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FAR EAST FILM FESTIVAL 22 26 June — 4 July 2020 PROGRAMMA FAR EAST FILM FESTIVAL 22 IDEAZIONE E REALIZZAZIONE ORGANIZATION CON / WITH CON IL CONTRIBUTO DI / WITH THE SUPPORT OF CON LA PARTECIPAZIONE DI / WITH THE PARTICIPATION OF TIES THAT BIND CON IL SUPPORTO DI/WITH THE SUPPORT OF CAMPUS CON LA PARTECIPAZIONE DI/WITH THE PARTICIPATION OF MAIN SPONSORS OFFICIAL SPONSORS MAIN MEDIA PARTNERS MEDIA PARTNERS TECHNICAL PARTNERS ® FOCUS ASIA CON IL SUPPORTO DI/WITH THE SUPPORT OF IN COLLABORAZIONE CON/WITH COLLABORATION WITH INTERNATIONAL PARTNERS PROJECT MARKET PARTNERS FAR EAST IN PROGRESS PARTNER FAR EAST FILM FESTIVAL 22 IT’S TIME FOR A REVOLUTION! Questo non è il Far East Film Festival 22: questo è il Far This isn’t the Far East Film Festival 22: this is the Far East East Film Festival 22 online edition! Un’edizione davvero Film Festival 22 online edition! There’s no point beating storica. Anzi: un’edizione rivoluzionaria. La rivoluzione, around the bush: this is going to be a truly historic edition - a però, non consiste nell’aver trasferito il Far East Film sul revolutionary one, in fact. But the revolution doesn’t consist web: consiste nell’aver trasformato il Far East Film in un in having moved the Far East Film Festival onto the web: it evento digitale, riscrivendone completamente l’architettura consists in having transformed the Far East Film Festival (modello, formule, strategie editoriali) e conservandone into a digital event, completely redesigning its architecture l’obiettivo primario: indagare un territorio, l’Asia, e (model, formulas and editorial strategies) while preserving presentare il meglio delle sue produzioni cinematografiche its primary objective: to investigate Asia and showcase the popolari. best of its mainstream film productions. Se la base operativa si sposterà da Udine a MYmovies.it, So even though the festival’s operational base might be dunque, il FEFF 22 non sarà semplicemente una library moving from Udine to MYmovies.it, FEFF 22 isn’t just going tematica: sarà, ancora una volta, una full immersion nel to be an online library of Asian films: it will once again be a cuore del “lontano Est”, con 46 film provenienti da 8 paesi full immersion in the heart of the “Far East”, featuring 46 (Cina, Hong Kong, Taiwan, Corea del Sud, Giappone, films from 8 countries (China, Hong Kong, Taiwan, South Filippine, Indonesia e Malesia)! Alcuni titoli saranno Korea, Japan, the Philippines, Indonesia and Malaysia)! disponibili worldwide, alcuni solo per il territorio europeo e Some titles will be available worldwide, some only in Europe alcuni solo per l’Italia. Le prime mondiali saranno 5, le prime and some exclusively in Italy, with 5 world premieres, 10 internazionali saranno 10, quelle europee saranno 11 e international premieres, 11 European premieres and 17 quelle italiane saranno 17. Italian premieres. Le due anime del FEFF 22, cioè la dimensione festivaliera Both faces of FEFF 22 - the festival and the online platform e la dimensione internettiana, troveranno piena - will be fully represented in the new structure: we have in rappresentazione nella nuova struttura: abbiamo infatti fact put together a daily schedule which functions as a guide messo a punto un palinsesto quotidiano, cioè una guida to showings, but we have also left open the possibility of alla visione, ma lasceremo anche la possibilità di scegliere choosing independently when to watch movies by accessing in piena autonomia quando guardare i film, accedendo the on-demand section. all’apposita sezione on demand. 4 IL CONTO A GRAVITÀ ZERO GARANZIA DI 5 ANNI Il conto corrente non è mai stato così leggero. Spazio 0 è il conto corrente che ti garantisce la gratuità completa per 5 anni. Nessuna A CANONE ZERO spesa, nessuna sorpresa. €0,00 €0,00 €0,00 Costo canone per 5 Spesa per Costo carta anni poi € 3,00 mese operazione di debito SPESE GRATUITE ILLIMITATE €0,00 €0,20 €0,00 Costo servizio internet Costo bonifico Costo banking informativo Home Banking SDD/RID FAR EAST FILM FESTIVAL NON SEI ANCORA CLIENTE CREDIFRIULI? 22 APRI IL NUOVO CONTO SPAZIO ZERO. UN’OFFERTA CON TANTI VANTAGGI DEDICATA AGLI APPASSIONATI DEL FAR EAST FILM FESTIVAL 22 Udine, 26 giugno - 4 luglio 2020 PER INFORMAZIONI: [email protected] * Promozione riservata ai NUOVI CLIENTI privati e valida fino al 31.07.2020. Per nuovo cliente si intende cliente che non abbia mai WWW.CREDIFRIULI.IT avuto rapporti nominativi con la banca negli ultimi 24 mesi. Per le condizioni contrattuali e per quanto non espressamente indicato è necessario fare riferimento ai Fogli Informativi pubblicati sul sito internet della Banca. K0046-HERA FAR EAST FESTIVAL 16x22 cm.indd 1 18/06/20 10:09 ALL THE FILMS AT A GLANCE Suk Suk One Night COMPETITION Ray YEUNG, Hong Kong gay drama, SHIRAISHI Kazuya, powerful family SECTION Hong Kong 2019, Italian Premiere drama, Japan 2019, European Premiere The White Storm 2 Drug Lords CHINA (4) Herman YAU, anti-drug action Romance Doll Better Days gangster epic, Hong Kong 2019, Italian TANADA Yuki, him, her and the sex Derek Kwok-cheung TSANG, school Premiere doll, Japan 2020, European Premiere bullying drama, China 2019, European INDONESIA (2) Wotakoi: Love Is Hard for Otaku Festival Premiere – CLOSING FILM FUKUDA Yuichi, sparkling otaku Gundala The Captain musical, Japan 2020, International Joko ANWAR, modern superhero saga, Festival Premiere Andrew LAU, China’s answer to “Sully”, Indonesia 2019, Italian Premiere China 2019, Italian Premiere Impetigore MALAYSIA (2) Changfeng Town Joko ANWAR, everyday horror, Soul WANG Jing, charming vintage story, Indonesia 2019, Italian Premiere China 2019, Italian Premiere Emir EZWAN, folk tradition horror, JAPAN (9) Malaysia 2020, European Premiere * An Insignificant Affair NING Yuanyuan, “never give up” love #HandballStrive Victim(s) story, China 2020, World Premiere * MATSUI Daigo, sport comedy with Layla JI, hidden truth drama, Malaysia smartphone, Japan 2020, World 2020, World Premiere * HONG KONG (6) Premiere THE PHILIPPINES (2) Chasing Dream A Beloved Wife Johnnie TO, songs! fights! love!, Hong ADACHI Shin, quirky marriage story, Edward Kong/China 2019, International Japan 2020, International Premiere Thop NAZARENO, coming-of-age Premiere story, The Philippines 2019, European colorless Premiere Ip Man 4: The Finale KOYAMA Takashi, forbidden-colors Wilson YIP, a-hero-never-dies, youth drama, Japan 2019, European Sunod Hong Kong 2019, European Festival Premiere * Carlo LEDESMA, ghost in the office Premiere building, The Philippines 2019, Dance with Me International Premiere Line Walker 2 Invisible Spy YAGUCHI Shinobu, compulsive dance Jazz BOON, “break your neck” action musical, Japan 2019, Italian Premiere story, Hong Kong 2019, International SOUTH KOREA (10) Minori, on the Brink Festival Premiere NINOMIYA Ryutaro, female power Ashfall My Prince Edward drama, Japan 2019, Italian Premiere KIM Byung-seo, LEE Hae-jun, North/ Norris WONG, “my two husbands” South, friends/enemies disaster action, My Sweet Grappa Remedies dramedy, Hong Kong 2019, European South Korea 2019, International OHKU Akiko, life, love and a sip of Premiere * Festival Premiere – OPENING FILM grappa, Japan 2020, Italian Premiere 8 ALL THE FILMS AT A GLANCE ONLINE FESTIVAL LINE-UP 2020 AND FESTIVAL SECTIONS RESTRICTIONS Beasts Clawing at Straws TAIWAN (3) KIM Young-hoon, sexy-crime thriller, SPECIAL South Korea 2020, Italian Premiere * Detention John HSU, political psycho-horror, TRIBUTE The Closet Taiwan 2019, Italian Premiere * WATANABE HIROBUMI, COMIC KIM Kwang-bin, jumpscares horror, POET OF THE EVERYDAY (4) South Korea 2020, International I WeirDO LIAO Ming-yi, smartphone-made Premiere * Cry madcap couple story, Taiwan 2020, WATANABE Hirobumi, offbeat slice of Crazy Romance World Premiere * life, Japan 2019 International Premiere KIM Han-kyul, drunken love story, South Korea 2019, World Festival We Are Champions I’m Really Good CHANG Jung-chi, The Basket Brothers, Premiere * WATANABE Hirobumi, wacky Taiwan 2019, European Premiere children’s comedy, Japan 2020, World Exit Premiere LEE Sang-geun, Toxic Gas Attacks OUT OF Daegu!! action comedy, South Korea Life Finds a Way 2019, Italian Premiere * COMPETITION WATANABE Hirobumi, a most unconventional film director, Japan The House of Us SPECIAL SCREENING (1) 2018 YOON Ga-eun, life’s-not-a-fairy-tale Labyrinth of Cinema Party ‘Round the Globe children story, South Korea 2019, OBAYASHI Nobuhiko, eccentric- WATANABE Hirobumi, ordinary lives Italian Premiere psychedelic-mystic tale, Japan 2019, of two Beatles’ fans, Japan 2018, Italian Italian Premiere (EXCEPT UK) Kim Ji-young Born 1982 Premiere KIM Do-young, #Metoo family drama, DOCUMENTARIES (1) South Korea 2019, European Premiere* i-Documentary of the Journalist Lucky Chan-sil MORI Tatsuya, the power of free KIM Cho-hee, cinephile romantic speech, Japan 2019, Italian Premiere drama, South Korea 2020, European Premiere * RESTORED CLASSICS (1) The Man Standing Next Cheerful Wind WOO Min-ho, chilling political drama, HOU Hsiao-hsien, classic romantic * White Mulberry Award for first time South Korea 2020, International drama, Taiwan 1982/restored version Festival Premiere 2018, International Premiere Total films: 46 Total films in competition: 38 Vertigo INFO SCREENINGS (1) Director competition: 13 JEON Gye-soo, love on the top floor, 25% Directed by female directors South Korea 2019, Italian Premiere The President’s Last Bang World premiere: 5 IM Sang-soo, real-life political drama, World festival premiere: 1 South Korea 2005/restored version International premiere: 10 2019 European premiere: 11 Italian premiere: 17 9 Dal 1972 Goccia di Carnia arriva sulla tua tavola esattamente come sgorga alla fonte a 1370 mt di altitudine nel cuore incontaminato delle Alpi Carniche. seguici su gocciadicarnia.it Official Sponsor SUSHI LOVERS RESTAURANT RISE of RICE Viale Ledra, 56 33100 Udine (UD) T — +39 0432 531922 M — [email protected] shis.it SCONTO 10% Presenta questo codice a barre Offerta valida fino al 31/07/2020 alla cassa del ristorante prima e non cumulabile con altre offerte dell’emissione dello scontrino, o promozioni in corso.
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    Angola Air Conditioner World premiere Programme section: Bright Future Main Programme Director(s): Fradique Prod. Countries: Angola Prod. Year: 2020 Length: 72 Genre: Fiction 49th Company: Geração 80 INTERNATIONAL FILM FESTIVAL Contact: Jorge Cohen ROTTERDAM Email: [email protected] Logline: Air conditioners mysteriously start January 22 – falling from buildings in the Angolan capital. February 02, 2020 The search for a working unit forms the starting point for an pleasantly free film representing the city's heartbeat. A great jazzy soundtrack, a rap FEATURE FILM CONTACT LIST and the chaotic hum of the city guide us through January 31, 2020 its streets and buildings. Sold territories: All available Argentina Los que vuelven International premiere Programme section: Voices Main Programme Director(s): Laura Casabé Prod. Countries: Argentina Prod. Year: 2019 Length: 93 Genre: Fiction Company: Reel Suspects Contact: Alejandro Israel Email: [email protected] Logline: In this drama dealing with fear and oppression in South America, supernatural powers are unleashed when, in desperation, the wife of a white landowner invokes the spirits of the indigenous people. Her stillborn child is Patagonia. The calm, unchanging nature of the brought back to life, but at a terrible price. Is this impressive landscape contrasts with her restless the feared retribution? inner life, and the people from her past elicit old Sold territories: Argentina emotions and new insights, some of which are not so uplifting. Las poetas visitan a Juana Bignozzi Trailer: International premiere https://www.youtube.com/watch?v=hgAm8iev Programme section: Signatures Szw Director(s): Laura Citarella, Mercedes Halfon Sold territories: All available Prod.
  • Takeshi Kitano Vol

    Takeshi Kitano Vol

    UNIVERSITY OF SHEFFIELD KITANO TAKESHI: AUTHORSHIP1 GENRE & STARDOM IN JAPANESE CINEMA PHD THESIS ADAM R BINGHAM 2009 VOL II 213 The Return of the Kids! A Scene at the Sea [1991], Kids Return [1996] & Dolls [2002] It is possible to sub-divide and compartmentally categorise the oeuvre of Kitano Takeshi in several distinct and mutually compatible ways. Thus far, the tendency in the critical discourse on his work has been, rather too readily and too easily, to focus on those aspects of his films deemed salient authorial determinants - such as the violence and tenderness - and apply this to the body of work as a whole. Thus, for better or for worse, one repeatedly finds in reviews of films such as Ana natsu, ichiban shizukana umi ... (A Scene at the Sea, 1991) and Kikujiro no natsu (Kikujiro, 1999) a focus on their lack of the violent material found in other, better known Kitano films. Similarly, a number of reviews and essays about Hana-Bi [1997] concentrated on its perceived Zen qualities, and in the US this quality of quietude and mono no aware was then read into other works that were released in the wake of 1997, even San tai yon, ekkusu ...jugatsu (Boiling Point, 1990). It is, of course, the central tenet of film authorship to evaluate one of a perceived auteur's films against the oeuvre in general. However, as the aforementioned example of Hana-Bi can amply attest, it is nonetheless the case that the common critical conceptions of Kitano Takeshi or even 'Beat' Takeshi that have gained consensus opinion have often been lazily employed, rehashed and repeated.