Andrea Demetriades

Total Page:16

File Type:pdf, Size:1020Kb

Andrea Demetriades ANDREA DEMETRIADES TELEVISION THE UNUSUAL SUSPECTS Role: Martha Drewe Dir: Natalie Bailey & Melvin J Montalban, Aquarius Films 2020 AMAZING GRACE Role: Chloe Dir: Lucy Gaffy, Playmaker Studios 2020 CLICKBAIT Role: Audrey Dir: Emma Freeman, Carnivores Productions / Netflix 2020 THE END Role: Philippa Lee Dir: Jessica M Thompson, See Saw Films / Sky TV 2020 BLACK COMEDY (Series 4) Role: Cherry Scarlett Pictures / ABC 2020 THE COMMONS Role: Karima Khan Dir: Rowan Woods / Jen Leacey, STAN 2019 SQUINTERS (Series 2) Role: Romi Dir: Various, Jungle FTV 2019 MR BLACK Role: Julia Dir: Amanda Brotchie & Clayton Jacobson, TEN 2019 RECKONING Role: Valerie Dir: Jennifer Leacey, Playmaker / Sony 2018 MURDER (CBS pilot) Role: Raquel Bennett Dir: Anthony Hemingway, Warner Bros / CBS 2018 DOCTOR DOCTOR (Series 3) Role: Dr. Pari Thompson Dir: Jennifer Leacey, Easy Tiger Productions 2018 SQUINTERS (Series 1) Role: Romi Dir: Amanda Brotchie & Kate McCartney, Jungle FTV 2018 PULSE Role: Lou Tannis Dir: Various, Clandestine TV 2017 JANET KING (Series 3) Role: Lina Badir (Lead Cast) Dir: Various, Screentime 2017 SEVEN TYPES OF AMBIGUITY Role: Angela (Lead Cast) Dir: Various, Matchbox Pictures 2017 JANET KING (Series 2) Role: Lina Badir (Lead Cast) Dir: Various, Screentime 2016 LET’S TALK ABOUT (Series 2) Role: Mary Dir: Various, New Town Films Pty Ltd 2016 FRAGMENTS OF FRIDAY (Web Series) Role: Sascha (Recurring) Dir: Kacie Anning, Endemol 2016 THE PRINCIPAL (4-Episode Series) Role: Hafa Habeb (Lead Cast) Dir: Kriv Stenders, Easy Tiger Productions 2015 JANET KING (Series 1) Role: Lina Badir (Lead Cast) Dir: Various, Screentime 2014 MISS FISHER’S MURDER MYSTERIES (Series 2) Role: Beatrice Mason (Guest) Dir: Peter Andrikidis, Every Cloud Productions 2013 MR & MRS MURDER Role: Lola Atkin Dir. Jet Wilkinson, FremantleMedia 2013 CROWNIES Role: Lina Badir (Lead Cast) Dir: Various, Screentime 2011 ALL SAINTS Role: Felicity Summers (Guest) Dir: Geoff Bennett, Seven Network 2009 FILM DARK LESSONS – VOLUME 1 Role: Clara Dir: Megan Riakos, Hemlock & Cedar Films 2019 BABYTEETH Role: Jenny Dir: Shannon Murphy, Whitefalk Films 2019 REMEMBERING AGATHA (Short) Role: Agatha Dir: Emma Magenta, See Pictures 2017 ALEX & EVE Role: Eve (Lead) Dir: Peter Andrikidis, Magicbox Entertainment 2016 MILK & HONEY (Short) Role: Liliana Dir: Andrea Demetriades & Louisa Mignone, 2014 THE LITTLE HOUSE (Short) Role: Grandmother Dir: Matisse Ruby, AFTRS 2014 INVISIBLE (Short) Role: Sarah Dir: James Ward Breen, Breathe Films 2013 HEIDI FIRES EVERYONE (Short) Role: Traci Dir: Nikos Andronicos & James McFay, 2013 AROUND THE BLOCK Role: Kate Dir: Sarah Spillane, Kick Pictures 2013 NERVE Role: Helen White Dir: Sebastien Guy, Cornerstone Pictures 2013 LITTLE LEOPOLD (Short) Role: Carla Dir: James Mitchell, 4wordthought Entertainment 2010 BLIND DATE (Short) Role: Alexandra Divine Dir: Chris Ramos, NAFA Productions 2009 THEATRE HOME, I’M DARLING Role: Judy Dir: Jessica Arthur, Sydney Theatre Company 2021 ANATOMY OF A SUICIDE Role: Anna Dir: Shane Anthony. Sugary Plum Productions / Red Line Productions 2019 ANTIGONE Role: Antigone Dir: Damien Ryan. Sport for Jove 2016 ARCADIA Role: Hannah Jarvis (Lead) Dir: Richard Cottrell. Sydney Theatre Company 2016 ARMS AND THE MAN Role: Raina (Lead) Dir: Richard Cottrell. Sydney Theatre Company 2015 THE DOG/THE CAT Role: Miracle / Alex (Lead roles) Dir: Ralph Meyers. Belvoir Theatre 2015 OEDIPUS REX Role: Antigone (Lead) Dir: Adena Jacobs. Belvoir Theatre 2014 PERPLEX Role: Andrea Dir Sarah Giles Sydney Theatre Company 2014 THE BOOK OF EVERYTHING Role: Eliza Dir. Neil Armfield. Belvoir Theatre – Melbourne Season 2013 A BEAUTIFUL LIFE Role: Jhila Dir: Saskia Smith. Riverside Theatre Parramatta 2013 INTIMATE LETTERS Concert Role: Kamila Dir. Peter Evans. Bell Shakespeare & Australian Chamber Orchestra 2012 ROMEO & JULIET Role: Juliet (Lead) Dir. John Bell. Bell Shakespeare & Melbourne Symphony Orchestra 2012 PYGMALION Role: Eliza Doolittle (Lead) Dir: Peter Evans. Sydney Theatre Company 2012 ROMEO & JULIET Role: Juliet (Lead) Dir: Damien Ryan. Bell Shakespeare 2011 TWELTH NIGHT Role: Viola (Lead) Dir: Lee Lewis. Bell Shakespeare Company 2011 ORESTES 2.0 Role: William Dir: Kate Revs. Griffin Independent 2010 PERICLES Role: Marina Dir. John Bell. Bell Shakespeare Company 2009 HELLY’S MAGIC CUP Role: Helly Dir: David Mealor. State Theatre Company of SA 2008 WINTER Role: Anna Dir: Nick Marchand. Griffin Theatre 2008 ACTORS AT WORK Role: Juliet / Various Dir: John Sheedy. Bell Shakespeare 2008 IN THE VIOLET TIME Role: Violet Dir: Leland Kean. National Play Festival 2008 HELLY’S MAGIC CUP Role: Helly Dir: David Mealor. National Play Festival 2008 SOLD Role: Mandy Dir: John Sheedy. Tamarama Rock Surfers 2007 A MIDSUMMER NIGHT’S DREAM Role: Hermia Dir: Boris Radmilovich. Hayman Theatre 2003 TRAINING Graduate, National Institute of Dramatic Art (NIDA), 2006 Dancer, 1st year Showcase, Western Australian Academy of Performing Arts (WAAPA) 2001 AWARDS / NOMINATIONS AACTA AWARDS Nomination – Best Support in a Television Drama for Seven Types of Ambiguity (2017) SYDNEY THEATRE AWARDS Winner – Best Actress in an Independent Production for Antigone (2016) EQUITY ENSEMBLE Winner – Outstanding Performance by an Ensemble Cast in a Television Miniseries for The Principal (2016) CGA (CASTING GUILD OF AUSTRALIA) Nomination – Sirius Best Actress Award: Rising Star (2015) GLUGS THEATRE AWARD Nomination – Best Actress for Arms and the Man EQUITY ENSEMBLE Nomination – Outstanding Performance by an Ensemble Cast in a Television Drama Series for Janet King (2014) EQUITY ENSEMBLE Nomination – Outstanding Performance by an Ensemble Cast in a Television Drama Series for Crownies (2012) GREEN ROOM THEATRE Nomination – Best Actress for Twelfth Night (2010) GREEN ROOM THEATRE Nomination – Best Actress for Pericles (2009) .
Recommended publications
  • Annual Report 2013 Annual Report 2013
    Annual Report 2013 Annual Report 2013 4 Objectives and Mission Statement 50 Open Door 6 Key Achievements 9 Board of Management 52 Literary 10 Chairman’s report Literary Director’s Report 12 Artistic Director’s report MTC is a department of the University of Melbourne 14 Executive Director’s report 54 Education 16 Government Support Education Manager’s Report and Sponsors 56 Education production – Beached 18 Patrons 58 Education Workshops and Participatory Events 20 2013 Mainstage Season MTC Headquarters 60 Neon: Festival of 252 Sturt St 22 The Other Place Independent Theatre Southbank VIC 3006 24 Constellations 03 8688 0900 26 Other Desert Cities 61 Daniel Schlusser Ensemble 28 True Minds 62 Fraught Outfit Southbank Theatre 30 One Man, Two Guvnors 63 The Hayloft Project 140 Southbank Blvd 32 Solomon and Marion 64 THE RABBLE Southbank VIC 3006 34 The Crucible 65 Sisters Grimm Box Office 03 8688 0800 36 The Cherry Orchard 66 NEON EXTRA 38 Rupert mtc.com.au 40 The Beast 68 Employment Venues 42 The Mountaintop Actors and Artists 2013 Throughout 2013 MTC performed its Melbourne season of plays at the 70 MTC Staff 2013 Southbank Theatre, The Sumner and The Lawler, 44 Add-on production and the Fairfax Studio and Playhouse at The Book of Everything 72 Financial Report Arts Centre Melbourne. 74 Key performance indicators 46 MTC on Tour: 76 Audit certificate Managing Editor Virginia Lovett Red 78 Financial Statement Graphic Designer Emma Wagstaff Cover Image Jeff Busby 48 Awards and nominations Production Photographers Jeff Busby, Heidrun Löhr Cover
    [Show full text]
  • The 65Th Sydney Film Festival Begins 06/06/2018
    MEDIA RELEASE: 09:00pm WEDNESDAY 6 JUNE 2018 THE 65th SYDNEY FILM FESTIVAL BEGINS The 65th Sydney Film Festival (6 – 17 June) opened tonight at the State Theatre with the Australian premiere of New Zealand film The Breaker Upperers. Festival Director Nashen Moodley was pleased to open his seventh Festival to a packed auditorium including the film’s writers-directors-stars Jackie van Beek and Madeleine Sami, alongside Australian actress Celia Pacquola and New Zealand actress Ana Scotney, who feature in the film. NSW Minister for the Arts Don Harwin said at the Opening Night Gala, “With some of the very best in visual storytelling from Australia and around the world, the 65th Sydney Film Festival promises to deliver something for every screen enthusiast this winter. Attending the cinema and taking in a film that captures your imagination is an enriching experience and judging by this year’s line-up, festival- goers have a lot to be excited about. I look forward to seeing Sydney’s cinemas buzzing this month as we enjoy another year of this brilliant festival in our city. All you have to do is sit back, relax, and enjoy the show.” Lord Mayor of Sydney, Clover Moore also spoke, welcoming audiences to come and experience all the Festival has to offer. “The City of Sydney is proud to continue our support for the Sydney Film Festival – one of the world’s oldest, continuous celebrations of film. As a global city, it’s essential that our residents and visitors have the opportunity to engage with stories and cultures from around the world – as well as promoting the work of our talented home-grown filmmakers.” “We are also proud to once again offer the Sydney Film Festival a home for The Hub in Lower Town Hall – where you can meet friends (and strangers!) to discuss the films you’ve seen, attend one of the brilliant talks or panels with filmmakers, or experience the best new Virtual Reality projects on offer,” she said.
    [Show full text]
  • JANET KING - Season
    THE AUSTRALIAN BROADCASTING CORPORATION AND SCREEN NSW PRESENTS A SCREENTIME, A BANIJAY GROUP COMPANY, PRODUCTION AACTA award winner Marta Dusseldorp reprises her lead role as the brilliant Senior Crown Prosecutor Janet King. Synopsis With gun crime exploding in the suburbs, Janet King (Marta Dusseldorp) is handpicked by a nervous government to head a Royal Commission into the surge of recent shootings. Unlike the world of the DPP, the Royal Commission allows Janet and her team to become the investigators – they can raid, interrogate and have police seconded to them. Conscripting solicitors Lina Badir (Andrea Demetriades), Richard Stirling (Hamish Michael), as well as the ambitious Owen Mitchell (Damian Walshe-Howling) as Counsel Assisting, with Detective Inspector Andy Campbell (Christopher Morris) as Police Liaison, Janet and her team peel back the complex layers of intrigue underpinning the illicit trade in weapons. As Janet exercises her powers and begins uncovering the truth, criminal and political forces begin to stir, bent on shutting down the Royal Commission, even if it means destroying Janet in the process. A shocking reveal brings Janet’s world crashing in on her as she faces legal proceedings of a deeply personal nature. Cast Janet King Marta Dusseldorp Owen Mitchell Damian Walshe-Howling Richard Stirling Hamish Michael Lina Badir Andrea Demetriades Andy Campbell Christopher Morris Tony Gillies Peter Kowitz Heather O’Connor Leah Purcell Bianca Grieve Anita Hegh Deborah Larsson Genevieve Hegney Major Simon Hamilton Aaron Jeffery
    [Show full text]
  • Representations of Arab Men on Australian Screens
    Heroes, Villains and More Villains: Representations of Arab Men on Australian Screens BY MEHAL KRAYEM Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy University of Technology, Sydney December 2014 ii CERTIFICATE OF ORIGINAL AUTHORSHIP I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. Name of Student: Mehal Krayem Signature of Student: Date: 5 December 2014 iii ACKNOWLEDGEMENTS There are many (too many) people to whom I owe a great deal of thanks. The last five years, and indeed this body of work, would not have been possible without the support and dedication of my wonderful supervisor, Dr Christina Ho. I thank her for taking a genuine interest in this research, her careful consideration of my work, her patience and her words of encouragement when the entire situation felt hopeless. I would also like to thank Professor Heather Goodall for her comments and for stepping in when she was needed. Much gratitude goes to my research participants, without whom this project would not exist – I thank them for their time and their honesty. Great thanks goes to Dr Maria Chisari, Dr Emma Cannen, Kelly Chan, Dr Bong Jong Lee, Jesica Kinya, Anisa Buckley, Cale Bain, Zena Kassir, Fatima El-Assaad and Chrisanthi Giotis for their constant support and friendship.
    [Show full text]
  • Seven Stars Appear in Gripping New Drama - Seven Types of Ambiguity
    RELEASED: Monday 25 April 2016 Seven stars appear in gripping new drama - Seven Types of Ambiguity ABC TV is pleased to announce that filming is underway in Melbourne on the six-part drama series Seven Types of Ambiguity, based on the critically acclaimed novel by Elliot Perlman. Starring some of Australia’s finest actors including; Hugo Weaving, Xavier Samuel, Alex Dimitriades, Leeanna Walsman, Anthony Hayes, Andrea Demetriades and Susie Porter, Seven Types of Ambiguity is a psychological mystery that explores the complicated emotional terrain of relationships and the risks people will go to in the name of love. When seven-year-old Sam Marin is taken from school, his parents Anna (Leeanna Walsman) and Joe (Alex Dimitriades) are frantic. Hours later Sam’s found unharmed and after an initial investigation, the police arrest Simon Heywood (Xavier Samuel). But this is far from an open and shut case when it’s revealed that Simon is Anna’s ex-boyfriend and his suspected accomplice Angela (Andrea Demetriades), has a salacious connection to Joe. Before long, Simon’s psychiatrist and ally Dr Alex Klima (Hugo Weaving), barrister Gina Serkin (Susie Porter), and even Joe’s best mate Mitch (Anthony Hayes) are pulled into the mystery of uncovering just why Simon really took Sam. ABC TV Acting Head of Fiction, Alastair McKinnon says, “We are delighted to have so many of this country’s finest acting talents joining forces to bring Elliot Perlman’s dazzling novel to Australian audiences.” Managing Director of Matchbox Pictures, Chris Oliver-Taylor says “Matchbox Pictures is thrilled to be working alongside the ABC in adapting Elliot Perlman's rich and complex novel.
    [Show full text]
  • 1 Sydney Theatre Company Annual Report 2014
    Sydney Theatre Company Annual Report 2014 1 Kate Box, Melita Jurisic, Robert Menzies, Hugo Weaving, Ivan Donato, Eden Falk, Paula Arundell and John Gaden in Macbeth. Photo: Brett Boardman Aims of the Company To provide first class theatrical entertainment for the people of Sydney – theatre that is grand, vulgar, intelligent, challenging and fun. That entertainment should reflect the society in which we live thus providing a point of focus, a frame of reference, by which we come to understand our place in the world as individuals, as a community and as a nation. Richard Wherrett, 1980 Founding Artistic Director 5 2014 in Numbers ACTORS AND CREATIVES 237 EMPLOYED $350,791 C R 12TEACHING TIX OF TI KET P ICE TIX SAVINGS PASSED ON TO ARTISTS 733 4,877 SUNCORP TWENTIES CUSTOMERS EMPLOYED REGIONAL $20.834M AND INTERSTATE TOTAL TICKET PERFORMANCES INCOME EARNED WORLD 6PREMIERES 1,187 WEEKS PLAYWRIGHTS AVERAGE OF WORK 9 ON COMMISSION CAPACITY FOR ACTORS 6 7 David Gonski Andrew Chairman Upton In the last four annual reports, I have reported on work undertaken by the organisation to modernise operations and governance structures to best support the Company’s artistic aspirations into the Artistic Director future. Most recently, in 2013, I wrote about the security of 45 year leases over the Roslyn Packer Theatre (formerly Sydney Theatre) and James Duncan in The Long Way Home. Richard Roxburgh in Cyrano de Bergerac. our tenancy at The Wharf, and the subsequent winding up of New Photo: Lisa Tomasetti 2014 was a year that brought the Company together through thick Photo: Brett Boardman South Wales Cultural Management, the body that had previously and thin.
    [Show full text]
  • Grab Your Squad and Make a Date with the Unusual Suspects
    MEDIA RELEASE 29 April 2021 Grab your squad and make a date with The Unusual Suspects Premieres Thursday June 3 at 8:30pm on SBS and SBS On Demand Four-part special drama event INTERVIEWS AVAILABLE IMAGES AND SCREENERS: HERE FIRST LOOK TRAILER: HERE Warm, funny and utterly gripping, The Unusual Suspects is a compelling heist caper about female friendship and empowerment. Filmed and set in Sydney’s glamourous Eastern Suburbs, this four- part drama series event from Aquarius Films starts Thursday June 3 at 8:30pm on SBS and SBS On Demand, with all episodes available to stream at the same time of the premiere. When a $16 million necklace is taken from self -made businesswoman Roxanne Waters’ (Michelle Vergara Moore) home in an elaborate heist, the ensuing police investigation exposes cracks in Eastern Sydney’s sparkling façade. With the stakes higher than ever, can the masterminds stop themselves from turning on each other, or will they discover a friendship worth more than diamonds? Aina Dumlao (Sanzaru, Ballers, MacGyver), AACTA award-winner Miranda Otto (Chilling Adventures of Sabrina, Homeland, The Lord of the Rings trilogy) and Michelle Vergara Moore (Condor, The Time of Our Lives) headline the outstanding ensemble cast. Both entertaining and enthralling, the series uses the hook of the heist genre to unpack the complex relationships between a diverse group of women. The Unusual Suspects marks the first major representation of Filipino-Australians on Australian television and continues SBS’s legacy of delivering exceptional drama exploring the rich diversity of Australia in an authentic and nuanced way.
    [Show full text]
  • 1 2021 Season
    2021 SEASON 1 SYDNEY THEATRE COMPANY 2021 SEASON 2 3 SYDNEY THEATRE COMPANY 2021 SEASON Your night starts here. The walkway, familiar, stretches out before you. The glittering water. A glimpse of the bridge. The buzz of friends in The Bar. The dark of the theatre. A sense of anticipation. A new world on stage. Welcome back to theatre. Welcome back to The Wharf. 4 5 SYDNEY THEATRE COMPANY 2021 SEASON “It feels wonderful to be home again” ‘Act 2’ of our 2021 Season is the first to Shakespeare’s ferocious study of power and be launched since our move home to corruption, Julius Caesar, will be presented The Wharf and, as such, we’ve planned a in the round – an exciting new format for celebration of the full gamut of what theatre The Wharf. I’m also thrilled that my new is capable of – a tribute to the artform adaptation of The Picture of Dorian Gray, that brings us all together. This season is which premiered in 2020, will be returning also our first chance to tell stories in our for an encore season. newly renovated and flexible theatre spaces and my team and I have carefully curated Continuing our tradition of bringing you a series of shows that will showcase this the best new international writing, Bess historic building’s new capabilities. Wohl’s Grand Horizons and The Lifespan of a Fact by Jeremy Kareken, David Murrell Our commitment to contemporary and Gordon Farrell, are big, hilarious and Australian plays and the development of thought-provoking plays that will provide Australian theatre-makers is a central focus everyone, regardless of age and stage, a of the Company.
    [Show full text]
  • Education & Communities
    EDUCATION & COMMUNITIES 1 SYDNEY THEATRE COMPANY Some of the 2020 Young Wharfies with STC Education Coordinator Kaylee Hazell. Photo: Nisha Agiasotis Contents 1 2021 at a glance For students 28 Work Experience Week Attending the theatre 29 Young Wharfies 3 Schools Days For primary teachers Digital resources 30 School Drama 5 Digital Education resources 7 STC Documentaries Our community 8 Archives and backstage tours 34 Connected 36 Juvenile Justice The plays 37 Priority Schools Program 12 Playing Beatie Bow 37 Partnership with Holdsworth Community 14 The 7 Stages of Grieving 39 Access Program and School Drama subsidies 16 The Picture of Dorian Gray 18 A Raisin in the Sun Booking 20 Death of a Salesman 41 How to Book 22 Julius Caesar 43 Booking Form 24 STC Ed recommends 2 3 FROM OUR ARTISTIC DIRECTOR FROM OUR ACTING DIRECTOR OF EDUCATION & COMMUNITY PARTNERSHIPS Our 2021 Education Season is the first to be launched since our move home to The Wharf and, as such, we’ve planned a Welcome to STC Education’s 2021 Season! celebration of the full gamut of what theatre is capable of – a tribute to the artform that brings us all together. This season While for most of us 2020 brought a slew of cancellations is also our first chance to tell stories in our newly renovated and complications, our teaching community led the way and flexible theatre spaces and my team and I have carefully in showing how resilience and creativity can help us adapt curated a series of shows that will showcase this historic to even the most challenging of circumstances.
    [Show full text]
  • Top Pick Thursday 27 July 8.30Pm
    1 Top Pick Thursday 27 July 8.30pm Pulse Frankie Bell (Claire van der Boom) takes on the system to save a patient, and lands in trouble. Lou Tannis (Andrea Demetriades) finds out it’s not always wise to have an affair with a boss, and Tabb (Arka Das) questions his ability as a doctor. Frankie learns that her mentor, Chad Berger (Owen Teale), is as vulnerable as any one. Frankie (Claire van der Boom) comforts a nervous Zoe (Melissa Bonne) in the lead up to her heart transplant, while also dealing with rebellious teen Kelly (Selena Milinkovic), who had a kidney transplant but has been lying about taking her medication. Tabb (Arka Das) takes on Samoan outlier patient Abe (Ray Chong Nee), but after connecting with him on a deep level, Tabb loses him and questions his own ability as a doctor. Zoe (Melissa Bonne) goes in for her heart transplant. But tensions rise in the theatre as personal politics interfere. Lou (Andrea Demetriades) calls stop, claiming to have seen Mitri (Blessing Mokgohloa) miss a stitch, but he doesn’t listen, closing Zoe up. Frankie saves Kelly’s life, and finally gets through to the frightened teenager: this second chance at life is precious, and neither of them can afford to forget that. In an intimate moment, Berger (Owen Teale) reveals he has his own health issues. As they share a bottle of wine, Frankie is faced with the question: will she be able to save the man who saved her? #PulseTV Short synopsis Frankie takes on the system to save a patient, and lands in trouble.
    [Show full text]
  • Embargoed to 7Pm 3 Sept
    MEDIA RELEASE August 2016 EMBARGOED TO 7PM 3 SEPT. Belvoir’s Artistic Director Eamon Flack has unveiled an optimistic and wildly entertaining season of plays for the company’s 2017 Season. There are inventive new plays from Australia and around the world, there are return seasons and tours of popular plays and two of our favourite stage actors in two great classics. Toby Schmitz returns to the Belvoir stage, after a three year absence, in The Rover by Aphra Behn. Schmitz takes the swashbuckling titular role in this raucous and outrageous battle of the sexes from the woman widely considered the first professional female playwright. Flack has reunited his award-winning team from his 2014 sell out hit The Glass Menagerie to find the same freshness and beauty in Henrik Ibsen’s Ghosts. Pamela Rabe stars as the fierce mother Helene Alving. ‘Our 2016 Season has been very much about reflecting on our past, both for Belvoir and in a wider cultural sense,’ says Flack. ‘With the 2017 Season we are taking an imaginative leap into the future. In this season, characters dream big in the midst of disaster and confusion. They fight passionately for a brighter future. This is a season of plays that unleashes the possibility that maybe the 21st century won’t be an unmitigated disaster.’ Two of the most inventive and exciting plays out of New York’s Playwrights Horizons in recent years are Hir by Taylor Mac and Anne Washburn’s Mr Burns, a Post-Electric Play, and they are both in our 2017 Season.
    [Show full text]
  • STC Annualreport 2015 Bigger.Pdf
    ANNUAL REPORT BETRAYAL CANNIBALISM COURAGE EYE WITNESS FAMILY TIES FEMINISM FRENEMIES HILARITY LONGING LOVE AND ATTRACTION MADNESS MORTALITY POLITICS RECKONING SINGING TRANSITION TRAVEL Aims of the Company To provide first class theatrical entertainment for the people of Sydney – theatre that is grand, vulgar, intelligent, challenging and fun. That entertainment should reflect the society in which we live thus providing a point of focus, a frame of reference, by which we come to understand our place in the world as individuals, as a community and as a nation. Richard Wherrett, 1980 Founding Artistic Director Marshall Napier, Richard Roxburgh, Eamon Farren, Cate Blanchett and Martin Jacobs in The Present. Photo: Lisa Tomasetti 2015 in Numbers ACTORS 146% AND CREATIVES 2 889 255 EMPLOYED 131 $418,855 C R 19TEACHING OF TI KET P ICE 318,899 SAVINGS PASSED ON TO ARTISTS TIX 759 6,330 SUNCORP TWENTIES CUSTOMERS EMPLOYED TIX PAID PEOPLE OVERSEAS 10,045 SAW A AND ATTENDEES WAITING FOR GODOT N TIONAL OVER $20M TO STC’S 2015 PROGRAM INTERNATIONAL TOTAL TICKET 47.7% PERFORMANCES INCOME EARNED REDUCTION IN WORLD GREENHOUSE GAS EMISSIONS SINCE 2007 PREMIERES 1,273 4 71.3% WEEKS AVERAGE OF WORK 20,513 5,887 PLAYWRIGHTS REDUCTION CAPACITY TOTAL SUBSCRIBERS NEW SUBSCRIBERS 15 ON COMMISSION IN WATER USAGE SINCE 2007 86% FOR ACTORS 4 5 Ian Jonathan Narev Church CHAIR ARTISTIC DIRECTOR During Board discussions at Sydney Theatre Company, we refer Mark Leonard Winter, Jacek Koman, Geoffrey Rush and Robyn Nevin I am delighted and honoured to be the next Artistic Director of Paula Arundell (background), Eryn Jean Norvill and Paula Arundell regularly to Richard Wherrett’s founding aims of the Company: in King Lear.
    [Show full text]