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Music Takes Action Ferris State University Lupe Fiasco, St
1 www.fsutorch.com Single Issue Free, Additional Copies 50 Cents Week of April 27 - May 3, 2016 Music Takes Action Ferris State University Lupe Fiasco, St. Lucia rock TORCH North Quad Truth, fairness and Jonny Parshall at SXSW, Coachella and Jimmy Kimmel Live. accuracy since 1931 The biggest draw by far was Torch Reporter Lupe Fiasco. The Grammy-award winning hip hop artist played an Ferris State’s first-ever Music Takes Action array of radio favorites including event kicked off on the warm, sunny afternoon “Kick, Push,” “Battle Scars,” “Su- of Saturday, April 23, amidst staggering crowd perstar,” and “Hip Hop Saved My Life.” numbers. His connection with the audience with con- An estimated 3,000 students and specta- tests and gimmicks between songs kept fans tors gathered outside Ferris’ University Center engaged into the early evening. He gave a to watch international touring acts Lupe Fias- shout-out to recently-deceased recording co and St. Lucia perform, with local favorites artist Prince, as well as to police officers The Matchstrikes and Oshea as opening per- on duty at the event. formers. “I thought it was awesome,” The free event, which replaced the univer- said Ferris construction man- sity’s annual Ferris Fest, serves as a benefit agement junior Paul Haney, a for Musicians on Call—a nonprofit organization big fan of Lupe Fiasco. that provides recordings and products for in- “It was the cool,” firmed fans otherwise unable to access music. said Kendall alum- Fans cited this year’s Music Takes Action nus Jaron Love, in (MTA) as a huge comeback in comparison to reference to the last year’s Ferris Fest which was moved inside title of Lupe’s and featured lesser-known headlining acts. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
CES 209 Hip Hop Around the Globe MWF 10:10-11:00 CUE 418 Spring 2016
CES 209 Hip Hop Around the Globe MWF 10:10-11:00 CUE 418 Spring 2016 Instructor: Nicholas D. Krebs Office: Wilson-Short 115 Office Hours: TR 11:00-12:00, or by appointment E-mail: [email protected] Course Description and Objectives “It is what the paint signifies in the public imagination that defines whether it conveys high status or lowly character virtue.’‘ – Leonard Harris (2013), “Against Minstrelsy,” Black Diaspora Review. Vol 3, No. 2: p. 3. “Babylon, Babylon, out my window all I see is Babylon. On the news all I see is Babylon, and all niggas do is just babble on….ain’t got no gavel, I ain't tryna fight nobody battle, I-I just wanna be free, I ain't tryna be nobodies chattel.” – Ab-Soul (2012), “Terrorist Threats (feat. Danny Brown & Jhene Aiko),” Control System. “Now, I’ma need you to kill the hypocrisy, this is an aristocracy. I’m Socrates, but my skin more chocolatey.” – Kanye West (2010), “See Me Now (feat. Beyoncé, Charlie Wilson & Big Sean),” My Beautiful Dark Twisted Fantasy. This course introduces students to the critical investigation of hip hop around the globe, and begins by recognizing hip hop as a social cultural movement that exerts significant resistance against oppressive societal forces while simultaneously producing material and mental empowerment for marginalized peoples around the world. We will establish this claim by thoroughly examining both the aesthetics and elements of the art form, and its resultant sociocultural movement. Focusing on the roots of hip hop in the inner-cities of the United States during the late twentieth century, and its continued prominence in urban environments across the globe in the twenty-first century, we will highlight the relationships between art, capitalism, politics, and social movements in order to provide students with a working critique of the structural context in which hip hop arose, matured, and continues to evolve. -
Lupe Fiasco Drogas Waves Album Download Lupe Fiasco Drogas Waves Album Download
lupe fiasco drogas waves album download Lupe fiasco drogas waves album download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66c9470b2ef4f146 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Lupe fiasco drogas waves album download. Artist: Lupe Fiasco Album: Drogas Wave Released: 2018 Style: Hip Hop. Format: MP3 320Kbps. Tracklist: 01 – In the Event of Typhoon 02 – Drogas 03 – Manilla 04 – Gold vs the Right Things to Do 05 – Slave Ship (Interlude) 06 – WAV Files 07 – Down (feat. Nikki Jean) 08 – Haile Selassie (feat. Nikki Jean) 09 – Alan Forever (feat. Crystal Torres) 10 – Helter Skelter (Interlude) 11 – Stronger (feat. Nikki Jean) 12 – Sun God Sam & The California Drug Deals (feat. Nikki Jean) 13 – XO (feat. Troi Irons) 14 – Don’t Mess up the Children (Interlude) 15 – Jonylah Forever 16 – Kingdom (feat. Damian Marley) 17 – Baba Kwesi (Interlude) 18 – Imagine (feat. Simon Sayz & Crystal Torres) 19 – Stack That Cheese (feat. Nikki Jean) 20 – Cripple (feat. -
Spring 2017 Hip Hop Helps: Systemic Discrimination In
HIP HOP HELPS: SYSTEMIC DISCRIMINATION IN SOCIAL WORK ANDRAGOGY A Project Presented to the faculty of the Division of Social Work California State University, Sacramento Submitted in partial satisfaction of the requirements for the degree of MASTER OF SOCIAL WORK by Yarin Gomez SPRING 2017 © 2017 Yarin Gomez ALL RIGHTS RESERVED ii HIP HOP HELPS: SYSTEMIC DISCRIMINATION IN SOCIAL WORK ANDRAGOGY A Project by Yarin Gomez Approved by: __________________________________, Committee Chair Maria Dinis, Ph.D., MSW ____________________________ Date iii Student: Yarin Gomez I certify that this student has met the requirements for format contained in the University format manual, and that this project is suitable for shelving in the Library and credit is to be awarded for the project. __________________________, Department Chair ___________________ Dale Russell Date Division of Social Work iv Abstract of HIP HOP HELPS: SYSTEMIC DISCRIMINATION IN SOCIAL WORK ANDRAGOGY by Yarin Gomez Hip Hop is a transnational culture ignored in social work academia. A qualitative exploratory study with a social constructionist lens used a non-probability sampling method to recruit six Masters-level social work students in a stakeholder-engaged focus group. Subjects took the Rap Music Attitude and Perception (RAP) Scale, to gage perceptions about the music genre. As part of the focus group, open-ended questions were presented about Hip Hop music video content with themes of institutional racism. Data analysis verified individual and collective processes of social identity construction, delineating social agency versus oppression, and exploring the educational merits of Hip Hop. A remarkable result was how students reacted to satirical manifestations of discrimination in the videos with both laughter and indignation towards misogynistic motifs. -
The Top 7000+ Pop Songs of All-Time 1900-2017
The Top 7000+ Pop Songs of All-Time 1900-2017 Researched, compiled, and calculated by Lance Mangham Contents • Sources • The Top 100 of All-Time • The Top 100 of Each Year (2017-1956) • The Top 50 of 1955 • The Top 40 of 1954 • The Top 20 of Each Year (1953-1930) • The Top 10 of Each Year (1929-1900) SOURCES FOR YEARLY RANKINGS iHeart Radio Top 50 2018 AT 40 (Vince revision) 1989-1970 Billboard AC 2018 Record World/Music Vendor Billboard Adult Pop Songs 2018 (Barry Kowal) 1981-1955 AT 40 (Barry Kowal) 2018-2009 WABC 1981-1961 Hits 1 2018-2017 Randy Price (Billboard/Cashbox) 1979-1970 Billboard Pop Songs 2018-2008 Ranking the 70s 1979-1970 Billboard Radio Songs 2018-2006 Record World 1979-1970 Mediabase Hot AC 2018-2006 Billboard Top 40 (Barry Kowal) 1969-1955 Mediabase AC 2018-2006 Ranking the 60s 1969-1960 Pop Radio Top 20 HAC 2018-2005 Great American Songbook 1969-1968, Mediabase Top 40 2018-2000 1961-1940 American Top 40 2018-1998 The Elvis Era 1963-1956 Rock On The Net 2018-1980 Gilbert & Theroux 1963-1956 Pop Radio Top 20 2018-1941 Hit Parade 1955-1954 Mediabase Powerplay 2017-2016 Billboard Disc Jockey 1953-1950, Apple Top Selling Songs 2017-2016 1948-1947 Mediabase Big Picture 2017-2015 Billboard Jukebox 1953-1949 Radio & Records (Barry Kowal) 2008-1974 Billboard Sales 1953-1946 TSort 2008-1900 Cashbox (Barry Kowal) 1953-1945 Radio & Records CHR/T40/Pop 2007-2001, Hit Parade (Barry Kowal) 1953-1935 1995-1974 Billboard Disc Jockey (BK) 1949, Radio & Records Hot AC 2005-1996 1946-1945 Radio & Records AC 2005-1996 Billboard Jukebox -
Lupe Fiasco Discography Torrent
Lupe fiasco discography torrent Continue Lupe Piasco - Food and Liquor of Lupe Piasco (2006) 1. Intro 2. Real (Feat. Sarah Green) 3. It might just be fine (Feat. Gemini) 4. Kick, Push 5. I'm a high-order 6. Instrumental (feat Jonah Matraranga) 7. He says she (Feat Gemini and Sarah Green) 8. Sunshine 9. Daydreaming ' (Feat Jill Scott) 10. Cool 11. Wounds or souls 12. Pressure (Feat. J-Z) 13. American Terrorist (Feat Matthew Santos) 14. Emperor's Soundtrack 15. Kick, Push II 16. Outro Lupe Fiasco – Chi Town Guevara Mixtape (2006) 01 Intro 02 Touch Sky 03 Pressure 04 Kick Push 05 Failed 05 Failed 06 Twilight Zone 07 Average and Vicious 08 Just Ok Ft. Gemini 09 Switch 10 Dead Prez 11 Outty 5000 12 Pence and Needles 13 Lupe Gorilla 14 Lupe Killa 15 Jedi Mind Trick 16 Hurt or Soul 17 Kick Push Remix Ft. Skateboard P Lupe Piasco - Fahrenheit 1/15 (Part I - Truth Of Us 106) 106) Intro 2. Twilight Zone 3. Penn and Needles 4. Knockinin' Champ here (freestyle) 6 at Door 5. Failure 7. Bose Playa (Feat. Gemini and Bishop G) 8. Jesus Walk (Arc-A-Pella version) 9. WGCI (Freestyle) 10. Hate Hop 11. Run down 12. Oh 13. 14. Coffin' where I came from (feat Anthony Hamilton) 15. Sheila G Up (Feat. Sheila G) 16. Radio 17. Welcome back to chilly rupee piasco - Fahrenheit 1/15 (Part II - Nerd Revenge) (2006) 1. Revenge begins... 2. Much more 3. Average and vicious 4. Didn't you know? (Feat. Sheila G) 5. -
Virginia Commonwealth University Commencement Program Virginia Commonwealth University
Virginia Commonwealth University VCU Scholars Compass VCU Commencement Programs VCU University Archives 2016 Virginia Commonwealth University Commencement Program Virginia Commonwealth University Follow this and additional works at: http://scholarscompass.vcu.edu/vcucommence © Virginia Commonwealth University Downloaded from http://scholarscompass.vcu.edu/vcucommence/68 This Program is brought to you for free and open access by the VCU University Archives at VCU Scholars Compass. It has been accepted for inclusion in VCU Commencement Programs by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. MAY 14, 2016 Congratulations to all ✦ ! CommencementThe Richmond coliseum Richmond, Virginia A VCU University Relations publication an equal opportunity/affirmative action university 002513-01 Dear Class of 2016: Virginia Commonwealth University is a premier national research university with a mission focused on people. Research that helps people. Care that heals people. Teaching that empowers people. Service that embraces people. Our greatest successes, then, are the successes of our people, including those of you who are earning your degree today. You are graduating from one of America’s great public research universi- ties; as such, your educational experience has been about more than completing your courses and receiving a grade. It has been about making your knowledge real to solve real problems that will make a real difference in the real world. It has been about becom- ing leaders in your academic disciplines and in your communities. It has been about innovating, transforming and creating opportunities for yourself and others. You are part of a rich legacy at VCU. For 178 years, your alma mater has focused on helping students like you become creators, innovators and entrepreneurs who will advance the human experience around the world. -
Lupe Fiasco Drogas Wave Album Download Leak Lupe Fiasco Drogas Wave Album Download Leak
lupe fiasco drogas wave album download leak Lupe fiasco drogas wave album download leak. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66a7e5f97e03c3ca • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Lupe Fiasco Returns With "DROGAS Wave" LP. Lupe Fiasco has dropped his DROGAS Wave album following a hectic rollout. The veteran MC had to change the LP’s release date due to a leak, prompting him to deliver it a week earlier than expected. Now that the album has officially arrived, fans can legally enjoy Lupe’s 24-track project. Guests on the LP include Damian Marley, Nikki Jean, Crystal Torres, Elena Pinderhughes, Simon Sayz and Bishop Edgar Jackson. Check out Lupe’s DROGAS Wave stream, cover art and tracklist. [This post has been updated. The following was originally published on September 19, 2018.] An album leak has forced Lupe Fiasco to alter his DROGAS Wave rollout. The skilled wordsmith has announced his seventh album will now drop on Friday (September 21) instead of September 28 as previously announced. -
Songs by Artist
Andromeda II DJ Entertainment Songs by Artist www.adj2.com Title Title Title 10,000 Maniacs 50 Cent AC DC Because The Night Disco Inferno Stiff Upper Lip Trouble Me Just A Lil Bit You Shook Me All Night Long 10Cc P.I.M.P. Ace Of Base I'm Not In Love Straight To The Bank All That She Wants 112 50 Cent & Eminen Beautiful Life Dance With Me Patiently Waiting Cruel Summer 112 & Ludacris 50 Cent & The Game Don't Turn Around Hot & Wet Hate It Or Love It Living In Danger 112 & Supercat 50 Cent Feat. Eminem And Adam Levine Sign, The Na Na Na My Life (Clean) Adam Gregory 1975 50 Cent Feat. Snoop Dogg And Young Crazy Days City Jeezy Adam Lambert Love Me Major Distribution (Clean) Never Close Our Eyes Robbers 69 Boyz Adam Levine The Sound Tootsee Roll Lost Stars UGH 702 Adam Sandler 2 Pac Where My Girls At What The Hell Happened To Me California Love 8 Ball & MJG Adams Family 2 Unlimited You Don't Want Drama The Addams Family Theme Song No Limits 98 Degrees Addams Family 20 Fingers Because Of You The Addams Family Theme Short Dick Man Give Me Just One Night Adele 21 Savage Hardest Thing Chasing Pavements Bank Account I Do Cherish You Cold Shoulder 3 Degrees, The My Everything Hello Woman In Love A Chorus Line Make You Feel My Love 3 Doors Down What I Did For Love One And Only Here Without You a ha Promise This Its Not My Time Take On Me Rolling In The Deep Kryptonite A Taste Of Honey Rumour Has It Loser Boogie Oogie Oogie Set Fire To The Rain 30 Seconds To Mars Sukiyaki Skyfall Kill, The (Bury Me) Aah Someone Like You Kings & Queens Kho Meh Terri -
Examining the Role Hip-Hop Texts Play in Viewing the World
Georgia State University ScholarWorks @ Georgia State University Department of Middle-Secondary Education and Middle-Secondary Education and Instructional Instructional Technology (no new uploads as of Technology Dissertations Jan. 2015) Fall 1-10-2014 Wordsmith: Examining the role hip-hop texts play in viewing the world Crystal LaVoulle Follow this and additional works at: https://scholarworks.gsu.edu/msit_diss Recommended Citation LaVoulle, Crystal, "Wordsmith: Examining the role hip-hop texts play in viewing the world." Dissertation, Georgia State University, 2014. https://scholarworks.gsu.edu/msit_diss/119 This Dissertation is brought to you for free and open access by the Department of Middle-Secondary Education and Instructional Technology (no new uploads as of Jan. 2015) at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Middle-Secondary Education and Instructional Technology Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. ACCEPTANCE This dissertation, WORDSMITH: EXAMINING THE ROLE HIP-HOP TEXTS PLAY IN VIEWING THE WORLD, by CRYSTAL LAVOULLE, was prepared under the direction of the candidate’s Dissertation Advisory Committee. It is accepted by the committee members in partial fulfillment of the requirements for the degree, Doctor of Philosophy, in the College of Education, Georgia State University. The Dissertation Advisory Committee and the student’s Department Chairperson, as representatives of the faculty, certify that this dissertation has met all standards of excellence and scholarship as determined by the faculty. The Dean of the College of Education concurs. _________________________________ _________________________________ Peggy Albers, Ph.D. Tisha Y. Lewis, Ph.D. Committee Chair Committee Member _________________________________ _________________________________ Kimberly Glenn, Ph.D. -
Žena a Stereotyp Vo Filmoch Dreamworks Animation a Walt Disney Animation Studios 1998-2019
Univerzita Palackého v Olomouci Filozofická fakulta Diplomová práca Žena a stereotyp vo filmoch DreamWorks Animation a Walt Disney Animation Studios 1998-2019 Horníková Nikola Katedra divadelních a filmových studií Vedúci práce: Ptáček Luboš, doc. Mgr. Ph.D. Študijný program: Filmové štúdiá (major) / Divadelné štúdiá (minor) Olomouc 2021 Čestne prehlasujem, že som diplomovú prácu „Žena a stereotyp vo filmoch DreamWorks Animation a Walt Disney Animation Studios 1998-2019“ vypracovala samostatne, s odborným dohľadom vedúceho práce a využila som všetky v práci uvedené pramene a literatúru. Ďalej čestne prehlasujem, že táto diplomová práca nebola využitá k nadobudnutiu ďalšieho alebo rovnakého titulu. V Olomouci dňa 21.6.2021 ........................................ Podpis Poďakovanie Rada by som sa touto cestou poďakovala Ptáčkovi Lubošovi, doc. Mgr. Ph.D. za jeho cenné rady, trpezlivosť a odbornú pomoc pri vedení mojej diplomovej práce. Obsah Úvod ........................................................................................................................... 5 1 Teoreticko-metodologická časť .......................................................................... 7 1.1 Gender, identita a genderové role v rámci filmu ......................................... 7 1.1.1 Nahliadanie na obraz ženy vo filmovej tvorbe..................................... 8 1.2 Gender a filmové štúdiá Walt Disney Animation Studios a Dreamworks Animation ............................................................................................................