Dante's Paradiso Fabian Alfie

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Humanities Seminars Program: Dante’s Paradiso Fabian Alfie Professor of Italian [email protected] Text: Alighieri, Dante. The Divine Comedy of Dante Alighieri, vol. 3, Paradiso Translated by Robert and Jean Hollander: ISBN: 978-0385506786 Tentative Schedule of Material: 1. Weds., October 26, 2016: Seminar 1: Overview and Review a. Introduction to the course, and to Dante: Dante’s life and times, and bibliography b. Overview of the Inferno and Purgatorio: review c. Introduction to Heaven and to Paradiso i. Brief overview of astronomy (as background): modern vs. medieval ii. The impossibility of discussing Divine matters. iii. Who (what?) is Beatrice? 2. Weds., November 2, 2016: Seminar 2: First 11 cantos of Paradiso: In the shadow of the Earth: Moon, Mercury, Venus; Heaven proper (the circle of the Sun) a. Cantos 1-4: Introduction to Paradiso and the circles of the Moon and Mercury b. Cantos 5-8: The circles of Mercury and of Venus c. Cantos 9-11: The circle of the Sun: Heave beyond the shadow of the Earth 3. Weds., November 9, 2016: Seminar 3: cantos 12-22 of Paradiso: The circles of Mars, Jupiter and Saturn a. Cantos 12-15: The circles of the Sun and Mars; introduction to Cacciaguida b. Cantos 16-19: The circle of Mars and Cacciaguida; the circle of Jupiter c. Cantos 20-22: The circles of Jupiter and Saturn 4. Weds., November 16, 2016: Seminar 4: Cantos 23-33 (end) of Paradiso: The circles of Saturn, the fixed stars, and the Prime Mover; the Empyrean, or Heaven beyond the created cosmos; the Rose of Heaven; God a. Cantos 23-26: The circles of Saturn and the fixed stars b. Cantos 27-30: The Prime Mover, and the Army of Christ c. Cantos 31-33: The Empyrean, the Rose of Heaven, and the ultimate sight of God i. The end of Dante’s Divine Comedy .

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In Canto XXV of the Purgatorio, Statius' Exposition on The
1-Ureni:0Syrimis 1/19/11 3:20 PM Page 9 HUMAN GENERATION , M EMORY AND POETIC CREATION : FROM THE PURGATORIO TO THE PARADISO PAOLA URENI Summary : Statius’ scientific digression on the generation of the fetus and the formation of the fictive body in the afterlife occupies a large part of canto XXV of Dante’s Purgatorio . This article will examine the metaphorical relevance of that technical exposition to Dante’s poetics. The analogy between procreation and poetic creation appears to be con - sistent once the scientific lesson on embryology of canto XXV is under - stood as mirroring the definition of the Dolce Stil Novo offered by Dante in the previous canto ( Purg. XXIV). The second part of this article stress - es the importance of cantos XXIV and XXV as an authorization to inves - tigate the presence, in Dante’s Comedy , of a particular notion of purely rational memory derived from Augustine’s speculation. The allusion to an Augustinian conception of memory in Purgatorio XXV opens the pos - sibility of considering its presence in the precisely intellectual dimension of Paradiso . In canto XXV of the Purgatorio , Statius’ exposition on the generation of the fetus and the formation of the fictive body in the afterlife is evidence not only of Dante’s awareness of the medical debates of his time, but also of his willingness to enter into such discussion. Less obvious, but perhaps more important is this technical exposition’s metaphorical relevance to Dante’s poetics. The analysis of the relation between human generation and poetic inspiration is the focus of the first part of this article.
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Matelda: Il Nuovo Inizio e il Tantra di Dante1 L’in-possibile felicità terrena NICOLA LICCIARDELLO2 ABSTRACT: Il testo rivisita la funzione del personaggio di Matelda nel Paraíso terrestre della Divina Commedia, avendo come base le teorie del buddismo tantrico. In virtù di questa analisi Matelda diventa la personifi- cazione della bella natura vergine che inizia Dante alla purezza dell’amore divino e all’oblio del male. PAROLE CHIAVE: Divina Commedia; Dante Alighieri; Matelda; imma- ! gine; figura. 1. Una versione ridotta di questo saggio fu destinata a La bella Schola (Rovigo: Il Ponte del sale), antologia di canti danteschi commentati da poeti italiani a cura di Marco Munaro – il cui volume conclusivo sul Purgatorio uscirà nel 2013. 2. Giornalista e saggista [email protected] RESUMO: O texto revisita a função da personagem Matelda no Paraíso terrestre, da Divina Commedia, de Dante Alighieri, tendo como base as te- orias do budismo tântrico. Matelda torna-se, a partir dessa, análise, a per- sonificação da bela natureza virgem que inicia Dante na pureza do amor divino e no esquecimento de todo mal. PALAVRAS-CHAVE: Divina Comédia; Dante Alighieri; Matelda; ima- gem; figura. ABSTRACT: This paper revisits Matelda in the earth paradise’s character function in Dante Alighieri’s Divine Comedy in which the theoretical basis comes from tantric buddhism. From this analyzis, Matelda becomes the personification of beautiful virgin nature that initiates Dante in pure divine love and in every evil forgetfulness. KEYWORDS: Comedy; Dante Alighieri; Matelda; image; picture. 4 Revista de Italianística XXIII | 2012 Purgatorio XXVIII ppena superato il muro di fuoco e proclamato da Virgilio Alibero di seguire il suo piacere come guida, Dante si ritrova nella “foresta divi- na, spessa e viva”, antinomica alla “selva selvaggia, aspra e forte” in cui si era smarrito all’inizio.
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Women in Hell Donne All'inferno
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Dante's Paradiso: Suggestions for Reading from Michael Ayton
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IT 415: Dante
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Matelda in the Terrestrial Paradise
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Flinders Academic Commons Vol. 1, Issue 1, March 2002 Flinders University Languages Group Online Review http://www.ehlt.flinders.edu.au/deptlang/fulgor/ Matelda in the Terrestrial Paradise Diana Glenn (Flinders University) ABSTRACT This analysis of the enigmatic figure of Matelda, guardian of the Terrestrial Paradise in Dante's Purgatorio, considers both the unresolved question of Matelda's historical identity, in particular whether Dante is alluding to the historical personage, Countess Matilda of Tuscany (1046-1115), and the numerous critical glosses that have emerged over the years, whereby Matelda has been interpreted as a symbolic figure, for example, as the biblical typology of the active/contemplative life, as the representation of human wisdom, or in a variety of other symbolic guises. Whilst alluding to recognisable idyllic poetic images, such as the donna angelicata of the vernacular tradition, Dante's conceptualisation of Matelda is nevertheless aligned to the pilgrim-poet's own development in via of a redemptive poetics in which the writer articulates an urgent message of reform, at both the secular and ecclesiastical levels. The linking of Matelda with the notion of the loss of the prelapsarian state of humankind's innocence and her supervision of the penitential cleansing rites performed on Dante-protagonist, in anticipation of his ascent to Paradise in the company of Beatrice, represent crucial moments in Dante's mapping out of prudential
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Cari Dantisti: I Very Much Enjoyed Our First Session Together on 9/30 And
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The Human Effigy Question in Dante's Paradiso
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Excerpt from Dante Alighieri's Divine Comedy Paradiso – Canto XXXIII
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Paradiso, by Dante Alighieri
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