 60 Sonny & Rainbow at Bognor Regis in 1985 21 Hal leading Clowns’ Procession in 1986 Cover - Matthew ‘ZAZ’ Indge Editor - Stephen ‘Stevie D’ Davies Design - Stephen ‘Stevie D’ Davies Printing - Sarsen Press, Winchester Welcome to the first issue of “The Joey” for 2010 and my 3 first issue as Editor and Co-ordinator of our magazine (this may change at the AGM). May I first of all thank Caroline “Bubblz” Ainslie for all her work on “The Joey” and her enthusiasm that she has shown for the role. Believe it or not, when “The Joey” comes through my letter box, it is as fresh to me as it is to you. Until now I have not read all the articles that you send in but just laid them out in the magazine. I hope that this can be the case in the future. I believe our magazine is the best clown magazine around and I’m sure that with your help it will remain in that position. We rely on you, the members, to supply us with articles suitable for publishing and I would like to see more of you supplying items to be inserted into our great magazine. I would also like to see more articles showing how to do tricks or articles about building and using props so here’s your chance. Get writing, taking photo’s etc and let’s see those articles pouring in. Once again thanks to all who contribute to this great magazine. Editor’s Thoughts Stevie D Your magazine needs your input. We need articles/ reports, tricks, prop making and prop use, Hi res images. send to: [email protected] 4 Hello Everyone, A new year again, what should we try and do? As I sit here starting to write this, wondering what I might even write about, the news is on, telling of the dreadful devastating disaster of the Haiti earthquake. So I wonder, what is this sad and happy life all about? So far this New Year I have heard so many bad things about people being ill and passing away - and it’s only the 18th day. As I get older I realise how important it is to enjoy life. I believe we are lucky to be able to share and invite others to enjoy. Talking of enjoying, I have just returned from Monte Carlo where I was fortunate to watch some marvellous exhilarating performances at the 34th Festival International du Cirque de Monte Carlo. I have talked of this great event before, but you have to go and watch to be able to understand how you come away feeling excited and exhilarated. Not only do I feel full of inspiration but a part of me feels scared at the thought I might be back in Monte Carlo in December to perform in the same ring as the wonderful artistes I have just seen. [Ed Note: see separate write-up on this Cirque Festival elsewhere in this issue] I will try and share some moments of magic: as music plays a performer (Alain Allegria), all in white, proudly walks into the ring. As he does so a trapeze falls slowly to his level, he stands on the trapeze and calms himself, balancing (using no hands) as the trapeze rises back up into the roof of the great circus tent. My heart is now pumping a little faster as I watch in astonishment that this man has no harness and has no net below, he is relying on his skill and years of practice, using only his body to swing the trapeze from side to side without holding on. He slows the swing down and turns as he swings the trapeze forward and back, now he kneels while swinging again without holding on. My heart is now gulping: to think, one mistake and this man could fall; then from the roof of the tent, he smiles as he grabs a chair hung on a nearby line. No, no, no, Chairman’s Chatter Chairman’s surely not, I think! Is he mad? He places the chair across the trapeze from front to rear leg at a diagonal, then sits on the chair still swinging, everyone is silent and some cannot watch, now my heart is pumping and I feel hot, amazed and overwhelmed but also glad he comes safely down to ground level. A non traditional clown, Rob Torres, enters. He is dressed in a light blue suite with quarter length trousers, black polished shoes, a small cone shaped cloth hat and a short dark haircut, carrying a box and a small briefcase. He puts down his tools and allows the crowds to clap, as we clap he reaches up for more applause, and more and more he stretches and we clap, he calms us down taking us low to the ground as he picks up the wooden box: he seems to put the applause into it, opening and shutting the box, he works us and laughs himself as he puts our applause into his box. His hat becomes a tool as he throws it and catches it, playing with the audience he throws it out, as the hat is thrown back he plays catch and then places a cross of tape on his hair so that the participant knows exactly where to throw it too, after so many attempts .YES, it lands on his head, with glee the performer runs across to a lady to take off the tape, he screams, shrieks and cries and we laugh. He walks back to the middle taking off his wig; more laughter erupts as he places his wig back on. He opens his brief case and shares its contents: a set of aluminium juggling cups with which he starts to juggle, performing many great tricks, he stops, awaiting applause, then suddenly he traps his thumb between two cups. He screams with pain and walks in pain towards the same lady beckoning her to kiss his thumb better, she does and he is better. He proceeds with his act adding a fourth cup, 5 yet whatever he does he cannot seem to catch that fourth cup, throwing them down and stamping the ground he bangs his nose and creates another reason for the same kiss from the poor lady, we are all in fits of laughter.
Load more

Recommended publications
  • Celebrity Cinema and Hallyu 2.0 Ng Shu Min Chrystal, Nanyang
    Celebrity Cinema and Hallyu 2.0 Ng Shu Min Chrystal, Nanyang Technological University, Singapore Liew Kai Khiun, Nanyang Technological University, Singapore The Asian Conference on Media & Mass Communication 2015 Official Conference Proceedings Abstract Through their realist cinematic portrayals of the traumatic evolution of Korean socio- political landscapes, Korean directors such as Im Kwon-Taek are synonymous with Korean national Cinema. These directors have raised the country’s cultural profile internationally through the film festival circuit. However, with the phenomenal global reach of the “Korean Wave” or Hallyu, film is no longer a singular projection of the image of South Korea. Today, television dramas have overtaken films, flooding television and small mobile screens with attractive faces of Korean celebrities. While several studies have made references to key Korean celebrities, namely Lee Young Ae, Rain and Gianna Jun, there have been fewer efforts to trace these celebrities’ trajectories within films and other platforms. This paper will explore how cinema within the Korean Wave phenomenon contributes to the ecology of the Korean Wave and the roles these celebrities play within this eco system. Keywords: Korean Wave, Hallyu, Korean Cinema, Celebrities, Gianna Jun, Lee Young Ae, Rain, Korean Drama iafor The International Academic Forum www.iafor.org Introduction Through their realist cinematic portrayals of the traumatic evolution of Korean socio- political landscapes, the names of Im Kwon-Taek, Lee Chang Dong and Park Chan- Wook may be synonymous with Korean national Cinema. Featured commonly in the circuits of prestigious international film festivals, reviews and scholarly commentaries, these filmmakers have raised the profile of South Korea’s film culture in the global arena significantly.
    [Show full text]
  • Teaser Memorandum
    Teaser Memorandum The First Half of 2017 Investment Opportunities In Korea Table of Contents Important Notice ………………………………… 1 Key Summary ………………………………… 2 Expected Method of Investment Promotion …………………………… 3 Business Plan ………………………………… 4 Business Introduct ………………………………… 5 License ………………………………… 11 Capacity ………………………………… 12 Market ………………………………… 13 Financial Figures ………………………………… 14 Key Summary Private & Confidential Investment Highlights RBW is a K-POP (Hallyu) contents production company founded by producer/songwriter Kim Do Hoon, Kim Jin Woo, and Hwang Sung Jin, who have produced numerous K-POP artists such as CNBLUE, Whee-sung, Park Shin Hye, GEEKS, 4MINUTE etc. Based on the “RBW Artist Incubating System’, the company researches and provides various K-POP related products such as OEM Artist & Music Production (Domestic/Overseas), Exclusive Artist Production (MAMAMOO, Basick, Yangpa etc.), Overseas Broadcasting Program Planning & Production (New concept music game show/Format name: RE:BIRTH), and K-POP Educational Training Program. With its business ability, RBW is currently making a collaboration with various domestic and overseas companies, including POSCO, NHN, Human Resources Development Service of Korea, Ministry of Labor & Employment, and KOTRA. • Business with RBW’s Unique Artist Incubating •Affiliation Relationship with International Key Factors System Companies Description • With analyzing the artists’ potentials and market trend, every stage for training and debuting artists (casting, training, producing, and album production) is efficiently processed under this system. Pictures Company Profiles Category Description Establishment Date 2013. 8. 26 Revenue 12 Billion Won (12 Million $) (2016) Website www.rbbridge.com Current Shareholder C.E.O. Kim Jin Woo 29.2%, C.E.O. Kim Do Hoon 29.2%, Institutional Investment 31.7%, Executives and Staff Composition 5.6%, Etc.
    [Show full text]
  • Harga Sewaktu Wak Jadi Sebelum
    HARGA SEWAKTU WAKTU BISA BERUBAH, HARGA TERBARU DAN STOCK JADI SEBELUM ORDER SILAHKAN HUBUNGI KONTAK UNTUK CEK HARGA YANG TERTERA SUDAH FULL ISI !!!! Berikut harga HDD per tgl 14 - 02 - 2016 : PROMO BERLAKU SELAMA PERSEDIAAN MASIH ADA!!! EXTERNAL NEW MODEL my passport ultra 1tb Rp 1,040,000 NEW MODEL my passport ultra 2tb Rp 1,560,000 NEW MODEL my passport ultra 3tb Rp 2,500,000 NEW wd element 500gb Rp 735,000 1tb Rp 990,000 2tb WD my book Premium Storage 2tb Rp 1,650,000 (external 3,5") 3tb Rp 2,070,000 pakai adaptor 4tb Rp 2,700,000 6tb Rp 4,200,000 WD ELEMENT DESKTOP (NEW MODEL) 2tb 3tb Rp 1,950,000 Seagate falcon desktop (pake adaptor) 2tb Rp 1,500,000 NEW MODEL!! 3tb Rp - 4tb Rp - Hitachi touro Desk PRO 4tb seagate falcon 500gb Rp 715,000 1tb Rp 980,000 2tb Rp 1,510,000 Seagate SLIM 500gb Rp 750,000 1tb Rp 1,000,000 2tb Rp 1,550,000 1tb seagate wireless up 2tb Hitachi touro 500gb Rp 740,000 1tb Rp 930,000 Hitachi touro S 7200rpm 500gb Rp 810,000 1tb Rp 1,050,000 Transcend 500gb Anti shock 25H3 1tb Rp 1,040,000 2tb Rp 1,725,000 ADATA HD 710 750gb antishock & Waterproof 1tb Rp 1,000,000 2tb INTERNAL WD Blue 500gb Rp 710,000 1tb Rp 840,000 green 2tb Rp 1,270,000 3tb Rp 1,715,000 4tb Rp 2,400,000 5tb Rp 2,960,000 6tb Rp 3,840,000 black 500gb Rp 1,025,000 1tb Rp 1,285,000 2tb Rp 2,055,000 3tb Rp 2,680,000 4tb Rp 3,460,000 SEAGATE Internal 500gb Rp 685,000 1tb Rp 835,000 2tb Rp 1,215,000 3tb Rp 1,655,000 4tb Rp 2,370,000 Hitachi internal 500gb 1tb Toshiba internal 500gb Rp 630,000 1tb 2tb Rp 1,155,000 3tb Rp 1,585,000 untuk yang ingin
    [Show full text]
  • Torn: the Story of a Lithuanian Migrant
    Torn: the story of a Lithuanian migrant By Grazina Pranauskas MA, Faculty of Arts, Deakin University, Geelong. BA (Hons), Faculty of Arts, Deakin University, Geelong. BA, Major Studies in Journalism Studies and Literary Studies, Faculty of Arts, Deakin University, Geelong. BMus. in Choral Conducting, Conservatorium of Music, Vilnius, Lithuania. Submitted in fulfillment of the requirements for the Doctor of Philosophy, College of Arts, Victoria University, Melbourne, 24 November 2014. Abstract This doctorate consists of two parts: a novel Torn and the exegesis: Writing the migrant story: nostalgia, identity and belonging. The novel and theoretical exegesis are intended to complement each other in capturing the 20th century Lithuanian historical and political circumstances that led to Lithuanian emigration to Australia. In my novel and exegesis, my intention has been to explore how the experiences of Lithuanian refugees and migrants differ, especially in relation to nostalgia, identity and belonging, depending on the time and circumstances of their arrival in Australia. Lithuanians came to Australia from the same place geographically, but from a different place in terms of history and politics. My novel is a creative representation of the Lithuanian migrants’ experience in the diaspora. It is set in the 1980s and 90s when the political, socio-economic and cultural environment radically shifted under Mikhail Gorbachev’s policy of perestroika (restructure). Daina, a theatre producer from Soviet Lithuania, comes to Australia to look after her great-uncle, Algis. As a postwar Lithuanian refugee, settled here since the 1940s, Algis has strong views about his Soviet-occupied homeland and its people. He lets Daina know that he hates anything associated with Russia and Russians who, in his opinion, were responsible for killings and deportations of Lithuanians during the war.
    [Show full text]
  • Announcement of 2014 Annual Results Results
    Hong Kong Exchanges and Clearing Limited and The Stock Exchange of Hong Kong Limited take no responsibility for the contents of this announcement, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this announcement. (Incorporated in Hong Kong with limited liability) Stock Code: 00511 ANNOUNCEMENT OF 2014 ANNUAL RESULTS RESULTS HIGHLIGHTS: • Group’s turnover increased by 2%, from HK$5,686 million to HK$5,773 million. • The Group absorbed the high costs of the 2014 FIFA World Cup BrazilTM which increased the cost of sales by 10%, from HK$2,221 million to HK$2,453 million. • Profit attributable to equity holders decreased by 19% from HK$1,738 million to HK$1,410 million. • Notwithstanding the reduction in the profit attributable to equity holders for the year, a final dividend of HK$2.00 per share (2013: HK$2.00 per share) was recommended, making a total dividend of HK$2.60 per share (2013: HK$2.60 per share) for the year. • Based on the disposal of 53% of the Group’s shareholding interests in Liann Yee Production Co., Ltd. announced in January 2015, a special dividend of HK$2.30 per share was further recommended which was based on the net proceeds from the Disposal (after deducting all expenses arising from and/or incidental to the Disposal and all applicable taxes payable from the total consideration). 1 The Board of Directors (“Board”) of Television Broadcasts Limited (“Company” or “TVB”)
    [Show full text]
  • Sunday Morning Grid 11/9/14 Latimes.Com/Tv Times
    SUNDAY MORNING GRID 11/9/14 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) The NFL Today (N) Å Paid Lucky Dog Dr. Chris Changers Paid Inside Edit. 4 NBC News (N) Å Meet the Press (N) Å News (N) Paid F1 Formula One Racing Brazilian Grand Prix. (N) Å F1 Post 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) News (N) News Å Vista L.A. Explore Paid 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX Paid Joel Osteen Fox News Sunday FOX NFL Sunday (N) Football 49ers at New Orleans Saints. (N) Å 13 MyNet Paid Program Chronicles of Narnia 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Como Local Jesucristo Local Local Gebel Local Local Local Local Transfor. Transfor. 24 KVCR Painting Dewberry Joy of Paint Wyland’s Paint This Painting Cook Mexico Cooking Cook Kitchen Ciao Italia 28 KCET Raggs Space Travel-Kids Biz Kid$ News Asia Biz Ed Slott’s Retirement Rescue for 2014! (TVG) Å Healthy Hormones 30 ION Jeremiah Youssef In Touch Hour Of Power Paid Program Criminal Minds (TV14) Criminal Minds (TV14) 34 KMEX Paid Program República Deportiva (TVG) Fútbol Fútbol Mexicano Primera División Al Punto (N) 40 KTBN Walk in the Win Walk Prince Redemption Liberate In Touch PowerPoint It Is Written B. Conley Super Christ Jesse 46 KFTR Tu Dia Fórmula 1 Fórmula 1 Gran Premio de Brasil.
    [Show full text]
  • Machine Girl
    Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2020 Machine Girl Yutong Liu Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Graphic Design Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/6299 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. & LOVE CODE MACHINE GIRL MACHINE GIRL A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Design, Visual Communication at Virginia Commonwealth University. YUTONG LIU Virginia Commonwealth University Master of Fine Arts Design/Visual Communication Richmond, Virginia May 2020 Luxun Academy School of Fine Arts Bachelor of Fine Arts Visual Communication Design Dalian, China June 2017 Main Advisor JAMIE MAHONEY Assistant Chair/Assistant Professor Department of Graphic Design School of the Arts Virginia Commonwealth University Secondary Advisor LAUREN THORSON Assistant Professor Department of Graphic Design School of the Arts Virginia Commonwealth University External Advisor PAM TURNER Associate Professor Department of Kinetic Imaging School of the Arts Virginia Commonwealth University 2 3 “ It starts from touch; It is generated by touch; It communicates through touch; It will be end with touch. ” “ When you sit in front of the screen, you become me. ” MACHINE GIRL CONTENT CONTENT INTRODUCTION 10 REMEMBER, MIMIC AND LOVE 13 STORAGE, FILL IN MY MEMORY 21 LOVE, EASY to DEFINE, HARD to EXPRESS 33 SPACE, LIVING IN THE DARK, BORN IN YOUR SHADOW 41 MIRROR, THIS MACHINE IS A GIRL 51 Love is loading..
    [Show full text]
  • Sunday Morning Grid 11/16/14 Latimes.Com/Tv Times
    SUNDAY MORNING GRID 11/16/14 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) The NFL Today (N) Å Paid Program Courage in Sports (N) 4 NBC News (N) Å Meet the Press (N) Å News (N) Noodle Noodle Auto Racing Spartan Race (N) Å 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) News (N) Jack Hanna Ocean Mys. Sea Rescue Wildlife 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX Paid Program Fox News Sunday FOX NFL Sunday (N) Football 49ers at New York Giants. (N) Å 13 MyNet Paid Program Veterans Day Pirates of the Caribbean 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Como Local Jesucristo Local Local Gebel Local Local Local Local Transfor. Transfor. 24 KVCR Painting Dewberry Joy of Paint Wyland’s Paint This Painting Cook Mexico Cooking Chefs Life Kitchen Ciao Italia 28 KCET Raggs Space Travel-Kids Biz Kid$ News Asia Biz Healing ADD With Dr. Daniel Amen, MD Younger Heart 30 ION Jeremiah Youssef In Touch Hour Of Power Paid Program Criminal Minds (TV14) Criminal Minds (TV14) 34 KMEX Paid Program República Deportiva (TVG) Premios Bandamax 2014 Hotel Todo Al Punto (N) 40 KTBN Walk in the Win Walk Prince Redemption Liberate In Touch PowerPoint It Is Written B. Conley Super Christ Jesse 46 KFTR Tu Dia Tu Dia Superman Returns ››› (2006) Brandon Routh, Kate Bosworth.
    [Show full text]
  • “Ghosts Within Us”: a Study of Women Writers of Gothic Modernism By
    “Ghosts Within Us”: A Study of Women Writers of Gothic Modernism By Nihad Laouar Canterbury Christ Church University Thesis submitted For the Degree of Doctor of Philosophy 2019 i ii Acknowledgments I would like to thank my first supervisor, Dr Andrew Humphries, for his unfailing help and support throughout this project. His hard work, patience, enthusiasm, guidance and encouragement are what have made this project possible. I would also like to thank my second supervisor Prof. Carolyn Oulton for her support, unstinting encouragement, and continued belief in my project. My thanks also go to all my family, friends and colleagues who have supported me in this project and who patiently have listened to my endless talks about the Gothic. Finally, I would like to extend my thanks to the Algerian Ministry of Higher Education and Scientific Research for their funding that enabled me carry out this research in Modernist and Gothic literature. i 1 Abstract This thesis offers a reading of Modernist narratives by British women writers through Gothic lens. The ostensible archaic mode of the Gothic that Modernism endeavoured to throw away returns from the repressed to haunt Modernist fiction. Women writers that this thesis examines, show the importance of this writing mode. Through its elastic elements, the Gothic continues to live in the early twentieth century. This thesis shows how women writers adapt Gothic tropes to engage with their own and their age’s anxieties between the fin de siècle and the 1930s. This study shows how the Gothic communicates historical and gender concerns from women’s perspective with the aim to establish a women’s voice within the field of Gothic Modernism.
    [Show full text]
  • The Simple Way to Buy and Sell TV Rights Online
    Asia TBIvision.com November 2015 how do you buy a cooking show in less time than it takes to boil an egg? the simple way to buy and sell TV rights online visit trx.tv or ATF stand J08 pOFC Asia15.indd 1 16/11/2015 18:04 pIFC Televisa Asia15.indd 1 16/11/2015 10:20 TBI Asia 2015 Contents 2 TBI interview: Janice Lee, Viu The managing director of Hong Kong telecom company PCCW’s media arm tells TBI about Asia’s latest OTT service 4 New business in China Television companies are exploiting their programming in China, as the country’s appetite for international content grows 6 Viewpoint: Howard Myers British unscripted producer Howard Myers on his relocation to 2 4 Australia, and what the market Down Under looks like 8 Monitor: The QYou The new pay channel is bridging the gap between traditional subscription TV platforms and millennial-focused online video 10 Data: digital driving Asian evolution Ismail Patel from TBI stablemate research firm Ovum on where the growth in Asia is expected to come from 12 Buyers briefing: Sony Pictures Television Programming boss Virginia Lim on the various content needs at Sony Pictures Television Networks Asia 14 ATF preview TBI talks to distributors old and new heading to Asia’s premier 14 content confab, the Asia TV Forum & Market 20 Australia’s drama landscape From soaps to significant scripted: Australia’s drama producers are 26 now focusing high-end efforts. TV Tonight’s David Knox reports 26 Animated in Asia: high five Original content is now the name of the game for Asia’s leading toon producers.
    [Show full text]
  • Bowmggreenstaft I
    THE YANKEE FIGURE IN EARLY AMERICAN. THEATRE PRIOR TO 1820 Charles â\ Schultzs A Dissertation Submitted to the Graduate School of Bowling Green State University In partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August, 1970 BOWMGGREENSTAft I © 1971 CHARLES ALBERT SCHULTZ ALL RIGHTS RESERVED ABSTRACT The purpose of this study was to trace the development of the Yankee figure In American drama prior to 1820 to determine if his character served as a prototype for the pop­ ular stage Yankee specialists of the l820’s-40's. Six early American plays, the only one's extant, containing the Yankee figure were analyzed: The Contrast. The Politician Out-Wltted. Tears and Smiles. Fashionable Follies. Love and Friendship, and The Yankey in England. Early non-dramatic forms, both European and American were examined, as well as the acting of the Yankee character before 1820. The Yankees in the six early scripts demonstrated general characteristics which were definitely similar to those developed by the later Yankee specialists. Apparently, the early stage Yankee figure was influenced in its develop­ ment by similar comic types created by American as well as European authors. Although the early Yankee actors followed to a degree the elevated acting style of foreign predecessors, they employed a somewhat more natural acting style. Without doubt, the early Yankee actors were inspirational instigators of a development in American comedy identified with a strong native realistic style, and they provided a variety of models on which the Yankee specialists of the l820's-40's could draw. TABLE OF CONTENTS INTRODUCTION ...............................................
    [Show full text]
  • Oral Tradition 26.1
    _____________________________________________________________ Volume 26 March 2011 Number 1 _____________________________________________________________ Editor Associate Editor for OT John Miles Foley John Zemke IT Manager Managing Editor Mark Jarvis Justin Arft Associate Editor for ISSOT Editorial Assistants Darcy Holtgrave Morgan Grey Peter Ramey Sarah Zurhellen Please direct inquiries to: Center for Studies in Oral Tradition University of Missouri 243 Walter Williams Hall Columbia, MO 65211 USA +573.882.9720 (ph) +573.884.0291 (fax) [email protected] E-ISSN: 1542-4308 Each contribution copyright © 2011 by its author. All rights reserved. The editors and the publisher assume no responsibility for statements of fact or opinion by the authors. Oral Tradition (http://journal.oraltradition.org) seeks to provide a comparative and interdisciplinary focus for studies in oral tradition and related fields by publishing research and scholarship on the creation, transmission, and interpretation of all forms of oral traditional expression. In addition to essays treating certifiably oral traditions, OT presents investigations of the relationships between oral and written traditions, as well as brief accounts of important fieldwork, and occasional transcriptions and translations of oral texts. In addition, issues will include the annual Albert Lord and Milman Parry Lecture on Oral Tradition. Submissions should follow the list-of-reference format (http:// journal.oraltradition.org/files/misc/oral_tradition_formatting_guide.pdf) and may be sent via e-mail ([email protected]); all quotations of primary materials must be made in the original language(s) with following English translations. If appropriate, please describe any supporting materials that could be used to illustrate the article, such as photographs, audio recordings, or video recordings.
    [Show full text]