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Belvoir’s Artistic Director Eamon Flack has unveiled an optimistic and wildly entertaining season of plays for the company’s 2017 Season. There are inventive new plays from Australia and around the world, there are return seasons and tours of popular plays and two of our favourite stage actors in two great classics.

Toby Schmitz returns to the Belvoir stage, after a three year absence, in The Rover by Aphra Behn. Schmitz takes the swashbuckling titular role in this raucous and outrageous battle of the sexes from the woman widely considered the first professional female playwright.

Flack has reunited his award-winning team from his 2014 sell out hit The Glass Menagerie to find the same freshness and beauty in Henrik Ibsen’s Ghosts. stars as the fierce mother Helene Alving.

‘Our 2016 Season has been very much about reflecting on our past, both for Belvoir and in a wider cultural sense,’ says Flack. ‘With the 2017 Season we are taking an imaginative leap into the future. In this season, characters dream big in the midst of disaster and confusion. They fight passionately for a brighter future. This is a season of plays that unleashes the possibility that maybe the 21st century won’t be an unmitigated disaster.’

Two of the most inventive and exciting plays out of New York’s Playwrights Horizons in recent years are Hir by Taylor Mac and Anne Washburn’s Mr Burns, a Post-Electric Play, and they are both in our 2017 Season. Anthea Williams directs Helen Thomson and Greg Stone in Hir, a play that turns the notion of the American family drama entirely on its head. Mr Burns examines how societies create myths in way that is thoroughly inventive way that is wildly entertaining.

We are thrilled to present brand new works from Lally Katz (Atlantis), Tommy Murphy (Mark Colvin’s Kidney) and Alana Valentine with (Barbara and the Camp Dogs). All three bold plays with intriguing and compelling women as their lead characters.

Audiences will delight in the opportunity to see two of our biggest recent hits back on stage: Jasper Jones and The Dog / The Cat in short Upstairs seasons. And we’re bringing the hit of Brisbane Festival 2015, La Boite Theatre Company’s Prize Fighter to Sydney audiences for the first time.

Latenight comedy returns to Belvoir with Tom Ballard’s takedown of Australia’s asylum seeker policies, Boundless Plains to Share.

Downstairs we have two shows from New Zealand, Indian Ink Theatre Company’s virtuosic show Guru of Chai, and Trick of the Light’s enchanting family show The Bookbinder. Also Downstairs is ILBIJERRI Theatre Company’s production of Katie Beckett’s playwriting debut Which Way Home.

Elly Baxter Photo by Daniel Boud Publicity and Public Affairs Manager [email protected] | 02 8396 6242 | 0407 163 921 MEDIA RELEASE August 2016

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Writer Future D. Fidel When Prize Fighter opened in Brisbane in 2015, The Australian said ‘Umm, did that just Director Todd MacDonald happen? Could it be that Brisbane has just witnessed the world premiere of the most Dramaturg Chris Kohn perfectly structured, brilliantly produced and best-acted new play seen in this town in, well, Designer Bill Haycock living memory probably?’ and Belvoir and Sydney Festival are thrilled to bring this powerful Lighting Designer David Walters new Australian story to Sydney. Composer & Sound Designer Felix Cross Video Designer optikal bloc Future D. Fidel’s Prize Fighter tells a story similar to his own, of Isa, a Congolese boy Movement & Fight Director Nigel Poulton who comes to Australia as a refugee escaping a brutal civil war and unspeakable horrors. Settling in Brisbane, he finds a passion and discipline in boxing. With Thuso Lekwape, Gideon Mzembe & In this inventive and physical production the theatre becomes a boxing ring. As Isa fights Pacharo Mzembe for the title, he is besieged by traumatic memories and must battle his past as much as his opponent. 6 - 22 January 2017 Upstairs Theatre Pacharo Mzembe (Gwen in Purgatory) returns to Belvoir as Isa, in this production which was nominated for Best Play and Best New Australian Work at the 2016 Helpmann Awards. Preview 6 January Opening 7 January Unwaged 19 January

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A La Boite Theatre Company & Brisbane Festival production presented in association with Sydney Festival

Elly Baxter Image: Gideon Mzembe Publicity and Public Affairs Manager & Pacharo Mzembe [email protected] | 02 8396 6242 | 0407 163 921 Photo by Dylan Evans MEDIA RELEASE August 2016

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Writer Katie Beckett Katie Beckett is a talented actor (Kill the Messenger, Coranderrk) and a compelling new Director Rachael Maza voice in Australian playwriting. Which Way Home is her first play to be produced, directed Set & Costume Designer by Rachael Maza for ILBIJERRI Theatre Company, Belvoir and Sydney Festival. Beckett is Emily Barrie also the 2015 winner of The Balnaves Foundation Playwright’s Award. Sound Designer Mark Coles Smith Lighting Designer Niklas Pajanti Tash is on a road trip, going back to country with her dad. He is getting older and the time is Dramaturg Jane Bodie right for the trip, and maybe there are a few things she is getting away from too.

With Tash and her dad are really close. After her mother died, Tash was raised by her dad, away Katie Beckett & from country and in a mostly white suburb, where they forged a tight bond. Which Way Home is a work of fiction, but Beckett was also raised by her much-loved father after the 11 - 29 January 2017 death of her mother. Downstairs Theatre Beckett is joined on stage by acclaimed actor and theatremaker Tony Briggs (, Previews 11 & 12 January ABC1) Opening 13 January At a time when Indigenous fatherhood is firmly on the national agenda, Which Way Home Subscriptions on sale from offers an affirming perspective on a father-daughter relationship in an Indigenous family. 7pm Saturday 3 September belvoir.com.au/subscribe Box Office 02 9699 3444

Indigenous theatre at Belvoir supported by The Balnaves Foundation

An ILBIJERRI Theatre Company production in association with Belvoir & Sydney Festival

Elly Baxter Image: Katie Beckett Publicity and Public Affairs Manager Photo by Brett Boardman [email protected] | 02 8396 6242 | 0407 163 921 MEDIA RELEASE August 2016

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By Tom Ballard In 2015 comedian and broadcaster Tom Ballard set out to examine Australia’s asylum Director Scott Edgar seeker and immigration policies. He interviewed refugees, explored the history of the White Australia Policy and met with controversial former Immigration Minister Peter Reith. And With somehow he’s managed make a show that’s furious and genuinely funny about an issue Tom Ballard that continues to divide Australian and the world.

13-15 January 2017 Ballard won the 2016 Helpmann Award for Best Comedy Performer and is one of Australia’s Latenight Upstairs favourite comedians.

Subscriptions on sale from Boundless Plains to Share is a comedy lecture about the history, cost and future of ‘border 7pm Saturday 3 September protection’ and just what the national anthem is on about with those ‘boundless plains to belvoir.com.au/subscribe share’. Box Office 9699 3444

Presented by the Brian McCarthy Moosehead Awards

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Based on the novel by Craig Silvey Adapted by  Director Anne-Louise Sarks Time Out Set Designer Michael Hankin Costume Designer Mel Page [A] big fat, satisfying, thought-provoking, laugh-making, Lighting Designer Matt Scott Composer & Sound Designer tear-jerking smash hit. Steve Toulmin StageNoise Fight Choreographer Scott Witt Choreographer Sara Black Belvoir opened its 2016 Season with the sold-out smash-hit Jasper Jones. The show Indigenous Advisor Jada Alberts hit a nerve and touched a lot of hearts so this summer we’re bringing back the joy and heartbreak for those who missed out and those who want to relive the magic all over again. With Tom Conroy, Matilda Ridgway, Guy Charlie’s 13 and smart. Perhaps too smart. But when blamed-for-everything Jasper Jones Simon & Hoa Xuande appears at his window one night, Charlie’s out of his depth. Jasper has stumbled upon a terrible crime in the scrub nearby, and he knows he’s the first suspect – that goes with the 25 January - 19 February 2017 colour of his skin. He needs every ounce of Charlie’s bookish brain if the truth is to emerge Upstairs Theatre before the town turns on Jasper.

Preview 25 January As the boys negotiate the secrets of a small town, the winds of change blow… But how do Opening 26 January teenage Australians solve the riddles of a changing world? You gotta get brave. Unwaged 2 February Tom Conroy, Matilda Ridgway and Guy Simon return in Anne-Louise Sarks’ gorgeous Subscriptions on sale from production. 7pm Saturday 3 September belvoir.com.au/subscribe Box Office 9699 3444

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The Dog by The Cat by Lally Katz  Director & Set Designer Ralph Myers Daily Review Costume Designer Mel Page Composer & Sound Designer Light but far from slight, this double bill of romantic comedy Stefan Gregory Associate Composer & Sound Designer is hands-down the sharpest and most entertaining show Riley McCullagh we’ve seen at Belvoir [in 2015]. With Benedict Hardie &  The Sydney Morning Herald 13-30 April The Dog / The Cat is a delicious theatrical treat; a romantic comedy with real heart and Upstairs Theatre genuine charm. After four extension weeks in our Downstairs Theatre in 2015, we knew we had to bring this treat back on the Upstairs stage for everyone to get in on the magic. Preview 13 April Opening 15 April It’s the quintessential Sydney story of sex, heartbreak, love, and dogs in a park, in fact, it Unwaged 2pm 27 April could be called Two Men, One Woman, a Park and a Dog – because everyone knows that nothing breaks the ice like a cute dog. ’s (Ruben Guthrie, The Sublime) Subscriptions on sale from Brendan Cowell play The Dog paints a not-so-flattering portrait of the tricky line between mateship and 7pm Saturday 3 September romance, and of the insatiable appetite of Jack Russell terriers for the most disgusting belvoir.com.au/subscribe things they can find. Box Office 02 9699 3444 Owning a cat is not easy. Co-owning a cat with your ex is less easy. Co-owning a smart- talking, irritable and meddling cat with your ex is pure comedy. Lally Katz (Back at the Dojo, Stories I Want to Tell You in Person) brings her trademark charm and surreal humor to The Cat.

Elly Baxter Image: Publicity and Public Affairs Manager & Benedict Hardie [email protected] | 02 8396 6242 | 0407 163 921 Photo by Brett Boardman MEDIA RELEASE August 2016

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Writer Tommy Murphy Australian woman Mary-Ellen Field was a successful business advisor in London when Director David Berthold she was accused of being an alcoholic and leaking private information to the press, Lighting Designer Damien Cooper destroying her career in the process.

With Several years later when it’s discovered that journalists and investigators from Rupert Murdoch’s News International have been hacking the phones of celebrities and other people of interest, Mary-Ellen sets out to prove that this was the source of the leaked 25 February – 2 April 2017 information. Upstairs Theatre Meanwhile in Australia, veteran journalist Mark Colvin is covering the phone hacking story Previews 25, 26 & 28 February and reaches out to Mary-Ellen after hearing her interviewed. An unlikely friendship ensues Opening 1 March and when Mary-Ellen learns of Mark’s medical condition she becomes set on a donation Captions 2pm 25 March that offers them both a kind of salvation. Unwaged 2pm 30 March Audio-described 2pm 1 April Mary-Ellen is a fascinating character. She’s deeply establishment while being wildly idiosyncratic. Her determination to do something beautiful in a time of cynicism and Subscriptions on sale from corruption is utterly compelling and Helpmann Award-winning actor Sarah Peirse brings her 7pm Saturday 3 September vividly to life. belvoir.com.au/subscribe Box Office 9699 3444 Director David Berthold (Artistic Director of Brisbane Festival) returns to Sydney to direct this new play by Tommy Murphy following their highly acclaimed collaboration on Holding the Man.

Elly Baxter Image: Sarah Peirse Publicity and Public Affairs Manager Photo by Daniel Boud [email protected] | 02 8396 6242 | 0407 163 921 MEDIA RELEASE August 2016

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Writers Jacob Rajan & Justin Lewis Nothing short of genius Director Justin Lewis Time Out Singapore Set & Costume Design Concept John Verryt Our Guru (Jacob Rajan) is a buck-toothed chameleon, channeling 17 characters and Lighting Designer Cathy Knowsley leaping to multiple locations, delivering a serpentine romantic thriller while dispensing Composer & Sound Designer David Ward dubious spiritual wisdom. He is by turns charming, loathsome and absurdly profound. Dramaturg Murray Edmond Laughter, heartbreak and enlightenment abound. Musician Adam Ogle Loosely based on the Indian fairytale Punchkin, Guru of Chai tells the story of a tea-seller With whose life is changed forever when an abandoned girl stops a busy train station with the Jacob Rajan beauty of her singing. 16 May - 4 June 2016 Indian Ink Theatre Company is one of New Zealand’s most successful theatre companies. Downstairs Theatre It is a partnership between Rajan and Justin Lewis who have been collaborating since 1997. They blend western theatrical traditions with eastern flavours and have been critically Preview 16 May acclaimed for their use of live music, heightened theatricality, humour, pathos and great Opening 17 May storytelling, which we can’t wait to experience in the intimate surrounds of the Belvoir Downstairs theatre. Subscriptions on sale from 7pm Saturday 3 September belvoir.com.au/subscribe Box Office 02 9699 3444

An Indian Ink Theatre Company production

Elly Baxter Image: Jacob Rajan Publicity and Public Affairs Manager Photo by Robert Catto [email protected] | 02 8396 6242 | 0407 163 921 MEDIA RELEASE August 2016

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Writer Anne Washburn When was the last time you met a new play that was so Score by Michael Friedman Lyrics by Anne Washburn smart it made your head spin? Not in years, huh? Well, Director Imara Savage Set and Costume Designer get ready to reel, New York. Anne Washburn’s downright Jonathan Oxlade brilliant “Mr. Burns, a Post-Electric Play” has arrived to Lighting Designer Chris Petridis leave you dizzy with the scope and dazzle of its ideas. With The New York Times , Mitchell Butel, , Jude Henshall, A catastrophe has brought the civilised world to an end. Survivors huddle around a fire, Brent Hill & Jacqy Phillips pondering the world without electricity, and the things they will never see again. To console themselves, they piece together an episode of The Simpsons, clinging to one of the few 19 May - 25 June memories they all share. Upstairs Theatre Fast forward seven years and we’re in a post-apocalyptic society. A troupe of players Preview 19 May wander the land, providing connection with a mythic past – by playing out the classic Opening 20 May Simpsons episodes: Springfield has become a Golden Age. Unwaged 2pm 22 June Captioned 2pm 24 June Fast forward a generation. A feudal world of sorts has sprung from the ruins, and at its core is an intense religion of musical theatre, featuring a pantheon of strangely recognisable four Subscriptions on sale from fingered, yellow gods. 7pm Saturday 3 September belvoir.com.au/subscribe Director Imara Savage, along with a cast of music theatre idols including Mitchell Box Office 02 9699 3444 Butel (The Government Inspector), Esther Hannaford (Little Shop of Horrors, Luckiest Productions) and Brent Hill (Little Shop of Horrors, Luckiest Productions) bring this astonishing production to Adelaide, then Upstairs at Belvoir for this post-apocalyptic, Simpsons musical extravaganza you didn’t even know you’ve been waiting for.

Co-produced with State Theatre Company of South Australia Elly Baxter Image: Mitchell Butel Publicity and Public Affairs Manager Photo by Daniel Boud [email protected] | 02 8396 6242 | 0407 163 921 MEDIA RELEASE August 2016

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Writer Aphra Behn Lost in a maze of masquerade and revelry, a ratbaggy gang of exiled cavaliers plunge into Director Eamon Flack the steamy depths of Spanish occupied Naples at carnival-time. They fall into the usual Composer & Sound Designer traps of thwarted love and mistaken identity while causing merry havoc across the town. Steve Toulmin They are led in their debauchery by Willmore (), the eponymous Rover, With who was thought to be inspired by the infamous John Wilmot, a notorious playboy of Akos Armont, Leon Ford, the seventeenth century. He’s beyond rakish, but appears to have met his match is the Elizabeth Nabben, Toby Schmitz, beguiling and witty Hellena (Nikki Shiels). Shame she’s a nun. Meanwhile Angelica Bianca, Nikki Shiels, Kiruna Stamell & the most glorious courtesan in Europe has fallen hard for Willmore and is set on revenge for Megan Wilding his romantic betrayal.

1 July - 6 August 2017 Aphra Behn is widely considered the first woman to make a successful career from Upstairs Theatre playwriting. When The Rover premiered in 1677, it was an absolute sensation. Audiences knew only too well who Willmore mirrored, and the King’s mistress, Elizabeth Barry, played Previews 1, 2 & 4 July Hellena. The play fell out of favour for a few centuries, considered a little too coarse for Opening 5 July polite society, but was rediscovered in the 1980s and is now considered one of the great Unwaged 2pm 3 August ‘battle of the sexes’ comedies.

Subscriptions on sale from Eamon Flack has proven his mettle on many a Shakespearean comedy (Twelfth 7pm Saturday 3 September Night or What You Will, , A Midsummer Night’s Dream), here he turns to belvoir.com.au/subscribe Shakespeare’s contemporary with his trademark joie de vivre. Box Office 02 9699 3444

Elly Baxter Image: Nikki Shiels & Publicity and Public Affairs Manager Toby Schmitz [email protected] | 02 8396 6242 | 0407 163 921 Photo by Daniel Boud MEDIA RELEASE August 2016

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Writer Taylor Mac You may think you’ve seen just about every variation on Director Anthea Williams Composer & Sound Designer the dysfunctional family play... I’m here to tell you that Steve Toulmin unless you’ve seen Hir, the sensational — in all senses With of the word — play by Taylor Mac, you cannot consider Greg Stone & Helen Thomson yourself an authority on this ever-enduring genre of American theater. Mac’s audacious and uproarious black 12 August - 10 September 2017 Upstairs Theatre comedy… makes even the more extreme angst-amidst- the-chintz plays seem like demure drawing-room comedies Previews 12, 13 & 15 August Opening 16 August of the 1950s. Captioned 2pm 2 September The New York Times Unwaged 2pm 7 September 2pm 9 September Audio-described Hir is the smash-hit new play from American playwright and performance artist Taylor Mac, best known for judys exuberant and outlandish drag performances. Subscriptions on sale from 7pm Saturday 3 September Isaac has come home from the blood and horror of Afghanistan to look after his sick Dad, belvoir.com.au/subscribe Arnold, only to find a family home that looks like a bomb has gone off. And, in a way, that’s Box Office 02 9699 3444 just what’s happened. It turns out his younger sibling, Max, is transgender, his Mum, Paige, is out from under the thumb of her domineering and violent husband, and they’re both out to Hir, pronounced ‘here’, refers to Max’s smash the Patriarchy. preferred gender neutral pronoun. Arnold has been incapacitated by a stroke, and Paige is exacting revenge for years of abuse by humiliating him. She is force feeding him estrogen and dressing him as a wild drag clown. The confluence of Arnold’s incapacity and Max’s coming out has led Paige into a kind of radical feminism that sees her refusing to clean the house as an act of defiance.

Hir follows directly from a long history of American playwriting about the family in disarray, and while it is bitingly contemporary it sits firmly in this milieu of naturalism in extremis.A ghoulish vaudeville of the declining American middle-class.

Hir is directed by Belvoir’s Associate Director - New Projects Anthea Williams (Kill the Messenger, Forget Me Not) and stars the brilliant tragicomedian Helen Thomson (Ivanov, Summer of the Seventeenth Doll) as Paige and Greg Stone (, The Government Inspector) as Arnold.

Elly Baxter Image: Helen Thomson Publicity and Public Affairs Manager Photo by Daniel Boud [email protected] | 02 8396 6242 | 0407 163 921 MEDIA RELEASE August 2016

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Writer Henrik Ibsen For Ghosts, Eamon Flack has reunited his creative team from his highly acclaimed and Director Eamon Flack award-winning 2014 production of The Glass Menagerie: set designer Michael Hankin, Set Designer Michael Hankin costume designer Mel Page, and composer and sound designer Stefan Gregory. They are Costume Designer Mel Page also rejoined by Pamela Rabe as Helene Alving, a ferocious mother trying to create a better Composer & Sound Designer future for her son. In this revival of Ibsen’s revered play, Flack will bring a similar beauty and Stefan Gregory freshness that he brought to The Glass Menagerie.

With Following the death of her wealthy and influential husband, HeleneAlving gives away his Tom Conroy, Taylor Ferguson, fortune in an attempt to protect her son, Oswald, from inheriting anything from his father Robert Menzies & Pamela Rabe who was abusive and unfaithful. But when Oswald returns from living in Paris it becomes all too painfully clear that his father’s misdeeds have left Oswald with a desperately difficult 16 September - 22 October 2017 legacy. Upstairs Theatre Rabe will be joined by an incandescent cast including Tom Conroy (Jasper Jones, Previews 16, 17 & 19 September Mortido), Taylor Ferguson (Miss Julie) and Robert Menzies (A Christmas Carol, The End). Opening 20 September Unwaged 2pm 5 October Captioned 2pm 14 October Audio-described 2pm 21 October

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Elly Baxter Image: Pamela Rabe Publicity and Public Affairs Manager Photo by Daniel Boud [email protected] | 02 8396 6242 | 0407 163 921 MEDIA RELEASE August 2016

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Writer Ralph McCubbin Howell Director Hannah Smith 1/2 Music Tane Upjohn Beatson The Age Based on a story by Ralph McCubbin Howell & Hannah Smith Ralph McCubbin Howell is a bookbinder. He’s looking for a new apprentice. His previous apprentices have not lasted long. See the best bookbinders are illiterate, otherwise they With might get lost in a good book, or even worse, a bad one. Ralph McCubbin Howell Blending narrative, shadow puppetry and music, The Bookbinder is a magical gem of a 26 September - 8 October 2017 show that has enchanted audiences all over the world. It’s especially scheduled for the Downstairs Theatre September school holidays.

Opening 26 September New Zealand company Trick of the Light have been making award-winning shows for worldwide audiences since 2011. They make theatre that is playful, inventive, thought- Subscriptions on sale from provoking, and that speaks to the here and now. 7pm Saturday 3 September belvoir.com.au/subscribe Suitable for ages 9 and up! 02 9699 3444

A Trick of the Light production

Elly Baxter Image: Ralph McCubbin Howell Publicity and Public Affairs Manager Photo by Robert Catto [email protected] | 02 8396 6242 | 0407 163 921 MEDIA RELEASE August 2016

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Writer Lally Katz In her charming one woman, autobiographical play Stories I Want to Tell You in Person, Director Rosemary Myers Lally Katz recounted a childhood story of being newly arrived in Australia from the States, Set & Costume Designer Jonathan Oxlade and her new playmates being horrified at her very American declaration that she loved herself. In her new play Atlantis, the idiosyncratic Katz takes self exploration to a whole With new level. Paula Arundell, Lucia Mastrantone & Amber McMahon Lally is on a journey that many women will recognise. She’s seeking a more innocent and hopeful time in her life by going back the land of her childhood. Her personal relationships 28 October - 26 November 2017 are disastrous, her career is in a shambles, she’s fast running out of money and everyone Upstairs Theatre she encounters seems to be a charlatan or a shyster.

Previews 28, 29 & 31 October Something is pulling her back to Miami. Is it a mythical city under the waves? Opening 1 November Unwaged 23 November Five women play the myriad characters of this brilliant woman’s life: ageing Jewish grandparents, wizened taxi drivers, cynical prophets, unhappy pharmacists, clowns, hip-hop Subscriptions on sale from artistes, narcissists, angels, animals – and, of course, Lally herself in an exploration in the 7pm Saturday 3 September struggles faced by women today. belvoir.com.au/subscribe Box Office 02 9699 3444 Rosemary Myers (Artistic Director of Windmill Theatre Company) directs Atlantis with regular collaborators, set and costume designer Jonathan Oxlade and actor Amber McMahon ( or What You Will, ). Also playing Lally are Paula Arundell (Mother Courage and Her Children, Peter Pan) and Lucia Mastrantone (Twelfth Night or What You Will, The Book of Everything).

Elly Baxter Image: Paula Arundell, Amber Publicity and Public Affairs Manager McMahan & Lucia Mastrantone [email protected] | 02 8396 6242 | 0407 163 921 Photo by Daniel Boud MEDIA RELEASE August 2016

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Writers Ursula Yovich & Alana Valentine Meet Barbara (Ursula Yovich) and her band the Camp Dogs. Barbara’s been trying to Songs by Alana Valentine, Ursula Yovich make it in Sydney but maybe this just isn’t her town. In all the relentless demands of city & Adam Ventoura life, where’s the sense of belonging she craves? It’s time to take a break with her cousin Director Leticia Cáceres René Casey( Donovan).

With Donovan won our hearts when she was just 16 and won Australian Idol. She has since Casey Donovan & Ursula Yovich starred in Belvoir shows (The Sapphires, As You Like It), written a memoir, and has most recently been seen on stage in the Queen musical We Will Rock You. 2 - 24 December 2017 Upstairs Theatre The multi-talented Yovich is best known to Belvoir audiences as a wonderful actor (A Christmas Carol, Yibiyung, The Small Poppies), but she is also an astonishing musician and Previews 2, 3 & 5 December songwriter. She has partnered with playwright Alana Valentine (Parramatta Girls) to create Opening 6 December a down and dirty rock gig filled with theatricality. Unwaged 21 December

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Produced in association with Vicki Gordon Music Productions Pty Ltd

Elly Baxter Image: Ursula Yovich Publicity and Public Affairs Manager Photo by Daniel Boud [email protected] | 02 8396 6242 | 0407 163 921