DOCSLIB.ORG

Pocket Guide Marché Du Film 2014

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Pocket Guide Marché Du Film 2014 HORAIRES DES PROJECTIONS SCREENING TIMES LE POCKET GUIDE 2014 A ÉTÉ PUBLIÉ AVEC LES INFORMATIONS REÇUES JUSQU’AU 29/04/2014 Les sociétés pouvant être amenées à modifier leurs réservations de projections au dernier moment, nous vous invitons è vérifier les horaires chaque jour auprès de nos hôtesses d'accueil ainsi que dans le Cannes Market News et le Daily Screening Program, que vous trouverez dès 16 heures à la sortie des salles du Marché et dans les principaux hôtels. Vous pouvez également consulter notre site www.cinando.com ou nos applications mobiles. La liste des sociétés ne comporte que celles disposant d'un bureau à Cannes pendant le Festival. Le contact des autres sociétés et l'adresse personnelle des participants figurent dans le Guide du Marché du Film, ainsi que sur le site www.cinando.com ou applications iPhone et Android (pour les autres smartphones m.cinando.com). THE POCKET GUIDE 2014 HAS BEEN EDITED WITH INFORMATION RECEIVED UP UNTIL 29/04/2014 Companies can make last-minute changes to their screening reservations and therefore, we advise you to check screening times each day; you may ask our hostesses and also consult the Cannes Market News and the Daily Screening Program, which will be distributed each day from 4pm outside all market screening rooms and in the main hotels. You can also consult our website www.cinando.com or mobile apps. The list of companies only includes those with an office in Cannes during the Festival. Contacts for other companies and the personal addresses of participants are listed in the Marché du Film Guide as well as on our website www.cinando.com or on your iPhone and Android apps (for other smartphones m.cinando.com). CO : Compétition Officielle • HC : Hors Compétition • QR : Quinzaine des Réalisateurs • SC : Semaine de la Critique • F : Festival or Marché badge ACCÈS AUX PROJECTIONS* CC : Cannes Classics • SFC : Short Film Corner • CR : Un Certain Regard • Market Premiere • P : Press allowed • i : By invitation only • B : Priority badges only SATURDAY 17 • Part 1 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 SCREENING ACCESS 08:30 (150’) CO 11:45 (115’) CO 14:30 (150’) CO 18:30 (150’) CO 22:00 (115’) CO 0:30 (90’) HC LUMIÈRE SAINT LAURENT WILD TALES SAINT LAURENT SAINT LAURENT WILD TALES THE SALVATION TICKET REQUIRED Bertrand Bonello Damián Szifron Bertrand Bonello Bertrand Bonello Damián Szifron Kristian Levring 2300 seats EUROPACORP FILM FACTORY EUROPACORP EUROPACORP FILM FACTORY TRUSTNORDISK Market Premiere 11:30 (100’) CR 14:00 (119’)CR 16:30 (119’) CR 22:00 (119’) CR DEBUSSY RUN THE DISAPPEARANCE OF WHITE GOD THE DISAPPEARANCE OF ELEANOR RIGBY P Press allowed FESTIVAL OR Philippe Lacôte ELEANOR RIGBY Kornél Mundruczó Ned Benson MARCHÉ BADGE BAC FILMS Ned Benson THE MATCH FACTORY MYRIAD PICTURES MYRIAD PICTURES BUÑUEL 14:00 (131’) CC 17:00 (133’) CC 20:00 (115’) CC i By invitation only FESTIVAL OR LE DERNIER METRO HORIZONS PERDUS LES CROIX DE BOIS MARCHÉ BADGE François Truffaut Frank Capra Raymond Bernard 300 seats B Priority badges only BAZIN 15:00 (76’) CR 16:30 (96’) CR FESTIVAL OR THE BLUE ROOM AMOUR FOU MARCHÉ BADGE Mathieu Amalric Jessica Hausner F Festival or Marché badge 350 seats ALFAMA FILMS COPRODUCTION OFFICE SALLE 12:00 (113’) CO 14:30 (196’) CO DU 60e THE CAPTIVE WINTER SLEEP FESTIVAL OR Atom Egoyan Nuri Bilge Ceylan MARCHÉ BADGE E1 FILMS INT’L MEMENTO FILMS 400 seats SÉLECTION 10:00 (82’) (ACID) 12:00 (100’) 14:00 (92’) 16:00 (71’) 18:00 (120’) RIVIERA 1 INSECURE PINOCCHIO PING PONG SUMMER THE MAN IN THE JACK STRONG 63 seats Marianne Tardieu Anna Justice Michael Tully ORANGE JACKET Wladyslaw Pasikowski SELECTION URBAN INT’L GLOBAL SCREEN FILMS BOUTIQUE Aik Karapetian 6 SALES WIDE MANAGEMENT 09:30 (96’) 11:30 (92’) HC 13:30 (109’) 15:30 (112’) QR 17:30 (95’) 22:00 (Trailer) (7’) In a loop RIVIERA 2 THE WAY HE LOOKS SILVERED WATER, HOUSEBOUND GIRLHOOD NOW OR NEVER DARKER THAN NIGHT CO Compétition Officielle 63 seats Daniel Ribeiro SYRIA SELFPORTRAIT Gerard Johnstone Céline Sciamma Serge Frydman Henry Bedwell FILMS BOUTIQUE Ossama Mohammed FILMS DISTRIBUTION FILMS DISTRIBUTION FILMS DISTRIBUTION 6 SALES DOC & FILM INT’L 09:45 (120’) 14:00 (26’) 16:00 (71’) 18:00 (Trailer) (25’) (25’) 20:30 (82’) HC Hors Compétition RIVIERA 3 HALFWAY ALBERI NATURAL SCIENCES NO TEARS FOR THE DEAD / AMERICAN MUSTANG 63 seats Geoffrey Enthoven Michelangelo Frammartino Matias Lucchesi ROARING CURRENTS Monty Miranda FILMS BOUTIQUE COPRODUCTION OFFICE URBAN INT’L Jeong-Beom Lee / Han-Min Kim BLAIRWOOD CJ ENTERTAINMENT QR Quinzaine des Réalisateurs 09:30 (86’) 13:30 (99’) 15:30 (85’) RIVIERA 4 INDIGENOUS 10.000 KM JINN Alastair Orr Carlos Marques-marcet Ajmal Zaheer Ahmad 63 seats SC Semaine de la Critique LIGHTNING ENT. VISIT FILMS RED SEA MEDIA 09:30 (110’) 11:30 (108’) 13:30 (98’) 15:30 (101’) 17:30 (Trailer) (60’) 20:00 (105’) CC Cannes Classics LERINS 1 ANGEL BEHAVIOR WE ARE THE GIANT FALCON RISING FINECUT PROMO SMING 63 seats Ray Burdis Ernesto Daranas Greg Barker Ernie Barbarash ARCLIGHT FILMS LATIDO KALEIDOSCOPE MOONSTONE / PRESTIGE FINECUT M THIRTYNINE CO. SFC Short Film Corner 12:00 (86’) 14:00 (100’) 16:00/45 (Trailer) (20’) x 2 18:00 (93’) LERINS 2 WHERE THE DEVIL HIDES CARMINA & AMEN RATCHET & CLANK THE PRINCE 63 seats Christian Christiansen Paco León Jericca Cleland Brian A. Miller CINEMA FILM FACTORY CINEMA HANNIBAL PICTURES CR Un Certain Regard MANAGEMENT GROUP MANAGEMENT GROUP * Les projections du Marché sont accessibles sur présentation du badge Marché du Film, sauf décision particulière de la société de vente indiquée dans cette grille horaire. *Marché screenings are reserved to Marché badges unless a special request has been made by the sales company indicated in this schedule. 17 18 CO : Compétition Officielle • HC : Hors Compétition • QR : Quinzaine des Réalisateurs • SC : Semaine de la Critique • F : Festival or Marché badge CC : Cannes Classics • SFC : Short Film Corner • CR : Un Certain Regard • Market Premiere • P : Press allowed • i : By invitation only • B : Priority badges only WEDNESDAY 14 • Part 1 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 19:15 (30’) 23:00 (103’) HC LUMIÈRE CÉRÉMONIE GRACE OF MONACO TICKET REQUIRED D’OUVERTURE Olivier Dahan 2300 seats STONE ANGELS 14:00 (90’) i 16:00 (Trailer) (90’) 18:00 (86’) i THE LEGEND OF QIN In the loop FROG KINGDOM RIVIERA 1 Robin Shen TRAILER LOOP SCREENING Nelson Shin 63 seats GOLDEN NETWORK SOLA MEDIA GOLDEN NETWORK 15:30 (80’) 17:30 (95’) BONTA 3D KEEP ROLLIN’ RIVIERA 2 Leo Lee Stefan Hillebrand 63 seats GOLDEN NETWORK EASTWEST 14:00 (Trailer) (25’) 16:00 (97’) 18:00/18:20/18:40/19:00/19:20/19:40 (Trailer) (14’) NO TEARS FOR THE DEAD / SPANISH AFFAIR WOLF TOTEM RIVIERA 3 ROARING CURRENTS Emilio Martínez-lázaro Jean-Jacques Annaud 63 seats Jeong-Beom Lee/Han-Min Kim FILM FACTORY EDKO FILMS CJ ENTERTAINMENT 11:30 (107’) 13:30 (98’) 15:30 (Trailer) (20’) 17:30 (95’) KELLY & CAL 3D LOST IN WRESTLING THE HERO OF COLOR CITY THE BETTER ANGELS RIVIERA 4 Jen McGowen Casey Chan Frank Gladstone A.J. Edwards 63 seats ELECTRIC ENTERTAINMENT GOLD HARBOUR INT’L MOVIEHOUSE ELECTRIC ENTERTAINMENT 11:30 (101’) 13:30 (102’) 15:30 (86’) 17:30 (100’) GOODBYE WORLD DARK HOUSE INDIGENOUS ASK ME ANYTHING LERINS 1 Denis Hennelly Victor Salva Alastair Orr (UNDISCOVERED GIRL) 63 seats LIGHTNING ENT. LIGHTNING ENT. LIGHTNING ENT. Allison Burnett LIGHTNING ENT. 14:00 (97’) 16:00 (Trailer) (60’) 18:00 (103’) A PATRIOTIC MAN THE SNOW QUEEN II: THE JOURNEY LERINS 2 Arto Halonen THE SNOW KING Keng Guan Chiu 63 seats ART FILMS PRODUCTION Alexey Tsitsilin ASTRO SHAW WIZART ANIMATION 17:30 (83’) MANOS SUCIAS PALAIS B Josef Wladyka 40 seats 6 SALES 12:00 (93’) 14:00 (85’) 16:00 (76’) 18:00 (110’) HOME A CHRISTMOOSE STORY L’ECHANGE KIKAIDER -THE ULTIMATE HUMAN ROBOT- PALAIS C Nicholas Mccarthy Lourens Blok Mickael Mongin Ten Shimoyama 40 seats XYZ FILMS ATTRACTION DISTRIBUTION LBYL FILMS KADOKAWA 13:30 (95’) 15:30 (100’) 17:30 (96’) 20:00 (100’) STAGE FRIGHT OLIVER’S DEAL 4 MINUTE MILE PARTS PER BILLION PALAIS D Jerome Sable Barney Elliott Charles Michaud Brian Horiuchi 40 seats XYZ FILMS DREAMCATCHERS DOUBLE DUTCH INT’L XYZ FILMS 14:00 (88’) i 16:00 (81’) HILDA ASMODEXIA PALAIS E Andrés Clariond Rangel Marc Carrete 40 seats M-APPEAL RAVEN BANNER 15:30 (90’) 17:30 (110’) ANOTHER HOUSE SISTER PALAIS F Mathieu Roy David Lascher 40 seats FILMOPTION INT’L FILM SALES COMPANY 10:00 (88’) 12:00 (101’) 14:00 (100’) 16:00 (Trailer) (20’)/16:30/17:00/17:30 GOD’S POCKET FORT MCCOY KAMASUTRA 3D ABCS OF DEATH II PALAIS G John Slattery Kate Connor Rupesh Paul 40 seats ELECTRIC ENTERTAINMENT SPOTLIGHT PICTURES GJ ENTERTAINMENTS MFZE MAGNOLIA 13:30 (84’) 15:30 (90’) 17:30 (83’) THE TRUTH ABOUT BEAUTY LONDON PAYBACK STANDBY PALAIS H Aubrey Lam Ben Pickering Rob Burke 45 seats WE DISTRIBUTION EASTWEST MAGNOLIA 14:00 (88’) 16:00 (95’) HONEYMOON STEREO PALAIS I Leigh Janiak Maximilian Erlenwein 73 seats MAGNOLIA BETA CINEMA 13:15 (120’) 15:30 (91’) GOOD LUCK!BOY THE CUSTODY PALAIS J Shou-Ho Sylvain Archambault 73 seats KBRO MEDIA ATTRACTION DISTRIBUTION 14:00 (90’) 16:00 (97’) 18:00 (150’) LEGEND OF A RABBIT: MIDNIGHT SUN THE PHYSICIAN PALAIS K THE MARTIAL OF FIRE Roger Spottiswoode Philipp Stölzl 150 seats Da Ke Dong HYDE PARK INT’L BETA CINEMA TIANJIN NORTH FILM GROUP 15:30 (97’) BARBECUE ARCADES 1 Eric Lavaine 268 seats STUDIOCANAL 12:00 (110’) 16:00 (108’) 24 DAYS GAGARIN: FIRST IN SPACE ARCADES 2 Alexandre Arcady Pavel Parkhomenko 142 seats KINOLOGY MANIFEST FILM SALES 15:30 (90’) 17:30 (97’) PRESERVATION ABERDEEN ARCADES 3 Christopher Denham Ho-Cheung
Load more

Recommended publications
  • Flemish Cinema and Film Culture Through South African Eyes
    Flemish Cinema and Film Culture through South African Eyes By Martin P. Botha Fall 2007 Issue of KINEMA THE HERITAGE OF FILM: PERSPECTIVE ON FLEMISH CINEMA AND FILM CUL- TURE THROUGH SOUTH AFRICAN EYES I assisted the Locarno Film festival in 2005 with a retrospective of short films by young South African directors. There I met a very talented, young Flemish director, whose film was by far the best in the one section.(1) It moved me immensely with its honest portrait of alienation and racial discrimination. We had a long discussion on film history, aesthetics and film cultures. We also talked about the historyof film in Belgium and it was noted that while the French speaking side of Belgian cinema had recently received international acclaim (for example, the work by the Dardenne Brothers), Flemish cinema was struggling. In fact, the young filmmaker made the statement that there was little to be excited about in the historyof Flemish cinema. He felt especially that the films about rural communities and most of the historical dramas were not saying much about contemporary Flanders, in particular, the youth. I have heard this argument before, but in a totally different cultural context. Many young, aspiring South African filmmakers have told me there is very little in South African film history which makes themproud of their film culture. For decades South African film culture has been in isolation. The years 1959to1980 were characterised by an artistic revival in filmmaking throughout the world, ranging from exciting political films in Africa and Latin America to examples of great art cinema in Europe and Asia.
    [Show full text]
  • Cultural Branding in the Early Modern Period 31 the Literary Author Lieke Van Deinsen and Nina Geerdink
    PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. https://repository.ubn.ru.nl/handle/2066/232945 Please be advised that this information was generated on 2021-09-24 and may be subject to change. Joosten & Steenmeijer(eds) Dera, den Braber, Van Branding Books Across the Ages Strategies and Key Concepts in Literary Branding Branding Books Across the Ages Across the Books Branding Edited by Helleke van den Braber, Jeroen Dera, Jos Joosten and Maarten Steenmeijer Branding Books Across the Ages Branding Books Across the Ages Strategies and Key Concepts in Literary Branding Edited by Helleke van den Braber, Jeroen Dera, Jos Joosten, and Maarten Steenmeijer Amsterdam University Press This volume is supported by the Stichting Frederik Muller Fonds, the Paul Hazard Stichting, the Radboud Institute for Culture and History, and the Department of Modern Languages and Cultures at Radboud University. The authors thank Demi Schoonenberg and Tommie van Wanrooij for their invaluable help during the editorial process of this book. Cover design: Coördesign, Leiden Typesetting: Crius Group, Hulshout isbn 978 94 6372 391 6 e-isbn 978 90 4854 440 0 (pdf) doi 10.5117/9789463723916 nur 621 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise).
    [Show full text]
  • The Cutting Edge of French Cinema
    BACKWASH: THE CUTTING EDGE OF FRENCH CINEMA J’IRAI AU PARADIS CAR L’ENFER EST ICI , Xavier Durringer ( France, 1997 ) MA 6T VA CRACK-ER , Jean-Francois Richet ( France, 1997 ) LE PETIT VOLEUR , Érick Zonca ( France, 1998 ) L’HUMANITÉ , Bruno Dumont ( France, 1999 ) POLA X , Leos Carax ( France, 1999 ) RESSOURCES HUMAINES (Human Resources), Laurent Cantet ( France, 1999 ) À MA SOEUR! , Catherine Breillat ( France-Italy, 2000 ) PARIA , Nicolas Klotz ( France, 2000 ) SAINT-CYR , Patricia Mazuy ( France-Belgium, 2000 ) SELON MATTHIEU , Xavier Beauvois ( France, 2000 ) SOUS LE SABLE , François Ozon ( France-Belgium-Italy-Japan, 2000 ) ÊTRE ET AVOIR , Nicolas Philibert ( France, 2001 ) IRRÉVERSIBLE (Irreversible), Gaspar Noé ( France, 2001 ) LA CHATTE À DEUX TÊTES , Jacques Nolot ( France, 2001 ) LA VIE NOUVELLE , Philippe Grandrieux ( France, 2001 ) LE PACTE DES LOUPS , Christophe Gans ( France, 2001 ) LE STADE DE WIMBLEDON , Mathieu Amalric ( France, 2001 ) ROBERTO SUCCO , Cédric Kahn ( France-Switzerland, 2001 ) TROUBLE EVERY DAY , Claire Denis ( France-Japan, 2001 ) DANS MA PEAU , Marina De Van ( France, 2002 ) UN HOMME, UN VRAI , Jean-Marie Larrieu, Arnaud Larrieu ( France, 2002 ) CLEAN , Olivier Assayas ( France-UK-Canada, 2003 ) INNOCENCE , Lucile Hadzihalilovic ( France-UK-Belgium, 2003 ) L’ESQUIVE , Abdellatif Kechiche ( France, 2003 ) LE CONVOYEUR , Nicolas Boukhrief ( France, 2003 ) LES CORPS IMPATIENTS , Xavier Giannoli ( France, 2003 ) ROIS ET REINE , Arnaud Desplechin ( France-Belgium, 2003 ) TIRESIA , Bertrand Bonello ( France, 2003 ) DE BATTRE MON COEUR S’EST ARRÊTÉ (The Beat That My Heart Skipped), Jacques Audiard ( France, 2004 ) LES REVENANTS , Robin Campillo ( France, 2004 ) LES ANGES EXTERMINATEURS , Jean-Claude Brisseau ( France, 2005 ) VOICI VENU LE TEMPS , Alain Guiraudie ( France, 2005 ) À L’INTERIEUR , Alexandre Bustillo, Julien Maury ( France, 2006 ) AVIDA , Benoît Delépine, Gustave Kervern ( France, 2006 ) LES CHANSONS D’AMOUR , Christophe Honoré ( France, 2006 ) 24 MESURES , Jalil Lespert ( France-Canada, 2007 ) L’HISTOIRE DE RICHARD O.
    [Show full text]
  • Palm Springs International Animation Festival SCHEDULE
    Palm Springs International Special Events Animation Festival Special Feature Presentations SCHEDULE WEDNESDAY Wednesday, August 22, 2018 11:15am – 12:39pm 10 am – 10:58 am 2017 Animated Short Film Award Winners Marnie’s World Theatre 1 Feature Film 2017 Animated Short Film Award Winners ( PCAW001 ) A collection of the Theatre 1 winning animated shorts of the 2017 inaugural season featuring Oscar US Premiere! winning talent and stories from all over the world. Weeds - 3:45 - USA - Director : Kevin Hudson 4pm Red Carpet Tokri (The Basket) 14:46 - India - Director : Suresh Eriyat 5pm – 6:40pm Adija - 4:08 - USA - Director : Apollonia Thomaier Sgt. Stubby: An Yellow Rose - 3:58 - Australia - Director : Xin Li American Hero Virtual Actors in Chinese Opera - 3:15 - Hong Kong - Director : Tobias Feature Film Gremmler Theatre 1 The Potato Eaters - 3:54 - Czech Republic - Director : Martin Kukal – Opening Night Event! Tanguito Argentino - 8:00 - Argentina - Director : Joaquin Braga Cuerdas - 10:52 - Spain - Director : Pedro Solis Escape - 4:45 - USA - Director : Brandon Oldenburg FRIDAY 3:45pm -4:45pm 10:15am – 10:52am Classic Auction: Animated Cells Theatre 2 Theatre 3 The collections of shorts in this segment will take you back in time to the beginning of this amazing unique visual art form. SATURDAY 11:00am-12:30pm A Thousand Kisses - 16:38 - USA - Director : Richard Goldgewicht Mission Kathmandu: Skyscrapers - 12:15 - Switzerland - Director : Fabienne Giezendanner The Adventures of Nelly Nowhere - 4:09 - USA - Director : HYEON JEONG CHO & Simon The Balloonatic - 3:00 - UK - - Director : Eoin Mcloughlin Theatre 1 3:00pm-4:45pm Isle of Dogs Special Presentation – Celebrating Loving All Animals Animal Shelter Theatre 1 11:15am – 12:39pm Marnie’s World Feature Film US Premiere Panels/ Theatre 1 Masterclass WEDNESDAY (2018) - 84 min - Germany Animation | Adventure | Comedy Spoiled orange house cat Marnie lives a comfy life in the Sunshine household.
    [Show full text]
  • Bilan 2003 Du Centre Du Cinéma Et De L
    2003 - Bilan en bref Bilan de la production, de la promotion et de la diffusion cinématographiques et audiovisuelles Centre du Cinéma et de l’Audiovisuel Service général de l’Audiovisuel et des Multimédias Ministère de la Communauté française de Belgique TABLE DES MATIÈRES Introduction Le Centre du Cinéma et de l’Audiovisuel : enveloppe budgétaire pour la production audiovisuelle ......................................... 4 1. Bilan de la Commission de Sélection des Films (courts et longs métrages, téléfilms et collections, programmes télévisuels) .................................. 6 1.1 Examen des projets ........................................................................................ 6 1.2 Promesses d’aide sélective attribuées en 2003 ............................................. 7 1.3 Liste des films soutenus ................................................................................. 8 2. Subventions à la diffusion et primes à la qualité ................................................... 16 3. Coproductions entre les producteurs indépendants et les télévisions (RTBF / RTL-TVi / Canal + / AB3) ............................................... 17 4. Ateliers d’accueil, de production et ateliers d’école.............................................. 18 5. Promotion et diffusion ............................................................................................ 18 5.1 Aides à la promotion ..................................................................................... 18 5.2 Aides à la diffusion .......................................................................................
    [Show full text]
  • “A Single-Shot Masterpiece.”
    JANUARI 2020 ZED SPRAK MET Fabrice du Welz ZED SPRAK MET Willem Wallyn “We zijn allemaal wel wat prutsers.” EINDEJAARSLIJSTJES De beste films van 2019 Onze vrouw op IDFA Blue Monday movies 1917 Filmanjaro “A single-shot masterpiece.” Muidhond, THE GUARDIAN de nieuwe film van Patrice Toye Cinema ZED-STUK Cinema ZED-Vesalius Naamsestraat 96 A. Vesaliusstraat 9c 3000 Leuven 3000 Leuven SCHEMAP. 301 Word lid van Club ZED Hou je van film? Hou je van een regelmatig avondje uit naar de bioscoop? Wil je graag alles weten over de komende releases, evenementen en belangrijke filmmakers? Dan is Club ZED iets voor jou. DE VOORDELEN Maandelijks het ZED magazine in je brievenbus Maandelijks 2 tickets voor een film naar keuze uit deze maandprogrammatie Een Club ZED kortingskaart die je recht geeft op het kortingstarief voor alle bijkomende tickets PRIJS € 18 per maand € 100 per 6 maand HOE GAAT HET IN ZIJN WERK? MELD JE AAN OP CINEMAZED.BE/CLUBZED. Leden ontvangen naast het ZED Magazine maandelijks 2 unieke ticket-codes. Deze codes kunnen online of aan de balie omgewisseld worden voor filmtickets naar keuze. Deze codes zijn enkel geldig voor voorstellingen van de lopende maand- programmatie. De minimale duur van een abonnement is 3 maanden en kan te allen tijde opgezegd worden. 2 Met in- of uitleiding Met live begeleiding Onuitgegeven ontdekking Alle films zijn Nederlands ondertiteld, tenzij anders aangegeven. INHOUD Recente releases Play it Again Sam Blue Monday 4 1917 14 Little Joe 20 The Irishman 27 Singin’ in the Rain 5 Ghost Tropic Muidhond
    [Show full text]
  • Le-Vent-Tourne-Dossier-De-Presse-Francais.Pdf
    ARP Sélection présente un film de Bettina Oberli Durée : 1h27 Distribution Presse ARP Sélection Florence Narozny 13, rue Jean Mermoz assistée de Clarisse André 75008 Paris 6 place de la Madeleine 75008 Paris Tél : 01 56 69 26 00 01 40 13 98 09 Fax : 01 45 63 83 37 [email protected] www.arpselection.com www.lecinemaquejaime.com Synopsis Pauline, une jeune paysanne, élève ses bêtes dans le respect de la nature. L’arrivée de Samuel, venu installer une éolienne, va bouleverser son couple, ses valeurs. Entretien avec Bettina Oberli Réalisatrice Vous êtes très connue dans les pays de langue allemande, inconnue ici. Quels sont les chemins qui vous ont conduit à la réalisation ? C’est vrai que j’ai travaillé dans des zones germanophones jusqu’à présent. Il existe un fossé entre la culture des régions de langue française et celles dans lesquelles on parle allemand – je remarque ça même en Suisse, entre Suisse-Allemands et Romands. On lit d’autres livres, on écoute d’autres musiques et souvent, on regarde d’autres films. J’ai depuis toujours ressenti ce besoin, ce moteur qui me pousse à créer quelque chose, un univers. À travers le cinéma, je peux comprendre la vie dans sa complexité, la penser ou la ressentir différemment, en faire une abstraction. J’ai grandi entre l’île de Samoa, dans le Pacifique, et les Alpes Suisses, bien loin d’un lieu où le cinéma était considéré comme une activité possible. Je n’avais aucune connaissance de ce monde, mais j’aimais voir des films.
    [Show full text]
  • Jaarverslag 2019
    Jaarverslag 2019 Dit verslag biedt een analyse van de acties die screen.brussels fund vzw heeft ondernomen om zijn doelstellingen te verwezenlijken. Het bestaat uit vijf grote hoofdstukken: 1. Herhaling van de doelstellingen en taken van screen.brussels fund 2. Balans van de investeringen in de producties 3. Balans van de uitgevoerde acties 4. Boekhoudkundige balans 2019 Dit jaar staat meer bepaald in het teken van de consolidatie van de databases met professionals uit de audiovisuele sector en van de lancering van een platform om de aanvragen voor fondsen elektronisch te kunnen indienen. Dit jaar kenmerkt zich ook door de betaling van de subsidies in vele schijven (verkiezingsjaar). 1 screen.brussels fund vzw – Balans jaar 2019 1. Herhaling van de doelstellingen en taken 1.1. Context Op 2 mei 2016 lanceerde het Brussels Hoofdstedelijk Gewest zijn nieuwe strategie die moest zorgen voor een betere toegankelijkheid van het Brusselse audiovisuele aanbod voor alle Brusselse, Belgische en internationale betrokkenen. Deze strategie werd met name concreet door de oprichting van het overkoepelende merk screen.brussels. Dit bestaat uit 4 entiteiten: - screen.brussels film commission (het voormalige Brussels Film Office, onder leiding van visit.brussels) - screen.brussels cluster (de sectorale cluster, ondergebracht bij hub.brussels) - screen.brussels business (financiering van Brusselse audiovisuele bedrijven via finance.brussels) - screen.brussels fund (het Brusselse coproductiefonds) 1.2. Doelstellingen Het doel van de vzw screen.brussels binnen deze organisatie is de ontwikkeling en promotie van de audiovisuele sectoren in het Brussels Hoofdstedelijk Gewest, en de organisatie van alle taken die verband houden met de visuele sectoren in het algemeen.
    [Show full text]
  • SAVAGE FILM & KINEPOLIS FILM DISTRIBUTION Stellen Voor Scenariojeroen PERCEVAL En Robin PRONT Regie Robin PRONT
    SAVAGE FILM & KINEPOLIS FILM DISTRIBUTION stellen voor scenario Jeroen PERCEVAL en Robin PRONT regie Robin PRONT releasedatum : 14 oktober 2015 inhoudstafel intro ............................................................................................................................................................................. 3 synopsis ..................................................................................................................................................................... 4 intentieverklaring auteur .................................................................................................................................... 5 intentieverklaring regisseur .............................................................................................................................. 6 personages | cast - jeroen perceval ....................................................................................................................................... 7 - kevin janssens .......................................................................................................................................... 8 - veerle baetens ......................................................................................................................................... 9 - jan bijvoet ................................................................................................................................................ 10 regisseur robin pront ......................................................................................................................................
    [Show full text]
  • Catalogue-2018 Web W Covers.Pdf
    A LOOK TO THE FUTURE 22 years in Hollywood… The COLCOA French Film this year. The French NeWave 2.0 lineup on Saturday is Festival has become a reference for many and a composed of first films written and directed by women. landmark with a non-stop growing popularity year after The Focus on a Filmmaker day will be offered to writer, year. This longevity has several reasons: the continued director, actor Mélanie Laurent and one of our panels will support of its creator, the Franco-American Cultural address the role of women in the French film industry. Fund (a unique partnership between DGA, MPA, SACEM and WGA West); the faithfulness of our audience and The future is also about new talent highlighted at sponsors; the interest of professionals (American and the festival. A large number of filmmakers invited to French filmmakers, distributors, producers, agents, COLCOA this year are newcomers. The popular compe- journalists); our unique location – the Directors Guild of tition dedicated to short films is back with a record 23 America in Hollywood – and, of course, the involvement films selected, and first films represent a significant part of a dedicated team. of the cinema selection. As in 2017, you will also be able to discover the work of new talent through our Television, Now, because of the continuing digital (r)evolution in Digital Series and Virtual Reality selections. the film and television series industry, the life of a film or series depends on people who spread the word and The future is, ultimately, about a new generation of foreign create a buzz.
    [Show full text]
  • 12 Big Names from World Cinema in Conversation with Marrakech Audiences
    The 18th edition of the Marrakech International Film Festival runs from 29 November to 7 December 2019 12 BIG NAMES FROM WORLD CINEMA IN CONVERSATION WITH MARRAKECH AUDIENCES Rabat, 14 November 2019. The “Conversation with” section is one of the highlights of the Marrakech International Film Festival and returns during the 18th edition for some fascinating exchanges with some of those who create the magic of cinema around the world. As its name suggests, “Conversation with” is a forum for free-flowing discussion with some of the great names in international filmmaking. These sessions are free and open to all: industry professionals, journalists, and the general public. During last year’s festival, the launch of this new section was a huge hit with Moroccan and internatiojnal film lovers. More than 3,000 people attended seven conversations with some legendary names of the big screen, offering some intense moments with artists, who generously shared their vision and their cinematic techniques and delivered some dazzling demonstrations and fascinating anecdotes to an audience of cinephiles. After the success of the previous edition, the Festival is recreating the experience and expanding from seven to 11 conversations at this year’s event. Once again, some of the biggest names in international filmmaking have confirmed their participation at this major FIFM event. They include US director, actor, producer, and all-around legend Robert Redford, along with Academy Award-winning French actor Marion Cotillard. Multi-award-winning Palestinian director Elia Suleiman will also be in attendance, along with independent British producer Jeremy Thomas (The Last Emperor, Only Lovers Left Alive) and celebrated US actor Harvey Keitel, star of some of the biggest hits in cinema history including Thelma and Louise, The Piano, and Pulp Fiction.
    [Show full text]
  • Bird People a Film by Pascale Ferran Archipel 35 Presents
    ARCHIPEL 35 PRESENTS JOSH CHARLES ANAÏS DEMOUSTIER BIRD PEOPLE A FILM BY PASCALE FERRAN ARCHIPEL 35 PRESENTS BIRD PEOPLE a film byPascale FERRAN with Josh Charles, Anaïs Demoustier, Roschdy Zem, Camélia Jordana, Geoffrey Cantor, Clark Johnson, Taklyt Vongdara and Radha Mitchell France • 2014 • 128 min WORLD SALES INTERNATIONAL PRESS Films Distribution RENDEZ VOUS 36, Rue du Louvre 2 rue Turgot 75009 Paris 75001 Paris - France Viviana Andriani : +33 6 80 16 81 39 Ph : +33 1 53 10 33 99 Aurélie Dard : +33 6 77 04 52 20 www.filmsdistribution.com [email protected] Download Presskit and stills: www.rv-press.com SYNOPSIS In a Paris airport zone, two strangers try to make sense out of their lives: an American engineer under great professional and emotional pressure who decides to radically change the course of his existence, and a young hotel chambermaid who goes through a life-altering supernatural experience. CAST PASCALE FERRAN After graduating from IDHEC (former FEMIS) where she pursued cinema studies from 1980 to 1983, Pascale Ferran worked as an assistant in television and as a co-writer for Pierre Trividic, Arnaud Desplechin, Jean-Pierre Limosin and Philippe Venault. She directed six short films from 1979 to 1990, notably LE BAISER [The Kiss], which received awards in several international festivals. She directed her first feature film PETITS ARRANGEMENTS AVEC LES MORTS (Coming to Terms with the Dead) in 1993. The film, won the Caméra d’Or at Cannes Film Festival. Her second feature, L’ÂGE DES POSSIBLES (1996, The Age of Possibilities) received the FIPRESCI award at Venice Film festival.
    [Show full text]