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2015 Sydney Theatre Award Nominations
2015 SYDNEY THEATRE AWARD NOMINATIONS MAINSTAGE BEST MAINSTAGE PRODUCTION Endgame (Sydney Theatre Company) Ivanov (Belvoir) The Present (Sydney Theatre Company) Suddenly Last Summer (Sydney Theatre Company) The Wizard of Oz (Belvoir) BEST DIRECTION Eamon Flack (Ivanov) Andrew Upton (Endgame) Kip Williams (Love and Information) Kip Williams (Suddenly Last Summer) BEST ACTRESS IN A LEADING ROLE Paula Arundell (The Bleeding Tree) Cate Blanchett (The Present) Jacqueline McKenzie (Orlando) Eryn Jean Norvill (Suddenly Last Summer) BEST ACTOR IN A LEADING ROLE Colin Friels (Mortido) Ewen Leslie (Ivanov) Josh McConville (Hamlet) Hugo Weaving (Endgame) BEST ACTRESS IN A SUPPORTING ROLE Blazey Best (Ivanov) Jacqueline McKenzie (The Present) Susan Prior (The Present) Helen Thomson (Ivanov) BEST ACTOR IN A SUPPORTING ROLE Matthew Backer (The Tempest) John Bell (Ivanov) John Howard (Ivanov) Barry Otto (Seventeen) BEST STAGE DESIGN Alice Babidge (Suddenly Last Summer) Marg Horwell (La Traviata) Renée Mulder (The Bleeding Tree) Nick Schlieper (Endgame) BEST COSTUME DESIGN Alice Babidge (Mother Courage and her Children) Alice Babidge (Suddenly Last Summer) Alicia Clements (After Dinner) Marg Horwell (La Traviata) BEST LIGHTING DESIGN Paul Jackson (Love and Information) Nick Schlieper (Endgame) Nick Schlieper (King Lear) Emma Valente (The Wizard of Oz) BEST SCORE OR SOUND DESIGN Stefan Gregory (Suddenly Last Summer) Max Lyandvert (Endgame) Max Lyandvert (The Wizard of Oz) The Sweats (Love and Information) INDEPENDENT BEST INDEPENDENT PRODUCTION Cock (Red -
Full Transcript of 2019 Crown Resorts AGM This Is a Full
Full transcript of 2019 Crown Resorts AGM This is a full transcript of the 2019 Crown Resorts AGM, taken from this audio webcast of the meeting on October 24. The company declined to supply a transcript to shareholders, so we commissioned one. John Alexander Good morning ladies and gentlemen. My name is John Alexander and I'm the Executive Chairman of Crown Resorts Limited. On Behalf of your Board of directors, I welcome you to the 2019 Crown annual general meeting and thank you for your attendance. I would like to start by introducing your directors. Starting on the far end on my right, John Poynton, Andrew Demetriou, Toni Korsanos and Mike Johnston. On my left is Geoff Dixon, Guy Jalland and John Horvath, Helen Coonan, Jane Halton and Harold Mitchell. Also with me on the stage today is Mary Manos, our company secretary and Ken Barton, our chief financial officer. Also in attendance is Crown's auditor for the 2019 financial year, Michael Collins from Ernst and Young. To commence our formal proceedings I would like to introduce Jacinta CuBillo who will provide the Acknowledgement of Country. Jacinta Cubillo Good morning. I'd like to commence By acknowledging the traditional owners on the land of which we meet here today, the Wurundjeri and Boon Wurrung people of the Kulin Nation and pay my respects to their elders past, present and emerging. Thank you. John Alexander Thank you, Jacinta. As a quorum is present, I will now declare the meeting open. The notice of meeting was sent to all shareholders and copies are available at the registration desk. -
Brochure Kilmersdon
BFFS SOUTH WEST GROUP The Sapphires Cert PG Australia 2012 103 mins Crew Director Wayne Blair Screenplay Tony Briggs Keith Thompson Cinematography Warwick Thornton Film Editing Dany Cooper Cast Deborah Mailman Gail Jessica Mauboy Julie Shari Sebbens Kay Miranda Tapsell Cynthia Chris O'Dowd Dave Lovelace Synopsis Reviews Australia, 1968. A trio of Aboriginal girls Based, incredibly, on a true story, and developed from a successful from a remote mission get a stony stage musical, this is a big-hearted, barnstorming put-on-a-show response to their country and western crowdpleaser. Beneath the spangly exterior, however, it has songs at a talentSynopsis show. But Dave, a surprisingly trenchant things to say about Australian identity and drunken Irish talent scout, thinks they have potential. the bitter legacy of institutionalised racism. Seeing them as Australia's answer to 'The Of course, none of this would really hit home unless we believed in Supremes', he recruits their cousin Kay to The Sapphires as authentic soul sisters, achieved thanks to the group, and convinces them to switch to ‘Australian Idol’ finalist Jessica Mauboy’s sumptuous lead vocals, soul songs. Then he gets the girls their and astute song selections from the Motown, Stax and Atlantic first true gig - singing for the troops in the songbooks. middle of the Vietnam war zone... With rising star O’Dowd in command of both the comic timing and emotional grace notes and beautifully playing off Deborah Mailman as the group’s alpha female, the movie is gutsy and entertaining enough to have us forgiving its occasional credibility glitches and obviously CGI-ed battlefront visuals. -
The Sapphires
Waverley Film Society Volume 5 June 2018 Issue 5 June Meeting Waverley Film Society will meet at St John’s Uniting Church, 37 Virginia Street, Mt Waverley on Wednesday, 13th of June. Apologies can be left with Brett on 9807 3426. Visitors are welcome. Bring your friends. This month’s film is The Sapphires. (see page 2 for more information). Next Month Wednesday, July11th: “Tracks” (2013) Tracks chronicles an epic modern ad- venture. Robyn Davidson’s sole trek Posters advertising this through the remote Australian desert screening are available. to the Indian Ocean with her dog Dig- Please post them in com- gity, four camels, and a National Geo- munity spaces. graphic photographer. Last Month’s Film Twenty-eight people attended, including four visitors and two family members. There were six apologies. Mrs Henderson Presents re- corded a rating of 4.4 stars. All raffle books were returned on schedule. Thanks everyone! Classic Cream, Beautiful Black Many members enjoyed Anne Dixon’s A Taste of Blue costume display last year. You may like to visit the Wonthaggi Town Hall for her latest exhibition. June 19 to July 3, 11-4 daily, free entry (the town hall is at 14 Ballieu St East) The Sapphires (2013) (Reference: www.imdb.com) Director Wayne Blair Cast includes: Writing Keith Thompson Chris O’Dowd Dave Lovelace Miranda Tapsell Cynthia Tony Briggs (stage play) Deborah Mailman Gail Music Cezary Skubiszewski Jessica Mauboy Julie Cinematography Warwick Thornton Shari Sebbens Kay Trivia The film premiered at the 2012 Cannes Film Festival where it received a 10 minute standing ova- tion. -
The Australian Theatre Family
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sydney eScholarship A Chance Gathering of Strays: the Australian theatre family C. Sobb Ah Kin MA (Research) University of Sydney 2010 Contents: Epigraph: 3 Prologue: 4 Introduction: 7 Revealing Family 7 Finding Ease 10 Being an Actor 10 Tribe 15 Defining Family 17 Accidental Culture 20 Chapter One: What makes Theatre Family? 22 Story One: Uncle Nick’s Vanya 24 Interview with actor Glenn Hazeldine 29 Interview with actor Vanessa Downing 31 Interview with actor Robert Alexander 33 Chapter Two: It’s Personal - Functioning Dysfunction 39 Story Two: “Happiness is having a large close-knit family. In another city!” 39 Interview with actor Kerry Walker 46 Interview with actor Christopher Stollery 49 Interview with actor Marco Chiappi 55 Chapter Three: Community −The Indigenous Family 61 Story Three: Who’s Your Auntie? 61 Interview with actor Noel Tovey 66 Interview with actor Kyas Sheriff 70 Interview with actor Ursula Yovich 73 Chapter Four: Director’s Perspectives 82 Interview with director Marion Potts 84 Interview with director Neil Armfield 86 Conclusion: A Temporary Unity 97 What Remains 97 Coming and Going 98 The Family Inheritance 100 Bibliography: 103 Special Thanks: 107 Appendix 1: Interview Information and Ethics Protocols: 108 Interview subjects and dates: 108 • Sample Participant Information Statement: 109 • Sample Participant Consent From: 111 • Sample Interview Questions 112 2 Epigraph: “Happy families are all alike; every unhappy family is unhappy in its own way. Everything was in confusion in the Oblonsky’s house. The wife had discovered that the husband was carrying on an intrigue with a French girl, who had been a governess in their family, and she had announced to her husband that she could not go on living in the same house with him. -
2018 for Personal Use Only Use Personal for for Personal Use Only Use Personal For
ANNUAL REPORT 2018 For personal use only For personal use only CROWN RESORTS LIMITED ABN 39 125 709 953 Contents Executive Chairman’s Message 2 Financial Performance 4 About Crown Resorts 6 Crown’s Resort Portfolio 8 Australian Projects 10 Australian Resorts 11 International Interests 17 Crown Digital 18 Corporate Social Responsibility 19 Corporate Governance Statement 23 Directors’ Statutory Report 37 Remuneration Report 51 Auditor’s Independence Declaration 73 Independent Auditor’s Report 74 Financial Report 80 Directors’ Declaration 133 Shareholder Information 134 Additional Information 136 Corporate Information Inside back cover Financial Calendar Record date for final dividend 21 September 2018 Payment of final dividend 5 October 2018 Annual General Meeting 1 November 2018 2019 half year results February 2019 For personal use only Annual General Meeting .am (Perth time) Thursday, 1 November 2018 Crown Ballroom Lobby Level, Crown Towers Perth Great Eastern Highway Burswood, Western Australia FRONT COVER IMAGE: PROPOSED CONCEPT RENDER OF CROWN SYDNEY Crown Resorts Limited Annual Report 2018 1 Executive Chairman’s Message Crown is committed to its strategy of focusing on its high quality core Australian operations and development projects as well as maximising shareholder returns. Consistent with our objective to increase cash returns to shareholders, in financial years 2017 and 2018 combined, Crown’s capital management, which included ordinary dividends, a special dividend and two on-market share buy-backs, exceeded $2 billion. Crown has also announced its intention to undertake a new $400 million on-market share buy-back. Looking forward, our focus will be to continue to improve Crown is one of Australia’s largest entertainment groups the underlying performance of our existing businesses as and makes a major contribution to Australian tourism, well as execute on our development project pipeline. -
WAYNE BLAIR | Actor
SHANAHAN WAYNE BLAIR | Actor FILM Year Production / Character Director Company 2019 TOP END WEDDING Wayne Blair Goalpost Pictures Tow Truck Passenger 2018 RAMS Jeremy Sims Party Upstairs Pty Ltd Lionel 2018 EMU RUNNER Imogen Thomas Imogen Thomas Films Jay Jay 2012 THE TURNING – FAMILY Shaun Gladwell Arenamedia Pty Ltd Max Leaper 2010 WISH YOU WERE HERE Kieran Darcy-Smith Bluetongue Films Willis 2010 X John Hewitt Circle Films Bob 2011 THE LAST TIME I SAW MICHAEL Steven Soderbergh GREGG 2008 BLESSED Ana Kokkinos Bankside Films James Parker 2000 MULLET David Caesar Porchlight Films James Shanahan Management Pty Ltd PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] SHANAHAN TELEVISION Year Production/Character Director Company 2018 SQUINTERS Kate McCartney Jungle Entertainment Gary 2018 BLACK COMEDY Beck Cole Scarlett Pictures Various Characters 2017 MYSTERY ROAD Rachel Perkins Bunya Productions Larry 2017 THE LETDOWN Trent O’Donnell ABC TV / Netflix Father Guinan 2014 REDFERN NOW: TELEMOVIE Rachel Perkins ABC TV Aaron 2013 REDFERN NOW: SERIES 2 Rachel Perkins Blackfella Films/ABC TV Aaron 2013 THE BROKEN SHORE Rowan Woods Essential Media & Entertainment Bobby Walsh 2012 REDFERN NOW: SERIES 1 Rachel Perkins Blackfella Films/ABC TV Aaron 2004 SMALL CLAIMS 3 Tony Tils e RB Films Detective Lacey 2003 SMALL CLAIMS Cherie Nowlan RB Films Detective Lacey 2003 FIREFLIES Rowan Woods Southern Star/ABC TV Wayne Patterson 2001 Water Rats Various Quicksilver -
Reminder List of Productions Eligible for the 86Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 86TH ACADEMY AWARDS ABOUT TIME Notes Domhnall Gleeson. Rachel McAdams. Bill Nighy. Tom Hollander. Lindsay Duncan. Margot Robbie. Lydia Wilson. Richard Cordery. Joshua McGuire. Tom Hughes. Vanessa Kirby. Will Merrick. Lisa Eichhorn. Clemmie Dugdale. Harry Hadden-Paton. Mitchell Mullen. Jenny Rainsford. Natasha Powell. Mark Healy. Ben Benson. Philip Voss. Tom Godwin. Pal Aron. Catherine Steadman. Andrew Martin Yates. Charlie Barnes. Verity Fullerton. Veronica Owings. Olivia Konten. Sarah Heller. Jaiden Dervish. Jacob Francis. Jago Freud. Ollie Phillips. Sophie Pond. Sophie Brown. Molly Seymour. Matilda Sturridge. Tom Stourton. Rebecca Chew. Jon West. Graham Richard Howgego. Kerrie Liane Studholme. Ken Hazeldine. Barbar Gough. Jon Boden. Charlie Curtis. ADMISSION Tina Fey. Paul Rudd. Michael Sheen. Wallace Shawn. Nat Wolff. Lily Tomlin. Gloria Reuben. Olek Krupa. Sonya Walger. Christopher Evan Welch. Travaris Meeks-Spears. Ann Harada. Ben Levin. Daniel Joseph Levy. Maggie Keenan-Bolger. Elaine Kussack. Michael Genadry. Juliet Brett. John Brodsky. Camille Branton. Sarita Choudhury. Ken Barnett. Travis Bratten. Tanisha Long. Nadia Alexander. Karen Pham. Rob Campbell. Roby Sobieski. Lauren Anne Schaffel. Brian Charles Johnson. Lipica Shah. Jarod Einsohn. Caliaf St. Aubyn. Zita-Ann Geoffroy. Laura Jordan. Sarah Quinn. Jason Blaj. Zachary Unger. Lisa Emery. Mihran Shlougian. Lynne Taylor. Brian d'Arcy James. Leigha Handcock. David Simins. Brad Wilson. Ryan McCarty. Krishna Choudhary. Ricky Jones. Thomas Merckens. Alan Robert Southworth. ADORE Naomi Watts. Robin Wright. Xavier Samuel. James Frecheville. Sophie Lowe. Jessica Tovey. Ben Mendelsohn. Gary Sweet. Alyson Standen. Skye Sutherland. Sarah Henderson. Isaac Cocking. Brody Mathers. Alice Roberts. Charlee Thomas. Drew Fairley. Rowan Witt. Sally Cahill. -
Download the Annual Report 2019-2020
Leading � rec�very Annual Report 2019–2020 TARONGA ANNUAL REPORT 2019–2020 A SHARED FUTURE � WILDLIFE AND PE�PLE At Taronga we believe that together we can find a better and more sustainable way for wildlife and people to share this planet. Taronga recognises that the planet’s biodiversity and ecosystems are the life support systems for our own species' health and prosperity. At no time in history has this been more evident, with drought, bushfires, climate change, global pandemics, habitat destruction, ocean acidification and many other crises threatening natural systems and our own future. Whilst we cannot tackle these challenges alone, Taronga is acting now and working to save species, sustain robust ecosystems, provide experiences and create learning opportunities so that we act together. We believe that all of us have a responsibility to protect the world’s precious wildlife, not just for us in our lifetimes, but for generations into the future. Our Zoos create experiences that delight and inspire lasting connections between people and wildlife. We aim to create conservation advocates that value wildlife, speak up for nature and take action to help create a future where both people and wildlife thrive. Our conservation breeding programs for threatened and priority wildlife help a myriad of species, with our program for 11 Legacy Species representing an increased commitment to six Australian and five Sumatran species at risk of extinction. The Koala was added as an 11th Legacy Species in 2019, to reflect increasing threats to its survival. In the last 12 months alone, Taronga partnered with 28 organisations working on the front line of conservation across 17 countries. -
Art Gallery of New South Wales 2017: Our Year in Review
Art Wales South Gallery New of ART GALLERY OF NEW SOUTH WALES 201 7 2017 ART GALLERY OF NEW SOUTH WALES 2017 2 Art Gallery of New South Wales 2017 Art Gallery of New South Wales 2017 3 Our year in review 4 Art Gallery of New South Wales 2017 6 OUR VISION 7 FROM THE PRESIDENT David Gonski 8 FROM THE DIRECTOR Michael Brand 10 2017 AT A GLANCE 12 SYDNEY MODERN PROJECT 16 ART 42 IDEAS 50 AUDIENCE 62 PARTNERS 78 PEOPLE 86 BOARD OF TRUSTEES 88 EXECUTIVE 89 CONTACTS 90 2018 PREVIEW The Gadigal people of the Eora nation are the traditional custodians of the land on which the Art Gallery of New South Wales stands. We respectfully acknowledge their Elders past, present and future. Our vision From its base in Sydney, the Art Gallery of New South Wales is dedicated to serving the widest possible audience as a centre of excellence for the collection, preservation, documentation, interpretation and display of Australian and international art, and a forum for scholarship, art education and the exchange of ideas. page 4: A view from the Grand Courts to the entrance court showing Bertram Mackennal’s Diana wounded 1907–08 and Emily Floyd’s Kesh alphabet 2017. 6 Art Gallery of New South Wales 2017 DAVID GONSKI AC PRESIDENT ART GALLERY OF NEW SOUTH WALES TRUST and the Hon Adam Marshall MP, Glenfiddich, Herbert Smith Freehills, Minister for Tourism and Major Events. JCDecaux, J.P. Morgan, Macquarie Group, Macquarie University, The funding collaboration between McWilliam’s Wines & Champagne government and philanthropists for Taittinger, Paspaley Pearls, Sofitel our expansion will be the largest in FROM Sydney Wentworth, the Sydney the history of Australian arts. -
The Secret River.Pdf
Andrew Bovell has written extensively for theatre, film, radio and television. His stage plays include Holy Day, winner of the Victorian and Queensland Premier’s Literary Awards and AWGIE for Best Play 2002; Who’s Afraid of the Working Class? (with Patricia Cornelius, Melissa Reeves, Christos Tsiolkas and Irine Vela), winner of the Queensland Premier’s Literary Award, Jill Blewitt Award and AWGIE for Best Play 1999; and Speaking in Tongues, winner of the AWGIE for Best Play 1997. Speaking in Tongues has been produced widely throughout Australia, Europe and America. Earlier plays include The Ballad of Lois Ryan, After Dinner, Ship of Fools, Shades of Blue, Distant Lights from Dark Places, Like Whiskey on the Breath of a Drunk You Love and Scenes from a Separation (with Hannie Rayson). Screenplays include Blessed (with Cornelius, Reeves and Tsiolkas; winner of Best Screenplay at the San Sebastian Film Festival), Edge of Darkness, The Book of Revelation, Head On, The Fisherman’s Wake, Strictly Ballroom (with Baz Lurhmann and Craig Pearce) and the multi-award winning Lantana. He recently completed the screen adaptation of John Le Carre’s novel A Most Wanted Man due for release in 2014. When the Rain Stops Falling, commissioned by Brink Productions, premiered at the 2008 Adelaide Festival of the Arts before touring to Sydney, Melbourne, Brisbane, Canberra and Alice Springs. A new production opened at Perth’s Black Swan Theatre in October 2011. The play has won Victorian and Queensland Premier’s Literary Awards for Best Play, Adelaide Critics Circle Individual Award, AWGIE for Best Stage Play 2009, Best New Australian Work at the Sydney Theatre Awards and the Victorian Green Room Award for Best New Play. -
Darkemu-Program.Pdf
1 Bringing the connection to the arts “Broadcast Australia is proud to partner with one of Australia’s most recognised and iconic performing arts companies, Bangarra Dance Theatre. We are committed to supporting the Bangarra community on their journey to create inspiring experiences that change society and bring cultures together. The strength of our partnership is defined by our shared passion of Photo: Daniel Boud Photo: SYDNEY | Sydney Opera House, 14 June – 14 July connecting people across Australia’s CANBERRA | Canberra Theatre Centre, 26 – 28 July vast landscape in metropolitan, PERTH | State Theatre Centre of WA, 2 – 5 August regional and remote communities.” BRISBANE | QPAC, 24 August – 1 September PETER LAMBOURNE MELBOURNE | Arts Centre Melbourne, 6 – 15 September CEO, BROADCAST AUSTRALIA broadcastaustralia.com.au Led by Artistic Director Stephen Page, we are Bangarra’s annual program includes a national in our 29th year, but our dance technique is tour of a world premiere work, performed in forged from more than 65,000 years of culture, Australia’s most iconic venues; a regional tour embodied with contemporary movement. The allowing audiences outside of capital cities company’s dancers are dynamic artists who the opportunity to experience Bangarra; and represent the pinnacle of Australian dance. an international tour to maintain our global WE ARE BANGARRA Each has a proud Aboriginal and/or Torres reputation for excellence. Strait Islander background, from various BANGARRA DANCE THEATRE IS AN ABORIGINAL Complementing Bangarra’s touring roster are locations across the country. AND TORRES STRAIT ISLANDER ORGANISATION AND ONE OF education programs, workshops and special AUSTRALIA’S LEADING PERFORMING ARTS COMPANIES, WIDELY Our relationships with Aboriginal and Torres performances and projects, planting the seeds for ACCLAIMED NATIONALLY AND AROUND THE WORLD FOR OUR Strait Islander communities are the heart of the next generation of performers and storytellers.