Maps and the Early Modern State: Official Cartography Richard L
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On the History of Naming the North Sea
On the History of Naming the North Sea Bela Pokoly (Commission on Geographical Names, Ministry of AgricuUUfe and Regional Development, Department of Lands and Mapping, Hungary) The North Sea - where it is - how it grew in importance The sea is situated in the northern part of Western Europe roughly between the eastern coast of Britain, the 61st parallel in the North, the southern coasts of Norway, a small part of the SE coast of Sweden, the western shores of Denmark, the north- western coasts of Gennany. as well as those of [he Netherlands and Belgium, with a tiny French coastal part (around Dunquerque). Its area is about 225 thousand sq. miles, a little more than the land area of France. Being a shallow sea (overwhelmingly covering the continental shelves except in the Norwegian Trench where at one point it is almost 400 fathoms deep) it also holds a relatively small amount of water. Fig. L {slide} The North Sea belongs to the better-known seas not only in Europe, but throughout the world. Its familiarity has especially grown at great scales smce the 1970's as output of petroleum and natural gas from its continental shelf achieved global importance. As the Hungarian scholar of geography M. Haltenberger wrote in his book Marine Geography (1965) the rough waters of the sea had been avoided by both the Romans and traders of the Hanseatic League. The importance of the sea started to grow only after the great discoveries as the Atlantic Ocean became the "Mediterranean Sea of the new times". - 4 - % , '." Earliest occurrences of the name of the sea Prehistoric people moved little from the area they inhabited, therefore, if it was a seacoast, they called the sea without any specific name, just "the sea", [n later times, when people realized that their sea was not the only one, did they begin to give specific names to seas, The ancient Greek scholar Strabon, who lived between 60 B,C. -
Map As Tapestry: Science and Art in Pedro Teixeira's 1656 Representation of Madrid
The Art Bulletin ISSN: 0004-3079 (Print) 1559-6478 (Online) Journal homepage: http://www.tandfonline.com/loi/rcab20 Map as Tapestry: Science and Art in Pedro Teixeira's 1656 Representation of Madrid Jesús Escobar To cite this article: Jesús Escobar (2014) Map as Tapestry: Science and Art in Pedro Teixeira's 1656 Representation of Madrid, The Art Bulletin, 96:1, 50-69, DOI: 10.1080/00043079.2014.877305 To link to this article: http://dx.doi.org/10.1080/00043079.2014.877305 Published online: 25 Apr 2014. Submit your article to this journal Article views: 189 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rcab20 Download by: [Northwestern University] Date: 22 September 2016, At: 08:04 Map as Tapestry: Science and Art in Pedro Teixeira’s 1656 Representation of Madrid Jesus Escobar “Mantua of the Carpentana, or Madrid, Royal City” reads the attributed to the overreach of Philip IV’s royal favorite and Latin inscription on the banderole that hovers above Pedro prime minister, Gaspar de Guzman, the count-duke of Teixeira’s monumental map of the Spanish capital, the Topo- Olivares (1587–1645). In 1640, in the midst of the Thirty graphia de la Villa de Madrid (Topography of the town of Years’ War, rebellions arose in Catalonia and Portugal, com- Madrid) (Fig. 1). The text refers to a place from the distant pounding the monarchy’s ongoing financial crises and lead- Roman past, the purported origin of Madrid, as well as the ing to Olivares’s ouster. -
Internacional… . De Hispanistas… …
ASOCIACIÓN………. INTERNACIONAL… . DE HISPANISTAS… …. ASOCIACIÓN INTERNACIONAL DE HISPANISTAS 16/09 bibliografía publicado en colaboración con FUNDACIÓN DUQUES DE SORIA © Asociación Internacional de Hispanistas © Fundación Duques de Soria ISBN: 978-88-548-3311-1 Editora: Blanca L. de Mariscal Supervisión técnica: Claudia Lozano Maquetación: Debora Vaccari Índice EL HISPANISMO EN EL MUNDO: BIBLIOGRAFÍA Y CRÓNICA ÁFRICA Argelia, Marruecos y Túnez...................................................................................... 11 Egipto........................................................................................................................ 13 AMÉRICA Argentina.................................................................................................................... 14 Canadá........................................................................................................................ 22 Chile........................................................................................................................... 25 Estados Unidos........................................................................................................... 29 México........................................................................................................................ 41 Perú.............................................................................................................................49 Venezuela.................................................................................................................. -
Wittenberger Einflüsse Auf Die Reformation in Skandinavien Von Simo Heininen, Otfried Czaika
Wittenberger Einflüsse auf die Reformation in Skandinavien von Simo Heininen, Otfried Czaika Wittenberg war der wichtigste Impulsgeber für die Reformation in den beiden skandinavischen Reichen, dem dänischen und dem schwedischen Reich. In beiden Reichen war die Reformation stark vom Einfluss der Obrigkeiten geprägt, al- lerdings verlief sie in den beiden frühneuzeitlichen Staaten sehr unterschiedlich. Am raschesten wurde das Reformati- onswerk politisch wie kirchenrechtlich im dänischen Kernland gesichert; Schweden dagegen war zwar de facto bereits vor 1550 ein lutherisches Land, de jure jedoch erst im letzten Jahrzehnt des 16. Jahrhunderts. Besonders in den eher peripheren Teilen Skandinaviens, insbesondere Norwegen und Island, ging die Reformation Hand in Hand mit einer poli- tischen Gleichschaltung von Skandinavien und wurde deshalb entsprechend zaghaft von der Bevölkerung angenommen. INHALTSVERZEICHNIS 1. Politische Hintergründe 2. Dänemark 3. Norwegen und Island 4. Schweden 5. Finnland 6. Zusammenfassung 7. Anhang 1. Quellen 2. Literatur 3. Anmerkungen Indices Zitierempfehlung Politische Hintergründe Seit dem Jahre 1397 waren die Königreiche Dänemark, Norwegen und Schweden in Personalunion (der sogenannten Kalmarer Union) unter dänischer Führung vereint (ᇄ Medien Link #ab). Anfang des 16. Jahrhunderts war die Union dem Ende nahe – es gab zunehmende Spannungen zwischen Dänemark und Schweden, das von Reichsverwesern aus dem Hause Sture regiert wurde. Im November 1520 wurde Christian II. von Dänemark (1481–1559) (ᇄ Medien Link #ac), der letzte Unionskönig, ein zweites Mal in Stockholm gekrönt. Nach den Krönungsfeierlichkeiten inszenierte man mit der Hilfe des Erzbischofs von Uppsala einen Ketzerprozess gegen die Anhänger der Sture-Partei. Infolgedessen wurden zwei Bischöfe, mehrere Unionsgegner aus dem Adel sowie zahlreiche Stockholmer Bürger hingerichtet. Der junge Edel- mann Gustav Vasa (1496–1560) (ᇄ Medien Link #ad) erhob die Fahne des Aufruhrs. -
Netherlandish Culture of the Sixteenth Century SEUH 41 Studies in European Urban History (1100–1800)
Netherlandish Culture of the Sixteenth Century SEUH 41 Studies in European Urban History (1100–1800) Series Editors Marc Boone Anne-Laure Van Bruaene Ghent University © BREPOLS PUBLISHERS THIS DOCUMENT MAY BE PRINTED FOR PRIVATE USE ONLY. IT MAY NOT BE DISTRIBUTED WITHOUT PERMISSION OF THE PUBLISHER. Netherlandish Culture of the Sixteenth Century Urban Perspectives Edited by Ethan Matt Kavaler Anne-Laure Van Bruaene FH Cover illustration: Pieter Bruegel the Elder - Three soldiers (1568), Oil on oak panel, purchased by The Frick Collection, 1965. Wikimedia Commons. © 2017, Brepols Publishers n.v., Turnhout, Belgium. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise without the prior permission of the publisher. D/2017/0095/187 ISBN 978-2-503-57582-7 DOI 10.1484/M.SEUH-EB.5.113997 e-ISBN 978-2-503-57741-8 Printed on acid-free paper. © BREPOLS PUBLISHERS THIS DOCUMENT MAY BE PRINTED FOR PRIVATE USE ONLY. IT MAY NOT BE DISTRIBUTED WITHOUT PERMISSION OF THE PUBLISHER. Table of Contents Ethan Matt Kavaler and Anne-Laure Van Bruaene Introduction ix Space & Time Jelle De Rock From Generic Image to Individualized Portrait. The Pictorial City View in the Sixteenth-Century Low Countries 3 Ethan Matt Kavaler Mapping Time. The Netherlandish Carved Altarpiece in the Early Sixteenth Century 31 Samuel Mareel Making a Room of One’s Own. Place, Space, and Literary Performance in Sixteenth-Century Bruges 65 Guilds & Artistic Identities Renaud Adam Living and Printing in Antwerp in the Late Fifteenth and Early Sixteenth Centuries. -
Postprint : Author's Final Peer-Reviewed Version
This item is the archived peer-reviewed author-version of: Chivalric solidarity or royal supremacy? The symbolic revival of the Order of the Golden Fleece (15661598) Reference: Thiry Steven.- Chivalric solidarity or royal supremacy? The symbolic revival of the Order of the Golden Fleece (15661598) Dutch crossing : a journal of low countries studies - ISSN 0309-6564 - 43:1(2019), p. 27-46 Full text (Publisher's DOI): https://doi.org/10.1080/03096564.2018.1559505 To cite this reference: https://hdl.handle.net/10067/1566180151162165141 Institutional repository IRUA Chivalric Solidarity or Royal Supremacy? The Symbolic Revival of the Order of the Golden Fleece (1566-1598) STEVEN THIRY University of Antwerp / Research Foundation Flanders Founded in 1430, the Order of the Golden Fleece was perhaps the most iconic dynastic institution in the Low Countries. It bound together a selective group of high nobles, promoting shared values and loyalty, and was an inexhaustible storehouse of political imagery. The Dutch Revolt seriously disrupted this venerable company. Its officers became estranged, the numbers of knights rapidly declined, and original objectives were questioned. Nevertheless, the Order’s Burgundian heritage and its enduring material memory retained a strong political potential. This article explores how both royalists and dissidents exploited the signs and codes of old to criticize − and even redress − royal policy. As such the (sometimes contradictory) use of the Order’s symbolism ensured the Netherlands’ status as ritualistic nerve centre. KEYWORDS Order of the Golden Fleece, Memory, Viglius Ab Aytta, symbolic persistence, Dutch Revolt Introduction In late November 1565 fourteen knights of the Order of the Golden Fleece gathered in the Brussels palace to celebrate the annual feast of their patron saint, St Andrew. -
Sources of the First Printed Scandinavian Runes
Runrön Runologiska bidrag utgivna av Institutionen för nordiska språk vid Uppsala universitet 24 Fischnaller, Andreas, 2021: Sources of the First Printed Scandinavian Runes. In: Reading Runes. Proceedings of the Eighth International Symposium on Runes and Runic Inscriptions, Nyköping, Sweden, 2–6 September 2014. Ed. by MacLeod, Mindy, Marco Bianchi and Henrik Williams. Uppsala. (Runrön 24.) Pp. 81–93. DOI: 10.33063/diva-438869 © 2021 Andreas Fischnaller (CC BY) ANDREAS FISCHNALLER Sources of the First Printed Scandinavian Runes Abstract The aim of this paper is to shed some light on the sources that were used for the first printed Scandinavian runes. These runes appear in works published in Italy between 1539 and 1555 either by or in connection with Johannes and Olaus Magnus. The books and the information about runes and runic inscriptions they contain are presented first. A closer look is then taken at the shapes of the runes used and at the roman letters they represent according to the books. It will be shown that these runes and their sound values can in part be traced back to a mediaeval runic tradition, while others were created to provide at least one rune for every roman letter. The forms of the newly “invented” runes can be explained to some extent by the influence of the shape of the roman letters they represent, whereas others were taken from a source that contained runes but did not provide any information about their sound values, namely the runic calendars. Keywords: Olaus Magnus, Theseus Ambrosius, Bent Bille, Renaissance, printed runes, q-rune, x-rune, belgþór-rune Introduction Work with post-reformation runic inscriptions has long been a neglected area of runology.1 A glance through the most common introductions to the study of runes reveals our lack of certainty as regards when runes stopped being used and how knowledge of runes was preserved (cf. -
Ocean Eddies in the 1539 Carta Marina by Olaus Magnus
Ocean Eddies in the 1539 Carta Marina by Olaus Magnus H. Thomas Rossby 5912 LeMay Road, Rockville, MD 20851-2326, USA. Road, 5912 LeMay The Oceanography machine, reposting, or other means without prior authorization of portion photocopy of this articleof any by Copyrigh Society. The Oceanography journal 16, Number 4, a quarterly of Volume This article in Oceanography, has been published University of Rhode Island • Narragansett, Rhode Island USA Peter Miller Plymouth Marine Laboratory • Plymouth UK In 1539 Olaus Magnus, an exiled Swedish priest of maps to aid navigators grew enormously. From the living in Italy, published a remarkably detailed map of Atlantic in the west to the Black and Red Seas in the east, the Nordic countries, from Iceland in the west to these maps of the Mediterranean depict the shape and Finland in the east. The map, called ‘Carta Marina’, proportions of the Mediterranean Sea quite well. Any introduced a scope of information about these coun- one familiar with reading maps will recognize Gibraltar, tries that broke completely new ground in terms of Italy, the Balkans, Egypt and Palestine. Many include the comprehensiveness and general accuracy. The geo- British Isles and Germany, but not Scandinavia. In the graphical outline of the Nordic countries is quite accu- early editions of the Ptolemy atlas Scandinavia does not rate and the map includes all the major island groups appear. But in 1482 Nicolaus Germanus (the Ulm atlas) such as the Faroes, Orkneys and Shetland Islands. In drew a map in which Denmark, southern Sweden and addition to the geography and numerous ethnograph- Norway clearly appear with names of numerous regions ic sketches, the map also provides, as it name indicates, and towns. -
N: a Sea Monster of a Research Project
Utah State University DigitalCommons@USU Undergraduate Honors Capstone Projects Honors Program 5-2019 N: A Sea Monster of a Research Project Adrian Jay Thomson Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/honors Part of the English Language and Literature Commons Recommended Citation Thomson, Adrian Jay, "N: A Sea Monster of a Research Project" (2019). Undergraduate Honors Capstone Projects. 424. https://digitalcommons.usu.edu/honors/424 This Thesis is brought to you for free and open access by the Honors Program at DigitalCommons@USU. It has been accepted for inclusion in Undergraduate Honors Capstone Projects by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. N: A SEA MONSTER OF A RESEARCH PROJECT by Adrian Jay Thomson Capstone submitted in partial fulfillment of the requirements for graduation with UNIVERSITY HONORS with a major in English- Creative Writing in the Department of English Approved: UTAH STATE UNIVERSITY Logan, UT SPRING2019 Abstract Ever since time and the world began, dwarves have always fought cranes. Ever since ships set out on the northern sea, great sea monsters have risen to prey upon them. Such are the basics of life in medieval and Renaissance Scandinavia , Iceland, Scotland and Greenland, as detailed by Olaus Magnus' Description of the Northern Peoples (1555) , its sea monster -heavy map , the Carta Marina (1539), and Abraham Ortelius' later map of Iceland, Islandia (1590). I first learned of Olaus and Ortelius in the summer of 2013 , and while drawing my own version of their sea monster maps a thought hit me: write a book series , with teenage characters similar to those in How to Train Your Dragon , but set it amongst the lands described by Olaus , in a frozen world badgered by the sea monsters of Ortelius. -
Wyngaerde En Zamora
WYNGAERDE EN ZAMORA Wyngaerde in Zamora Francisco Javier Rodríguez Méndez. Universidad de Salamanca Jesús María García Gago. Universidad de Salamanca El cartógrafo flamenco Anton Van desde los distintas campos del 1. WYNGAERDE Y SUS den Wyngaerde dibujó por encargo conocimiento han incursionado en el VISTAS ESPAÑOLAS de Felipe II un inventario de vistas estudio de la evolución histórica de de las principales ciudades españo- las ciudades. La cronología del cartógrafo es las. Wyngaerde recorrió la geografía algo nebulosa, pues de él se sabe Rara es la investigación relativa a peninsular en tres viajes comprendi- con seguridad solamente el lugar y cualquiera de las localidades dos entre 1562 y 1570 que arrojaron el año de su muerte –Madrid y 1571- inventariadas en Ciudades del siglo como resultado 57 vistas de casi ; del nacimiento, se cree que fue en de Oro -en adelante, CSO-que no otras tantas localidades. Amberes, aunque en fecha desco- mencione al cartógrafo flamenco y/o nocida. Anton Van den Wyngaerde, Desde que, en 1986, el libro Ciu- reproduzca fragmentos del considerado como uno de los mejo- dades del siglo de Oro diera a cono- correspondiente grabado. Son res cartógrafos de la época en la es- cer las vistas españolas de Antonio abundantísimos los artículos que pecialidad de vistas urbanas, venía de las Viñas, multitud de investiga- estudian las vistas de Wyngaerde, prestando sus servicios a la Corona dores han escudriñado en estas bien sea en su conjunto o alguna de española, desde 1552, en Flandes e ventanas abiertas al pasado. ellas en particular, dentro de Inglaterra. Al cabo de un tiempo, Fe- investigaciones arqueológicas, Buscando la representación lipe II le hizo venir a la península urbanísticas, arquitectónicas o ideal, Wyngaerde despliega en su para hacerse cargo del gran inven- históricas. -
Wittenberg Influences on the Reformation in Scandinavia by Simo Heininen, Otfried Czaika
Wittenberg Influences on the Reformation in Scandinavia by Simo Heininen, Otfried Czaika Wittenberg was the most important source of inspiration for the Reformation in both of the Scandinavian kingdoms, the Danish kingdom and the Swedish kingdom. In both kingdoms, the authorities played a defining role in the Reformation, though it proceeded very differently in these two Early Modern states. The Reformation became securely established most quickly – both politically and in terms of church law – in the Danish core territory. Sweden, on the other hand, was de facto already a Lutheran country before 1550, though it did not become Lutheran de jure also until the last decade of the 16th century. Particularly in the peripheral parts of Scandinavia (especially Norway and Iceland), the Reformation went hand in hand with closer political integration in Scandinavia and it was therefore adopted rather reluctantly by the population. TABLE OF CONTENTS 1. Political Background 2. Denmark 3. Norway and Iceland 4. Sweden 5. Finland 6. Conclusion 7. Appendix 1. Sources 2. Bibliography 3. Notes Indices Citation Political Background From 1397, the kingdoms of Denmark, Norway and Sweden were united in a personal union (the so-called Kalmar Union) under Danish control (ᇄ Media Link #ab). In the early-16th century, the union was approaching its end. There were increasing tensions between Denmark and Sweden, the latter being governed by regents from the House of Sture. In November 1520, Christian II of Denmark (1481–1559) (ᇄ Media Link #ac), the last union king, was crowned for a second time in Stockholm. After the coronation festivities had been concluded, a heresy trial was staged with the help of the Archbishop of Uppsala and the accused were the supporters of the Sture party. -
Maps in Renaissance Libraries and Collections George Tolias
25 • Maps in Renaissance Libraries and Collections George Tolias The aim of this chapter is to highlight some apparently “he compiles it [the description] into a well-ordered and peripheral yet widespread scholarly uses of maps during proportionally measured map lest it be lost.” 2 the Renaissance—uses associated with map collecting, The allegory broadly agrees with Strabo’s view of display, and study. The chapter examines the role of maps mapmaking as a process of mnemonic reconstruction.3 as visual memory aids in the light of the available evi- However, the fact that Cusanus used the map as a metaphor dence; it then traces the presence and arrangement of to help his readers understand both the process of recon- maps in Renaissance libraries and collections; and finally, it examines the symbolic functions and learned uses of maps within early modern humanistic culture. The research for this chapter was made possible by the Arthur and Janet Holzheimer Fellowship, 2001–2, awarded by the Institute for Re- search in the Humanities of the University of Wisconsin, Madison, and Maps as Memory Aids thanks are due to the fellows of the institute for their helpful comments in the early stages of the work. I was particularly fortunate in being able Although the Renaissance has been described as “the age to use the resources of the History of Cartography Project, and warm of manuals,” a period “inexhaustible in its search for nor- thanks are due to the members of the Project for their constant and valu- able assistance. Naturally, my warmest thanks of all would have gone mative principles of general and perennial value, which to David Woodward for his encouragement and generous advice.