Kem K. Lee Photographs and Other Materials, 1927-1986
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
9780367508234 Text.Pdf
Development of the Global Film Industry The global film industry has witnessed significant transformations in the past few years. Regions outside the USA have begun to prosper while non-traditional produc- tion companies such as Netflix have assumed a larger market share and online movies adapted from literature have continued to gain in popularity. How have these trends shaped the global film industry? This book answers this question by analyzing an increasingly globalized business through a global lens. Development of the Global Film Industry examines the recent history and current state of the business in all parts of the world. While many existing studies focus on the internal workings of the industry, such as production, distribution and screening, this study takes a “big picture” view, encompassing the transnational integration of the cultural and entertainment industry as a whole, and pays more attention to the coordinated develop- ment of the film industry in the light of influence from literature, television, animation, games and other sectors. This volume is a critical reference for students, scholars and the public to help them understand the major trends facing the global film industry in today’s world. Qiao Li is Associate Professor at Taylor’s University, Selangor, Malaysia, and Visiting Professor at the Université Paris 1 Panthéon- Sorbonne. He has a PhD in Film Studies from the University of Gloucestershire, UK, with expertise in Chinese- language cinema. He is a PhD supervisor, a film festival jury member, and an enthusiast of digital filmmaking with award- winning short films. He is the editor ofMigration and Memory: Arts and Cinemas of the Chinese Diaspora (Maison des Sciences et de l’Homme du Pacifique, 2019). -
Hollywood Chinese by Erica Marcus Published: April 10, 2008
Hollywood Chinese By Erica Marcus Published: April 10, 2008 Hollywood Chinese: A Very Queer Story An Interview with Filmmaker Arthur Dong Filmmaker Arthur Dong, who created Coming Out Under Fire, Licensed to Kill, Family Fundamentals and other LGBT films, has finished a new film Hollywood Chinese, a vivid and entertaining journey tracking the experience of Chinese Americans in America’s film industry. The film opens in the Bay Area on April 11 at San Francisco’s Sundance Kabuki Cinemas and at Oakland’s Grand Lake Theater. A San Francisco native, Arthur Dong Whowould have thought that it would be a heterosexual Chinese recently spoke to Bay Times about the director (Ang Lee) to bring the a great gay love story (Brokeback film. Mountain) to the silver screen. (Bay Times) So, you’re going to be at the screening in San Francisco on Friday and in Oakland on Saturday. You’ve assembled one hell of a cast - Ang Lee, Wayne Wang, Joan Chen, David Henry Huang, B.D. Wong, Nancy Kwan, Amy Tan and Fu Man Chu. But I gotta ask - is it a queer film? (Arthur Dong) Am I queer? No, I mean is the film, Hollywood Chinese, queer? That’s the answer. Am I queer? Ah ha! So there. Okay, identity politics is so passé. You got me, but now I’m curious. Do you believe that a queer sensibility is embedded in one’s vision? I believe that my films are embedded with my vision and I happen to be a gay man. I’m not saying all gay people produce gay products, but I do. -
February 2, 1962 Let's Pay "Unpaid Debts" Coats and Ties for the Boys
Madison CriXe??. ! •' •-•■ E«:' WE BREEZE t^C All The News That Fits We Print Vol. XXXVIII Madison College, Harrisonburg, Virginia, Friday, February 2,1962 No. 13 Sound of Whistle NO EXCUSES GIVEN Means Trouble Professional excuses will not Frankel Dance Drama Company be given to students for the To "Jack" Derrer purpose of holding an interview •by Nancy Kersey concerning summer employment. To Be At Madison February 5 The smell of smoke filled the Students who need to have air in Converse Dorm. Where conferences with prospective The Frankel Dance Drama Com- there is smoke there must be fire! employers should arrange to pany will be presented in the third Girls rushed to the telephone to have such conferences during Madison College Lyceum Program call the fire department. At the week ends at home or during at Wilson Hall Monday, February 5 at 8:00 P. M. sight of the fire trucks a well- the Easter vacation period. known Madison figure hurried to Class cuts should be used for The Dance Drama Company, Converse. this purpose. which has recently completed a Mr. Franklin Pierce Derrer, bet- six weeks repertory session in ter known to his friends as Jack, New York, has appeared in more was once again at the scene of AAUW To Help than 600 American cities. trouble as he has been for eighteen Graduate Students The Madison College program years. Mr. Derrer in the capacity by the Company will include "Al- A program of graduate study as night watchman has answered ways Pierrot," a play within a many a whistle blown by a dorm through which mature college play, about the people in a travel- Hostess. -
Meeting Minutes
BOARD OF SUPERVISORS CITY AND COUNTY OF SAN FRANCISCO MEETING MINUTES Tuesday, December 8, 2020 - 2:00 PM Held via Videoconference (remote public access provided via teleconference) www.sfgovtv.org Regular Meeting NORMAN YEE, PRESIDENT SANDRA LEE FEWER, MATT HANEY, RAFAEL MANDELMAN, GORDON MAR, AARON PESKIN, DEAN PRESTON, HILLARY RONEN, AHSHA SAFAI, CATHERINE STEFANI, SHAMANN WALTON Angela Calvillo, Clerk of the Board BOARD COMMITTEES Committee Membership Meeting Days Budget and Appropriations Committee Wednesday Supervisors 1:00 PM Budget and Finance Committee Wednesday Supervisors Fewer, Walton, Mandelman 10:30 AM Government Audit and Oversight Committee 1st and 3rd Thursday Supervisors Mar, Peskin, Haney 10:00 AM Joint City, School District, and City College Select Committee 2nd Friday Supervisors Haney, Fewer, Mar (Alt), Commissioners Moliga, Collins, Cook (Alt), 10:00 AM Trustees Randolph, Williams, Selby (Alt) Land Use and Transportation Committee Monday Supervisors Preston, Safai, Peskin 1:30 PM Public Safety and Neighborhood Services Committee 2nd and 4th Thursday Supervisors Mandelman, Stefani, Walton 10:00 AM Rules Committee Monday Supervisors Ronen, Stefani, Mar 10:00 AM First-named Supervisor is Chair, Second-named Supervisor is Vice-Chair of the Committee. Volume 115 Number 46 Board of Supervisors Meeting Minutes 12/8/2020 Members Present: Sandra Lee Fewer, Matt Haney, Rafael Mandelman, Gordon Mar, Aaron Peskin, Dean Preston, Hillary Ronen, Ahsha Safai, Catherine Stefani, Shamann Walton, and Norman Yee The Board of Supervisors of the City and County of San Francisco met in regular session through videoconferencing, and provided public comment through teleconferencing, on Tuesday, December 8, 2020, with President Norman Yee presiding. -
UC Berkeley Ethnic Studies Library Asian American Archive Collections Summary
Last updated 3/6/2017 UC Berkeley Ethnic Studies Library UC Berkeley Ethnic Studies Library Asian American Archive Collections Summary 30 Stephens Hall University of California, Berkeley (510) 643-1234 eslibrary.berkeley.edu *To find a list of Asian American archival collections, please visit Oskicat, click “More Searches,” select “Other Call Number” from the drop down menu and enter “AAS ARC” in the search box. Search the call number or title of any collection in oskicat.berkeley.edu to find a description of the collection. ** To visit the Asian American Archives, please contact the Asian American Studies Librarian, Sine Hwang Jensen, at [email protected] for more information at least 48 hours before your visit if possible. Please note that not all collections are held on-site. *** The Asian American Archives is open to researchers from the public and other institutions. AAS ARC 2000/1 Sang Wo Co. records, 1905-1975 2000/2 Far East Co. records, 1926-1972 2000/3 Margaret Chung Papers, 1933-1958 (bulk 1942-1944) 2000/4 Chinese Hospital miscellany, 1923-1966 2000/5 Research materials relating to the film Carved in Silence [graphic] 2000/6 Gold Mountain ballads collection, 1828-1924 2000/7 Chinese Theatre programs 2000/8 East West research files, 1967-1989 2000/9 Kong Chow Benevolent Association miscellany, 1901-1954 2000/10 Hip Wo School collection, 1926-1978 (bulk 1926-1957) 2000/11 Papers presented at the National Conference on Chinese American Studies, typescripts, 1980 Oct. 9-11 2000/12 Chinese American business miscellany, ca. 1920s-1930s 2000/13 Chinese American community miscellany, 19— 2000/14 Miscellaneous Zhongguo guo min dang (KMT) documents, ca. -
William Newsom POLITICS, LAW, and HUMAN RIGHTS
Regional Oral History Office University of California The Bancroft Library Berkeley, California William Newsom POLITICS, LAW, AND HUMAN RIGHTS Interviews conducted by Martin Meeker in 2008-2009 Copyright © 2009 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the nation. Oral History is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well-informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is bound with photographs and illustrative materials and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ********************************* All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and William Newsom, dated August 7, 2009, and Barbara Newsom, dated September 22, 2009 (by her executor), and Brennan Newsom, dated November 12, 2009. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. -
Shamann Walton 華頌善
Member, Board of Supervisors City and County of San Francisco District 10 SHAMANN WALTON 華頌善 FOR IMMEDIATE RELEASE Tuesday, May 5, 2020 Contact: Supervisor Shamann Walton, District 10 - Natalie Gee, Chief of Staff, 415-619-0878 Gabriel Medina, Aspiring Citizens Advocate, 415-690-6992 ***PRESS RELEASE*** ***SUPERVISOR SHAMANN WALTON INTRODUCES CHARTER AMENDMENT REMOVING CITIZENSHIP REQUIREMENT FOR COMMISSIONS AND BOARDS*** SAN FRANCISCO, CA - On this historic day coinciding with Cinco de Mayo, a day that represents resistance to colonialism, Supervisor Shamann Walton and President Norman Yee along with Immigrant Rights Advocates and Labor Activists announced a charter amendment for the November 2020 ballot that will allow all San Franciscans to serve on San Francisco commissions, boards, and advisory committees by removing the citizenship requirement. The Aspiring Citizens Charter Amendment currently has the unanimous support of all 11 Supervisors including Gordon Mar, Sandra Fewer, Hillary Ronen, Ahsha Safai, Aaron Peskin, Matt Haney, Rafael Mandelman, Dean Preston, and Catherine Stefani. Currently, if a policy body was established in the City Charter or through legislation, it may include exceptions to age and residency requirements. Appointing officers or bodies can also waive residency requirements if an individual is qualified but do not reside in San Francisco. The Charter and any legislation cannot waive the U.S. Citizen requirement nor can any appointing officers and entities. This proposed charter amendment will remove the citizenship requirement allowing all qualified permanent residents, undocumented residents, and non-citizens to apply and serve on policy bodies in areas where most often they are affected but have no representation. “I am honored to be part of this historical ordinance asking voters to allow ALL of our San Francisco residents the opportunity to serve on important advisory groups and commissions,” said Supervisor Shamann Walton. -
Chinese Exclusion and Tong Wars in Portland, Oregon
Utah State University DigitalCommons@USU All Graduate Theses and Dissertations Graduate Studies 12-2019 More Than Hatchetmen: Chinese Exclusion and Tong Wars in Portland, Oregon Brenda M. Horrocks Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/etd Part of the History Commons Recommended Citation Horrocks, Brenda M., "More Than Hatchetmen: Chinese Exclusion and Tong Wars in Portland, Oregon" (2019). All Graduate Theses and Dissertations. 7671. https://digitalcommons.usu.edu/etd/7671 This Thesis is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Theses and Dissertations by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. MORE THAN HATCHETMEN: CHINESE EXCLUSION AND TONG WARS IN PORTLAND, OREGON by Brenda M. Horrocks A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in History Approved: ______________________ ____________________ Colleen O’Neill, Ph.D. Angela Diaz, Ph.D. Major Professor Committee Member ______________________ ____________________ Li Guo, Ph.D. Richard S. Inouye, Ph.D. Committee Member Vice Provost for Graduate Studies UTAH STATE UNIVERSITY Logan, Utah 2019 ii Copyright © Brenda Horrocks All Rights Reserved iii ABSTRACT More Than Hatchetmen: Chinese Exclusion and Tong Wars in Portland, Oregon by Brenda M. Horrocks, Master of Arts Utah State University, 2019 Major Professor: Dr. Colleen O’Neill Department: History During the middle to late nineteenth century, Chinese immigration hit record levels in the United States. This led to the growth of Chinatowns across the West Coast. -
Asians in Minnesota Oral History Project Minnesota Historical Society
Isabel Suzanne Joe Wong Narrator Sarah Mason Interviewer June 8, 1982 July 13, 1982 Minneapolis, Minnesota Sarah Mason -SM Isabel Suzanne Joe Wong -IW SM: I’m talking to Isie Wong in Minneapolis on June 8, 1982. And this isProject an interview conducted for the Minnesota Historical Society by Sarah Mason. Can we just begin with your parents and your family then? IW: Oh, okay. What I know about my family is basically . my family’s history is basically what I was told by my father and by my mother. So, you know,History that is just from them. Society SM: Yes. Oral IW: My father was born in Canton of a family of nine children, and he was the last one. He was the baby. And apparently they had some money because they were able to raise . I think it was four girls and the five boys. SM: Oh. Historical IW: My father’s mother died when he was about eight years old. And the father . I don’t know if I should say this, was a . .Minnesota . he was . he was addicted to opium as all men of that time were, you know. I mean, menin of money were able to smoke opium. SM: Oh. Yes. Minnesota IW: And so, little by little, he would sell off his son and his children to, you know, maintain that habit. Asians SM: Yes. IW: The mother’s dying words were, “Don’t ever sell my youngest son.” But the father just was so drugged by opium that he . eventually, he did sell my father. -
Portland Chinese Scholarship Foundation
1 Prosper Portland is honored to collaborate on projects that celebrate the past and support the Old Town/Chinatown community now and into the future. Find out more at prosperportland.us/otct THANK YOU to our 2020 Awesome Advertisers P. 36 Canton Grill P. 36 NW Natural P. 33 Capital Hill Mortgage P. 24 Ocean City Seafood Restaurant P. 22 Chang Fa Supermarket P. 38 Omega Services P. 22 Chen’s Good Taste Restaurant P. 12 OnPoint Community Credit Union P. 23 Chin’s Import & Export Co., Inc P. 29 Oregon Chinese Coalition P. 19 China Delight P. 24 OTA Tofu P. 22 China Wind Restaurant P. 34 Pacific Seafood P. 27 CT Auto Body & Paint P. 18 PCT Print & Design P. 38 Dignity – Sisi Zhang P. 37 Phoenix City Seafood Restaurant P. 24 Farmer’s Ins – Diane L Koelling P. 33 Pinon Insurance Agency - Jody Chan P. 27 Golden Horse Restaurant P. 22 Portland Chinatown Museum P. 32 Grace Insurance Services P. 34 Portland Lee’s Association P. 32 Great World Travel P. 02 Prosper Portland P. 32 Happy Dragon Chinese Restaurant P. 32 Red Robe Tea House and Cafe P. 28 HK Café P. 39 River View Cemetery Funeral Home P. 32 Hop Sing Association P. 12 Selfie Pod Photo Booth P. 18 Huber’s P. 30 Smart Foodservice P. 33 Imperial House P. 14 Taipei Economic and Cultural Office P. 27 J & P Accounting and Tax Services in Seattle P. 19 Keller Williams – Felicia C Louie P. 37 United CPAs & Co, LLC P. 24 Kern Park Flower Shoppe P. -
Asian American Romantic Comedies and Sociopolitical Influences
FROM PRINT TO SCREEN: ASIAN AMERICAN ROMANTIC COMEDIES AND SOCIOPOLITICAL INFLUENCES Karena S. Yu TC 660H Plan II Honors Program The University of Texas at Austin May 2019 ______________________________ Madhavi Mallapragada, Ph.D. Department of Radio-Television-Film Supervising Professor ______________________________ Chiu-Mi Lai, Ph.D. Department of Asian Studies Second Reader Abstract Author: Karena S. Yu Title: From Print to Screen: Asian American Romantic Comedies and Sociopolitical Influences Supervisor: Madhavi Mallapragada, Ph.D. In this thesis, I examine how sociopolitical contexts and production cultures have affected how original Asian American narrative texts have been adapted into mainstream romantic comedies. I begin by defining several terms used throughout my thesis: race, ethnicity, Asian American, and humor/comedy. Then, I give a history of Asian American media portrayals, as these earlier images have profoundly affected the ways in which Asian Americans are seen in media today. Finally, I compare the adaptation of humor in two case studies, Flower Drum Song (1961) which was created by Rodgers and Hammerstein, and Crazy Rich Asians (2018) which was directed by Jon M. Chu. From this analysis, I argue that both seek to undercut the perpetual foreigner myth, but the difference in sociocultural incentives and control of production have resulted in more nuanced portrayals of some Asian Americans in the latter case. However, its tendency to push towards the mainstream has limited its ability to challenge stereotyped representations, and it continues to privilege an Americentric perspective. 2 Acknowledgements I owe this thesis to the support and love of many people. To Dr. Mallapragada, thank you for helping me shape my topic through both your class and our meetings. -
The Los Angeles Chinese Confucius Temple School: Heritage, Transformation, and Renovation
International Journal for Innovation Education and Research www.ijier.net Vol.3-2, 2015 The Los Angeles Chinese Confucius Temple School: Heritage, Transformation, and Renovation Yu-Ju Hung, Ph.D. Assistant Professor History Department, Chinese Culture University, Taiwan (R.O.C.) [email protected] Abstract The creation of mother-tongue language schools was the prevalent phenomenon in the American immigration communities in the nineteenth and twentieth century. Some European, such as German, immigrants capitalized their ethnic network to develop their ethnic language instructions within the systems of public school or religious parochial school, while certain Asian (Chinese or Japanese) immigrants created private language schools to maintain their heritage and culture for younger generations. Through the case study of history of the Chinese Confucius Temple School in Los Angeles Chinatown, along with the examination of theoretical frame of contemporary non-English mother-tongue schools in the United States, this study demonstrate the transformation of Chinese language school in the aftermath of 1950s. It shows that the development of language school not only dwells on the issues of Mandarin-learning and culture maintenance, but also accompanies with the transition of Chinese community from inner-city enclave to suburbs. Keywords: Language school, Los Angeles Chinatown, Chinese Confucius Temple School, Chinese tradition, cultural heritage Introduction: The development of Chinese language schools dates back to the late 1880s when the first one, Chinese Minister Zhang Yinguan, was established in San Francisco.1 In the following years to serve the needs of early immigrants, classes in Cantonese language were provided for the residents of Chinatown in a number of large cities in the United States.