Een Ia--Prier; Accedes De -Anicornu- Dissertation- Utraque, Auction -(^D Centur:Ae Posteriorie-Pars-Foetus -Exercitatio

Total Page:16

File Type:pdf, Size:1020Kb

Een Ia--Prier; Accedes De -Anicornu- Dissertation- Utraque, Auction -(^D Centur:Ae Posteriorie-Pars-Foetus -Exercitatio WIEL (ALETHEA). --- The navy of Venice. Lond., 1910. O.S. .359(453) Wie. --- Venice. [Story of the Nat. 39. 1 Lond., 1894. E* 11.39. t a i ffi41 8.9 ----^vzz—e^t ^ —poi , WIEL (CORNELIUS STALPART VAN DER). --- Diss. med. inaug. de urinae calculo. Lugd. Bat., 1712. OP. 1084/29. :. e a iee t rari-erum -medio, anatomic. chirurgicarwa --een ia--prier; accedes de -anicornu- dissertation- utraque, auction -(^d Centur:ae posteriorie-pars-foetus -exercitatio. ^- 3--pt-s ' 44n}' -Lugdun4:-- Bat avoxuai3- 1687. E.B. .61 Fie: WIEL (JOHANN PETER). --- Observationes de usu interno nucis vomicae, et vitrioli albi, in pertinacibus morbis curandis conspicuo. [Th.] Wittenbergae (1770.) G.15/2.5/6. --- Bemerkungen uber den innerlichen nutzlichen Gebrauch der Krahen-Augen and des weissen Vitriols in gefahrlichen Krankheiten. Aus dem Lateinischen ins Deutsche ubersetzt. Wittenberg [177-?] Q.P• 936/7• --- Another copy. GAP. 1286/15. WIEL (TAMEO) . --- 1 codici musicali contariniani ... illustrati dal Dr. T.W. See BIBLIOTECA DI SAN MARCO, Venice. WIELAND, der Schmied. --- Wieland der Schmied. Adapted from the German saga and ed. by A.E. Wilson. Lond. (1912.) -^-^y.89 i w ADDITIONS 7IEL (COYCIELIti S STALPART VAN MR) . -- ... Obsercatiorum raxiorun medic. anatomic. chirurgicarum centuria prior; -ccedit de unicornu dissertatio; utraque ... auctior ... (And Centuriae posterioris paxs prior, auctior; accedit P.S. van der. -liel ... de nutritione foetus exercitatio.) 3 Pts. (in 2). Lugduni Aatavorum, 1687. ra. .51 Wie. WIELAND (CHRISTOPH MARTIN). COLLECTIONS --- Sammtliche Werke. 45 Bde. (in 26). Leipzig, 1781 -1811. ES, 8336/ --- W.^Werke. 40 Tle. (in 16). Berlin [1879.] Gibson Lib. --- Ws. gesammelte Werke in sechs Barden. Mit einer Einleitung von F. Muncker. Bd. 1. [Cottatsche Bibl. d. Weltlitt.] Stuttgart. Gibson Lib. 1. Oberon. (1887.) --- Wielands Welke. Auf Grund der Hempelschen Ausgabe neu hrsg. mit Einleitung and Anmerkungen versehen von B. von Jacobi. 10 Tle. (in 3). [Goldene Klass.-Bibl.] Berlin [_1905-07.] V.10.771-3. --- Werke. (Hrsg. von F. Martini and H.W. Seiffert.) 5 Bde. Munchen [1961.-68.] .83361 SMALLER COLLECTIONS --- Les Abderites, suivis de La salamandre et la statue ... Tr. par A.G. Labaame. 3 tom. Paris, an X [1802.] D.S.g.6.37-39- --- IV contes, et le fragment dtune himne sur Dieu. See HALLER (ALBRECHT )4 cN). Poesies ... (And ... IV contes ...) SINGLE WORKS --- Beytrage zur geheimen Geschichte des menschlichen Verstandes and Herzens. [Anon.] 2 Thle. (in 1). Leipzig, 1770. *EE.10.6. [Continued overleaf.] ADDITIONS WIELAND (CHRISTOPH MARTIN). COLLECTIONS --- Wielands Werke. Hrsg: von G. Klee ... Bd. 4. Leipzig, n.d. Gibson Lib. --- Wielands Werke, Hrsg. von H. Kurz ... 3 Bde. Leipzig, n.d. .83361 WIELAND (CHRISTOPH MARTIN) [continued]. SINGLE WORKS [continued] --- The Graces; a classical allegory, interspersed with poetry ... Translated from the ... German [by Sarah Taylor?] Lond., 1823. Bound in S.23.85. --- Oberon; ein Gedicht.] Oberon; a poem. From the German of W. by W. Sotheby. 2 vols. (in 1). Lond., 1798. D.S.d.6.16. --- 3rd ed. 2 vols. (in 1). Lond., 1826. s.7.27. SELECTIONS Wie(a..ds --- W s Werke. [S =lections.] Hrsg. von H. Prohle. 6 Tle. [Deut. Nat. Litt. Bde. 51-56.1 Berlin (1887.) .8308 Deu. --- Oeuvres choisies de Mr. W. Traduit ... par L.C.D.V. Tom. 1. Zuric, 1796. V* 32.86. - Melanges litteraires, politiqugs et morceaux inedits de C.M.W. Tr, de l t allemand et precedes d un essai sur la vie et les ouvrages de cet ecrivain par A. Loeve-Veimars et Saint-Maurice. Paris, 1824. Yo.8.42. APPENDIX --- See BEYER (WERNER WILLIAM). The enchanted forest [ie. the influence of W.'s Oberon on English poetry]. --- See BUDDECKE (WOLFRAM). C.M. Wielands Entwicklungsbegriff and die Geschichte des A.gathon. [Continued overleaf.] ADDITIONS WIEZAND (CHRISTOPH MARTIN). SINGLE WORKS Oberon; ein Gedicht ... Neue, verbess. Aufl. Weimar, 1781. E.B. .83361 WIELAND (CHRISTOPH MARTIN) [continued]. APPENDIX [continued] --- See BUDDECKE (WOLFRAM). C.M. Wielands Entwicklungsbegriff and die Geschichte des Agathon. --- tr. See CICERO (MARCUS TULLIUS). LETTERS. COLLECTIONS. M.T.C.ts sammtliche Briefe. --- See EDELSTEIN (LUDWIG). Wielands "Abderiten" and der deutsche Humani sinus . --- See LA ROCHE (MARIE SOPHIE VON). The history of Sophia Sternheim. Attempted from the German of Mr. W. [or rather of M.S. von La Roche, published by W.I. --- See MILLER (EDMUND ERSKINE). Zur Textgeschichte von Wielands Agathon. --- See SENGLE (FRIEDRICH). W. --- See WOLFFHEIM (HANS). Wielands Begriff der Humanitat. WIELAND (FRANZ). --- Der vorirenaische Opferbegriff. [Knopfler, Veroff. a. d. Kirchenhist. Sem. Mh nchen, -,Leihe iii, No. 6.1 Munchen, 1909. .2653 Wie. WIELAND (GEORGE F.). and LEIGH (HILARY). --- eds. Changing hospitals; a report on the Hospital Internal Communications Project. Ed. by G.F.W. and H.L. assisted by E. Barnes. Introd. by R.W. Revans. Foreword by W.J.H. Butterfield. Lond., 1971. .36211(42 Wie. --- Another copy. Soc. Med. Lib. ADDITIONS WIELAND (CHRISTOPH MARTIN. APPENDIX --- See KURTH-VOIGT (LIESELOTTE E.). Perspectives and points of view; the early works of W. and their background. --- See SCHELLE (HANSJORG) ed. C.M.W. --- See ROGAN (RICHARD G.). The reader in the novels of C.M.W. See PAULSEN (WOLFGANG). C.M.W.; der Mensch and rein Werk in psychologischen Perspektiven. --- See SCHRADER (REBECCA E.). A method of stylistic analysis exemplified on C.M. Wieland's Geschichte des Agathon. --- See WALTER (CARL) Ph.D. Chronologie der Werke C.M. Wielands ... --- See WILSON (W. DANIEL). The narrative strategy of W.'s Don Sylvio von Rosalva. WIELAND (GEORGE F.). --- and LEIGH (HILARY). --- eds. Changing hospitals; a report on the Hospital Internal Communications Project. Ed. by G.F.W. and H.L. assisted by E. Barnes. Introd. by R.W. Revans. Foreword by W.J.H. Butterfield. Lond., 1971. Comm. Med. Lib. WIELAND (GEORGE REBER). --- American fossil cycads. 2 vols. [Carnegie Inst. Publ. 34• 1 Washington, 1906-16. Av. --- The Cerro Cuadrado petrified forest. [Carnegie Inst. Publ. 449.] Washington, 1935. Av. WIELAND (HEINRICH). --- On the mechanism of oxidation. [Silliman Mem. Lect. 22.] New Haven, 1932. C.M.L. WIELAND (JOANNES CAROLUS). --- resp. See SEGNER (J.A. VON) praes. WIELAND (MARTIN). - Schediasma sacrum quo Judas Iscariota Coenae Dominicae conviva, nihil mutato historiae evangelicae filo, sistitur ... TubingaL!^ , 1710. QP. 799/1. WIELAND (WOLFG?.NG). --- Die aristotelische Physik; Untersuchungen uber die Grundlegung der Naturwissenschaft and die sprachlichen Bedingungen der Prinzipienforschung bei Aristoteles. Gottingen, 1962. .1851 Wie. WIELANDT (HELMUT). --- Finite permutation groups. Tr, from the German by R. Bercov. 'S e-" l.ib. New York [1964.1 5+ 2 5 W48 WIELANT (PHILIPS). --- OEuvres de P.W. et de J. de Damhoudere ... [Bibl. Belgica, 11-12.] Gand, 1881. Zr.12.46. [Continued overleaf.] ADDITIONS wt =Tl) (woLr-rAM,) . --- Platon and die Formen dais '.liesena. Gottingc-n [1902.] .1841 Wie. WIELANT (PHILIPS) [continued]. --- Practijcke civile ... Van nieus oversien ... ende ghesuppleert by M.A. van tsestich ... Amstelredam, 1606. Law Lib. WIELE ( FERNAND VAN DE) . --- Onderzoek der fotogeleiding in additief gekleurde Csl-kristallen. [Belgium, Kon. Vlaamse Acad. voor Wet., Lett. en Schone Kunsten, Verhandelingen, Klasse der Wet., Verhandeling Nr. 75.1 Brussel, 1964. .54883 Wie. --- Zijnswaarheid en onverborgenheid; vergelijkende studie over de ontologische waarheid in het thomisme en bij Heidegger. [Leuvense Bibl. voor Filos. 6•1 Leuven, 1964. .111 Wie. WIELE (MARGUERITE VAN DE). --- Le Sire de Ryebeke (legende flamande). Illustrations d t I. de Rudder. Paris, n.d. O.S. .84391 Wie. WIELEITNER (HEINRICH). --- Geschichte der Mathematik. II. T1. Von Cartesius bis zur Wende des 18. Jahrhunderts. I. Halfte. Arithmetik, Algebra, Analysis. Bearbeitet ... von A. von Braunmuhl. (And II. Halfte. Geometrie and Trigonometrie.) [Samml. Schubert, 63-64.1 Leipzig, 1911-21. *0.10. For Tl. 1 see GUNTHER (S. --- Spezielle ebene Kurven. [Samml. Schubert, 56.] Leipzig, 1908. *0.10. --- Theorie der ebenen algebraischen Kurven hoherer Ordnung. [Samml. Schubert, 43.1 Leipzig, 1905. *0.10. ADDITIONS WIEL1^ (FFzf1 Alry VAN DE). --- ~ NGL (`, ^.. .M u.) and JESPEM5 (PAL: G.) . -- ads. Prooeas and devioe modeling for integrated oirouit design . See NMUH ATLANTIC TREATY O ^^A tII%.l I OIL • JUVA IMX STUDY M)TITffI E ON 11S0CM30 A'h'D DL710E MODMING FOR INTrJG UMM WIELENGA (BASTIAAN). --- Lenins Weg zur Revolution; eine Konfrontation mit Sergej Bulgakov and Petr Struve im Interesse einer theologischen Besinnung. Munchen [1971.] 3 3 Sy..3 t^J; e . WIELER (JOHN WILLIAM). --- George Chapman; the effects of stoicism on his tragedies. New York, 1949. .82239 Cha. Wie. WIELHORSKI (WWYSXAW). --- Polska a Litwa; stosunki wzajemne w biegu dziejow. Lond., 1947• •9(475) Wie. WIELING (ABRAHAM). --- Iurisprudentia restituta, sive, index chronologicus in totum iuris Iustinianaei corpus, ad modum I. Labitti, A. Augustini, & W. Freymonii, nova ... methodo collectus. Accesserunt opuscula iv. ... 3 pts. (in 1). Amstelaedami, 1727. Law Lib. --- A.W. ... lectionum iuris civilis libri duo ... Accedit ... oratio pro glossatoribus. Trajecti 2,d Rhenum, 1740. Law Lib. WIELKOPOLSKI (BOGDAN). --- Nowe podstawy rozwoju Polski i ludzkosci. St. Andrews, 1942. .9(43805) Wie. WIELOPOLSKI (ALEKSANDER IGNACY JAN PIOTR) Marquis. --- See LISICKI (H.). Le marquis W.; sa vie et son temps, 1803-1877. WIEMAN (HENRY NELSON). --- The empirical theolo^v of H.N.W. Ed. by R.W. Bretall. [Lib, of Living Theol. Vol.
Recommended publications
  • SPRING 2017 COURSE LISTING GRMN0110 Intensive Beginning
    SPRING 2017 COURSE LISTING GRMN0110 Intensive Beginning German Jane Sokolosky Students who wish to complete the GRMN 0100-0200 sequence in one semester may do so by enrolling in GRMN 0110 for two semester course credits. There are six hours per week in small drill sections conducted by fluent undergraduate teaching apprentices. Another three hours of class will be conducted by the faculty instructor. Students must register for both the lecture section and one conference. S01 TuTh 9-10:20 C01 MWF 1-2:50 C02 MWF 1-2:50 GRMN0200 Beginning German Jane Sokolosky A course in the language and cultures of German-speaking countries. Four hours per week plus regular computer and listening comprehension work. At the end of the year, students will be able to communicate about everyday topics and participate in the annual film festival. This is the second half of a year-long course. Students must have taken GRMN 0100 to receive credit for this course. The final grade for this course will become the final grade for GRMN 0100. S01 MWF 9-9:50, T 12-12:50 S02 MWF 11-11:50, T 12-12:50 S03 MWF 12-12:50, T 12-12:50 GRMN0400 Intermediate German II Jane Sokolosky An intermediate German course that stresses improvement of the four language skills. Students read short stories and a novel; screen one film; maintain a blog in German. Topics include German art, history, and literature. Frequent writing assignments. Grammar review as needed. Four hours per week. Recommended prerequisite: GRMN 0300. WRIT S01 MWF 10-10:50, Th 12-12:50 S02 MWF 1-1:50, Th 12-12:50 GRMN0600B Was ist Deutsch? Thomas Kniesche In this course we will examine some of the ideas and myths that became entangled with the emerging notion of a "German" identity in the eighteenth and nineteenth centuries.
    [Show full text]
  • «Nirgends Sünde, Nirgends Laster»
    Ute Kröger «NIRGENDS SÜNDE, NIRGENDS LASTER» Zürich inspiriert Literaten Mit Texten von Hugo Ball, Johannes R. Becher, Claus Bremer, Max Brod, Elias Canetti, Paul Celan, Walter Matthias Diggelmann, Alfred Döblin, Friedrich Dürrenmatt, Kasimir Edschmid, Nanny von Escher, Robert Faesi, Max Frisch, Manuel Gasser, Friedrich Glauser, Johann Wolfgang Goethe, Kurt Guggenheim, Alexander Xaver Gwerder, Max Herrmann-Neisse, David Hess, Peter Hille, Hans Rudolf Hilty, Rudolf Jakob Humm, Meinrad Inglin, James Joyce, Franz Kafka, Ossip Kalenter, Gottfried Keller, Egon Erwin Kisch, Klabund, Friedrich Gottlieb Klopstock, Arnold Kübler, Meinrad Lienert, Hugo Loetscher, Klaus Mann, Thomas Mann, Nikiaus Meienberg, Conrad Ferdinand Meyer, Oskar Panizza, Joachim Ringelnatz, Max Rychner, Salomon Schinz, Barbara Schulthess, Mario Soldati, Tom Stoppard, Fridolin Tschudi, Grete von Urbanitzky, Richard Wagner, Robert Walser, Maria Waser, PaulWehrli, Ernst Zahn, Albin Zollinger Limmat Verlag Zürich Inhalt Vorwort 10 jm 800 Meinrad Lienert Grundstein für die Wasserkirche 12 Kaiser Karl der Grosse, die Schlange und der Hirsch m 1650 Conrad Ferdinand Meyer Liebesabenteuer auf der Au 18 Der Schuss von der Kanzel rn 1700 Maria Waser Nur fort aus dem Krähennest 32 Die Geschichte der Anna Waser 1750 Friedrich Gottlieb Klopstock Liebeleien auf dem See 44 Der Zürcher See 1774 Salomen Sclunz Aufgeklärte Botanik 50 Die Reise auf den Uethberg 1775 Johann Wolfgang Goethe Skandal um Nackte im Sihlwald 64 Dichtung und Wahrheit m 1780 Robert Faesi Revoluzzer auf dem Lindenhof
    [Show full text]
  • Inhaltsverzeichnis
    Inhaltsverzeichnis Vorwort : 17 I. Mittelalter 21 Hrabanus Maurus Veni creator, spiritus 28 Unbekannt St. Galler Übersetzung des Paternoster 28 Otfrid von Weißenburg Aus dem Evangelienbuch 29 Unbekannt Der zweite Merseburger Zauberspruch 30 Unbekannt Das Hildebrandslied 30 Unbekannt Carmina Burana 33 Unbekannt Volkstümliches Liebeslied 33 Der von Kürenberg Ich zöch mir einen valken 33 Albreht von Johansdorf Ich vant äne huote 34 Heinrich von Morungen Owe, sol aber mir iemer me 35 Wolfram von Eschenbach Tagelied 35 Hartmann von Aue Erec. Auszug 36 Gottfried von Straßburg Tristan und Isolde. Auszug 40 Unbekannt Das Nibelungenlied. 1. Aventiure. Auszug 41 Walther von der Vogelweide Nemt, frouwe, disen kränz! . 42 Walther von der Vogelweide Under der linden 43 Walther von der Vogelweide Ich saz üfeime steine 43 Oswald von Wolkenstein Zergangen ist meins hertzen we 44 II. Humanismus — Reformation — Barock 47 Johannes von Tepl Der Ackermann aus Böhmen. Auszug 54 http://d-nb.info/900275324 6 Inhaltsverzeichnis Conrad Celtis Ars versificandi et carminum. Auszug 55 Ulrich von Hutten und Crotus Rubeanus Epistolae obscurorum virorum (Dunkelmännerbriefe). Erster Brief 56 Unbekannt Ein kurtzweilig lesen von Dyl Ulenspiegel. Die 31. Histori 58 Ulrich von Hutten Ain new Lied herr Virichs von Hutten 59 Martin Luther Eine feste Burg ist unser Gott 60 Martin Luther Sendbrief vom Dolmetschen. Auszug 61 Martin Opitz Buch von der Deutschen Poeterey. Auszug 63 Unbekannt Sonett 64 Martin Opitz Sonett. Aus dem Italienischen Petrarchae 64 Paul Fleming Er verwundert sich seiner Glückseeligkeit 64 Andreas Gryphius Vanitas, vanitatum et omnia vanitas 65 Andreas Gryphius Threnen des Vatterlandes. Anno 1636 65 Sigmund von Birken Die Rechtens Wage 65 Friedrich von Logau Sinn-Gedichte 66 Angelus Silesius Geistreiche Sinn- und Spruchreime 66 Christian Hofmann von Hofmannswaldau Vergänglichkeit der Schönheit 67 Christian Hofmann von Hofmannswaldau Er ist gehorsam 67 Christian Hofmann von Hofmannswaldau Poetische Grabschrifften 67 Daniel Casper von Lohenstein Sophonisbe.
    [Show full text]
  • Modernist Permabulations Through Time and Space
    Journal of the British Academy, 4, 197–219. DOI 10.5871/jba/004.197 Posted 18 October 2016. © The British Academy 2016 Modernist perambulations through time and space: From Enlightened walking to crawling, stalking, modelling and street-walking Lecture in Modern Languages read 19 May 2016 ANNE FUCHS Fellow of the Academy Abstract: Analysing diverse modes of walking across a wide range of texts from the Enlightenment period and beyond, this article explores how the practice of walking was discovered by philosophers, educators and writers as a rich discursive trope that stood for competing notions of the morally good life. The discussion proceeds to then investigate how psychological, philosophical and moral interpretations of bad prac- tices of walking in particular resurface in texts by Franz Kafka, Thomas Mann and the interwar writer Irmgard Keun. It is argued that literary modernism transformed walking from an Enlightenment trope signifying progress into the embodiment of moral and epistemological ambivalence. In this process, walking becomes an expression of the disconcerting experience of modernity. The paper concludes with a discussion of walking as a gendered performance: while the male walkers in the modernist texts under discussion suffer from a bad gait that leads to ruination, the new figure of the flâneuse manages to engage in pleasurable walking by abandoning the Enlightenment legacy of the good gait. Keywords: modes of walking, discursive trope, Enlightenment discourse, modernism, modernity, moral and epistemological ambivalence, gender, flâneuse. Walking on one’s two legs is an essential but ordinary skill that, unlike cycling, skate-boarding, roller-skating or ballroom dancing, does not require special proficiency, aptitude or thought—unless, of course, we are physically impaired.
    [Show full text]
  • Core Reading List for M.A. in German Period Author Genre Examples
    Core Reading List for M.A. in German Period Author Genre Examples Mittelalter (1150- Wolfram von Eschenbach Epik Parzival (1200/1210) 1450) Gottfried von Straßburg Tristan (ca. 1210) Hartmann von Aue Der arme Heinrich (ca. 1195) Johannes von Tepl Der Ackermann aus Böhmen (ca. 1400) Walther von der Vogelweide Lieder, Oskar von Wolkenstein Minnelyrik, Spruchdichtung Gedichte Renaissance Martin Luther Prosa Sendbrief vom Dolmetschen (1530) (1400-1600) Von der Freyheit eynis Christen Menschen (1521) Historia von D. Johann Fausten (1587) Das Volksbuch vom Eulenspiegel (1515) Der ewige Jude (1602) Sebastian Brant Das Narrenschiff (1494) Barock (1600- H.J.C. von Grimmelshausen Prosa Der abenteuerliche Simplizissimus Teutsch (1669) 1720) Schelmenroman Martin Opitz Lyrik Andreas Gryphius Paul Fleming Sonett Christian v. Hofmannswaldau Paul Gerhard Aufklärung (1720- Gotthold Ephraim Lessing Prosa Fabeln 1785) Christian Fürchtegott Gellert Gotthold Ephraim Lessing Drama Nathan der Weise (1779) Bürgerliches Emilia Galotti (1772) Trauerspiel Miss Sara Samson (1755) Lustspiel Minna von Barnhelm oder das Soldatenglück (1767) 2 Sturm und Drang Johann Wolfgang Goethe Prosa Die Leiden des jungen Werthers (1774) (1767-1785) Johann Gottfried Herder Von deutscher Art und Kunst (selections; 1773) Karl Philipp Moritz Anton Reiser (selections; 1785-90) Sophie von Laroche Geschichte des Fräuleins von Sternheim (1771/72) Johann Wolfgang Goethe Drama Götz von Berlichingen (1773) Jakob Michael Reinhold Lenz Der Hofmeister oder die Vorteile der Privaterziehung (1774)
    [Show full text]
  • Robert Walser, Paul Scheerbart, and Joseph Roth Vi
    Telling Technology Contesting Narratives of Progress in Modernist Literature: Robert Walser, Paul Scheerbart, and Joseph Roth Vincent Hessling Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Vincent Hessling All rights reserved ABSTRACT Telling Technology Contesting Narratives of Progress in Modernist Literature: Robert Walser, Paul Scheerbart, and Joseph Roth Vincent Hessling Telling technology explores how modernist literature makes sense of technological change by means of narration. The dissertation consists of three case studies focusing on narrative texts by Robert Walser, Paul Scheerbart, and Joseph Roth. These authors write at a time when a crisis of ‘progress,’ understood as a basic concept of history, coincides with a crisis of narra- tion in the form of anthropocentric, action-based storytelling. Through close readings of their technographic writing, the case studies investigate how the three authors develop alter- native forms of narration so as to tackle the questions posed by the sweeping technological change in their day. Along with a deeper understanding of the individual literary texts, the dissertation establishes a theoretical framework to discuss questions of modern technology and agency through the lens of narrative theory. Table of Contents ABBREVIATIONS ii ACKNOWLEDGEMENTS iii INTRODUCTION: Toward a Narratology of Technological Change 1 CHAPTER I: Robert Walser’s Der Gehülfe: A Zero-Grade Narrative of Progress 26 1. The Employee as a Modern Topos 26 2. The Master and the Servant: A Farce on Progress 41 3. Irony of ‘Kaleidoscopic Focalization’ 50 4. The Inventions and their Distribution 55 5.
    [Show full text]
  • List of Illustrations Preface
    CONTENTS List of Illustrations xiii Preface XV General Introduction 1 PART ONE. BOOMING METROPOLIS 1· The Metropolitan Panorama 9 وإ (Jules Laforgue,Berlin: ế Court and the City (1887 .1 2. Wilhelm Loesche,Berlin North (1890) 16 3. Mark Twain , ằ German Chicago (1892) 17 4. Heinrich Schackow,Berolina : A Metropolitan Aesthetic (1896) 19 5. Alfred Kerr,Berlin and London (1896) 25 6. Alfred Kerr,I Transformation ofPotsdamer Strasse (1895» 1897) 27 7. Max Osborn, I Destruction ofBerliti (1906) 30 8. Werner Sombart, Vienna (1907) 31 وو (Robert falser,Good Morning, Giantess! (1907 .9 10. August Endell,l e Beauty ofthe Great City (1908) 35 11. Oscar Bie,Life Story ofa Street (1908) 41 12. Robert Walser,Friedrichstrasse (1909) 41 13. Max Weber,speechfor a Discussion (1910) 44 14. VorwartSt [Town Hall Tower Panorama】 (1902) 44 15. Ernst Bloch,Berlin, Southern City (1915-16) 46 2· Building and Regulating the Metropolis 49 16. Theodor Goecke,Traffic loroughfares and Residential Streets (1893) 52 17. Rudolf Adickes,l e Need for Spacious Building Programs in City Expansions and the Legal and Technical Means to Accomplish l i s (1895) 18. Vorwärts, [Deforestation around Berlin】 (1908) 57 19. Die Bank, [Speculation in Tempelhof](1910-11) 57 20. p. A. A. [Philip A. Ashworth],Berlin (1911) 59 21. Walter Lewitz, Architectural Notes on the Universal Urban Planning Exhibition, Berlin (1911) 62 22. Various authors, ế Greater Berlin Competition 1910: 1 Prize-Winning Designs with Explanatory Report (1911) 64 ٠ƒ Greater Berlin and The Greater Berlin Cornelius Gurlitt,Review .23 Competition 1910(1911) 69 24.
    [Show full text]
  • Revising the World with Speech in Franz Kafka, Robert Walser and Thomas Bernhard
    Monologue Overgrown: Revising the world with speech in Franz Kafka, Robert Walser and Thomas Bernhard by Paul Joseph Buchholz This thesis/dissertation document has been electronically approved by the following individuals: Schwarz,Anette (Chairperson) Gilgen,Peter (Minor Member) McBride,Patrizia C. (Minor Member) MONOLOGUE OVERGROWN: REVISING THE WORLD WITH SPEECH IN FRANZ KAFKA, ROBERT WALSER AND THOMAS BERNHARD A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Paul Joseph Buchholz August 2010 © 2010 Paul Joseph Buchholz MONOLOGUE OVERGROWN: REVISING THE WORLD WITH SPEECH IN FRANZ KAFKA, ROBERT WALSER AND THOMAS BERNHARD Paul Joseph Buchholz, Ph. D. Cornell University 2010 My dissertation focuses on unstable, chronically unpublished prose texts by three key 20th century prose writers, quasi-novelistic texts whose material instability indicates a deep discomfort with the establishment of narrative authority qua narrative violence. I argue that Franz Kafka, Robert Walser and Thomas Bernhard, radically refunctionalized the device of interpolated “character monologue,” turning characters' speech from a narrative function, into a site where a text can be rewritten from within. In the Bildungsroman tradition, extended oral interpolations serve as an engine for the expansion and exposition of the plotted work, deepening the epic narrative world and exhaustively presenting a perspective that will be incorporated into biographical trajectory. I locate an estrangement of this practice: moments when oral monologues of fictional interlocutors “overgrow,” becoming an interventionary force that doubles, disrupts and re-frames the narrative discourse out of which it first sprouted. In showing how the labor of ‘world-making’ is split and spread across different competing layers of these texts, my dissertation contributes to the study of the narrative phenomenon of metalepsis.
    [Show full text]
  • Das Große Balladenbuch
    Otfried Preußler Heinrich Pleticha Das große Balladenbuch Mit Bildern von Friedrich Fiechelmann Inhaltsübersicht Nicht nur »Theaterstücke im Kleinen« Eine Einführung in die Balladen von Heinrich Pleticha................................................. h Es IST SCHON SPÄT, ES WIRD SCHON KALT Durch die Balladen im Volkston fuhrt Otfried Preußler................................................... 15 Heinrich Heine: Lorelei ................................................................................................. 17 Clemens Brentano: Lore Lay.......................................................................................... 17 Joseph Freiherr von Eichendorff: Waldgespräch............................................................ 19 Eduard Mörike: Zwei Liebchen...................................................................................... 20 Volksballade: Der Wassermann...................................................................................... 21 Agnes Miegel: Schöne Agnete........................................................................................ 23 Franz Karl Ginzkey: Ballade vom gastlichen See ......................................................... 25 Gottfried August Bürger: Lenore.................................................................................... 26 Volksballade: Lenore (aus Des Knaben Wunderhorn) ................................................... 35 Hans Watzlik: Der Tänzer..............................................................................................
    [Show full text]
  • 9. Gundolf's Romanticism
    https://www.openbookpublishers.com © 2021 Roger Paulin This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Roger Paulin, From Goethe to Gundolf: Essays on German Literature and Culture. Cambridge, UK: Open Book Publishers, 2021, https://doi.org/10.11647/OBP.0258 Copyright and permissions for the reuse of many of the images included in this publication differ from the above. Copyright and permissions information for images is provided separately in the List of Illustrations. In order to access detailed and updated information on the license, please visit, https://doi.org/10.11647/OBP.0258#copyright Further details about CC-BY licenses are available at, https://creativecommons.org/ licenses/by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Updated digital material and resources associated with this volume are available at https://doi.org/10.11647/OBP.0258#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. ISBN Paperback: 9781800642126 ISBN Hardback: 9781800642133 ISBN Digital (PDF): 9781800642140 ISBN Digital ebook (epub): 9781800642157 ISBN Digital ebook (mobi): 9781800642164 ISBN Digital (XML): 9781800642171 DOI: 10.11647/OBP.0258 Cover photo and design by Andrew Corbett, CC-BY 4.0.
    [Show full text]
  • H. Stern Action at a Distance: German Ballads and Verse Entertainments from Goethe to Morgenstern
    H. Stern Action at a Distance: German ballads and verse entertainments from Goethe to Morgenstern in English translation © 2017 H. Stern i TABLE OF CONTENTS Johann Wolfgang Goethe 1 SIMILE 2 THE SINGER 3 DIGGING FOR TREASURE 5 AN EXERCISE IN THE STANZA OF GOETHE'S "HOCHZEITLIED" 7 WEDDING SONG 8 THE BARD AND THE CHILDREN ("BALLADE") 11 OLD RELIABLE ECKART 14 "GREAT IS ARTEMIS OF THE EPHESIANS" 16 ACTION AT A DISTANCE 17 DANCE OF DEATH 19 SELF-DECEPTION 21 OLD AGE 22 SONNET XV 23 THE SEVEN HOLY SLEEPERS OF EPHESUS 24 Friedrich Schiller 27 DIVISION OF THE EARTH 28 THE LADY'S GLOVE 30 -- from Wallenstein's Camp: THE CAPUCHIN FRIAR'S SERMON 33 Heinrich von Kleist 38 TERROR DOWN BY THE LAKE 39 Annette von Droste-Hülshoff 45 OLD ROOMMATES 46 Eduard Mörike 49 TO PHILOMELA 50 SWEET ORTRUDE ("SCHÖN-ROHTRAUT) 51 JUST KIDDING 52 DEPARTURE 53 THE FOSSIL COLLECTOR 54 ONE LAST TIME BEFORE I DIE 56 A VISIT TO THE CHARTERHOUSE 58 DOMESTIC SCENE 62 LONG, LONG AGO! 66 ON A LAMP 68 AN IMITATION OF MÖRIKE ("DENK ES, O SEELE!") 69 Gottfried Keller 70 COUNT VON ZIMMERN HIS JESTER 71 Conrad Ferdinand Meyer 73 DARK-SHADOWING CHESTNUT 74 FINGERBELL 75 ii Detlev von Liliencron 80 TO A WOMAN WHO DIED 81 THE OLD STONE CROSS IN NEW MARKET (BERLIN-CÖLLN) 83 ABDALLAH'S EARS 86 TRANSLATOR'S METALOGUE 88 Theodor Fontane 90 THE TROUBLE WITH ME 91 FRITZ KATZFUSS 92 Christian Morgenstern 95 HOW PHILOSOPHY WAS BORN 96 THE AESTHETE 97 THE RIVER 98 SIMILE 99 KORF'S AMAZING SENSE OF SMELL 100 THE ATOMIZER ORGAN 101 THE AROMATERIA 102 THE SPECTACLES 103 PALMSTRÖM TO A NIGHTINGALE
    [Show full text]
  • WINTER 2015 JANUARY Aira, César: the Musical Brain & Other Stories
    WINTER 2015 JANUARY Aira, César: The Musical Brain & Other Stories ....... 9 Blecher, Max: Adventures in Immediate Irreality ........ 6 Castellanos Moya, Horacio: The Dream of My Return .. 7 Gullar, Ferreira: Dirty Poem ....................... 12 Kushner, Rachel: The Strange Case of Rachel K ...... 5 Lax, Robert: A Hermit’s Guide to Home Economics ... 13 Pizarnik, Alejandra: Extracting the Stone of Madness .. 11 Rosselli, Amelia: Hospital Series .................. 13 Smith, Stevie: All the Poems ....................... 3 Ullmann, Regina: The Country Road . 1 Unrue, Jane: Love Hotel ........................... 4 Walser, Robert: Fairy Tales ....................... 12 FEBRUARY Wang An-Shih: Late Poems ...................... 10 MARCH APRIL Regina Ullmann The Country Road • Translated from the German by Kurt Beals • Swiss literature • English language debut Lauded by Hesse, Rilke, Musil, and Mann, this is the first book to appear in English by the unique Swiss modernist Regina Ullmann. Resonant of nineteenth-century village tales and of such authors as Adalbert Stifter and her contemporary Robert Walser, the stories in The Country Road PBK NDP 1298 are largely set in the Swiss countryside . In these tales, the archaic and the modern collide . In one story, a young woman on an exhausting country walk STORIES JANUARY recoils at a passing bicyclist but accepts a ride from a wagon, taking her seat on a trunk with a snake coiled inside . Death is everywhere in her work . As Ull- 5" X 7" 160pp mann writes, “sometimes the whole world appears to be painted on porcelain, right down to the dangerous cracks ”. This delicate but fragile beauty, with its ISBN 978-0-8112-2005-7 ominous undertones, gives Regina Ullmann her unique voice .
    [Show full text]