The Book of Psalms Psalm 118: a Song of Hope Week 51
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4Q521 and What It Might Mean for Q 3–7
Chapter 20 4Q521 and What It Might Mean for Q 3–7 Gaye Strathearn am personally grateful for S. Kent Brown. He was a commit- I tee member for my master’s thesis, in which I examined 4Q521. Since that time he has been a wonderful colleague who has always encouraged me in my academic pursuits. The relationship between the Dead Sea Scrolls and Christian- ity has fueled the imagination of both scholar and layperson since their discovery in 1947. Were the early Christians aware of the com- munity at Qumran and their texts? Did these groups interact in any way? Was the Qumran community the source for nascent Chris- tianity, as some popular and scholarly sources have intimated,¹ or was it simply a parallel community? One Qumran fragment that 1. For an example from the popular press, see Richard N. Ostling, “Is Jesus in the Dead Sea Scrolls?” Time Magazine, 21 September 1992, 56–57. See also the claim that the scrolls are “the earliest Christian records” in the popular novel by Dan Brown, The Da Vinci Code (New York: Doubleday, 2003), 245. For examples from the academic arena, see André Dupont-Sommer, The Dead Sea Scrolls: A Preliminary Survey (New York: Mac- millan, 1952), 98–100; Robert Eisenman, James the Just in the Habakkuk Pesher (Leiden: Brill, 1986), 1–20; Barbara E. Thiering, The Gospels and Qumran: A New Hypothesis (Syd- ney: Theological Explorations, 1981), 3–11; Carsten P. Thiede, The Dead Sea Scrolls and the Jewish Origins of Christianity (New York: Palgrave, 2001), 152–81; José O’Callaghan, “Papiros neotestamentarios en la cueva 7 de Qumrān?,” Biblica 53/1 (1972): 91–100. -
—Come and See What God Has Done“: the Psalms of Easter*
Word & World 7/2 (1987) Copyright © 1987 by Word & World, Luther Seminary, St. Paul, MN. All rights reserved. page 207 Texts in Context “Come and See What God Has Done”: The Psalms of Easter* FREDERICK J. GAISER Luther Northwestern Theological Seminary, St. Paul, Minnesota “Whenever the Psalter is abandoned, an incomparable treasure vanishes from the Christian church. With its recovery will come unsuspected power.”1 It is possible to agree with Bonhoeffer’s conviction without being naive about the prospect of this happening automatically by a liturgical decision to incorporate the psalms into Sunday morning worship. Not that this is not a good and needed corrective; it is. In many of those worship services the psalms had become nothing more than the source of traditional versicles—little snippets to provide the proper mood of piety in the moments of transition between things that mattered. Yet the Psalter never went away, despite its liturgical neglect. The church called forth psalms in occasional moments of human joy and tragedy, poets paraphrased them for the hymnals, and faithful Christians read and prayed them for guidance and support in their own lives. But now many Christian groups have deliberately re-established the psalms as a constitutive element in regular public worship. What will the effect of this be? Some congregations have found them merely boring-another thing to sit through—which suggests a profound need for creative thinking about how and where to use the psalms so people can hear and participate in the incredible richness and dramatic power of the life within them. -
Complete Song Book (2013 - 2016)
James Block Complete Song Book (2013 - 2016) Contents ARISE OH YAH (Psalm 68) .............................................................................................................................................. 3 AWAKE JERUSALEM (Isaiah 52) ................................................................................................................................... 4 BLESS YAHWEH OH MY SOUL (Psalm 103) ................................................................................................................ 5 CITY OF ELOHIM (Psalm 48) (Capo 1) .......................................................................................................................... 6 DANIEL 9 PRAYER .......................................................................................................................................................... 7 DELIGHT ............................................................................................................................................................................ 8 FATHER’S HEART ........................................................................................................................................................... 9 FIRSTBORN ..................................................................................................................................................................... 10 GREAT IS YOUR FAITHFULNESS (Psalm 92) ............................................................................................................. 11 HALLELUYAH -
9781845502027 Psalms Fotb
Contents Foreword ......................................................................................................7 Notes ............................................................................................................. 8 Psalm 90: Consumed by God’s Anger ......................................................9 Psalm 91: Healed by God’s Touch ...........................................................13 Psalm 92: Praise the Ltwi ........................................................................17 Psalm 93: The King Returns Victorious .................................................21 Psalm 94: The God Who Avenges ...........................................................23 Psalm 95: A Call to Praise .........................................................................27 Psalm 96: The Ltwi Reigns ......................................................................31 Psalm 97: The Ltwi Alone is King ..........................................................35 Psalm 98: Uninhibited Rejoicing .............................................................39 Psalm 99: The Ltwi Sits Enthroned ........................................................43 Psalm 100: Joy in His Presence ................................................................47 Psalm 101: David’s Godly Resolutions ...................................................49 Psalm 102: The Ltwi Will Rebuild Zion ................................................53 Psalm 103: So Great is His Love. .............................................................57 -
Copyright © 2016 Matthew Habib Emadi All Rights Reserved. The
Copyright © 2016 Matthew Habib Emadi All rights reserved. The Southern Baptist Theological Seminary has permission to reproduce and disseminate this document in any form by any means for purposes chosen by the Seminary, including, without limitation, preservation or instruction. THE ROYAL PRIEST: PSALM 110 IN BIBLICAL- THEOLOGICAL PERSPECTIVE A Dissertation Presented to the Faculty of The Southern Baptist Theological Seminary In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by Matthew Habib Emadi May 2016 APPROVAL SHEET THE ROYAL PRIEST: PSALM 110 IN BIBLICAL- THEOLOGICAL PERSPECTIVE Matthew Habib Emadi Read and Approved by: __________________________________________ James M. Hamilton (Chair) __________________________________________ Peter J. Gentry __________________________________________ Brian J. Vickers Date______________________________ To my wife, Brittany, who is wonderfully patient, encouraging, faithful, and loving To our children, Elijah, Jeremiah, Aliyah, and Josiah, may you be as a kingdom and priests to our God (Rev 5:10) TABLE OF CONTENTS Page LIST OF ABBREVIATIONS ............................................................................................ ix LIST OF TABLES ............................................................................................................ xii PREFACE ........................................................................................................................ xiii Chapter 1. INTRODUCTION ................................................................................................ -
Is Psalm 110 a Messianic Psalm?
BIBLIOTHECA SACRA 157 (April–June 2000): 160–73 Copyright © 2000 by Dallas Theological Seminary. Cited with permission. IS PSALM 110 A MESSIANIC PSALM? Barry C. Davis DID THE NEW TESTAMENT WRITERS violate the intent of the author of Psalm 110 when they identified the undesig- nated ynidoxE ("my Lord") of Psalm 110:1 (and hence the fo- cus of the entire psalm) as the Messiah, that is, Jesus Christ?1 This article investigates the legitimacy of the messianic inter- pretation of Psalm 110. Before addressing the issue at hand, brief mention of two de- bated topics surrounding the understanding of Psalm 110 must be made.2 The first issue is the time when this psalm was written, and the second concerns the identification of the author of the psalm. Most commentators hold one of three views about the date of the writing: pre-Israelite Canaanite origins,3 postexilic Israel- Barry C. Davis is Assistant Professor of Bible and Hebrew, Multnomah Biblical Seminary, Portland, Oregon. 1 Psalm 110 is the most frequently quoted or referenced psalm in the New Testa- ment. New Testament authors directly cite Psalm 110:1, regarding ynidoxE (my Lord) sitting at the right hand of hvhy (the LORD) in Matthew 22:44; Mark 12:36; Luke 20:42; Acts 2:34; Hebrews 1:13; and they allude to it in Matthew 26:64; Mark 14:62; Luke 22:69; Ephesians 1:20; Colossians 3:1; and Hebrews 8:1. Also the author of the Book of Hebrews quoted Psalm 110:4 in affirming that is of the priestly order of Melchizedek in Hebrews 5:6; 7:17; and he made general reference to the psalm in Hebrews 5:10; 6:20; and 7:11, 15. -
Psalms of Praise: 100 and 150 the OLD TESTAMENT * Week 25 * Opening Prayer: Psalm 100
Psalms of Praise: 100 and 150 THE OLD TESTAMENT * Week 25 * Opening Prayer: Psalm 100 I. “Songs of Ascent” – Psalms 120-134 – II. Psalm 100 A psalm. For giving grateful praise. 1 Shout for joy to the Lord, all the earth. Psalm 33:3 – Sing to [the LORD] a new song; play skillfully, and shout for joy. 2 Worship the Lord with gladness; come before him with joyful songs. 3 Know that the Lord is God. It is he who made us, and we are his (OR “and not we ourselves”) we are his people, the sheep of his pasture. 4 Enter his gates with thanksgiving and his courts with praise; give thanks to him and praise his name. 5 For the Lord is good and his love endures forever; his faithfulness continues through all generations. (See Revelation chapters 4,7,and 19-22) III. Psalm 150 1 Praise the Lord. Praise God in his sanctuary; praise him in his mighty heavens. 2 Praise him for his acts of power; praise him for his surpassing greatness. 3 Praise him with the sounding of the trumpet, praise him with the harp and lyre, 4 praise him with timbrel and dancing, praise him with the strings and pipe, 5 praise him with the clash of cymbals, praise him with resounding cymbals. 6 Let everything that has breath praise the Lord. Praise the Lord. IV. Messianic Psalms A. Psalm 2:1-7 – B. Psalm 22 – Quoted on the cross. C. Psalm 31:5 – Prayer at bedtime. D. Psalm 78:1-2 – “parables.” E. -
Psalm 118: an Exposition
Psalm 118: An Exposition S. B. FROST HE CITY of Montreal encircles the mountain from which it takes its T name. Some of the taller buildinngs built against the mountain side have the pleasant architectural feature of possessing several front doors, placed on different sides of the building, and at different levels. Entrance may be gained from several roads giving access at various floors to the whole building. So it is with the Psalter. We may enter into the structure of a psa]m at any one of at least three levels of understanding. The basic level is that of seeking to determine the meaning of the psalm for the man who wrote it. Most literary productions in the ancient world had their origin in some particular "setting in life" -love songs were composed for wedding-£ easts, dirges for funerals, laments for fasts, hymns for cultic occasions. It is important to grasp Gunkel's point that "free" literary composition was not natural to the ancient world, and that the differing types of literary produc tion arose out of particular human situations. Thus the basic level of under standing with regard to any psalm is to ask: For what purpose did its author compose it? Out of what setting in life did it come? What did the author understand himself to be saying to his contemporaries in that particular social situation? These are the basic exegetical questions. When, however, we have recognized and reconstructed the "setting in life" and thus are reasonably sure that we have grasped the meaning of the psalm for the author and his friends, we are but ready to move t6 a second level of understanding. -
The Psalms As Hymns in the Temple of Jerusalem Gary A
4 The Psalms as Hymns in the Temple of Jerusalem Gary A. Rendsburg From as far back as our sources allow, hymns were part of Near Eastern temple ritual, with their performers an essential component of the temple functionaries. 1 These sources include Sumerian, Akkadian, and Egyptian texts 2 from as early as the third millennium BCE. From the second millennium BCE, we gain further examples of hymns from the Hittite realm, even if most (if not all) of the poems are based on Mesopotamian precursors.3 Ugarit, our main source of information on ancient Canaan, has not yielded songs of this sort in 1. For the performers, see Richard Henshaw, Female and Male: The Cu/tic Personnel: The Bible and Rest ~(the Ancient Near East (Allison Park, PA: Pickwick, 1994) esp. ch. 2, "Singers, Musicians, and Dancers," 84-134. Note, however, that this volume does not treat the Egyptian cultic personnel. 2. As the reader can imagine, the literature is ~xtensive, and hence I offer here but a sampling of bibliographic items. For Sumerian hymns, which include compositions directed both to specific deities and to the temples themselves, see Thorkild Jacobsen, The Harps that Once ... : Sumerian Poetry in Translation (New Haven: Yale University Press, 1987), esp. 99-142, 375--444. Notwithstanding the much larger corpus of Akkadian literarure, hymn~ are less well represented; see the discussion in Alan Lenzi, ed., Reading Akkadian Prayers and Hymns: An Introduction, Ancient Near East Monographs (Atlanta: Society of Biblical Literature, 2011), 56-60, with the most important texts included in said volume. For Egyptian hymns, see Jan A%mann, Agyptische Hymnen und Gebete, Orbis Biblicus et Orientalis (Gottingen: Vandenhoeck & Ruprecht, 1999); Andre Barucq and Frarn;:ois Daumas, Hymnes et prieres de /'Egypte ancienne, Litteratures anciennes du Proche-Orient (Paris: Cerf, 1980); and John L. -
Psalm 118 Commentary
Psalm 118 Commentary NOTE: This Verse by Verse Commentary page is part of an ongoing project to add notes to each verse of the Bible. Therefore many verses do not yet have notes, but if the Lord tarries and gives me breath, additions will follow in the future. The goal is to edify and equip you for the work of service (Eph 4:12-13-note) that the Lord God might be glorified in your life and in His Church. Amen (Isa 61:3b, Mt 5:16-note) C H Spurgeon's Division of Psalm 118 - Treasury of David - Psalm 118 Psalm 118:1-4 the faithful are called upon to magnify the everlasting mercy of the Lord; Psalm 118:5-18 the Psalmist gives forth a narrative of his experience, and an expression of his faith; Psalm 118:19-21 he asks admittance into the house of the Lord, and begins the acknowledgment of the divine salvation. Psalm 118:22-27 the priests and people recognize their ruler, magnify the Lord for him, declare him blessed, and bid him approach the altar with his sacrifice. Psalm 118:28-29 In the two closing verses the grateful hero himself exalts God the ever merciful. Psalm 118:21 I shall give thanks to Thee, for Thou hast answered me; And Thou hast become my salvation (NAS 77) The stone (KJV): Mt 21:42 Mk 12:10,11 Lu 20:17 Ac 4:11 Eph 2:20-22 1Pe 2:4-8 the head (KJV): Zec 4:7 LXE I will give thanks to thee; because thou hast heard me, and art become my salvation. -
Chanting Psalm 118:1-4 in Hallel Aaron Alexander, Elliot N
Chanting Psalm 118:1-4 in Hallel Aaron Alexander, Elliot N. Dorff, Reuven Hammer May, 2015 This teshuvah was approved on May 12, 2015 by a vote of twelve in favor, five against, and one abstention (12-5-1). Voting in Favor: Rabbis Aaron Alexander, Pamela Barmash, Elliot Dorff, Susan Grossman, Reuven Hammer, Joshua Heller, Jeremy Kalmanofsky, Gail Labovitz, Amy Levin, Micah Peltz, Elie Spitz, Jay Stein. Voting Against: Rabbis Baruch Frydman-Kohl, David Hoffman, Adam Kligfeld, Paul Plotkin, Avram Reisner. Abstaining: Rabbi Daniel Nevins. Question: In chanting Psalm 118:1-4 in Hallel, should the congregation be instructed to repeat each line after the leader, or should the congregation be taught to repeat the first line after each of the first four? Answer: As we shall demonstrate below, Jewish tradition allows both practices and provides legal reasoning for both, ultimately leaving it to local custom to determine which to use. As indicated by the prayer books published by the Conservative Movement, however, the Conservative practice has been to follow the former custom, according to which the members of the congregation repeat each of the first four lines of Psalm 118 antiphonally after the leader, and our prayer books should continue to do so by printing the psalm as it is in the Psalter without any intervening lines. However, because the other custom exists and is acceptable, it should be mentioned as a possible way of chanting these verses of Hallel in the instructions. A. The Authority of Custom on this Matter What is clear from the earliest Rabbinic sources is that local customs varied as to how to recite Hallel, and each community was authorized to follow its own custom. -
Service of the Word
Service of the Word First Sunday of Christmas Third Day of Christmas December 27, 2020 Immanuel Evangelical Lutheran Church w A Living Sanctuary of Hope and Grace Al Gathering congregarse We gather, virtually, as the Body of Christ. All are invited to light a candle in preparation for worship. You may place a bowl of water near you in remembrance The Holy Spirit of baptism. gathers us together as our Advent longings are fulfilled in the Prelude birth of Jesus, What Child Is This setting, Douglas Smith even as we await his return in Ed Engle, trumpet glory. Royce Engle, piano Gathering Song Let All Together Praise Our God #287 During this time, the presiding minister and assembly greet each other. Response: And also with you. 2 Canticle of Praise We join the song of the Christmas angels. Prayer of the Day 3 Palabra Word The Word of God First Reading Isaiah 61:10—62:3 is incarnate Response: Thanks be to God. through the reading and hearing of scripture. Our response is made Psalm Psalm 148 through song, The assembly sings the verses in bold to the psalm tone below. silence, proclamation, and prayer. 1 Hallelujah! Praise the Lord| from the heavens; praise God | in the heights. 2Praise the Lord, | all you angels; sing praise, all you | hosts of heaven. 3 Praise the Lord, | sun and moon; sing praise, all you | shining stars. 4Praise the Lord, heav- | en of heavens, and you waters a- | bove the heavens. 5 Let them praise the name | of the Lord, who commanded, and they | were created, 6who made them stand fast forev- | er and ever, giving them a law that shall not | pass away.