DOCSLIB.ORG

Lupe Fiasco Drogas Wave Album Download Leak Lupe Fiasco Drogas Wave Album Download Leak

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Lupe Fiasco Drogas Wave Album Download Leak Lupe Fiasco Drogas Wave Album Download Leak lupe fiasco drogas wave album download leak Lupe fiasco drogas wave album download leak. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66a7e5f97e03c3ca • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Lupe Fiasco Returns With "DROGAS Wave" LP. Lupe Fiasco has dropped his DROGAS Wave album following a hectic rollout. The veteran MC had to change the LP’s release date due to a leak, prompting him to deliver it a week earlier than expected. Now that the album has officially arrived, fans can legally enjoy Lupe’s 24-track project. Guests on the LP include Damian Marley, Nikki Jean, Crystal Torres, Elena Pinderhughes, Simon Sayz and Bishop Edgar Jackson. Check out Lupe’s DROGAS Wave stream, cover art and tracklist. [This post has been updated. The following was originally published on September 19, 2018.] An album leak has forced Lupe Fiasco to alter his DROGAS Wave rollout. The skilled wordsmith has announced his seventh album will now drop on Friday (September 21) instead of September 28 as previously announced. “Due to the leak we pushing up the album release date of DROGAS WAVE to Friday September 21st,” he wrote on Twitter. Due to the leak we pushing up the album release date of DROGAS WAVE to Friday September 21st ? 21, 21! — DROGAS WAVE SEPT. 21st (@LupeFiasco) September 19, 2018. Lupe reacted to the leak on Tuesday night (September 18) by asking Genius to remove the album’s lyrics from its platform. The site quickly obliged by taking down the pages. Dear @genius can you please remove the lyrics from ANY SONGS from DROGAS WAVE from your site IMMEDIATELY. Please consider this an official request. We’ve been cool since your jump…hope we can keep it that way. ?? — DROGAS WAVE SEPT. 21st (@LupeFiasco) September 19, 2018. [This post has been updated. The following was originally published on September 16, 2018.] After reaffirming his rapping prowess amid the Eminem and Joe Budden feud, Lupe has announced his seventh studio LP is scheduled to drop on September 28. The veteran MC has also unveiled the project’s cover art and tracklist. DROGAS Wave , the follow-up to 2017’s DROGAS Light , is comprised of 24 tracks. Damian Marley, Nikki Jean, Crystal Torres, Simon Sayz and Bishop Edgar Jackson make guest appearances on the LP. Check out Lupe’s Drogas Waves cover art and tracklist below. Pre-orders are available here. 1. In the Event Of Typhoon 2. Drogas 3. Manilla 4. Gold vs. The Right Things To Do 5. Slave Ship (Interlude) 6. WAV Files 7. Down f. Nikki Jean 8. Haile Selassie f. Nikki Jean 9. Alan Forever f. Crystal Torres 10. Helter Skelter (Interlude) 11. Stronger f. Nikki Jean 12. Sun God Sam & The California Drug Deals f. Nikki Jean 13. XO f. Troi Irons 14. Don’t Mess Up The Children (Interlude) 15. Jonylah Forever 16. Kingdom f. Damian Marley 17. Baba Kwesi (Interlude) 18. Imagine f. Simon Sayz & Crystal Torres 19. Stack That Cheese f. Nikki Jean 20. Cripple f. Elena Pinderhughes 21. King Nas 22. Quotations From Chairman Fred f. Nikki Jean & Bishop Edgar Jackson 23. Happy Timbuck2 Day 24. Mural Jr. Lupe Fiasco Shares ‘Drogas Wave’ Album Tracklist and Release Date. Lupe Fiasco's new album is on its way, and it turns out that it's coming out even sooner than we expected. After initially saying Drogas Wave was set to drop on Sept. 28, Fiasco, who originally unloaded the tracklist and the album cover for the project that same day (Sept. 13), has upped his release date. Today, the rapper says that the recent leaking of his new LP changed has his plans for LP's launch date. It's now dropping this Friday, Sept. 21. “I don’t know how the album got out, but it did. It’s my label and I can do what I want with the music so I’m making it available to my fans now,” Fiasco says of changing the release date for his new project. Announcing the news on Twitter, Lupe thanked fans for helping him locate the sites pirating digital copies of Drogas Wave . "Big shout out to all the fans who helped keeped the leak from spreading too far and for sending us links to take down the pirates. I REALLY appreciate it," Lupe wrote in a now-deleted tweet. "Boxden & 4CHAN you broke my heart. when you see me in the streets just swing first, we’ll patch things up later." Drogas Wave is a sequel to Lupe's 2017 album, Drogas Light . As is usually the case with a Lupe LP, there's more to the title than you might think. “ Drogas Wave is based on a story about a group of slaves that jumped off of a slave ship transporting them from Africa,” Lupe says. “The slaves did not drown, and instead somehow managed to live under the sea. They spent the rest of their underwater existence sinking slave ships. ‘Drogas’ is the Spanish word for drugs. I made it an acronym which stands for ‘Don’t Ruin Us God Said.’” Getting to the tracklist, it includes features from Damian Marley, Lupe's longtime collaborator Nikki Jean and more. It checks in at 24 tracks, so you should be expecting a heavy dose of bars. Peep the artwork and tracklist for Lupe's new album. Lupe Fiasco's Drogas Wave Tracklist. 1. "In the Event of Typhoon" 2. "Drogas" 3. "Manilla" 4. "Gold vs. The Right Things To Do" 5. "Slave Ship (Interlude)" 6. "WAV Files" 7. "Down" featuring Nikki Jean 8. "Haile Selassie" featuring Nikki Jean 9. "Alan Forever" featuring Crystal Torres 10. "Helter Skelter (Interlude)" 11. "Stronger" featuring Nikki Jean 12. "Sun God Sam & The California Drug Deals" featuring Nikki Jean 13. "XO" featuring Troi Irons 14. "Don’t Mess Up The Children (Interlude)" 15. "Jonylah Forever" 16. "Kingdom" featuring Damian Marley 17. "Baba Kwesi (Interlude)" 18. "Imagine" featuring Simon Sayz and Crystal Torres 19. "Stack That Cheese" featuring Nikki Jean 20. "Cripple" featuring Elena Pindehughes 21. "King Nas" 22. "Quotations From Chairman Fred" featuring Nikki Jean & Bishop Edgar Jackson 23. "Happy Timbuck2 Day" 24. "Mural Jr." Lupe fiasco drogas wave album download leak. Functional cookies help to perform certain functionalities like sharing the content of the website on social media platforms, collect feedbacks, and other third-party features. Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors. Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics the number of visitors, bounce rate, traffic source, etc. Advertisement cookies are used to provide visitors with relevant ads and marketing campaigns. These cookies track visitors across websites and collect information to provide customized ads. Other uncategorized cookies are those that are being analyzed and have not been classified into a category as yet. Drogas Wave. On his seventh album, the conscious hip-hop fallback poses a revisionist fantasy about underwater slaves sinking other slave ships—a premise he quickly abandons during these 24 tracks. Conscious hip-hop exists in a state of perpetual existential irony. Known for its power-to-the-people catalog, Rawkus Records is actually a product of the moneyed elite. The subgenre’s most popular modern figure promotes himself while wearing MAGA gear. Other icons, like the artist formerly known as Mos Def, simply quit. But hip-hop heads in glasses have maintained a fallback in Lupe Fiasco, still dedicated to multi-entendres and high-concept verses. But Fiasco’s surface-level sophistication doesn’t mask just how low-stakes his career has been since 2011. That year’s Lasers , the ugly result of his hostage situation with Atlantic, effectively ruined his chances of meeting his potential as a mainstream star and bar-for-bar traditionalist, the intersection Kendrick Lamar and J. Cole now control. Though he’s largely remained consistent since that disaster, arguably peaking with 2015’s Tetsuo & Youth , Fiasco has fallen from Late Registration feature to amicable niche. He has become overly ambitious with his smaller audience, too, so that listening to Fiasco can now feel like encountering someone’s unedited passion project. This is especially true of Drogas Wave , a wildly unrealized 24-track, 98-minute concept album with a surreal premise: What if African slaves thrown overboard during their transatlantic passage had managed to survive underwater and dedicate their existence to sinking other slave ships? This is only a slight left turn for someone who made a song about an undead drug dealer, but still. This is emotionally rich fictitious content. Still, you can’t help but wonder if Fiasco cares to engage with its dramatic weight; this is someone, remember, who praised Ab-Soul’s barely listenable Do What Thou Wilt. by throwing around ideas about morphology and hermeneutics. Fiasco’s love of dense verses, though, often overshadows the empathy that runs through the finest moments of his career.
Load more

Recommended publications
  • MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
    MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division
    [Show full text]
  • CES 209 Hip Hop Around the Globe MWF 10:10-11:00 CUE 418 Spring 2016
    CES 209 Hip Hop Around the Globe MWF 10:10-11:00 CUE 418 Spring 2016 Instructor: Nicholas D. Krebs Office: Wilson-Short 115 Office Hours: TR 11:00-12:00, or by appointment E-mail: [email protected] Course Description and Objectives “It is what the paint signifies in the public imagination that defines whether it conveys high status or lowly character virtue.’‘ – Leonard Harris (2013), “Against Minstrelsy,” Black Diaspora Review. Vol 3, No. 2: p. 3. “Babylon, Babylon, out my window all I see is Babylon. On the news all I see is Babylon, and all niggas do is just babble on….ain’t got no gavel, I ain't tryna fight nobody battle, I-I just wanna be free, I ain't tryna be nobodies chattel.” – Ab-Soul (2012), “Terrorist Threats (feat. Danny Brown & Jhene Aiko),” Control System. “Now, I’ma need you to kill the hypocrisy, this is an aristocracy. I’m Socrates, but my skin more chocolatey.” – Kanye West (2010), “See Me Now (feat. Beyoncé, Charlie Wilson & Big Sean),” My Beautiful Dark Twisted Fantasy. This course introduces students to the critical investigation of hip hop around the globe, and begins by recognizing hip hop as a social cultural movement that exerts significant resistance against oppressive societal forces while simultaneously producing material and mental empowerment for marginalized peoples around the world. We will establish this claim by thoroughly examining both the aesthetics and elements of the art form, and its resultant sociocultural movement. Focusing on the roots of hip hop in the inner-cities of the United States during the late twentieth century, and its continued prominence in urban environments across the globe in the twenty-first century, we will highlight the relationships between art, capitalism, politics, and social movements in order to provide students with a working critique of the structural context in which hip hop arose, matured, and continues to evolve.
    [Show full text]
  • Lupe Fiasco Drogas Waves Album Download Lupe Fiasco Drogas Waves Album Download
    lupe fiasco drogas waves album download Lupe fiasco drogas waves album download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66c9470b2ef4f146 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Lupe fiasco drogas waves album download. Artist: Lupe Fiasco Album: Drogas Wave Released: 2018 Style: Hip Hop. Format: MP3 320Kbps. Tracklist: 01 – In the Event of Typhoon 02 – Drogas 03 – Manilla 04 – Gold vs the Right Things to Do 05 – Slave Ship (Interlude) 06 – WAV Files 07 – Down (feat. Nikki Jean) 08 – Haile Selassie (feat. Nikki Jean) 09 – Alan Forever (feat. Crystal Torres) 10 – Helter Skelter (Interlude) 11 – Stronger (feat. Nikki Jean) 12 – Sun God Sam & The California Drug Deals (feat. Nikki Jean) 13 – XO (feat. Troi Irons) 14 – Don’t Mess up the Children (Interlude) 15 – Jonylah Forever 16 – Kingdom (feat. Damian Marley) 17 – Baba Kwesi (Interlude) 18 – Imagine (feat. Simon Sayz & Crystal Torres) 19 – Stack That Cheese (feat. Nikki Jean) 20 – Cripple (feat.
    [Show full text]
  • Spring 2017 Hip Hop Helps: Systemic Discrimination In
    HIP HOP HELPS: SYSTEMIC DISCRIMINATION IN SOCIAL WORK ANDRAGOGY A Project Presented to the faculty of the Division of Social Work California State University, Sacramento Submitted in partial satisfaction of the requirements for the degree of MASTER OF SOCIAL WORK by Yarin Gomez SPRING 2017 © 2017 Yarin Gomez ALL RIGHTS RESERVED ii HIP HOP HELPS: SYSTEMIC DISCRIMINATION IN SOCIAL WORK ANDRAGOGY A Project by Yarin Gomez Approved by: __________________________________, Committee Chair Maria Dinis, Ph.D., MSW ____________________________ Date iii Student: Yarin Gomez I certify that this student has met the requirements for format contained in the University format manual, and that this project is suitable for shelving in the Library and credit is to be awarded for the project. __________________________, Department Chair ___________________ Dale Russell Date Division of Social Work iv Abstract of HIP HOP HELPS: SYSTEMIC DISCRIMINATION IN SOCIAL WORK ANDRAGOGY by Yarin Gomez Hip Hop is a transnational culture ignored in social work academia. A qualitative exploratory study with a social constructionist lens used a non-probability sampling method to recruit six Masters-level social work students in a stakeholder-engaged focus group. Subjects took the Rap Music Attitude and Perception (RAP) Scale, to gage perceptions about the music genre. As part of the focus group, open-ended questions were presented about Hip Hop music video content with themes of institutional racism. Data analysis verified individual and collective processes of social identity construction, delineating social agency versus oppression, and exploring the educational merits of Hip Hop. A remarkable result was how students reacted to satirical manifestations of discrimination in the videos with both laughter and indignation towards misogynistic motifs.
    [Show full text]
  • Lupe Fiasco Discography Torrent
    Lupe fiasco discography torrent Continue Lupe Piasco - Food and Liquor of Lupe Piasco (2006) 1. Intro 2. Real (Feat. Sarah Green) 3. It might just be fine (Feat. Gemini) 4. Kick, Push 5. I'm a high-order 6. Instrumental (feat Jonah Matraranga) 7. He says she (Feat Gemini and Sarah Green) 8. Sunshine 9. Daydreaming ' (Feat Jill Scott) 10. Cool 11. Wounds or souls 12. Pressure (Feat. J-Z) 13. American Terrorist (Feat Matthew Santos) 14. Emperor's Soundtrack 15. Kick, Push II 16. Outro Lupe Fiasco – Chi Town Guevara Mixtape (2006) 01 Intro 02 Touch Sky 03 Pressure 04 Kick Push 05 Failed 05 Failed 06 Twilight Zone 07 Average and Vicious 08 Just Ok Ft. Gemini 09 Switch 10 Dead Prez 11 Outty 5000 12 Pence and Needles 13 Lupe Gorilla 14 Lupe Killa 15 Jedi Mind Trick 16 Hurt or Soul 17 Kick Push Remix Ft. Skateboard P Lupe Piasco - Fahrenheit 1/15 (Part I - Truth Of Us 106) 106) Intro 2. Twilight Zone 3. Penn and Needles 4. Knockinin' Champ here (freestyle) 6 at Door 5. Failure 7. Bose Playa (Feat. Gemini and Bishop G) 8. Jesus Walk (Arc-A-Pella version) 9. WGCI (Freestyle) 10. Hate Hop 11. Run down 12. Oh 13. 14. Coffin' where I came from (feat Anthony Hamilton) 15. Sheila G Up (Feat. Sheila G) 16. Radio 17. Welcome back to chilly rupee piasco - Fahrenheit 1/15 (Part II - Nerd Revenge) (2006) 1. Revenge begins... 2. Much more 3. Average and vicious 4. Didn't you know? (Feat. Sheila G) 5.
    [Show full text]
  • Virginia Commonwealth University Commencement Program Virginia Commonwealth University
    Virginia Commonwealth University VCU Scholars Compass VCU Commencement Programs VCU University Archives 2016 Virginia Commonwealth University Commencement Program Virginia Commonwealth University Follow this and additional works at: http://scholarscompass.vcu.edu/vcucommence © Virginia Commonwealth University Downloaded from http://scholarscompass.vcu.edu/vcucommence/68 This Program is brought to you for free and open access by the VCU University Archives at VCU Scholars Compass. It has been accepted for inclusion in VCU Commencement Programs by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. MAY 14, 2016 Congratulations to all ✦ ! CommencementThe Richmond coliseum Richmond, Virginia A VCU University Relations publication an equal opportunity/affirmative action university 002513-01 Dear Class of 2016: Virginia Commonwealth University is a premier national research university with a mission focused on people. Research that helps people. Care that heals people. Teaching that empowers people. Service that embraces people. Our greatest successes, then, are the successes of our people, including those of you who are earning your degree today. You are graduating from one of America’s great public research universi- ties; as such, your educational experience has been about more than completing your courses and receiving a grade. It has been about making your knowledge real to solve real problems that will make a real difference in the real world. It has been about becom- ing leaders in your academic disciplines and in your communities. It has been about innovating, transforming and creating opportunities for yourself and others. You are part of a rich legacy at VCU. For 178 years, your alma mater has focused on helping students like you become creators, innovators and entrepreneurs who will advance the human experience around the world.
    [Show full text]
  • Sunday Morning Grid 5/6/12 Latimes.Com/Tv Times
    SUNDAY MORNING GRID 5/6/12 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Morning (N) Å Face the Nation (N) Paid The Players Club (N) AMA Supercross PGA Tour Golf 4 NBC News Å Meet the Press (N) Å News (N) Babar (TVY) Willa’s Wild Pearlie Cycling Giro d’Italia. Hockey: Blues at Kings 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) NBA Basketball Chicago Bulls at Philadelphia 76ers. (N) Å Basketball 9 KCAL News (N) Prince Mike Webb Joel Osteen Shook Paid Program 11 FOX D. Jeremiah Joel Osteen Fox News Sunday NASCAR Racing Sprint Cup: Aaron’s 499. From Talladega Superspeedway in Talladega, Ala. (N) Å 13 MyNet Paid Tomorrow’s Paid Program Best Buys Paid Program Hates Chris Changing Lanes ››› 18 KSCI Paid Hope Hr. Church Paid Program Iranian TV Paid Program 22 KWHY Paid Program Paid Program 24 KVCR Sid Science Curios -ity Thomas Bob Builder Joy of Paint Paint This Dewberry Wyland’s Sara’s Kitchen Kitchen Mexican 28 KCET Hands On Raggs Busytown Peep Pancakes Pufnstuf Land/Lost Hey Kids Taste Journeys Moyers & Company 30 ION Turning Pnt. Discovery In Touch Mark Jeske Paid Program Inspiration Today Camp Meeting 34 KMEX Paid Program Muchachitas Como Tú Al Punto (N) Vidas Paralelas República Deportiva 40 KTBN Rhema Win Walk Miracle-You Redemption Love In Touch PowerPoint It Is Written B.
    [Show full text]
  • Billboard Magazine
    TRENT REZNOR’S (SECRET) WORK AT APPLE The elusive star on turning 50 and what he wishes U2 could redo ‘DID THAT JUST HAPPEN?’ TV music bookers on big gets, bigger nightmares ALLMAN BROTHERS’ EPIC FINAL SHOW Evolution of a Prodigy What do you do after winning Grammys and the adoration of every icon in music? If you’re LORDE, you go Hollywood, cold-call Kanye and curate the Hunger Games soundtrack — all while still finding your way around fame CRITICS ARE RAVINGWorldMags.net ABOUT ARETHA’S BRAND NEW ALBUM AS CANDIDATE FOR ALBUM OF THE YEAR “Divas are everywhere these days, but there’s still only one Aretha. Franklin can still shut down the competition with a breathtaking, gospel-trained grace and power. Here, she tackles tunes by her peers, adding royal luster to Gladys Knight’s ‘Midnight Train to Georgia’ and the Supremes’ ‘You Keep Me Hangin’ On.’ She saves extra energy for songs by younger neo-soul stars. She adds a welcome reggae feel to Alicia Keys’ ‘No One,’ and takes Adele’s ‘Rolling in the Deep’ to stratospheric heights. When Franklin then surprises with a segue into the Motown classic ‘Ain’t No Mountain High Enough,’ the wow factor is off the charts. That’s also the case on a mashup of ‘I’m Every Woman’ with a revived version of ‘Respect,’ on which Franklin ad-libs, ‘I am the Queen.’ Let there be no argument about that.” - THE BOSTON GLOBE “Aretha’s brand new album is shaping up as another key moment in Franklin’s half-century recording career, artistically and potentially commercially rejuvenating her once again.
    [Show full text]
  • 2013 2013At Bam’S Mission Is to Be the Home for Adventurous Artists, Audiences, and Ideas
    BAM ANNUAL REPORT 2013 2013AT BAM’S MISSION IS TO BE THE HOME FOR ADVENTUROUS ARTISTS, AUDIENCES, AND IDEAS. 3—6 34—37 GREETINGS PAST AND FUTURE Chair Letter, 4 Digital Media, 35 President & Executive Producer’s Letter, 5 BAM Hamm Archives, 36 BAM Campus, 6 Membership, 37 7—33 38—44 WHAT WE DO WHO WE ARE 2012 Next Wave Festival, 8–10 BAM Board List, 39 2013 Winter/Spring Season, 11–13 BAM Supporters, 40–42 BAM Rose Cinemas, 14–19 BAM Staff, 43–44 First-run Films, 15 BAMcinématek, 16–17 45—47 BAMcinemaFest, 18 HD Screenings, 19 NUMBERS BAM Financial Statements, 46–47 BAMcafé Live, 20–21 Get It Out There, 22 Education & Humanities, 23–28 48—52 Education / BAMkids, 24 THE TRUST Humanities, 25–27 BET Chair Letter, 49 Professional Development Program, 28 BET Donors, 50 Community, 29–31 BET Financial Statements, 51–52 DanceMotion USASM, 32 Visual Art, 33 2013 ANNUAL REPORT 2 Table of Contents Cover: Einstein on the Beach | Photo: Stephanie Berger THE BAM FISHER BUILDING’S INAUGURAL NEXT WAVE FESTIVAL began in the fall of 2012 with 15 widely varying productions. This new venue— which opened without a hitch—nearly doubled the number of productions in the fall, for a total of 32. The fall season also marked the end of BAM’s 150th anniversary celebration which began in September of 2011. This report covers July 2012—June 2013. All That Fall | 2012 Next Wave Festival | Photo: Ros Kavanagh GreetingsGREETINGS DEAR FRIENDS, The 30th Next Wave Festival was a landmark is a new home for the BAM Education & event, and Mr.
    [Show full text]
  • CES 209 Hip Hop Around the Globe MTWRF 09:00-10:15 TBD TBD Summer 2015
    CES 209 Hip Hop Around the Globe MTWRF 09:00-10:15 TBD TBD Summer 2015 Instructor: Nicholas D. Krebs Office: Wilson-Short 115 Office Hours: W 10:30-12:00, or by appointment E-mail: [email protected] Course Description and Objectives “It is what the paint signifies in the public imagination that defines whether it conveys high status or lowly character virtue.’‘ – Leonard Harris (2013), “Against Minstrelsy,” Black Diaspora Review. Vol 3, No. 2: p. 3. “Babylon, Babylon, out my window all I see is Babylon, on the news all I see is Babylon, and all niggas do is just babble on….ain’t got no gavel, I ain't tryna fight nobody battle, I-I just wanna be free, I ain't tryna be nobodies chattel.” – Ab-Soul (2012), “Terrorist Threats (feat. Danny Brown & Jhene Aiko),” Control System. “Now, I’ma need you to kill the hypocrisy, this is an aristocracy. I’m Socrates, but my skin more chocolatey.” – Kanye West (2010), “See Me Now (feat. Beyoncé, Charlie Wilson & Big Sean),” My Beautiful Dark Twisted Fantasy. This course introduces students to the critical investigation of hip hop around the globe, and begins by recognizing hip hop as a social cultural movement that exerts significant resistance against oppressive societal forces while simultaneously producing material and mental empowerment for marginalized peoples around the world. We will establish this claim by thoroughly examining both the aesthetics and elements of the art form, and its resultant sociocultural movement. Focusing on the roots of hip hop in the inner-cities of the United States during the late twentieth century, and its continued prominence in urban environments across the globe in the twenty-first century, we will highlight the relationships between art, capitalism, politics, and social movements in order to provide students with a working critique of the structural context in which hip hop arose, matured, and continues to evolve.
    [Show full text]
  • アーティスト 商品名 フォーマット 発売日 商品ページ 555 Solar Express CD 2013/11/13
    【SOUL/CLUB/RAP】「怒涛のサプライズ ボヘミアの狂詩曲」対象リスト(アーティスト順) アーティスト 商品名 フォーマット 発売日 商品ページ 555 Solar Express CD 2013/11/13 https://tower.jp/item/3319657 1773 サウンド･ソウルステス（DIGI） CD 2010/6/2 https://tower.jp/item/2707224 1773 リターン・オブ・ザ・ニュー CD 2009/3/11 https://tower.jp/item/2525329 1773 Return Of The New (HITS PRICE) CD 2012/6/16 https://tower.jp/item/3102523 1773 RETURN OF THE NEW（LTD） CD 2013/12/25 https://tower.jp/item/3352923 2562 The New Today CD 2014/10/23 https://tower.jp/item/3729257 *Groovy workshop. Emotional Groovin' -Best Hits Mix- mixed by *Groovy workshop. CD 2017/12/13 https://tower.jp/item/4624195 100 Proof (Aged in Soul) エイジド・イン・ソウル CD 1970/11/30 https://tower.jp/item/244446 100X Posse Rare & Unreleased 1992 - 1995 Mixed by Nicky Butters CD 2009/7/18 https://tower.jp/item/2583028 13 & God Live In Japan [Limited] ＜初回生産限定盤＞（LTD/ED） CD 2008/5/14 https://tower.jp/item/2404194 16FLIP P-VINE & Groove-Diggers Presents MIXCHAMBR : Selected & Mixed by 16FLIP ＜タワーレコード限定＞ CD 2015/7/4 https://tower.jp/item/3931525 2 Chainz Collegrove（INTL） CD 2016/4/1 https://tower.jp/item/4234390 2000 And One Voltt 02 CD 2010/2/27 https://tower.jp/item/2676223 2000 And One ヘリタージュ CD 2009/2/28 https://tower.jp/item/2535879 24-Carat Black Ghetto : Misfortune's Wealth（US/LP） Analog 2018/3/13 https://tower.jp/item/4579300 2Pac (Tupac Shakur) TUPAC VS DVD 2004/11/12 https://tower.jp/item/1602263 2Pac (Tupac Shakur) 2-PAC 4-EVER DVD 2006/9/2 https://tower.jp/item/2084155 2Pac (Tupac Shakur) Live at the house of blues（BRD） Blu-ray 2017/11/20 https://tower.jp/item/4644444
    [Show full text]
  • Deep Content-Based Music Recommendation
    Deep content-based music recommendation Aaron¨ van den Oord, Sander Dieleman, Benjamin Schrauwen Electronics and Information Systems department (ELIS), Ghent University faaron.vandenoord, sander.dieleman, [email protected] Abstract Automatic music recommendation has become an increasingly relevant problem in recent years, since a lot of music is now sold and consumed digitally. Most recommender systems rely on collaborative filtering. However, this approach suf- fers from the cold start problem: it fails when no usage data is available, so it is not effective for recommending new and unpopular songs. In this paper, we propose to use a latent factor model for recommendation, and predict the latent factors from music audio when they cannot be obtained from usage data. We compare a traditional approach using a bag-of-words representation of the audio signals with deep convolutional neural networks, and evaluate the predictions quantita- tively and qualitatively on the Million Song Dataset. We show that using predicted latent factors produces sensible recommendations, despite the fact that there is a large semantic gap between the characteristics of a song that affect user preference and the corresponding audio signal. We also show that recent advances in deep learning translate very well to the music recommendation setting, with deep con- volutional neural networks significantly outperforming the traditional approach. 1 Introduction In recent years, the music industry has shifted more and more towards digital distribution through online music stores and streaming services such as iTunes, Spotify, Grooveshark and Google Play. As a result, automatic music recommendation has become an increasingly relevant problem: it al- lows listeners to discover new music that matches their tastes, and enables online music stores to target their wares to the right audience.
    [Show full text]