Oedipus Schmoedipus

Total Page:16

File Type:pdf, Size:1020Kb

Oedipus Schmoedipus 2014 I regard the theatre as the greatest of all art forms, the most immediate way in which a human being can share with another the sense of what it is to be a human being. Oscar Wilde From the Artistic Director 5 Upstairs Oedipus Schmoedipus 8 2014 Once in Royal David’s City 10 The Philadelphia Story 12 Brother’s Wreck 14 Hedda Gabler 16 Season Nora 18 The Glass Menagerie 20 A Christmas Carol 22 20 Questions 24 Downstairs Cain and Abel 28 Oedipus Rex 30 Is This Thing On? 32 Cinderella 34 The Business End This Is Our Company 38 Why You Should Subscribe 39 Loyalty Program & 30-Down Club 43 How to Book 44 Sunday Forum 46 General Information (Box Office hours, performance times) 47 Thank You 52 2014 Season Calendars 54 Subscription Booking Form Hello friends, So, here it is: our 2014 season And that’s not even mentioning book. It’s a ripper of a season the actors, the designers... so I think. many great people. What I’m excited about is how different they Browse away. But before you do, all are. That’s one of the great joys some introductions: you should of being an artistic director and meet our two new Resident curating a season. Juxtaposing Directors, Adena Jacobs and tragedy with comedy, the intimate Anne-Louise Sarks. We’ve stolen with the epic, the gentle with the them both from Melbourne (so rough and tumble. many good people come from Melbourne). We scoured the That is, in fact, the point. There is country for the two brightest and more than one way to skin a cat. most exciting young directors There is no right way to make we could find. And what do you theatre, any more than there is know? They were right under our a right way to paint a painting or noses, just south of the border. write a love song. Everyone does I’m so glad they’ve agreed to it their own way. It strikes me that come onboard. audiences – much like customers at a delicatessen – don’t care Anyone who saw Sarks’ terrific who made the sausage (or Medea or Jacobs’ fantastic indeed how), provided it tastes Persona here at Belvoir will good. In my limited experience know they are both enormously with sausages (and theatre) it’s talented. They join Associate vastly preferable to not know Director Eamon Flack (Angels in what goes in. America) and Literary Manager and all-rounder Anthea Williams So, if you’re going to skin a cat (Forget Me Not) to round out and make it into a sausage, make what has to be the hottest team sure you get great artists to do it. of theatre-makers this side of The Right? Something like that! Globe. Plus, we’ve invited a swag The stage is set for a thrilling of freelance artists into the tent to year of theatrical delight. Now all weave their magic: from Simon you have to do is choose which Stone to Leah Purcell, Michael shows to see. My tip? The lot! Gow, Jada Alberts, Kit Brookman, Matthew Whittet to collectives See you at the theatre. The Rabble and post. It’s A HELL X OF A LINE-UP. Ralph 5 Upstairs 6 7 9 JANUARy – 2 FebRUARY UPSTAIRS By post after Aeschylus, Dramaturg With Zoë Coombs Marr Anon, Artaud, Behn, Brecht, Anne-Louise Sarks Mish Grigor Büchner, Chekhov, Coward, Composer & A co-production with post Fo, Genet, Havel, Ibsen, Sound Designer presented in association Marlowe, Molière, O’Neill, James Brown with Sydney Festival Plautus, Racine, Seneca, Shakespeare, Shaw, Sophocles, Strindberg, Wedekind, Wilde et al Oedipus Schmoedipus Welcome to 2014! First Fed up with white men staging up, a democratic theatrical the deaths of white men in plays extravaganza two-and-a-half- written by white men, the white thousand years in the making. ladies from post have pirated Take several hundred of the the theatrical canon and turned greatest plays of all time, pick over the juiciest stuff to seven out the death scenes, mix them hundred – that’s right, seven together (in a cunning and clever hundred! – collaborators. way) and then – well that’s a Death: it belongs to everyone! surprise… Want to be involved? Oedipus Schmoedipus is a Oedipus Schmoedipus will be great big festival of shuffling-off- looking for lots and lots and the-mortal-coil from Australia’s lots of volunteers – no skill level silliest/smartest theatre bunch: whatsoever required! Email post. Their work is joyful [email protected] to and dark, stupid and smart, register your interest. down-home and OTT. Oedipus Schmoedipus is their bid for theatre history – either to join it, or wreck it. 8 Mish Grigor 8 FEBRUARy – 23 MaRCH Upstairs By Michael Gow Set & Lighting Designer With Helen Buday Director Eamon Flack Nick Schlieper Brendan Cowell Costume Designer Harry Greenwood Mel Page Gillian Jones Composer Alan John Lech Mackiewicz Once in Royal David’s City Fierce and eloquent, playful, of New South Wales; his task is big-thinking, tender, furious – to turn bewilderment into clarity Michael Gow’s new play is an before it is too late. astonishing act of theatrical Once in Royal David’s City is big invention. and small at once, tumbling from Will Drummond is bewildered. the fifties to the present, from All the old certainties are coming West Berlin to Byron Bay, from apart. His parents are suddenly brief encounters to the cycles old, theatre is not what it used of history. It is about mothers to be, people around him are and sons, lost innocence, losing their minds and losing omnipresent death. It is about faith, the world is shrinking, and rage. It is about the brilliant what does it even mean to live possibilities of theatre. in a society any more? Then, It is beautiful. suddenly, Will finds himself sitting by his mother’s bedside in a Eamon Flack (Angels in America) hospital room on the north coast directs. 10 Brendan Cowell 27 MARCH – 18 MaY Upstairs Created by Simon Stone With Zahra Newman based on the play by Philip Barry A co-production with Director Simon Stone Malthouse Theatre Set Designer Ralph Myers Lighting Designer Paul Jackson The Philadelphia Story Tracy Samantha Lord Haven The Philadelphia Story is a is rich and smart and famous first-class screwball-type and she is getting married to midsummer night’s pre-marital George Kittredge. freakout comedy. Its dialogue simmers with winks and nods C.K. Dexter Haven is her ex- and verbal parries, its characters husband and he has invited are fabulous, its plot is a lesson himself to the wedding. Macaulay in the craft, and the cast and Conner is the journalist C.K. creatives of this production are Dexter Haven has brought with going to have a ball. Join them. him to document the nuptial lead-up. As it’s a comedy you can Simon Stone and co turn be sure it ends with a wedding… a radical new lens on this but who will Tracy Samantha Lord effervescent Hollywood classic Haven marry? about love and celebrity and love and f**king up in public and love and excess... with some extra love thrown in for good measure. 12 Zahra Newman 24 MAy – 22 JUNE UPSTAIRS By Jada Alberts Indigenous Theatre at Director Leah Purcell Belvoir supported by With Cramer Cain The Balnaves Foundation Lisa Flanagan Rarriwuy Hick Hunter Page-Lochard Bjorn Stewart Brother’s Wreck This beautiful little play is Indigenous artists who have about life. looked to each other as much as they have to their elders, and her It begins with a death: on a play emerges from the gathering hot morning under a house in voices of this new generation. Darwin, Ruben wakes to find his cousin Joe hanging from the Leah Purcell directs this very rafters. The play that follows tells alert, very human play about the story of how Ruben’s family, how many other people it takes little by little, brings Ruben back for each of us to live. from the edge. Balnaves Award-winner Jada Alberts has been a quiet, steady presence around the country for a good few years now – acting, writing, making. She is one of a growing group of young 14 Rarriwuy Hick 28 JUne – 3 AUGUST UPstairs Adapted from the play Lighting Designer by Henrik Ibsen Danny Pettingill Director Adena Jacobs Composer Kelly Ryall Set Designer With Ash Flanders Dayna Morrissey Hedda Gabler After the Broadway premiere Belvoir’s new Resident Director of Hedda Gabler in 1902, one Adena Jacobs has an uncanny reviewer wrote of its extraordinary ability to uncover the torrents heroine: ‘Degenerate, selfish, of instinct that run beneath the morbid, cruel, bitter, jealous, routines of modern living. Ash something of a visionary, Flanders is a man who has something of a lunatic.’ made an artform out of playing tragic heroines. Hedda Gabler is trapped inside a conventional life: she married Their Hedda Gabler will be the scholar George Tesman. a primal close-up of Ibsen’s But money is short, Tesman’s electrifying marriage tragedy. old rival Ejlert Lövborg has turned up again, Judge Brack is visiting with alarming regularity, and Hedda Gabler’s volcanic boredom is reaching its limits. So begins a dangerous game of finding purpose in a purposeless existence. 16 Ash Flanders17 9 AUGUST – 14 SePTEMBER Upstairs By Kit Brookman and Set Designer Composer Kelly Ryall Anne-Louise Sarks Marg Horwell With Blazey Best after A Doll’s House by Costume Designer Henrik Ibsen Mel Page Director Anne-Louise Sarks Lighting Designer Paul Jackson Nora Nora Helmer is one of those Sarks makes theatre from iconic fictional characters who theatre.
Recommended publications
  • Brothers Wreck by Jada Alberts Director Leah Purcell Set & Costume Designer Dale Ferguson Lighting Designer Luiz Pampolha Composer & Sound Designer Brendan O’Brien
    Media Release April 2014 Belvoir presents Brothers Wreck By Jada Alberts Director Leah Purcell Set & Costume Designer Dale Ferguson Lighting Designer Luiz Pampolha Composer & Sound Designer Brendan O’Brien With Cramer Cain Lisa Flanagan Rarriwuy Hick Hunter Page-Lochard Bjorn Stewart Belvoir St Theatre | Upstairs 24 May – 22 June 2014 ‘it shouldn’t be this hard... but look around ay? You're not the only one who's lost a brother this way.’ Brothers Wreck begins with a death: on a hot morning under a house in Darwin, Ruben wakes to find his cousin Joe hanging from the rafters. The play that follows tells the story of how Ruben’s family, little by little, brings Ruben back from the edge. It is a confronting and honest exploration of grief and loss but ultimately redemption. Jada Alberts, winner of the 2013 Balnaves Foundation Indigenous Playwright’s Award, is an actor and theatre-maker with a powerful voice and a clear vision to tell the stories of her community. She is one of a growing group of young Indigenous artists who have looked to each other as much as they have to their elders for inspiration. Her play emerges from the gathering voices of this new generation and tells a deeply relevant and current story of the reality of life for many Indigenous families. An outstanding cast of Indigenous artists has been assembled. Rarriwuy Hick is gaining attention for her television performances in Redfern Now and The Gods of Wheat Street (ABC1). She is also a compelling stage actor, as well as a dancer and choreographer with Bangarra Dance Theatre.
    [Show full text]
  • The Nightingale
    SCREEN AUSTRALIA SCREEN TASMANIA AND SOUTH AUSTRALIAN FILM CORPORATION present in association with ADELAIDE FILM FESTIVAL BRON CREATIVE And FILMNATION ENTERTAINMENT a CAUSEWAY FILMS and MADE UP STORIES production THE NIGHTINGALE PRODUCTION NOTES Running Time: 136 mins AUSTRALIAN PUBLICITY REQUESTS: Amy Burgess / National Publicity Manager, Transmission Films 02 8333 9000, [email protected] Images: High res images and poster available to download via the DOWNLOAD MEDIA tab at: https://www.transmissionfilms.com.au/films/the-nightingale Starring Aisling Franciosi, Sam Claflin and Baykali Ganambarr Writer and Director: Jennifer Kent Producers: Kristina Ceyton p.g.a., Bruna Papandrea p.g.a., Steve Hutensky p.g.a. and Jennifer Kent p.g.a. Executive Producers: Brenda Gilbert, Jason Cloth, Andrew Pollack, Aaron L. Gilbert, Ben Browning and Alison Cohen Associate Producer: Jim Everett Director of Photography: Radek Ladczuk Editor: Simon Njoo Production Designer: Alex Holmes Costume Designer: Margot Wilson APDG Hair and Makeup Designer: Nikki Gooley Sound Designer: Robert Mackenzie Composer: Jed Kurzel Visual Effects Supervisor: Marty Pepper Casting Director: Nikki Barrett CSA Distributed in Australia and New Zealand by Transmission Films International Sales: FilmNation Entertainment, US Sales: Endeavor Content The Nightingale Production Notes 2 INDEX SYNOPSES 3 DIRECTOR’S STATEMENT 4 CAST AND CHARACTER LIST 4 GENESIS OF THE FILM 5 CASTING AND CHARACTERS Clare – Portrayed by Aisling Franciosi 8 Hawkins – Portrayed by Sam Claflin 10 Billy
    [Show full text]
  • 1 Picturing a Golden Age: September and Australian Rules Pauline Marsh, University of Tasmania It Is 1968, Rural Western Austra
    1 Picturing a Golden Age: September and Australian Rules Pauline Marsh, University of Tasmania Abstract: In two Australian coming-of-age feature films, Australian Rules and September, the central young characters hold idyllic notions about friendship and equality that prove to be the keys to transformative on- screen behaviours. Intimate intersubjectivity, deployed in the close relationships between the indigenous and nonindigenous protagonists, generates multiple questions about the value of normalised adult interculturalism. I suggest that the most pointed significance of these films lies in the compromises that the young adults make. As they reach the inevitable moral crisis that awaits them on the cusp of adulthood, despite pressures to abandon their childhood friendships they instead sustain their utopian (golden) visions of the future. It is 1968, rural Western Australia. As we glide along an undulating bitumen road up ahead we see, from a low camera angle, a school bus moving smoothly along the same route. Periodically a smattering of roadside trees filters the sunlight, but for the most part open fields of wheat flank the roadsides and stretch out to the horizon, presenting a grand and golden vista. As we reach the bus, music that has hitherto been a quiet accompaniment swells and in the next moment we are inside the vehicle with a fair-haired teenager. The handsome lad, dressed in a yellow school uniform, is drawing a picture of a boxer in a sketchpad. Another cut takes us back outside again, to an equally magnificent view from the front of the bus. This mesmerising piece of cinema—the opening of September (Peter Carstairs, 2007)— affords a viewer an experience of tranquillity and promise, and is homage to the notion of a golden age of youth.
    [Show full text]
  • DNA Nation Press
    PRESS KIT DISTRIBUTOR CONTACT PRODUCTION CONTACT SBS International Blackfella Films Lara von Ahlefeldt Darren Dale Tel: +61 2 9430 3240 Tel: +61 2 9380 4000 Email: [email protected] Email: [email protected] 10 Cecil Street Paddington NSW 2021 Tel: +612 9380 4000 Fax: +612 9252 9577 Email: [email protected] www.blackfellafilms.com.au Production Notes Producer Darren Dale Producer & Writer Jacob Hickey Series Producer Bernice Toni Director Bruce Permezel Production Company Blackfella Films Genre Documentary Series Language English Aspect Ratio 16:9 FHA Duration EP 1 00:51:53:00 EP 2 00:54:54:00 EP 3 00:52:58:00 Sound Stereo Shooting Gauges Arri Amira, F55, DJI Inspire Drone, Blackmagic & Go Pro Logline Who are we? And where do we come from? Short Synopsis Who are we? And where do we come from? Australia’s greatest Olympian Ian Thorpe, iconic Indigenous actor Ernie Dingo, and TV presenter and Queen of Eurovision Julia Zemiro set off on an epic journey of genetic time travel to find out. © 2016 Blackfella Films Pty Ltd Page 2 of 40 Long Synopsis Who are we? And where do we come from? Australia’s greatest Olympian Ian Thorpe, iconic Indigenous actor Ernie Dingo, and TV presenter and Queen of Eurovision Julia Zemiro set off on an epic journey of genetic time travel to find out. DNA is the instruction manual that helps build and run our bodies. But scientific breakthroughs have discovered another remarkable use for it. DNA contains a series of genetic route maps. It means we can trace our mother’s mother’s mother and our father’s father’s father, and so on, back through tens of millennia, revealing how our ancestors migrated out of Africa and went on to populate the rest of the world.
    [Show full text]
  • Annual Report 2014/15 Report | Annual
    Screen Australia | Annual Report 2014/15 Screen Australia Annual Report 2014/15 www.screenaustralia.gov.au Published by Screen Australia October 2015 ISSN 1837-2740 © Screen Australia 2015 The text in this Annual Report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Annual Report 2014/15. You must not alter, transform or build upon the text in this Annual Report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/licenses/ by-nc-nd/3.0/au/. You are not licensed to reproduce, transmit or distribute any still photographs contained in this Annual Report without the prior written permission of Screen Australia. TV ratings data Metropolitan and National market data is copyright to OzTAM. The data may not be reproduced, published or communicated (electronically or in hard copy) in whole or part without the prior consent of OzTAM. All Annual Report enquiries should be addressed to: Regional market data is copyright to RegionalTAM. The data may not be reproduced, published or communicated Communications Unit (electronically or in hard copy) in whole Screen Australia or part without the prior consent of Level 7, 45 Jones Street RegionalTAM. Ultimo NSW 2007 This Annual Report is available to download Toll free: 1800 213 099 as a PDF from www.screenaustralia.gov.au Phone: 02 8113 5800 Front cover image from Mad Max: Fury Road.
    [Show full text]
  • Belvoir Annual Report 2019
    BELVOIR CONTENTS 2019: At A Glance 04 Chair’s Report 08 Artistic Director’s Report 10 Executive Director’s Report 12 2019 Season 14 Belvoir 2019 in Review 32 Corporate Governance Statement 50 Board & Staff 54 Supporters, Trusts & Foundations, and Partners 55 Donors 56 In the Rehearsal Room 58 Tom Hobbs. Photo by Brett Boardman. BELVOIR 2019 AT A GLANCE 98,575 44% NEW SINGLE TICKET FEMALE 9,692 BUYERS IN 2019 ATTENDEES WRITERS AT BELVOIR PRODUCTIONS 6 AUSTRALIAN PLAYS PLUS ONE NEW AUSTRALIAN TRANSLATION $4,626,583 & 3 WORLD PREMIERS BOX OFFICE REVENUE OF A BELVOIR PRODUCTION 59% CALD ARTISTS ON STAGE WORKSHOPS HOSTED IN 3,240 IN A WORKSHOP PARTICATED STUDENTS 40 REGIONAL SCHOOLS WRITERS 56% FEMALE UNDER COMMISSION STUDENT WORKSHOPS DIRECTORS 21 175 6,701 ATTENDEES AT ATTENDEES 5,069 STUDENTS & TEACHERS TO UNWAGED who attended a schools 25A or evening performance PERFORMANCES 1,667 PERFORMANCE SUDENTS ATTENDED A SCHOOLS PERFORMANCE 6,374 APPLICATIONS 62,391 646 FOR FREE SUBSCRIPTIONS SOLD 163 FOR 25A SOCIAL PERFORMANCES BELVOIR’S POPULAR PRODUCTION CHALLENGE MEDIA INDIVIDUAL NATIONAL (OPEN TO ALL INDEPENDENT 247 COMPANIES & EMERGING ARTISTS) PROPS FOR ARTISTS 1,979,616 PAGE VIEWS FOLLOWERS COUNTING & CRACKING OVER 250 EMPLOYED 80 ARTISTS ENGAGED THROUGH 25A ACROSS 8 PRODUCTIONS 561 WESTERN SYDNEY STUDENTS IN WORKSHOPS AT THEIR SCHOOLS 104 4 5 HELPMANN AWARDS MATILDA AWARDS BEST WRITING / ADAPTATION FOR THE AUSTRALIAN STAGE (THEATRE BEST PRODUCTION OF A PLAY BEST MUSICAL OR CABARET COMPANIES) Counting and Cracking Fangirls Belvoir / Co-Curious Belvoir, Queensland Theatre and Brisbane Alana Valentine and Ursula Yovich, Festival, in association with Australian Barbara and the Camp Dogs, BEST NEW AUSTRALIAN WORK Theatre for Young People Belvoir in association with Vicki Gordon S.
    [Show full text]
  • ABC TV 2015 Program Guide
    2014 has been another fantastic year for ABC sci-fi drama WASTELANDER PANDA, and iview herself in a women’s refuge to shine a light TV on screen and we will continue to build on events such as the JONAH FROM TONGA on the otherwise hidden world of domestic this success in 2015. 48-hour binge, we’re planning a range of new violence in NO EXCUSES! digital-first commissions, iview exclusives and We want to cement the ABC as the home of iview events for 2015. We’ll welcome in 2015 with a four-hour Australian stories and national conversations. entertainment extravaganza to celebrate NEW That’s what sets us apart. And in an exciting next step for ABC iview YEAR’S EVE when we again join with the in 2015, for the first time users will have the City of Sydney to bring the world-renowned In 2015 our line-up of innovative and bold ability to buy and download current and past fireworks to audiences around the country. content showcasing the depth, diversity and series, as well programs from the vast ABC TV quality of programming will continue to deliver archive, without leaving the iview application. And throughout January, as the official what audiences have come to expect from us. free-to-air broadcaster for the AFC ASIAN We want to make the ABC the home of major CUP AUSTRALIA 2015 – Asia’s biggest The digital media revolution steps up a gear in TV events and national conversations. This year football competition, and the biggest football from the 2015 but ABC TV’s commitment to entertain, ABC’s MENTAL AS..
    [Show full text]
  • Showcase Victoria 2016 Presentation Menu
    SHOWCASE VICTORIA 2016 Where Performing Arts Touring Connections Are Forged #ShowcaseVictoria 1 SHOWCASE VICTORIA 2016 Where Performing Arts Touring Connections Are Forged Showcase Victoria is proudly presented by the Victorian Association of Performing Arts Centres and Regional Arts Victoria Showcase Victoria is supported by the Victorian Government through Creative Victoria Special thanks to Plenty Ranges Arts and Convention Centre for hosting Showcase Victoria 2016 #ShowcaseVictoria 2 SHOWCASE VICTORIA 2016 Where Performing Arts Touring Connections Are Forged #ShowcaseVictoria 3 SHOWCASE VICTORIA 2016 Where Performing Arts Touring Connections Are Forged Table of Contents EVENT MAP ........................................................................................................................................................ 5 WELCOMES ........................................................................................................................................................ 6 COORDINATOR & EVENT FACILITATOR ............................................................................................................ 7 PROGRAMMING AND DELEGATES SURVEY .................................................................................................... 8 VAPAC MEMBERS MAP ..................................................................................................................................... 9 PROGRAM (INCLUDES PROFILE PAGE NUMBERS) ................................................................................
    [Show full text]
  • Sydney Theatre Company Annual Report 2011 Annual Report | Chairman’S Report 2011 Annual Report | Chairman’S Report
    2011 SYDNEY THEATRE COMPANY ANNUAL REPORT 2011 ANNUAL REPORT | CHAIRMAn’s RepoRT 2011 ANNUAL REPORT | CHAIRMAn’s RepoRT 2 3 2011 ANNUAL REPORT 2011 ANNUAL REPORT “I consider the three hours I spent on Saturday night … among the happiest of my theatregoing life.” Ben Brantley, The New York Times, on STC’s Uncle Vanya “I had never seen live theatre until I saw a production at STC. At first I was engrossed in the medium. but the more plays I saw, the more I understood their power. They started to shape the way I saw the world, the way I analysed social situations, the way I understood myself.” 2011 Youth Advisory Panel member “Every time I set foot on The Wharf at STC, I feel I’m HOME, and I’ve loved this company and this venue ever since Richard Wherrett showed me round the place when it was just a deserted, crumbling, rat-infested industrial pier sometime late 1970’s and a wonderful dream waiting to happen.” Jacki Weaver 4 5 2011 ANNUAL REPORT | THROUGH NUMBERS 2011 ANNUAL REPORT | THROUGH NUMBERS THROUGH NUMBERS 10 8 1 writers under commission new Australian works and adaptations sold out season of Uncle Vanya at the presented across the Company in 2011 Kennedy Center in Washington DC A snapshot of the activity undertaken by STC in 2011 1,310 193 100,000 5 374 hours of theatre actors employed across the year litre rainwater tank installed under national and regional tours presented hours mentoring teachers in our School The Wharf Drama program 1,516 450,000 6 4 200 weeks of employment to actors in 2011 The number of people STC and ST resident actors home theatres people on the payroll each week attracted into the Walsh Bay precinct, driving tourism to NSW and Australia 6 7 2011 ANNUAL REPORT | ARTISTIC DIRECTORs’ RepoRT 2011 ANNUAL REPORT | ARTISTIC DIRECTORs’ RepoRT Andrew Upton & Cate Blanchett time in German art and regular with STC – had a window of availability Resident Artists’ program again to embrace our culture.
    [Show full text]
  • ABC TV Congratulates 5 AACTA Awards Winners
    RELEASED: Thursday 10 December 2015 ABC TV congratulates 5th AACTA Awards winners ABC TV collected two major awards at the 5th annual AACTA Awards held in Sydney last night, bringing the ABC’s total to 10 wins – making ABC the most awarded network. The edgy, supernatural drama, Glitch, received the AACTA Award for Best Television Drama Series for multi-AFI and AACTA Award winner, Tony Ayres, along with first-time winners, Louise Fox and Ewan Burnett. Shaun Micallef’s Mad as Hell collected the AACTA Award for Best Television Comedy Series, awarded to Shaun Micallef and executive producer Peter Beck. In total, ABC TV received a staggering 50 nominations for the 5th AACTA Awards season. Richard Finlayson, Director of Television said: “The AACTA Awards are Australia’s highest industry honour, recognising excellence in television and documentary screen craft. We are thrilled to be working with such a passionate, talented and creative bunch of professionals, and congratulate all of the ABC TV winners.” The full list of ABC TV nominees and winners are: THE SECRET RIVER – 8 nominations • AACTA Award for Best Telefeature or Mini Series • AACTA Award for Best Lead Actor in a Television Drama - Oliver Jackson-Cohen • AACTA Award for Best Lead Actress in a Television Drama - Sarah Snook • AACTA Award for Best Guest or Supporting Actor in a Television Drama - Lachy Hulme - Part 1 • AACTA Award for Best Cinematography in Television Part 1 • AACTA Award for Best Original Music Score in Television Part 1 • AACTA Award for Best Production Design in Television
    [Show full text]
  • AR 2016 Webversion.Pdf
    ANNUAL REPORT 2016 Richard Higgins and Matt Kelly in Hamlet: Prince of Skidmark. Photo: Prudence Upton Aims of the Company To provide first class theatrical entertainment for the people of Sydney – theatre that is grand, vulgar, intelligent, challenging and fun. That entertainment should reflect the society in which we live thus providing a point of focus, a frame of reference, by which we come to understand our place in the world as individuals, as a community and as a nation. Richard Wherrett, 1980 Founding Artistic Director Emma Harvie in A Midsummer Night’s Dream. Photo: Brett Boardman Strategic Plan PURPOSE Theatre is a place for ideas VISION Based in Sydney and reflecting our home’s distinctive personality, we will be one of the world’s most exciting and original theatre companies MISSION 1 To create distinctive theatre of vision and scale 2 To ensure a future for theatre 3 To assist building creative capacity in the community 4 To explore the issues of the day 6 Ursula Yovich in The Golden Age. Photo: Lisa Tomasetti 7 2016 in Numbers 136% 78,915 MORE THAN PEOPLE SAW AN 3 591 OF TICKET PRICE STC 856 SAVINGS PASSED ON TO SHOW 5,501 SUNCORP TWENTIES CUSTOMERS AND 133 382,576 NATIONALAND TIX TIX TEACHERS INTERNATIONAL PAID PERFORMANCES IN TOTAL TICKET INCOME OUTSIDE ATTENDEES OF SYDNEY MORE THAN TO STC’S 2016 PROGRAM 1,477 200,000 WEEKS O PEOPLE AVERAGE OF WORK W RLD CAPACITY PREMIERES ATTENDED 87% FOR ACTORS 6 THE 23 ROSLYN TEACHING PACKER ACTORS ARTISTS PLAYWRIGHTS THEATRE AND CREATIVES EMPLOYED 12 ON COMMISSION 331 EMPLOYED 8 9 Ian Narev CHAIR 2016 was another very successful year for Sydney Theatre Company.
    [Show full text]
  • 5Th AACTA Awards Nominations Announced
    MEDIA RELEASE Strictly embargoed until 6am Thursday 29 October 2015 BOX OFFICE SUCCESS BOLSTERED BY AACTA AWARD NOMINATIONS FOR AUSTRALIA’S TOP FILMS OF 2015 Australian Academy of Cinema and Television Arts (AACTA) announces Feature Film, Television, Visual Effects or Animation and remaining Documentary nominations for the 5th AACTA Awards presented by Presto. SYDNEY - In a year of record box office success for Australian films, taking more than $65 million locally to date, speculation about which films would be nominated for Australia’s top screen Awards has been buzzing. Today the wait is over, with AACTA announcing that a total of 11 Australian feature films have received nominations. The five vying for the coveted AACTA Award for Best Film Presented by Presto are: THE DRESSMAKER, a comedic drama celebrating revenge and setting wrongs right in 1950s Australia; HOLDING THE MAN, a funny yet heart-breaking story of two men in love despite the height of 1980s prejudice; LAST CAB TO DARWIN, an uplifting drama about a dying man which shows it’s never too late to start living; MAD MAX: FURY ROAD, seeing the MAD MAX juggernaut continue with an explosive post-apocalyptic Road War; and PAPER PLANES, the story of a young boy’s Quest to compete in the World Paper Plane Championships. AACTA today also announced that a total of 31 television productions have received nominations for the 5th AACTA Awards presented by Presto, with PETER ALLEN – NOT THE BOY NEXT DOOR (Seven Network), DEADLINE GALLIPOLI (FOXTEL - Showcase), THE SECRET RIVER (ABC), REDFERN NOW – PROMISE ME (ABC) and BANISHED (FOXTEL - BBC First) making the top-five most nominated productions.
    [Show full text]