Spectator 1960-02-12 Editors of the Ps Ectator
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Solitaire+ Download Apk Free Solitaire+ Download Apk Free
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Nov 2014 Dummy.Indd
NOVEMBERJULY 20102014 •• TAXITAXI INSIDERINSIDER •• PAGEPAGE 11 INSIDER VOL. 15, NO. 11 “The Voice of the NYC Transportation Industry.” NOVEMBER 2014 Letters Start on Page 3 EDITORIAL • By David Pollack Insider News Page 5 • Taxi Drivers and Ebola Updated Relief Stands Thankfully there is a radio show where you can Taxi Dave (that’s me!) not only had the Chairwoman get fi rst hand information needed to answer any of of the TLC, Meera Joshi discuss fears of the Ebola Page 6 your questions whether industry related or even virus, but I had Dr. Jay Varma, a spokesperson from • health related. the NYC Department of Health answering all ques- Taxi Attorney Before we get into Ebola, TLC Chair- tions that drivers brought to “Taxi Dave’s” By Michael Spevack woman Joshi stated that the TLC will attention. How does Ebola spread? What be sending out warning letters to drivers is the best means of prevention and pro- Page 7 instead of summonses for a red light tection? • camera offense. “Vision Zero is not Chairwoman Joshi stated, “Thank you How I Became A Star about penalties,” she stated. To hear this for reaching out to the Department of By Abe Mittleman and much more, listen to this link: http:// Health. The myth of how Ebola spreads is www.wor710.com/media/podcast-the- spreading incredibly faster than the actual Page 15 taxi-dave-show-TaxiInsider/the-taxi-dave- disease ever could. It is really important to • show-102614-25479519/ separate facts from fi ction and the Depart- Street Talk Folks, if you want fi rst hand infor- ment of Health has been doing an amazing By Erhan Tuncel mation, every Sunday evening at 8:00 job in getting that message out there and PM listen to WOR-710 radio to TAXI DAVE. -
Turkish-German Rap and Threatening Masculinity
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 5-2020 Schieß, Bruder: Turkish-German Rap and Threatening Masculinity Manasi Deorah Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Ethnomusicology Commons, European History Commons, Modern Languages Commons, Near Eastern Languages and Societies Commons, Other German Language and Literature Commons, and the Other Languages, Societies, and Cultures Commons Recommended Citation Deorah, Manasi, "Schieß, Bruder: Turkish-German Rap and Threatening Masculinity" (2020). Undergraduate Honors Theses. Paper 1568. https://scholarworks.wm.edu/honorstheses/1568 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Schieß, Bruder: Turkish-German Rap and Threatening Masculinity A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in German Studies from The College of William and Mary by Manasi N. Deorah Accepted for High Honors (Honors, High Honors, Highest Honors) ______________________________________ Prof. Jennifer Gully, Director ________________________________________ Prof. Veronika Burney ______________________________ Prof. Anne Rasmussen Williamsburg, VA May 7, 2020 Deorah 2 Table of Contents Introduction 3 Part 1: Rap and Cultural -
Andy Warhol Exhibit American Fare Summer Sets
NYC ® Monthly JULY 2015 JULY 2015 JULY NYC MONTHLY.COM VOL. 5 NO.7 VOL. AMERICAN FARE AMERICAN CUISINE AT ITS FINEST SUMMER SETS HEADLINING ACTS YOU CAN'T MISS ANDY WARHOL EXHIBIT AT THE MUSEUM OF MODERN ART B:13.125” T:12.875” C M Y K S:12.75” The Next Big Thing Is Here lated. Appearance of device may vary. B:9.3125” S:8.9375” T:9.0625” The world’s frst dual-curved smartphone display Available now. Learn more at Samsung.com/GS6 ©2015 Samsung Electronics America, Inc. and Galaxy S are trademarks of Co., Ltd. Screen images simu FS:6.3125” FS:6.3125” F:6.4375” F:6.4375” 304653rga03_HmptMnthy TL Project Title: US - GS6_2015_S5053 Job Number: S5053 Executive Creative Director: None E.C.D. C.D. A.C.D A.D. C.W. Creative Director: None Client: SAMSUNG Bleed: 13.125” x 9.3125” Associate Creative Director: None Media: MAGAZINE Trim 1: 12.875” x 9.0625” Art Director: None Photographer: None Trim 2: None Copywriter: None Art Buyer: None STUDIO PRODUCTION IA PRODUCER ACCOUNT EX. ART BUYER Illustrator: None Live: 12.75” x 8.9375” Print Production: None Insertion Date: None Gutter: 0.125” Studio Manager: None Account Executive: None Traffic: None Publications/Delivery Company: Hamptons Monthly FILE IS BUILT AT: 100% THIS PRINT-OUT IS NOT FOR COLOR. 350 West 39th Street New York, NY 10018 212.946.4000 Round: 1 Version: C PACIFIC DIGITAL IMAGE • 333 Broadway, San Francisco CA 94133 • 415.274.7234 • www.pacdigital.com Filename:304653rga03_HmptMnthy.pdf_wf02 Operator:SpoolServer Time:13:37:40 Colors:Cyan, Magenta, Yellow, Black Date:15-05-06 NOTE TO RECIPIENT: This file is processed using a Prinergy Workflow System with an Adobe Postscript Level 3 RIP. -
Andy Warhol@Christie's
P R E S S R E L E A S E | W O R L D W I D E ONLINE AUCTION: 4 - 11 SEPTEMBER, 2014 ANDY WARHOL@CHRISTIE’S American Pastimes: Sports & Politics ONLINE-ONLY SALE TO BENEFIT THE ANDY WARHOL FOUNDATION FOR THE VISUAL ARTS ANDY WARHOL (1928-1987) ANDY WARHOL (1928-1987) ANDY WARHOL (1928-1987) Red Lenin (F. & S. II.403) Muhammad Ali (F. & S. II.181) Mao (F. & S. II.125A) screenprint in colors on paper, a trial screenprint in colors on paper screenprint in colors on wallpaper, proof, presumably unique in this 40 x 30 in. (101.6 x 76.2 cm.) 38 7/8 x 29 3/8 in. (98.7 x 74.6 cm.) composition Executed in 1978. Executed in 1974. 39¼ x 29 3/8 in. (99.7 x 74.6 cm.) Estimate: $15,000-20,000 Estimate: $20,000-30,000 Executed in 1987. Estimate: $60,000-80,000 Bidding Opens: Thursday, September 4th at 12 p.m. Bidding Closes: Tuesday, September 11th at 12 p.m. New York/London/Paris/Hong Kong/Dubai – Christie’s is pleased to announce Andy Warhol @ Christie’s: American Pastimes: Sports & Politics, an online-only sale that gives collectors a glimpse into Warhol’s relationships throughout his career with many leading sports and political figures. This sale features his iconic images from all 10 athletes in the athletes’ portfolio as well as many works he created to support politicians’ campaigns he believed in including Jimmy Carter, JFK, and Carter Burden. Highlights of the online sale include the iconic red Lenin print, Mao wallpaper, and a print impression of Muhammad Ali’s fist. -
PRESS RELEASE Presents Top of The
PRESS RELEASE For Immediate Release Presents Top of the Pop Live on artnet Auctions from February 18 through 27, 2014 Roy Lichtenstein Sweet Dreams Baby!, 1965 Screenprint 35.63 x 25.56 in. 90.5 x 64.9 cm. Signed and numbered Edition 49/200 Est. US$100,000-125,000 New York / Berlin, February 19, 2014—artnet Auctions is pleased to announce the highly anticipated Top of the Pop print sale, which features over 50 classic Pop prints by artists such as Andy Warhol, Roy Lichtenstein, Robert Indiana, Robert Rauschenberg, and Tom Wesselmann. This dazzling, curated selection of iconic Pop prints is perfect for both new and seasoned Pop Art collectors. Among the sale’s highlights is one of the most famous Pop prints of all time, Roy Lichtenstein’s 1965 Sweet Dreams Baby!, estimated at US$100,000 to 125,000. With its irreverent comic book character on the business end of a knock-out punch, Lichtenstein challenges the reigning Abstract Expressionist movement’s anti-figure aesthetic and emotional intensity, and instead finds inspiration in the popular press. Another Lichtenstein print in the sale, Foot and Hand (1964), estimated at US$15,000 to 20,000, also draws inspiration from a violent comic book image, this time of a boot stepping on a hand reaching for a pistol. The work shows the development of the artist’s visual shorthand, which would define his work for the next 33 years. The sale also features superb examples of Lichtenstein’s later work, including his portrait of Lady Liberty, I Love Liberty (1982), estimated at US$35,000 to 45,000, and The Oval Office (1992), estimated at US$40,000 to 45,000. -
Our City Dreams HV PK
OUR CITY DREAMS A documentary film by Chiara Clemente 85 minutes, color, 2008 FIRST RUN FEATURES The Film Center Building 630 Ninth Ave. #1213 New York, NY 10036 (212) 243-0600/Fax (212) 989-7649 www.firstrunfeatures.com Synopsis Filmed over the course of two years, OUR CITY DREAMS is an invitation to visit the creative spaces of five women artists, each of whom possesses her own energy, drive and passion. These women, who span different decades and represent diverse cultures, have one thing in common beyond making art: the city to which they have journeyed and now call home - New York. The artists profiled are Nancy Spero, who was at the forefront of the feminist movement of the late 50s and 60s and whose work continues to question the polemics of sexual identity and warfare; Marina Abramovic, a pioneer of performance art who uses her own body as a canvas to respond deeply to contemporary cultural issues; Kiki Smith, who addresses philosophical, social and spiritual aspects of the human body through work that incorporates glass, plaster, ceramic, bronze and paper; Ghada Amer, who paints erotic canvases in traditional needle and thread and who refuses to bow to the puritanical elements of Western and Islamic culture and "institutionalized feminism"; and Swoon, one of New York's most promising emerging artists, whose arresting and fugitive street art transmits the pulse of urban life. Director Chiara Clemente combines an intimate style of documentary filmmaking with the ephemera of city life surrounding each woman and the work she creates. The documented year held many triumphs and challenges for each of the participating artists, and the audience will catch a glimpse into the processes of creation and inspiration. -
Fspecial OLYMPICS I
gg 1987 INTERNATIONAL SUMMER fSPECIAL OLYMPICS i SPECIAL OLYMPICS PREMIERE ISSUE JULY 1987 the independent student newspaper serving Notre Dame and Saint M an's A TIME FOR HEROES After the summer is over, South Bend will be remembered for hosting the world’s largest amateur sporting event of 1987. More importantly, the area will be a community that contributed to the world-wide effort to recognize the skills and courage of mentally-handicapped people. Benefits from the 1987 International Summer Special Olympics Games will be shared by both the Olympians and the area: the Games will have an emo tionally and economically uplifting im pact on South Bend. Citizens of Baton Rouge, La., where the last ISSOG were held, said the city of South Bend should prepare itself for a treat. At the Notre Dame and Saint Mary’s campuses, more than 4,700 athletes will participate in the ten-day competition. The number of countries represented will be 72. That’s 22 more countries than those participating in the 1983 ISSOG in Baton Rouge, La. South Bend will host 700 more athletes than the 1983 Games - with correspondingly more coaches and Olympians’ families. That means more townsfolk who will benefit from the intercultural exchange of housing families and cheering ath letes. A larger supporting cast than in 1983 will be in South Bend as well. Volun teers from the entire country will rub elbows with the strong contingent of workers from Michiana. A long list of entertainment, sports and political celebrities also have agreed to lend their support. -
Burning the Veil: the Algerian War and the 'Emancipation' of Muslim
3 Unveiling: the ‘revolutionary journées’ of 13 May 1958 Throughout the period from early 1956 to early 1958 putschist forces had been gathering strength both within the army and among right- wing settler organisations and these eventually coalesced on 13 May 1958 when crowds gathered in the Forum and stormed the General Government buildings. The military rapidly used the crisis to effect a bloodless coup and to install a temporary ‘revolutionary’ authority headed by a Committee of Public Safety (Comité de salut public or CSP) under Generals Massu and Salan. There then followed a tense stand- off between the army in Algeria and the new Paris government headed by Pierre Pfl imlin, a three-week period during which civil war was a real possibility, until de Gaulle agreed to assume, once again, the role of ‘saviour of the nation’, and was voted into power by the National Assembly on 1 June.1 ‘13 May’ was one of the great turning points in modern French history, not only because it marked a key stage in the Algerian War, but more signifi cantly the collapse of the Fourth Republic, de Gaulle’s return to power, and the beginnings of the new constitutional regime of the Fifth Republic. The planning of the coup and its implementation was extraordi- narily complex – the Bromberger brothers in Les 13 Complots du 13 mai counted thirteen strands2 – but basically two antagonistic politi- cal formations reached agreement to rally to the call for de Gaulle’s return to power. On the one hand there was a secret plot by Gaullists, most notably Michel Debré (soon to become Prime Minister), Jacques Soustelle, Léon Delbecque and Jacques Chaban-Delmas (acting Minister of Defence), to engineer the return of the General so as to resolve the political crisis of the ‘system’, the dead hand of the party system of the Fourth Republic, which they viewed as destroying the grandeur of France. -
Chronicling America
Com¬ market without qualification or reserve. Nova th.it there was ness the closing formulu: "('od BATO the WEDDINGSBAST AND TO lie tried in court. Tlie com¬ "broke into laughter" and said Scotia can send ita coal into New-England COMB. 3.tnnennrnM. should never open lt is always monwealth of .Massachusetts!" has a right to demand that they be not a word of truth In the story, without any scaling down of the Canadian Merchant of Venice. munity breaks Into The marriage of Miss Florence Bands, ABBEY'S THEATRE.8.The important, when au eminent man tariff against Pennsylvania or Ohio coal which of daughter OF (Md Kentucky. heard by a referee behind dotted doors. Mr. and Mrs. James Woodville Sands of Na. ACADEMY Ml*8IC-_-s.In that an historian should be ls used In Ontario. Canada can have every¬ 76 AMERICAN ART C.AM.ERIES-0 a. m. to 6 p. ra.-Ei- laughter, iinpartial GRESBARPS REPLY TO HIMSELF. East Flfty-slxth-st.. to william Hamilton the kind lt wants without concession an Ruseelt hlhltlon. on convoys to for a ginni deal (loin inls apon in mind thing making any architect of this city, wan celebrated at noon Daughter. A news article another |wge present, aro It should be clearly lixod everybody's AMERICAN THEATRE~8-The Prodigal of Into which bs breaks. There in whatsoever In return. This ls the Democratic yesterday. In St. Thoma.', church, Flfth-ave. and A Parlor Match. our Toaders the intercut it.;; information that laughter the which Cleveland, ii roslin and Ill-Ill' THEATRE--'.'-Sri-- of as of any¬ that charge idea of an International bargain: To give Flfty-thlrd-st. -
The Representation of Olympic Athletes
Volume 3 Issue 2 Article 6 1996 Going for the Gold: The Representation of Olympic Athletes Sara Lee Keller-Smith Follow this and additional works at: https://digitalcommons.law.villanova.edu/mslj Part of the Entertainment, Arts, and Sports Law Commons Recommended Citation Sara L. Keller-Smith, Going for the Gold: The Representation of Olympic Athletes, 3 Jeffrey S. Moorad Sports L.J. 443 (1996). Available at: https://digitalcommons.law.villanova.edu/mslj/vol3/iss2/6 This Article is brought to you for free and open access by Villanova University Charles Widger School of Law Digital Repository. It has been accepted for inclusion in Jeffrey S. Moorad Sports Law Journal by an authorized editor of Villanova University Charles Widger School of Law Digital Repository. Keller-Smith: Going for the Gold: The Representation of Olympic Athletes Articles GOING FOR THE GOLD: THE REPRESENTATION OF OLYMPIC ATHLETES SARA LEE KELLER-SMITH* AND SHERRI A. AFFRUNTI** I. INTRODUCTION The International Olympic Committee (IOC)1 recently amended its rules regarding "amateur" status, thereby allowing * B.A., cum laude, 1978, Wells College; J.D. 1981, Villanova University School of Law; L.L.M. 1984, Villanova University School of Law. Member of the Penn- sylvania Bar (Member: Sports, Entertainment and Art Law Section and Health Care and Hospital Law Committee), the American Bar (Member: Health Law Fo- rum) and Principal of the firm, Lesser & Kaplin, P.C. Mrs. Keller-Smith currently represents several Olympic athletes. The opinions expressed herein are solely those of the author and do not necessarily reflect the opinions of Lesser & Kaplin, P.C., or of any other organization with which Mrs. -
Franco-Algerian Memories in France and Questions of Gender Beatrice
1 Franco-Algerian Memories in France and Questions of Gender Beatrice Amelia Ivey Submitted in accordance with the requirements for the degree of Master of Arts by Research. The University of Leeds, School of Languages, Cultures and Societies. September 2014. The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgment. © 2014 The University of Leeds and Beatrice Amelia Ivey The right of Beatrice Amelia Ivey to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs and Patent Act 1988. 2 In memory of my grandfather, Arthur John Orchard, 1926 – 2014. Acknowledgments I would like to express my gratitude for all the invaluable support and expertise that has been lent to me by both my supervisors, Professor Max Silverman and Professor Margaret Atack. I would also like to thank the School of Languages, Cultures and Societies for the generous award granted to me this year, without which this thesis would not have been possible. 3 Abstract This thesis will explore literary representations of Franco-Algerian memories in France since the end of the Algerian War of Independence (1954-62), with particular concentration on the manner in which gendered identities are represented in these narratives of memory, and how these narratives themselves are gendered and gendering. This study claims that theoretical links between memory and gender have not been fully explored.