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Configuring a Scatological Gaze in Trash Filmmaking Zoe Gross
Excremental Ecstasy, Divine Defecation and Revolting Reception: Configuring a Scatological Gaze in Trash Filmmaking Zoe Gross Scatology, for all the sordid formidability the term evokes, is not an es- pecially novel or unusual theme, stylistic technique or descriptor in film or filmic reception. Shit happens – to emphasise both the banality and perva- siveness of the cliché itself – on multiple levels of textuality, manifesting it- self in both the content and aesthetic of cinematic texts, and the ways we respond to them. We often refer to “shit films,” using an excremental vo- cabulary redolent of detritus, malaise and uncleanliness to denote their otherness and “badness”. That is, films of questionable taste, aesthetics, or value, are frequently delineated and defined by the defecatory: we describe them as “trash”, “crap”, “filth”, “sewerage”, “shithouse”. When considering cinematic purviews such as the b-film, exploitation, and shock or trash filmmaking, whose narratives are so often played out on the site of the gro- tesque body, a screenscape spectacularly splattered with bodily excess and waste is de rigeur. Here, the scatological is both often on blatant dis- play – shit is ejected, consumed, smeared, slung – and underpining or tinc- turing form and style, imbuing the text with a “shitty” aesthetic. In these kinds of films – which, as their various appellations tend to suggest, are de- fined themselves by their association with marginality, excess and trash, the underground, and the illicit – the abject body and its excretia not only act as a dominant visual landscape, but provide a kind of somatic, faecal COLLOQUY text theory critique 18 (2009). -
Alternative Spelling and Censorship: the Treatment of Profanities in Virtual Communities Laura-Gabrielle Goudet
Alternative spelling and censorship: the treatment of profanities in virtual communities Laura-Gabrielle Goudet To cite this version: Laura-Gabrielle Goudet. Alternative spelling and censorship: the treatment of profanities in virtual communities. Aspects of Linguistic Impoliteness, 2013. hal-02119772 HAL Id: hal-02119772 https://hal.archives-ouvertes.fr/hal-02119772 Submitted on 4 May 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Alternative spelling and censorship: the treatment of profanities in virtual communities Laura-Gabrielle Goudet Université Paris 13, Sorbonne Paris Cité [email protected] [Author’s version of a paper published in Aspects of Linguistic Impoliteness (2013), Cambridge Scholars Publishing] Introduction Discourse on the internet is characterized by the paradoxical ability of users to write and communicate in alternative ways, with minimal supervision or external regularization—in most, not all communities—while new norms arise and are replaced according to users of virtual communities. On most websites, there is no regulating organ, except the Terms of Service that every registered user has to abide by. The standard version (used on websites like Facebook) includes a clause stipulating that the user should not: “use the Services […] to : upload, post, transmit, share, […] any User content [deemed] harmful, threatening, unlawful, defamatory, infringing, abusive, inflammatory, harassing, vulgar, obscene, […] hateful, or racially, ethnically or otherwise objectionable”. -
“Every Kid Goes Through Phrases”
Antti Iivari “Every Kid Goes Through Phrases” Wordplay and Rickyisms in the Finnish Subtitles of Mike Clattenburg’s Trailer Park Boys School of Marketing and Communication Master’s Thesis in English Studies Language expertise in a specialised society Vaasa 2020 2 UNIVERSITY OF VAASA School of Marketing and Communication Author: Antti Iivari Master’s Thesis: “Every Kid Goes Through Phrases” : Wordplay and Rickyisms in the Finnish Subtitles of Mike Clattenburg’s Trailer Park Boys Degree: Master of Arts Programme: Language expertise in a specialized society Supervisor: Helen Mäntymäki Date: 2020 Sivumäärä: 58 ABSTRACT: Tekstitykset ovat yksi luetuimmista käännösteksteistä. Näin esillä oleva tekstityyppi on jatkuvan arvostelun kohteena. Tekstiä on helppo arvostella, jos se ”ei kuulosta oikealta”, mutta tarkkaa syytä tähän voi olla hankala arvioida. Huumori ja sanaleikit ovat olleet hankalia käännettäviä tekstityypistä riippumatta. Suora vastine ei välttämättä sisällä kaikkia lähdetekstin merkityksiä ja voi myös olla, ettei sitä voida edes käyttää tekstityksessä esimerkiksi merkkimäärän rajoituk- sien takia. Tämä tutkielma on ammentanut inspiraatiota tästä nopeasti ohitettavasta arvostelusta. Ensin- näkin tutkielmassa oltiin kiinnostuneita, kuinka Trailer Park Boys -sarjan Netflix-tekstitykset suo- riutuivat. Sarja sisältää paljon Ricky -nimiseen hahmoon perustuvia humoristisia sanaleikkejä, joita sarjan seuraajat kutsuvat ”Rickyismeiksi”. Tutkimuksessa kysyttiin lähtökohtaisesti, ovatko näiden sanaleikkien käännökset tarkoituksenmukaisia -
An Assessment of Emotional-Force and Cultural Sensitivity the Usage of English Swearwords by L1 German Speakers
Graduate Theses, Dissertations, and Problem Reports 2019 An Assessment of Emotional-Force and Cultural Sensitivity The Usage of English Swearwords by L1 German Speakers Sarah Dawn Cooper West Virginia University, [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the German Linguistics Commons Recommended Citation Cooper, Sarah Dawn, "An Assessment of Emotional-Force and Cultural Sensitivity The Usage of English Swearwords by L1 German Speakers" (2019). Graduate Theses, Dissertations, and Problem Reports. 3848. https://researchrepository.wvu.edu/etd/3848 This Thesis is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. An Assessment of Emotional-Force and Cultural Sensitivity The Usage of English Swearwords by L1 German Speakers Sarah Dawn Cooper Thesis submitted to the Eberly College of Arts and Sciences at West Virginia University in partial fulfillment of the requirements for the degree of Master of Arts in World Languages, Literatures, and Linguistics Cynthia Chalupa, Ph.D., Chair Jonah Katz, Ph.D. -
The Seven Dirty Words You Should Be Allowed to Say on Television
Washington University Law Review Volume 92 Issue 5 2015 The Seven Dirty Words You Should Be Allowed to Say on Television Ellen Alexandra Eichner Washington University School of Law Follow this and additional works at: https://openscholarship.wustl.edu/law_lawreview Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the First Amendment Commons Recommended Citation Ellen Alexandra Eichner, The Seven Dirty Words You Should Be Allowed to Say on Television, 92 WASH. U. L. REV. 1353 (2015). Available at: https://openscholarship.wustl.edu/law_lawreview/vol92/iss5/9 This Note is brought to you for free and open access by the Law School at Washington University Open Scholarship. It has been accepted for inclusion in Washington University Law Review by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. THE SEVEN DIRTY WORDS YOU SHOULD BE ALLOWED TO SAY ON TELEVISION I. INTRODUCTION Shit, piss, fuck, cunt, cocksucker, motherfucker, and tits.1 For any American who has turned on his or her television since 1978 and tuned into one of the traditional broadcast networks—ABC, NBC, CBS, or Fox—these seven words have been conspicuously absent from broadcasting. Confusingly, with a flip of the remote over to a premium cable television station, these seven words may all occur in quick succession on one television show.2 When one of them does happen to make it to air on a broadcast network, it often becomes the source of an astronomical fine from the Federal Communications Commission (“FCC”) and years of litigation between the network and the federal government.3 A recent case resulted in a huge victory for broadcasters. -
Running Head: POPULAR PEDAGOGY in CANADIAN TELEVISION
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Brock University Digital Repository Running head: POPULAR PEDAGOGY IN CANADIAN TELEVISION Popular Pedagogy in Canadian Television: A Feminist Critical Discourse Analysis of Trailer Park Boys Andrew Haddow, B.A. (Hons.) Department of Graduate Studies in Education Submitted in partial fulfillment of the requirements for the degree of Master of Education Faculty of Education, Brock University St. Catharines, Ontario © Andrew Haddow, 2017 POPULAR PEDAGOGY IN CANADIAN TELEVISION Abstract This major research paper studied the representations of masculinity in the Canadian television program Trailer Park Boys from the perspective of public pedagogy and education. Motivated by a desire to expose how patriarchal discourses are learned through everyday practices and texts, a methodology of feminist Critical Discourse Analysis (CDA) was formulated. Trailer Park Boys is a long-running mockumentary series set in a fictional trailer park near Halifax, Nova Scotia. It focuses on a cast of male characters with exaggerated personalities, and is satirical in tone. Prior to the main analysis of this paper, a collection of relevant literature was conducted and an opportunity to address a lack of gender-focused studies of Canadian television, including Trailer Park Boys, was noted. This study used the feminist CDA method to analyze what masculinities were reinforced as normal or abnormal in Seasons 3 and 9 of the program, based on the understanding that popular culture is a site of everyday learning. After the data was collected episode-by-episode, it became apparent that the themes of family, authority, and sexuality were helpful in understanding what relationship Trailer Park Boys had with traditional representations of heteronormative masculinity. -
Offensive Language Spoken on Popular Morning Radio Programs Megan Fitzgerald
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Offensive Language Spoken on Popular Morning Radio Programs Megan Fitzgerald Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION OFFENSIVE LANGUAGE SPOKEN ON POPULAR MORNING RADIO PROGRAMS By MEGAN FITZGERALD A Dissertation submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2007 The members of the Committee approve the Dissertation of Megan Fitzgerald defended on October 31, 2007. Barry Sapolsky Professor Directing Dissertation Colleen Kelley Outside Committee Member Jay Rayburn Committee Member Gary Heald Committee Member Steven McClung Committee Member Approved: Stephen McDowell, Chair, Communication John K. Mayo, Dean, Communication The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is dedicated to my parents, Patrick and Kathleen Fitzgerald. Thank you for supporting all that I do—even when I wanted to grow up to be the Pope. By watching you, I learned the power of teaching by example. And, you set the best. Thank you. iii ACKNOWLEDGEMENTS This dissertation was completed under the guidance of my major professor, Dr. Barry Sapolsky. Dr. Sapolsky not only served as my major professor, but also as a mentor throughout my entire graduate program. He was a constant source of encouragement, motivation, and, at times, realism. In addition to serving on my committee, he also gave me the opportunity to work in the Communication Research Center. -
Malebicta INTERNATIONAL JOURNAL of VERBAL AGGRESSION
MAlebicTA INTERNATIONAL JOURNAL OF VERBAL AGGRESSION III . Number 2 Winter 1979 REINHOLD AMAN ," EDITOR -a· .,.'.""",t!. 1'''' ...... ".......... __... CD MALEDICTA PRESS WAUKESHA 196· - MALEDICTA III Animal metaphors: Shit linked with animal names means "I don't believe a word of it," as in pig, buzzard, hen, owl, whale, turtle, rat, cat, and bat shit, as well as the ever-popular horseshit. But bullshit remains the most favored, probably because of the prodigious quantity of functional droppings associated with the beast. On payday the eagle shits. Ill. Insults Shit on YDU!, eat shit!, go shit in your hat!, full ofshit, tough shit, shit-head (recall Lieutenant Scheisskopf in Catch-22), ELEMENTARY RUSSIAN OBSCENITY You shit, little shit, stupid shit, dumb shit, simple shit, shit heel; he don't know shit from Shinola, shit or get offthe pot, ·Boris Sukitch Razvratnikov chickenshit, that shit don't fetch, to be shit on, not worth diddly (or doodly) shit, don't know whether to shit orgo blind, he thinks his shit don't stink, he thinks he's King Shit, shit This article wiII concern itself with the pedagogical problems eating grin. encountered in attempting to introduce the basic concepts of IV: Fear Russian obscenity (mat) to English-speaking first-year students Scared shitless, scare the shit out of, shit green (or blue), shit at the college level. The essential problem is the fact that Rus .v,''' bricks, shit bullets, shit little blue cookies, shit out of luck, sian obscenity is primarily derivational while English (i.e., in 'r" almost shit in his pants (or britches), on someone's shit-list, this context, American) obscenity is analytic. -
Broadcasting Seven Dirty Words: FCC V. Pacifica Foundation Ann-Ellen Marcus
Boston College Law Review Volume 20 Article 5 Issue 5 Number 5 7-1-1979 Broadcasting Seven Dirty Words: FCC v. Pacifica Foundation Ann-Ellen Marcus Follow this and additional works at: http://lawdigitalcommons.bc.edu/bclr Part of the Communications Law Commons, and the First Amendment Commons Recommended Citation Ann-Ellen Marcus, Broadcasting Seven Dirty Words: FCC v. Pacifica Foundation, 20 B.C.L. Rev. 975 (1979), http://lawdigitalcommons.bc.edu/bclr/vol20/iss5/5 This Casenotes is brought to you for free and open access by the Law Journals at Digital Commons @ Boston College Law School. It has been accepted for inclusion in Boston College Law Review by an authorized editor of Digital Commons @ Boston College Law School. For more information, please contact [email protected]. CASENOTES Broadcasting Seven Dirty Words: FCC v. Pacifica Foundation '—On October 30, 1973, at two o'clock in the afternoon, New York educational, non-profit radio station WBAI, owned by and licensed to the Pacifica Foundation, 2 aired a recorded twelve-minute satiric monologue by George Carlin entitled "Filthy Words." 3 The Carlin monologue was broadcast during the course of a regu- larly scheduled live program. The program, whose format consists of com- mentary by the host and listener call-ins, on this day was focusing on contem- porary society's attitudes towards language. 4 The record was played towards the end of the program, and was selected because "it was regarded as an incisive satirical view of the subject under discussion."' During the course of his monologue, Carlin repeatedly discusses the seven filthy words that "you couldn't say on the public .. -
Anglia Journal of English Philology Zeitschrift Für Englische Philologie
2018 · VOLUME 136 · ISSUE 4 ANGLIA JOURNAL OF ENGLISH PHILOLOGY ZEITSCHRIFT FÜR ENGLISCHE PHILOLOGIE EDITORS Lucia Kornexl Ursula Lenker Martin Middeke Gabriele Rippl Hubert Zapf ADVISORY BOARD Laurel Brinton Derek Attridge Philip Durkin Elisabeth Bronfen Olga Fischer Ursula K. Heise Susan Irvine Verena Lobsien Andrew James Johnston Laura Marcus Christopher A. Jones J. Hillis Miller Terttu Nevalainen Martin Puchner Anglia 2018; 136(4): 581–610 Bethany Christiansen* Scytel: A New Old English Word for ‘Penis’ https://doi.org/10.1515/ang-2018-0060 Abstract: In this paper, I examine the Old English word scytel, which appears in the Old English Medicina de quadrupedibus. I argue that, contrary to definitions offered in current Old English lexical aids, scytel does not mean ‘dung’, but rather ‘penis’. In the Medicina de quadrupedibus,OEscytel translates Lat. moium (from Greek μοιóν) ‘penis’. I begin by tracing the development of the definition/s of scytel in the lexicographic tradition (Sections 1.1 and 1.2) and in editions of the Medicina de quadrupedibus (Section 1.3). Starting with Bosworth-Toller (1882–1898), scytel (1) was defined as ‘dung’, apparently on the misperception of an etymological relationship between scytel (1) and Old English scitta,n.‘shit’. Section 2 offers a discussion of the manuscripts containing the Old English Medicina de quadrupedi- bus and its Latin source text, and Section 3 contains a discussion of the two relevant recipes that contain OE scytel (1). In Section 4.1 I show that, in fact, scytel (1) cannot be etymologically related to any scit‑/scīt‑ ‘shit’ words in Old English, as the two derive from separate Germanic (Gmc.) and Proto-Indo-European (PIE) roots. -
“Tha' Sounds Like Me Arse!”: a Comparison of the Translation of Expletives in Two German Translations of Roddy Doyle's
“Tha’ Sounds Like Me Arse!”: A Comparison of the Translation of Expletives in Two German Translations of Roddy Doyle’s The Commitments Susanne Ghassempur Thesis submitted for the degree of Doctor of Philosophy Dublin City University School of Applied Language and Intercultural Studies Supervisor: Prof. Jenny Williams June 2009 Declaration I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of PhD is entirely my own work, that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed: _____________________________________ ID No.: 52158284 Date: _______________________________________ ii Acknowledgments My thanks go to everyone who has supported me during the writing of this thesis and made the last four years a dream (you know who you are!). In particular, I would like to thank my supervisor Prof. Jenny Williams for her constant encouragement and expert advice, without which this thesis could not have been completed. I would also like to thank the School of Applied Language & Intercultural Studies for their generous financial support and the members of the Centre for Translation & Textual Studies for their academic advice. Many thanks also to Dr. Annette Schiller for proofreading this thesis. My special thanks go to my parents for their constant -
The Use of Swear Words in Pewdiepie's Youtube Videos
THE USE OF SWEAR WORDS IN PEWDIEPIE’S YOUTUBE VIDEOS THESIS Submitted to the Adab and Humanities Faculty State Islamic University of Alauddin Makassar in partial Fulfillment of the Requirements for the Degree of Sarjana Humaniora By: OCTAVIA WULANDARI TITIS TIMUR Reg. Num. 40300113001 ENGLISH AND LITERATURE DEPARTMENT ADAB AND HUMANITIES FACULTY STATE ISLAMIC UNIVERSITY ALAUDDIN MAKASSAR 2017 MOTTO “ Stay Classy ” ii PERNYATAAN KEASLIAN SKRIPSI Dengan penuh kesadaran, penulis yang bertanda tangan di bawah ini menyatakan bahwa skrisi ini benar-benar adalah hasil karya penulis sendiri, dan jika kemudian hari terbukti merupakan duplikat, tiruan, plagiat atau dibuat oleh orang lain secara keseluruhan ataupun sebagian, maka skripsi ini dan gelar yang diperoleh batal demi hukum. Romang Polong, 24 November 2017 OCTAVIA WULANDARI TITIS T. iii ACKNOWLEDGEMENT First and foremost the writer wish to take the opportunity to express the greatest gratitude to Allah SWT for blessing, guidance, health and inspiration leading to the completion of this final project. The writer also never forgot to send great respect to our prophet Muhammad SAW, who has guided the human being from the worst to the peace or from the bad condition to the better life. A lot of thanks to Prof. Dr. Musafir Pababbari, M.Si as the Rector of UIN Alauddin Makassar. Next, the dean of Adab and Humaniora Faculty, Dr. H. Barsihannor, M. Ag, the head of English and Literature Department, H. Muh. Nur Akbar Rasyid, M.Pd., M.Ed., Ph.D, and the secretary of English and Literature Department, Syahruni Junaid, S.S, M.Pd, for their supports and suggestion.