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MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
CES 209 Hip Hop Around the Globe MWF 10:10-11:00 CUE 418 Spring 2016
CES 209 Hip Hop Around the Globe MWF 10:10-11:00 CUE 418 Spring 2016 Instructor: Nicholas D. Krebs Office: Wilson-Short 115 Office Hours: TR 11:00-12:00, or by appointment E-mail: [email protected] Course Description and Objectives “It is what the paint signifies in the public imagination that defines whether it conveys high status or lowly character virtue.’‘ – Leonard Harris (2013), “Against Minstrelsy,” Black Diaspora Review. Vol 3, No. 2: p. 3. “Babylon, Babylon, out my window all I see is Babylon. On the news all I see is Babylon, and all niggas do is just babble on….ain’t got no gavel, I ain't tryna fight nobody battle, I-I just wanna be free, I ain't tryna be nobodies chattel.” – Ab-Soul (2012), “Terrorist Threats (feat. Danny Brown & Jhene Aiko),” Control System. “Now, I’ma need you to kill the hypocrisy, this is an aristocracy. I’m Socrates, but my skin more chocolatey.” – Kanye West (2010), “See Me Now (feat. Beyoncé, Charlie Wilson & Big Sean),” My Beautiful Dark Twisted Fantasy. This course introduces students to the critical investigation of hip hop around the globe, and begins by recognizing hip hop as a social cultural movement that exerts significant resistance against oppressive societal forces while simultaneously producing material and mental empowerment for marginalized peoples around the world. We will establish this claim by thoroughly examining both the aesthetics and elements of the art form, and its resultant sociocultural movement. Focusing on the roots of hip hop in the inner-cities of the United States during the late twentieth century, and its continued prominence in urban environments across the globe in the twenty-first century, we will highlight the relationships between art, capitalism, politics, and social movements in order to provide students with a working critique of the structural context in which hip hop arose, matured, and continues to evolve. -
How the Liverpool Care Pathway Was Used As an Excuse For
Right at Home Southern MD Home Care for the Elderly - Home Care for the Physically Disabled Feedback Like 2.5m DailyMail Wednesday, Apr 15th 2015 11AM 58°F 2PM 64°F 5-Day Forecast Home U.K. News Sports U.S. Showbiz Australia Femail Health Science Money Video Travel Columnists Latest Headlines News Arts Headlines Pictures Most read News Board Wires Login Lethal force caught Victory for wife of Abandoned teen White supremacist, Missouri death row Celebrity chef is 'Everyone knows it's on camera: ex-Clippers owner who gave birth to 20, claims he shot inmate loses 11th found hanging not right!': Gossip Care Pathway scrapped after damning Site Web Enter your search report reveals how relatives were shouted at by nurses for giving loved ones a drink Ministers order Liverpool Care Pathway to be ditched within a year, Review by Baroness Neuberger reveals how end-of-life treatment was used as an excuse for appalling levels of care open in browser PRO version Are you a developer? Try out the HTML to PDF API pdfcrowd.com Families were not told their loved ones were on the 'pathway' to death By MATT CHORLEY, MAILONLINE POLITICAL EDITOR and DANIEL MARTIN FOR THE DAILY MAIL PUBLISHED: 07:02 EST, 15 July 2013 | UPDATED: 09:06 EST, 15 July 2013 153 View comments Like Follow Daily Mail @DailyMail Nurses shouted at relatives who tried to give their dying loves ones a sip of water, an inquiry into the controversial Liverpool Care Pathway revealed today. Follow +1 Daily Mail Daily Mail Ministers moved to scrap the end of life plan after a damning inquiry found it was being used as an excuse for poor care. -
Robotica Prep with Purpose, the Look Is Straight Edge – Sharp and Tailored
AW 10 BEAUTY TREND BEAUTY b c d a e f g ROBOTICA PREP WITH PUrpOSE, the look is straight edge – sharp and tailored. No-nonsense hair with a deep side-part. Keep it together with a tightly-wound bun or a straight pony. Chiselled cheeks: imperative. h ; Firstview. Firstview. ; Elle Glass Elle ; Words Words ; Easy Rider Evie, let your hair hang down. Soft khaki eyes with Christine Thornton Christine a peach flush, natural brows and nude lips – Pucci AW 10 i j k l brings it back to the days of wash and go a.Céline AW 10. b.Balenciaga backstage AW 10. c.Stella McCartney backstage AW 10. d.Calvin Klein AW 10. e. Balenciaga AW 10. f.Calvin Klein backstage AW 10. Direction Art Firstview. wherever the wind takes you. g.Stella McCartney AW 10. h.Calvin Klein AW 10. i. Balenciaga backstage AW 10. j.Balenciaga AW 10. k. Rodarte backstage AW 10. l.Stella McCartney AW 10. 94 95 BEAUTY TREND b c a d ROUGE “Couture IS about WAITIng,” says Karl Lagerfeld. This look is moody and messed up – to make your mark, TEAM A TIDY RED LIP WITH TRYST-FRESH HAIR AND CLEAN SKIN. e f ; Firstview. Firstview. ; Give Me Elle Glass Elle A Reason ; Words Words ; “Do you have to have a reason for loving?” asks Brigitte Bardot. Luigi Murenu – on hair for Riccardo Tisci’s GIVENCHY AW 10 – gives you all the reason Christine Thornton Christine you need to rake it back into a loose, low pony. Caught and kept close – a velvet ribbon round your neck tied in a simple bow. -
Pirelli Calendar 2010 by Terry Richardson London
Pirelli Calendar 2010 by Terry Richardson London, 19 November 2009 – The 2010 Pirelli Calendar, now in its 37th edition, was presented to the press and to guests and collectors from around the world, at its global premiere in London. The much-awaited appointment with ‘The Cal’, a cult object for over 40 years, was held this year at Old Billingsgate, the suggestive late 19th century building on the banks of the Thames, where from 1875 to 1982 it housed the capital city’s fish market. Following China, immortalized by Patrick Demarchelier in the 2008 edition, and Botswana shot by Peter Beard a year later, 2010 is the year of Brazil and of American photographer Terry Richardson, the celebrated “enfant terrible” known for his provocative and outrageous approach. In the 30 images that scan the months of 2010, Terry Richardson depicts a return to a playful, pure Eros. Through his lens he runs after fantasies and provokes, but with a simplicity that sculpts and captures the sunniest side of femininity. He portrays a woman who is captivating because she is natural, who plays with stereotypes in order to undo them, who makes irony the only veil she covers herself with. This is a return to the natural, authentic atmospheres and images of the ‘60s and ‘70s. It is a clear homage to the Calendar’s origins, a throwback to the first editions by Robert Freeman (1964), Brian Duffy (1965) and Harry Peccinotti (1968 and 1969). Terry Richardson, like his illustrious predecessors, has chosen a simple kind of photography, without retouching, where naturalness prevails over technique and becomes the key to removing artificial excesses in vogue today to reveal the true woman underneath. -
Download Usarl 2017 Rules & Regulations
Rules and Regulations USA Rugby League LLC National Competition for the 2017 Domestic Season (Revised April 2017) USARL RULES & REGS REVISED 04/2017 1 ALL CLUBS SHALL HONOR THE SPIRIT OF THE USARL RULES AND REGULATION USARL RULES & REGS REVISED 04/2017 2 Table of Contents 1.0 USARL NATIONAL COMPETITION .............................................................................................. 5 1.1 General ............................................................................................................................................ 5 1.2 North and South Conference Competitions ..................................................................................... 5 1.3 Finals Series / Playoffs .................................................................................................................... 6 2.0 FORMAT OF MATCHES .................................................................................................................. 6 2.1 Match Commencement, Delays, Duration and Number of Players ................................................ 6 2.2 Postponed Matches .......................................................................................................................... 7 2.3 Abandoned, Incomplete and Forfeit Matches .................................................................................. 7 3.0 ON-FIELD ........................................................................................................................................... 7 4.0 PLAYING KIT ................................................................................................................................... -
Lupe Fiasco Drogas Waves Album Download Lupe Fiasco Drogas Waves Album Download
lupe fiasco drogas waves album download Lupe fiasco drogas waves album download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66c9470b2ef4f146 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Lupe fiasco drogas waves album download. Artist: Lupe Fiasco Album: Drogas Wave Released: 2018 Style: Hip Hop. Format: MP3 320Kbps. Tracklist: 01 – In the Event of Typhoon 02 – Drogas 03 – Manilla 04 – Gold vs the Right Things to Do 05 – Slave Ship (Interlude) 06 – WAV Files 07 – Down (feat. Nikki Jean) 08 – Haile Selassie (feat. Nikki Jean) 09 – Alan Forever (feat. Crystal Torres) 10 – Helter Skelter (Interlude) 11 – Stronger (feat. Nikki Jean) 12 – Sun God Sam & The California Drug Deals (feat. Nikki Jean) 13 – XO (feat. Troi Irons) 14 – Don’t Mess up the Children (Interlude) 15 – Jonylah Forever 16 – Kingdom (feat. Damian Marley) 17 – Baba Kwesi (Interlude) 18 – Imagine (feat. Simon Sayz & Crystal Torres) 19 – Stack That Cheese (feat. Nikki Jean) 20 – Cripple (feat. -
'Bro' Takes Center Stage in 'Kapamilya' Christmas
Dec ‘09-Jan ‘10 Available online at www.Lopezlink.ph Season’s greetings from OML, MML and EL3…page 5 ‘Bro’ takes center stage in ‘Kapamilya’ Christmas Q3 financial results PASKO na, Kapamilya! ing Marketing’s company-wide Christmas ABS-CBN EBITDA You know it’s Christmas when décor in the tree lighting activity, Licensing’s Parol season’s colors start popping up on major thor- ni Bro, CCM’s tagline and station ID, reaches P5B...p.2 oughfares and the mall muzak is interspersed a Christmas bazaar and the Win sa with carols. And, for kapamilyas all over the world, Bituin viewers’ promo—into one Christmas is definitely around the corner when big campaign. the station ID featuring their favorite The core idea, in the beginning, singers, actors and other media personali- was simply to boost employee ties starts getting airplay on Channel 2. morale in the midst of the global For Christmas 2009, ABS-CBN came economic crisis and unite every- up with “Bro, Ikaw ang Star ng Pasko,” one in a ceremonial Christmas a “back-to-basics” campaign centered tree lighting ceremony. How- on “Bro,” as the child Santino calls Jesus ever, the idea was scrapped when Christ in the network’s sleeper hit “May they realized that there are “so many Bukas Pa.” Christmas tree lighting The campaign kicked off on Nov. events.” 4 with the launch of the Christmas station ID, and the lighting of an 18-foot parol led by ABS-CBN chairman Eugenio “Gabby” Lopez III, presi- dent Charo Santos-Concio and “ S o FPHC grants call other executives, and Kapamilya we said, why not talents, including Santino him- go back to the on half its Meralco self, Zaijian Jaranilla. -
Spring 2017 Hip Hop Helps: Systemic Discrimination In
HIP HOP HELPS: SYSTEMIC DISCRIMINATION IN SOCIAL WORK ANDRAGOGY A Project Presented to the faculty of the Division of Social Work California State University, Sacramento Submitted in partial satisfaction of the requirements for the degree of MASTER OF SOCIAL WORK by Yarin Gomez SPRING 2017 © 2017 Yarin Gomez ALL RIGHTS RESERVED ii HIP HOP HELPS: SYSTEMIC DISCRIMINATION IN SOCIAL WORK ANDRAGOGY A Project by Yarin Gomez Approved by: __________________________________, Committee Chair Maria Dinis, Ph.D., MSW ____________________________ Date iii Student: Yarin Gomez I certify that this student has met the requirements for format contained in the University format manual, and that this project is suitable for shelving in the Library and credit is to be awarded for the project. __________________________, Department Chair ___________________ Dale Russell Date Division of Social Work iv Abstract of HIP HOP HELPS: SYSTEMIC DISCRIMINATION IN SOCIAL WORK ANDRAGOGY by Yarin Gomez Hip Hop is a transnational culture ignored in social work academia. A qualitative exploratory study with a social constructionist lens used a non-probability sampling method to recruit six Masters-level social work students in a stakeholder-engaged focus group. Subjects took the Rap Music Attitude and Perception (RAP) Scale, to gage perceptions about the music genre. As part of the focus group, open-ended questions were presented about Hip Hop music video content with themes of institutional racism. Data analysis verified individual and collective processes of social identity construction, delineating social agency versus oppression, and exploring the educational merits of Hip Hop. A remarkable result was how students reacted to satirical manifestations of discrimination in the videos with both laughter and indignation towards misogynistic motifs. -
Lupe Fiasco Discography Torrent
Lupe fiasco discography torrent Continue Lupe Piasco - Food and Liquor of Lupe Piasco (2006) 1. Intro 2. Real (Feat. Sarah Green) 3. It might just be fine (Feat. Gemini) 4. Kick, Push 5. I'm a high-order 6. Instrumental (feat Jonah Matraranga) 7. He says she (Feat Gemini and Sarah Green) 8. Sunshine 9. Daydreaming ' (Feat Jill Scott) 10. Cool 11. Wounds or souls 12. Pressure (Feat. J-Z) 13. American Terrorist (Feat Matthew Santos) 14. Emperor's Soundtrack 15. Kick, Push II 16. Outro Lupe Fiasco – Chi Town Guevara Mixtape (2006) 01 Intro 02 Touch Sky 03 Pressure 04 Kick Push 05 Failed 05 Failed 06 Twilight Zone 07 Average and Vicious 08 Just Ok Ft. Gemini 09 Switch 10 Dead Prez 11 Outty 5000 12 Pence and Needles 13 Lupe Gorilla 14 Lupe Killa 15 Jedi Mind Trick 16 Hurt or Soul 17 Kick Push Remix Ft. Skateboard P Lupe Piasco - Fahrenheit 1/15 (Part I - Truth Of Us 106) 106) Intro 2. Twilight Zone 3. Penn and Needles 4. Knockinin' Champ here (freestyle) 6 at Door 5. Failure 7. Bose Playa (Feat. Gemini and Bishop G) 8. Jesus Walk (Arc-A-Pella version) 9. WGCI (Freestyle) 10. Hate Hop 11. Run down 12. Oh 13. 14. Coffin' where I came from (feat Anthony Hamilton) 15. Sheila G Up (Feat. Sheila G) 16. Radio 17. Welcome back to chilly rupee piasco - Fahrenheit 1/15 (Part II - Nerd Revenge) (2006) 1. Revenge begins... 2. Much more 3. Average and vicious 4. Didn't you know? (Feat. Sheila G) 5. -
Alcohol Brand Sponsorship Report: Identified Alcohol Brand Sponsorships – U.S., 2010-2013
Alcohol Brand Sponsorship Report: Identified Alcohol Brand Sponsorships – U.S., 2010-2013 Olivia Belt, Korene Stamatakos, Amanda J. Ayers, Victoria A. Fryer, and Michael Siegel Department of Community Health Sciences Boston University School of Public Health February, 2014 Online supplement to manuscript entitled “Alcohol brand sponsorship of events, organizations and causes in the United States, 2010-2013” Methods This study examined sponsorship of organizations and events in the U.S. by alcohol brands from 2010-2013. The top 75 brands of alcohol consumed by underage drinkers were identified based on a previously conducted national internet-based survey. For each of these brands, a systematic search for sponsorships was conducted using Google. This report identifies and briefly summarizes each of the 945 sponsorships identified in this research. TABLE OF CONTENTS ALCOHOLIC ENERGY DRINKS ....................................................................................................... 3 P.I.N.K. SPIRITS ............................................................................................................................... 3 BEERS .................................................................................................................................................... 3 AMSTEL LIGHT ............................................ 3 GUINNESS BEERS .......................................16 BLUE MOON ................................................ 4 HEINEKEN .................................................16 BUD ICE ...................................................... -
Virginia Commonwealth University Commencement Program
Virginia Commonwealth University VCU Scholars Compass VCU Commencement Programs VCU University Archives 2019 Virginia Commonwealth University Commencement Program Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/vcucommence © Virginia Commonwealth University Downloaded from https://scholarscompass.vcu.edu/vcucommence/71 This Program is brought to you for free and open access by the VCU University Archives at VCU Scholars Compass. It has been accepted for inclusion in VCU Commencement Programs by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. MAY 11, 2019 Congratulations to all ✦ ! CommencementGreater Richmond Convention Center Richmond, Virginia A VCU University Relations publication an equal opportunity/affirmative action university 005161-08 Dear Class of 2019: Virginia Commonwealth University takes pride in the work it does to educate, research, create, heal and serve. Our students’ experience here is relevant not only to what is happening today, but also to whatever may be in the future. Today we celebrate as you, the Class of 2019, become graduates of VCU. Your success at one of America’s nationally prominent public research universities signifies that you have done more than complete your courses and receive grades. Your degree means years of hard work and dedication to refining your skills and acquiring new ones. Your dedication to academic excellence will translate well to whatever you choose to do in the future. For 181 years, your alma mater has focused on preparing students for a future as creators, educators, healers, innovators and entrepreneurs. As a graduate of VCU, I hope you will remember that your opportunities are boundless because your potential is limitless.