Corona Warriors
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
PM Asks States to Suggest Plan for Staggered End to Lockdown
follow us: friday, april 3, 2020 Chennai City Edition thehindu.com 18 pages ț ₹5.00 facebook.com/thehindu twitter.com/the_hindu Hurriyat opposes Four countries charter Aurobindo Pharma Amid pandemic, Jammu and Kashmir's Air India !ights to and Novartis call o" Joe Biden sidelined by new domicile laws repatriate their citizens $1-billion Sandoz deal omnipresent Trump page 8 page 10 page 12 page 11 Printed at . Chennai . Coimbatore . Bengaluru . Hyderabad . Madurai . Noida . Visakhapatnam . Thiruvananthapuram . Kochi . Vijayawada . Mangaluru . Tiruchirapalli . Kolkata . Hubballi . Mohali . Malappuram . Mumbai . Tirupati . lucknow . cuttack . patna NEARBY PM asks States to suggest plan CM seeks ₹3,000 crore to for staggered end to lockdown procure equipment ‘Appoint disease surveillance o!cers in all districts, collate data from private labs’ Palaniswami urges PM to increase borrowing limit of States 11.63% cardholders get cash, grain on day one Nistula Hebbar Special Correspondent CHENNAI NEW DELHI Cong. seeks CHENNAI Amid reports of violation of What do you mean by APMC? Prime Minister Narendra Chief Minister Edappadi K. physical distancing norms in more relief Modi, at his second video- Palaniswami on Thursday certain places of the State What are the salient features of the APMC Act? urged Prime Minister Naren- and the alleged involvement conference with Chief Minis- The Congress Working dra Modi to allocate ₹3,000 of members of the ruling ters, on Thursday told them whyCommittee it(CWC) is heldbecoming its redundant now? AIADMK, the distribution of that it was “important to for- !rst-ever virtual meeting crore for procuring personal ₹1,000 cash and free rice, mulate a common exit stra- Whaton Thursday are to discuss it’s the shortcomings?protective equipment (PPE), pulses, edible oil and tegy to ensure staggered re- challenges posed by the N-95 masks and ventilators Heads-up: Chief Minister Edappadi K. -
2 M Music Hcm.Pdf
Visva-Bharati, Sangit-Bhavana DEPARTMENT OF HINDUSTHANI CLASSICAL MUSIC CURRICULUM FOR POSTGRADUATE COURSE M.MUS IN HINDUSTHANI CLASSICAL MUSIC Sl.No Course Semester Credit Marks Full . Marks 1. 16 Courses I-IV 16X4=64 16X50 800 10 Courses Practical 06 Courses Theoretical Total Courses 16 Semester IV Credits 64 Marks 800 M.MUS IN HINDUSTHANI CLASSICAL MUSIC OUTLINE OF THE COURSE STRUCTURE 1st Semester 200 Marks Course Marks Credits Course-I (Practical) 40+10=50 4 Course-II (Practical) 40+10=50 4 Course-III (Practical) 40+10=50 4 Course-IV (Theoretical) 40+10=50 4 2nd Semester 200 Marks Course Marks Credits Course-V (Practical) 40+10=50 4 Course-VI (Practical) 40+10=50 4 Course-VII (Theoretical) 40+10=50 4 Course-VIII (Theoretical) 40+10=50 4 3rd Semester 200 Marks Course Marks Credits Course-IX (Practical) 40+10=50 4 Course-X (Practical) 40+10=50 4 Course-XI (Practical) 40+10=50 4 Course-XII (Theoretical) 40+10=50 4 4th Semester 200 Marks Course Marks Credits Course-XIII (Practical) 40+10=50 4 Course-XIV (Practical) 40+10=50 4 Course-XV (Theoretical) 40+10=50 4 Course-XVI (Theoretical) 40+10=50 4 1 Sangit-Bhavana, Visva Bharati Department of Hindusthani Classical Music CURRICULUM FOR POST GRADUATE COURSE M.MUS IN HINDUSTHANI CLASSICAL MUSIC TABLE OF CONTENTS HINDUSTHANI CLASSICAL MUSIC (VOCAL)………………………………………………3 HINDUSTHANI CLASSICAL MUSIC INSTRUMENTAL (SITAR)…………………………14 HINDUSTHANI CLASSICAL MUSIC INSTRUMENTAL (ESRAJ)…………………………23 HINDUSTHANI CLASSICAL MUSIC INSTRUMENTAL (TABLA)………………………..32 HINDUSTHANI CLASSICAL MUSIC INSTRUMENTAL (PAKHAWAJ)………………….42 2 CURRICULUM FOR POSTGRADUATE COURSE DEPARTMENT OF HINDUSTHANI CLASSICAL MUSIC SUBJECT- HINDUSTHANI CLASSICAL MUSIC (VOCAL) Course Objectives: This is a Master’s degree course in Hindustani Classical vocal music with emphasis on teaching a nuanced interpretation of different ragas. -
Sangit-Bhavana, Visva Bharati Department of Hindusthani Classical Music
Sangit-Bhavana, Visva Bharati Department of Hindusthani Classical Music CURRICULUM FOR UNDERGRADUATE COURSE CHOICE BASED CREDIT SYSTEM S.No. COURSE SEMESTER CREDITS MARKS FULL MARKS Core Course 1 14 Courses I –VI 14X6=84 14X75 1050 08 Courses Practical 06 Courses Theoretical Discipline Specific Elective Course (DSE) 2 04 Courses V- VI 4X6=24 4X75 300 03Courses Practical 01 course Theoretical Generic Elective Course (GEC) 04 Courses I-IV 4X6=24 4X75 300 3 03 Courses Practical 01 Course Theoretical Skill Enhancement Compulsory Course (SECC) 4 III-IV 2X2=4 2X25 50 02 Courses Theoretical Ability Enhancement I-II 2X2=4 2X25 50 Compulsory Course (AECC) 5 02 Courses Theoretical 6 Foundation Course I-II 2X4=8 2X50 100 (Tagore Studies) 02 Courses Theoretical Total: 26+2=28 Courses - - - 1850 1 CHOICE BASED CREDIT SYSTEM B.MUS (HONS) IN HINDUSTHANI CLASSICAL MUSIC (VOCAL) COURSE AND MARKS DISTRIBUTION STRUCTURE Core course AECC SECC DSE GEC TS SEM Total Prac Theo Prac Theo Prac Theo Prac Theo Prac Theo Theo I 75 75 - 25 - - - - 75 - 50 300 II 75 75 - 25 - - - - 75 - 50 300 III 150 75 - - - 25 - - 75 - - 325 IV 150 75 - - - 25 - - - 75 - 325 V 75 75 - - - - 150 - - - - 300 VI 75 75 - - - - 75 75 - - - 300 Total 600 450 - 50 - 50 225 75 225 75 100 1850 2 Sangit-Bhavana, Visva Bharati Department of Hindusthani Classical Music CURRICULUM FOR UNDERGRADUATE COURSE CHOICE BASED CREDIT SYSTEM B.MUS (HONS) IN HINDUSTHANI CLASSICAL MUSIC TABLE OF CONTENTS HINDUSTHANI CLASSICAL MUSIC (VOCAL) 4 HINDUSTHANI CLASSICAL MUSIC INSTRUMENTAL (SITAR) 21 HINDUSTHANI -
Pjsoft Ventures Celebrity List S.No Image Bio Languages Spoken I
Note: Charges may vary depending on your requirement Category: Pjsoft Ventures Celebrity List Social Media Only Video S.No Image Name Bio Languages Spoken IG Followers Post Charges Ashnoor Kaur is an Indian actress. She made her television debut through Zee TV's Jhansi Ki Rani, but became known 1 English,Hindi 5.9m 5-8Lakh 3 - 6 Lakh portraying Naira Singhania in Yeh Rishta Kya Kehlata Hai on Star Plus and Mini Khurana in Sony TV's Patiala Babes Anita Hassanandani is an Indian actress who primarily works in Hindi, Telugu, and Tamil films and serials. She is best known for portraying Anjali in the Star 5-8Lakh 3.6-5 Lakh 2 English,Hindi 5.7m Plus's Kkavyanjali, Shagun onwards onwards Arora in Star Plus's Yeh Hai Mohabbatein and Vishakha Khanna in Colors TV's Naagin 3, 4 and 5 Neha Sharma, known by her stage name Nia Sharma, is an Indian television actress. She made her television debut Price on 3-5 Lakh 3 playing Anu in Kaali – Ek English,Hindi 5.3m Request onwards Agnipariksha in 2010. She is best known for her portrayal as Manvi in Ek Hazaaron Mein Meri Behna Hai Amala Paul is an Indian film actress who mainly appears in Tamil, Malayalam and Telugu films. After appearing in a supporting role in the 3-5 Lakhs 4 English,Hindi 3.7m 5-8Lakh Malayalam-language film onwards Neelathamara, Amala became noted after playing the title role in Mynaa, receiving critical acclaim for her work Karan Kundra is an Indian film and television actor best known for the role of Arjun Punj in Ekta Kapoor's Kitani Mohabbat Hai that aired on NDTV Imagine. -
An Inquiry Into Contextualized Christian Expression in North India
© 2011 M. J. Gracin ii ABSTRACT AN INQUIRY INTO CONTEXTUALIZED CHRISTIAN EXPRESSION IN NORTH INDIA M. J. Gracin Liberty University The riches of India’s ancient and diverse culture are proclaimed from the music that communicates the heart of Bharat Mata – Mother India. This sentiment resounds across the vast geographical area of India in songs from Hindus, Muslims, Sikhs, Buddhists, Christians and Bollywood composers. The question of how Christians might express their faith in light of societal, historical and religious amalgamations is the topic of discussion for this project. The inquiry will focus on the music culture of North India, specifically as it is expressed in the city of B_____, Uttar Pradesh. A six week field study was conducted in India to interview Hindu musicians and non-musicians. Audio and video recordings were made of the interviews, and photographs and recordings were made of various performances. The analysis endeavors to fill the gap concerning an understanding of the need for contextualized Christian expression and recommendations are presented for carrying out the task. iii CONTENTS CHAPTER I: INTRODUCTION ................................................................................................5 Project Significance ...............................................................................................................5 Definition of Purpose .............................................................................................................9 Intended Outcomes ............................................................................................................. -
Guru Randhawa
FOR THE MAN IN FULL | www.mansworldindia.com NOVEMBER 2020 | K 150 GURU RANDHAWA • GUCCI • BEST SEDANS / ISSUE 249 / NOVEMBER 2020 ISSN 2277 - 1840 MW MAHENG/2008/26535 NO. RNI THE SELF-MADE SUCCESS STORY OF GURU RANDHAWA FULL PG BLEED 230 X298.indd 1 06/11/20 9:53 PM MW November 2020 Cover Final.indd All Pages 02/11/20 10:35 PM NOVEMBER 2020 Publisher & Editor N RADHAKRISHNAN Executive Publisher MINAL SURVE Executive Editor ARNESH GHOSE Associate Editor RAJU BIST Assistant Editors SAMREEN TUNGEKAR, MAYUKH MAJUMDAR Fashion Editor NEELANGANA VASUDEVA Art Director TANVI SHAH Associate Art Director HEMALI LIMBACHIYA Assistant Art Director NANDKISHOR SAWANT Graphic Designers GAUTAMI DAVE, SANJANA SUVARNA Senior Digital Manager JAYESH V. SALVI Production Manager MANGESH SALVI mansworldindia.com Web Editor ARNESH GHOSE High Street Phoenix, Senapati Bapat Marg, Lower Parel, Tel. 91 22 4242 1818 - Hyderabad: Taj Krishna Hotel, Taj 91 22 4242 1818 - Hyderabad: Tel. Parel, Lower Senapati Bapat Marg, High Street Phoenix, Staff WritersSANIKA ACHREKAR, RAJEEV MATHEW Banjara Hills, Tel. 91 7098123123 - Kolkata: Quest Mall, shop No-30 33 Syed Amir Ali Avenue, Tel. 91 9517123123 Tel. Avenue, Ali Amir shop No-30 33 Syed Quest Mall, 91 7098123123 - Kolkata: Tel. Banjara Hills, New Delhi: 122 DLF Emporio, Nelson Mandela Marg, Vasant Kunj, Tel. 91 11 4666 2700 - Mumbai: G-16 Palladium, 91 11 4666 2700 - Mumbai: Tel. Kunj, Vasant Nelson Mandela Marg, 122 DLF Emporio, New Delhi: Consulting Editor PABLO CHATERJI Contributing Editors MAITHILI RAO, SOLEIL NATHWANI, MAGANDEEP SINGH Tod’s Boutiques • Tod’s General Manager, Sales & Marketing MANOJ SHARMA ([email protected]), NEW DELHI General Manager, Sales & Marketing TULSI BAVISHI ([email protected]), MUMBAI Deputy General Manager-Sales & Marketing NOHA QADRI ([email protected]), MUMBAI Assistant Manager - Sales & Marketing SAGRIKA SANJAY ([email protected]), NEW DELHI Sr. -
India International Centre 2015-2016
INDIA INTERNATIONAL CENTRE 2015-2016 INDIA INTERNATIONAL CENTRE Board of Trustees Mr. Soli J. Sorabjee, President Justice (Retd.) B.N. Srikrishna Prof. M.G.K. Menon Mr. Vipin Malik Dr. (Smt.) Kapila Vatsyayan Dr. R.K. Pachauri Mr. N.N. Vohra Executive Committee Mr. Soli J. Sorabjee, Chairman Mr. K.N. Rai Air Marshal Naresh Verma (Retd.), Director Mr. Suhas Borker Cmde. Ravinder Datta, Secretary Smt. Shanta Sarbjeet Singh Mr. Dhirendra Swarup, Hony. Treasurer Dr. Surajit Mitra Mr. K. Raghunath Dr. U.D. Choubey Finance Committee Justice (Retd.) B.N. Srikrishna, Chairman Air Marshal Naresh Verma (Retd.), Director Dr. U.D. Choubey Cmde. Ravinder Datta, Secretary Mr. Rajarangamani Gopalan Mr. Ashok K. Chopra, CFO Mr. Dhirendra Swarup, Hony. Treasurer Medical Consultants Dr. K.A. Ramachandran Dr. Rita Mohan Dr. Mohammad Qasim Dr. Gita Prakash IIC Senior Staff Ms Omita Goyal, Chief Editor Ms Hema Gusain, Purchase Officer Dr. S. Majumdar, Chief Librarian Mr. Vijay Kumar Thukral, Executive Chef Mr. Amod K. Dalela, Administration Officer Mr. Inder Butalia, Sr. Finance & Accounts Officer Ms Premola Ghose, Chief, Programme Division Mr. Rajiv Mohan Mehta, Manager, Catering Mr. Arun Potdar, Chief, Maintenance Division Annual Report 2015–2016 This is the 55th Annual Report of the India International Centre for the year commencing 1 February 2015 to 31 January 2016. It will be placed before the 60th Annual General Body Meeting of the Centre, to be held on 31 March 2016. Elections to the Executive Committee and the Board of Trustees of the Centre for the two-year period, 2015–2017, were initiated in the latter half of 2014. -
Zankaar – “Raag Malika” Memerizes the Music Lovers Milpitas Ising and Talented Youngsters, Varun on Mri- Dangam and Shruti on Violin
The Indian EXPRESS 13 NOVEMBER 25, 2011 WESTCOAST Newsline Zankaar – “Raag Malika” Memerizes the Music Lovers MILPITAS ising and talented youngsters, Varun on Mri- dangam and Shruti on Violin. There was wide angeet Dhwani held its 82nd Music applause from the music loving audience for Concert at the Milpitas Library Audito- the artists. Srium, with the theme “ Raag Malika “ ( Another highlight of the Concert was Garland of Ragas i.e., Hymns) when as many the Hindustani Classical version on Raag Ma- as 15 artists performed their best in several lika, which was performed by a well known segments namely, Carnatic and Hindustani Bay Area Vocalist Sandeep Ranade. While Classicals, Instrumental ( Slide Guitar), Semi explaining the nuances of Raag Malika, with Classicals, Devotional and Movie songs- all its historical perspective, he pointed out that based on more than on one Raga. Sangeet he had composed a unique piece of Band- Dhwani series provide a unique opportunity ish, on his own. One of the requirements for music enthusiasts and music connoisseurs was that the Bandish must follow Raagmala’s alike to present as well as listen to fellow mu- cycle from Bhairavi through Yaman. Starting sicians’ renditions while also sharing educa- from a musical journey with morning ragas, tional sound bytes, about many facts around he continued to render through ragas which Indian music are usually sung in the afternoon, evening, At the outset, the Carnatic Classical was night and midnight ragas, before culminating performed by Shreedhar Ganapathy who in Raag Bhairavi. He followed the rule that has been trained both in Carnatic as well as the rendition should start and end with Raag Hindustani Classical music and he could bring Bhairavi. -
Syllabus of Certificate Courses in Music and Dance
SYLLABUS OF CERTIFICATE COURSES IN MUSIC AND DANCE Sangit Bhavana offers two year certificate course in the following subjects: Rabindra Sangit, Kathakali Dance, Manipuri Dance, Rabindra Nritya, Hindustani Classical Music (Vocal), Hindustani Classical Music (Instrumental) in Sitar, Esraj and Tabla. Programme Code Course Code CERTIFICATE COURSE (43) Rabindra Sangit (441) Manipuri Dance (442) Kathakali Dance (443) Rabindra Nritya (444) Hindusthani Classical Music (Vocal) (446) Hindusthani Classical Instrumental in: Sitar (447) Esraj (448) Tabla (449) CERTIFICATE COURSE Subject: RABINDRA SANGIT Marks-100 SYLLABUS PRACTICAL Course Objectives and Learning Outcomes: The six parjyayas under which Tagore has composed his songs will be imparted in these courses. Students will learn the various attributes of the songs under these parjyayas and will also learn the songs composed under a variety of Talas framed in Akarmatrik notation First Year i. Ten songs selected from the following Paryayas : Puja, Prem, Prakriti, Swadesh, Anushthanik and Bibidha on the following Tals: Trital, Jhampak, Chautal, Teora,Jhaptal and 2/4 Matra ii. Knowledge of Akarmatrik Notation (Reading & Writing). Second year Course Objectives and Learning Outcomes: Knowledge of Rabindrasangit of various Parjyayas that are framed in various Talas created by Tagore along with traditional Talas will be imparted to the students in this major course. i. Ten songs selected from the following Paryayas: Puja, Prem, Prakriti, Swadesh, Anushthanik and Bibidha on the following Tals: Nabatal, Rupakra, Ekadashi, Nabapanchatal, Dhamar and Surfaktal. ii. Knowledge of Akarmatrik Notation (Reading & Witing). CERTIFICATE COURSE Subject: MANIPURI DANCE Marks-100 SYLLABUS PRACTICAL First Year Course Objectives and Learning Outcomes: The important foot works and body exercises of Manipuri dancing are imparted in these courses. -
Music (BPA)-UG
MUSIC UG-BPA Hons. Syllabus Code Course Credit Marks Semester –I (Credit 12) MUS-UG-P101 Raga Studies-I 4 100 OR MUS-UG-P102 Tala Studies-I 4 100 MUS-UG-T103 Fundamental study of Hindustani Music 4 100 OR MUS-UG-T104 Fundamental Study of Tala 4 100 MUS-UG-P105 Western Music-I 4 100 Semester –II (Credit 12) MUS-UG-P201 Raga Studies-II 4 100 OR MUS-UG-P202 Tala Studies-II 4 100 MUS-UG-T203 Elementary Study of Hindustani Music 4 100 OR MUS-UG-T204 Elementary Study of Tala 4 100 MUS-UG-P203 Western Music II 4 100 Semester –III (Credit 12) MUS-UG-P301 Raga Studies-III 4 100 OR OR MUS-UG-P302 Tala Studies-III 4 100 MUS-UG-T303 Analytical Study of Indian Classical Music 4 100 OR MUS-UG-T304 Analytical study of Tala and Shastra 4 100 MUS-UG-P305 Western Music III 4 100 Semester –IV (Credit 12) MUS-UG-P402 Intensive study of Raga-I 4 100 OR OR MUS-UG-P402 Intensive study of Tala -I 4 100 MUS-UG-T405 Folk Music 4 100 Communicative English 4 100 Semester –V (Credit 12) MUS-UG-P502 Intensive study of Raga-II 4 100 OR OR MUS-UG-P502 Intensive study of Tala -II 4 MUS-UG-T505 Rabindra Sangeet 4 100 Environmental Studies 4 100 Semester –VI (Credit 12) MUS-UG-P602 Intensive study of Raga-III 4 100 OR OR MUS-UG-P602 Intensive study of Tala- III 4 100 MUS-UG-T605 World music 4 100 Eastern Himalayan Studies 4 100 1 Course Details A-Vocal Music/Instrumental Music Semester I MUS-UG-P101 : Raga Studies-I Unit I: Comprehensive Study of Raga Raga - Yaman and Bhairav Unit II: General Study of Raga Raga- Bhupali and Durga Unit III: Knowledge of Tala with Tali-Khali -
Details of Unclaimed Deposits / Inoperative Accounts
CITIBANK We refer to Reserve Bank of India’s circular RBI/2014-15/442 DBR.No.DEA Fund Cell.BC.67/30.01.002/2014-15. As per these guidelines, banks are required to display the list of unclaimed deposits/inoperative accounts which are inactive/ inoperative for ten years or more on their respective websites. This is with a view of enabling the public to search the list of account holders by the name of: Account Holder/Signatory Name Address HASMUKH HARILAL 207 WISDEN ROAD STEVENAGE HERTFORDSHIRE ENGLAND UNITED CHUDASAMA KINGDOM SG15NP RENUKA HASMUKH 207 WISDEN ROAD STEVENAGE HERTFORDSHIRE ENGLAND UNITED CHUDASAMA KINGDOM SG15NP GAUTAM CHAKRAVARTTY 45 PARK LANE WESTPORT CT.06880 USA UNITED STATES 000000 VAIDEHI MAJMUNDAR 1109 CITY LIGHTS DR ALISO VIEJO CA 92656 USA UNITED STATES 92656 PRODUCT CONTROL UNIT CITIBANK P O BOX 548 MANAMA BAHRAIN KRISHNA GUDDETI BAHRAIN CHINNA KONDAPPANAIDU DOOR NO: 3/1240/1, NAGENDRA NAGAR,SETTYGUNTA ROAD, NELLORE, AMBATI ANDHRA PRADESH INDIA INDIA 524002 DOOR NO: 3/1240/1, NAGENDRA NAGAR,SETTYGUNTA ROAD, NELLORE, NARESH AMBATI ANDHRA PRADESH INDIA INDIA 524002 FLAT 1-D,KENWITH GARDENS, NO 5/12,MC'NICHOLS ROAD, SHARANYA PATTABI CHETPET,CHENNAI TAMILNADU INDIA INDIA 600031 FLAT 1-D,KENWITH GARDENS, NO 5/12,MC'NICHOLS ROAD, C D PATTABI . CHETPET,CHENNAI TAMILNADU INDIA INDIA 600031 ALKA JAIN 4303 ST.JACQUES MONTREAL QUEBEC CANADA CANADA H4C 1J7 ARUN K JAIN 4303 ST.JACQUES MONTREAL QUEBEC CANADA CANADA H4C 1J7 IBRAHIM KHAN PATHAN AL KAZMI GROUP P O BOX 403 SAFAT KUWAIT KUWAIT 13005 SAJEDAKHATUN IBRAHIM PATHAN AL KAZMI -
M.A. Hindustani Music (Vocal/ Instrumental) Programme
Content Details for M.A. Hindustani Music (Vocal/ Instrumental) Programme Master of Hindustani Music (Vocal/ Instrumental) Semester I Course Code: H 1 Core Course Code: H 1- Theory: Historical and Theoretical study of Ragas Credit – 4 Duration: 3 Hrs. Theory : 70 Internal Assessment : 30 Maximum Marks : 100 Course Objectives: Students will learn about the historical development of the prescribed ragas throughout the medieval period, with respect to their scales and classification systems, along with different ragangas. Course Learning Outcomes: 1. Students get the knowledge about the historical development of the prescribed ragas with respect to their scales. 2. Students learn about various raga classification systems. 3. Students learn about various ragangas in Hindustani Music. Contents Unit 1: Detailed study of following ragas from the period of Sangeet Ratnakar onwards to modern times: - 1. Gaul/Gaud 2. Bhairav 3. Bilawal 4. Kanhada 5. Malhar 6. Todi Unit 2: Development of Raga Classification system in Ancient, Medieval and Modern times. Unit 3: Study of the following Ragangas in the modern context: - 1. Sarang, 2. Malhar, 3. Kanhada, 4. Bhairav, 5. Bilawal, 6. Kalyan, 7. Todi Unit 4: Detailed and comparative study of the Ragas prescribed in Appendix – I: - 1 APPENDIX – I (Prescribed Ragas) 1. Ahir Bhairav 2. Nat Bhairav 3. Basant 4. Paraj 5. Devgiri Bilawal 6. Yamani Bilawal 7. Bahar 8. Miyan Malhar 9. Puriya 10. Marwa 11. Shuddha Sarang 12. Shyam Kalyan Recommended books: 1. Sharangdeva (Adayar Edition) - Sangeet Ratnakar 2. R. K. Shringy & Premlata Sharma - Sangeet Ratnakar 3. Ahobal - Sangeet Parijat 4. V.N. Bhatkhande - Uttar Bhartiya Sangeet Paddhatiyon ka Tulnatmak Adhyayan 5.