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Annual Report 2013 Annual Report 2013
Annual Report 2013 Annual Report 2013 4 Objectives and Mission Statement 50 Open Door 6 Key Achievements 9 Board of Management 52 Literary 10 Chairman’s report Literary Director’s Report 12 Artistic Director’s report MTC is a department of the University of Melbourne 14 Executive Director’s report 54 Education 16 Government Support Education Manager’s Report and Sponsors 56 Education production – Beached 18 Patrons 58 Education Workshops and Participatory Events 20 2013 Mainstage Season MTC Headquarters 60 Neon: Festival of 252 Sturt St 22 The Other Place Independent Theatre Southbank VIC 3006 24 Constellations 03 8688 0900 26 Other Desert Cities 61 Daniel Schlusser Ensemble 28 True Minds 62 Fraught Outfit Southbank Theatre 30 One Man, Two Guvnors 63 The Hayloft Project 140 Southbank Blvd 32 Solomon and Marion 64 THE RABBLE Southbank VIC 3006 34 The Crucible 65 Sisters Grimm Box Office 03 8688 0800 36 The Cherry Orchard 66 NEON EXTRA 38 Rupert mtc.com.au 40 The Beast 68 Employment Venues 42 The Mountaintop Actors and Artists 2013 Throughout 2013 MTC performed its Melbourne season of plays at the 70 MTC Staff 2013 Southbank Theatre, The Sumner and The Lawler, 44 Add-on production and the Fairfax Studio and Playhouse at The Book of Everything 72 Financial Report Arts Centre Melbourne. 74 Key performance indicators 46 MTC on Tour: 76 Audit certificate Managing Editor Virginia Lovett Red 78 Financial Statement Graphic Designer Emma Wagstaff Cover Image Jeff Busby 48 Awards and nominations Production Photographers Jeff Busby, Heidrun Löhr Cover -
“Game of Thrones” Season 5 One Line Cast List NO
“Game of Thrones” Season 5 One Line Cast List NO. CHARACTER ARTIST 1 TYRION LANNISTER PETER DINKLAGE 3 CERSEI LANNISTER LENA HEADEY 4 DAENERYS EMILIA CLARKE 5 SER JAIME LANNISTER NIKOLAJ COSTER-WALDAU 6 LITTLEFINGER AIDAN GILLEN 7 JORAH MORMONT IAIN GLEN 8 JON SNOW KIT HARINGTON 10 TYWIN LANNISTER CHARLES DANCE 11 ARYA STARK MAISIE WILLIAMS 13 SANSA STARK SOPHIE TURNER 15 THEON GREYJOY ALFIE ALLEN 16 BRONN JEROME FLYNN 18 VARYS CONLETH HILL 19 SAMWELL JOHN BRADLEY 20 BRIENNE GWENDOLINE CHRISTIE 22 STANNIS BARATHEON STEPHEN DILLANE 23 BARRISTAN SELMY IAN MCELHINNEY 24 MELISANDRE CARICE VAN HOUTEN 25 DAVOS SEAWORTH LIAM CUNNINGHAM 32 PYCELLE JULIAN GLOVER 33 MAESTER AEMON PETER VAUGHAN 36 ROOSE BOLTON MICHAEL McELHATTON 37 GREY WORM JACOB ANDERSON 41 LORAS TYRELL FINN JONES 42 DORAN MARTELL ALEXANDER SIDDIG 43 AREO HOTAH DEOBIA OPAREI 44 TORMUND KRISTOFER HIVJU 45 JAQEN H’GHAR TOM WLASCHIHA 46 ALLISER THORNE OWEN TEALE 47 WAIF FAYE MARSAY 48 DOLOROUS EDD BEN CROMPTON 50 RAMSAY SNOW IWAN RHEON 51 LANCEL LANNISTER EUGENE SIMON 52 MERYN TRANT IAN BEATTIE 53 MANCE RAYDER CIARAN HINDS 54 HIGH SPARROW JONATHAN PRYCE 56 OLENNA TYRELL DIANA RIGG 57 MARGAERY TYRELL NATALIE DORMER 59 QYBURN ANTON LESSER 60 MYRCELLA BARATHEON NELL TIGER FREE 61 TRYSTANE MARTELL TOBY SEBASTIAN 64 MACE TYRELL ROGER ASHTON-GRIFFITHS 65 JANOS SLYNT DOMINIC CARTER 66 SALLADHOR SAAN LUCIAN MSAMATI 67 TOMMEN BARATHEON DEAN-CHARLES CHAPMAN 68 ELLARIA SAND INDIRA VARMA 70 KEVAN LANNISTER IAN GELDER 71 MISSANDEI NATHALIE EMMANUEL 72 SHIREEN BARATHEON KERRY INGRAM 73 SELYSE -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
The 65Th Sydney Film Festival Begins 06/06/2018
MEDIA RELEASE: 09:00pm WEDNESDAY 6 JUNE 2018 THE 65th SYDNEY FILM FESTIVAL BEGINS The 65th Sydney Film Festival (6 – 17 June) opened tonight at the State Theatre with the Australian premiere of New Zealand film The Breaker Upperers. Festival Director Nashen Moodley was pleased to open his seventh Festival to a packed auditorium including the film’s writers-directors-stars Jackie van Beek and Madeleine Sami, alongside Australian actress Celia Pacquola and New Zealand actress Ana Scotney, who feature in the film. NSW Minister for the Arts Don Harwin said at the Opening Night Gala, “With some of the very best in visual storytelling from Australia and around the world, the 65th Sydney Film Festival promises to deliver something for every screen enthusiast this winter. Attending the cinema and taking in a film that captures your imagination is an enriching experience and judging by this year’s line-up, festival- goers have a lot to be excited about. I look forward to seeing Sydney’s cinemas buzzing this month as we enjoy another year of this brilliant festival in our city. All you have to do is sit back, relax, and enjoy the show.” Lord Mayor of Sydney, Clover Moore also spoke, welcoming audiences to come and experience all the Festival has to offer. “The City of Sydney is proud to continue our support for the Sydney Film Festival – one of the world’s oldest, continuous celebrations of film. As a global city, it’s essential that our residents and visitors have the opportunity to engage with stories and cultures from around the world – as well as promoting the work of our talented home-grown filmmakers.” “We are also proud to once again offer the Sydney Film Festival a home for The Hub in Lower Town Hall – where you can meet friends (and strangers!) to discuss the films you’ve seen, attend one of the brilliant talks or panels with filmmakers, or experience the best new Virtual Reality projects on offer,” she said. -
Joey Attawia Costume Designer
Joey Attawia Costume Designer Feature film credits include: MISCHIEF NIGHTS Director: Penny Woolcock Comedy Drama Producers: Abi Bach, Willow Grylls Featuring: Katherine Kelly, Ramon Tikaram, Kelli Hollis Production Co: Company Pictures / Film Four LIFE AND LYRICS Director: Richard Laxton Urban Drama Producers: Esther Douglas, Fiona Nielson Featuring: Ashley Walters, Jason Maza Production Co: Fiesta Productions PEGGY SU! Director: Frances-Anne Solomon Romantic Comedy Producers: Colin Rogers, Poonam Sharma Featuring: Alphonsia Emmanuel, Burt Kwouk Production Co: BBC Films RTS Award for Best Costume DesiGn Television credits include: DAMILOLA, OUR LOVED BOY Director: Euros Lyn Drama Producer: Sue Horth Featuring: Babou Ceesay, Wunmi Musaku Production Co: Minnow Films / BBC1 AN ENGLISHMAN IN NEW YORK Director: Richard Laxton Biographical Drama Producer: Amanda Jenks Featuring: John Hurt, Jonathan Tucker, Swoosie Kurtz Production Co: Leopardrama / ITV BAFTA Nomination for Best Costume DesiGn RTS Nomination for Best Costume DesiGn FALLOUT Director: Ian Rickson Drama Producer: Matt Jones Featuring: Gugu Mbatha-Raw, Lennie James, Ami Ameen Production Co: Company Pictures / ITV Joey Attawia Costume Designer 2 WEDDING BELLES Director: Philip John Comedy Drama Producer: Jemma Rodgers Featuring: Michael Fassbender, Shirley Henderson, Sean Harris Production Co: Junction Films / Channel 4 PRIMEVAL Directors: Jamie Payne, Cilla Ware Action Adventure Fantasy Sci-Fi Series Producer: Cameron McAllister Featuring: Hannah Spearritt, Douglas Henshall, Andrew -
JANET KING - Season
THE AUSTRALIAN BROADCASTING CORPORATION AND SCREEN NSW PRESENTS A SCREENTIME, A BANIJAY GROUP COMPANY, PRODUCTION AACTA award winner Marta Dusseldorp reprises her lead role as the brilliant Senior Crown Prosecutor Janet King. Synopsis With gun crime exploding in the suburbs, Janet King (Marta Dusseldorp) is handpicked by a nervous government to head a Royal Commission into the surge of recent shootings. Unlike the world of the DPP, the Royal Commission allows Janet and her team to become the investigators – they can raid, interrogate and have police seconded to them. Conscripting solicitors Lina Badir (Andrea Demetriades), Richard Stirling (Hamish Michael), as well as the ambitious Owen Mitchell (Damian Walshe-Howling) as Counsel Assisting, with Detective Inspector Andy Campbell (Christopher Morris) as Police Liaison, Janet and her team peel back the complex layers of intrigue underpinning the illicit trade in weapons. As Janet exercises her powers and begins uncovering the truth, criminal and political forces begin to stir, bent on shutting down the Royal Commission, even if it means destroying Janet in the process. A shocking reveal brings Janet’s world crashing in on her as she faces legal proceedings of a deeply personal nature. Cast Janet King Marta Dusseldorp Owen Mitchell Damian Walshe-Howling Richard Stirling Hamish Michael Lina Badir Andrea Demetriades Andy Campbell Christopher Morris Tony Gillies Peter Kowitz Heather O’Connor Leah Purcell Bianca Grieve Anita Hegh Deborah Larsson Genevieve Hegney Major Simon Hamilton Aaron Jeffery -
Representations of Arab Men on Australian Screens
Heroes, Villains and More Villains: Representations of Arab Men on Australian Screens BY MEHAL KRAYEM Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy University of Technology, Sydney December 2014 ii CERTIFICATE OF ORIGINAL AUTHORSHIP I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. Name of Student: Mehal Krayem Signature of Student: Date: 5 December 2014 iii ACKNOWLEDGEMENTS There are many (too many) people to whom I owe a great deal of thanks. The last five years, and indeed this body of work, would not have been possible without the support and dedication of my wonderful supervisor, Dr Christina Ho. I thank her for taking a genuine interest in this research, her careful consideration of my work, her patience and her words of encouragement when the entire situation felt hopeless. I would also like to thank Professor Heather Goodall for her comments and for stepping in when she was needed. Much gratitude goes to my research participants, without whom this project would not exist – I thank them for their time and their honesty. Great thanks goes to Dr Maria Chisari, Dr Emma Cannen, Kelly Chan, Dr Bong Jong Lee, Jesica Kinya, Anisa Buckley, Cale Bain, Zena Kassir, Fatima El-Assaad and Chrisanthi Giotis for their constant support and friendship. -
Screendollars Newsletter 2021-04-26.Pdf
Monday, April 26, 2021 | No. 165 One of the things moviegoers like most about going to theatres is seeing films on the Big Screen, "the way they were meant to be seen." What people don't realize is that when films started in the mid-1890s, there were neither screens nor projectors. The very short films of that era were meant to be seen individually by looking into peep show machines in arcades. Those Kinetoscope devices were one of many inventions from Thomas Edison's factory in West Orange, NJ. Since Edison was monetizing his Kinetoscopes quite well, he had no interest in developing a machine to project film images on walls. Others, however, saw a big future in showing films to groups of people. Peep show owners, in fact, were very vocal in pressing Edison to devise a Film projection to large audiences was much more way to show life size images on arcade walls. This led to the Vitascope profitable than viewing through individual kiosks, since projection system, developed by Washington, DC inventor Thomas Armat, fewer machines were needed in proportion to the but then marketed by Edison's organization as if it were his own invention. number of viewers - Click to Play The first public Vitascope screening took place April 23, 1896 at Koster & Biel's Music Hall, a vaudeville house in New York's Herald Square at 34th Street near Broadway, the site today of Macy's. It would have premiered three days earlier, but it took longer than expected to install the machinery. That first night audience was dazzled by film images projected on a 20 foot canvas screen set within a gilded frame. -
Seven Stars Appear in Gripping New Drama - Seven Types of Ambiguity
RELEASED: Monday 25 April 2016 Seven stars appear in gripping new drama - Seven Types of Ambiguity ABC TV is pleased to announce that filming is underway in Melbourne on the six-part drama series Seven Types of Ambiguity, based on the critically acclaimed novel by Elliot Perlman. Starring some of Australia’s finest actors including; Hugo Weaving, Xavier Samuel, Alex Dimitriades, Leeanna Walsman, Anthony Hayes, Andrea Demetriades and Susie Porter, Seven Types of Ambiguity is a psychological mystery that explores the complicated emotional terrain of relationships and the risks people will go to in the name of love. When seven-year-old Sam Marin is taken from school, his parents Anna (Leeanna Walsman) and Joe (Alex Dimitriades) are frantic. Hours later Sam’s found unharmed and after an initial investigation, the police arrest Simon Heywood (Xavier Samuel). But this is far from an open and shut case when it’s revealed that Simon is Anna’s ex-boyfriend and his suspected accomplice Angela (Andrea Demetriades), has a salacious connection to Joe. Before long, Simon’s psychiatrist and ally Dr Alex Klima (Hugo Weaving), barrister Gina Serkin (Susie Porter), and even Joe’s best mate Mitch (Anthony Hayes) are pulled into the mystery of uncovering just why Simon really took Sam. ABC TV Acting Head of Fiction, Alastair McKinnon says, “We are delighted to have so many of this country’s finest acting talents joining forces to bring Elliot Perlman’s dazzling novel to Australian audiences.” Managing Director of Matchbox Pictures, Chris Oliver-Taylor says “Matchbox Pictures is thrilled to be working alongside the ABC in adapting Elliot Perlman's rich and complex novel. -
1 Sydney Theatre Company Annual Report 2014
Sydney Theatre Company Annual Report 2014 1 Kate Box, Melita Jurisic, Robert Menzies, Hugo Weaving, Ivan Donato, Eden Falk, Paula Arundell and John Gaden in Macbeth. Photo: Brett Boardman Aims of the Company To provide first class theatrical entertainment for the people of Sydney – theatre that is grand, vulgar, intelligent, challenging and fun. That entertainment should reflect the society in which we live thus providing a point of focus, a frame of reference, by which we come to understand our place in the world as individuals, as a community and as a nation. Richard Wherrett, 1980 Founding Artistic Director 5 2014 in Numbers ACTORS AND CREATIVES 237 EMPLOYED $350,791 C R 12TEACHING TIX OF TI KET P ICE TIX SAVINGS PASSED ON TO ARTISTS 733 4,877 SUNCORP TWENTIES CUSTOMERS EMPLOYED REGIONAL $20.834M AND INTERSTATE TOTAL TICKET PERFORMANCES INCOME EARNED WORLD 6PREMIERES 1,187 WEEKS PLAYWRIGHTS AVERAGE OF WORK 9 ON COMMISSION CAPACITY FOR ACTORS 6 7 David Gonski Andrew Chairman Upton In the last four annual reports, I have reported on work undertaken by the organisation to modernise operations and governance structures to best support the Company’s artistic aspirations into the Artistic Director future. Most recently, in 2013, I wrote about the security of 45 year leases over the Roslyn Packer Theatre (formerly Sydney Theatre) and James Duncan in The Long Way Home. Richard Roxburgh in Cyrano de Bergerac. our tenancy at The Wharf, and the subsequent winding up of New Photo: Lisa Tomasetti 2014 was a year that brought the Company together through thick Photo: Brett Boardman South Wales Cultural Management, the body that had previously and thin. -
Andrea Demetriades
ANDREA DEMETRIADES TELEVISION THE UNUSUAL SUSPECTS Role: Martha Drewe Dir: Natalie Bailey & Melvin J Montalban, Aquarius Films 2020 AMAZING GRACE Role: Chloe Dir: Lucy Gaffy, Playmaker Studios 2020 CLICKBAIT Role: Audrey Dir: Emma Freeman, Carnivores Productions / Netflix 2020 THE END Role: Philippa Lee Dir: Jessica M Thompson, See Saw Films / Sky TV 2020 BLACK COMEDY (Series 4) Role: Cherry Scarlett Pictures / ABC 2020 THE COMMONS Role: Karima Khan Dir: Rowan Woods / Jen Leacey, STAN 2019 SQUINTERS (Series 2) Role: Romi Dir: Various, Jungle FTV 2019 MR BLACK Role: Julia Dir: Amanda Brotchie & Clayton Jacobson, TEN 2019 RECKONING Role: Valerie Dir: Jennifer Leacey, Playmaker / Sony 2018 MURDER (CBS pilot) Role: Raquel Bennett Dir: Anthony Hemingway, Warner Bros / CBS 2018 DOCTOR DOCTOR (Series 3) Role: Dr. Pari Thompson Dir: Jennifer Leacey, Easy Tiger Productions 2018 SQUINTERS (Series 1) Role: Romi Dir: Amanda Brotchie & Kate McCartney, Jungle FTV 2018 PULSE Role: Lou Tannis Dir: Various, Clandestine TV 2017 JANET KING (Series 3) Role: Lina Badir (Lead Cast) Dir: Various, Screentime 2017 SEVEN TYPES OF AMBIGUITY Role: Angela (Lead Cast) Dir: Various, Matchbox Pictures 2017 JANET KING (Series 2) Role: Lina Badir (Lead Cast) Dir: Various, Screentime 2016 LET’S TALK ABOUT (Series 2) Role: Mary Dir: Various, New Town Films Pty Ltd 2016 FRAGMENTS OF FRIDAY (Web Series) Role: Sascha (Recurring) Dir: Kacie Anning, Endemol 2016 THE PRINCIPAL (4-Episode Series) Role: Hafa Habeb (Lead Cast) Dir: Kriv Stenders, Easy Tiger Productions 2015 JANET KING (Series 1) Role: Lina Badir (Lead Cast) Dir: Various, Screentime 2014 MISS FISHER’S MURDER MYSTERIES (Series 2) Role: Beatrice Mason (Guest) Dir: Peter Andrikidis, Every Cloud Productions 2013 MR & MRS MURDER Role: Lola Atkin Dir. -
Grab Your Squad and Make a Date with the Unusual Suspects
MEDIA RELEASE 29 April 2021 Grab your squad and make a date with The Unusual Suspects Premieres Thursday June 3 at 8:30pm on SBS and SBS On Demand Four-part special drama event INTERVIEWS AVAILABLE IMAGES AND SCREENERS: HERE FIRST LOOK TRAILER: HERE Warm, funny and utterly gripping, The Unusual Suspects is a compelling heist caper about female friendship and empowerment. Filmed and set in Sydney’s glamourous Eastern Suburbs, this four- part drama series event from Aquarius Films starts Thursday June 3 at 8:30pm on SBS and SBS On Demand, with all episodes available to stream at the same time of the premiere. When a $16 million necklace is taken from self -made businesswoman Roxanne Waters’ (Michelle Vergara Moore) home in an elaborate heist, the ensuing police investigation exposes cracks in Eastern Sydney’s sparkling façade. With the stakes higher than ever, can the masterminds stop themselves from turning on each other, or will they discover a friendship worth more than diamonds? Aina Dumlao (Sanzaru, Ballers, MacGyver), AACTA award-winner Miranda Otto (Chilling Adventures of Sabrina, Homeland, The Lord of the Rings trilogy) and Michelle Vergara Moore (Condor, The Time of Our Lives) headline the outstanding ensemble cast. Both entertaining and enthralling, the series uses the hook of the heist genre to unpack the complex relationships between a diverse group of women. The Unusual Suspects marks the first major representation of Filipino-Australians on Australian television and continues SBS’s legacy of delivering exceptional drama exploring the rich diversity of Australia in an authentic and nuanced way.