DOCSLIB.ORG

Oral Tradition 26.1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Oral Tradition 26.1 _____________________________________________________________ Volume 26 March 2011 Number 1 _____________________________________________________________ Editor Associate Editor for OT John Miles Foley John Zemke IT Manager Managing Editor Mark Jarvis Justin Arft Associate Editor for ISSOT Editorial Assistants Darcy Holtgrave Morgan Grey Peter Ramey Sarah Zurhellen Please direct inquiries to: Center for Studies in Oral Tradition University of Missouri 243 Walter Williams Hall Columbia, MO 65211 USA +573.882.9720 (ph) +573.884.0291 (fax) [email protected] E-ISSN: 1542-4308 Each contribution copyright © 2011 by its author. All rights reserved. The editors and the publisher assume no responsibility for statements of fact or opinion by the authors. Oral Tradition (http://journal.oraltradition.org) seeks to provide a comparative and interdisciplinary focus for studies in oral tradition and related fields by publishing research and scholarship on the creation, transmission, and interpretation of all forms of oral traditional expression. In addition to essays treating certifiably oral traditions, OT presents investigations of the relationships between oral and written traditions, as well as brief accounts of important fieldwork, and occasional transcriptions and translations of oral texts. In addition, issues will include the annual Albert Lord and Milman Parry Lecture on Oral Tradition. Submissions should follow the list-of-reference format (http:// journal.oraltradition.org/files/misc/oral_tradition_formatting_guide.pdf) and may be sent via e-mail ([email protected]); all quotations of primary materials must be made in the original language(s) with following English translations. If appropriate, please describe any supporting materials that could be used to illustrate the article, such as photographs, audio recordings, or video recordings. Oral Tradition publishes such materials online in an eCompanion designed to supplement the texts of articles. Most contributions will be reviewed by at least one specialist reader and one generalist reader before a final decision is reached. Oral Tradition appears twice per year, in March and October. The current issue and all back issues from 1986 onward are available open-access and free-of-charge at http:// journal.oraltradition.org. EDITORIAL BOARD Mark C. Amodio Thomas DuBois Vassar College University of Wisconsin Old and Middle English Scandinavian Patricia Arant Joseph J. Duggan Brown University Univ. of Cal./Berkeley Russian French, Spanish, Comparative Samuel Armistead Alan Dundes (✝) University of California/Davis Univ. of Cal./Berkeley Hispanic, Comparative Folklore Richard Bauman Mark W. Edwards Indiana University Stanford University Folklore, Theory Ancient Greek Dan Ben-Amos David Elmer University of Pennsylvania Harvard University Folklore South Slavic, Ancient Greek Mark Bender Ruth Finnegan Ohio State University Open University Chinese African, South Pacific Mary Ellen Brown Joxerra Garzía Indiana University University of the Basque Country Folklore, Balladry Basque Chogjin Andrew Gerstle Chinese Academy University of London of Social Sciences Japanese Theater, Mongolian, Chinese Performance Literature Bridget Connelly Terry Gunnell University of Cal./Berkeley University of Iceland Arabic Old Norse, Drama Robert P. Creed Thomas Hale Univ. of Mass./Amherst Penn. State University Old English, Comparative African Robert Culley Lee Haring McGill University Brooklyn College, CUNY Biblical Studies African Joseph Harris Gregory Nagy Harvard University Harvard University Old Norse Ancient Greek, Sanskrit, Comparative Lauri Harvilahti Finnish Literature Society Joseph Falaky Nagy Russian, Finnish, Altai Univ. of Cal./Los Angeles Old Irish Lauri Honko (✝) Turku University Susan Niditch Comparative Epic Amherst College Hebrew Bible Dell Hymes (✝) University of Virginia Walter J. Ong (✝) Native American, Linguistics St. Louis University Hermeneutics of orality and Martin Jaffee literacy Hebrew Bible Univ. of Washington Shelly Fenno Quinn Ohio State University Minna Skafte Jensen Japanese Odense University Ancient Greek, Latin Burton Raffel Univ. of Southwestern Werner Kelber Louisiana Rice University Translation Biblical Studies Karl Reichl Françoise Létoublon Universität Bonn Université Stendahl Turkic, Old and Middle English Ancient Greek John Roberts Victor Mair Ohio State University University of Pennsylvania African-American Chinese Joel Sherzer Peter Middleton University of Texas/Austin University of Southampton Native American, Anthropology Contemporary Poetry Performance Joseph Sobol East Tennessee State University Nada Milošević-Djordjević Storytelling University of Belgrade South Slavic Dennis Tedlock SUNY/Buffalo Stephen Mitchell Native American Harvard University Scandinavian J. Barre Toelken Andrew Wiget Utah State University University of New Mexico Folklore, Native American Native American Ronald J. Turner Paulu Zedda Univ. of Missouri/Columbia Università di Cagliari Storytelling Sardinian This page is intentionally left blank. Contents Editor’s Column ..............................................................................................1 Moradewun Adejunmobi Revenge of the Spoken Word?: Writing, Performance, and New Media in Urban West Africa........................ 3 Eric Shepherd Singing Dead Tales to Life: Rhetorical Strategies in Shandong Fast Tales ..............................................27 Ildikó Bellér-Hann and Raushan Sharshenova Crossing Boundaries, Breaking Rules:Continuity and Social Transformation in Trickster Tales from Central Asia.................. 71 Christopher Livanos A Case Study in Byzantine Dragon-Slaying: Digenes and the Serpent ......125 Robert Mann The Forgotten Text of Nikolai Golovin: New Light on the Igor Tale ..........145 Aaron Phillip Tate Collecting South Slavic Oral Epic in 1864: Luka Marjanović’s Earliest Account ...........................................................159 Minako Sakata Possibilities of Reality, Variety of Versions: The Historical Consciousness of Ainu Folktales .........................................175 Paul Koerbin Pir Sultan Abdal: Encounters with Persona in Alevi Lyric Song................ 191 Margo Kitts Ritual Scenes in the Iliad: Rote, Hallowed, or Encrypted as Ancient Art? ...........................................221 About the Authors ........................................................................................247 This page is intentionally left blank. Editor’s Column With issue 26, i, Oral Tradition delves into a wide variety of traditions and media in multiple cultural contexts, seeking as always to chart new territory and to expand the horizons of our joint, interdisciplinary field. We see this emphasis on diversity as perhaps the most important role our journal can serve: to report on the international panoply of both longstanding and emerging forms of traditional verbal art. Moradewun Adejunmobi begins the discussion with her examination of writing, performance, and new media in urban West Africa, explaining that verbal artists often portray themselves as writers despite their primary engagement with performance and digital technologies. Next in succession is Eric Shepherd’s richly illustrated overview of Shandong “fast tales,” a Chinese performance tradition over four centuries old; be sure to spend some time with the video and photographic content of the attached eCompanion to this article. From Africa and China, we move to central Asia, with Ildikó Bellér-Hann and Raushan Sharshenova describing how tales recounting the adventures of the folk hero Kuyruchuk depend on the different political worlds–tsarist Russia, the Soviet Union, and post-Soviet society–in which the continuously recontextualized tales have been told and received. The Byzantine epic Digenes Akrites existed on the cusp of oral tradition and manuscript culture, and Christopher Livanos examines the titular hero’s encounter with the dragon and the Amazon Maximou from a Freudian perspective, as well as in a broad Indo-European frame of reference. Robert Mann draws together new evidence from various redactions of related texts to argue that the Russian Tale of Igor was an oral epic within an active tradition that continued into the fourteenth and fifteenth centuries, highlighting the performer’s dependence on (and fluency in) traditional poetic phraseology. Also within the Slavic realm, Aaron Tate provides a translation of the famous nineteenth-century collector Luka Marjanović’s first report on his massive fieldwork expeditions in Croatia and Bosnia, along with commentary that places Marjanović’s ideas in historical perspective. Minako Sakata then offers a rare account of the structure and dynamics of folktales told by the Ainu, an indigenous people living in present-day Japan and Russia; she concentrates on shared motifs and the interactivity of individual tales within the tradition. Paul Koerbin’s contribution treats the Turkish Alevi lyric songs associated with Pir Sultan Abdal, focusing on this figure’s persona and the large body of lyrics, commentary, and texts that have accumulated since the early twentieth century. The final article in this issue, by Margo Kitts, addresses oath- sacrifice and commensal sacrifice scenes in the ancient Greek epics of Homer, maintaining that these scenes draw their structure from ritual paradigms as well as from Homeric poetics. As the Center for Studies in Oral Tradition and the journal emerge from their twenty-fifth anniversary year, it seems timely to emphasize
Load more

Recommended publications
  • Celebrity Cinema and Hallyu 2.0 Ng Shu Min Chrystal, Nanyang
    Celebrity Cinema and Hallyu 2.0 Ng Shu Min Chrystal, Nanyang Technological University, Singapore Liew Kai Khiun, Nanyang Technological University, Singapore The Asian Conference on Media & Mass Communication 2015 Official Conference Proceedings Abstract Through their realist cinematic portrayals of the traumatic evolution of Korean socio- political landscapes, Korean directors such as Im Kwon-Taek are synonymous with Korean national Cinema. These directors have raised the country’s cultural profile internationally through the film festival circuit. However, with the phenomenal global reach of the “Korean Wave” or Hallyu, film is no longer a singular projection of the image of South Korea. Today, television dramas have overtaken films, flooding television and small mobile screens with attractive faces of Korean celebrities. While several studies have made references to key Korean celebrities, namely Lee Young Ae, Rain and Gianna Jun, there have been fewer efforts to trace these celebrities’ trajectories within films and other platforms. This paper will explore how cinema within the Korean Wave phenomenon contributes to the ecology of the Korean Wave and the roles these celebrities play within this eco system. Keywords: Korean Wave, Hallyu, Korean Cinema, Celebrities, Gianna Jun, Lee Young Ae, Rain, Korean Drama iafor The International Academic Forum www.iafor.org Introduction Through their realist cinematic portrayals of the traumatic evolution of Korean socio- political landscapes, the names of Im Kwon-Taek, Lee Chang Dong and Park Chan- Wook may be synonymous with Korean national Cinema. Featured commonly in the circuits of prestigious international film festivals, reviews and scholarly commentaries, these filmmakers have raised the profile of South Korea’s film culture in the global arena significantly.
    [Show full text]
  • The Case of Kyrgyzstan CAP Paper 221, July 2019
    The Many Challenges of Native Language Journalism in Central Asia: The Case of Kyrgyzstan CAP Paper 221, July 2019 Elmurat Ashiraliev is a journalist at Kloop Media, an IWPR in Central Asia, Abahon Sultonazarov, summarizes well independent Kyrgyz media outlet that covers topics the many issues faced by Kyr- including politics, human rights, and corruption. As a gyz-language media outlets: part of the Kloop Media team, Elmurat served as the News websites in Kyrgyz were most- Kyrgyz editor for the UNDEF- and UNESCO-supported ly tabloid [yellow press]. Or they be- “Community Media Centers” projects. He is a member longed to certain politicians. They of the “Esimde” team that researches the history and could be opposition members, cur- rent and former politicians, and so memory of the Kyrgyz Republic. Elmurat earned an M.A. on. Kyrgyz is a beautiful language, in Central Asian Studies from the American University of but you know, it was used, I would like to emphasize, unfortunately, for Central Asia in 2016. blackening, uncovering who slept with whom, what they did, who is the The influence of the Russian lan- and issues varies in tone, em- relative of whom. Kyrgyz is spoken in guage is still apparent in almost phasis, content, and perspective. rural areas. The majority of people in all spheres of life in Central Asia. Russian-speaking news outlets our region [Central Asia] live in ru- Despite the new states’ policies of are more Bishkek-centric and ral areas and they are the electorate. The politicians used mass media to developing their native languag- some are likely to cover stories discredit their opponents.1 es—policies that have now been from a Russia-oriented perspec- tive, while Kyrgyz-language mass in place for nearly 30 years—Rus- Based on a study of 21 countries media are more conservative and sian remains a key language in across Europe and Eurasia, the “provincial” in the sense of doing the realms of politics, education, IREX 2018 report on media sus- more reporting on regional is- economics, culture, and informa- tainability2 ranks profession- sues.
    [Show full text]
  • Declension System of the Turkic Languages: Historical Development of Case Endings Gulgaysha S
    Bulletin of the KIH of the RAS, 2016, Vol. 23, Is. 1 Copyright © 2016 by the Kalmyk Institute for Humanities of the Russian Academy of Sciences Published in the Russian Federation Bulletin of the Kalmyk Institute for Humanities of the Russian Academy of Sciences Has been issued since 2008 ISSN: 2075-7794; E-ISSN: 2410-7670 Vol. 23, Is. 1, pp. 166–173, 2016 DOI 10.22162/2075-7794-2016-23-1-166-173 Journal homepage: http://kigiran.com/pubs/vestnik UDC 811.512.1 Declension System of the Turkic Languages: Historical Development of Case Endings Gulgaysha S. Sagidolda1 1 Ph. D. of Philology, Professor of the Kazakh Linguistics Department at L. N. Gumilyev Eurasian National University (Astana, the Republic of Kazakhstan). E-mail: [email protected] Abstract Declension system of the Turkic languages is characterized by a large number of cases and a variety of forms of cases. The research works indicate the number of cases in the Turkic languages in different ways, in some languages they are considered to be 6, and in the others 7 or 8. There are different opinions about the number of cases in the language of the ancient Turkic written monuments, known as the source of the Turkic languages. Some scholars defi ne 11 cases and some say that the number of main cases is 7. In the language of the Orkhon, Yenisei and Talas monuments there are hidden or null form of cases, as well as the meaning of cases can be given by individual words. Also, some endings correspond with the formants of other cases according to the form or comply with other formants of cases according to the meaning.
    [Show full text]
  • The Politics of Language in Kyrgyzstan
    TITLE : THE POLITICS OF LANGUAGE IN KYRGYZSTAN AUTHOR : EUGENE HUSKEY, Stetson University THE NATIONAL COUNCI L FOR SOVIET AND EAST EUROPEAN RESEARC H TITLE VIII PROGRA M 1755 Massachusetts Avenue, N .W . Washington, D .C . 20036 PROJECT INFORMATION : 1 CONTRACTOR : Stetson University PRINCIPAL INVESTIGATOR : Eugene Huske y COUNCIL CONTRACT NUMBER : 810-28 DATE : August 1, 199 5 COPYRIGHT INFORMATION Individual researchers retain the copyright on work products derived from research funded b y Council Contract. The Council and the U .S. Government have the right to duplicate written report s and other materials submitted under Council Contract and to distribute such copies within th e Council and U.S. Government for their own use, and to draw upon such reports and materials fo r their own studies; but the Council and U.S. Government do not have the right to distribute, o r make such reports and materials available, outside the Council or U.S. Government without th e written consent of the authors, except as may be required under the provisions of the Freedom o f Information Act 5 U .S.C. 552, or other applicable law . 1 The work leading to this report was supported in part by contract funds provided by the Nationa l Council for Soviet and East European Research, made available by the U . S. Department of State under Title VIII (the Soviet-Eastern European Research and Training Act of 1983, as amended) . The analysis and interpretations contained in the report are those of the author(s) . THE POLITICS OF LANGUAGE IN KYRGYZSTAN' Eugene Huske y Official policy toward language is one of the most divisive issues in new states .
    [Show full text]
  • Vitality of the Kyrgyz Language in Bishkek
    ISSN: 2158-7051 ==================== INTERNATIONAL JOURNAL OF RUSSIAN STUDIES ==================== ISSUE NO. 5 ( 2016/2 ) VITALITY OF THE KYRGYZ LANGUAGE IN BISHKEK SIARL FERDINAND*, FLORA KOMLOSI** Summary During the first decades after its independence from the USSR, Kyrgyzstan has intended to make of Kyrgyz a real state language. Since then, a new generation has been born and raised in the independent Kyrgyz Republic. Their linguistic behaviour may have a profound effect in the future of Kyrgyz. This study examines the linguistic situation in Bishkek. A questionnaire given to 125 students aged between 14 and 18 and direct observation in the streets were used to collect data. The preliminary results of the research show both, an almost total lack of interest in the state language by the local non-Kyrgyz students and a very weak attitude towards their national language by the young ethnic-Kyrgyz. It is expected that these results may help to create realistic and effective language policies to ensure the future of the Kyrgyz language in Bishkek and consequently in all the country in a balanced way. Key Words: Kyrgyz, language revival, Russian, bilingualism, Soviet Union, Kyrgyzstan, Bishkek. Introduction 1.1.The Kyrgyz Republic and the City of Bishkek The Kyrgyz Republic, also called Kyrgyzstan, is an ex-Soviet landlocked country situated in Central Asia. Three of its four neighbours, Kazakhstan, Tajikistan and Uzbekistan are also ex-Soviet republics while the fourth one is the People’s Republic of China. Before its independence, the territory which is currently known as Kyrgyzstan had been a part of the Russian Empire and of the International Journal of Russian Studies, No.
    [Show full text]
  • Studies and Sources in Islamic Art and Architecture
    STUDIES AND SOURCES IN ISLAMIC ART AND ARCHITECTURE SUPPLEMENTS TO MUQARNAS Sponsored by the Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. VOLUME IX PREFACING THE IMAGE THE WRITING OF ART HISTORY IN SIXTEENTH-CENTURY IRAN BY DAVID J. ROXBURGH BRILL LEIDEN • BOSTON • KÖLN 2001 This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Roxburgh, David J. Prefacing the image : the writing of art history in sixteenth-century Iran / David J. Roxburgh. p. cm. — (Studies and sources in Islamic art and architecture. Supplements to Muqarnas, ISSN 0921 0326 ; v. 9) Includes bibliographical references and index. ISBN 9004113762 (alk. papier) 1. Art, Safavid—Historiography—Sources. 2. Art, Islamic—Iran– –Historiography—Sources. 3. Art criticism—Iran—History—Sources. I. Title. II. Series. N7283 .R69 2000 701’.18’095509024—dc21 00-062126 CIP Die Deutsche Bibliothek - CIP-Einheitsaufnahme Roxburgh, David J.: Prefacing the image : the writing of art history in sixteenth century Iran / by David J. Roxburgh. – Leiden; Boston; Köln : Brill, 2000 (Studies and sources in Islamic art and architectue; Vol 9) ISBN 90-04-11376-2 ISSN 0921-0326 ISBN 90 04 11376 2 © Copyright 2001 by Koninklijke Brill NV, Leiden, The Netherlands All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Brill provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910 Danvers MA 01923, USA.
    [Show full text]
  • Dutch Athletics Team
    Dutch Athletics Team 19th European Cross Country Championships Budapest | December 9, 2012 Royal Dutch Athletics Federation / Atletiekunie P.O. Box 60100 6800 JC Arnhem The Netherlands President: Theo Hoex General Secretary: John Bos Phone: +31(0)26 483 48 00 Fax: +31(0)26 483 48 01 E-mail: [email protected] Internet: www.atletiekunie.nl @atletiekunie facebook.com/Atletiekunie 2 Contents Timetable 4 Introduction 5 A word with Jip Vastenburg 6 Biographies 8 - Men 8 - Women 13 - Men U23 14 - Women U23 16 - Junior Women 18 - Staff 22 History and Statistics 23 Additional Information 30 Production 31 3 Timetable December 9, 2012 10:15 Junior Women (4,000 m) 10:39 Victory Ceremony Junior Women (Individual) 10:45 Victory Ceremony Junior Women (Teams) 10:55 Junior Men (6,025 m) 11:24 Victory Ceremony Junior Men (Individual) 11:30 Victory Ceremony Junior Men (Teams) 11:40 Women Under-23 (6,025 m) 12:09 Victory Ceremony Women Under-23 (Individual) 12:15 Victory Ceremony Women Under-23 (Teams) 12:25 Men Under-23 (8,050 m) 12:59 Victory Ceremony Men Under-23 (Individual) 13:05 Victory Ceremony Men Under-23 (Teams) 13:15 Women (8,050 m) 13:52 Victory Ceremony Women (Individual) 13:58 Victory Ceremony Women (Teams) 14:08 Men (9,880 m) 14:46 Victory Ceremony Men (Individual) 14:52 Victory Ceremony Men (Teams) 4 Introduction The Royal Dutch Athletics Federation is proud to present its delegation for the 19th European Cross Country Championships. Dutch Athletics has good memories of various championships in Hungary, including the 1998 European Track Championships which were also held in its beautiful capital.
    [Show full text]
  • Teaser Memorandum
    Teaser Memorandum The First Half of 2017 Investment Opportunities In Korea Table of Contents Important Notice ………………………………… 1 Key Summary ………………………………… 2 Expected Method of Investment Promotion …………………………… 3 Business Plan ………………………………… 4 Business Introduct ………………………………… 5 License ………………………………… 11 Capacity ………………………………… 12 Market ………………………………… 13 Financial Figures ………………………………… 14 Key Summary Private & Confidential Investment Highlights RBW is a K-POP (Hallyu) contents production company founded by producer/songwriter Kim Do Hoon, Kim Jin Woo, and Hwang Sung Jin, who have produced numerous K-POP artists such as CNBLUE, Whee-sung, Park Shin Hye, GEEKS, 4MINUTE etc. Based on the “RBW Artist Incubating System’, the company researches and provides various K-POP related products such as OEM Artist & Music Production (Domestic/Overseas), Exclusive Artist Production (MAMAMOO, Basick, Yangpa etc.), Overseas Broadcasting Program Planning & Production (New concept music game show/Format name: RE:BIRTH), and K-POP Educational Training Program. With its business ability, RBW is currently making a collaboration with various domestic and overseas companies, including POSCO, NHN, Human Resources Development Service of Korea, Ministry of Labor & Employment, and KOTRA. • Business with RBW’s Unique Artist Incubating •Affiliation Relationship with International Key Factors System Companies Description • With analyzing the artists’ potentials and market trend, every stage for training and debuting artists (casting, training, producing, and album production) is efficiently processed under this system. Pictures Company Profiles Category Description Establishment Date 2013. 8. 26 Revenue 12 Billion Won (12 Million $) (2016) Website www.rbbridge.com Current Shareholder C.E.O. Kim Jin Woo 29.2%, C.E.O. Kim Do Hoon 29.2%, Institutional Investment 31.7%, Executives and Staff Composition 5.6%, Etc.
    [Show full text]
  • Sumi Tone: a Phonological and Phonetic Description of a Tibeto-Burman Language of Nagaland
    Sumi tone: a phonological and phonetic description of a Tibeto-Burman language of Nagaland Amos Benjamin Teo Submitted in total fulfilment of the requirements of the degree of Masters by Research (by Thesis Only) December 2009 School of Languages and Linguistics The University of Melbourne Abstract Previous research on Sumi, a Tibeto-Burman language spoken in the extreme northeast of India, has found it to have three lexical tones. However, the few phonological studies of Sumi have focused mainly on its segmental phonology and have failed to provide any substantial account of the tone system. This thesis addresses the issue by providing the first comprehensive description of tone in this language. In addition to confirming three contrastive tones, this study also presents the first acoustic phonetic analysis of Sumi, looking at the phonetic realisation of these tones and the effects of segmental perturbations on tone realisation. The first autosegmental representation of Sumi tone is offered, allowing us to account for tonal phenomena such as the assignment of surface tones to prefixes that appear to be lexically unspecified for tone. Finally, this investigation presents the first account of morphologically conditioned tone variation in Sumi, finding regular paradigmatic shifts in the tone on verb roots that undergo nominalisation. The thesis also offers a cross-linguistic comparison of the tone system of Sumi with that of other closely related Kuki-Chin-Naga languages and some preliminary observations of the historical origin and development of tone in these languages are made. This is accompanied by a typological comparison of these languages with other Tibeto-Burman languages, which shows that although these languages are spoken in what has been termed the ‘Indosphere’, their tone systems are similar to those of languages spoken further to the east in the ‘Sinosphere’.
    [Show full text]
  • Till Eulenspiegel As a “Recurring Character” in the Works of Hans Sachs
    Narrative Arrangement in 16th-Century Till Eulenspiegel Texts: The Reinvention of Familiar Structures A Dissertation SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESOTA BY Isaac Smith Schendel IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Advisor: Dr. Anatoly Liberman June 2018 © Isaac Smith Schendel 2018 i Acknowledgements First and foremost, I would like to thank my doctoral advisor, Dr. Anatoly Liberman, for his kind direction, ideas, and guidance through the entire process of graduate school, from the first lectures on Middle High German grammar and Scandinavian Literature, to the preliminary exams, prospectus and multiple thesis drafts. Without his watchful eye, advice, and inexhaustible patience, this dissertation would have never seen the light of day. Drs. James A. Parente, Andrew Scheil, and Ray Wakefield also deserve thanks for their willingness to serve on the committee. Special gratitude goes to Dr. Parente for reading suggestions and leadership during the latter part of my graduate school career. His practical approach, willingness to meet with me on multiple occasions, and ability to explain the intricacies of the university system are deeply appreciated. I have also been helped by a number of scholars outside of Minnesota. The material discussed in the second chapter of the dissertation is a reformulated, expanded, and improved version of my article appearing in Daphnis 43.2. Although the central thesis is now radically different, I would still like to thank Drs. Ulrich Seelbach and Alexander Schwarz for their editorial work during that time, especially as they directed my attention to additional information and material within the S1515 chapbook.
    [Show full text]
  • Hearing Wagner in "Till Eulenspiegel": Strauss's Merry
    Hearing Wagner in Till Eulenspiegel: Strauss's Merry Pranks Reconsidered Matthew Bribitzer-Stull and Robert Gauldin Few would argue the influence Richard Wagner has exerted upon the history of Western art music. Among those who succeeded Wagner, this influence is perhaps most obvious in the works of Richard Strauss, the man Hans von Biilow and Alexander Ritter proclaimed Wagner's heir.1 While Strauss's serious operas and tone poems clearly derive from Wagner's compositional idiom, the lighter works enjoy a similar inheritance; Strauss's comic touch - in pieces from Till Eulenspiegel to Capriccio - adds an insouciant frivolity to a Wagnerian legacy often characterized as deeply emotional, ponderous, and even bombastic. light-hearted musics, however, are no less prone to posing interpretive dilemmas than are their serious counterparts. Till, for one, has remained notoriously problematic since its premiere. In addition to the perplexing Rondeauform marking on its title page, Till Eulenspiegels lustige Streicbe also remains enigmatic for historical and programmatic reasons. In addressing these problems, some scholars maintain that Strauss identified himself with his musical protagonist, thumbing his nose, as it were, at the musical philistines of the late romantic era. But the possibility that Till may bear an A version of this paper was presented at the Society for Music Theory annual meeting in Seattle, 2004. The authors wish to thank James Hepokoski and William Kinderman for their helpful suggestions. 'Hans von Biilow needs no introduction to readers of this journal, though Alexander Ritter may be less familiar. Ritter was a German violinist, conductor, and Wagnerian protege. It was Ritter, in part, who convinced Strauss to abandon his early, conservative style in favor of dramatic music - Ritter*s poem Tod und Verklarung appears as part of the published score of Strauss's work by the same name.
    [Show full text]
  • BC-DX 401 06 Jan 1999 AFGHANISTAN 7079V, Voice Of
    BC-DX 401 06 Jan 1999 ________________________________________________________________________ AFGHANISTAN 7079v, Voice of Shariah, Kabul, 1300-1715 Jan 2, mostly relig progr in the month of fasting, currently hrd in Pa/Da with good quality sigs. Maybe the old tx given a clean up in the New Year. Ar at 1645 and En 1700. (Sarath Weerakoon-CLN 4S5SL UADX, via NU, Jan 2) ALGERIA 1550 National Radio of SADR, nx in Ar, many mentions of Sahara, Dec 1, 2220. (Sheigra Dxpedition to north west Sutherland, with Dave Kenny, Graham Powell, Tony Rodgers, in BDXC-UK, Communication, Jan) AUSTRALIA Latest sked from Radio Australia: 0000-0100 En 9660 12080 15240 17715 17750 17795 21740 0000-0100 Vn 15415 0100-0200 En 9660 12080 15240 15415 17715 17750 17795 21740 0100-0700 Grandstand* 9660 12080 15240 17715 17750 Sat 0200-0300 En 9660 12080 15240 15415 15510 17715 17750 21725 0200-0700 Grandstand* 9660 12080 15240 17715 17750 Sun 0300-0400 En 9660 12080 15240 15415 15510 17750 21725 0400-0500 En 9660 12080 15240 15415 15510 17715 17750 21725 0500-0600 En 9660 12080 15240 15510 17715 21725 0500-0600 Khmer 15415 17750 0600-0800 En 9660 12080 15240 15415 15510 17715 17750 21725 0800-0900 En 5995 9580 9710 12080 15415 15510 17750 21725 0900-1100 En 6080 9580 11880 17750 0900-1200 Tok Pisin 5995 6020 9710 12080 1100-1200 En 6080 9580 1100-1230 Ch 9500 11880 1200-1400 En 5995 6020 6080 9580 1230-1330 Vn 9500 11880 1330-1430 Vn 9500 11660 1400-1430 En 5995 9580 1430-1700 En 5995 9500 9580 11660 1700-1800 En 5995 9500 9580 11880 1800-2000 En 6080 7240 9500 9580 9660 11880 2000-2100 En 9500 9580 9660 11880 12080 2000-2100 Tok Pisin 6080 7240 Su-Th 2100-2130 En 7240 9500 9660 11880 12080 17715 21740 2130-0000 BI 11695 15415 2130-2200 En 7240 9660 11880 12080 17715 21740 2200-2300 Ch 15240 2200-2300 En 17715 17795 21740 2300-0000 En 9660 12080 17715 17795 21740 2300-0000 Khmer 15240 *Grandstand is a weekend sports progr.
    [Show full text]