CCEP 2016 Sustainability Stakeholder Report
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Nov 2014 Dummy.Indd
NOVEMBERJULY 20102014 •• TAXITAXI INSIDERINSIDER •• PAGEPAGE 11 INSIDER VOL. 15, NO. 11 “The Voice of the NYC Transportation Industry.” NOVEMBER 2014 Letters Start on Page 3 EDITORIAL • By David Pollack Insider News Page 5 • Taxi Drivers and Ebola Updated Relief Stands Thankfully there is a radio show where you can Taxi Dave (that’s me!) not only had the Chairwoman get fi rst hand information needed to answer any of of the TLC, Meera Joshi discuss fears of the Ebola Page 6 your questions whether industry related or even virus, but I had Dr. Jay Varma, a spokesperson from • health related. the NYC Department of Health answering all ques- Taxi Attorney Before we get into Ebola, TLC Chair- tions that drivers brought to “Taxi Dave’s” By Michael Spevack woman Joshi stated that the TLC will attention. How does Ebola spread? What be sending out warning letters to drivers is the best means of prevention and pro- Page 7 instead of summonses for a red light tection? • camera offense. “Vision Zero is not Chairwoman Joshi stated, “Thank you How I Became A Star about penalties,” she stated. To hear this for reaching out to the Department of By Abe Mittleman and much more, listen to this link: http:// Health. The myth of how Ebola spreads is www.wor710.com/media/podcast-the- spreading incredibly faster than the actual Page 15 taxi-dave-show-TaxiInsider/the-taxi-dave- disease ever could. It is really important to • show-102614-25479519/ separate facts from fi ction and the Depart- Street Talk Folks, if you want fi rst hand infor- ment of Health has been doing an amazing By Erhan Tuncel mation, every Sunday evening at 8:00 job in getting that message out there and PM listen to WOR-710 radio to TAXI DAVE. -
I Will Lift My Weary Eyes • SATB • © 2019 HELBLING Grundsätzlich This Copyright AUSTRIA: Kaplanstrasse 9, 6063 Rum/Innsbruck | GERMANY: P.O
2 I Will I WillLift Lift My My WearyWeary Eyes Eyes Lyrics: Kinley Lange, based on Psalm 121 Music: Kinley Lange *) Freely, plaintively S 4 4 A 4 4 mf (solo or section) T 4 4 And I will lift my wear y eyes, I’ll lift them up un to the hills, and the B 4 4 5 (tutti) help that I have need ed will sure ly tum ble down, I will lift my eyes un to the hills. And I will 9 G CG D mf And the mf Hm I’ll lift them up un to the hills, and the lift my wear y eyes, I’ll lift them up un to the hills, and the • The vowels should be very bright and open, a bit nasal in quality, and the singing should be without vibrato. Many of the upward-moving intervals, as well as certain repeated notes, should be embellished with a scoop or slight grace-note glissando from beneath. Take care not to over-do this as it is primarily a soloistic embellishment and could easily become overbearing in choral singing. • The piece can be performed with traditional Blue Grass instruments. If so, it is recommended that a bass not be used as it could be in conflict with the sung bass line. Mandolin, violin and guitar will work nicely, following the indicated chords. *) Optional fiddle drone accompaniment til bar 8 Fotokopieren Photocopying Kinley Lange, I Will Lift My Weary Eyes • SATB • © 2019 HELBLING grundsätzlich this copyright AUSTRIA: Kaplanstrasse 9, 6063 Rum/Innsbruck | GERMANY: P.O. -
≠ Enterprises, Inc. ≠ Enterprises, Inc. ≠ Enterprises, Inc
Coca-Cola Enterprises, Inc. 2010 Annual Report ≠ Enterprises, Inc. ≠ Enterprises, Inc. ≠ Enterprises, Inc. Coca-Cola Enterprises, Inc. 2500 Windy Ridge Parkway Atlanta, Georgia 30339 +1 678 260-3000 ≠ Enterprises, Inc. ≠www.cokecce.com Enterprises, Inc. ≠ Enterprises, Inc. ≠ Enterprises, Inc. ≠ Enterprises, Inc. Building2010 Annual onReport Success Cover.R1.indd 1 2/22/11 8:17 AM We are the leading Western European marketer, distributor, and producer of bottle and can liquid nonalcoholic refreshment and the world’s third-largest independent Coca-Cola bottler. Coca-Cola Enterprises, Inc. (CCE) is the sole licensed bottler for products of The Coca-Cola Company in Belgium, continental France, Great Britain, Luxembourg, Monaco, the Netherlands, Norway, and Sweden. In 2010, our 13,500 employees sold and distributed approximately 560 million physical cases* of our products, manufactured in 17 production plants across our territories. CCE is a public company incorporated in the United States. Our stock is traded on the New York Stock Exchange under the ticker “CCE.” Table of Contents vision Our vision: To be the best beverage sales and customer 5 service company. senior management discussion Hubert Patricot, executive vice president and president, European Group, and Bill Douglas, executive vice president and chief financial officer, discuss our 2010 results and our 9 long-term outlook. territory overview Facts and background on CCE’s territories, including routes 11 to market, product mix and operating characteristics. corporate responsibility and sustainability CRS is a core pillar of our business strategy and we are delivering on 22 our commitments. *Includes Norway/Sweden fourth quarter 2010 results Building on Success Letter To Shareowners Four years ago, in my first letter to you, the shareowners of Coca-Cola Enterprises, I outlined a case for change in the way we approached our business. -
Coca-Cola Enterprises, Inc
A Progressive Digital Media business COMPANY PROFILE Coca-Cola Enterprises, Inc. REFERENCE CODE: 0117F870-5021-4FB1-837B-245E6CC5A3A9 PUBLICATION DATE: 11 Dec 2015 www.marketline.com COPYRIGHT MARKETLINE. THIS CONTENT IS A LICENSED PRODUCT AND IS NOT TO BE PHOTOCOPIED OR DISTRIBUTED Coca-Cola Enterprises, Inc. TABLE OF CONTENTS TABLE OF CONTENTS Company Overview ........................................................................................................3 Key Facts.........................................................................................................................3 Business Description .....................................................................................................4 History .............................................................................................................................5 Key Employees ...............................................................................................................8 Key Employee Biographies .........................................................................................10 Major Products & Services ..........................................................................................18 Revenue Analysis .........................................................................................................20 SWOT Analysis .............................................................................................................21 Top Competitors ...........................................................................................................25 -
Andy Warhol Exhibit American Fare Summer Sets
NYC ® Monthly JULY 2015 JULY 2015 JULY NYC MONTHLY.COM VOL. 5 NO.7 VOL. AMERICAN FARE AMERICAN CUISINE AT ITS FINEST SUMMER SETS HEADLINING ACTS YOU CAN'T MISS ANDY WARHOL EXHIBIT AT THE MUSEUM OF MODERN ART B:13.125” T:12.875” C M Y K S:12.75” The Next Big Thing Is Here lated. Appearance of device may vary. B:9.3125” S:8.9375” T:9.0625” The world’s frst dual-curved smartphone display Available now. Learn more at Samsung.com/GS6 ©2015 Samsung Electronics America, Inc. and Galaxy S are trademarks of Co., Ltd. Screen images simu FS:6.3125” FS:6.3125” F:6.4375” F:6.4375” 304653rga03_HmptMnthy TL Project Title: US - GS6_2015_S5053 Job Number: S5053 Executive Creative Director: None E.C.D. C.D. A.C.D A.D. C.W. Creative Director: None Client: SAMSUNG Bleed: 13.125” x 9.3125” Associate Creative Director: None Media: MAGAZINE Trim 1: 12.875” x 9.0625” Art Director: None Photographer: None Trim 2: None Copywriter: None Art Buyer: None STUDIO PRODUCTION IA PRODUCER ACCOUNT EX. ART BUYER Illustrator: None Live: 12.75” x 8.9375” Print Production: None Insertion Date: None Gutter: 0.125” Studio Manager: None Account Executive: None Traffic: None Publications/Delivery Company: Hamptons Monthly FILE IS BUILT AT: 100% THIS PRINT-OUT IS NOT FOR COLOR. 350 West 39th Street New York, NY 10018 212.946.4000 Round: 1 Version: C PACIFIC DIGITAL IMAGE • 333 Broadway, San Francisco CA 94133 • 415.274.7234 • www.pacdigital.com Filename:304653rga03_HmptMnthy.pdf_wf02 Operator:SpoolServer Time:13:37:40 Colors:Cyan, Magenta, Yellow, Black Date:15-05-06 NOTE TO RECIPIENT: This file is processed using a Prinergy Workflow System with an Adobe Postscript Level 3 RIP. -
Mexico Is the Number One Consumer of Coca-Cola in the World, with an Average of 225 Litres Per Person
Arca. Mexico is the number one Company. consumer of Coca-Cola in the On the whole, the CSD industry in world, with an average of 225 litres Mexico has recently become aware per person; a disproportionate of a consolidation process destined number which has surpassed the not to end, characterised by inventors. The consumption in the mergers and acquisitions amongst USA is “only” 200 litres per person. the main bottlers. The producers WATER & CSD This fizzy drink is considered an have widened their product Embotelladoras Arca essential part of the Mexican portfolio by also offering isotonic Coca-Cola Group people’s diet and can be found even drinks, mineral water, juice-based Monterrey, Mexico where there is no drinking water. drinks and products deriving from >> 4 shrinkwrappers Such trend on the Mexican market milk. Coca Cola Femsa, one of the SMI LSK 35 F is also evident in economical terms main subsidiaries of The Coca-Cola >> conveyor belts as it represents about 11% of Company in the world, operates in the global sales of The Coca Cola this context, as well as important 4 installation. local bottlers such as ARCA, CIMSA, BEPENSA and TIJUANA. The Coca-Cola Company These businesses, in addition to distributes 4 out of the the products from Atlanta, also 5 top beverage brands in produce their own label beverages. the world: Coca-Cola, Diet SMI has, to date, supplied the Coke, Sprite and Fanta. Coca Cola Group with about 300 During 2007, the company secondary packaging machines, a worked with over 400 brands and over 2,600 different third of which is installed in the beverages. -
When in Rome, Beijing Or Brussels
When in Rome, Beijing or Brussels: Cultural Considerations of International Business Communication By Colin Gunn-Graffy A Senior Honors Thesis Submitted to the Department of Communication Boston College May, 2007 Copyright, Colin Gunn-Graffy © 2007 All Rights Reserved Acknowledgements To my family, for their continued support, no matter what continent I’m on TABLE OF CONTENTS Page CHAPTER ONE: Introduction 1 CHAPTER TWO: Things Go Worse for Coke: The Coca-Cola 12 Contamination Crisis in Belgium CHAPTER THREE: The Magic’s Gone: The Marketing Mistake 31 of Euro Disney in France CHAPTER FOUR: Looking Ahead: The Digital Age 55 and the Rising Markets of the East CHAPTER FIVE: Conclusion 69 REFERENCES 74 1 CHAPTER ONE: Introduction Globalization and the Rise of Multinational Corporations Even before the Dutch sailed to the East Indies or Marco Polo traveled to China, people have been interacting with other cultures in numerous ways, many of them for economic reasons. One would imagine it was quite difficult initially for these people to communicate and do business with each other, but even today obstacles in international business still exist. Although our world has certainly become much smaller in the last several centuries, cultural and geographical contexts still play a large part in shaping different societies and their methods of interaction with others. The term “globalization” is one heard of quite often in today’s world, particularly in economic terms, referring to the expansion of free market capitalism. There are many other aspects that fit into the globalization process, ranging from political to social to technological, that are a part of this increasing interconnectivity of people around the world. -
Spectator 1960-02-12 Editors of the Ps Ectator
Seattle nivU ersity ScholarWorks @ SeattleU The peS ctator 2-12-1960 Spectator 1960-02-12 Editors of The pS ectator Follow this and additional works at: http://scholarworks.seattleu.edu/spectator Recommended Citation Editors of The peS ctator, "Spectator 1960-02-12" (1960). The Spectator. 664. http://scholarworks.seattleu.edu/spectator/664 This Newspaper is brought to you for free and open access by ScholarWorks @ SeattleU. It has been accepted for inclusion in The peS ctator by an authorized administrator of ScholarWorks @ SeattleU. the News School Edition "All U.S. WEATHER BUREAU REPORT PORCCAtTI Cloudy, occasional rain today; showers. That's Fit to Print" partial clearing tonight. Wtnda to TheS. A.spectator 13-30. Temp, range: 52-38 ' Washington,Friday,February12, 1960 ■ 7O 15 Volume XXVII Seattle, "**££s* No. PRIVATE SCHOOLS AMERICAN JESUIT DISCUSSION TOPIC INROMEPENSTIPS ABOUTTHEWORLD FOR U.S. VISITORS Father William Dunne Describes Tourists at '60 Olympic Ganes U.S. Private SchoolEducation Advised to ClutchTheir Lire As 'Truly Big Business' and BewarePadded Checks A transcript of Father Dunne's tal\ is SPORTS VOCABULARY GIVEN printed on Page 4. BY FRAN FARRELL Art to Be Mixed With Olimpiadi; in Private education in the United Boxers Marble and Bronze ;States was described as "big busi- Among'Athletic' Treasures ness" by Rev. William Dunne, S.J., Rev. Francis Lindekugel executive secretary of the National Head of Theology Department A description of S.U.s Sumrne> Euro' Catholic Education Association, in peart tour is printed on Pag* 7. an address to S.U. alumni at the school's homecoming luncheon. By REV. -
Andy Warhol@Christie's
P R E S S R E L E A S E | W O R L D W I D E ONLINE AUCTION: 4 - 11 SEPTEMBER, 2014 ANDY WARHOL@CHRISTIE’S American Pastimes: Sports & Politics ONLINE-ONLY SALE TO BENEFIT THE ANDY WARHOL FOUNDATION FOR THE VISUAL ARTS ANDY WARHOL (1928-1987) ANDY WARHOL (1928-1987) ANDY WARHOL (1928-1987) Red Lenin (F. & S. II.403) Muhammad Ali (F. & S. II.181) Mao (F. & S. II.125A) screenprint in colors on paper, a trial screenprint in colors on paper screenprint in colors on wallpaper, proof, presumably unique in this 40 x 30 in. (101.6 x 76.2 cm.) 38 7/8 x 29 3/8 in. (98.7 x 74.6 cm.) composition Executed in 1978. Executed in 1974. 39¼ x 29 3/8 in. (99.7 x 74.6 cm.) Estimate: $15,000-20,000 Estimate: $20,000-30,000 Executed in 1987. Estimate: $60,000-80,000 Bidding Opens: Thursday, September 4th at 12 p.m. Bidding Closes: Tuesday, September 11th at 12 p.m. New York/London/Paris/Hong Kong/Dubai – Christie’s is pleased to announce Andy Warhol @ Christie’s: American Pastimes: Sports & Politics, an online-only sale that gives collectors a glimpse into Warhol’s relationships throughout his career with many leading sports and political figures. This sale features his iconic images from all 10 athletes in the athletes’ portfolio as well as many works he created to support politicians’ campaigns he believed in including Jimmy Carter, JFK, and Carter Burden. Highlights of the online sale include the iconic red Lenin print, Mao wallpaper, and a print impression of Muhammad Ali’s fist. -
PRESS RELEASE Presents Top of The
PRESS RELEASE For Immediate Release Presents Top of the Pop Live on artnet Auctions from February 18 through 27, 2014 Roy Lichtenstein Sweet Dreams Baby!, 1965 Screenprint 35.63 x 25.56 in. 90.5 x 64.9 cm. Signed and numbered Edition 49/200 Est. US$100,000-125,000 New York / Berlin, February 19, 2014—artnet Auctions is pleased to announce the highly anticipated Top of the Pop print sale, which features over 50 classic Pop prints by artists such as Andy Warhol, Roy Lichtenstein, Robert Indiana, Robert Rauschenberg, and Tom Wesselmann. This dazzling, curated selection of iconic Pop prints is perfect for both new and seasoned Pop Art collectors. Among the sale’s highlights is one of the most famous Pop prints of all time, Roy Lichtenstein’s 1965 Sweet Dreams Baby!, estimated at US$100,000 to 125,000. With its irreverent comic book character on the business end of a knock-out punch, Lichtenstein challenges the reigning Abstract Expressionist movement’s anti-figure aesthetic and emotional intensity, and instead finds inspiration in the popular press. Another Lichtenstein print in the sale, Foot and Hand (1964), estimated at US$15,000 to 20,000, also draws inspiration from a violent comic book image, this time of a boot stepping on a hand reaching for a pistol. The work shows the development of the artist’s visual shorthand, which would define his work for the next 33 years. The sale also features superb examples of Lichtenstein’s later work, including his portrait of Lady Liberty, I Love Liberty (1982), estimated at US$35,000 to 45,000, and The Oval Office (1992), estimated at US$40,000 to 45,000. -
When to Replace an Ingredient Cartridge
page 6 | productOperating replacement System System Configuration Service Menu Language when to replace an ingredient cartridge Dashboard Errors Alerts Notices Replacing ingredient cartridges Cartridge prime procedure. Replace Ingredients startsHFCS with knowingWater when aIce PrimingCarb an Water ingredient cartridgeProduct simply removesSwitches any And trapped Lighting User Interface Agitation Locks cartridge is empty or unavailable. air in the line and ensures guests receive a consistent, quality Prime beverage. After replacing an empty cartridge follow the on- screen messages outlined below: Manual Oerride Coke CokeZero DietCoke CFDietCoke Pibb Barqs Confirm the cartridge has been inserted into10 the / 26 /correct 14 Return To Dashboard 9 / 26 / 14 10 / 26 / 14 10 / 26 / 14slot and press “PRIME”10 / 26 on / 14 the cartridge replacement 10 / 26 / 14 Operating System System Configuration Service Menu Language screen. Please prime/purge all newly inserted packages below: ERR User Mode: Crew Customer View Remove Dasani ingredient appear to be expired. 100% To Empty 100% To Empty 100% To Empty A new screen listing100% all brands/secondaryTo Empty flavors100%Operating Tothat Empty require System System100% To Configuration Empty Service Menu priming will appear. Press “Auto Prime”. REMINDER: The Prime Coke temporarily unavailable - needs agitation. TheSprite example above shows theMMLemonade cherry ingredient SeagramsGingerAle MelloYello HiC Powerade ® prime process lasts approximately 5-10 seconds cartridge is empty, as a result cherry vanilla Hi-C Please wait while the system agitates. 10 / 26 / 14 10 /® 26 / 14 10 / 26 / 14depending on cartridge10 / 26 / 14 size, i.e., single10 / or26 / double.14 10 / 26 / 14 is grayed out and cherry Hi-C shows unavailable Please prime/purge all newly inserted packages below: when the user touches the cherry Hi-C® icon. -
Our City Dreams HV PK
OUR CITY DREAMS A documentary film by Chiara Clemente 85 minutes, color, 2008 FIRST RUN FEATURES The Film Center Building 630 Ninth Ave. #1213 New York, NY 10036 (212) 243-0600/Fax (212) 989-7649 www.firstrunfeatures.com Synopsis Filmed over the course of two years, OUR CITY DREAMS is an invitation to visit the creative spaces of five women artists, each of whom possesses her own energy, drive and passion. These women, who span different decades and represent diverse cultures, have one thing in common beyond making art: the city to which they have journeyed and now call home - New York. The artists profiled are Nancy Spero, who was at the forefront of the feminist movement of the late 50s and 60s and whose work continues to question the polemics of sexual identity and warfare; Marina Abramovic, a pioneer of performance art who uses her own body as a canvas to respond deeply to contemporary cultural issues; Kiki Smith, who addresses philosophical, social and spiritual aspects of the human body through work that incorporates glass, plaster, ceramic, bronze and paper; Ghada Amer, who paints erotic canvases in traditional needle and thread and who refuses to bow to the puritanical elements of Western and Islamic culture and "institutionalized feminism"; and Swoon, one of New York's most promising emerging artists, whose arresting and fugitive street art transmits the pulse of urban life. Director Chiara Clemente combines an intimate style of documentary filmmaking with the ephemera of city life surrounding each woman and the work she creates. The documented year held many triumphs and challenges for each of the participating artists, and the audience will catch a glimpse into the processes of creation and inspiration.