Belvoir Annual Report 2019

Total Page:16

File Type:pdf, Size:1020Kb

Belvoir Annual Report 2019 BELVOIR CONTENTS 2019: At A Glance 04 Chair’s Report 08 Artistic Director’s Report 10 Executive Director’s Report 12 2019 Season 14 Belvoir 2019 in Review 32 Corporate Governance Statement 50 Board & Staff 54 Supporters, Trusts & Foundations, and Partners 55 Donors 56 In the Rehearsal Room 58 Tom Hobbs. Photo by Brett Boardman. BELVOIR 2019 AT A GLANCE 98,575 44% NEW SINGLE TICKET FEMALE 9,692 BUYERS IN 2019 ATTENDEES WRITERS AT BELVOIR PRODUCTIONS 6 AUSTRALIAN PLAYS PLUS ONE NEW AUSTRALIAN TRANSLATION $4,626,583 & 3 WORLD PREMIERS BOX OFFICE REVENUE OF A BELVOIR PRODUCTION 59% CALD ARTISTS ON STAGE WORKSHOPS HOSTED IN 3,240 IN A WORKSHOP PARTICATED STUDENTS 40 REGIONAL SCHOOLS WRITERS 56% FEMALE UNDER COMMISSION STUDENT WORKSHOPS DIRECTORS 21 175 6,701 ATTENDEES AT ATTENDEES 5,069 STUDENTS & TEACHERS TO UNWAGED who attended a schools 25A or evening performance PERFORMANCES 1,667 PERFORMANCE SUDENTS ATTENDED A SCHOOLS PERFORMANCE 6,374 APPLICATIONS 62,391 646 FOR FREE SUBSCRIPTIONS SOLD 163 FOR 25A SOCIAL PERFORMANCES BELVOIR’S POPULAR PRODUCTION CHALLENGE MEDIA INDIVIDUAL NATIONAL (OPEN TO ALL INDEPENDENT 247 COMPANIES & EMERGING ARTISTS) PROPS FOR ARTISTS 1,979,616 PAGE VIEWS FOLLOWERS COUNTING & CRACKING OVER 250 EMPLOYED 80 ARTISTS ENGAGED THROUGH 25A ACROSS 8 PRODUCTIONS 561 WESTERN SYDNEY STUDENTS IN WORKSHOPS AT THEIR SCHOOLS 104 4 5 HELPMANN AWARDS MATILDA AWARDS BEST WRITING / ADAPTATION FOR THE AUSTRALIAN STAGE (THEATRE BEST PRODUCTION OF A PLAY BEST MUSICAL OR CABARET COMPANIES) Counting and Cracking Fangirls Belvoir / Co-Curious Belvoir, Queensland Theatre and Brisbane Alana Valentine and Ursula Yovich, Festival, in association with Australian Barbara and the Camp Dogs, BEST NEW AUSTRALIAN WORK Theatre for Young People Belvoir in association with Vicki Gordon S. Shakthidharan and Eamon Flack Music Productions Counting and Cracking Belvoir / Co-Curious BEST PRODUCTION (THEATRE SYDNEY THEATRE AWARDS COMPANIES) BEST DIRECTION OF A PLAY BEST MAINSTAGE PRODUCTION Eamon Flack and S. Shakthidharan Barbara and the Camp Dogs, Counting and Cracking Belvoir in Association with Counting and Cracking Belvoir / Co-Curious Belvoir / Co-Curious Vicki Gordon Music Productions BEST NEW AUSTRALIAN WORK BEST MALE ACTOR IN A PLAY S. Shakthidharan, Counting and Cracking Prakash Belawadi, Counting and Cracking Belvoir / Co-Curious NSW PREMIER’S LITERARY Belvoir / Co-Curious AWARD – NICK ENRIGHT BEST ORIGINAL SCORE BEST FEMALE ACTOR IN A SUPPORTING PRIZE FOR PLAYWRITING Stefan Gregory, Counting and Cracking ROLE IN A PLAY Belvoir / Co-Curious Vaishnavi Suryaprakash S. Shakthidharan and Eamon Flack Counting and Cracking BEST PRODUCTION OF A MAINSTAGE Counting and Cracking Belvoir / Co-Curious MUSICAL Fangirls BEST SCENIC DESIGN Belvoir, Queensland Theatre and Brisbane AUSTRALIA COUNCIL Dale Ferguson, Counting and Cracking Festival, in association with Australian AWARD FOR THEATRE Belvoir / Co-Curious Theatre for Young People Tommy Murphy BEST SOUND DESIGN BEST NEWCOMER Packer & Sons and other works Stefan Gregory, Counting and Cracking Chika Ikogwe, The Wolves / Fangirls Belvoir / Co-Curious BEST FEMALE ACTOR IN A PLAY Kate Mulvany, Every Brilliant Thing VICTORIAN PREMIER’S Belvoir LITERARY AWARD BEST MUSICAL S. Shakthidharan and Eamon Flack Barbara and the Camp Dogs Counting and Cracking Belvoir in association with Vicki Gordon Music Productions Pty Ltd VICTORIAN PREMIER’S AWARD BEST FEMALE ACTOR IN A MUSICAL FOR DRAMA Ursula Yovich, Barbara and the Camp Dogs S. Shakthidharan and Eamon Flack Belvoir in association with Vicki Gordon Counting and Cracking Music Productions Pty Ltd BEST FEMALE ACTOR IN A SUPPORTING ROLE IN A MUSICAL GREEN ROOM AWARDS Elaine Crombie, Barbara and the Camp Dogs BEST PERFORMANCE (THEATRE Belvoir in association with Vicki Gordon COMPANIES) Music Productions Pty Ltd Ursula Yovich, Barbara and the Camp Dogs, BEST ORIGINAL SCORE Belvoir in association with Vicki Gordon Ursula Yovich, Alana Valentine and Adm Music Productions Ventoura, Barbara and the Camp Dogs BEST MUSIC COMPOSITION AND SOUND Belvoir in association with Vicki Gordon DESIGN (THEATRE COMPANIES) Music Productions Pty Ltd Adm Ventoura, Ursula Yovich and BEST MALE ACTOR IN A SUPPORTING Alana Valentine, ROLE IN A PLAY Barbara and the Camp Dogs, Paul Blackwell, Faith Healer – a Belvoir Belvoir in association with Vicki Gordon production presented by State Theatre Music Productions Company of South Australia 6 Vaishnavi Suryaprakash. Photo by Brett Boardman. CHAIR’S REPORT Sam Meers As I write this, our only part of the work Belvoir undertakes theatre is dark for each year. We also continued our highly the first time in its acclaimed program for independent history and we are theatre makers, 25A; commissioned developing ways seven new Australian plays, including to sustain Belvoir’s our annual commission of an Indigenous creative energy, and playwright thanks to the Balnaves the community that Foundation (this year, Kodie Bedford); depends upon it. Yet developed 13 new works; delivered an as we wrestle with extensive, first-class Education Program the short and long term consequences in western Sydney and throughout of a global pandemic, we should draw regional NSW; collaborated with and some comfort from the fact that 2019 supported other arts companies, and was an exceptional year for Belvoir, both we continued to lead the sector by artistically and financially. This Annual presenting at international and national Report is an opportunity to celebrate that. conferences and hosting key industry Ayesha Madon. Photo by Brett Boardman. and community events. Throughout 2019, the Company stories with diverse perspectives. You all close working relationship and their continued to create outstanding theatre I have struggled to find the right words make an invaluable contribution to the life continuing belief in Belvoir’s vision. experiences, with the two bookends of to appropriately acknowledge the and success of this company: my deep the artistic season being Counting and bold and dedicated leadership of our I also acknowledge and thank our thanks go to each and every one of you for Cracking, which received seven of our co-CEOs, Artistic Director Eamon Flack government supporters – the Australia your faith in us. 13 Helpmann Awards, and the extended and Executive Director Sue Donnelly; Council for the Arts and Create NSW season of the highly anticipated it is their fearless and tenacious vision The Company B board again worked – whose core funding allows us to Packer & Sons. In between these two that puts artists at it centre and has tirelessly during 2019, and I am forever leverage further investment for Belvoir. extraordinary productions, we presented allowed Belvoir to deliver the successes grateful for their wisdom and dedication. Finally – last, but very definitely not a swathe of diverse and thought- articulated in this Annual Report, and I Particular thanks to our outgoing board least – none of the work we do would, provoking shows (who can forget thank them sincerely on behalf of us all. members Mitchell Butel, Luke Carroll and of course, be possible without the staff Fangirls?) that resonated with our loyal Peter Wilson, each of whom have been The success of our 2019 season, and at Belvoir and the many artists and subscribers and brought new audience integral to the success of the Company of the many other Belvoir programs creatives who work with us. These members through our doors. during their six year terms; they will be highlighted throughout this Annual talented and passionate individuals sorely missed. A warm welcome to our Counting and Cracking was an enormous Report, is reflected in our very pleasing dedicate countless hours to the new board members Raji Ambikarajah, undertaking for the Company, both financial result in 2019, with the Company because they believe, as you Kate Champion, Johanna Featherstone creatively and financially. heT biggest, Company achieving an operating surplus do, in the power of theatre to change and Mark Warburton; it is a tribute to the boldest work the Company has ever of $557k. This surplus was not only people’s lives. I thank them sincerely Company that we continue to attract staged, we were fortunate to be rewarded the result of strong box office results, for their support and extraordinary directors of such stature. I would be with a sold-out Sydney Festival season but also the hard work of the executive commitment to the Company. remiss in not giving particular thanks in January, and an Adelaide Festival and board in continuing a program of to our Deputy Chair, Patty Akopiantz, I know that all our artists will continue season in March. Led by the shared vision reviewing operations to ensure greater whose wisdom is indispensable, and finding new and different ways to tell our and creative energy of Eamon Flack operational efficiencies and enhanced whose ingenuity was responsible for our stories. In a fractured global environment and Shakthi Shakthidharan, 49 financial business planning. Needless to say, we highly successful Education fundraiser, in which so many are experiencing partners joined artists, creatives, crew and are very grateful for this small financial the Belvoir Bash; and director Stuart dislocation, isolation and loss, we need Belvoir’s exceptional staff to stage this buffer during our Covid-19 shut down. O’Brien, who is leading plans for building these stories now more than ever before ground-breaking epic. The many awards The Company could not do the work enhancements and whose inspired
Recommended publications
  • Brothers Wreck by Jada Alberts Director Leah Purcell Set & Costume Designer Dale Ferguson Lighting Designer Luiz Pampolha Composer & Sound Designer Brendan O’Brien
    Media Release April 2014 Belvoir presents Brothers Wreck By Jada Alberts Director Leah Purcell Set & Costume Designer Dale Ferguson Lighting Designer Luiz Pampolha Composer & Sound Designer Brendan O’Brien With Cramer Cain Lisa Flanagan Rarriwuy Hick Hunter Page-Lochard Bjorn Stewart Belvoir St Theatre | Upstairs 24 May – 22 June 2014 ‘it shouldn’t be this hard... but look around ay? You're not the only one who's lost a brother this way.’ Brothers Wreck begins with a death: on a hot morning under a house in Darwin, Ruben wakes to find his cousin Joe hanging from the rafters. The play that follows tells the story of how Ruben’s family, little by little, brings Ruben back from the edge. It is a confronting and honest exploration of grief and loss but ultimately redemption. Jada Alberts, winner of the 2013 Balnaves Foundation Indigenous Playwright’s Award, is an actor and theatre-maker with a powerful voice and a clear vision to tell the stories of her community. She is one of a growing group of young Indigenous artists who have looked to each other as much as they have to their elders for inspiration. Her play emerges from the gathering voices of this new generation and tells a deeply relevant and current story of the reality of life for many Indigenous families. An outstanding cast of Indigenous artists has been assembled. Rarriwuy Hick is gaining attention for her television performances in Redfern Now and The Gods of Wheat Street (ABC1). She is also a compelling stage actor, as well as a dancer and choreographer with Bangarra Dance Theatre.
    [Show full text]
  • Final-Brochure-2020.Pdf
    Ngadlu tampinthi Kaurna We acknowledge the Kaurna miyurna yaitya yarta-mathanya people as the traditional custodians Wama Tarntanyaku. of the Adelaide Plains. Parnaku yailtya, parnaku tapa We recognise and respect their purruna, parnaku yarta ngadlu cultural heritage, beliefs and tampinthi. Yalaka Kaurna Miyurna relationship with the land. itu yailtya, tapa purruna, yarta kuma We acknowledge that they are puru martinthi, puru warri-apinthi, of continuing importance to the puru tangka martulayinthi. Ngadlu Kaurna people living today and tampinthi purkarna pukinangku, pay respects to Elders past, yalaka, tarrkarritya. present and future. 2 2 A MESSAGE FROM MITCHELL So, shall we have some fun together? New Australian works of great heart, wit and humanity. New international works of great Shall we lift the curtain, open the door, enter daring and dazzling originality from and with into worlds strange, familiar or new? diverse voices. Classics reinvented to connect history to the here and now. Shall we get set for some of the greatest times that we will ever have in a theatre? There’s a lot of comedy coming your way this year - some satirical, some black and some Sound good? Well, come on in. deeply twisted. Plus works that will break apart the very notions of what you think theatre is. But I’m thrilled to be joining State Theatre all of our works will engage your mind and heart Company South Australia as its new Artistic as fulsomely as your funny bones are tickled. Director. I’ve loved working for this company in the past and I have loved witnessing so many You will leave many of our shows this of the brilliant works it has produced.
    [Show full text]
  • The Nightingale
    SCREEN AUSTRALIA SCREEN TASMANIA AND SOUTH AUSTRALIAN FILM CORPORATION present in association with ADELAIDE FILM FESTIVAL BRON CREATIVE And FILMNATION ENTERTAINMENT a CAUSEWAY FILMS and MADE UP STORIES production THE NIGHTINGALE PRODUCTION NOTES Running Time: 136 mins AUSTRALIAN PUBLICITY REQUESTS: Amy Burgess / National Publicity Manager, Transmission Films 02 8333 9000, [email protected] Images: High res images and poster available to download via the DOWNLOAD MEDIA tab at: https://www.transmissionfilms.com.au/films/the-nightingale Starring Aisling Franciosi, Sam Claflin and Baykali Ganambarr Writer and Director: Jennifer Kent Producers: Kristina Ceyton p.g.a., Bruna Papandrea p.g.a., Steve Hutensky p.g.a. and Jennifer Kent p.g.a. Executive Producers: Brenda Gilbert, Jason Cloth, Andrew Pollack, Aaron L. Gilbert, Ben Browning and Alison Cohen Associate Producer: Jim Everett Director of Photography: Radek Ladczuk Editor: Simon Njoo Production Designer: Alex Holmes Costume Designer: Margot Wilson APDG Hair and Makeup Designer: Nikki Gooley Sound Designer: Robert Mackenzie Composer: Jed Kurzel Visual Effects Supervisor: Marty Pepper Casting Director: Nikki Barrett CSA Distributed in Australia and New Zealand by Transmission Films International Sales: FilmNation Entertainment, US Sales: Endeavor Content The Nightingale Production Notes 2 INDEX SYNOPSES 3 DIRECTOR’S STATEMENT 4 CAST AND CHARACTER LIST 4 GENESIS OF THE FILM 5 CASTING AND CHARACTERS Clare – Portrayed by Aisling Franciosi 8 Hawkins – Portrayed by Sam Claflin 10 Billy
    [Show full text]
  • 1X 86Min Feature Documentary Press Kit
    ELLA 1x 86min Feature Documentary Press Kit INDEX ! CONTACT DETAILS AND TECHNICAL INFORMATION………………………… P3 ! PROGRAM DESCRIPTIONS.…………………………………..…………………… P4-6 ! KEY CAST BIOGRAPHIES………………………………………..………………… P7-9 ! DIRECTOR’S STATEMENT………………………………………..………………… P10 ! PRODUCER’S STATEMENT………………………………………..………………. P11 ! KEY CREATIVES CREDITS………………………………..………………………… P12 ! DIRECTOR AND PRODUCER BIOGRAPHIES……………………………………. P13 ! PRODUCTION CREDITS…………….……………………..……………………….. P14-22 2 CONTACT DETAILS AND TECHNICAL INFORMATION Production Company WildBear Entertainment Pty Ltd Address PO Box 6160, Woolloongabba, QLD 4102 AUSTRALIA Phone: +61 (0)7 3891 7779 Email [email protected] Distributors and Sales Agents Ronin Films Address: Unit 8/29 Buckland Street, Mitchell ACT 2911 AUSTRALIA Phone: + 61 (0)2 6248 0851 Web: http://www.roninfilms.com.au Technical Information Production Format: 2K DCI Scope Frame Rate: 24fps Release Format: DCP Sound Configuration: 5.1 Audio and Stereo Mix Duration: 86’ Production Format: 2K DCI Scope Frame Rate: 25fps Release Formats: ProResQT Sound Configuration: 5.1 Audio and Stereo Mix Duration: 83’ Date of Production: 2015 Release Date: 2016 ISAN: ISAN 0000-0004-34BF-0000-L-0000-0000-B 3 PROGRAM DESCRIPTIONS Logline: An intimate and inspirational journey of the first Indigenous dancer to be invited into The Australian Ballet in its 50 year history Short Synopsis: In October 2012, Ella Havelka became the first Indigenous dancer to be invited into The Australian Ballet in its 50 year history. It was an announcement that made news headlines nationwide. A descendant of the Wiradjuri people, we follow Ella’s inspirational journey from the regional town of Dubbo and onto the world stage of The Australian Ballet. Featuring intimate interviews, dynamic dance sequences, and a stunning array of archival material, this moving documentary follows Ella as she explores her cultural identity and gives us a rare glimpse into life as an elite ballet dancer within the largest company in the southern hemisphere.
    [Show full text]
  • Highlights-Week-45.Pdf
    1 Top Pick Sunday 01 November, 8:30pm or later on iview The Beautiful Lie Anna lies and tells Xander the affair is over but she continues to sneak away to see Skeet whenever she can. Xander is paranoid so he checks Anna’s phone and whereabouts all the time, he hates the man he’s turning into. But when he sees Skeet sneaking out of their house, Xander is furious, he demands Anna move out. She goes to Skeet’s house for the first time and is completely enchanted. It’s magical and she manages to forget for one brief moment that the rest of her life is in pieces. Meanwhile, Dolly and Kingsley have moved to the country where Dolly finds it less romantic than she thought it was going to be. The irony is that due to Kingsley’s enforced commute to work she now spends more time alone with Gabriela. Determined to be a better person, and with her parents giving her the push she needs, Kitty moves in with Dolly. Peter’s sickly brother Nick arrives on the farm and wants to stay. Peter knows that Nick wants money, it’s an issue that constantly arises between them. Xander and Kasper head to the country to stay with Dolly and Kingsley. Dolly plans an impromptu dinner party, inviting Peter and Nick also. The night provides Peter the opportunity to have a moment with Kitty. She confesses to him that she regrets turning him down. They kiss and it’s fantastic. Short Synopsis Anna doesn’t like Xander keeping tabs on her, Skeet receives news that shocks him, Dolly arranges the worst dinner party ever but it does allow Peter and Kitty to meet again.
    [Show full text]
  • The Australian Theatre Family
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sydney eScholarship A Chance Gathering of Strays: the Australian theatre family C. Sobb Ah Kin MA (Research) University of Sydney 2010 Contents: Epigraph: 3 Prologue: 4 Introduction: 7 Revealing Family 7 Finding Ease 10 Being an Actor 10 Tribe 15 Defining Family 17 Accidental Culture 20 Chapter One: What makes Theatre Family? 22 Story One: Uncle Nick’s Vanya 24 Interview with actor Glenn Hazeldine 29 Interview with actor Vanessa Downing 31 Interview with actor Robert Alexander 33 Chapter Two: It’s Personal - Functioning Dysfunction 39 Story Two: “Happiness is having a large close-knit family. In another city!” 39 Interview with actor Kerry Walker 46 Interview with actor Christopher Stollery 49 Interview with actor Marco Chiappi 55 Chapter Three: Community −The Indigenous Family 61 Story Three: Who’s Your Auntie? 61 Interview with actor Noel Tovey 66 Interview with actor Kyas Sheriff 70 Interview with actor Ursula Yovich 73 Chapter Four: Director’s Perspectives 82 Interview with director Marion Potts 84 Interview with director Neil Armfield 86 Conclusion: A Temporary Unity 97 What Remains 97 Coming and Going 98 The Family Inheritance 100 Bibliography: 103 Special Thanks: 107 Appendix 1: Interview Information and Ethics Protocols: 108 Interview subjects and dates: 108 • Sample Participant Information Statement: 109 • Sample Participant Consent From: 111 • Sample Interview Questions 112 2 Epigraph: “Happy families are all alike; every unhappy family is unhappy in its own way. Everything was in confusion in the Oblonsky’s house. The wife had discovered that the husband was carrying on an intrigue with a French girl, who had been a governess in their family, and she had announced to her husband that she could not go on living in the same house with him.
    [Show full text]
  • 2018 Brochure Web.Pdf
    SEASON 2018 2 A message from Kip Williams 5 The top benefits of a Season Ticket 10 Insight Events 13 Get the most out of your Season Ticket THE PLAYS 16 Top Girls 18 Lethal Indifference 20 Black is the New White 22 The Resistible Rise of Arturo Ui 24 Going Down 26 The Children 28 Still Point Turning: The Catherine McGregor Story 30 Blackie Blackie Brown 32 Saint Joan 34 The Long Forgotten Dream 36 The Harp in the South: Part One and Part Two 40 Accidental Death of an Anarchist 42 A Cheery Soul SPECIAL OFFERS 46 Hamlet: Prince of Skidmark 48 The Wharf Revue 2018 HOW TO BOOK AND USEFUL INFO 52 Let us help you choose 55 How to book your Season Ticket 56 Ticket prices 58 Venues and access 59 Dates for your diary 60 Walsh Bay Kitchen 61 The Theatre Bar at the End of the Wharf 62 The Wharf Renewal Project 63 Support us 64 Thank you 66 Our community 67 Partners 68 Contact details 1 A MESSAGE FROM KIP WILLIAMS STC is a company that means a lot to me. And, finally, I’ve thought about what theatre means to me, and how best I can share with It’s the company where, as a young teen, I was you the great passion and love I have for this inspired by my first experience of professional art form. It’s at the theatre where I’ve had some theatre. It’s the company that gave me my very of the most transformative experiences of my first job out of drama school.
    [Show full text]
  • DNA Nation Press
    PRESS KIT DISTRIBUTOR CONTACT PRODUCTION CONTACT SBS International Blackfella Films Lara von Ahlefeldt Darren Dale Tel: +61 2 9430 3240 Tel: +61 2 9380 4000 Email: [email protected] Email: [email protected] 10 Cecil Street Paddington NSW 2021 Tel: +612 9380 4000 Fax: +612 9252 9577 Email: [email protected] www.blackfellafilms.com.au Production Notes Producer Darren Dale Producer & Writer Jacob Hickey Series Producer Bernice Toni Director Bruce Permezel Production Company Blackfella Films Genre Documentary Series Language English Aspect Ratio 16:9 FHA Duration EP 1 00:51:53:00 EP 2 00:54:54:00 EP 3 00:52:58:00 Sound Stereo Shooting Gauges Arri Amira, F55, DJI Inspire Drone, Blackmagic & Go Pro Logline Who are we? And where do we come from? Short Synopsis Who are we? And where do we come from? Australia’s greatest Olympian Ian Thorpe, iconic Indigenous actor Ernie Dingo, and TV presenter and Queen of Eurovision Julia Zemiro set off on an epic journey of genetic time travel to find out. © 2016 Blackfella Films Pty Ltd Page 2 of 40 Long Synopsis Who are we? And where do we come from? Australia’s greatest Olympian Ian Thorpe, iconic Indigenous actor Ernie Dingo, and TV presenter and Queen of Eurovision Julia Zemiro set off on an epic journey of genetic time travel to find out. DNA is the instruction manual that helps build and run our bodies. But scientific breakthroughs have discovered another remarkable use for it. DNA contains a series of genetic route maps. It means we can trace our mother’s mother’s mother and our father’s father’s father, and so on, back through tens of millennia, revealing how our ancestors migrated out of Africa and went on to populate the rest of the world.
    [Show full text]
  • Company B ANNUAL REPORT 2008
    company b ANNUAL REPORT 2008 A contents Company B SToRy ............................................ 2 Key peRFoRmanCe inDiCaToRS ...................... 30 CoRe ValueS, pRinCipleS & miSSion ............... 3 FinanCial Report ......................................... 32 ChaiR’S Report ............................................... 4 DiReCToRS’ Report ................................... 32 ArtistiC DiReCToR’S Report ........................... 6 DiReCToRS’ DeClaRaTion ........................... 34 GeneRal manaGeR’S Report .......................... 8 inCome STaTemenT .................................... 35 Company B STaFF ........................................... 10 BalanCe SheeT .......................................... 36 SeaSon 2008 .................................................. 11 CaSh Flow STaTemenT .............................. 37 TouRinG ........................................................ 20 STaTemenT oF ChanGeS in equiTy ............ 37 B ShaRp ......................................................... 22 noTeS To The FinanCial STaTements ....... 38 eDuCaTion ..................................................... 24 inDepenDenT auDiT DeClaRaTion CReaTiVe & aRTiSTiC DeVelopmenT ............... 26 & Report ...................................................... 49 CommuniTy AcceSS & awards ...................... 27 DonoRS, partneRS & GoVeRnmenT SupporteRS ............................ 28 1 the company b story Company B sprang into being out of the unique action taken to save Landmark productions like Cloudstreet, The Judas
    [Show full text]
  • Oedipus Schmoedipus
    2014 I regard the theatre as the greatest of all art forms, the most immediate way in which a human being can share with another the sense of what it is to be a human being. Oscar Wilde From the Artistic Director 5 Upstairs Oedipus Schmoedipus 8 2014 Once in Royal David’s City 10 The Philadelphia Story 12 Brother’s Wreck 14 Hedda Gabler 16 Season Nora 18 The Glass Menagerie 20 A Christmas Carol 22 20 Questions 24 Downstairs Cain and Abel 28 Oedipus Rex 30 Is This Thing On? 32 Cinderella 34 The Business End This Is Our Company 38 Why You Should Subscribe 39 Loyalty Program & 30-Down Club 43 How to Book 44 Sunday Forum 46 General Information (Box Office hours, performance times) 47 Thank You 52 2014 Season Calendars 54 Subscription Booking Form Hello friends, So, here it is: our 2014 season And that’s not even mentioning book. It’s a ripper of a season the actors, the designers... so I think. many great people. What I’m excited about is how different they Browse away. But before you do, all are. That’s one of the great joys some introductions: you should of being an artistic director and meet our two new Resident curating a season. Juxtaposing Directors, Adena Jacobs and tragedy with comedy, the intimate Anne-Louise Sarks. We’ve stolen with the epic, the gentle with the them both from Melbourne (so rough and tumble. many good people come from Melbourne). We scoured the That is, in fact, the point.
    [Show full text]
  • Playwright/Screenwriter ANDREW BOVELL's Latest Work for the Stage
    Photo: Jeremy Shaw Playwright/screenwriter ANDREW BOVELL’s latest work for the stage, Things I Know to be True, premiered in Adelaide in May, 2016 in a co-production between The State Theatre Company and UK-based Frantic Assembly. The production opened in London at the Lyric Hammersmith Theatre in September before touring the UK. The Secret River premiered at the 2013 Sydney Festival. The acclaimed STC production was directed by Neil Armfield and toured to the Centenary of Canberra Festival and Perth International Arts Festival. It won six Helpmann Awards including Best Play, as well as Best New Work at the Sydney Theatre Awards, the AWGIE Award for Stage writing, the David Williamson Prize and was joint winner of the NSW Premier’s Literary Award for Community Relations. It subsequently enjoyed a return season in Sydney, before touring to Brisbane and Melbourne, and revived for the 2017 Adelaide Festival of the Arts. When the Rain Stops Falling premiered at the 2008 Adelaide Festival of the Arts, produced by Brink Productions, before touring nationally and going on to win numerous awards. The play has been produced in London at the Almeida Theatre (2009) and in New York at The Lincoln Centre (2010) where it won five Lucille Lortell Awards and was named best new play of the year by TIME Magazine. Earlier stage works include Holy Day, Who’s Afraid of the Working Class?, Speaking in Tongues, Scenes From a Separation, Shades of Blue, Ship of Fools, After Dinner, The Ballad of Lois Ryan and State of Defense. Sydney Theatre Company revived After Dinner for a sellout season in 2015.
    [Show full text]
  • Pre-Show Briefing
    PRE-SHOW BRIEFING GWB ENTERTAINMENT, AMBASSADOR THEATRE GROUPASIA PACIFIC & STATE THEATRE COMPANY SOUTH AUSTRALIA PRESENT THE HEADLONG, NOTTINGHAM PLAYHOUSE & ALMEIDA THEATRE PRODUCTION BY GEORGE ORWELL A NEW ADAPTATION CREATED BY ROBERT ICKE AND DUNCAN MACMILLAN This document may be used to brief students prior to attending 1984. The Study Guide is comprehensive and will be released shortly. DETAILS Suitable for: Years 10-12 Duration Approximately: 101 minutes (no interval) Warnings: Adult Themes, Graphic Violence and Intensive Technical Effects 1984 – Australian Tour Link - http://www.1984play.com.au (This link contains information on the Australian tour, interviews and up to date media publications.) INTRODUCTION April, 1984. 13:00. Comrade 6079, Winston Smith, thinks a thought, starts a diary, and falls in love. But Big Brother is watching him - and the door to Room 101 can swing open in the blink of an eye. One of theatre’s most powerful events of recent times, the stage adaptation of 1984, originally produced in the West End by Sonia Friedman Productions and Eleanor Lloyd Productions, received a nomination for Best New Play at the Olivier Awards, won a UK Theatre Award for Best Direction, and has played to huge audiences over the last three years. Even more now than the last time we visited, Orwell’s dystopian vision of a surveilled and totalitarian regime seems horribly relevant. Set in a world where an invasive government keeps a malevolently watchful eye on its citizens, this radical and richly praised staging explores surveillance, identity and why Orwell’s vision of the future is as relevant now as ever.
    [Show full text]