Charity Art Auction in Favor of the CS Hospiz Rennweg in Cooperation with the Rotary Clubs Wien-West, Vienna-International, Köln-Ville and München-Hofgarten

Home , 2014 CS Warsaw Cup, Armin Baumgarten, Art Palm Beach, Arvid Boecker, Bird on Money, Burren College of Art

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www.fund-art.com Benefiz Auktion auction art Charity 22. February 2021 February 22. Rennweg Hospiz favorin CS the of www.fund-art.com Köln-Ville and München-Hofgarten in cooperation with cooperation in Köln-Ville München-Hofgarten and Vienna-International, Wien-West, Club Rotary

1995_19_Kunstinserat_A4_Zweigniederlassungen.indd 1 © Sabine Klimpt www.artuniqa.at [email protected] 8002 Zürich,Schweiz +41 445603141,Lavaterstrasse 85, One LimeStreet,LondonEC3M 7HA, UK +44 2039042947,Lloyd’s 7, BuildingGallery 50678 Köln,Deutschland +49 22165078077,ImZollhafen24, 1029 Wien, Österreich +43 1211753932,UntereDonaustraße21, Kontakt Information: Kunstversicherung die Denk eine wir KUNST LEIDENSCHAFT, gerne ist teilen. 06.11.19 13:12

Werbung Anzeige_Kunstkatalog.indd 1 Geborgenheit biszuletzt. fen wir gemeinsam #mehrRaum für ein Leben in Würde und schaf-Kalksburg CS der Neubau den für IhrerSpende Mit verabschieden. zu Weltdieser aus möglich wie schmerzfrei so sich ihnen, ermöglicht und tragen Rechnung Demenz mit Menschen HospizanforderungenKalksburgden wird von CS neue Die -begleitung aus. Grund baut die CS Caritas Socialis die Hospizbetreuung und Lebensweges.Lebensweges.reredes des AnforderungenAnforderungendiesem diesem EndeEnde AusAus am am besonde- besonde- haben haben Demenz Demenz zu- zu- mit mit MenschenMenschen verwirklicht.verwirklicht. bis bis letztletzt Lebens Lebens des des Dimensionen Dimensionen allen allen in in die LebensqualitätLebensqualität – Haltung eine ist Hospiz Ort, gehen? ein als mehrzu ist Hospiz lernen, jemals wir Werden Spendenkonto: Online-Spenden: Infos: Mehr aeokyuuetitrisarmxn ikdnkununu linkedin xing instagram twitter youtube facebook #mehrRaum #CSHospiz #Demenz #CSKalksburgNEU #PalliativeCare www.cs.at/mehrRaumKalksburg CS CaritasSocialisMedia IBAN: AT27 2011180080980900 www.cs.at/spenden

#mehrRaum 19.02.20 14:06 Charity art auction in favor of the CS Hospiz Rennweg in cooperation with the Rotary Clubs Wien-West, Vienna-International, Köln-Ville and München-Hofgarten

Auction: 22.02.2021, at 5 p.m. CET www.cs.at/kunstauktion

Exhibition of the works to be auctioned from 12.01.2021 to 20.02.2021

Challery Galleria – Meine Mitte, First Floor Landstraßer Hauptstraße 99-101 1030 Vienna, Austria

weekdays from 9 a.m. to 7 p.m.

Saturday from 9 a.m. to 6 p.m. POSSIBLES CHANGES DUE TO THE CURRENT SITUATION AT Admission is free WWW.CS.AT/KUNSTAUKTION lexa Meade, page 54 A ROTARY CLUB

VIENNA INTERNATIONAL

Cover: 91. RC Die große Aufgabe der Pflege 5 lösen nur Menschen menschlich. Dearest collectors and art-lovers, dear friends and supporters of the CS HOSPIZ RENNWEG,

buy art at our auction and give #moreRoom and #HospiceAttendance …

Digitale Hilfe hilft Familien, ... with this motto we are hosting our fourth charity art auction, Freanden, Helfern, Profis… curated by Michael Schmidt-Ott and organized by the Rotary Clubs Wien-West, Vienna-International, Köln-Ville and München-Hof- garten in favor of the CS HOSPIZ RENNWEG.

I cordially invite you to February 22.02.2021. The auction will be broadcasted worldwide on the Internet (www.cs.at/charityauction). n Register today and you can bid in advance or directly via telephone fe from anywhere. el H m In this catalogue you will find an overview of all the photographic sa works, paintings, sculptures, sketches, drawings and prints that are in e up for the auction. 209 well-known artists from 40 different na- m ge tions have made them available for free of charge. But my heartfelt eim thanks goes to the artists not only for their generous donations. …b I would also like to thank, above all, for the great interest in the work of the hospice and the deep respect that was shown to the employees. Each one of the many personal discussions with the artists has shown how important such an institution like the CS HOSPIZ RENNWEG is. And so, I am delighted that their great works will make a charity auction possible, which will also bring the institution back into public awareness. Now it’s up to you: help! Support the CS hospice with your bid! The auction proceeds will make a valuable, indeed indispensable contribution to enabling seri- ously ill people to live in dignity and security until the very end. I wish you a lot of fun and joy…

…when leafing through this catalog …when visiting the exhibition …when bidding on the auction evening …and of course, with your new artwork.

I very much look forward seeing you there. With best regards,

Andrea Jungmann Senior Director, Managing Director, Austria, Hungary and Poland, Senior Director Sotheby‘s London

Lebe_das_Leben_KUSS_209x135_4c.indd 1 16.12.19 14:40 7 in cooperation with: Ihr Geld

Terms and conditions of the auction

The auction will be held by Sotheby’s Vienna in the name and towards the verdient mehr. CS Hospiz Rennweg Vienna. The auctioneer is free, by way of exception, to sepearte lots, to unite lots and to withdraw lots from the auction and also is allowed to auction in a different order then the one in the catalogue.

Bankhaus Krentschker und Steiermärkische Sparkasse: Gemeinsam mehr. The prices in the catalogue are the starting-price and not the estimate. Usually the auction starts at this starting-price, regarding the written offers.

Mehr Private Banking. Usually during the auction, the offers will be raised by ca. 10% on the last sum Mehr Service. or the written offer. The award of contract will be given to the hightes bidder. If there is a disput about a twofer or if the auctioneer misses an offer, the Mehr Angebot. auctioneer is allowed to withdraw the last bid and continue the auction.

There are no extra fees or premiums. The buyer has to bear the costs of shipping the auctioned works. The works can also be picked up in Vienna up to 2 weeks after the auction.

The revenues are goining entirety towards the CS Hospiz Rennweg Wien.

All measurements are in cm. steiermaerkische.at/private-banking Sieglinde Klapsch, Leiterin Private Banking Written orders

We kindly ask you to send your buying orders at the latest 24 hours bevor the auction.

A copy of the buying order can be found on page 128 or you can download it Typo Geld verdient mehr_200x138_3mmÜ.indd 1 13.10.2020 16:26:09 as a pdf on www.fund-art.com.

For telephone & written orders please contact: kaffeekunst, Sotheby’s Wien in trust Mrs. Mag. Andrea Jungmann, Palais Wilczek, Herrengasse 5, 1010 Wien, Austria

Auction: 22.02.2021, at 5 p.m. or via fax: +43/(0)1/513 48 67 or via email: [email protected] CET www.cs.at/kunstauktion seit 2018. Handling of payments Exhibition of the works to be auctioned from 12.01.2021 to 20.02.2021 The auctioned works are to be paid for within 14 days after the auction. They can be paid by transferring to the donation account at: Erste Bank Challery under Hospiz Art Auction Rotary Clubs CS Caritas Socialis Privatstiftung. Galleria Meine Mitte, First Floor Landstraßer Hauptstraße 99-101 IBAN: AT97 2011 1800 8098 0901 1030 Vienna, Austria BIC: GIBAATWWXXX Subject: “Benefizauktion” Weekdays from 9 a.m. to 7 p.m. Saturday from 9 a.m. to 6 p.m. There is the chance of tax deduction on a part of the purchasing price. Admission is free Bidders who are paying taxes in Austria need therefore to announce, regarding to changes in the law, their full name and date of birth. If you have any questions about the exhibition By doing so, you allow us to report your donation to the finance office. It is or want to see specific works, please contact possible to withdraw this informaly at any time. the curator Michael Schmidt-Ott, either on + 43 /(0) 676/ 421 73 20 or Data protection: we would like to point out that at this event we will make by email: [email protected] photo, sound and film recordings that can be used for communication purposes in various media (social media, print, TV and radio). You can find Guided tours with the curator on the all information on protecting your data at: following dates www.cs.at/datenschutz Saturday 23.01.2021 at 12:00 p.m. Saturday 06.02.2021 at 12:00 p.m. You can, from now on, view the catalgue online as a pdf, download it and and gladly by telephone arrangement print it on: biedermaier.com Registration under www.cs.at/charityauction www.fund-art.com

BM_CSHeft_AZ_QUER_196x128_abf3mm_RZ.indd 1 05.02.20 13:54 8 9

3. Charlie Stein – Ja, Ja, Jaaa! / Yes, Yes, Yes! 2019, oil on canvas, 61x46 cm 2. Florian Fausch – untitled Donated by the artist. € 850 starting price 2019, oil on canvas, 100x80 cm Donated by the artist. Charlie Stein (born 1986 in Germany) studied from 2007 until 2010 painting € 2.400 starting price and media-art at the Akademie der Bildenden Künste München with the professors Gerhard Merz and Klaus vom Bruch, from 2009 until 2014 at the Florian Fausch (born 1981 in Zürich, Switzerland) studied from 1999 to Staatlichen Akademie der Bildenden Künste in Stuttgart with the professors 2000 at the Schule für Gestaltung in Zürich and from 2001 until 2008 at the Christian Jankowski and Rainer Ganahl. Kunstakademie Düsseldorf. He graduated as a master student of professor Selected solo- and group-exhibitions: “Malerei 4.0. Kunstpreis Limburg”, Limburg Siegfried Anzinger. (2019); “Your Dreams Are My Reality”, Schwedter Strasse, Berlin (2019); “En Bloc”, Selected solo- and group-exhibitions: “New Positions”, Phyton Gallery, Zürich Galerie Nicole Gnesa, Munich (2019); “Demis-Gros”, Kwadrat Galerie, Berlin (2019); (2020); “Revue – Jahresausstellung”, Galerie Haas & Gschwandtner, Salzburg “Schlaglichter zeitgenössischer Kunst”, Kunstraum Zumhof, Rudersberg (2018); (2020-2019); “leetspeak”, Kunsthaus Essen, Essen (2019); “Florian Fausch – “Amerika”, Oberwelt e.V., Stuttgart (2018); “Kunstpreis Wesseling”, Wesseling Stereoskop”, Gartenpavillon Malkasten, Künstlerverein Malkasten, Düsseldorf (2018); “Demis-Gros”, Les Valseuses, Berlin (2018); “ Academiae Youth Art Biennale”, 1. Arvid Boecker – # 1221 (2019); “Insight Inside” (with Julian Khol), Gschwandtner, Salzburg (2018); “Die Fortezza Franzenfeste, Franzenfeste (2018); “Pre-Hell”, German Australian Art Grosse Kunstausstellung NRW”, Museum Kunstpalast, Düsseldorf (2018); Foundation, Adelaide (2018); “001530”, Kunstverein Schorndorf, Schorndorf (2017); 2010, oil on canvas, 50x40x5,5 cm “Exposition Superposition”, Galerie Bertuchi/ Ecole des Arts et Métiers, Tétouan “One Show Closer To The End”, Herrenhaus Edenkoben, Edenkoben (2017); Donated by the artist. Projectspace RaumX, London (2017); “Fiction”, NIAD Art Center, Richmond (2017); (2018); “Memories of reality”, Python Gallery, Zürich (2018); “Blende”, Janine Bean “Querschnitt”, BBK Stuttgart, Stuttgart (2017); “GröKaZs. Die Größten Künstler Aller € 1.500 “Black Box(es), Faux Movement”, Centre d’art contemporain, Metz (2017); “morning Gallery, Berlin (2018); “halbdunkel”, Janine Bean Gallery, Berlin (2017); “Die Grosse Zeiten”, Villa Merkel, Esslingen (2017); “Helle Kindheit, Dunkle Kindheit”, Museum starting price sun”, Galerie Schütte, Essen (2016); “On a clear Day”, Factory 49, Sydney (2016); Kunstausstellung NRW”, Museum Kunstpalast Düsseldorf, Düsseldorf (2017); Villa Rot, Rot (2017); “The Perfect Residents. (H&M)”, Istanbul Biennial, Istanbul “Insomnia”, Stout Projects, Brooklyn (2016); “Fiction”, Grady Gallery, Chicago (2016); “Schellack”, 2CforArt Gallery, Salzburg (2017); “neue Freunde”, Kunstverein Duisburg, (2017); “Documenta 14”, Periptero Kulturkiosk, Kassel (2017); “POSTER”, Blackball Arvid Boecker (born 1964 in Wuppertal, Germany) studied from 1987 until “Sandwiches”, Cartel Artspace, Bangkok (2016); “Restatement”, Galerie Schmidt Duisburg (2017); “Shift”, Janine Bean Gallery, Berlin (2016); “Viscous” (with Ted Projects, Williamsburg, New York (2017); “The Dual Nature of Be, Done and 1989 history of art at the University Trier and from 1989 until 1994 at the und Schütte, Cologne (2016); “Große Kunstausstellung NRW”, Museum Kunstpalast, Green), Kunstverein Duisburg, Duisburg (2016); “Reflected Spaces”, Phyton Gallery, Have”, 155 Rivington, New York (2017); “Ichduersiees”, Kunstverein Ludwigsburg, Hochschule der Bildenden Künste Saar in Saarbrücken with the professors Düsseldorf (2016) “Abstract Strategies”, Galerie Mirta Demare, Rotterdam (2015); Zürich (2016); “Vanish”, O&O Depot, Berlin (2015); “Plexus”, Kunstraum Unten, Ludwigsburg (2017); “Bum”, Kunstverein Schorndorf, Schorndorf (2016); “Manifesta Jochen Gerz, Bodo Baumgarten and Ulrike Rosbach. “Surfaced from his dive”, Galerie Ursula Grashey, Konstanz (2015); “Atmen”, Villa Bochum (2015); “Studies”, 2CforArt Gallery, Salzburg (2015); “Katzengold”, curated goes Palermo”, Palermo Galerie, Stuttgart (2016); “NICHTS”, Manifesta 11, Cabaret Selected solo- and group-exhibitions: “Free”, Museum St. Wendel, St. Wendel (2019); Goecke, Krefeld (2014); “Landeskunstausstellung”, Saarländisches Künstlerhaus, by Costanze Kleiner, Positions Art Fair, Berlin (2015); “8 Areale unberechenbarer Voltaire, Zürich (2016); “Death can dance”, Nature Morte, Berlin (2016); “Public “A walk in the clouds”, Galerie Grashey, Konstanz (2019); “Looking for clues”, Villa Saarbrücken (2013); “Aus dem Depot”, mpk, Museum Pfalzgalerie, Kaiserslautern Beschaffenheit” (with Nicolas Kerksieck), Kunstverein Offenburg, Offenburg (2014); Privacy”, Studio 6, Shanghai (2016); “Paradise”, ACAF Australia China Art Foandation, Goecke, Krefeld (2019); “never shout never”, Divisible Projectspace, Dayton (2019); (2013); “Square Colours”, Galerie p13, Heidelberg (2012); “Florida Green”, Galerie “Irrlichter”, 2CforArt Gallery, Salzburg (2014); “Substrat”, from fraunberg art gallery, Shanghai (2015); “Parade”, Contemporary Istanbul, Istanbul (2015); “Continental “Unfinished Business”, Long Gallery, Newcastle upon Tyne (2019); “Black Box(es)”, Ursula Grashey, Konstanz (2011); “Geheimnisvolle Zwischenwelten”, Pfalzgalerie, Düsseldorf (2014); “Kunstsalon Flingern”, Spam Contemporary, Düsseldorf (2013); Drift”, Songjiang Art Museum, Shanghai (2014); “Urban Shades”, Design Museum La ‘S‘ Grand Atelier, Vielsalm (2019); “Die Grosse”, Kunstpalast, Düsseldorf (2018); Kaiserslautern (2010); “angezettelt!”, Saarländisches Künstlerhaus, Saarbrücken “Sollbruchstelle”, Jeanine Bean Gallery, Berlin (2013); “Radium”, Galerie Wehrli, Holon, Holon (2014); “Call of the Wild”, Galleria Fuori Orbita, Locarno (2014); “Slow Art”, Museum and Art Gallery at the University, Hongkong (2018); “Destill”, (2010). Zürich (2013); “Brennpunkt”, Kunstverein Emmerich, Emmerich (2013). Endlosschleife 2014/2041”, Würtembergischer Kunstverein, Stuttgart (2014). Galerie Track One, Nashville (2018); “Sydney Paris Sunrise”, Galerie Abstract Project, Paris (2018); “Better late than ugly”, Galerie oqbo, Berlin (2017); “Same difference”, > Arvid Boecker lives and works in Frankfurt am Main and Heidelberg. Florian Fausch lives and works in Düsseldorf. Charlie Stein lives and works in Berlin. www.arvid-boecker.de www.florianfausch.de www.charliestein.com 10 11

7. Mina Bellack – Grüße an daheim 2019, Canson Etching Rag, 310g/m2, Epson Ultrachrom-Ink, photography: Michael Krummholz, 25x30 cm, (1/3) Donated by the artist. 4. Paolo Troilo – trip_stumbling on my way 5. Thomas Pakull – Stuhlgang 07 € 700 starting price 2015, acrylic on canvas (painted with his fingers), 110x80 cm 2014, colored cardboard, 18x24 cm Mina Bellack (bon 1960 in Düsseldorf, Germany) studied from 1992 until 1998 Donated by the artist. Donated by the artist. 6. Tim-Gregory Steiner – Symbol of art: hommage at the Kunstakademie Münster and graduated in the master class of professor € 6.000 starting price € 150 starting price an den Bananesprüher Timm Ulrichs. From 2000 until 2009 she was a lecturer at the Albrecht-Dürer Berufskolleg in Düsseldorf. 2018, bronce, 19,5 cm, (7/7) Paolo Troilo (born 1972 in Taranto, Italy) studied Architecture and Modern Thomas Pakull (born 1968 in Bielefeld, Germany), or also: the one with the Donated by the artist. Selected solo- and group-exhibitions: “Konvolution – Künstler Buch Projekte”, Literature at the Florence University, then in Rome at the European Institute scissor hands. Studied visual communication in Düsseldorf and has worked in € 50 Osthaus Museum Hagen, Hagen (2018); “den Januarpfad eben”, PADE e.V., of Design. advertising ever since. In 2009 Thomas Pakull went public for the first time starting price Alte Kämmerei, Düsseldorf (2018); “Kunstfilmtag”, Künstlerverein Malkasten, From 1997 to 2009 he worked for several international advertising agencies with his free artistic works. In his work, Pakull uses the technique of silhouette Düsseldorf (2017), “Hier und Jetzt”, Kunsthaus Weiz, Weiz (2016); “Avant la (Saatchi & Saatchi, Arnold Worldwide) as an Art Director first, then as a cutting. The topic of reduction always appeals to him. A simplification that can Tim Steiner (born 1984 in Switzerland) initiated a community studio in the Devantgarde”, Ackerloft, PADE e.V., Düsseldorf (2015); “Eine Passage”, Trawa Film, Creative Director. irritate the viewer and therefore requires a second look. Motifs that, despite agglomeration of Zurich in 2004. An intensive examination of painting on Filmclub 813 e.V., Cologne (2014); “CIRCUS museum_phase 04”, Netzwerk ACRYL, In April 2005 parallel to the advertising career, he started his career as profes- their simplicity, tell a great story and trigger an entire film with the viewer. canvas in various technical applications began. In 2010 the first examination Schloßpark und Museum Hartberg, Hartberg (2013); “Einkämpfer”, Kunstfilmtag, sional artist, and for a distraction (he forgot to buy brushes) he then started Selected solo- and group-exhibitions: “Art for Take Away”, Popup Ausstellung, Munich of the casting process took place and works in bronce and aluminum were Künstlerverein Malkasten Düsseldorf, Düsseldorf (2012); “unter freiem himmel painting with his fingers, the powerful figurative results of his finger-painting (2015); “Das ich im Anderen”, Kunstbezirk, Stuttgart (2014); “Refuse the Shadows created. / phase II”, Düsseldorf (2008); “Hier und Heute”, Kunstfilmtag, Künstlerverein technique can be considered unique in the world. oft he Past”, University Museum and Art Gallery, Hong Kong (2014) “Reduced to a After a short job in an art foundry, the first sculptures emerged in 2013 Malkasten Düsseldorf, Düsseldorf (2007); “open Beamer”, Künstlerverein wp8, Troilo dips his fingertips directly into jars of acrylic, black and ivory, and moment”, Lazy Dog Gallery, Hamburg (2013); “Das ich im Anderen”, Heyne Kunst from his own art foundry in Wädenswil on Lake Zurich. There he casts his Düsseldorf (2007); “mit offenem Ende, Timm Ulrichs und seine Klasse”, Kunsthalle spreading color, definitely abandoning the ”tools of art”. Fabrik, Offenbach (2012); “Selbstportraits”, Künstlerhaus am Lenbachplatz, Munich, works as well as works for other artists on order. In 2015, he co-founded Recklinghausen, Recklinghausen (2005); “Videoprojektionen kleinstückigen Selected solo- and group-exhibitions: “Manifesto”, Museo Riso, Palermo (2016); (2011); “Das ich im Anderen”, Museum im Pflegeschloss, Schrobenhausen (2011); the ”Drucklabor” association, a studio community for handcrafted printing Massenanfalls”, Simultanhalle, Raum für zeitgenössische Kunst, Cologne (2002); “Der “Humans among aliens”, a cura di Pupi Avati, Singapore (2014); “Troilo”, Coup “Der blinde Cowboy”, Kunsthaus Zürich, K21 Düsseldorf, Centre Pompidou Paris, techniques such as lithography, etching or woodcuts and screen printing. eine macht dies, die andere macht das”, Kunstverein Gelsenkirchen, Gelsenkirchen d’Etat, San Francisco (2014); “Troilo”, Riklis Hall, Presler Museum Tel Aviv (2013); MARTa Herford, Kunsthalle Bielefeld, Tate Modern London, Pinakothek der Moderne From 2006 he participated in over 50 solo and group exhibitions in different (1996); “Höhe x Breite x Tiefe”, Villa Weiner, Ochtrup (1995); “Höhe x Breite x Contemporary Istanbul”, Fabrica Eos, Istanbul (2013); “Troilo”, Palazzo Antinori, Munich, Hamburger Bahnhof Berlin, Kunsthalle Hamburg (2011); “Schattenbilder”, countries. Tiefe”, Burg Giebichtstein, Halle (1995); “Dreiandsechzig auf einen Streich, Timm Florence (2011) “54th Biennale di Venezia”, Venice (2011). Galerie Headegg, Munich, (2009). In 2017 he received a cultural award for his work. Ulrichs und Klasse”, Städtische Galerie, Bad Oeynhausen. Paolo Troilo lives and works in Milan. Thomas Pakull lives and works in Munich. Tim Steiner lives and works in Wädenswil. Mina Bellack lives and works in Düsseldorf. www.troilo54.com www.pakull.info www.timsteinerart.ch www.minabellack.eu 12 13

8. Heiko Müller – On the Bridge 9. Michael Lauterjung – Ein Stück vom Ganzen 2017, oil on canvas, 40x40 cm 2018, acryl, varnish, canvas, oil on wood with shadow gap and steel frame, Donated by the artist. 51x48 cm 11. Marcin Cienski – Horse Donated by the artist. € 1.250 starting price 2016, oil on canvas, 60x90 cm € 500 starting price Donated by the artist. Courtesy Galerie Jochen Hempel, Leipzig. Heiko Müller (born 1968 in Hamburg, Germany) studied until 2000 design at the Hochschule für Angewandte Wissenschaften Hamburg. Michael Lauterjung (born 1959 in Stuttgart, Germany) studied from 1980 € 3.300 starting price Selected solo- and group-exhibitions: “Echo Shelter”, Jaski Gallery, Amsterdam until 1981 at the Freien Kunstschule Stuttgart, from 1981 until 1985 at the (2019); “Among the Shades”, Le Link Gallery, Bangkok (2019); “Hands and Pants 7”, Akademie der bildenden Künste Stuttgart with professor Rudolf Haegele and Marcin Cienski (born 1976 in Krakow, Poland) graduated 2001 at the Fine Arts from 1985 until 1986 at the Hochschule für angewandte Kunst Wien with 10. K atharina Arndt – Stillleben mit Fleisch / stilllife with Academy in Krakow, Poland. Faultline Artspace, Oakland (2019); “Hidding in the Gloam”, Kunst Konsortium, meat, #23 (salami) Braunschweig (2018); “Don’t Wake Daddy XIII”, Feinkunst Krüger, Hamburg professor Maria Lassnig. Selected solo- and group-exhibitions: “Victory Memorial”, Galerie Jochen Hempel, (2018); “Kies Müller Gebhard”, feinkunst Krüger, Hamburg (2018); “Suggestivism: Selected solo- and group-exhibitions: “Vertreibung ins Paradies”, Galerie Moderne, 2016, paint pen and acrylic on paint material, 60x50 cm Leipzig (2019); “I Am Not Going to Please You”, Galerie Jochen Hempel, Leipzig Resonance”, Spoke Art, New York (2018); “Supernova”, Galleri Christoffer Egelund, Bad Zwischenahn (2019); Galleri Hindhede, Middelfart (2019); “Dynamik der Donated by the artist. (2019); “Black/Noir”, Gallery Youn, Montreal (2018); “I Am Not Going to Please Kopenhagen (2018); “Monster of Drawing”, Feinkunst Krüger, Hamburg (2018); Stille”, Kunsthaus Fröhlich, Stuttgart (2019); “Ohne Verfallsdatum”, Galerie Helle € 1.300 You”, envoy enterprises, New York (2016); “Hounted Barn”, Galerie Jochen Hempel, “Federn gelassen – der Vogel in der aktuellen Kunst”, Kunstraum Neureut, Karlsruhe Coppi, Berlin (2019); “Die Wucht der Ordnung”, Kunstausstellung Kühl, Dresden starting price Leipzig (2016); “I am a Lie and I am Gold”, Yossi Milo Gallery, New York (2015); “Die (2018); “Eiko Borcherding & Heiko Müller”, Galerie Borssenanger, Chemnitz (2018); (2019); “Art Karlsruhe”, Galerie Peters-Barenbrock, Ahrenshoop & Galerie Werner Zimmer der Nomaden (”The rooms of the nomads”)”, Kunstverein Tiergarten, Berlin “Bestiarium Obscurum”, konnektor – Forum für Künste e.V., Hannover (2018); Bommer, Zürich (2019); “Freiräume”, Galerie Moderne, Bad Zwischenahn (2019); Katharina Arndt (born 1977 in Oschatz, Germany) studied from 2000 until (2015); “Blissful Summit Days”, envoy enterprises, New York (2014); “Twilight Zone”, “Ghost Lights”, Herr Beinlich, Bielefeld (2017); “XMas ‘17”, Galleri Christoffer “Art Bodensee”, Kunsthaus Fröhlich, Stuttgart (2019); “SCHWARZ-WEISS”, Galerie 2006 at the Hochschule für Bildende Künste Braunschweig and is a master Kunstverein Tiergarten, Berlin (2013); “Tierstücke” SØR Rusche Sammlung, Museum Egeland, Kopenhagen (2017); “Look Up To The Sky And See”, FB69, Münster (2017); Peters-Barenbrock, Berlin (2019); “Sommerfrische – Künstler der Galerie”, Galerie student of professor John Armleder. Abtei Liesborn, Liesborn (2013); “Late Guests”, Marc Straus Gallery, New York “Don’t Wake Daddy XII”, Feinkunst Krüger, Hamburg (2017); “Le Cerf Sacre”, Michael Schmalfuss, Marburg (2019); “Discovery Art Fair Frankfurt”, HLP Galerie, Selected solo- and group-exhibitions: “GIFC (get it for cheap)”, 0-0 LA, Berlin (2019); (2012); “Strange Light”, Erika Deak Gallery, Budapest (2012); “Chronic Insomnia”, Dreams & Divinities – Visions Chamaniques, Paris (2017); “Coven”, Revolution Wesseling (2019); Galerie an der Pinakothek der Moderne, Barbara Ruetz, Munich “Futura”, Arte Aurora Galeria, Barcelona (2019); “Dark & Stormy”, Espronceda, Marianne Friis Gallery, Kopenhagen (2011); “Pensjonat”, Galerie Römerapotheke, Gallery, Buffalo (2017); “Cowboyland”, Heliumcowboy Artspace, Hamburg (2017); (2018); “FREEZE”, Kloster Wettenhausen Dominikus Böhm Bau, Wettenhausen Barcelona (2019); “cherries in bowl”, galerie with stalling, Groningen (2018); “Just Zürich (2010); “Bad Air”, Gallery Geukens & DeBil, Antwerp (2009); “Ein Bild ist ein “STROKE – A Daring Preview”, Cadillac House, Munich (2017); “Something Strange (2018); Galerie Peters-Barenbrock, Ahrenshoop (2018), Kunstverein Hattingen, Paranoid”, Edmond Galerie, Berlin (2018); “Demi-gros”, safe gallery, Berlin (2018); Bild”, Galerie Ochs, Berlin (2009); “Bad Moon Rising 4”, Galerie Sans Titre, Brussels in The Neighbourhood”, Feinkunst Krüger, Hamburg (2017); “4000 in Berlin”, Siller Hattingen (2018); “KunstRAI Amsterdam”, Galerie Post & Garcia, Maastricht “Jealous needs you”, Saatchi Gallery, London (2018); “Sneaky Paradise”, Lachenmann (2009); “Testing” FRED (London) Ltd., London (2008); “Paintings 2006 2007”, Contemporary, Berlin (2017); “Uncurated by”, Galerie Pfandt, Berlin (2016); “The (2018); “Affentheater – der Affe in der Kunst der Gegenwart”, Forum Kunst Rottweil, Art, Konstanz (2018); “La Table Ronde”, Diskurs, Berlin (2017); “Let’s buy it!”, Galerie Binz & Krämer, Cologne (2007); “Salon Nouveau”, Engholm Engelhorn Hour of Silence”, Gallery House, Toronto (2016); “Don’t Wake Daddy XI”, Feinkunst Rottweil (2018); “Art Bodensee”, Edition Reiner Brouwer, Dornbirn (2018); “Künstler Ludwiggalerie, Schloss Oberhausen, Oberhausen (2017); “VIRTUAL REALITY”, ARD- Galerie, Vienna (2007); “Brave New World”, Galerie Binz & Krämer, Cologne (2007); Krüger, Hamburg (2016); “Feinkunst Krüger_ 25 Spezialitäten aus Hamburg”, der Galerie”, Galerie Liebau, Burghaun (2018); “KUNSTGENUSS-GENUSSKUNST”, Hauptstadtstudio, Berlin (2016); “NOT CRY IN PUBLIC”, Larry Show, Berlin (2016); “Kämpfen und Lieben”, Rockstocker Satelliten, Kunsthalle Rostock, Rostock (2006); Galerie Borssenanger, Chemnitz (2016); “MENSCHTIERWIR”, Affenfaust Galerie, Galerie 21.06, Ravensburg (2018); “Art Karlsruhe”, Galerie Peters-Barenbrock, “Fleischeslust”, Museum Villa Rot, Burgfrieden-Rot (2015); “Von oben sieht alles “Malerei”, Galerie Binz & Krämer, Cologne (2005); “Eurostars”, Galleri S.E., Bergen Hamburg (2016); “Eiko Borcherding & Heiko Müller”, Feinkunst Krüger, Hamburg Ahrenshoop & Galerie Werner Bommer, Zürich (2018); Galerie Elbchaussee, kleiner aus”, Kunsthaus Dahlem, Berlin (2015); “Bored to death in Paradise”, Gallery (2005); “Paperworks – Works on paper”, Galerie Binz & Krämer, Cologne (2004). (2016); “25 Jahre 4000”, Feinkunst Krüger, Hamburg (2016); “Hieroglyphica”, Hamburg (2017); Galerie Weise, Chemnitz (2017); “FOR REAL”, Galerie Post & Hüsstege, Hertogenbosch (2014); “NO HELL – NO HEAVEN”, Gallery Hornsleth, His works can be found in the following collections and museums: Eileen S. Kaminsky Stephen Romano Gallery, Brooklyn (2015); “Between Worlds” Corey Helford Gallery, Garcia, Amsterdam (2017); “Art Salzburg”, Galerie an der Pinakothek der Moderne, Copenhagen (2014); “Money Works Part 2”, Haus am Lützowplatz, Berlin (2014); Family Foundation, New Jersey; Campbell Collection, Los Angeles; Hauser & Wirth, Los Angeles (2015); “Magica Secualis”, Stephen Romano Gallery, Brooklyn (2015). Barbara Ruetz, Munich (2017). “La Colective”, galerie t, Düsseldorf (2014). Zürich; SØR Rusche, Oelde; AmC Collection Coppola, Vicenza. Heiko Müller lives and works in Hamburg. Michael Lauterjung lives and works in Cammin. Katharina Arndt lives and works in Berlin and Barcelona. Marcin Cienski lives and works in Minneapolis. www.heikomueller.de www.michael-lauterjung.com www.katharina-arndt.com www.marcincienski.com, www.jochenhempel.com 14 15

14. Christy Lee Rogers – Drowning in her Sea – «Odyssey» 12. Rhea Standke – Carat Series 2010 13. Sigrid Nienstedt – Tessin 15. Sy nchrodogs – untitled (from the Slightly Altered project) 2018, oil on canvas, 60x50 cm 2010, Fine Art Print on Dibond under Plexiglas Mat 3mm., framed, hand made Donated by the artist. 2019, oil on canvas, 80x80 cm black wood, 91x64 cm, (4/6) 2017, ink jet print on Hahnemühle Photo Rag Ultra Smooth, 60x75 cm, Donated by the artist. Donated by the artist. Courtesy Ten Arts Paris, Paris, France. (Edition: 5) € 1.650 starting price Donated by the artists. € 1.600 starting price € 2.500 starting price Rhea Standke (born 1972 in Dresden, Germany) studied from 1996 to 2002 at € 800 starting price the Staatlichen Akademie der Bildenden Künste Karlsruhe with the professors Sigrid Nienstedt (born 1962 in Krebeck, Germany) studied from 1981 until Christy Lee Rogers is a visual artist from Kailua, Hawaii. Her obsession with Peter Dreher, Ernst Caramelle and Günther Umberg , from 2002 to 2006 at 1987 at the Hochschule für Bildende Künste Braunschweig with professor Ben water as a medium for breaking the conventions of contemporary photogra- Synchrodogs are Tania Oldyork (born in the Ukraine) and Roman Noven the Universität für Angewandte Kunst in Wien, with the professors Johanna Willikens and graduated as his masterstudent. phy has led to her work being compared to Baroque painting masters like (born in the Ukraine). Kandl and Wolfgang Herzig, from 2008 to 2009 at the Accademie Albertina Selected solo- and group-exhibitions: “Licht und Landschaft”, Galerie Maas, Caravaggio. Boisterous in color and complexity, Rogers applies her cunning Selected solo- and group-exhibitions: “We are handsome”, Galerie A space of pho- di Belle Arti die Torino and from 2010 until 2016 at the Kunstakademie Reutlingen (2018); “Terra Incognita”, Sammlung Volksbank, Herrenberg (2018); technique to a barrage of bodies submerged in water during the night, and tography, Arles (2019); “The Awakening Opening”, Archive Contemporary Montreal, Düsseldorf, where she graduated in the master class of Professor Herbert “Berliner Luft”, Galerie Cerny + Partner, Wiesbaden (2018); “Farbecht”, Galerie creates her effects using the refraction of light. Through a fragile process Quebec City (2019); “Art Stays Festival”, Pruj (2019); “Palm* Photo Prize exhibition”, Brandl. 11, Siegen (2017); “Krippenspiele”, Kunstverein Zehntscheuer, Rottenburg of experimentation, she builds elaborate scenes of coalesced colors and Theprintspace gallery, London (2019); “Feature Shoot 3: Annual Awards”, Format Selected solo- and group-exhibitions: “Botschaften aus der Ferne”, SITTArt Galerie, (2017); “STILLLEBEN – still alive”, Galerie Schmalfuss, Berlin (2017); “Menagerie, entangled bodies that exalt the human character as one of vigor and warmth, Photo Festival, Derby (2019); “SUB-KULTURE VULTURE”, The Nest creative space, Kunstverein vddk 1884, Düsseldorf (2019); “KÜNSTLER SEHEN EUROPA”, Europa Tierschau aus der Sammlung Würth”, Forum Würth Rorschach, Rorschach (2017); while also capturing the beauty and vulnerability of the tragic experience that Alexandria (2018); “Solo Show”, Office Project room gallery, Milan (2018); “Slighted Direct, Düsseldorf (2019); “ARTIBUS”, Burg Stolberg, Burggalerie, Stolberg (2019); “Wasser – Water – L’eau”, Kunstverein Bad Salzdetfurth, Schlosshof Bodenburg, is the human condition. Altered”, HAIMNEY gallery, Barcelona (2018); “Promprylad”, Assortment room Lotprive, Paris (2019); “Artnet”, 5 pieces gallery, New York (2019); Circle Foandations Bad Salzdetfurth (2017); “Helle Nacht”, KW Kunstraum Walshausen, Bad Rogers’ works have been exhibited globally from Paris, London, Italy, Mexico City gallery, Ivano-Frankivsk (2018); “Slighted Altered”, Gallery Urbane, Dallas (2018); for the Arts, Lyon (2019); “Art Karlsruhe”, Galerie Cyprian Brenner, Karlsruhe (2019); Salzdetfurth (2017); “aus heiterem Himmel…”, Kunstmühle Mürsbach, Mürsbach to Shanghai, Sao Paulo, South Africa, Los Angeles and more, and are held in private “Athens photo festival”, Benaki Museum, Athens (2018); “Unseen photofestival”, “Art Innsbruck”, part2gallery, Innsbruck (2019); “Nachtbrötchen”, part2gallery, (2016); “Wonderland”, Galerie Carol Johnssen, Munich (2016); “Malerei zu Lande and public collections throughout the world. She has been featured in International Stieglitz19 Gallery, Amsterdam (2017); “Photo Vogue Festival”, ThisIsMeNotBeingYou, Düsseldorf (2019); “Art Sylt”, part2gallery, Sylt (2019); “Singing in harmony amongst und zu Wasser”, Kulturverein Zenhtscheuer, Rottenburg am Neckar (2016); Magazines, including Vogue, Harper’s Bazaar Art China, Elle Decoration, Global Milan (2017); Galerie Blanc, Montreal, Quebec (2017); “MOPLA Group Show”, flowers”, Gallery Marunouchi OAZO, Tokyo (2018); “Die Wälder von Tranzelot”, “Landschaftsraum und Weltgestaltung”, Galerie Netuschil, Darmstadt (2016); Times, The Independent, Casa Vogue, Photo Technique, Photo Korea and others. Los Angeles (2017); Gallery Urbane, Dallas (2017); “Riga photomonth”, Kim? part2gallery, Düsseldorf (2018); “Noch neue Neuere Malerei”, Quirin Privatbank “Tutti Frutti”, Kunstraum Walshausen, Bad Salzdetfurth (2016); “Kunststationen”, Rogers’ ”Reckless Unbound” is currently housed at Longleat House in the UK; Contemporary Art Center, Riga (2017); “Highlands”, Stieglitz19 Gallery, Antwerp Kunstverein, Düsseldorf (2018); “Schwanenmarkt”, von Fraunberg Art Gallery, Galerie Kunstforum, Seligenstadt (2015); “TRANS-FORM”, Städtische Galerie the stately home, which is the seat of the Marquesses of Bath and also home (2017); “Dependence degree”, BWA Wroclaw gallery, Wroclaw (2017); “The New Düsseldorf (2018); Art Center Hores, Knokke-Heist (2019); Circle Foundation for Fruchthalle, Rastatt (2015); “Landschaft”, Kunst im Kloster, Kloster Mariaberg, to Renaissance gems of the Italian masters, like Titan’s ”Rest on the Flight into Portrait part II”, Stieglitz19, Antwerp (2016); MTVRedefine, Dallas (2016); “Collectors the Arts, Lyon (2018); “Kunsthaus Artes”, HannoverKunsthaus Binhold, Cologne Gammertingen (2015); “Tiere und Landschaften”, Galerie Bengelsträter, Iserlohn Egypt.” She is a two time finalist for the Contemporary Talents Award from the Show”, ArtPrize Hub, Grand Rapids (2016); “PULSE Contemporary Art Fair”, New (2018); “Artificial Nature”, Galerie Schloss Neersen, Willich (2017); “Die Wälder von (2015); “Transformation der Landschaft”, Galerie Netuschil, Darmstadt (2014); Fondation François Schneider in France, and has been commissioned by Apple to York (2016). Tranzelot”, Art in Business, Greisbach, Düsseldorf (2017); “All In”, von Fraunberg Art “Tierisch”, Galerie Carol Johnssen, Munich (2014); “ARTVERWANDTE”, Galerie create underwater images with the iPhone 11Pro, as well as being featured in one Their artworks were published in many magazines like Esquire, Vice, Vogue, Odda, Gallery, Düsseldorf (2017); “Opernball”, gallery Art Cube, Düsseldorf (2017); “Noch Carol Johnssen, Munich (2014); “23 Kunstwerke from 23 Künstlern”, Galerie Ahlers, of their behind-the-scenes process films. Rogers’ art has been featured on several Liberation magazine, Sueddeutsche Zeitung, Hunter, Metal, Wild, TUSH, Dust, Vision, neuere Neue Malerei”, Kunstverein Quirin Privatbank, Düsseldorf (2017); “Taylor Göttingen (2014); “Monumental im Kleinen”, Galerie Netuschil, Darmstadt (2014); album covers, including ”Orchesoraphy” for the 80’s band Wang Chung, and her Another, Oyster, Jalouse, shot Femen activists for Dazed and Confused, published on Wessing”, von Fraunberg Art Gallery, Düsseldorf (2017); “Kölner Liste”, Gallery Art “Ben Willikens, Sigrid Nienstedt, Wolfgang Kessler”, Galerie Ahlers, Göttingen (2014); images were selected for the 2013–2014 performance season of the Angers-Nantes the covers of British Journal of Photography (UK), Vogue (Ukraine), Stylist (France), Moves, Cologne (2017); “The Labe-Blue Heaven Qindao International Spring Art “Unbekanntes Licht”, Galerie Maas, Reutlingen (2013); “Weitblick”, Galerie Klüber, Opera in France. In 2019 she won Open Photographer of the Year at the Sony World Impression (USA), TUSH, Neon, Zeit Campus magazine (Germany), Blink, S Salon”, Qindao (2017). Weinheim (2013); “Kalkül und Leidenschaft”, Galerie Ahlers, Göttingen (2013). Photography Awards. . magazine, L’adn, shoot Mark Zuckerberg for Afisha magazine cover (Russia) etc. Rhea Standke lives and works in Düsseldorf. Sigrid Nienstedt lives and works in Krebeck. Christy Lee Rogers lives and works in the USA. Synchrodogs live and work in Kiev. www.rheastandke.de www.sigridnienstedt.de www.christyleerogers.com, www.tenarts.net www.synchrodogs.com 16 17

16. S ibylle Prange – Kleine Lagune 17. Jochen Pankrath – Körperbilder 18. R ainer Spangl– Untitled (left up) 19. C hristof Mascher – travel 2018, oil on paper, 25x31 cm 2015, oil on easy foam board (paper), 35,7x28,2 cm 2016, oil on canvas, 35x25 cm 2017, oil on canvas, 50x40 cm Donated by the artist. Donated by the artist. Donated by the artist. Donated by the artist. Courtesy Philipp von Rosen Galerie, Cologne. € 400 starting price € 550 starting price € 1.600 starting price € 2.000 starting price

Sibylle Prange (born 1969 in Eberswalde, Germany) studied from 1990 until Jochen Pankrath (born 1981 in Roding, Germany) studied from 2003 until Rainer Spangl (born 1977 in Vienna, Austria) studied from 1998 until 1999 Christof Mascher (born 1979 in Hannover, Germany) studied from 2001 to 1995 at the Kunsthochschule Berlin-Weißensee, 1995 at the Akademie voor 2009 at the Akademie der Bildenden Künste Nürnberg with professor Ralph at Bretton Hall, Univeristy College of Leeds and from 1999 until 2005 at the 2004 at the Fachhochschule Hannover, with the professors Ulrich Baehr and Kunst en Vormgeving, ‘s-Hertogenbosch and graduatetd 1997 in the master Fleck and graduated in his masterclass. From 2015 until 2017 he was a lecturer Universität für Angewandte Kunst in Vienna. Christian Riebe and from 2004 until 2009 at the Hochschule für Bildende class of Professor Wolfgang Peuker at the Kunsthochschule Berlin-Weißensee. at the Sommerakademie Neuburg. Selected solo- and group-exhibitions: “The Regard”, Devening Projects, Chicago Künste Braunschweig and graduated in the master class of professor Walter From 2014 to 2017 she was a professor at the Designhochschule / Vitruvius Selected solo- and group-exhibitions: “Abstrakte Philosophen und andere (2017); “Within a Room”, Song Song, Vienna (2016); “Ezara Spangl & Rainer Spangl”, Dahn. Hochschule Leipzig. Übermalungen”, Bode Galerie, Nürnberg (2019); “Kleinkunst”, Galerie Ahlers, Ve.sch, Vienna (2015); “Northeast Corner at 2”, Essex Flowers, New York (2014); Selected solo- and group-exhibitions: “Futuros imaginados, passados reconstruidos”, Selected solo- and group-exhibitions: “Landwärts”, Galerie Helle Coppi, Berlin Göttingen (2018); “24 H”, Kulturzentrum Krakauer Haus, Nürnberg (2018); “UUUUU”, Devening Projects, Chicago (2013); “Ezara Spangl, Josef Zekoff, Rainer Lamb Arts, São Paulo (2019); “Stains on a Decade”, Josh Lilley, London (2019); (2019); “Landgang”, Literaturforum im Brecht-Haus, Berlin (2019); “Kunst für “40 Artystow Na 40-Lecie”, Centre of Contemporary Art – CSW, Torun (2018); Spangl”, MAUVE, Vienna (2013); “Trata”, Song Song, Vienna (2012); “Blätter und “No Tree No Bench”, 0-0 LA, Los Angeles (2018); “Spin a Rainbow”, Städtische Humanismus”, Lipsiusbau Dresden, Dresden (2019); “PO-MO, International “Kurzgeschichten”, Galerie Vogdt – Galerie der Moderne, Munich (2017); Kammern”, Song Song, Vienna (2010); “Ay Ay Blume”, art.room, St. Pölten (2009); Galerie Wolfsburg, Wolfsburg (2018); “Vienna Contemporary”, Philipp von Rosen Mail Art”, Selcuk Universitesi, Konya (2019); “20 Jahre Huber / Treff”, Galerie “Jubiläumsausstellung – 40 Jahre Kunstverein Kirchzarten”, Kunstverein Kirchzarten, “malX”, Kunstraum Goethestrasse, Linz (2009); “FestFest”, Julius Ceasar, Chicago Galerie, Vienna (2018); “Five Leaves Left”, William Rolland Gallery at Cal Lutheran, Huber & Treff, Jena (2019); “lantschaft”, Galerie Alte Schule, Berlin (2019); “Sich Kirchzarten (2017); “Neue Töne”, Galerie Sturm, Nuremberg (2017); “Ansichtssache (2009); “Destination Chicago”, Galerie IG bildende Kunst, Vienna (2009); “Little Thousand Oaks (2017); “Kunstgruppe präsentiert: Wahnsinn”, Salon Schmitz, ein Bild machen”, Galerie Peters-Barenrock, Ahrenshoop (2019); “Wiepersdorf, – Pankrath & Honneth”, Galerie Barbara from Stechow, Frankfurt am Main (2016); Triggers”, devening projects+editions, Chicago (2009); “Splits”, bell street project Cologne (2017); “hors d’oeuvres”, Half Gallery, New York (2017); “Novel”, Galerie Stipendiatenausstellung”, Landtag Potsdam, Potsdam (2019); “Kopf an Kopf”, Galerie “Pankrath & Hiegle”, Galerie Thomas Menzel, Kenzingen (2016); “Legenden”, space, Vienna (2009); “MaxMultiple”, devening projects+editions, Chicago (2009); Rianne Groen, Rotterdam (2016); “history crush”, Philipp von Rosen Galerie, Cologne Helle Coppi, Berlin (2019); “AOK Kunstpreis”, Teltow & Berlin & Schwerin (2018); Kunstverein Hof, Hof (2016); “PER SE”, Kunstverein Erlangen, Erlangen (2016); “Supper”, Troittoir, Hamburg (2009); “Recent Paintings”, Devening Projects, Chicago (2016); “Velvet Ropes”, Forsyth Studio, New York (2016); “Got it for Cheap Vol. 3”, “Anonyme Zeichner”, Galerie im Körnerpark, Berlin (2018); “FO YOU – Voluntary “10 Jahre Rotary Collection Nürnberg-Sigena, Ausstellungshalle Akademie der (2008); “Beachwood: Ezara Hoffman und Rainer Spangl”, Mittwochsbar at Bell Gallery Steinsland Berliner, Stockholm (2016); “Got it for Cheap Vol. 2”, David Risley Art Liasion”, Marienburg Berlin, Berlin (2018); “Mother Love”, Galerie Westphal, Bildenden Künste Nürnberg, Nuremberg (2016); “Transatlantic Exhibition of Art in Street Project, Vienna (2008); “Supper”, Trottoir, Hamburg (2008); “Rest on the flight Gallery, Copenhagen (2016); “The Snoring Princess”, Kunstgruppe, Cologne (2016); Berlin & Friedrich Naumann Stiftung FNF, Beirut (2017); “Wilhelm-Morgner-Preis the SouthEast”, Arttour USA (2016); “Rausch”, Galerie Ahlers, Göttingen (2016); to Göbelki”, Julius Caesar, Chicago (2008); “Rainer Spangl und Ezara Hoffman”, “Sammlung Simonov”, Kunsthalle Bozen, Bozen (2016); “Street Turn River”, Josh Lilley, 2016”, Museum Wilhelm Morgner, Doest (2017); “Anonyme Zeichner”, Kunstverein “Klasse Fleck”, Fruchthalle, Rastatt (2015); “Meisterschüler”, Morat Institut, Freiburg Koloni, Dresden (2008); “Give Up”, Guertin Graphics, Chicago (2008); “Paper Love”, London (2015); “Friendly Catastrophes”; Hopstreet Gallery, Brussels (2015); “Got it Rüsselsheim, Rüsselsheim (2016); “Pleinair Symposium”, Beit Shturman Museum, Ein (2015); “5 Helden”, Galerie Bernsteinzimmer, Nuremberg (2015); “11 Künstler 1 Devening Projects, Chicago (2008); “PA.PI. mach mal Pause die Ziege braucht for Cheap”, David Risley, Copenhagen (2015); “Got it for Cheap”, Black Bear, New Harod (2016); “Finalistinnen Gabrliele-Münter-Preis”, Akadmie der Künste, Berlin & Format”, Galerie Ahlers, Göttingen (2015); “20 Jahre WeldeKunstpreis”, Stadtgallerie Ruhe”, Swingr, Vienna (2007); “Into position”, Bauernmarkt 1+9, Vienna (2007); “Bar York (2015); “Got it for Cheap”, Haik, Olso (2015); “Got it for Cheap”, Steinsland Frauenmuseum, Bonn (2017). Mannheim, Mannheim (2014); “Der klare Blick”, Galerie Ahlers, Göttingen (2014); International”, Mitwochsbar, Vienna (2007); “In the shapes of everything sweet”, Berliner, Stockholm (2015); “Got it for Cheap”, agnes b Galerie du Jour, Paris (2015); Her works can be found in the following museums and collections: Angermuseum “Meisterschüler”, Gallery Purdy Hicks, London (2014). Kunstraum Innsbruck, Innsbruck (2007); “Ocean Ranch”, Devening projects, Chicago “The Snoring Princess”, Salon Schmitz, Cologne (2015); “Velvet Ropes”, 86 Forsyth Erfurt, Erfurt; Stiftung Schloss Friedenstein Gotha, Schlossmuseum, Gotha; His works can be found in the following museums and collections: Albrecht-Dürer- (2007); “Das Spektakel der Abwesenheit”, Kunsthalle Meidling, Vienna (2006); “Der Street, New York (2015); “Gone Fishing”, Vous Etes Ici, Amsterdam (2013); “Non- Kunstsammlung der Städtischen Museen Jena, Jena; Kunstmuseum Ahrenshoop, Stiftung; Artothek Nuremberg; Koo House Korea; Deutsche Bundesbank; Fürther Rumpf”, Swingr, Vienna (2006); “Faktum-Flakturm”, Flakturm Arenbergpark, Vienna Places…Non-Lieux”, Rahncontemporary, Zürich (2013); “The Salon of Everything”, Ahrenshoop; Kreismuseum Peine, Peine; Sammlung Allianz, Leipzig; Collection City of Gesellschaft der Kunstfreunde e.V.; Kunstvilla Nuremberg; Sparkasse Nuremberg; (2006); “Alle Tiere im Wald”, Swingr, Vienna (2006); “Bentnames”, gallery fiffty/50, Serra dei Giardini, Venice (2013); “Unknown (Paintings)”, Galerie Michael Janssen, Ilmenau, Ilmenau; Collection Züblin AG; SCollection Beit Jala, Palästina. VR-Bank; Rotary Collection Nürnberg-Sigena. Chicago (2006), “Der gemalte Gruss”, gallery 422, Gmunden (2006). Berlin (2012); “It’s a small world”, Family Business, New York (2012). Sibylle Prange lives and works in Berlin and Brandenburg. Jochen Pankrath lives and works in Fürth. Rainer Spangl lives and works in Vienna. Christof Mascher lives and works in Braunschweig and Berlin. www.sibylleprange.de www.jochen-pankrath.de www.rainerspangl.com www.instagram.com/christof.mascher, www.philippvonrosen.com 18 19

21. Camill Leberer – untitled 23. C anal Cheong-Jagerroos – Silvery Scenery VIII 2017, steel, paint, 60x50 cm 2019, mixed media on canvas, 100x100 cm Donated by the artist. 22. Jenny Brosinski – Copycat (snake) Donated by the artist. € 3.500 starting price € 8.500 starting price 20. Christian Perdix – Liquidify 2019, oil, olive oil, spray paint, charcoal on canvas, 200x160 cm Donated by the artist. Courtesy Choi & Lager Gallery, Cologne. Camill Leberer (born 1953 in Kenzingen, Germany) studied from 1978 until Canal Cheong-Jagerroos 張彤茹 (born 1968) in China, grew up in an 2018, mixed media on paper, 42x29,7 cm 1984 at the Staatlichen Akademie der Bildenden Künste Stuttgart. In 1987 € 6.500 starting price artistic family in Macau. With nearly 100 successful exhibitions accomplished, Donated by the artist. Courtesy Sies + Höke, Düsseldorf. and 1988 he was a lecturer at the Fachhochschule für Gestaltung Pforzheim Canal Cheong Jagerroos is an established international Chinese artist. In a € 360 starting price and from 1991 to 1992 a visiting professor at the Staatlichen Akademie der Jenny Brosinski (Germany) studied from 2006 until 2012 at the Weißensee fascinating way, the works of Canal Cheong Jagerroos combines the past and Bildenden Künste Stuttgart. Kunsthochschule Berlin and graduated in the masterclass. present, East and West. For the past 30 years, Cheong Jagerroos has lived Christian Perdix (born 1983 in Germany) studied from 2008 to 2009 at the Selected solo- and group-exhibitions: “What’s up – Zeitgenössische Positionen Selected solo- and group-exhibitions: “Nice To Know”, Ruttkowski;68, Paris (2020); and worked in numerous countries, from Asia to Europe and Africa. The Kunstuniversität Linz with professor Ursula Hübner, from 2009 to 2013 at zum Galeriejubiläum”, Galerie Schlichtenmaier, Grafenaus (2019); “Collection Night “Catch me if you can”, Choi & Lager, Seoul (2019); “Art Brussels”, Choi & Lager, unique experiences of culturally diverse places have influenced her artistic the Universität für Angewandte Kunst in Wien with professor Judith Eisler, Berlin”, Sammlung Ivo Wesel, Berlin (2019); “Die Sammlung”, Kunsthalle Göppingen, Brüssel (2019); “Art Rotterdam”, Plus One Antwerp, Rotterdam (2019); “Mixed work both consciously and subconsciously. Canal Cheong Jagerroos current from 2011 to 2012 at the Hochschule für Grafik und Buchkunst in Leipzig with Göppingen (2019); “Flow”, Galerie Lausberg, Düsseldorf (2019); “Bauhaus 100 Pickles V”, Ruttkowski;68, Berlin (2019); “Varieté”, VogelArtEdition & Galerie solo exhibition ”Blue and Red - Extract” is on view at Rovaniemi Korundi Art professor Astrid Klein and graduated from the Universität für Angewandte – Analogien”, Galerie Oben, Chemnitz (2019); “Augen – Schritt”, Galerie Albert Sabine Knust, Berlin (2019); “Atlantic Bridge”, Galerie Kremers, Berlin (2019); Museum in Finland through May 2020. Kunst in Wien in 2013. Baumgarten, Freiburg (2018); “Selbst und Teile”, Kunstverein Pforzheim/Museum “Art Busan”, Choi & Lager, Busan (2019); “Worth of Art”, Häusler Contemporary, Selected solo- and group-exhibitions: “B&RAP-Andefined Exclusion”, Joensuu Art Selected solo- and group-exhibitions: “The Golden Age”, KM28, Berlin (2020); ArtPlus, Pforzheim (2018); Ying-Gallery, Peking (2017); “Accrochage”, Galerie Peter Munich (2019); “HERE+NOW”, Pablo’s Birthday, New York (2019); “COLOR UP!”, Museum, Joensuu (2020); Art Context Miami, Miami (2020); “Floating Island- Sammlung Jakob, Freiburg (2020); “Just Love”, ZAK – Zentrum für Aktuelle Kunst, Zimmermann, Mannheim (2017); “Metall – es ist nicht alles Gold was glänzt”, VogelArtEdition & Galerie Sabine Knust, Düsseldorf (2019); “Zwei Alter:”, Jung Utopia”, Jyväskylä Art Museum, Jyväskylä (2019); “LA Art Show”, Los Angeles Berlin (2019); “Postcard Reloaded”, Kunstraum Potsdam, Potsdam (2019); “Pack Kunstmuseum der Stadt Pforzheim, Pforzheim (2017); “Bestandsprobe V”, Museum Crone Gallery, Berlin (2019); “On my Way”, Plus One, Antwerp (2019); “Untitled (2019); “Art Wynwood”, Miami (2019); “Floating Island-Realm of Wonder”, den Badeanzug ein”, Galerie Kornfeld, Berlin (2019); “Syzygy”, Centrum, Berlin Pfalzgalerie, Kaiserslautern (2017); “Coincidence & Reference”, Museum Villa Seiz, Miami”, Choi & Lager, Miami (2019); “Twenty-four”, BricksGallery, Copenhagen Tranter Sinni Gallery, Miami (2019); “Essence of Growth”, Gumbostrand Konst & (2018); “Make him disappear”, Teton Artlab, Jackson (2018); “Tractatus Locus”, Schwäbisch Gmünd (2017); “out of office”, Museum für Konkrete Kunst, Ingolstadt (2019); “Mixed Pickles XI”, Ruttkowski;68, Cologne (2019); “Come on and take the Form, Gumbostrand (2019); “Enlightened Philosophers”, Art Boca Raton, Florida Haus Wittgenstein, Vienna (2017); “Yours Faithfully”, Kunstverein Tiergarten, Berlin (2017); RenRong/M.Küper art space, Beijing (2016); “Der Künstler und sein Ich”, rest of me”, Ruttkowski;68, POP68, Cologne (2018); “Mixed Pickles 4”, Michael (2018); “Floating Island –Tower”, Salo Art Museum, Salo (2018); “B&RAP-Reality (2017); “Protest”, Kunstverein Tiergarten, Berlin (2017); “Full House”, White Columns Staatsgalerie Stuttgart, Stuttgart (2016); “SCHLICHTUNGEN”, Schmalfuß, Berlin Horbach Stiftung Cologne, Ruttkowski;68, Cologne (2018); “It only makes it worst of Transcendence”, Xian Art Museum, Xian (2018); “B&RAP”, Tang Bo Art Online (2017); “Erase / Rewind”, FAIT Gallery, Brno (2016); “small”, Kunstraum (2015) “Schwarz auf Weiß. Highlights from Sammlung Maximilian und Agathe to live without it”, Plus-One Gallery, Antwerp (2018); “Rue Charlot Grand Opening”, Museum, Xian (2018); Context New York, New York (2018); “LA Art Show”, Los Super, Vienna (2015); “out of the blue”, wellwellwell, Vienna (2015); “Beaver Creek”, Weishaupt und Stiftung für Konkrete Kunst und Design”, Museum für Konkrete Ruttkowski;68, Paris (2018); “Brr Brr”, Bistro21, Leipzig (2018); “Soft? Tactile Angeles (2018); “B&RAP-Inverse Nature In Stage II”, Finlayson Art Area, Tampere UBIK Space, Vienna (2014); “Liebe endet”, flat1, Vienna (2014); “Improve the image Kunst, Ingolstadt (2015). Dialogues”, MoMu, Antwerp (2018); “Mark your Mark”, Plus-One Gallery, Antwerp (2017); “Asian Inspirations”, Tranter-Sinni Gallery, Miami (2017); “Art Palm Beach of your business”, studio das weisse haus, Vienna (2014); “Sommerloft”, Loft8, Vienna His works can be found in the follwoing museums and collections: Collection (2018); “You made me”, Nevven Gallery, Gothenburg (2018); “no theory”, VIU International”, Florida (2017); “Art Shanxi”, Tai Yuan Art Museum, Tai Yuan (2017); (2014); “Jahresgaben”, das weisse haus, Vienna (2014); “DIE GLORREICHEN 7”, In Maximilian and Agathe Weishaupt, Munich; Museum im Kulturspeicher, Würzburg; Gallery, New York (2018). “B&RAP-Unfolding”, Basel Art Center, Basel (2017); “LA Art Show”, Los Angeles der Kubatur des Kabinetts, Fluc, Vienna (2014); “Die verlorene Form”, Friday Exit Museum für Konkrete Kunst, Ingolstadt; Museum Pfalzgalerie Kaiserslautern, Her works can be found in the following collections and museums: National Museum (2017); “Art Boca Raton” Boca Raton (2017); “Waking 苏醒”, Being 3 Gallery, / mo.ë contemporary, Vienna (2014); “First Emerald, then Sapphire, then Black”, Kaiserslautern; Museum für Neue Kunst, Freiburg; Kunstmuseum Stuttgart, Stuttgart; of Modern and Contemporary Art (MMCA), Gwacheon; Public Collection the city of Beijing (2017); “China-Italy Biennale”, Shenzhen (2017); “ICFF Miami Art and Semperdepot, Vienna (2014); “Changier”, Heiligenkreuzer Hof, Vienna (2013); “The MUDAM – Musée d’Art Moderne Grand-Duc Jean, Luxemburg; MUMOK – Museum Gothenburg, Gothenburg; Collection Bech Risvig, Holstebro; Collection Hannecart; Design”, Miami (2017); “Scope Miami”, Miami (2016); “Eternal Love”, Tranter-Sinni Oracle”, The Wand, Berlin (2013); “XV”, Luis Adelantado, Valencia (2013). Moderner Kunst Stiftung Ludwig, Vienna. Collection Kai Loebach, Hollywood; Ernesto Esposito, Naples. Gallery, Miami (2016); “Pure Affection II”, Galerie de Arte, Estoril (2016). Christian Perdix lives and works in Berlin. Camill Leberer lives and works in Stuttgart. Jenny Brosinski lives and works in Berlin. Canal Cheong-Jagerroos lives and works in Helsinki and Shanghai. www.christianperdix.com, www.sieshoeke.com www.camill-leberer.de www.jennybrosinski.com, www.choiandlager.com www.canalcheongjagerroos.com 20 21

25. Ku Chi-Chun – Life is the flower for which 24. Wolfgang Ganter – untitled (output intercept point) love is the honey 27. B eatrice Richter – Arecoideae #20 26. E kin Su Koç – Child Lilith 2018, real pigment print on wood under molded plastic, 152x157,01 cm 2019, gelled pigments on Japanese rice paper with Swarovski Crystals 2018, ink, graphite and tissue paper on paper, blackened acrylic glass, Donated by the artist. and gold foil, 40x40 cm 2017, oil on canvas, 100x100 cm wooden frame, 93,7x93,7x2 cm Donated by the artist. Donated by the artist. Donated by the artist. € 4.500 starting price € 1.700 starting price € 2.000 starting price € 2.300 starting price Wolfgang Ganter (born 1978 in Stuttgart, Germany) studied from 1999 until 2005 at the Staatlichen Akademie der Bildenden Künste Karlsruhe with Ku Chi-Chun (born in Taiwan) graduated from the Taiwan University of Arts Ekin Su Koç (born 1986 in Istanbul, Turkey) studied from 2004 until 2010 Beatrice Richter (born 1989 in Recklinghausen, Germany) studied from 2010 the professors Andreas Slominski and Anselm Reyle and graduated in the inTaipei (BA) and Taichung University of Education with a master in history of at the Mimar Sinan Fine Arts University in Istanbul, from 2007 to 2008 at until 2018 at the Kunstakademie Düsseldorf, from 2012 to 2014 with professor masterclass of professor Andreas Slominski. art (MFA). the Seville Universidad De Sevilla on BA and from 2011 until 2015 at the Işik Martin Gostner and from 2014 to 2018 with professor Herbert Brandl with Selected solo- and group-exhibitions: “Tiny Supernova”, Kunsthalle, Mannheim, Selected solo- and group-exhibitions: Genesis Social Welfare Foandation, Taichung University in Istanbul on MfA. whom she graduated in his masterclass. Mannheim (2020); “Stoffwechsel”, Kunstverein Schwäbisch Hall, Schwäbisch Hall (2020); “Culture Exchange between Taipeh and Phoenix”, Arizona Capital Museum, Selected solo- and group-exhibitions: “Art Karlsruhe”, Anna Laudel Gallery, Selected solo- and group-exhibitions: “Beatrice Richter · Mortalitas”, Julia Ritters- (2020); Zentralistitut für Kunstgeschichte, Munich (2020); Einraumhaus, Mannheim Arizona (2018); Modern Art Gallery, Taichung (2018); “Flower Waltz, Ku Chi-Chun”, Karlsruhe (2020); “CONTEXT Art Miami”, Cube Gallery, Miami (2019); “Chimera”, kamp, Düsseldorf (2019); “Kunstpreis junger Westen 2019 – Malerei”, Kunst- (2020); “Prima Materia”, Kunstverein KunstHaus Potsdam, Potsdam (2019); “Parvus Taichung Airport, Taichung (2018); “Ku Chi-Chun Art Creation”, Mercedes Benz AMG Künstlerhaus Bethanien, Berlin (2019); “Intergalactic”, Anna Laudel Gallery, Istanbul halle Recklinghausen, Recklinghausen (2019); “salondergegenwart 2019”, Miraculum”, Olsson Gallery, Stockholm (2019); “Afterglow”, Galerie Burster, Berlin Kaohsiung, Kaohsiung (2017); “Chinese character festival”, Shenzhen (2017); “Chinese (2019); “Annual Summer Show”, Christoffer Egelund Gallery, Copenhagen (2019); Hamburg (2019); “Die 73. Internationale Bergische Kunstausstellung”, Kunst (2019); “Chef d’Euvre Brisé”, Ambacher Contemporary, Munich (2018); “Parvus and Foreigner Artist Show”, Beijing National Stadium, Peking (2016); “Art Busan”, “Contemporary Istanbul”, Anna Laudel Gallery, Istanbul (2019); “Affordable Art museum Solingen, Solingen (2019); “Walter Koschatzky Kunstpreis – Die Miraculum”, Burster Gallery, Karlsruhe (2018); “Chef d’Oeuvre Brisé”, Ambacher Exhibition Hall 2, Pusan (2015); “On Site”, Visual.URS21, Chung Shan Creative Hub, Fair”, Cube Gallery, New York (2019); “Haus Warming II”, Anna Laudel Gallery, Nominierten”, MuMoK, Vienna (2019); “forecast”, Städtische Galerie, Kaarst Contemporary, Munich (2018); “World Microbe Day”, Prinzessinnengarten, Berlin Taipeh (2015); “Formosa Art Show”, Humble House, Taipeh (2015); “Tokyo Design”, Düsseldorf (2019); “Group Show”, Christoffer Egelund Gallery, Kopenhagen (2019); (2019); “Planet 58, Absolvent_innen der Kunstakademie Düsseldorf 2018”, K21 (2018); “Chef d’Oeuvre Brisé”, Ambacher Contemporary, Paris (2017); “Wolfgang Festa Gallery, Tokyo (2015); “Art Kaohsiuong”, Pier2 Art Center, Kaohsiung (2015); “Happy an Nowhere”, Anna Laudel Contemporary, Istanbul (2018); “Contemporary Ständehaus, Kunstsammlung Nordrhein-Westfalen, Düsseldorf (2019); “Heartwork Ganter”, Rockefeller University, New York (2017); “Wolfgang Ganter”, Gallery of “Taiwan Arts Fair”, Shin Kong Mitkosukosi, Taipeh (2015); “New Century Art Show”, Istanbul”, Anna Laudel Gallery, Istanbul (2018): “Christmas Show”, Cube Gallery, Benefizauktion”, K21 Ständehaus, Kunstsammlung Nordrhein-Westfalen, Düsseldorf the College of Staten Island, New York (2017); “Regeneration”, Berlin Hyp, Berlin Chiang Kai-shek Memorial Hall, Taipeh (2015); “Taipei-ing”, HOPE EGG, Taipeh London (2018); “X’Mas”, Christoffer Egelund Gallery, Copenhagen (2018); (2018); “Transformation”, Enter Art Foundation, bunker101, Cologne (2018); “DEW21 (2016); “BioHazard”, Till Richter Museum, Buggenhagen (2016); “Casus Coactus”, (2015); “Face-Off”, Art Space Assocication Exhibition, Tai-Ding Construct, Taichung “Passengers of a Kaleidoscopic Journey”, Tabakfabrik Heidelberger Platz, Berlin Kunstpreis”, Museum Ostwall im Dortmunder U, Dortmund (2018); “CORALS & Burster Gallery, Berlin (2015); “Six Masterpieces”, Olsson Gallery, Stockholm (2014); (2015); “Chinese Famous Artist Exhibition”, Fuzhou City (2015); “Art Kaohsiuong”, (2018); “Introducing New Artists”, Cube Gallery, London (2018); “Rooms and Walls”, PALMS”, Wallstr. 18, Düsseldorf (2018); “artes herbaria, kunst x botanik”, Kunsthaus “Bactereality”, Städtische Galerie Tuttlingen, Tuttlingen (2014); “Afterglow”, Reiter Kaohisuong (2015); “Taipei Free Art Fair”, Taipeh (2015); “Formosa art show”, Humble Anna Laudel Gallery, Istanbul (2017); “Mail Art”, Kvit Gallery, Copenhagen (2017); Haven, Oberhausen (2018); “Ernst & Young Benefizauktion”, Kunstakademie Gallery, Leipzig (2014); “Non Finito”, Maerzgalerie, Leipzig (2014); “transPORT”, House, Style+ gallery, Taipeh (2015); “Young Artist Fair”, JD BECCA ART, Taipeh “Contemporary Istanbul”, Anna Laudel Gallery, Istanbul (2017); “Imagination or Düsseldorf, Düsseldorf (2018); “Evolve / Unfold, Beatrice Richter und Viktoria Westwerk, Hamburg (2013); “Misremember”, Rathaus Stuttgart, Stuttgart (2013); (2014); “Taiwan Arts Fair”, Shin Kong Mitkosukosi, Taipeh (2014); “Chinese Famous a Fantasy of Future”, Kare Art Gallery, Istanbul (2016); “AntiBody – PaperCuts”, Strecker”, Haus der Universität, Düsseldorf (2018); “Ich trage meine schwarze “Decompositione”, Kunststiftung Baden-Württemberg, Stuttgart (2013). Artist Exhibition”, Li Wo-yuan Museum (2014);「chún」,Modern Ink Wash Exhibition, Galerie am Maxmonument, Munich (2016); “ODA”, The Marmara, Istanbul (2016); Katze in die Sonne…”, Stadtmuseum Wismar, Wismar (2018); “Rund wie Eckig, von His works can be found in the following collections and museums: Museum Taipeh (2014); “Chic Calligraphy”, freedom man Art Gallery, Taichung (2014); “Faceoff”, “Contemporary Istanbul”, ART350 Gallery, Istanbul (2015); “NO DOLLS LAND”, Randstedt Kunstförderpreis”, Düsseldorf (2017); “Kunstpunkte”, Atelier Ackerst. 15, der Moderne, Salzburg; Olbricht Foundation, Berlin; Martha and Paul Rauert Art Space Association Exhibition, Tai-Ding Construct, Taichung (2014); “Tokyo UNEXPOSED, Munich (2015); “Summer”, ART350, Istanbul (2015); “Nature Düsseldorf (2017); “Junge Kunst aus dem Rheinland”, ex-AdA, Düsseldorf (2017); Collection, Hamburg; Städtische Museen Heilbronn, Heilbronn; Till Richter Museum, Design”, Festa Gallery, Tokyo (2013); “Calligraphy”, Dayatang, Shanghai (2013); “New Revenges”, Tiny Griffon Gallery, Nürnberg (2014); “Heirloom”, ART350 Gallery, “Nacht der Museen”, Boui Boui Bilk, Düsseldorf (2017); “r.u.n.d.schau”, Landtag Buggenhagen; Koc Foundation, Istanbul; Silvia und Helmut Wickleder Stiftung, Schloss Generation”, Pastoral Gallery, Nantou (2011); “Ku Chi-Chun”, Dali Library, Taichung Istanbul (2013); “Contemporary Istanbul”, ART350 Gallery, Istanbul (2013); “Crime of NRW, Düsseldorf (2017); “Jahresgaben”, Museum Ratingen, Ratingen (2016); Leinzell; Museum für aktuelle Kunst, Durbach. (2010); The Exhibition of National Cultural Award of R.O.C”., Tainan City (2007). Art”, Piramid Art Gallery, Istanbul (2012); “Yalin” ART350 Gallery, Istanbul (2012). “Hogan Lovells Kunstförderpreis”, Sky Office, Düsseldorf (2016). Wolfgang Ganter lives and works in Berlin Ku Chi-Chun lives and works in Taipeh. Ekin Su Koç lives and works in Istanbul and Berlin. Beatrice Richter lives and works in Düsseldorf. www.wolfgangganter.de www.kuchichun.com www.ekinsukoc.com www.beatricerichter.de 22 23

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29. M ahsa Karimizadeh – untitled (from the edge series) 2017, electroforming with copper, acid and color, 67x60x6 cm Donated by the artist. € 2.000 starting price

Mahsa Karimizadeh (born 1980 in Shiraz, Iran) studied from 2000 to 2004 at 28. Ran Hwang – Ode to the Full Moon_2001 the faculty of fine arts of the Tehran University. 2020, Paper buttons, beads, crystals, pins on plexiglass, ø 50 cm Selected solo- and group-exhibitions: “The Grandeur of Agony”, Iranshahr Gallery, Donated by the artist. Tehran (2019); “The Edge”, Iranshahr Gallery, Tehran (2018); “Socle Du Monde € 5.500 Biennale”, Zero Foandation, Heart Museum, Herning (2017); “Opening of the new starting price building for Zero foundation”, the old studios, Zero Foundation, Düsseldorf (2017); “Art Geneva”, Genf (2017); “15/16 International Grant Program Emerging Artists “Ran Hwang: The Snowfall of Spiders”, Leila Heller Gallery, New York (2014); 30. Loreen Fritsch – Flügelschlag IV Ran Hwang (born 1960 in Pusan, South Korea) studied until 1997 at the School Exhibition”, Lepsien Art foundation, Düsseldorf (2016); Khak Gallery, Tehran (2015); “Becoming Again”, A loft at Hermes, Singapore (2014); “Shades of Time: The Archives of Arts Chung-Ang University and until 2000 at the School of Visual Arts in “Trauma”, Khak Gallery, Teheran (2014); “Extraterrestrial”, Aun Gallery, Teheran of Korean-American Artists”, Queens Museum of Arts, New York (2014); “Secret 2018, typewriter on paper, 37,5x29,5 cm New York. (2013); Khak Gallery, Tehran (2012); Sculpture and painting”, Aun Gallery, Tehran Obsession”, Asian Art Works, Busan (2013); “Summer Selects: Ran Hwang”, Leila Donated by the artist. Selected solo- and group-exhibitions: “TBA”, Palais des Beaux Arts, Brussels (2012); “Flying Colors”, Queen Gallery, Toronto (2012); “The other half of Iran”, Heller Gallery, New York (2013); “Transparencies: Contemporary Art and a History of € 550 starting price (2021); “The Flight of Time”, Leila Heller Gallery, Dubai (2019); “Matter 物”, SA+ SEM_ART Gallery, Monaco (2012); “Sculpture Exhibition”, Belgium embassy, Tehran Glass”, Des Moines Art Center, Iowa (2013); “L’Asie en Vogue”, Pagoda Paris Gallery, Gallery, Hong Kong (2019); “DOUBLE VISION”, Leila Heller Gallery, New York (2012); “TILL”, Henna Art Gallery, Tehran (2011); “The Second Sculpture EXPO”, Paris (2012); “Peekskill Project V”, Hudson Valley Center for Contemporary Art, New (2019); “Art Dubai”, Leila Heller Gallery, Dubai (2019); “Infinite Blue”, Brooklyn Shirin Gallery, Tehran/New York (2011); “Portraits”, Aun Gallery, Tehran (2011); Loreen Fritsch (born 1989 in Mosbach, Germany) studied from 2007 until York (2012); “Ran Hwang: Transition”, Leila Heller Gallery, New York (2012); “Aha Museum, New York (2018); “Paper Moon”, Museum of Contemporary Art of Crete, Khak Gallery, Tehran (2011); “Sculpture Exhibition”, Favahar Gallery, Tehran (2010); 2010 graphical design at the Akademie für Kommunikation in Mannheim and Moment!”, Hangram Art Museum, Seoul Arts Center, Seoul (2011); “Finding Flow”, Rethymno (2018); “The Art of Matter – New Arts of Asia”, Opera Gallery, Monaco “Portraits”, Khak Gallery, Tehran (2010); Farvahar Gallery, Tehran (2010); “5 Artists from 2010 until 2014 communications design at the Hochschule in Mainz. Jeju Museum of Contemporary Art, Jeju Island (2011); “Illusion & Reality”, Hakgojae (2018); “Art Central Hong Kong”, Hong Kong (2018); “Lady Dior As Seen by”, Art x 3Dimensions”, XVA Gallery, Dubai (2009); “Sculpture and painting”, Khak Gallery, Currently she graduates in art, geography and physics at the Pädagogischen Gallery, Seoul (2010); “Dreaming of Joy”, Kashya Hildebrand Gallery, Zürich (2009); Basel, Hong Kong (2018) “Joseon Korea: Court Treasures and City Life”, Asian Tehran (2009); “The First Iranian Annual Sculpture EXPO”, artist forum, Tehran Hochschule Heidelberg. “Beginning of a New Era”, National Museum of Contemporary Art, Seoul (2009); Civilizations Museum, Singapore (2017); “LA Art Show 2017”, Los Angeles (2017); (2008); “The First Urban Sculpture Biennial”, Barg Gallery, Tehran (2008); “Sculpture Selected solo- and group-exhibitions: “Heidelberger Literaturtage”, Heidelberg “Triple of Light”, Museo Nacional de Artes Visuales, Montevideo (2009). “Infinite Blue”, Brooklyn Museum, New York (2017); “Light & Shadows – A Curated Exhibition”, Iranian Artists Forum, Tehran (2008); “Sculpture”, Iranian Garden (2019); “Artpul”, Eupen (2019); “Kunst aktuell”, Kunstverein Rosenheim, Rosenheim Exhibition of Korean Artists”, Opera Gallery, Beirut (2017); “Ran Hwang: Sacred Museum, Tehran (2008); “Creek Art Fair, Bastakiya”, XVA Gallery, Dubai (2008); (2019); “FORM-A(R)T”, Glinde (2019); “Irritation”, Galerie K49, Cologne (2019); “Art Her works can be found in the following museums and collections: Dubai Opera Space”, Leila Heller Gallery, New York (2017); “Material Girls”, Dunlop Art Gallery, “5th Iran Sculpture Biennial”, Tehran Museum of Contemporary Art, Tehran (2008); Salzburg”, Galerie ARTIN-NOVATION, Salzburg (2018); “Kunst im Schloss”, Schloss House, Dubai; Christian Dior, Paris; Four Season Hotel, Seoul; Museum of Regina, Saskatchewan (2017); “Art & Life”, Art Space Ben, Seoul (2016); “Pinned “Selfportrait”, Iman Ali Religious Arts Museum, Tehran (2007); “Visual Arts Festival”, Wertingen, Wertingen (2018); “Gemeinschaftsausstellung”, Offenbach (2018); Contemporary Art of Crete, Rethymno; NYU Langone Medical Center, New York; Stitched and Glitzed”, Asian Art Works, Peking (2016); “Visual Symphony”, Asian Tehran Museum of Contemporary Art, Tehran (2007); “Selection of 1st Tehran “The writing in the wall”, Dahn (2018); “Art Innsbruck”, Galerie ARTIN-NOVATION, Mandarin Oriental, Paris; Third Floor-Hermes, Hermes Foundation, Singapore; Art Works, Busan (2016); “Re:visioning HANJI”, Korean Cultural Service, New York International Sculpture Symposium”, Imam Ali Museum, Tehran (2006); “Sculpture”, Innsbruck (2018); “Artmuc”, Munich (2017); “Abstrakte Normenkontrolle”, Berlin Peninsula Hotel, Paris; Roger Federer Collection; Brooklyn Museum, New York. (2016); “Beginning of the Bright”, UNESCO Paris, Paris (2015); “Game of Artifice”, Consulta INBA Center, Mexico City (2006). (2017); “Art Breidenbach”, Port 25, Mannheim (2016). International Museum of Art and Science (IMAS)”, Carden Gallery, Texas (2015); Ran Hwang lives and works in New York and Seoul. Mahsa Karimizadeh lives and works in Tehran. Loreen Fritsch lives and works in Diedesheim. “Diverse Works: Director’s Choice, 1997-2015”, Brooklyn Museum, New York (2015); > www.ranhwang.com www.instagram.com/mahsakarimizadeh www.loreenfritsch.wixsite.com 24 25

31. Wolfgang Becksteiner – 3 Strichlichkeit Nr: 7 32. F ranziska Klotz – Nightfall 2019, concrete, metal, special plaster, glue, lacquer, Base: approx.: 2013, etching, 37x26 cm, (20 + 2 AP , here AP I) 34. B rigitte Waldach – Nature (Diptychon) 10x10x10 cm, size length arrangement of the lines is variable Donated by the artist. Courtesy Galerie Kornfeld, Berlin. Donated by the artist. 2014, 3 color lithograph on 250g Velin d‘Arches paper, printed by edition € 350 starting price 33. B erit Schneidereit – sphere I copenhagen, each 130x100 cm, (edition 60) € 400 starting price 2018, photogram on gelatin-silver print, 106x74 cm Donated by the artist. Franziska Klotz (born 1979 in Dresden, Germany) studied from 2000 until Donated by the artist. Wolfgang Becksteiner (born 1972 in Graz, Austria) studied architecture at the 2005 painting with professor Werner Liebmann at the Kunsthochschule € 950 starting price TU-Graz. Berlin-Weissensee. 2005 she was awareded the Max Ernst-Preis of the city of € 2.400 starting price Selected solo- and group-exhibitions: “Die neue Strichlichkeit”, Galerie Galerie, Brühl and she finished her studies 2006 as a master-student. Brigitte Waldach (born 1966 in Berlin, Germany) studied art education and Graz (2019); “Als der Strich begann, den Raum für sich zu entdecken”, QL-Galerie, Selected solo- and group-exhibitions: “Werkschau of the Alumni 2017/2018”, Berit Schneidereit (born 1988 in Frankfurt am Main, Germany) studied with art science at the Berliner Hochschule der Künste from 1991 to 1993, parallel Graz (2019); “Schwere Leichtigkeit im Raum”, Galerie Lukas Feichtner, Vienna Kulturakademie Tarabya, Studio Bosporus, Hamburger Bahnhof Museum für the professors Hubert Kiecol and Andreas Gursky at the Kunstakademie to which she began studying German studies at the Technischen Universität (2018); “Blickachsen 11”, Bad Homburg (2017); “Becksteiner 1x anders”, Galerie Gegenwart in Berlin, Berlin (2018); “Franziska Klotz”, Charim Events, Vienna Düsseldorf. In 2017 she graduated in the master class of professor Andreas Berlin until 1996. Then she studied free art and painting at the Berlin Heike Curtze und Petra Seiser, Vienna (2016); “Wolfgang Becksteiner – Ca3SiO5 – (2018); “memories of Tomorrow”, Galerie Kornfeld, Berlin (2018); “Ein Turm from Gursky. University of the Arts in the class with Georg Baselitz, where she graduated as Ca2Al2Fe2O10 – SiO2 aus Österreich”, Galerie Eugen Lendl, Graz (2015); “Bechtold/ Unmöglichkeiten”, St. Agnes Berlin, im Glockenturm der Galerie König, Berlin (2018); Selected solo- and group-exhibitions: Galeria Helga de Alvear, Madrid (2020); a master student in 2000. Becksteiner, A two men show”, Galerie Kunst und Handel, Graz (2015); “2D/ 3D “Flashback”, Charim Events, Vienna (2018); “This is the Sea”, Fanø Kunstmuseum, “Antlitz der Stadt. 175 Jahre Fotogeschichte im Stadtmuseum Düsseldorf”; Selected solo- and group-exhibitions: “Unlimited Space”, Oscar Niemeyer Museum, (anee mann/ Wolfgang Becksteiner)”, Galerie Heike Curtze und Petra Seiser, Vienna Fanø (2017); “small things good things, Das kleine Format”, Alexander Ochs Private, Stadtmuseum, Düsseldorf (2020); Schau Fenster, Berlin (2020); “Berit Schneidereit Curitiba Biennale, Brasil (2019); “Space is the Place”, Künstlerhaus Bethanien, (2015); “complementary contradictions”, Galerie Heike Curtze und Petra Seiser, Berlin (2017); “Fortsetzung Jetzt! 150 Jahre Verein der Berliner Künstlerinnen 1867 + Andreas Johnen”, Jochen Hempel, Leipzig (2019); “POLKE und DIE FOLGEN”, Berlin (2019); “Bezeichnend”, Marburger Kunstverein, Marburg (2019); “100 Jahre Salzburg (2014); “Artelier Contemporary Graz zu Gast bei Hilger NEXT”, Galerie e.V., Teil 2”, Kommunale Galerie, Berlin (2017); “wir nennen es arbeit”, Gallerie Opere Akademie Galerie, Düsseldorf (2019); “moment”, AchenbachHagemeier, Berlin Frauenwahlrecht”, German Bundestag, Berlin (2019); “Works on Paper”, Galerie Ernst Hilger, Vienna (2014); “Wolfgang Becksteiner – Materialproben”, Kunsthaus Scelte, Turin (2017); “Nacht”, Nicole Gnesa Galerie, Munich (2017); “THE PLEASURE (2019); “Next Generations – Aktuelle Fotografie made im Rheinland”, Museum Bo Bjerggaard, Copenhagen (2019); “Existenz”, Felix Nussbaum Haus, Osnabrück Graz, Graz (2014); “KÜNSTLERBÜCHER _ ARTISTS‘ BOOKS, Internationale OF LOVE, 56. October Salon”, New Building of the City Museum Belgrad, Belgrade Morsbroich, Leverkusen (2019); “The Gulf Between”, Cultural Center de Warande, (2018); “Tatort, Brigitte Waldach und Eva Schlegel”, Galerie Bo Bjerggaard, Künstlerbücher von 1960 bis heute”, Museum Stift Admont, Admont (2014); (2016); “Solo Show”, Galerie Kornfeld, Berlin (2016); “Peace on Paper”, second the Turnhout (2019); “fiction”, COSAR HMT, Düsseldorf (2019); “New Positions – Art Copenhagen (2018); “Roter Oktober”, Neue Sächsische Galerie, Chemnitz (2017); “From der Fläche zum Raum”, Museum Liaunig, Neuhaus (2013); “Österreichische culture peace Biennale, Tehran (2016); “BALGAN!!! Contemporary Art from the Cologne”, COSAR HMT, Cologne (2018); “Die große Kunstausstellung NRW”, “About Painting, Works from the Wemhöner Collection”, Galerie Judin, Berlin (2017); Skulptur der Gegenwart”, Galerie Kunst & Handel Graz, Schloss Tabor in Neuhaus Former Soviet Union and Other Mythical Places”, Brandenburger Tor Stiftung, Berlin Museum Kunstpalast, Düsseldorf (2018); “a.fair”, COSAR HMT, Düsseldorf (2017); “Reflex Love”, Galerie Bo Bjerggaard, Copenhagen (2016); “Ideology”, Kunsthalle am Klausenbach, Neuhaus am Klausenbach (2013); “Zusammenwerken – (2015); Max Liebermann Haus, Berlin (2015); “Imagination und Inszenierung”, “terrain”, COSAR HMT, Düsseldorf (2017); “Bergischer Kunstpreis”, Museum Brandts, Odense (2016); “Stille und Zufall”, Galerie Mathias Güntner, Hamburg Zusammenwirken. Gemeinschaftsarbeiten von Günter Brus mit Künstlerfreunden seit Bauart Galeri, Istanbul (2015); “Filling The Emptiness”, K35 Art Gallery, Moscow Solingen, Solingen (2017); “Two To Tango”, Sperling, Munich (2017); “Klasse Gursky”, (2016); “Welt”, Galerie Conrads, Düsseldorf (2015), “4 7 11”, Dominik Mersch 1970”, BRUSEUM, Graz (2012); “BECKLINGAndWILFSTEINER”, Galerie Kunst und (2015); “Paper Plains”, Galerie Kornfeld, Berlin (2015); “Um Fleisch auf die Nerven zu Goethe Institut, Paris (2017); “Nouvelle photograhie de Düsseldorf”, Galerie RX, Gallery, Sydney (2015). Handel, Graz (2012); “Jenseits des Sehens”, Museum Stift Admont, Admont (2012); bekommen! Salon Hansa”, Kunstverein Familie Montez, Frankfurt am Main (2015); Paris (2017); “Sehfest”, DZ Bank, Düsseldorf (2016); “ATELIER”, PACT Zollverein, Her works can be found in the following museums and collections: Albertina, Vienna; “Ihre Sichtweise, Herr Becksteiner”, Galerie Heike Curtze, Salzburg (2012); “Schwere “IV Moscow International Biennale for Young Art”, Moscow (2014); “H3PO4”, Galerie Essen (2016); “proximité”, Nina sagt. Galerie, Düsseldorf (2015); “im Grünen”, Aros – Kunstmuseum, Aarhus; Internationales Haus der Fotografie, Deichtorhallen, Kost- leicht(g)e Macht”, Galerie Heike Curtze, Vienna (2011); “small pieces – mixed Kornfeld, Berlin (2014); “Berliner Salon”, Kunsthaus Meinigen, Meinigen (2013); RAndGAENGER Galerie, Frankfurt am Main (2015); “A Process”, Neue Galerie Hamburg (Stiftung Gundlach); Kupferstichkabinett, Staatliche Museen zu Berlin; media”, Galerie Lendl, Graz (2011); “Betonierte Gedanken, Gemainschaftsarbeit “SALONDERGEGENWART”, Hamburg (2013); Galerie Wolfsen, Aalborg (2012); im Höhmannhaus, Augsburg (2014); “der stille grand”, Kunstraum Kirchstraße 41. Kunsthalle zu Kiel; MUST Stavanger Art Museum; Museum Kunstpalast, Düsseldorf; Günter Brus/ Wolfgang Becksteiner” Galerie Heike Curtze, Vienna (2011); “... by the “Berlin/Budapest 20”, Virag Judit Galerie, Budapest (2012); ”tracing paper”, Galerie Düsseldorf (2013); “GERMAN KLEINFORMAT”, Lateral Art Space, Cluj (2013); Kunsthalle Emden; NBK – Neuer Berliner Kunstverein, Berlin; Stiftung Moritzburg, way...” Museum of contemporary art, Novi Sad (2011). Charim, Vienna (2012); “Ka’aguy”, Charim Ungar Contemporary, Berlin (2011). “ANT!FOTO #4”, Künstlerverein Malkasten, Düsseldorf (2013). Landesmuseum Sachsen-Anhalt. Wolfgang Becksteiner lives and works in Graz. Franziska Klotz lives and works in Berlin. Berit Schneidereit lives and works in Düsseldorf. Brigitte Waldach lives and works in Berlin. www.w-becksteiner.com www.franziska-klotz.de, www.galeriekornfeld.com www.beritschneidereit.de www.waldach.com 26 27

38. Julia Gruner – Plastic Cup (Nr. 12/30) 36. T ugo Cheng – Coastal Geometries - 35. M ichael Göbel – Thaumazein isoliert Farming the Sea Fujian #1 2016, acrylic, height 9 cm, ø 4,5 cm (from the series Pretiosen) Donated by the artist. 2015, archival pigment print on fine art paper, 90x130 cm, (edition 9) € 300 starting price 2020, varnisch on different materials, museums-glass, 27x33x6,5 cm, Donated by the artist. (AP from the 20-part ”Thaumazein isoliert” series) Donated by the artist. € 2.900 starting price Julia Gruner (born 1984 in Lüdenscheid, Germany) studied from 2010 until € 1.000 starting price 37. Gianmaria Gava – Anatomy of a Vase 1 2015 at the Kunstakademie Düsseldorf where she graduated in the masterclass Educated in Hong Kong, Beijing and Cambridge, Tugo Cheng is a Hong of professor Katharine Grosse. 2018, Fine Art Print on Hahnemühle Photo Rag Bright White, 40x30 cm, Michael Göbel (born 1973 in Thedinghausen, Germany) studied from 1995 Kong based architect and fine art photographer who has received multiple (edition: 5) Selected solo- and group-exhibitions: “First We Eat”, Catalyst Arts, Belfast (2020); until 2002 at the Kunsthochschule Kassel, from 2014 to 2016 he was a lecturer international awards and nominations including the ”National Geographic Donated by the artist. “Estar vivo e o contraio de estar morto”, Galeria Municipal do Porto, Porto (2019); at the Kunsthochschule Kassel and 2019 a lecturer at the University Erfurt. Awards”, ”Sony World Photography Awards”, ”International Photographer € 500 “take it easy”, Galerie Judith Andreae, Bonn (2019); “Modern Times”, KUMA Art Selected solo- and group-exhibitions: “Auralia – achtmal alte brüderkirche”, Alte of the Year”, ”Fine Art Photography Awards” and ”Hasselblad Masters”. starting price Gallery, Uiwang (2019); “Cologne um halb Acht”, Temporary Gallery, Cologne Brüderkirche, Kassel (2019); “Art Exchange”, Galerie Löhrl, Mönchengladbach Influenced by his architectural background, Cheng pays special attention to (2019); “Genius Loci 7 – IT JUST SMELLS FUNNY”, Setareh Gallery, Düsseldorf (2019); “Freie Zimmer”, Hugenottenhaus, Kassel (2019); “Rauschen”, Galerie the order and rhythm in landscapes and cityscapes. His works can be found in Gianmaria Gava (born 1978 in Venice, Italy) graduated in political science at (2019); “whodunnit”, Taubert Contemporary, Berlin (2019); “COLOR & PASTE”, Coucou, Kassel (2018); “Elke Zauner / Michael Göbel”, Friedrichsbau Bühl, Bühl his book Discovering China and other publications such as Masters of Drone the University or Trieste. Kienbaum, Cologne (2019); “MMmmm”, Künstlerhaus Sootbörn, Hamburg (2019); (2018); “Samowar#8”, Galerie Coucou, Kassel (2018); “Isolation”, 387, Kasseler Photography and media including CNN, BBC, SCMP, Guardian, Wallpaper* Selected solo- and group-exhibitions: “Buildings”, Raumstation Vienna, Vienna (2019); “TACTILE SPACE”, Taubert Contemporary, Berlin (2018); “FLAT VOLUMES”, Kulturbahnhof, Kassel (2016); “20. Jahre Künstlerstipendium in Willingshausen”, and National Geographic Magazine which featured his picture as the cover of “Manipulations”, Warsaw Photo Days, Warsaw (2018); “Parallel Vienna”, Vienna Städtische Galerie Lüdenscheid, Lüdenscheid (2018); “Geliebte Parasiten – Liza Kunsthalle im Gerhardt-von-Reutern-Haus, Willingshausen (2016); “Raumfluchten”, April 2019 issue. His pictures were showcased in exhibitions and art fairs in (2018); “SWPA”, Villa Reale di Monza, Monza (2018); “SWPA”, Willy Brandt Haus, Dieckwitsch und Julia Gruner: Tteok”, Strzelecki Books, Cologne (2018); “Ciao”, Galerie im Artforum des Künstlerkrieses Ortenau, Offenburg (2014); “Die Artothek Hong Kong, Asia and Europe, and auctioned by charity organisations. He was Berlin (2018); “Color Cue”, Currents New Media Festival, Santa Fe (2018); “SWPA”, Strizzi, Cologne (2018); “Hängung Total!”, Sonne und Solche, Düsseldorf (2018); Kassel – Eine Bestandsbesichtigung”, documenta Halle, Kassel (2014); “Urs Lüthi named ”Perspective 40-under-40 Artist” in 2017 for his contribution in art and Gad Collection, Paris (2018); “SWPA”, Sommerset House, London (2018); “Art on “Intersections of Common Space and Time”, Space One, Seoul (2018); “Open zeigt: NOPRESSION”, Kasseler Kunstverein, Kassel (2014); “Kling und Pastior: photography. prescription”, Venice (2017); “Temporary Promises”, Galerie Herr Leutner, Vienna Studios”, Seoul Art Space Geumcheon, Seoul (2018); “71. Internationale Bergische Text – Stimme – Bild”, Akademie der Künste, Berlin (2014); “Sic Semper Tyrannis”, About Coastal Geometries: (2016); Perpetuum Mobile”, Kunst Haus Vienna – Museum Hundertwasser, Vienna Kunstaustellung”, Kunstmuseum Solingen, Solingen (2017); “new talents – Junge Ausstellungspavillon im Milchhof, Berlin (2013); “Michael Göbel, Dagmar & Thomas The award-winning seascape series ”Coastal Geometries” captures the (2015); “Archetypes”, Bildraum 07, Vienna (2015); “Emersioni – New Photography in Kunst aus NRW”, Kunsthaus NRW, Aachen-Kornelimünster, Aachen (2017); Helmbold”, Galerie Schinkel & Sehl, Hannover (2013); “Diagonal”, 387, Kasseler abstract patterns of the aquaculture activities of Fujian province in the Venice”, La Casa die Tre Oci, Venice (2012); “Declining Democracy”, CCC Strozzina, “6. Horst-Janssen-Grafikpreis”, Horst-Janssen Museum, Oldenburg (2017); Kulturbahnhof, Kassel (2013); “Bergungen”, Bergkirche Wiesbaden, Wiesbaden southeast coast of China. Bamboo rods are erected for multiple purposes of Florence (2011); “Identity III”, Fotogalerie Vienna, Vienna (2010); “Kleinbürger. New “ACIDATE:::::(takethat):::::sweet”, Baustelle Schaustelle, Essen (2017); “HERZSTÜCKE (2013); “Pool”, Galerie arsprototo – Bunsen Götz, Erlangen (2012); “Ich und die growing shellfish, hanging fishing nets and drying seaweeds. They form unique Photography and Video from Austria”, Exchange Gallery, Dublin (2010); “Kleinbürger. – 13 GWK-Preisträger stellen aus”, Galerie Münsterland, Emsdetten (2017); “Happy Wirklichkeit”, Kunsthalle im Gerhardt-von-Reutern-Haus, Willingshausen (2012); geometries and turn the seascape into an array of minimalist compositions New Photography and Video from Austria, Ongyao Photofestival, Pingyao (2010); Item”, einstosz Galerie, Düsseldorf (2017); “Änderungen Aller Art”, Werkstatt für “Circus Maximus”, Galerie Coucou, Kassel (2011); “SPACE ART AWARD”, The New of abstract lines and shapes. Following the fishermen at work, the pictures “West”, Galerie WestLicht, Vienna (2009); “West”, Galerie Anzenberger, Vienna Veränderung, Mönchengladbach (2017). Yorker Hotel, Cologne (2011); “Trautes Heim, Glück allein”, Nassauische Kunstverein narrate the story of fishing from a graphic perspective. Despite the aesthetics (2009); “Photoespana 2009”, Descubrimientos, Madrid (2009). Her works can be found in the folowing museums and collections: Wiesbaden – NKV, Wiesbaden (2011); “DREI WÜNSCHE FREI!”, Galerie im Haus and cultural significance, some of these beautiful scenes are disappearing due In 2018 he won the Sony World Photography Award in the category Museum Kunstpalast, Düsseldorf; Sammlung Kienbaum; The Bridge Collection zum Rosa Bären, Erfurt (2011). to the rapid infrastructural development in the region. architecture. – By DEG Cologne

Michael Göbel lives and works in Kassel. Tugo Cheng lives and works in Hong Kong. Gianmaria Gava lives and works in Vienna. Julia Gruner lives and works in Cologne. www.m-goebel.info www.tugocheng.com www.gianmariagava.com www.juliagruner.com 28 29

39. P eter Rune Christiansen – untitled 42. Klaus Prior – Busto 2019, mixedmedia on canvas, 40x30 cm 40. D uncan Swann – Cem Donated by the artist. 41. Katharina Gerold – profil 18-03 2017, Sequoia, 98x37x28 cm 2016, bronce, Oak, height: 28cm, base: 14x14 cm, (3/6) Donated by the artist. € 1.600 starting price Donated by the artist. 2018, burnt clay, pigments, unique, 26x12x2 cm € 3.000 starting price Donated by the artist. Peter Rune Christiansen (born 1978 in Aarhus, Denmark) studied from 1996 € 2.200 starting price until 1999 at the Byhøjskolen Aarhus and from 1999 until 2005 at the Royal € 1.250 starting price Klaus Prior (born 1945 in Wesel am Niederrhein, Germany) studied from 1967 Academy of Fine Arts, Copenhagen. Duncan Swann (born 1969 in Sheffield, England) studied from 2002 until 2004 painting at the Kunstgewerbeschule St. Gallen. Selected solo- and group-exhibitions: “Attachement”, Cultuurcentrum Zwaneberg, at the Royal College of Art in London. Katharina Gerold (boren in Gera, Germany) studied architecture at the Selected solo- and group-exhibitions: Galerie Roy, Zülpich (2019); Schauraum, Kißlegg Zwaneberg (2019); “Interobjects”, Kunstpakhuset, Ikast (2018); “Mostly Abstract”, Selected solo- and group-exhibitions: “Conversations Interrupted across Time”, TU Dresden and at the Bauhaus Dessau with professor Dieter Bankert and (2019); Galerie 21·06, Ravensburg (2019); Galerie Benjamin Eck, Munich (2018); Gallery Benoni, Copenhagen (2018); “X-Mas”, Gallery Christoffer Egelund, Galerie Karl Pfefferle, Munich (2019); “if then else”, Kunstverein Ludwigsburg, graduated in architechture-related artistic design at the Hochschule für Wolf Gallery, Locarno (2018); Galerie Doris Hölder, Ravensburg (2017); Galerie Copenhagen (2018); “Space C”, Christoffer Egelund, Copenhagen (2018); “Open Ludwigsburg (2019); “Two Fold”, Oceans Apart Gallery, OA Studios, Salford (2019); Bildende Künste Dresden. Reichlin, Zug (2016); Museum Wachter, Kißlegg (2015); Städtische Galerie and city Flutgaben”, Flutgaben e.V., Berlin (2018); “Interobjects”, Studio preview, Berlin (2017); “Indoor Voices”, Wickham Market (2019); “Süd-Gipfel”, PLATFORM, Munich She worked as an architect with Hans von Olphen in Maarsen (Holland), with of Lahr, Lahr (2015); Galerie Angela Lenz, Badenweiler (2014); Galerie im Kornhaus, “Contemporary Perception”, Gallery Benoni, Copenhagen (2016); “A Rose is A Rose”; (2019); “Index”, Some Great Reward Gallery, Leeds (2018); “35 Jahre Galerie the LRRH-architectengroup in Amsterdam and as a freelance architect and Leutkirch im Allgäu (2014); Galerie Reichlin, Küssnacht am Rigi (2014); Castel Krankenhaus Waldfriede Artwerks, Berlin (2016); “Mostly Abstract”, Gallery Benoni, Karl Pfefferle”, Galerie Karl Pfefferle, Munich (2018); “if then else”, Galerie Karl artist in Paris. Pergine, Pergine Valusgana Trento (2013); Galerie Doris Hölder, Ravensburg (2013); Copenhagen (2016); “Throwing a Show”, Berlin (2015); “Groupshow”, Gallery Benoni, Pfefferle, Munich (2017); “That Time”; Neue Galerie, Landshut (2016); “W;here”, Selected solo- and group-exhibitions: Galerie Jutta Radicke, Bonn (2020-2019), Turin, Scultura Internazionale al Castello di Racconigi (2013); “Art Karlsruhe”, Galerie Copenhagen (2015); “Notos”, Galerie Schmidtmarc, Copenhagen (2014); Galerie PLATFORM, Munich (2015); “Lost Weekend”, Reflektor M Launch, Munich (2015); Galerie Kornfeld, Miami “Untitled” (2019), Galerie Helle Coppi, Berlin (2019), Ursula Keller, Karlsruhe (2012) Markdorf, Kunstverein Markdorf e. V. Mannheim Schmidtmarc, Berlin (2014); “Backspinning”, Gallery B15, Copenhagen (2013); Dart, “WELTRAUM – 7 Exhibitions”, Rathausgalerie, Munich (2015); “Joy&Honey”, Skulpturen im öffentlichen Raum “Stadtlohn – Kunststationen 19”, Stadtlohn (2019), (2012); Galerie Keller (2011); Jetzt Kunst, Bern (2011); Gallery Phoenix, Kluisbergen Mechelen (2013); “Direction”, Gallery B15, Copenhagen (2013); “Solo Show”, Galleri Martina Tauber Fine Art, Munich (2015); Edition Karbit, Munich (2015); “Art Karlsruhe”, Galerie Kornfeld, Karlsruhe (2019), Galerie Klose, Essen (2018), (2011); Galerie Aphold, Allschwil/Basel (2010); “Schwarz und Weiss, Bilder und Damp, Copenhagen (2012); “Group Show – Randgang”, Leipziger Baumwollspinnerei, “Recommended by at easy!”, Türkenstrasse 67, Munich (2015); “Bienvenue”, Galerie Kornfeld, “Lebensguss MARC KREPP”, Berlin (2018), Galerie Clara Scremini, Skulpturen”, Galerie Keller, Mannheim (2010); “Skulpturen, Zeichnungen und Bilder”, Leipzig (2012); “In Case We Don’t Die”, Helene Nyborg Contemporary, Kopenhagen Galerie Jahn Naaderstrasse, Munich (2015); “Selected Outcomes”, Firstlines Paris (2018), Galerie Friedmann-Hahn, Berlin (2018), Galerie Jutta Radicke, Bonn Galerie im Artforum, Offenburg (2009); “Aus dem Stamm – die Sinnlichkeit des (2011); “Best of Wonderland”, Wonderland Art Space, Copenhagen (2011); “Group Gallery, Munich (2013); “2.5 Milliarden Sekanden”, Raum 58, Munich (2012); “If (2018), “AAF Hamburg”, Galerie Gräfe art.concept, Hamburg (2017), Tapetenwerk, Materials – Holzskulptur heute”, Kunstverein Wilhelmshöhe Ettlingen, Ettlingen Show”, Helene Nyborg Contemporary, Copenhagen (2011); “Københavns Kommunes you look like your paspaort picture, you are too ill to travel”, Sheffield Institute Leipzig (2017), Museum Schloss Schwarzenberg, “Kunstpreis art-figura”, (2009); “8 Positionen zum Thema Kopf”, Galerie Keller, Mannheim (2009); “Pittori Billedkunstudvalg 2006-2009”, Copenhagen Cityhall, Copenhagen (2011); “The of Arts, Sheffield (2012); “Emergency5‘”, AxpexGallery, Portsmouth (2011); Schwarzenberg (2017), Galerie Hovestadt, Nottuln (2017), Tapetenwerk, Leipzig di ieri di oggi”, Galleria L’Incontro, Lugano (2009); “Art Karlsruhe”, Galerie Schrade, HELLO Show”, Helene Nyborg Contemporary, Copenhagen (2011); “Futuro”, Helene “BloodOrangeEast”, Transformation, Berlin (2011); “Globalfuture”, Sardinia (2009); (2016), Saale-Galerie, Saalfeld (2015), Galerie Himmelreich, Magdeburg (2015), Karlsruhe (2009); “Kunst macht sichtbar”, Kloster Roggenburg, Roggenburg (2008). Nyborg Contemporary, Copenhagen (2010); “Peter Rune Christiansen”, Galerie Suty, “Jerwood Contemporary Painters”, Jerwood Space, London (2007); “No Survivors”, Galerie Gräfe art.concept, Berlin (2015), Galerie Helmut Koppenhagen, Berlin (2013), His works can be found in the following museums and collections: Kunstmuseum Bordeaux (2009); “Deformities of Speed”, Sophienholm, Kgs. Lyngby (2009); “Soand Permanent Gallery, Brighton (2007); “La Rosa die Venti”, Rachmaninoffs, Galerie LUX Berlin, Berlin (2012), Skulpturenpark Roussillon (FR) “Grossplastik”, Singen; Landkreis Ravensburg; Landkreis Sigmaringen; Große Kreisstadt Balingen; Made Visible”, Kunsthallen Brænderigården, Viborg (2009); “Soloshow”, Risø, Roskilde London (2007); “On the Other Side of the World”, Algon Segev Gallery, Tel Aviv Skulpturensammlung J.-L. Servan Schreiber (2012), Galerie Friedmann-Hahn, Berlin Rentenanstalt, Zürich; Gemeinde Lugano Paradiso; Städtisches Museum Wesel, (2008); “Oceanic Waves”, Cable Factoty, Helsinki (2007); “Peter Rune Christiansen”, (2006); “East International”, Norwich Gallery, Norwich (2006); “Art Futures”, (2011), Galerie Kuckucksnest, Berlin (2010), Fassadenarbeit in Berlin Friedrichshain, Kanton Tessin; UBS, Lugano; Credit Suisse, Lugano; Collection Julius Bär & Co. AG; Ringsted Gallery, Ringsted (2007). Contemporary Art Society, London (2005); “England France Germany”, Kohn Berlin (2004), Leibnitz-Institut, Dresden (2002), Galerie CROUS-BEAUX-ARTS, Paris Helvetia Insurance, Frankfurt am Main, Schloss Vaumarcus, Neuchatel; Foundation His works can be found in the following museums and collections: The Cultural Gallery, Los Angeles (2005). (1997) gad Stiftung, Bern. Foundation, Copenhagen; Danish Art Councill. Duncan Swann lives and works in Munich. Katharina Gerold lives and works in Berlin. Klaus Prior lives and works in Lugano and Kißlegg/Westalgäu. Peter Rune Christiansen lives and works in Berlin. www.duncanswann.com www.katharinagerold.com www.klausprior.net 30 31

43. L ionel Favre – Centre Cabinet Location Diagram 46. N ina Ansari – Nenn mich nicht Hase 45. Steven Cox – Grain 2017, ink on paper, 30x21 cm 2018, charcoal on paper, 21x29,7 cm Donated by the artist. Courtesy, MAM – Mario Mauroner Contemporary Art, 2018, oil and acrylic on burlap, 70x60 cm Donated by the artist. Vienna. Donated by the artist. € 750 starting price € 750 starting price € 2.300 starting price Nina Ansari (born 1981 in Tehran, Iran) studied from 2002 until 2010 with Lionel Favre (born 1983 in Morges, Switzerland) was a student of the Italian Steven Cox (born 1986 in Aberdeen, Scotland) graduated in 2008 in Fine Art the professors Heiner Blum and Hans-Peter Niebuhr at the Hochschule für artist Béatrice Cencí from 1992 to 2004 and studied from 2003 to 2010 at at the Duncan of Jordanstone College of Art and Design in Dundee and in Gestaltung Offenbach am Main and from 2007 to 2008 at the Faculty of Fine the Akademie der Bildenden Künste Wien with professors Franz Graf, Gunter 2011 he got his Masters in Contemporary Art Theory & Curating at Edinburgh Arts Barcelona with professor Manolo Laguillo. Damisch and Daniel Richter. He has been a teacher at the Atelier Hermès College of Art. Selected solo- and group-exhibitions: “Alptraum”, Tam Torrance Art Museum, Geneva School of Interior Design since 2004. Selected solo- and group-exhibitions: “194th Annual Exhibition”, Royal Scottish Torrance (2020); “Alptraum”, Fine Art Complex 1101, Tempe (2019); “Wort zu Selected solo- and group-exhibitions: “Vienna Contemporary”, Mario Mauroner Academy, Edinburgh (2020); “Living Room”, Galerie Jerome Pauchant, Paris (2020); Bild”, Haus am Lützowplatz, Berlin (2019); La Estacion Arte Contemporaneo Contemporary Art, Vienna (2019); “Zeich(n)en”, Galerie Schloss Wiespach, Hallein ”Tattarrattat”, Halsey McKay Gallery, New York (2019); “Trauma/Forays Into Gallery, Chihuahua (2018); “Klang der Stille”, Osten Gallery, Skopje (2018): “Geld (2019); “Art Austria”, Gartenpalais Liechtenstein, Mario Mauroner Contemporary Contemporary Painting”, Marignana Arte, Venice (2019); “Ram”, Galerie Jerome Wahn Sinn”, Reinbeckhallen, Sammlung für Gegenwartskunst, Berlin (2018); “Osten Art, Vienna (2019); “The Projective Drawing”, Drawing Lab, Paris (2019); “Dessine Pauchant, Paris (2019); “Haven’t We Met Before?”, A-M-G5, Glasgow (2019); “Nice Biennial of drawing Awarded Artists”, National Gallery Skopje, Skopje (2018); “A moi un Parfum”, international museum of perfumery, Grasse (2019); “SIAF, Salzburg To Meet You”, Ltd Ink Corporation, Edinburgh (2019); “No Lemons No Melon”, word is worth a thounsand images”, BerlinBlue art gallery, Berlin (2018); “Black Box”, International Artfair”, Mario Mauroner Contemporary Art, Salzburg (2019); “The PRACTISE, Chicago (2018); “Paper Cuts”, Saatchi Gallery, London (2018); “Silent Saarländisches Künstlerhaus, Saarbrücken (2018); “Akroma”, Museum Arsenals of Projective Drawing”, Austrian Cultural Forum, New York (2018); “Ars Adumbratio”, Poetry”, Galerie Jerome Pauchant, Paris (2018); “Mostly Abstract_V.03”, Galleri Riga, Riga (2018); “Drawing from the Future”, 21er Haus, Museum für zeitgenös- technical university Vienna, Vienna (2018); “Art Austria”, Gartenpalais Liechtenstein, Benoni, Copenhagen (2018); “Den Moderne Kunstsalon, Busch Risvig Collection”, sische Kunst, Vienna (2017); “Silent art Auction”, The Drawing Hub, Berlin (2017); Mario Mauroner Contemporary Art, Vienna (2018); “Per Fuma Technika”, Vestjyllands Kunstpavillon, Videbaek (2018); “Art Rotterdam”, Private View Gallery, “German Artists from the Osten Collection”, Goethe Institute Skopje, Skopje (2016); international museum of perfumery, Grasse (2018); “Fridolin, Spermophilus Citellus”, Rotterdam (2018); “Wanderkammer, En Epistemological Buffet”, KH7 Artspace, “Pseudoscienza”, Jan Arnold Gallery, MuseumsQuartier, Vienna (2016); “Identity’s Mario Mauroner Contemporary Art, Vienna (2018); “In der Stadt”, MMKK, Museum Aarhus (2018); “Good Vibrations”, Galerie Jerome Pauchant, Paris (2017); “Steven Rule of Three”, Art Brussels, Galleria Marie-Laure Fleisch, Brussels (2016); “Osten Moderner Kunst Kärnten, Klagenfurt (2018); “The office of the forgotten dreams”, Cox and Sarah Peters”, Halsey McKay Gallery, New York (2017); “Browsing Chamber, Biennial of drawing”, Museum of Skopje, Skopje (2016); “Identity’s Rule of Three”, Room Number One, Mario Mauroner Contemporary Art, Vienna (2017); “Ascoltare 44. Ch ris Goennawein – Container Salon On Steroids”, Torch Gallery, Amsterdam (2017); “Busch Risvig Collection”, Galleria Marie-Laure Fleisch, Rome (2016); “Home?”, Kandandhelden, Berlin (2015); i luoghi”, Villa Villari, le4paretti, Ischia (2017); “Let’s have a look”, Mario Mauroner Huset For Kunst & Design, Holstebro (2017); “Attitudes in Painting”, Hunted “Saloon”, Sexauer Gallery, Berlin (2015); “Raumschwärmer”, Soandcloud, Berlin Contemporary Art, Salzburg (2017); “Transition”, Mario Mauroner Contemporary 2017, transfer print on canvas, 150x105 cm Projects, Lepsien Art Foandation, Düsseldorf (2017); “First”, The Scottish Gallery, (2015); “Front”, uqbar, Berlin (2014); “Alptraum”, Maribor Art Museum, Maribor Art, Residenz, Salzburg (2017); “Kunstsalon Perchtolsdorf”, Mario Mauroner Donated by the artist. Edinburgh (2017); “Art Herning”, Galleri Benoni, Herning (2017); “Language Barrier”, (2014); “Luminale – Biennale der Lichtkultur”, Kunstverein Familie Montez, Frankfurt Contemporary Art, Perchtolsdorf (2017); “Psyche und Architektur der Leere”, Parallel € 3.000 Annarumma Gallery, Naples (2016); “YIA Art Fair Brussels”, Galerie Jerome Pauchant, am Main (2014); “Rebel in Paradise”, Aquabit Gallery/Kunstandhelden, Berlin (2013); Vienna, Mario Mauroner Contemporary Art, Vienna (2017); “Tempo Cortex”, starting price Brussels (2016); “A Moveable Feast”, Galerie Jerome Pauchant, Paris (2016). “Anonymous Drawings”, Temporary Art Centre, Eindhoven (2013); “Pophits & Projektraum Lucas Cuturi, Vienna (2016); “Plan is a plan is a plan is a plan”, Galerie His works can be found in the following museums and collections: UBS Bank Art Alptraum”, Halle für zeitgenössische Kunst, Offenbach am Main (2013); “Anonymous Günter Salzmann, Innsbruck (2016); “Decoding Scripture & Picture”, Mario Mauroner Chris Goennawein (born 1979 in Heidelberg, Germany) lives and works in Collection; Rathbone Investment Management Collection, Edinburgh; Ernesto Drawings”, Kunstverein Tiergarten, Berlin (2013); “Alptraum”, Green Papaya Art Contemporary Art, Residenz, Salzburg (2016). Berlin and New York. Esposito, Naples; Foundation Collection VRR d’Affaux; Lepsien Art Foundation. Projekts, Manila (2012). His works have been presented on three out of five continents. Lionel Favre lives and works in Vienna, Lausanne and Geneva. Steven Cox lives and works in Edinburgh. Nina Ansari lives and works in Berlin. www.lionelfavre.ch, www.galerie-mam.com www.goennawein.com www.stevencox.co.uk www.ninaansari.com 32 33

48. M arianne Thoermer – Symptoms aren’t causes 49. Stefan Rinck – Commander of the Titthills 50. Johan Tahon – Arctic Face 47. Ayad Alkadhi – If Words Could Kill_Guns VI 2016, monotype on paper, 50x19,5 cm Donated by the artist. 2007, sandstone, 38x35x15 cm 2019, stoneware, 44x18x20 cm 2019, acrylic, charcoal, ink, pen, pencil, gold leaf on cardboard, 50,8x40,64 cm Donated by the artist. Donated by the artist. € 1.200 starting price Donated by the artist. € 4.500 starting price € 3.000 starting price € 5.500 starting price Marianne Thoermer (born 1987 in Halle, Germany) studied from 2009 until 2015 at the Kunsthochschule Berlin Weissensee in Berlin, from 2012 until 2013 Stefan Rinck (born 1973 in Homburg/Saar, Germany) completed and Johan Tahon (born 1965 in Menen, Belgium) studied sculpture at the Ayad Alkadhi (born 1971 in Baghdad, Iraq) graduated in Masters in Fine Arts at the Chelsea College of Art and Design in London and from 2015 to 2018 at apprenticeship as a stone sculptor from 1993 until 1995 and studied from Ghent Royal Academy of Fine Arts. (MFA) from the Tisch School of The Arts, New York University. the Royal Academy Schools in London. 1995 to 1996 history of art and philosophy at the Universität des Saarlandes, Selected solo- and group-exhibitions: “The Waterfall”, SZU Fine Arts Museum, Selected solo- and group-exhibitions: “PARADE – A CELEBRATION OF CON Saarbrücken and from 1996 until 2000 Sculpture at the Staatlichen Akademie Shenzhen (2019); “Refuge/Silence”, Musée Ariana, Genf (2019); “ARTZUID His works can be found in the following permanent collections: The TEMPORARY ART TEXTILES”, Broadway Gallery, London (2019); “HABITAT”, JGM der Bildenden Künste Karlsruhe. 2019 – Amsterdam Sculpture Biennial”, Amsterdam (2019); “ES – Johan Tahon/ Metropolitan Museum of Arts, New York; National Taiwan Museum of Fine Gallery, London (2019); “Safe Gallery +1”, Kwadrat Galerie, Berlin (2019); “Rijswijk Selected solo- and group-exhibitions: “Art Basel Miami”, galerie frank elbaz, Miami Sculpture, Till Lindemann/Poetry, Sandor Lubbe/Photography”, Empirical Nonsense, Arts, Taiwan; The Shangri La: Doris Duke Foundation for Islamic Art, Hawaii; Textile Biennale”, Museum Rijswijk, Rijswijk (2019); “Automaticals – Duo Show with (2019); “To Eat or be Eaten”, Semiose, Paris (2019); “Carnival”, CAC Chapelle du New York (2019); “Wir überleben das Licht”, Bonnefantenmusem, Maastricht (2018); The Los Angeles County Museum of Art (LACMA), Los Angeles; The Maraya Barry Reigate”, Frestonian Gallery, London (2019); “Royal Academy Schools Annual Genéteil, Château-Gontier (2019); “FIAC”, Hors des Murs, Semiose, Paris (2019); “Monk”, The Princessehof – National Museum of Ceramics, Leeuwarden (2017); “Oh Centre for Arts, Sharjah; The Honolulu Museum of Art, Hawaii, The Johnson Auction”, Royal Academy of Arts, London (2019); “Subversive Stitch”, TJ Boulting “Abando es Felices curiosidades”, Espacio Valverde, Madrid (2019); “Betes des You’ve Got Blue Eyes Oh You’ve Got Green Eyes Oh You’ve Got Pink Eyes Oh You’ve Museum, Ithaca, New York, The Farjam Collection, Dubai. Gallery, London (2019); “Discoveries”, Fiumano Clase Gallery, London (2019); “Schrein Scenes”, Fondation Villa Datris, L’Isle sur la Sorgue (2019); “Just so Stories”, Nosbaum Got Black Eyes”, Gerhard Hofland, Amsterdam (2017); “Carte Blanche”, Galerie Selected solo- and group-exhibitions: Leila Heller Gallery, Dubai (2019); Honolulu der Freundschaft”, Ausstellungspavillon Brandenburgischer Kunstverein, Potsdam Reding, Luxembourg (2019); “Enigma Pinocchio”, Villa Bardini, Florence (2019); Atelier Herenplaats, Rotterdam (2017); “Ecce homo”, Antwerp (2017); “Uit het Museum of Art, Honolulu (2016); “AB Discovery”, AB Gallery, Lucerne (2016); “Asian (2018); “ELEPHANT x GRIFFIN ART PRIZE”, Elephant West, London (2018); “Bonum et Malum”, Kleiner from Wiese, Berlin (2019); “A Snake without a Head nest geroofd”, CC De Steiger, Menen (2017); “Lee Ranaldo: Lost Ideas”, Municipal Art Biennial: Artist making Movement”, National Taiwan Museum of Arts, Taiwan “Postgraduate Printmaking”, Clifford Chance, London (2018); “Mixed Media 10x 5 is just a Rope”, Sim Smith Gallery, London (2019); “Come a little closer”, Feinkunst Museum and CC De Steiger, Menen (2017); “Bastion 10”, Oude Leielaan 10, Menen (2015); “Silent Words”, Leila Heller Gallery, New York (2015); “Color Polemics”, The – Benefizausstellung”, Konrad Adenauer Stiftung, Berlin (2018); “bataillon d’ amour”, Krüger, Hamburg (2019); “Nada Miami”, Sorry we’re Closed, Miami (2019); “Les (2017); “The Fifth Element”, Sanatçılar Parkı, Istanbul (2017); ”Weiss”, Kunstforum Gateway Project’s Gallery, New Jersey (2015); “Prickly?”, Causey Contemporary, 29 Galerie Kleindienst, Leipzig (2018); “Royal Academy Schools Class 2018 Degree Sablent Mouvants”, Espace a Vendre, Nizza (2018); “Für Immer Blau”, Waldsteige, Solothurn, Solothurn (2017); “Strong Waters”, Rossicontemporary, Brussels (2017); Orchard St., New York (2015); “Doris Duke’s Shangri La: Architecture, Landscape and Show”, Royal Academy Schools, London (2018); “Erotica”, Sex Shop Berlin-Mitte, Duisburg (2018); “Un Futue Enchanteur”, Le Consulat Paris, Paris (2018); “Touch “Clair Lieu”, Das Grosse Haus – Südschule, Viersen-Dülken (2017); “Emulate | (Ne) Islamic Art”, Honolulu Museum of Art, Honolulu (2015); “Silent Words”, Leila Heller Berlin (2018); “Dear Worm Hole/TOTEM”, Royal Academy Schools, London (2017); Wood – Art Brussels”, Sorry We’re Closed, Brussels (2018); “…kein Thema”, Plus Ultra State: ‘Take Away Collection’”, SCHUNK*, Heerlen, (2017); “Ton Scherbe Gallery, New York (2015); “Doris Duke’s Shangri La: Architecture, Landscape and “ART + IPAD”, Apple Headquarter, London (2017); “Woolwich Print Fair”, Royal Kwadrat, Berlin (2018); “Arte Noah”, Kunsthalle Fedlbach, Feldbach (2018); “Art Stein (Clay Shards Rocks)”, Thomas Rehbein Galerie, Cologne (2017); “Elimart”, Islamic Art”, Los Angeles Municipal Art Gallery, Los Angeles (2014); “Doris Duke’s Arsenal, London (2017); “EinWand II”, Konrad Adenauer Stiftung, Berlin (2017); “Es Düsseldorf”, Sorry we’re Closed, Düsseldorf (2018); “Fresh meat in the shark pool”, ELIM, Center for Psychotherapy and Art, Kapellen (2016); “Landscape, Form und Shangri La: Architecture, Landscape and Islamic Art”, Nevada Museum of Art, Reno überwiegt eigentlich beides”, Kwadrat Galerie, Berlin (2016); “How to find true love Muro, Mallorca (2017); “Metaphysical Casion”, Semiose, Paris (2017); “FIAC”, Hors Psyche”, Gerhard Hofland, Amsterdam (2016); “Metanoia”, Galerie Dukan, Leipzig (2014); “Doris Duke’s Shangri La: Architecture, Landscape and Islamic Art”, University and happiness in the present day”, Bikini Haus, Berlin (2016); “The London Original les Murs, Jardin des Tuileries, Paris (2017); “You are my Heroes – Art Brussels”, Sorry (2016); “The Collection”, The Andergroand School of Contemporary Art, Antwerp of Michigan Museum of Art, Ann Arbor (2014); “Unforgetting Iraq: In search of Print Fair”, Royal Academy of Arts, London (2016); “VOM GROSSEN UND GANZEN We’re Closed, Brussels (2017); “Landscapes of Loss/Verschwindende Landschaften”, (2016); “De Generaties”, De Markten, Brussels (2016); “Human Condition”, Recovery”, Kimbalton (2014); “The Space Between”, Middle East Center for Arts Teil II – Sammlung Haus N”, Gerisch-Stiftung, Neumünster (2015); “BMP – Berlin Bandesumweltministerium, Berlin (2017). West-Adams, Los Angeles (2016); “Ubi Sunt”, Town cemetery, Tielt (2016); “Menin (MECA), Jersey City (2013); “The Dance of Words”, Quarter Gallery, Regis Center for Masters Preview”, Berlin (2015): “VOM GROSSEN UND GANZEN Teil I – Sammlung His works can be found in the following collections and museums: FRAC Corse, Corse; Road/Ypernstrasse – Landscape, Form, Psyche”, On the road from Menen to Ypres Arts at University of Minnesota, Minneapolis (2013); “Art Dubai”, Leila Heller Gallery, Haus H”, Gerisch-Stiftung, Neumünster (2015); “Don’t call it context”, Kreuzberg CBK, Rotterdam; Loterie Nationale Collection, Brussels; Vent des Forets, Fresnes aut (2016); ”Scaldis”, Oudenaarde (2016); “Het Verbeelde Westen”, Residency of the Dubai (2012). Pavillon, Berlin (2015); “It’s oh so cute”, EIGEN-ART Lab, Berlin (2015). Mont. Belgium Ambassador, Den Haag (2016). Ayad Alkadhi lives and works in New York. Marianne Thoermer lives and works in Berlin. Stefan Rinck lives and works in Berlin. Johan Tahon lives and works in Belgium and Switzerland. www.aalkadhi.com www.mariannethoermer.com www.stefanrinck.de www.johantahon.com 34 35

54. Andreas Duscha – untitled (IKB#) 51. Joshua Abelow – Disconnected Painting 2018, Cyanotypie on canvas, 61x46 cm 2018, oil on linen, 41x25 cm and telephone cord 52. M orgaine Schäfer – untitled (Jacke) Donated by the artist. Courtesy Christine König Galerie, Vienna. Donated by the artist. € 1.200 starting price 2016, ink-jet print on Briliant Museum Silver Natural Gloss, 50x35 cm, € 3.000 starting price 53. Simon Laureyns – Nomad 2 (1/3 + 2AP) Andreas Duscha (born 1976 in Heidenheim a.d. Brenz, Germany) studied Donated by the artist. 2017, used tent canvas on aluminium frame, 180x40 cm Joshua Abelow (born 1976 in Frederick, USA) studied until 1998 at the Rhode from 1997 until 2000 political science, sociology and history at the Universität Donated by the artist. Courtesy A + B Gallery, Brescia. Island School of Design and until 2008 at the Cranbrook Academy of Art. € 1.250 starting price Münster, from 2000 until 2014 psychology at the Universität Wien and from € 2.500 Selected solo-exhibitions: “Know Show”, Massif Central, Brussels (2020); “Installation starting price 2001 until 2006 at the Akademie der Bildenden Künste in Vienna. Since 2010 Views”, L21 Gallery, Palma de Mallorca (2020), “Group Show”, Real Pain Fine Arts, Morgaine Schäfer (born 1989 in Wolfsburg, Germany) studied from 2010 until he is a lecturer at the Universität Mozarteum in Salzburg. Los Angeles (2019); “Disconnected Paintings”, Et al., San Francisco (2019); “Drawings 2017 at the Kunstakademie Düsseldorf and graduated in the masterclass of Simon Laureyns (born 1979 in Belgium) studied fine art painting until 2003 at Selected solo- and group-exhibitions: “Andreas Duscha”, Galerie Jochen Hempel, Drawings”, James Fuentes, New York (2018); “Miss You”, Halsey McKay, East professor Christopher Williams. the KASK in Ghent. Leipzig (2019); “Andreas Duscha”, allerArt, Bludenz (2019); “Andreas Duscha / Hampton (2017); “Drawings”, Allen & Eldridge, New York (2016); “Motion Pictures,” Selected solo- and group-exhibitions: “Next Generations – Aktuelle Fotografie Selected solo- and group-exhibitions: “Rover”, Galerie Jerome Pauchant, Paris White Collar”, Christine König Galerie, Vienna (2018); “Die Gedanken sind frei!”, Tif Sigfrids, Los Angeles (2016); “Running Witches in Chelsea”, James Fuentes, New made im Rheinland”, Museum Morsbroich, Leverkusen (2019); “memo”, Setareh (2019); “Skinny Dipping”, A+B Gallery, Brescia (2018); “Neighbours Vol. 7”, Jean Stadtmuseum Memmingen, Memmingen (2018); “art berlin”, Christine König Galerie, York (2016); “Freddy”, James Fuentes, New York (2016); “Good Morning”, BFA Boatos Gallery, Düsseldorf (2019); “Moment”, Achenbach Hagemeier, Berlin (2019); Colle Gallery, Ghent (2018); “The Gatering”, Panthera Today, Brussels (2018); “Last Berlin (2017); “BLACK MAGIC”, Christine König Galerie, Vienna (2017); “Shared Fine Arts, Sao Paulo. “Cecilia”, sweetwater, Berlin (2019); “you are here”, Kölnisches Stadtmuseum, Dance”, Autocenter, Berlin (2018); “Zero”, Galerie Jerome Pauchant, Paris (2018); Holy Places”, Musée national de l‘histoire de l‘immigration, Paris (2017); “Visions Selected group-exhibitions: “cut the branch you’re sitting on”, darkZone, New Jersey Cologne (2019); “Arti 2018”, Kunstverein Wolfsburg, Wolfsburg (2018); “hell “Memories of an Elephant”, Kunsthaus Essen, Essen (2017); “Artefiera Bologne”, of Nature”, Kunsthaus Vienna, Vienna (2017); “Lieux sans partagés. Coexistences (2019); “The Burn Show”, Safe Gallery @ Folly Tree Arboretum, East Hampton freundlich, grüßend”, Stiftung Museum Kunstpalast, Düsseldorf (2018); “Berta”, A+B Gallery, Bologna (2017); “Fuocoapaesaggio”, Monte Ricco Fort, Pieve Di Cadore en Europe et en Méditerranée”, Musée national de l’histoire de l’immigration, Paris (2019); “Flesh and Fantasy”, Marvin Gardens, Brooklyn (2019); “A Very Happy New Baustelle Schaustelle, Essen (2018); “A Touch Of Light”, fiebach, minninger, Cologne (2017); “A Million Ways to Die”, A+B Gallery, Bologna (2017); “Code Art Fair”, A+B (2017); “N 48° 11’ 47.038” O 16° 21’ 59.259”, Christine König Galerie, Vienna Year to You”, with Tisch Abelow and Paula Brunner Abelow, Nina Johnson, Miami (2018); “only revolutions”, fiebach, minninger, Cologne (2017); “Genius Loci 5 (Re) Gallery, Copenhagen (2017); “Monochromes”, Geukens & De Vil Gallery, Knokke (2017); “New Positions”, Art Cologne, Christine König Galerie, Cologne (2016); (2019); “The Ashtray Show”, Fisher Parrish, Brooklyn (2018); “Superset”, curated Appearing Images”, Setareh Gallery, Düsseldorf (2017); “The Body In Perpetual (2016); “Silence, Genious at work”, Jerome Pauchant Gallery, Paris (2016); “Art “Die Sprache der Dinge”, 21er Haus, Vienna (2016); “winning hearts and minds”, by Jessica Silverman and Glen Helfand, fused, San Francisco (2018); “Mixed Bag”, Motion”, Buchhandlung Walther König, Düsseldorf (2015); “Me In The Museum”, Brussels”, Geukens & De Vil, Brussels, (2016); “Even a birch can be real”, gallerie Christine König Galerie, Vienna (2016); “Cry me a river”, ACF, Bratislava (2015); “Wie curated by Joe Bradley and Jeremy Willis, Real Estate, Brooklyn (2018); “Carol Skulpturengarten Junges Museum Bottrop, Bottrop (2015); “I started saying no and Deouillon, Paris (2016); “A Sandbox in the Dessert”, Brescia (2016); “SLXM”, wir leben”, Kunsthaus Wien, Vienna (2015); “24/7 the human condition”, Vienna Cole: Cast a Clear Light”, Weatherspoon Art Museum, Greensboro (2018); “FOTG”, began losing weight”, Filmwerkstatt Düsseldorf, Düsseldorf (2015); “Der Tiger und die Geukens & De Vil, Knokke (2016); “(Ideale) Geographie”, Noire gallery, Turin (2015); Biennale, Museum für angewandte Kunst, Vienna (2015); “Europa. Die Zukunft der Mitchell Algus Gallery, New York (2017); “2017 White Columns Benefit Auction”, Autobahn”, OFF Space PROJEKTE, Bernkastel-Kues (2015); “No Water, No Snaks, “Incubate”, Schouwbourg, Tilburg (2015); “AOTEROA”, Loods 12, Wetteren (2015); Geschichte”, Kunsthaus Zürich, Zürich (2015); “BC21 Art Award”, Belvedere, Vienna White Columns, New York (2017); “It’s So Cold”, Bahamas Biennale, Detroit No Naps”, f/Stop Festival, Leipzig (2014); “Deliciosa”, AWA Bar (Studio for Artistic “Cover Up The Grey”, Rossi Contemporary, Brussels (2014); “Crox 379 BASED (2015); “books + papers”, Christine König Galerie, Vienna (2015). (2016); “Joshua Abelow & Bjorn Copeland,” Cooper Cole, Toronto (2015); “826NYC Research), Düsseldorf (2014); “Morgaine Schäfer”, das junge museum, Bottrop PAINTINGS”, Croxhapox, Ghent (2014); “The Young Ones”, SKI, Ghent (2014); “Fair His works can be found in the folowing museums and collections: Belvedere, Vienna; Exhibition & Auction”, David Zwirner, New York (2015); “Painters NYC”, Paramo, (2013); “No Electricity, No Gas, No Water”, Baustelle Schaustelle, Essen (2013); “No Enough”, Rossi Contemporary, Brussels (2013); “Panoroama”, Rossi Contemporary, EVN Collection, Vienna; Kupferstichkabinett, Vienna; Collection Lenikus, Vienna; Guadalajara (2015); “DOWNTOWN: A View of the Lower East Side”, James Cohan Plexiglas, No Electricity, No Humor”, Folgendes HfBK Hamburg, Hamburg (2012); Brussels (2013); “Pictura”, Rossi Contemporary, Brussels (2013); “Fair Enough”, Rossi Collection Leopold, Vienna; Artothek des Bundes, Vienna; Wien Museum, Vienna; Gallery, Shanghai (2013). “MenaMoskopfMorgaineSchäfer”, AStA Ausstellungsraum, Düsseldorf (2012). Contempoarary, Brussels (2013). Fotosammlung des Bundes, Vienna. Joshua Abelow lives and works in New York, NY and Harris, NY. Morgaine Schäfer lives and works in Cologne. Simon Laureyns lives and works in Gent. Andreas Duscha lives and works in Vienna. www.joshuaabelow.com http://morgaineschaefer.com www.simonlaureyns.com, www.aplusbgallery.it www.andreasduscha.com, www.christinekoeniggalerie.com 36 37

57. Enrico Bach – RV 58. Ornella Fieres – Inverse Fourier 18c 2018, oil on canvas, 50x40 cm 2020, c-print framed in wood with museum glass, 84x84 cm Donated by the artist. Donated by the artist. Courtesy SEXAUER, Berlin € 1.900 starting price € 2.200 starting price

Enrico Bach (born 1990 in Leipzig, Germany) studied from 2005 until 2011 Ornella Fieres (born 1984 in Frankfurt am Main, Germany) studied 2005 at at the Staatlichen Akademie der Bildenden Künste in Karlsruhe with the the Macquire University Sydney, Australian Media and Australian Art and from professors Anselm Reyle, Olaf Holzapfel, Jonas Burgert and Gustav Kluge and 2006 to 2012 at the Hochschule für Gestaltung in Offenbach and graduated graduated in the masterclass of professor Gustav Kluge. in the classes of professor Hans Zitko (theory of perception) and Professor Selected solo- and group-exhibitions: “DEEP COVER”, PIFO Gallery, Beijing (2019); Martin Liebscher (conceptual photography). Currently she does her PhD “NIGHTCLUB”, V8 Plattform, Karlsruhe (2019); “MOB”, V8 Plattform, Karlsruhe studies at the Hochschule für Gestaltung in Offenbach. (2018); “Wohin das Auge reicht”, Kunsthalle Würth, Schwäbisch Hall (2018); Selected solo- and group-exhibitions: “Touching from a Distance II”, Goethe Institut, “abstract”, Galerie Burster, Berlin (2018); “Jingart”, PIFO Gallery, Beijing (2018); Toronto (2019); Snike Screen, Berlin (2019); “Osterale Biennale”, Dresden (2019); 55. Eszter Kondor – Passing Places (Baden), from the series 56. Eszter Kondor – Passing Places (Baden), from the series “PERFECT”, Putian Art Museum, Fusian (2018); “another aleph”, De Gallery, Xiamen “Artist and Allies”, signs and symbols, New York (2019); “Recipes for Madeleines”, Passing Places – Ansichten einer Schaufensterpuppe Passing Places – Ansichten einer Schaufensterpuppe (2018); “Be 2”, Galerie b2, Leipzig (2018); “SHANGHAI ART021”, PIFO Gallery, SITE Galleries, Art Institute of Chicago, Chicago (2018); “The Missing Room”, LAGE Shanghai (2018); “Apparative Kunst”, Galerie der Stadt Sindelfingen, Sindelfingen EGAL, Berlin (2018); “Touching from a Distance”, Literaturhaus, Berlin (2018); 2018, pigment-print on Hahnemühle FineArt Baryta paper 45x30 cm, 2018, pigment-print on Hahnemühle FineArt Baryta paper 45x30 cm, (2018); “Viennacontemporary”, PIFO Gallery, Vienna” (2018); “free dimensional”, “WorksOnPaper”, Gussglashalle, Berlin (2018); “Code Art Fair”, SEXAUER Gallery, (edition: 20) (edition: 20) Galerie Bechter Kastowsky, Vienna (2018); “Abstract Art 11 – Abstraction as Copenhagen (2018); “Call & Response”, NutureArt Gallery, New York (2018); Donated by the artist. Donated by the artist. Painterly Rhetoric”, PIFO Gallery, Peking (2018); “49° – Kulturelle Produktion in “The recurring Frequency of a fading Moment”, SEXAUER Gallery, Berlin (2018); € 200 € 200 Karlsruhe” Badischer Kunstverein, Karlsruhe (2018); “Hängung#19”, KUNSTWERK, “The Structure and Function of hidden Things”, signs & symbols, New York (2018); starting price starting price Sammlung Alison und Peter W. Klein, Eberdingen-Nussdorf (2018); “Bild und “Mermaids and Unicorns”, online-exhibition (2017); “Lecture Performance and Blick – Sehen in der Moderne”, Wilhelm-Hack Museum, Ludwigshafen (2018); screening “STARDUST – The Imaginary Universe” by Bjørn Melhus”, Kepler 452b, Eszter Kondor (born 1983 in Budapest, Hungary) studied psychology and “Anti-Pop Construction”, Long Museum/hiart space, Shanghai (2017); “BASS”, Berlin (2017); “Weinosten”, Hilbert Raum, Berlin (2017); “SMALL – an exploration theater-, film- and medienscience at the university of Vienna. Wilhelm-Hack Museum/Rudolf-Scharpf-Galerie, Ludwigshafen (2017); “Borderline”, of miniature”, SEXAUER Gallery, Berlin (2017); “The Structure and Function of Her diploma thesis, regarding the foundation of the austrian filmmuseum was Guandong Museum of Art, Guangzhou (2017); “Resonanzen. 40 Jahre Kunststiftung hidden Things”, New Lab, New York (2017); “As if we are passing through tunnels”, published in the series of the filmmuseum synema publications. 2017-2019 Baden-Würtemberg”, ZKM, Karlsruhe (2017); “Darmstädter Sezession”, Kunstforum, Studio Picknick, Berlin (2017); “Ron McNair”, United Artist Theatre, Los Angeles Photo education at the fotoschool Vienna. Darmstadt (2017); “Decade: Abstract Art 10”, PIFO Gallery, Beijing (2017); (2016); “Liaison”, Uferhallen, Berlin (2016); “2nd Pecha Kucja Art Night”, Haus am Selected solo- and group-exhibitions: “Natur – Fotografien mit der Lochkamera”, “Watching Paint Dry”, V8 Plattform, Karlsruhe (2017); “Viennacontemporary”, Lützowplatz, Berlin (2016); “Cat Heroicus”, online-exhibition (2016); “Looks like you Haus der Fotografie, Vienna (2019); “Passing Places – Ansichten einer PIFO Gallery, Vienna (2017); “SHANGHAI ART021”, PIFO Gallery, Shanghai (2017); tried to go somewhere that does not exist”, SEXAUER Gallery, Berlin (2016); “Digital Schaufensterpuppe”, (2. Platz off-festival vienna award), Haus der Fotografie, Vienna “Randgruppe”, Galerie Weingrüll, Karlsruhe (2016); “with ifs and buts”, PIFO Gallery, // Analog: Indifferenz”, Motorenhalle, Dresden (2015); “Saloon”, SEXAUER, Berlin (2018); “Contemporary”, Haus der Fotografie, Vienna (2018); “Infrawelt”, Haus der Peking (2016); “XI V IVIII”, V8 Plattform, Karlsruhe (2016); “Poetique: the 9th Annual Acquisition of Signal, Satellit Berlin (2015); “Mon amie, l’image”, vkunst, Frankfurt am Fotografie, Vienna (2018). Exhibition of Abstract Art”, PIFO Gallery, Beijing (2016). Main (2014); “Visual Noise”, Lage Egal, Berlin (2014). Ester Kondor lives and works in Vienna. Enrico Bach lives and works in Karlsruhe. Ornella Fieres lives and works in Berlin and New York. www.eszterkondor.at www.enrico-bach.de www.ornellafieres.com, www.sexauer.eu 38 39

59. Kate Montgomery – Artist’s House II 60. D orothea Schüle – Löwen im Schlaraffenland 2017, casein on birch panel, 48x42 cm Donated by the artist. 2012-2008, oil on nettle, 90x100 cm 62. Sebastian Gahntz –Psycho Darts Donated by the artist. € 1.300 starting price 2016, oil on canvas, 90x100 cm € 1.900 starting price Donated by the artist. Kate Montgomery (born 1965 in England) studied from 1985 to 1988 at the Oxford University, St John’s College, Ruskin School of Drawing and Fine Art Dorothea Schüle (born 1970 in Pforzheim, Germany) studied from 1990 € 2.000 starting price and from 1990 until 1992 at the Royal College of Art in London. to 1991 at the Kunstschule Stuttgart and from 1991 until 1999 at the Kunstakademie Münster in the masterclass of professor Herman-Josef Kuhna. Sebastian Gahntz (born 1977 in Wiesbaden, Germany) studied from 1997 Selected solo- and group-exhibitions: “London Art Fair 2020”, Long & Ryle, London 61. Marius Seidlitz – I wish I could be one of us (2020); “Moon Gazing”, Fitzroy House, Lewes (2019); “Texas Contemporary 2019”, Selected solo- and group-exhibitions: “Friesische Sagen und Erzählungen”, Sylter until 2003 at the Staatlichen Akademie der bildenden Künste Karlsruhe with professor Gerd van Dülmen and graduated in his master class. Quantum Contemporary Art, Dallas (2019); “Affordable Art Fair New York Fall”, Kunstfreunde, Sylt (2020); “Eldorardo”, Kunstverein Bad Aibling, Bad Aibling (2019); 2019, acrylic/aerosol on canvas, 150x120 cm Quantum Contemporary Art, New York (2019); “Draw Art Fair London”, Long & Ryle, “Night & Day”, Thomas-Morus-Akademie, Bensberg (2018); “Expressive Metaphern Donated by the artist. Selected solo- and group-exhibitions: “The Same procedure”, FANG, Leipzig (2018); London (2019); “London Art Fair 2019, Long & Ryle, London (2019); “The Columbia eines Lebensgefühls”, Galerie Schloss Ettersburg, Weimar (2018); “Insight-Outside”, € 1.800 “Atakatak”, Hit and run Gallery, Leipzig (2017); “Art Karlsruhe”, Galerie Cerny + Treadneedle prize 2018”, The Mall Galleries, London (2018); “Dreamed House”, Long Stadtmuseum Ahrweiler, Ahrweiler (2017); “Stadt-Land-Fluß”, Galerie Diede, starting price Partner, Karlsruhe (2017); “Im Anfang ist das Spiel”, Künstlerverein Walkmühle, & Ryle, Pimlico, London (2018); “BADA”, London (2018); “A Winter’s Tale”, Long & Maschinenhalle Scherlebeck, Herten (2017); “Cocktail”, Galerie Roy, Zülpich Wiesbaden (2016); “Schöne böse Bilder”, Galerie Cerny + Partner, Wiesbaden Ryle, Pimlico, London (2016); “Bijou”, Candida Stevens Fine Art, Chichester (2016); (2016); “Kunstrundgang Nr.16”, Merck Finck Privatbankiers, Düsseldorf (2016); Marius Seidlitz (born 1985 in Erfurt, Germany) visited in 1992 the IMAGO- (2016); “Islands in the sun”, Besser Leben, Leipzig (2016); “ne Wandvoll Kunst”, “The Discerning Eye”, The Mall Galleries, London (2016); “Into The Woods”, St. Annes “Dahinter das Meer…”, Burg Kniphausen, Wilhelmshaven (2016); “contemporary Malschule in Erfurt, studied 2003 art at the Bauhaus Universität in Weimar, Neues Schauspiel, Leipzig (2016); “Art Karlsruhe”, Galerie Cerny + Partner, Karlsruhe Galleries, Lewes (2016); “Kind of Blue”, Candida Stevens Fine Art, Chichester (2015); art ruhr (C.A.R) 2016”, Galerie Art-isotope, Dortmand (2016); “Winterausstellung”, from 2005 until 2008 he was trained as an engraver at the Nationalen (2016); “Gedanke, ziehe aus Fleisch zu werden…”, Galerie der Volksbank Weinheim “Good Figures”, The Mall Galleries, London (2015); “The Discerning Eye”, The Mall Galerie Bayer, Bietigheim-Bissingen (2016); “Überfluss + Mangel”, Dortmunder Graveurschule in Suhl and in 2012 he graduated as a craftdesigner in Weimar. in Kooperation mit der Collection Baumgartner, Weinheim (2015); “Art.Fair Galleries, London (2014); “Figurative Artists”, Jerwood Gridshell, Sussex (2013); “In Tafel, Dortmund (2015); “Winterausstellung”, Galerie Bayer, Bietigheim-Bissingen Selected solo- and group-exhibitions: “Follow the white rabbit”, Parkhotel Winterthur, Cologne”, Galerie Cerny + Partner, Cologne (2015); “Art Karlsruhe”, Galerie Cerny Town”, St. Annes galleries, Lewes (2013); “The Discerning Eye”, The Mall Galleries, (2015), “Accrochage”, Galerie ART-isotope, Dortmund (2015); “Winterausstellung”, Winterthur (2020); “Artbox Project Miami 2.0”, Miami Design District, Miami (2019); + Partner, Karlsruhe (2015); “Gruppenausstellung”, Galerie Irrgang, Leipzig (2014); London (2013); “The Royal Academy Summer Exhibition”, Royal Academy, London Galerie Bayer, Bietigheim-Bissingen (2014); “Winterausstellung”, Galerie Bayer, “Somewhere in Neverland”, Forum Phoinix, Bayreuth (2019); “Paviart”, MOP Gallery, “KUNST- und EDITIONENVERKAUF”, CU, Leipzig (2014); “Art.Fair”, Galerie Cerny + (2013); “Sussex Landscapes”, St- Annes Galleries, Lewes (2011); “The Royal Academy Bietigheim-Bissingen (2013); “ART-spanner – 2nd Edition”, Galerie ART-isotope. Pavia (2019); “Art Parma Fair”, MOP Gallery, Parma (2019); “The body pays the bill”, Partner, Cologne (2014); “Art Karlsruhe”, Galerie Cerny + Partner, Karlsruhe (2014); Summer Exhibition”, Royal Academy, London (2010); “At Home New Paintings and Dortmund (2013); “Winterausstellung”, Galerie Bayer, Bietigheim-Bissingen (2012); POPUP, Copenhagen (2019); “Groupexhibition”, CAGE Gallery, Barcelona (2018); “Sebastian Gahntz”, Galerie Holthoff Mokross, Hamburg (2013); “Art.Fair”, Galerie Drawings by Kate Montgomery & Teresa Whitfield”, St. Annes Galleries, Lewes (2009); “Wie die Natur sie schuf”, Sybille Mang Galerie, Lindau (2011); “Lehrer und Schüler”, “12vor5”, Gallery HOP, Bamberg (2018); “Groupexhibition”, Produzentengalerie, Cerny + Partner, Cologne (2013); “Art Karlsruhe”, Galerie Cerny + Partner, Karlsruhe Cadogan Contemporary, Knightsbridge, London (2009); “The Threadneedle Prize Galerie Cerny + Partner, Wiesbaden (2010); “Contempahrt”, WGZ Bank, Düsseldorf Berlin (2018); “Groupexhibition”, University of Finance and Economics, Shanghai (2013); “Gute Zeiten, schlechte Zeiten”, Galerie Cerny + Partner, Wiesbaden Exhibitions”, The Mall Galleries, London (2009). (2009); “Contempahrt”, Galerie Diede, Koblenz (2008); “Schuhspanner”, Burgbrohl, (2016); “Look for open gallery”, Gallery e artis, Chemnitz (2016); “Huntenkunst”, (2012); “Playgroand”, betahaus, Berlin (2010); “Ecce homo”, Kunstverein Attendorn, Her works can be found in the following collections and museums: St John’s College, Mainz Projekt, Mainz (2008); “Art Karlsruhe”, Galerie ART-isotope, Karlsruhe international artfair, Ulft (2015); “No! Art Project”, Galerie Kunststück, Berlin Attendorn (2009); “Westwerk – Die Erste”, Westwerk, Leipzig (2009); Kulturverein Oxford; The Cromwell Hospital, London; New Hall Art Collection, Murray Edwards (2008); “Kunst-Event”, Galerie CP, Wiesbaden (2008); “Ahoj Rotterdam”, Galerie (2014); “Huntenkunst”, international artfair, Ulft (2013); “Brotkatze Collab”, Galerie “Victor Jara”, Leipzig (2007); “Pamina-Kunstpreis”, Kunstverein Ettlingen, Ettlingen College, Cambridge; Collection Vivien Duffield; Collection Princess Margarita of ART-isotope, Dortmund (2008); “Art Cologne”, Cologne (2008); “Art Karlsruhe”, Kunstsück, Berlin (2013); “Groupexhibition”, VHV Versicherung, Stuttgart (2013); (2005); Kunstverein Schwäbisch Hall, Schwäbisch Hall (2004); “Kunststudenten Romania; Collection HRH The Prince of Wales; Collection Elizabeth Esteve-Coll; Galerie CP, Karlsruhe (2006); “Best Friends”, DOGS Contemporary Fine Art Gallery, “Dreamscapes”, Hannover (2012); “Art Project Kastor”, Galerie Rothamel, Erfurt stellen aus”, Bandeskunsthalle Bonn, Bonn (2003); “Meisterschüler “Top 03”, Collection Jack Sheppard; Collection Kevin Kwan. Düsseldorf (2006). (2002). Kunsthalle Baden-Baden, Baden-Baden (2003). Kate Montgomery lives and works at the English south coast. Dorothea Schüle lives and works in Düsseldorf and on Schloss Freudental. Marius Seidlitz lives and works in Bad Berneck. Sebastian Gahntz lives and works in Leipzig. www.katemontgomery.co.uk www.dorotheaschuele.de www.mariusseidlitz.com www.sebastiangahntz.de 40 41

66. H eng Li – untitled 1808 2018, oil and acrylic on canvas, 140x100 cm Donated by the artist. € 8.000 starting price 65. T om Jacobi – Diamonds Heng Li (born 1979 in Urumqi Xinjiang, China) learned painting and calligraphy 2015, Archival pigment print on Alu Dibond, frame out of maple wood, white at the age of six, attended the middle school of the Central Academy of glazed, museum glass, 123x175 cm, Edition: 2/7 Fine Arts in Beijing from 1996 to 1998, and studied painting at the I.E. Repin Donated by the artist. Courtesy Ostlicht Gallery for Photography, Vienna. Institute for Painting, Sculpture and Architecture in St. Petersburg from € 7.000 starting price 1999 to 2000 and from 2004 to 2009 he visited the Academy of Fine Arts Nuremberg with professors Ralph Fleck and Ottmar Hörl and graduated as a Tom Jacobi (born 1956 in Germany) began taking pictures at fifteen. After master student of Professor Ottmar Hörl. a discontinued law degree, he became in 1977 as a twenty-one-year-old Selected solo- and group-exhibitions: “Gleich Klang”, Kunstraum des Konfuzius- Staff Photographer at the famous magazine Stern, together with other great 63. Hubertus Hamm – Sylt No. 10 64. H ubertus Hamm – Sylt No. 11 Institut, Nürnberg-Erlangen, Nuremberg (2019); “Anscheinend schön”, M Art Center, photographers such as Robert Lebeck and Thomas Höpker. Since 2014 he has Shanghai (2018); “Poetics of landscape”, Galerie Jahn, Landshut (2018); “Cognitive been realizing his own photo art projects. 2019, archival pigment print, 42x60 cm, (3/25) 2019, archival pigment print, 42x60 cm, (4/25) wonderland”, Guicheng art museum, Foshan (2018); “West Band Art & Design”, Donated by the artist. Donated by the artist. Selected solo- and group-exhibitions: Kunsthalle, Bratislava (2019); The Photogallery, Shanghai (2018); “Leicht Sinn”, Kulturzentrum Schwingeler Hof, Wesseling (2018); € 700 € 700 Halmstad (2019); SR Contemporary Art, Berlin (2019); Petra Gut Contemporary, “Art Shenzhen”, Shenzhen (2018); Domagk Ateliers, Munich (2018); Galerie an der starting price starting price Zürich (2018); “Zingst Fotofestival”, Zingst (2018); East Hotel, Hamburg (2018); Pinakothek der Moderne, Munich (2017); “Art Stage Singapore”, Singapore (2017); Ostlicht Gallery für Photography, Vienna (2018); “Beyond The Air We Breath”, Art “KG Ausstellung”, Staatliches Museum Ägyptischer Kunst, Munich (2017); “5ZIG”, & Culture Center, Bangkok (2018); Werkhallen, Remagen (2017); “C40 Mayors Galerie Kunstreich, Kempten (2017); “Best of”, Auf AEG, Nuremberg (2017); “Art Königssaal des Staatsballetts im Nationaltheater, Munich (2014); “Rinasce Piu Hubertus Hamm (born 1950 in Werdohl, Germany) studied from 1970 to Summit”, Mexico City (2017-16); Rosier Gallery, Berkeley (2017-16); “Zingst Taipei”, Taipei (2017); “Unvermeidbar”, Galerie Parkview Green Art, Beijing & Taipei Gloriosa”, Headegg, Munich (2014); “Hubertus Hamm”, Galerie Kornfeld, Berlin 1973 at the Bayerische Staatslehranstalt für Fotografie in Munich. Fotofestival”, Zingst (2016); “Photoscapes”, Munich (2016); “Latest Finds”, CWC (2016); “Another Germany”, CUBUS Kunsthalle, Duisburg (2016); “ART Seoul”, (2014); “Himmel und Hölle”, Kreuzherrnsaal, Memmingen (2014); “molded Selected solo- and group-exhibitions: “Der Spiegel, Der Mensch im Widerschein”, Gallery, Berlin (2016); Camera Work Contemporary, Berlin (2016); “Fotografias Seoul (2016); “Art021”, Shanghai (2016); “ART Taipei”, Taipei (2016); “Hoffnung”, mirrors shuffling the cards, 5th roand”, Hipp Halle, Gmunden (2013); “East West Museum Rietberg, Zürich (2019); “Untitled Art”, Miami (2019); “Salon Hubertus de Moda Alemans”, Galeria do Torreao Nascente, Lisbon (2012-2011); “Zeitgeist Galerie Kunstreich, Kempten (2015); “Die Farbe Blau”, Galerie Liebau, Burghaun Portraits”, SPSI Art Museum, Shanghai (2013); “Milan Image Art Fair (MIA)”, Hamm”, Euroboden, Berlin (2019); “Blue Hour”, Galerie GOM, Munich (2019); becomes Form”, Australian Center for Photography”, Sydney (2011); Kloster Arnsberg, (2015); “TOP 4” MuseumModern Art Hünfeld, Hünfeld (2015); Domagk Ateliers, Milan (2012); “Molded Mirrors”, Galerie Jordanow, Munich in Kooperation mit “Unfollow me”, Nir Altman Galerie, Munich (2018); “Mehr Licht”, Galerie Arnsberg (2009); “The Heartbeat of Fashion”, Haus der Photographie, Hamburg Munich (2015); “Art Beijing”, Peking (2015); Galerie an der Pinakothek der Moderne, Maurer Zilioli Contemporary Arts, Brescia (2012); “Black in Dark”, TEAM ONE, Kornfeld, Berlin (2018); “Narziss und Goldgrand”, Galerie Kornfeld, Berlin (2017); (2007-2006); Lloyd Hotel, Amsterdam (2005); Telekom headquarter, Bonn (2004); Munich (2014); “Der dritte Tag”, Kunstverein Ottobrunn, Ottobrunn (2014); “ART Los Angeles (2011); “Hubertus Hamm”, Galerie Jordanow, Munich, in Kooperation “Portrait II, Portrait IV”, Nir Altman Galerie, Munich (2017); “Time Modeling”, Spazio Strato, Milan (2004); Bertelsmann Capital headquarter, Gütersloh (2004); Fair”, Cologne (2014); “Artig Kunstpreis”, Kempten (2014); “Die Sieben Tage”, MART mit Maurer Zilioli Contemporary Arts, Brescia (2011); “Molded Mirror – All the Galerie Kornfeld, Berlin (2016); “Edge”, Konfuziusinstitut, Nürnberg (2016); “Fotograsia de Moda Alemana”, Museu Metropolitano de Arte, Curtiba (2005); Center, Shanghai (2014); Galerie LandskronSchneidzik, Nuremberg (2014); “Art World’s a Stage”, Königssaal des Staatsballetts im Nationaltheater, Munich “Paper Plains”, Galerie Kornfeld, Berlin (2016); “Männer”, Rathaus Gräfeling, “Man in Focus”, Sammlung Helmut Gernsheim, Reiss-Engelhorn-Museum, Mannheim Innsbruck”, Innsbruck (2013); “Art Karlsruhe”, Karlsruhe (2013); “ART Fair”, Cologne (2011); “Black in Dark, Die Neue Sammlung”, Pinakothek der Moderne, Munich Munich (2016); “Freiraum”, Spazio Libero, M8, Treviso (2015); “Edge”, Galerie (2004-2003); Schloss Heidelberg, Heidelberg (2002); Museum für Kunst & Gewerbe, (2013); Galerie an der Pinakothek der Moderne, Munich (2012); “Die Heimat”, (2011-2010). Landskron Schneidzik, Nuremberg (2015); “The Object in Photography”, Yuan Hamburg (2002). Galerie LandskronSchneidzik, Nuremberg (2011). Art Museum, Beijing (2015); “Winterbaum”, Neue Werkstätten München, Hubertus Hamm lives and works in Munich. Tom Jacobi lives and works in Hamburg. Heng Li lives and works in Munich. Munich (2015); Galerie Kornfeld, Berlin (2015); “Molded Mirror – Synchronized”, > www.hubertushamm.de www.tomjacobi.de, www.ostlicht.org www.hengli.de 42 43

67. M iriam Jonas – Lebst Du richtig? 70. F ilippo Minelli – Shape US B/Q 68. K atarína Dubovská – Unknown Plant at the Edge of the 69. E berhard Ross – fermata 2019, screen printing, screen printing ink, paper, white glazed wooden frame Arctic #7 2015, fine art print on Hahnemühle pearl paper, 80x120 cm, (2/5 + AP) 59,4x42 cm, (edition: 50) 2016, oil on canvas, 33x30 cm Donated by the artist. Donated by the artist. Courtesy Galerie Russi Klenner, Berlin. 2017, dye-based inkjet-ink, alabaster-plaster, varnish, ø 14 cm Donated by the artist. € 2.900 starting price Donated by the artist. € 250 starting price € 500 starting price € 300 starting price Filippo Minelli (born 1983 in Brescia, Italy) studied from 2002 until 2006 at the Miriam Jonas (born 1981 in Germany) trained as a stage painter and sculptor Eberhard Ross (born 1959 in Krefeld, Germany) studied at the Folkwang Accademia di Belle Arti do Brera in Milan. from 2001 to 2005 and studied at the Münster Art Academy from 2006 Katarína Dubovská (born 1989 in Ružomberok, Slovakia) studied from 2011 to Universität der Künste Essen with Professoren László Lakner and Friedrich Selected solo- and group-exhibitions: “Wallonie terre d’eau”, Espace Wallonie, to 2012 with the professors Katharina Fritsch, Ayse Erkmen, Maik and Dirk 2018 at the Hochschule für Grafik und Buchkunst in Leipzig with stays abroad Gräsel. Brussels (2019); “Across the border”, Spazio Leonardo, Milan (2019); “Intimate Löbbert, with whom she also was in the masterclass. She has been a guest at the UMPRUM Academy for Art, Architecture and Design in Prague, as Selected solo- and group-exhibitions: “Art Karlsruhe”, Galerie Hübner & Hübner, Enemy”, Linz FMR 19, Linz (2019); “Panorama”, Fondazione de Monte, Bologna lecturer at the Münster Art Academy since 2017. well as at the Zurich University of the Arts. She has been a master student of Galerie Kunst2 Stefanie, Boos, Galerie Fenna Wehlau, Karlsruhe (2020); “Refugium”, (2019); “Manifesta Revisited”, Manifesta Foandation Headquarter, Amsterdam Art Selected solo- and group-exhibitions: “Solar Flashback”, Nitemind, New York professor Peggy Buth since 2018. Lisa Noris Gallery, London (2020); “Refugium”, Galerie Kunst2 Stefanie Boos, Week, Amsterdam (2019); “Everyday Life”, Mart – Galleria Civica die Trento, Trento (2019); “Eigenbedarf”, Uferhallen, Berlin (2019); “Realitätscheck”, Kunstraum Selected solo- and group-exhibitions: “f/12.2.”, ART FOYER der DZ BANK Heidelberg (2020); “Art Miami”, Nikola Rukaj Gallery, Miami (2019); “refugium”, (2019); “Parasite Group Show – Brad Downey – Slow Motion Disasters”, Kunstraum Potsdam, Potsdam (2019); “Transformer”, charity auction, Washington DC (2019); KUNSTSAMMLUNG, Frankfurt am Main (2020); “VERLETZBARE SUBJEKTE”, Galerie Straihammer & Seidenschwann, Vienna (2019); “refugium”, Galerie Frank Kreuzberg, Berlin (2019); “Photo Open Up”, Ex Macello, Padua (2019); “Gallery “Hausstellen II”, Pompéry Privat, Berlin (2019); “Vorwand”, Deutscher Künstlerbund Zentrum für Aktuelle Kunst, Berlin Spandau (2020); “INTERFERENCE”, Schlag, Essen (2019); “refugium”, Rukaj Gallery, Toronto (2019); “refugium”, Galerie Delivery”, Green Cube Gallery, Milan (2019); “Post Conflicto”, Barcú, Bogotá (2018); e.V., Berlin (2019); “You are here”, Werkschauhalle, Leipzig (2019); “All out”, Galerie Stephanie Kelly Galerie, Dresden (2019); “Current Residents”, Künstlerhaus Lukas, Fenna Wehlau, Munich (2019); “refugium”, Art Forum Ute Barth, Zürich (2019); “Paysage”, UNA galleria, Piacenza (2018); “Rue Charlot”, Ruttkowski;68, Paris (2018); Kwadrat, Berlin (2019); “Jahresgaben”, Westfälischer Kunstverein, Münster (2018); Ahrenshoop (2019); “Genius Loci 7 – FUTURE MASTERS ART AWARD”, SETAREH “silentium”, Galerie Kunst2 Stefanie Boos, Heidelberg (2018); “#Farbe”, Galerie Frank “Kronstadt Stories”, Point Museum, St. Petersburg (2018); “Layers”, iMAL – Raffinerie, “Resort”, Galerie Russi Klenner, Berlin (2018); “Fragmints”, Galerie im Kraftwerk, Galerie, Düsseldorf (2019); “RESISTANCE II”, Frappant Galerie, Hamburg (2019); Schlag, Essen (2018); “BildKlang | KlangBild”, Galerie Fenna Wehlau, Munich (2018); Brussels (2018); “Preview”, Artspace Abu Dhabi, Abu Dhabi (2019); “The Saga II”, Bad Gastein (2018); “Arbeit”, HilbertRaum, Berlin (2018); “Demi-Gros”, Safe Gallery, “RESISTANCE I”, VUNU Gallery, Košice (2019); “chromo-”, ASPN, Leipzig (2019); “silentium”, Galerie Hübner & Hübner, Frankfurt (2018); “BildKlang | KlangBild”, Double V Gallery, Marseille (2018); “Manifesta 12”, Palazzo Ajutamicristo, Palermo Berlin (2018); “Der süße Brei”, Centrum Holz Energie e.V. Eberswalder Informations, “Bilder über Bilder über Bilder über Bilder”, Baustelle Schaustelle – Raum für junge Kunstverein Unna, Unna (2017); “the fermata series”, Rukaj Gallery, Toronto (2018); “Silent Shapes / Miami”, Banca Generali, Milan (2017); “Sorrento”, Galerie Eberswalde (2018); “Rapunzel”, Offene Kirche Mutter vom Guten Rat, Frankfurt Kunst, Essen /Düsseldorf (2018); “Floating Images of an Object”, Künstlerhaus (2017); “stories”, Art Forum Ute Barth, Zürich (2017); “the fermata series”, Galerie Rive Gauche, Namur (2017); “Desert Island”, Coachella Valley Art Center, Indio am Main (2018); “Bow Row”, Kunstverein Oerlinghausen, Oerlinghausen (2018); Lauenburg, Lauenburg/Elbe (2018); “Bilder eines Objektes”, ASPN, Leipzig (2018); Frank Schlag, Essen (2017); “the fermata series”, Galerie Kunst2 Stefanie Boos, (2017); “Silencis”, DadáBarcelona, Girona (2017); “Paper Tigers”, Syndicate Potentiel, “A Constant State Of Levitation”, Galerie Bernhard Knaus Fine Art, Frankfurt “Tombola”, KV, Leipzig (2018); “Current Residents”, Künstlerhaus Lauenburg, Heidelberg (2016); “the fermata series”, Kloster San Miniato, Florence (2016); “the Strasbourg (2017); “Platforms Projects”, Kallio Kunsthalee, Athens (2017); “Art and am Main (2018); “RADAR”, eine Kooperation des LWL-Museums für Kunst und Lauenburg/Elbe (2018); “Palmenbingo”, ASPN, Leipzig (2018); “Graduation Show”, fermata series”, Galleria Il Ponte, Florence (2016); “Natural Histories”, Clerkenwell the city in the internet era”, Electro Museum, Moscow (2017); “Bold Statements”, Kultur und des Westfälischen Kunstvereins in der Galerie der Gegenwart, Münster HGB Galerie, Leipzig (2018); “C.A.R. Contemporary Art Ruhr”, Zeche Zollverein, Gallery London, c/o FourSquareFineArts, Lewes (2015); “Luminescence – think of your Ruttkoswki;68, Cologne (2016); “Myth’tic”, Korogram, Seoul (2016); “Padania (2018); “Habitat”, Bärenzwinger, Berlin (2018); “Paradise is Now – Palm Trees in Essen (2017); “Il deserto rosso, Now!”, Photografische Sammlung der Sparkasse eyes as ears”, Galerie Hübner & Hübner, Frankfurt am Main (2015); “Luminescence Classics”; Pasinger Fabrik, Munich (2016); “East Wing Biennial”, The Courtauld Art”, Salon Dahlmann, Berlin (2018); “Rapunzel”, Kunstverein Greven e.V., Greven Kunstsammlung, Cologne (2017); “Unsicheres Geschichte”, Gallery KLEMM’S, – think of your eyes as ears”, JJ Joong Jung Gallery, Seoul/ Gangnam (2014); “Form Institute of Art, London (2016); “Open Desert”, Palm Springs Art Museum, Palm (2017); “Apposite”, Bar Babette, Berlin (2017); “Miriam Jonas & Andrey Klassen”, Berlin (2017); “Contemporary Landscape”, CICA Museum, Gimpo (2017); “A does not differ from emptiness”, Meijiang Art Center, Tianjin (2014). Springs (2016); “Venturing Beyond”, Somerset House, London (2016); “Breaking Galerie Russi Klenner, Berlin (2017); “Ein Garten in Dahlem”, Kunsthaus Dahlem Space Odyssee”, Raum.Weisz, Leipzig (2017); “10”, Kunstverein L 102.art, Berlin His works can be found in the following collections and museums: Kunstsammlung News”, W Museum, Iksan (2016); “Artmosphere”, Manege, Moscow (2016); “XXI in Kooperation mit EIGEN+ART Lab, Berlin (2016); “Eigentlich überwiegt beides”, (2017); “Cover, Extended”, Hochschule für Grafik und Buchkunst, Leipzig (2017); NRW Kornelimünster, Aachen; Kunstmuseum in der Alten Post, Mülheim; Youngeun Triennale di Milano”, Milan (2016); “Borders/Boandaries”, SA Museum, St. Petersburg Galerie Kwadrat, Berlin (2016); “Never Mine”, Skatfell Center for Visual Art, “Folding Space”, Raum.Weisz, Leipzig (2016); “YP_Young Photographers”, Galerie Museum of Contemporary Art, Gwangju; Collection of the city of Essen, Essen; Royal (2016); “Mapping the city”; Somerset House, London (2015); “Forebording”, Sans, Oslo Seyðisfjörður (2016); “Der Sand aus den Uhren”, Franz Josefs Kai 3, Vienna (2016). Waidspeicher, Erfurt (2016). Bank of Canada, Toronto. (2015), “The Generic Way”, Zabriskie Point, Geneva (2015). Miriam Jonas lives and works in Berlin. Katarína Dubovská lives and works in Leipzig. Eberhard Ross lives and works in Mülheim an der Ruhr and Frankfurt am Main. Filippo Minelli lives and works in Barcelona and Asunciòn. www.miriamjonas.de, www.russiklenner.de www.katarinadubovska.de www.eberhard-ross.de www.filippominelli.com 44 45

72. Charley Peters – /Aggregate_Locality/ 73. M arna Shopoff – Transparent Perspectives 71. C igdem Aky – Miami Calling 2017, acrylic and spray paint on canvas, 50x40 cm Donated by the artist. 2016, oil and acrylic gouache on canvas, 17,78x30,48 cm 2018, acrylic and oil on cotton, 70x60 cm Donated by the artist. Courtesy Jonathan Ferrara gallery, New Orleans. € 1.000 starting price Donated by the artist. € 800 starting price € 1.500 starting price Charley Peters (born 1973 in Birmingham, England) graduated as a PhD in 74. A rmin Scheid – BEACHVIBES (Cosmic Beach) II Fine Art Theory and Practice at De Montfort University, UK. Marna Shopoff (born 1978 in Fort Wayne, USA) studied until 2012 painting 2017, acrylic, pastell and spraypaint on canvas, 60x80 cm Cigdem Aky (born 1989 in Munich, Germany) studied from 2009 until 2013 and art history and until 2014 painting and drawing at the Heron School of Art Selected solo- and group-exhibitions: “Natalie Dower: A Constructivist Artist and Donated by the artist. at the Akademie der Bildenden Künste München with the professors Jerry & Design in Indianapolis. her Contemporaries”, An Eagle Gallery/EMH Arts Project at the London Art Fair, € 2.100 Zeniuk, Myriam Holme and Thomas Scheibitz and from 2013 until 2017 at the London (2020); “Hospital Rooms X Bluebird House”, Southampton City Art Gallery, Selected solo- and group-exhibitions: “California Open”, TAG Gallery, Los Angeles starting price Staatlichen Akademie der Bildenden Künste Karlsruhe, which she finished in Southampton (2020); “Emergence (Part of London Design Festival)”, London College (2019); “Woman Made 2nd Midwest Open”, Woman Made Gallery, Chicago the masterclass of professor Helmut Dorner. of Communication, University of the Arts, London (2019); “2019 ING Discerning (2019); “Texas Contemporary”, Pamela Walsh Gallery, Houston (2019); “Art Market Armin Scheid (born 1965 in Neuss, Germany) studied from 1987 until 1992 Selected solo- and group-exhibitions: “Jahresausstellung GEDOK”, Rathaus Gräfeling, Eye (Invited Artist)”, Mall Galleries, London (2019); “Hospital Rooms: Three Year San Francisco”, Jonathan Ferrara Gallery, San Francisco (2019); “Shades of Grey”, at the Universität Dortmund and from 1992 until 1996 at the Kunstakademie Gräfeling (2019); “20 Positionen”, Politische Akademie Tutzing, Tutzing (2019); Anniversary Auction”, Hauser & Wirth, London (2019); “Favorites”, Ambacher Harrison Center, Harrison Gallery, Indianapolis (2018); “Prèmiere Couche”, Jonathan Düsseldorf. “Jahresgaben”, GEDOK, Munich (2019); “Color Me Badd”, Galerie Tristan Lorenz, Contemporary, Munich (2019); “One of One”, 163 Gallery, London (2019); “Hyper- Ferrara Gallery, New Orleans (2018); “Layered”, Indianapolis International Airport, Selected solo- and group-exhibitions: “REFLECTIONS II”, Galerie Obrist, Essen Frankfurt am Main (2019); “Kunst Block Balve”, Munich (2019); “Welcome1”, Colour-Pop-Culture”, Alon Zakaim Gallery, London (2019); “Testing 2019”, Unit 3 Indianapolis (2017); “Color Correction”, Jonathan Ferrara Gallery, New Orleans (2019); “WASSERSPIELE”, Art Galerie 7, Cologne (2019); “Art Karlsruhe”, Art Galerie GEDOK, Munich (2019); “Kunst aktuell”, Städtische Galerie Rosenheim, Rosenheim Projects, London (2019); “Made in Britain, 82 Painters of the 21st Century”, National (2017); “Art on Paper”, Pier 36, New York (2017); “Pulse Art Fair Miami Beach”, 7, Karlsruhe (2019); “Das GROßE Format (Size Matters)”, Art Galerie 7, Cologne (2018); “Hold the paper up to the light”, Galerie Tristan Lorenz, Frankfurt am Main Museum of Gdansk, Gdansk (2019); “Carry on”, Fold Gallery, London (2019); “Harder Jonathan Ferrara Gallery, Miami (2017); “Spinnerei, Grosser Herbstrundgang”, (2018); “Art Karlsruhe”, Art Galerie 7, Karlsruhe (2018); “Das KLEINE Format (2018); “Half a pound of Art”, Galerie Stoerpunkt, Munich (2018); “Cigdem Aky”, Edge, A Survey of Recent Abstraction”, Saatchi Gallery, London (2018); “PaintLounge Baumwollspinnerei Leipzig, Leipzig (2016); “Shifting Perspectives”, Gallery 924, (The SMALL Size)”, Art Galerie 7, Cologne (2018); Sightzeichen”, Galerie Klose, Zweisieben, Karlsruhe (2018); “Art Karlsruhe”, Galerie Tristan Lorenz, Karlsruhe at Sluice Expo”, Kühlhaus, Berlin (2018); “Interlude: Peter Lamb, Charley Peters, Indianapolis (2016); “Wherever and Ever”, The Rose Gallery, Jackson (2016); “Texas Essen (2017); “SELFIE”, Galerie Obrist, Essen (2017); “XPOSITION”, Kunstraum im (2018); “Luxuria”, Galerie Stoerpunkt, Munich (2018); “Roter Kunstsalon”, Villa Remi Rough”, House of St. Barnabas, London (2018); “Why Patterns?”, No. 20 Arts, Contemporary”, Houston (2016); “Seattle Art Fair”, Seattle (2016); “VOLTA12”, Mediapark (in cooperation with Art Galerie 7), Cologne (2017); “Art Karlsruhe”, Art Rot, Ulm (2017); “New Positions”, Galerie Tristan Lorenz, Frankfurt am Main London (2018); “Tetris Hang”, FamilyHouseSpace, London (2018); “The New Non: Basel (2016); “Art Market San Francisco”, San Francisco (2016); “PULSE New York”, Galerie 7, Karlsruhe (2017); “Sightzeichen”, Galerie Klose, Essen (2016); “Crazy Little (2017); “Art Bodensee”, “Kein_ohne_”, Orgelfabrik, Karlsruhe (2017); Galerie New Narratives in Non-Representational Art and Abstraction”, Flux Factory, New New York (2016); “Usual Places Unusual Spaces”, Jonathan Ferrara Gallery, New Thing”, Galerie Obrist, Essen (2016); “Summertime”, Art Galerie 7, Cologne (2016); Tristan Lorenz, Dornbirn (2017); “Kopfkino”, Wasserturm Dachau, Munich York (2018); “Like: The First Generation of Artists in the Net Community”, iPazzi Orleans (2015); “Finders Keepers”, iMOCA at The Murphy, Indianapolis (2015); “Art Karlsruhe”, Art Galerie 7, Karlsruhe (2016); “Supreme”, Art Galerie 7, Cologne (2017); “Einzelausstellung”, Galerie Tristan Lorenz, Frankfurt am Main (2017); Factory, Pisa (2018); “Testing 1>2”, Unit 3 Projects, London (2018); “1 Godley VC “Hossier Salon vs iMOCA”, iMOCA at The Murphy, Indianapolis (2015); “iMOCA (2016); “Lost”, Galerie Obrist, Essen (2015); “Summertime”, Art Galerie 7, Cologne “Top 16”, Kunstverein Mannheim, Mannheim (2016); “Happy Little Paintings”, House”, Griffin Gallery, London (2018); “Expanding Systems: Analogue/Digital/ Insiders”, ESL/Spectrum, Indianapolis (2015); “Miami Project”, Miami (2015); “Texas (2015); “Borderlines”, Galerie Obrist, Essen (2014); “XPOSITION”, Kunstraum im Luis Leu, Karlsruhe (2016); “Color Me Blind”, MeWo Kunsthalle, Memmingen Abstract/Generative”, APT Gallery, London (2018); “De Re Mi Fa So La Te”, Perimeter Contemporary”, Houston (2015); “Searching the Imaginary”, Harrison Center for the Mediapark, Cologne (2014); “Wild at Heart”, Galerie Obrist, Essen (2013); “Nichts (2016); “Gruppenausstellung 2”, Galerie Tristan Lorenz, Frankfurt am Main (2016); Space, London (2018); “Footfall Art”, Camden Peoples’ Theatre, London (2017); Arts!, Indianapolis (2014); “Gray Area”, WellConnect, Columbus (2014); “18th Annual Schöneres unter der Sonne, als unter der Sonne zu sein”, Galerie Gecko, Solingen “Künstler der Galerie”, Geschwisterraum, Karlsruhe (2016); “22. Künstlermesse”, “Notes on Painting”, The Koppel project, London (2017); “Sea of Data: Ian Monroe, No Ded Artists”, Jonathan Ferrara Gallery, New Orleans (2014); “Contemporary (2013); “Frühlingserwachen”, Galerie Gecko, Solingen (2013); “Inside Out”, Galerie Regierungspräsidium, Karlsruhe (2015); “Das Flechtwerk der Farbe”, Studio Rose, Charley Peters, Simon Pike”, 3 Unit Gallery, London (2017); “The Future”, Coventry Landscapes”, Gallery 924, Indianapolis (2014); “Gallery Walk”, Thompson Gallery Obrist, Essen (2012); “Tropisches Vergnügen”, Esther Klinghammer, Cologne (2012); Schondorf am Ammersee (2015); “Kolorit”, Geschwisterraum, Karlsruhe (2015); “Um Biennial, Coventry (2017); Contemporary Masters from Britain”. 80 British Painters of Collection, Indianapolis (2014); “An Architectural Imaginary”, Eleanor Prest Reese “Die Farbe Weiß. Die Farbe Schwarz”, Galerie Obrist, Essen (2011); “Armin Scheid – Fünf”, Kösk, Munich. the 21st Century”, Yantai Art Museum, Yantai (2017). Gallery, Indianapolis (2014). Malerei”, F.G. Conzen, Düsseldorf (2011). Cigdem Aky lives and works in Munich. Charley Peters lives and works in London. Marna Shopoff lives and works in Indianapolis. Armin Scheid lives and works in Cologne. www.cigdemaky.de www.charleypeters.com www.marnashopoff.com, www.jonathanferraragallery.com www.arminscheid.de 46 47

76. Bongchull Shin – Blue white 78. A nne Desmet – Urban development 77. R odrigo Valenzuela – new Land No. 41 2020, glass laminiated, 41x41 cm 1998, woodcut on Zerkall paper (framed with cardboard, glass Donated by the artist. 2018, toner, acrylic and chalk on canvas, 71,6x88,8 cm and waxed oak), 16,2x37,2 cm, (23/40) Donated by the artist. Courtesy Galerie Kandlhofer, Vienna. Donated by the artist. € 1.600 starting price 75. Manor Grunewald – E.H.D. series € 3.800 starting price € 550 starting price Bongchull Shin (born 1981 in Suwon, South Korea) studied ceramic at the 2018, metal, canvas, mesh fabric, acrylic medium, wood, 120x60 cm Kookmin University, Seoul, Glas Art at the Korean National University of Arts, Rodrigo Valenzuela (born 1982 in Santiago, Chile) studied until 2004 art Anne Desmet (born 1964 in Liverpool, England) studied Fine Art at Oxford Donated by the artist. Courtesy Berthold Pott, Cologne. Seoul and at the Akademie der Bildenden Künste in Munich. history and photography at the University de Chile in Santiago, until 2010 University from 1983 to 1986, graduating with a Bachelor of Fine Arts degree. € 1.600 starting price Selected solo- and group-exhibitions: “Map of Light”, Sotheby’s Artist Quarterly, philosophy at the Evergreen State College in Olympia and until 2012 Photo She gained a Postgraduate Diploma in Printmaking (1988) at Central School Sotheby’s Munich (2019); Galerie Tanit, Beirut (2019); “Prism Fantasy”, Paradise Media at the University of Washington, Seattle. He is an assistant professor at of Art and Design, London, and a Master of Arts degree at Oxford University Manor Grunewald (born 1985 in Ghent, Belgien). Art Space, Incheon (2019); “Die Kunst verbindet alle Welt”, Pasinger Fabrik, the University of California Los Angeles. (1991). She was awarded a Prix de Rome Scholarship in 1989. Selected solo- and group-exhibitions: “Goods between Floors”, Berthold Pott, Munich (2019); “Transformation”, Galerie Tanit, Munich (2018); “Licht der Welt”, Selected solo- and group-exhibitions: “Walls Turned Sideways”, Tuft University Art She has had more than 50 solo exhibitions (selection): Long & Ryle, London (2019, Cologne, (2019); “Fools from the same Kingdom”, Barbe Unrian Gallery, Ghent Katholische Akademie, Schwerte (2018); “The Weight of the Shadow”, Whitebox Art Galleries, Boston (2020); “The Warmth of Other Suns: Stories of Global misplace- 2018 & 2015); Gainsborough’s House Museum, Sudbury (2018); Holborne Museum, (2019); “Neighbours Vol. 8”, RIOT, Ghent (2019); “Be my Billy”, Billy Town, the Hague Center, Beijing (2018); “The Weight of the Shadow”, Galerie Tanit, Munich (2018); ment”, Philips Collection in partnership with the New Museum, Washington (2019); Bath (2017); Eton College, Berks (2016); Royal Overseas League, London (2016); (2018); “Double Vision”, Steve Turner, Los Angeles (2018); “Homeland 2”, Berthold “Bender Schwinn Proj. 2”, Galerie Bender, Munich (2017); “Between the Lines”, “New works”, Museum of Art and History, Lancaster (2019); Kutztown University, ”Wirral Festival of Firsts”, Hoylake (2015); Aldeburgh Lookout, Suffolk (2013); ”Anne Pott, Cologne (2018); “Hang in there”, A plus B, Brescia (2017); “Nothing Compares Galerie Tanit, Munich (2017); “Diplomausstellung”, AdBK Munich, Munich (2017); Kutztown (2019); “The Return of the Real”, USF Contemporary Art Museum, Tampa Desmet – Olympic Metamorphoses”, Pitzhanger Manor Gallery, London & RA To You”, De Garage, Mechelen (2017); “Silence Genious at Work”, Jerome Pauchant “Glas”! Klar!”, Kunstkreis Gräfeling, Gräfeling (2016); “10 Künstlerische Positionen”, (2019); “Art Los Angeles Contemporary”, Klowden Mann, Los Angeles (2018); Library, London & Mercer Art Gallery, Harrogate & Bluecoat Arts, Liverpool (2012); Gallery, Paris (2017); “Print on Demand”, RIOT, Ghent (2017); “Manor Grunewald Orangerie, Munich (2016); “Glass Now 2016”, Galerie Handwerk, Munich (2016); “American Type”, Galerie Lisa Kandlhofer, Vienna (2018); “Lay of the Land, Rodrigo Hart Gallery, London (2012, 2011, 2010, 2008, 2006, 2004); Whitworth Art Gallery, – Max Fintrop” Berthold Pott, MiArt, Milan (2017); “Between the bars”, Van den “Jahresausstellung 2016”, AdBK Munich, Munich (2016); “Bender Schwinn Proj. Valenzuela”, Santa Cruz Museum of Art & History, Santa Cruz (2018); “American- Manchester (2008); Duncan Campbell Fine Art, London (2002, 2000, 1998, 1996, Weghe, Antwerp (2016); “Fifty Projects”, Mexico City (2016); “Group exhibition”, 1”, Galerie Bender, Munich (2016); “Lumières du monde”, Centre Intern. du Vitrail, type”, Orange County Museum of Art, Santa Ana (2018); “Work in Its Place”, Jordan 1994, 1992, 1991); Ashmolean Museum, Oxford (1998); and Ex Libris Museum, David Achenbach, Düsseldorf (2016); “Manor Grunewald”, Berthold Pott, Cologne Chartres (2016); “Die Dunkle Seite/Spekul.Terrain”, AdBK Munich, Munich (2016); Schnitzer Museum of Art, Santa Ana (2018); “Arena”, Cloaca Projects, San Francisco Moscow, Russia (1995). (2016); “Group exhibition”, Jacob Bjorn, Aarhus (2016); “Group exhibition”, Martin “The Echo of Light”, Kunstraum Seven Elohim, Munich (2015); “Münchner Freiheit”, (2018); “The Unwaged”, Art League Houston, Houston (2918); “Intervention”, She has also shown in numerous group exhibitions including ”Scene through Wood: A Asbeak gallery, Copenhagen (2016); “Neighbours Vol. 5”, CARdre gallery, Bologna Ernsting Stiftung, Coesfeld (2015); “Nichts, Hephaistos”, PunktPunktKommaKunst, Laurence Miller Gallery, New York (2018); “Labor Standard”, Portland Art Museum, Century of Modern Wood Engraving”, Ashmolean Museum, Oxford (2020); ”4th New (2016); Bertold Pott, NADA art fair, New York (2015); “Stand Inn ***”, Johannes Vogt Munich (2015); “Jahresausstellung 2015”, AdBK Munich, Munich (2015); Museum Portland (2018); “Disobedience”, Jenkins Johnsons, New York (2018); “Monarchs: York International Miniature Print Exhibition” (1st prizewinner), Manhattan Graphics Gallery, New York (2015); “concrete”, Geukens & De Vil, Knokke (2015); “What’s für Kunst und Gewerbe, Hamburg (2014); “Schein”, Hans-Reiffenstuel-Haus, Brown and Native Contemporary artists in the Path of the Butterfly”, Museum of Center, New York (2019); ”18th Lessedra World Art Print Annual” (1st prizewinner), the trick, Rennie?”, Frans Masereel Center, Kasterlee (2015); “Manor Grunewald and Pfarrkirchen (2014); “Schrift & Objekt”, Galerie Handwerk, Munich (2014); Contemporary Art, Miami (2018). Sofia Bulgaria (2019); ”RA250 project”, Fitzwilliam Museum, Cambridge (2018); Vera Kox”, Duve Galerie, Berlin (2015); “Glance Closer to Blindness”, RH Gallery, “Jahresausstellung 2014”, AdBK Munich, Munich (2014); “Manifesto Lucis”, His works can be found in the following collections and museums: Frya Art Museum, ”Three Royal Academicians”, Gustavo Bacaristas Gallery. New York (2015); “Volumes”, Berthold Pott, Cologne (2015); “To the Happy Few”, Kunstarkaden, Munich (2014); “Positionen des Gestaltens”, Galerie Handwerk, Seattle; Los Angeles County Museum of Art, Los Angeles; Jordan Schnitzer Museum Her works can be found in many museum collections including: Ashmolean Museum, Jeanroch Dard, Paris (2014); “00:00:01 A splitt second”, Gallery Fortlaan 17, Ghent Munich (2014); St Paul’s Kirche, Munich (2013); “Strasbourg Glasbiennale”, Vauban of Art, Eugene; Tacoma Art Museum, Tacoma; The Center of Photography at Oxford; Victoria & Albert Museum, British Museum, (both London); Royal Collection, (2014); “Silvier”, SuperDakota Gallery, Brussels (2014); “Edition – A Gentle Gesture”, Dam, Strasbourg (2013); “Oberb. Förderpreis für Angewandte Kunst”, Freising (2014); Woodstock, Woodstock; The Microsoft Art Collection, Redmond; William Arning Windsor Castle; Yale Center for British Art, Connecticut, USA; and museums in SMAK Museum, Brussels (2014); “Organic Mess”, Ludlow Studios, New York (2013); “Halo”, Galerie für Angewandte Kunst, Munich (2013); “Talente”, Messe Munich, Collection, Houston; Estrellira Brodsky Collection, New York; Jan and Trish de Bont France, Finland, Bosnia Herzegovina, Poland, Italy, Russia, Gibraltar, Brazil, New “The Gunshot”, Galerie Marion de Cabiere, Antwerp. Munich (2012). Collection, Los Angeles; Alexandre Taillefer Collection, Montreal. Zealand and China Manor Grunewald lives and works in Ghent. Bongchull Shin lives and works in Munich. Rodrigo Valenzuela lives and works in Los Angeles. Anne Desmet lives and works in London. www.manorgrunewald.com, www.bertholdpott.com www.bongchull.com www.rodrigovalenzuela.com, www.kandlhofer.com www.annedesmet.com 48 49

80. Kolja Linowitzki – 0022 79. Jan Kaláb – Black Void 1219 82. Jamie McGregor Smith – Metal Industrial Complex #2 2018, unique exposure on PE paper, laminated on aluminum composite panel, 2019, acrylic on canvas, Ø 80 cm in white wooden spacer frame, 20mm profile, museum glass, 144x104 cm 2018, c-type lambda archival print, 150x200 cm, (edition: 5) Donated by the artist. Donated by the artist. Donated by the artist. € 2.700 starting price € 3.300 starting price € 3.900 starting price

Jan Kaláb (born 1978 in Czech Republic) studied until 2006 at the Academy of Kolja Linowitzki (born 1986 in Lübeck, Germany) studied visual communication Growing up in Kent, Smith began his photographic interest as a child. Fine Arts in Prague. at the Berlin University of the Arts from 2008 to 2015. Finding early inspiration from the redundant Cornish mines and queries that Selected solo- and group-exhibitions: “Concentration”, Blue Rider Gallery, Taipei Description of Digits of Light: interspersed family holidays, his curiosity was fed by these architectural signals (2019); “SHAPE & TONE”, Fabien Castanier Gallery, Miami (2019); “Get Out While ”When I was a teenager, I inherited darkroom equipment from my grand- of human history, left behind on our landscape, You Can”, Maddox Gallery, London (2019); “CHROMA: Summer Group Exhibition”, father. As a student of visual communication, I discovered photograms, light He continued to study photography at Staffordshire University, graduating Rhodes, London (2019); “GEOMETRIC HEAT”, GR Gallery, New York (2019); “Get painting and other forms of experimental photography. I wanted to use the in 2006. It was during his studies he was inspired by the American New- diploma as an opportunity or free space to do a purely artistic work, to deal 81. K ai-Uwe Gundlach – By The Way Topographic movement and began his own contemporary documentary Out While You Can”, Maddox Gallery, Gstaad (2019); “Summer Reflection”, Fabien (from the suries “T.O.O.T.R.I.O.T.L.) Castanier Gallery, Miami (2019); “Praha-Berlin Barter”, Urban Spree Galerie, Berlin with experimental photography. records of the defunct pottery industry that surrounded the British midlands. The resulting ”Digits of Light” project explores new ways of playing light Arriving in Hackney, London the following year, Jamie began his professional life (2019); “Urbanity Art Fair”, MAGMA gallery, Madrid (2019); “Art Wynwood”, Fabien 2016, pigment print on Hahnemühle, 60x80 cm, (5 + 2 AP) painting using analog and digital technology on an equal footing. Light gener- working with young design journals photographing the bubbling local art scene, Castanier Gallery, Miami (2019); “Jan Kaláb Perspective of Clouds”, Mirus Gallery, Donated by the artist. ated by a smartphone generates an image that is developed using the classic whilst continuing his documentary work inspired by the industrial landscapes, San Francisco (2018); “This Is Now”, Wyn317, Miami (2018); “A Matter of Form”, € 1.750 MAGMA gallery, Bologna (2018); “MAGMA presents”, MAGMA gallery, Bologna photographic process. Various structures, consisting of a modified enlarger, a starting price he encountered during his degree work. (2018); “Grand Opening Group Exhibition”, Mirus Gallery, Denver (2018); “Under smartphone and motorized or mechanically moving parts, are used for this. These same themes of beauty in the banal and industrial landscape in flux the radar”, SCOPE Miami Beach, Miami (2018); “Art Verona”, MAGMA gallery, The smartphone and the motorized parts are controlled using a microcontrol- Kai-Uwe Gundlach (born 1966 in Oldenburg, Germany) wanted to become can be seen in his works documenting the collapse of the motor industry in Verona (2018); “SCOPE New York”, Mirus Gallery, New York (2018); “LA Art Show ler and a control panel. Each picture is created piece by piece directly on the a photographer already at the age of 12, which he did and then he worked Detroit, the troubled steel and oil industries of Middlesborough and his series 2018”, Mirus Gallery, Los Angeles (2018); “ZOOM / Jan Kaláb Solo Show”, MAGMA photo paper and is therefore unique. as an assistant to various photographers. To this end, he founded a fine-art of abandoned Athens Olympics Stadiums. An appreciate for Architecture gallery, Bologna (2017); “A Major Minority”, Mirus Gallery, San Francisco (2017); I am interested in designing with light in order to expand the possibilities of black and white laboratory in Hamburg and has been working as a freelance become more focused in his Brutalist London series, examining how the social “COWBOYLAND”, heliumcowboy, Hamburg (2017); “Fabrizius2 und Jan Kaláb”, today without having to forego the classic analog photographic development photographer since 1994. upheaval of post-war Europe effected our urban landscape. His critical eye on Galerie SOON, Bern (2017); “SCOPE Basel”, Galerie SOON, Basel (2017); “Art process. The works created in this way are not only interesting in terms Selected solo- and group-exhibitions: Soné Art Gallery, Hamburg (2019); “8 Triennale sustainable development evolved to encompass human environmental impact Verona”, MAGMA gallery, Verona (2017); “SCOPE Basel”, BC Gallery, Basel (2017); of drawing theory, they also show how - in the sense of misuse - modern der Photography”, Deichtorhallen, Hamburg (2018); Jung from Matt Gallery, in his series Europe Last Forest, a study of deforestation in Poland brought on “Kunst 17 Zürich”, Galerie SOON, Zürich (2017); “Perceptual Vertigo”, Avantgarden technology can be used as an artistic medium.” Hamburg (2017); “Fotofestiwal” Grand Prize Gewinner, Lodz (2011); “EDO”, Robert by a new Nationalist government. Gallery, Milan (2017); “No More Crew”, Urban Spree, Berlin (2017); “Abstrakt Selected solo- and group-exhibitions: “Lightshot”, Galerie Rundgaenger, Frankfurt Morat Gallery, Berlin (2011); “EDO”, Micheko Gallery, Berlin (2011); “Sony World His professional career has seen commissions and published work with the Forum”, Forum Przestrzenie, Krakow (2017); “Avantarte X UnitLondon”, the Unit am Main (2019-2018), “Gute Aussichten Deluxe”, Haus der Photographie, Photography Awardshow”, Sommerset House, London (2011); “Shibuya”, Kunstverein New York Times, Guardian, Financial Times, Wallpaper*, Architectural Digest, London Gallery, London (2017); “Pluriforme”, Openspace Gallery, Paris (2016); “Pulso Deichtorhallen, Hamburg (2018); “Handrede og tyve timber i København”, mvp Stuttgart, (2010); book publication EDO with Markus Schaden by White Press Vanity Fair and Esquire. Cromático”, Fabien Castanier Gallery, Bogota (2016). moving gallery, Copenhagen (2017). (2010); AOP Gallery, London (2009). Jamie splits his time between Vienna and London, working on professional and Jan Kaláb lives and works in Prague. Kolja Linowitzki lives and works in Berlin. Kai-Uwe Gundlach lives in Hamburg. editorial commissions for publications and agencies www.jankalab.com www.koljalinowitzki.net www.studiogundlach.de www.jamiemcgregorsmith.com 50 51

85. James Krone – Very Invisible (#5) 83. D aniel Weißbach – Stelle 0C 84. D.D. Trans – The Birthday 86. Frenzy Höhne – Bitte Wiederbeleben 2019, parfum and fire on canvas with artist frame, 39,75x27,5 cm 2011, mixed media on canvas, 40x30 cm 2019, gouache on paper, 55x40 cm Donated by the artist. 2008/9, c-print on Alu-Dibond, 100x67 cm, (4/10 + 2AP) Donated by the artist. Donated by the artist. Donated by the artist. € 5.000 starting price € 3.000 starting price € 800 starting price € 1.600 starting price James Krone (born 1975 in Chicago, USA) graduated in 1998 from The School Daniel Weißbach (born 1976 in Munich, Germany †2020) studied at the D.D. Trans (born 1963 in Tielt, Belgium) studied from 1982 until 1985 at the of the Art Institute of Chicago and 2008 from the Mountain School of Arts in Frenzy Höhne (born 1975 in Dresden, former GDR) studied philosophy at the Hochschule für Film und Fernsehen, Konrad Wolf, in Berlin. Art School Brugge. Los Angeles. Leibniz University in Hanover from 1997 to 1998, from 1998 to 2005 freelance Selected solo- and group-exhibitions: “Mixed Pickles 6”, Ruttkowski;68, Cologne Selected solo- and group-exhibitions: “Art Rotterdam”, Galerie Catalijn Ramakers, Selected solo- and group-exhibitions: “Model of Dissolve”, M. LeBlanc, Chicago (2019); art with the professors Marie Jose Burki, Eran Schaerf and Bernhard J. Blume (2020-2019); “A void in the Cheops”, Ruttkowski;68, Paris (2019); “Mixed Pickles 5”, Rotterdam (2020); “Tout Court Inbox”, MHKA Museum, Antwerp (2019); “Image- “The Wolf and the Head on Fire (w/ Dawn Kasper)”, Portikus, Frankfurt am Main at the Academy of Fine Arts in Hamburg. From 2011 to 2012 she was a master Ruttkowski;68, Berlin (2019); “Where the Giants Roam”, POP;68, Cologne (2019); Imaginer”, Gallery Valerie_Traan, Antwerp (2019); “En Passant”, Galerie Ramakers, (2019); “Four Scores: From Zero to Nothing (w/ Dawn Kasper)”, David Lewis Gallery, student of a professor Alba D’Urbano at the Academy of Visual Arts Leipzig. “Mixed Pickles 4”, Ruttkowski;68, Cologne (2019-2018); “Rue Charlot”, Ruttkowski;68, The Hague (2019); “D.D. Trans, Kurt Ryslavie”, Galerie EL Welle, Greet Billet (2018); New York (2018); “Annunications”, M. LeBlanc, Chicago (2018); “Bio Perversity”, Selected solo- and group-exhibitions: “Mehrwert”, Kunstverein Wolfenbüttel, Paris (2018); “Mixed Pickles 3”, Ruttkowski;68, Berlin (2018); “Lichtstraße”, “Work Flow Sint Niklaas”, Mi-Art Loom Gallery, Milan (2018); “Tout court”, Galerie Nicodim, Los Angeles (2018); “Skip Tracer”, M. LeBlanc, Chicago (2017); “Float in Wolfenbüttel (2020); “Utopien – Besetzung, Bespielung, Bemächtigung”, Ruttkowski;68, Cologne (2018); “Mixed Pickles 2”, Michael Horbach Foundation, Martin Kudlek, Cologne (2018); “Ruimte P60 Asse Netherlands”, LOOM GALLERY, a Dark Tank”, Yautepec, Mexico City (2017); “Paper”, Kavi Gupta, Chicago (2017); Motorenhalle riesa efau, Dresden (2020-2019); “Schrift – Choreografie der Zeichen”, Cologne (2018); “Augmented Sunrise Beneath The Skin”, gr_and, Berlin (2018); “Dallas Milan (2018); “SOLO Summer Residence, Machelen-aan-de-leie, Infelds”, Gallery “Daydreamers”, daydreamsers.biz (2017); “Expanded (w/ Jessica Stockholder)”, Kunsthalle der Sparkasse, Leipzig (2019); “Verheißung/Auspicious”, Güterbahnhof Art Fair”, Ruttkowski;68, Dallas (2017); “Wertical 2”, Michael Horbach Foundation, Valerie_Traan, Antwerp (2017); “Zwarte Pens”, Artits Club Coffre-Fort, Brussels Mana Contemporary, Chicago (2017); “An Ornithology for Birds”, Kavi Gupta, Chicago Neukölln, Berlin (2019); “…wie gesagt”, Frankfurter Kunstverein, Frankfurt/O (2019); Cologne (2017); “Wertical 1”, Michael Horbach Foundation, Cologne (2016); “Future (2017); “The inner Circle”, Site 25, Ruiselede, Watou (2017); “Black (Black to the (2016); “The Collapse of the Mind’s Ordering System Leads to some rather Wanton “Point of no Return – Wende und Umbruch in der ostdeutschen Kunst”, Museum Pyramids 00:00:00:00”, Ruttkowski;68, Cologne (2016); “Konkrete Utopien”, Realismus Future)”; C-Mine, Genk (2017); “Art at Stationsstraat 182”, Stationsstraat 182, Aalter Development”, Tanya Leighton, Berlin (2016); “Words Like Parrots”, Marie Kirkegaard, der bildenden Künste, Leipzig (2019); “Ismus”, OSTRALE‘ Biennale, Historische Club, Berlin (2015); “Hatje Cantz & Du Moulin pop-ip-gallery im Bikini”, Bikini, (2016); “Ubi Sunt afscheidsruimte”, Stedelijke begraafplaats en afscheudsruimte, Copenhagen (2015); “Picture the Chricket’s Legs Apart”, Kavi Gupta, Chicago (2015); Tabakfabrik f6, Dresden (2019); “The Future of Time”, GEH8 Kunstraum, Dresden Berlin (2014); “Stellen/Places”, Ruttkowski;68, Cologne (2014); “Station to Station”, Tielt (2016); “Kunstenfestival Watou”, Watou (2016); “The Cutlery Show”, Gallery “Power Objects: The Future Has a Primitive Heart”, Urban Institute for Contemporary (2019); “Womanism – Modes of Resistance and Repair”, OSTRALE‘ Biennale Knockdown Center, New York (2013); “Galeria Autonomica”, Münchner Stadtmuseum, Valerie_Traan, Antwerpen (2016); “Residentie Heyvaert”, Destelbergen (2016); Arts, Grand Rapids (2015); “Improper Nouns”, Blackbridge Offspace, Beijing (2015); Sonderausstellung, Goethe Institut, Dresden (2019); “Meisterstück! – Hauptwerke Munich (2013); “Possible”, V9, Warsaw (2013); “Zeit ist”, Upper Orange, Berlin (2012); “Residentie Woning Van Wassenhove (with Sam Steverlynck)”, Sint-Martens, Latem “Catsuit for Men”, Night Gallery, Los Angeles (2014); “The White Album”, Richard aus der Kunstsammlung der Sparkasse Leipzig”, ZAK – Zentrum für aktuelle Kunst, “Stellen”, September, Berlin (2012); “Street Smart”, Kulturhuset, Stockholm (2012); (2016); “Z.t.”, Gallery Valerie_Traan, Antwerp (2015); “I wanna be your dog”, Window Telles, Los Angeles (2014); “The Unfinished Season”, Galerie Nagel Draxler, Cologne Berlin (2019); “Wo bitte geht’s nach Arkadien”, Kunstverein Ebersberg, Ebersberg “One month of U.R.”, Goethe-Institut Max Mueller Bhavan, Bangalore (2012); “Stellen”, Gallery, Antwerp (2015); “(le) SILENCE”, Gallery Valerie_Traan, Antwerp (2015); (2014); “Almost Something, Not Quite Nothing”, Ambach and Rice, Los Angeles (2014); (2019); “Ein Jahrhundert Frauenwahlrecht”, GEDOK Kunstforum, Hamburg (2018); Lebenson, Paris (2011); “Berliner Zimmer Genossen”, Funkhaus, Berlin (2011); “Art in “Z.t. (Couleurs)”, White-out Studio, Knooke-Heist (2015); “A Simple Plan”, Villa T.D., “The Politics of Surface”, Berthold Pott, Cologne (2014); “Waterhome”, Brand New “Unter blauem Himmel”, Torstraße 111 – Forum für zeitgenössische Kunst, Berlin the Streets”, The Cinefamily & The Geffen Contemporary, Museum of Contemporary Kruiskerke-Ruiselede (2014); “Like Berge, Bart Vandevijvere, D.D. Trans”, Salle de Gallery, Milan (2013); “James Krone”, ABC (with Kavi Gupta), Berlin (2013); “Stable (2018); “Restposten”, Kunstraum Praline, Leipzig (2018); “Kampf der Gegensätze Art, Los Angeles (2011); “V.H.S.-Festival”, K&C Foandation, Rotterdam (2011); “Art Documentation de L’ecole d’art, Calais (2005); “D.D. Trans”, Geo Gyselnick Galerie, Mates”, Los Angeles City College, Los Angeles (2013); “Waterhome”, Kavi Gupta, – Die Welt der Dualismen”, Neuer Sächsischer Kunstverein, Dresden (2018); “Win/ Stars Auction”, Phillips de Pury & Company, Howick Place, London (2010); “Diamonds Kortrijk (2002); “9 Points of View”, Abeelstraat, Ronse (2002); “Jan Fabre, Peter Chicago & Berlin (2012); “Sea Of Crisis”, Inferniesque, Berlin (2012); “Ellipsis et Cetera”, Win, Ankäufe der Kulturstiftung des Freistaates Sachsen”, Staatliche Kunstsammlung – Millionen Körper”, Artitude, Berlin (2010); “Né dans la Rue”, Fondation Cartier pour Buggenhout, D.D. Trans”, Galerie CD, Tielt (1999); “No Mans Land”, Richard Fence Charim Galerie, Vienna (2012); “Paranoia of Time”, Carter & Citizen, Los Angeles Dresden, HALLE14/ Baumwollpinnerei, Leipzig (2018); “Found a Mentalism II – l’art contemporain, Paris (2009); “Urban Art – Werke aus der Sammlung Reinking”, Gallery, Ghent (1992); “D.D. Trans”, Richard Foncke Gallery, Ghent. (2012); “Style & Desire”, Kavi Gupta, Berlin (2011); “Adult Contemporary: Family Valetta Internationla Visuals Arts Festival”, St. James Cavalier, Valetta (2018); “Art Weserburg, Museum für moderne Kunst, Bremen (2009). His works can be found in the following museums and collections: Muhka Museum, Romance”, Kavi Gupta, Berlin (2011); “The Wilderness is the Witches Leash”, Country Karlsruhe”, Gallery Cerny + Partner, Karlsruhe (2018); “Touch me Baby!”, Bones & His works can be found in the following museums and collections: Collection Reinking, Antwerp; Museum Voorlinden, the Hague; Collectzione La Gaia Busca. Club, Los Angeles (2010). Pearl Studios, London (2018). Hamburg; Fondation Cartier, Paris. D.D. Trans lives and works in Antwerp. James Krone lives and works in Berlin. Frenzy Höhne lives and works in Leipzig Daniel Weißbach lived and worked in Berlin. www.ddtrans-art.be www.jameskrone.com www.frenzy-hoehne.de 52 53

89. M atthias Meyer – Seerosen 90. Martin Streit – Muss ein Engel sein, New York 2010, oil on canvas, 29x39 cm Donated by the artist. 2012, Camera Obscura, pigment print on alu-dibond 150x100 cm, (2/3 + 1AP) Donated by the artist. € 2.150 starting price 87. E lfie Semotan – Rosa Kissen, Stillleben, Jennersdorf 2016 88. E lfie Semotan – Zwei Gefäße, Stillleben, Jennersdorf 2016 € 4.200 starting price Matthias Meyer (born 1969 in Göttingen, Germany) studied from 1991 until 2016 (printed in 2019), archive pigment print on Hahnemühle Photo 2016 (printed in 2019), archive pigment print on Hahnemühle Photo 1994 with Professor Gerhard Richter at the Kunstakademie Düsseldorf and Martin Streit (born 1964 in Koblenz, Germany) trained as an art glazier from Rag Baryta, 29,7x42 cm, (edition for Hatje Cantz, 11/15 + 2 AP) Rag Baryta, 29,7x42 cm, (edition for Hatje Cantz, 11/15 +2 AP) was in 1994 in his masterclass. In 1994 he was a guest student at the Chelsea 1983 to 1986, studied at the Kunstakademie Münster from 1988 to 1990 and Donated by the artist. Donated by the artist. College of Arts in London and from 1994 until 1995 in the class of Professor from 1990 until 1995 at the Kunstakademie Düsseldorf where he graduated in € 950 starting price € 950 starting price Dieter Krieg at the Kunstakademie Düsseldorf. the master class of professor Gotthard Graubner. Selected solo- and group-exhibitions: “Horizon”, Galerie Andreas Binder, Munich Selected solo- and group-exhibitions: Ulf Larsson Galerie, Cologne (2019); (2019); “20 Jahre Kunstverein Münsterland”, Kunstverein Münsterland, Coesfeld “Freshtest 5”, Cologneberg, Cologne (2019); Galerie Filser & Gräf, Munich (2018); (with Arthur Arbesser), Leopold Museum, Vienna; Photo/Politics/Austria, Born in 1941 in Wels, Upper Austria. 1960 graduated from the Hetzendorf (2018); “Emschergold”, Galerie Münsterland, Emsdetten (2018); “Vielen Dank für Galerie Haus Schlangeneck, Euskirchen, (2018); Esther Verhaeghe de Naeyer, Art (Gruppenausstellung) Museum Moderner Kunst, Vienna 2017 Stillleben, FLATZ fashion school in Vienna, 1961-1971 she stayed in Paris, worked as a model die Blumen”, Galerie Beck & Eggeling, Düsseldorf (2018); “Arcadia”, Galerie Andreas Concepts, Brussels (2017); “Paper Positions”, Galerie Ulf Larsson, Munich (2017); Museum, Dornbirn; Elfie Semotan & Michel Würthle, Gabriele Senn Galerie, and made first contacts with photography. 1971 she returns to Vienna, Binder, Munich (2018); “Spring”, Danese Corey, New York (2018); “New paintings”, “Die Spuren des Realen”, Vienna (2016); Deutsche Bandesbank, Düsseldorf Vienna and Galerie Crone, Vienna; Fashion: Objects, Concepts & Visions, begins her career as a photographer. 1973 marriage to Kurt Kocherscheidt. Roger Katwijk, Amsterdam (2018); “Tiefe Wasser”, Rosenhang Museum, Weilburg (2016); “Photoweekend”, Galerie Cora Hölzl, Düsseldorf (2015); Walkable Camera (Gruppenausstellung) me Collectors Room Stiftung Olbricht, Berlin 2016 Galerie From 1976 Elfie Semotan worked on various advertising campaigns and TV (2018); “Matthias Meyer. Gläserner Tag”, Kunstmuseum Mühlheim an der Ruhr, Obscura, Roncalliplatz, Cologne (2014); “Die Kathedrale”, Wallraff-Richarz-Museum, Gisela Capitain, Cologne, ReFashioning Austria, (Gruppenausstellung) Liu Haisu Art spots (e.g. for Palmers and Römerquelle) and from 1985 as a portrait pho- Mühlheim an der Ruhr (2017); “Pouring Oil on Troubled Waters”, Galerie Wilma Cologne (2014); “5 Positionen”, Galerie Carla Reul, Bonn (2013); “Seven Days a Museum, Shanghai 2014 Flowers, Capitain Petzel, Berlin; Elfie Semotan and Erwin tographer for international magazines such as Vogue, Elle and Marie Claire, Tolksdorf, Frankfurt am Main (2017); “Bild und Bildnis”, Kunstverein Duisburg, Week”, Sprungturm Galerie, Cologne (2013); “Rembrand ruft”, Villa Goecke, Krefeld Wurm, Galerie 422, Gmanden 2013 Kunsthalle Krems 2012 Zeitgenössische Kunst as well as travel documentaries and artist portraits. The collaboration with Duisburg (2017); “salondergegenwart”, Hamburg (2016); “Fensterbilder”, Galerie (2012); “5x3 2011”, Kunstraum Düsseldorf, Düsseldorf (2011); “Geheimnisvolle im Parlament. Fotografien from Elfie Semotan, Österreichisches Parlament, Vienna; Helmut Lang began in 1986. After Kurt Kocherscheidt’s death, Elfie Semotan Andreas Binder, Munich (2016); “A Distant River”, Danese Corey, New York (2016); Zwischenwelten”, Museum Pfalzgalerie, Kaiserslautern (2010); Margarete Roeder Reflecting Fashion. Kunst und Mode seit der Moderne, (Gruppenausstellung) worked in New York as an advertising and fashion photographer for “Drawings”, Caso, Osaka (2015); “New Drawings / Horizonzal Paintings”, Kyoto Gallery, Cologne (2009); “Transformationen”; Galerie Cora Hölzl, Düsseldorf (2009); Museum Moderner Kunst Stiftung Ludwig, Vienna 2011 Elfie Semotan – Kurt Interview, Esquire, Jane Magazine, Self Service, High Fashion (jap.), Allure, Galerie Weissraum, Kyoto (2015). “Orientatet to Paper”, Bergner + Job Galerie, Mainz (2008); Villa Goecke, Krefeld Kocherscheidt co Bruno Gironcoli, Gironcoli Museum, St. Johann bei Herberstein; New Yorker, Harper’s Bazaar and i-D Magazine. 1996 marriage to Martin His works can be found in the following museums and collections: Akzo Nobel, (2008); Kunstverein Trier, Galerie Junge Kunst, Trier (2007); Von der Heydt Museum, Zeitzeugen – Photographie in Österreich nach 1945, (Gruppenausstellung) Kippenberger, who died in 1997 after a short, serious illness. 1999 City of Arnheim; Deutsche Bank, Frankfurt am Main; Dresdner Bank, Munich; Eileen S. Wuppertal (2000); Villa Massimo, Rom (1999). Künstlerhaus k/haus, Vienna 2010 Künstlerporträts, Museum der Moderne Vienna Prize for Applied Art. 2003 Visiting professor at the University of Kaminsky Family Foundation, New Jersey; Hypo Bank, Munich; Kunstmuseum His works van be found in the followng collections and museums: Sammlung der Rupertinum, Salzburg; Galerie Gisela Capitain, Cologne 2009 Gabriele Senn Applied Arts. 2004 Golden Badge of Merit of the City of Vienna. 2011 Gold Mühlheim an der Ruhr, Mühlheim an der Ruhr; Collection Kerber, Bielefeld; Kunstakademie, Düsseldorf; IKB Bank, Düsseldorf; Kunstsammlung des Landes Galerie, Vienna; Photography for the BOOK PROJECT, Capitain Petzel, Berlin 2008 Medal for Science and Art. The photographer lives and works in New York, Collection Sal. Oppenheim, Frankfurt am Main; Collection SØR Rusche, Oelde/Berlin; Rheinland-Pfalz, Mainz; Stiftung Insel Hombroich, Neuss; Bruno Goller Archive, Male Gestures, Galerie Für Modefotografie, Berlin; Augenecho, K. Kocherscheidt Vienna and Jennersdorf. Schweizerischer Bankverein, London; Willy-Brandt-Haus, Berlin; WWK, Munich. Kaiserswerth . Malerei, E. Semotan Fotografie, Arp Museum, Rolandseck. 2019 Elfie Semotan. Contradiction, C/O Berlin; Mode Momente. Fotografinnen im Matthias Meyer lives and works in Mülheim an der Ruhr. Martin Streit lives and works in Cologne. Fokus, (Gruppenausstellung) Landesgalerie Linz 2018 Eine Viennaer Garderobe > www.semotan.com www.meyer-matthias.de www.martinstreit.net 54 55

92. T anja Selzer – Rocky 93. Casey McKee – Lender of Last Resort 2019, oil on canvas, 60x50 cm 2010, photography and oil on canvas, 50x40 cm 91. Alexa Meade – Modern Canvas (Modell: Vincent Littlehat) Donated by the artist. Donated by the artist. Courtesy Galerie Greulich, Frankfurt am Main. € 2.200 starting price € 1.200 starting price 94. Armin Völckers – Desperado City (für Vadim Glowna) 2016, pigment print on RAUCH matt 230 gr. on AluDibond, with acrylic glass sealing, 76,2x101,6 cm, (2/7) 2019, oil on canvas, 100x100 cm Tanja Selzer (born in Idar-Oberstein, Germany) studied at the Hochschule für Casey McKee (born 1976 in Arizona, USA). Casey McKee’s process is a Donated by the artist. Courtesy Ingo Seufert, Munich. Donated by the artist. Angewandte Wissenschaften, at the design department, in Hamburg combination of photography and painting. First creating the photograph, then € 2.500 € 3.000 starting price Selected solo- and group-exhibitions: “The male muse, Duo mit Miriam Vlaming”, printing it onto a surface by use of a photographic emulsion, McKee spends starting price Galerie Martina Kaiser, Cologne (2019); “Chrystal clear”, Parallelvienna, Vienna the majority of time working with oil paint to bring out the desired expression Alexa Meade (born 1986, Washington, D.C., USA) after studying political (2019); “The Artist as Curator’s Art Vol IX”, Schaufenster, Berlin (2019); “+1”, in his works. To experience the works in person is to realize the depth, layers Armin Völckers (born 1963 in Berlin, Germany) studied from 1983 until 1988 science, she first began a career on Capitol Hill (she was involved in the Safe Gallery, Berlin (2019); “I like it real”, Schaufenster, Berlin (2019); “Looking for and subtlety created with the fusion of oil paint with photographic emulsion. at the Universität der Künste Berlin. Obama campaign in 2008), but in 2009 she discovered her own specific Dick”, Schaufenster, Berlin (2019); “VOIX”, MdbK Museum der bildenden Künste, The final work is neither a photograph, nor a painting but something directly in Selected solo- and group-exhibitions: “Armin Völckers im Salon” janinebeangallery, technique by chance and since her breakthrough in 2010 has been one of the Leipzig (2019); “come a little closer”, Galerie Feinkunst Krüger, Hamburg (2019); between with qualities of both. Berlin (2019); Galerie Lake, Oldenburg, (2019); culture matters, Hannover (2019); shooting stars of the US-American art scene. She paints people and objects “Sneaky Paradise”, Lachenmann Art, Frankfurt am Main (2019); “Unusual flowers”, Selected solo- and group-exhibitions: “The Machine Stops”, W+S Gallery, Berlin Galerie Lake, Oldenburg (2018); Janinebeangallery, Berlin (2018); culture matters, in accordance with the respective backgrounds, so that the photographic view Kornhausgalerie Weingarten, Weingarten (2018); “Mit Haut und Haaren”, Galerie (2018); “Art Karlsruhe”, Galerie Mühlfeld + Stohrer, Karlsruhe (2018); “Unpacking Hannover (2018); Galerie Lake, Oldenburg (2018); “Sotheby’s Benefiz-Kunstauktion”, creates a continuous picture surface, the illusion that it is a two-dimensional Leuenroth, Frankfurt am Main (2018); “AIM Project-Statement”, Parallelvienna, Ego”, SpaceK, Gwacheon (2018); “Im Märzen”, Kunst im Reitstall, Potsdam (2018); Novomatic Forum, Vienna (2017); Janinebeangallery, Berlin (2017); Galerie Lake, painting. In this way she uses acrylic paint to transform her models into flat, Vienna (2018); “Die Jahrhundert-Bar”, Ventilator, Berlin (2018); “Not in the mood to “Kunst Zürich”, Galerie Greulich, Zürich (2018); “Art Karlsruhe”, Galerie Mühlfeld Oldenburg (2017); culture matters, Hannover (2017); Galerie Schimming, Hamburg two-dimensional images of herself, thus giving a painterly interpretation of the save the world today”, CODEX, Berlin (2018); “Painting XXL”, Ausstellungshalle 1a, + Stohrer, Karlsruhe (2018); “Robber Barons”, Artfein Gallery, Berlin (2017); (2016); Galerie No. 3, Berlin (2016); Galerie Lake, Oldenburg (2016); culture matters, objects on their own surface, captured in the photographic image. Frankfurt am Main (2018); “Painting XXL”, Galerie Leuenroth, Frankfurt am Main “Biomass”, Galerie Greulich, Frankfurt am Main (2017); “Body Language: Trends Hannover (2016); “Funerary”, Friedhofsmuseum, Berlin (2015); culture matters, Selected solo- and group-exhibitions: “BMW”, V1 International Racetrack, Tianjin (2018); “Schwarzer Flamingo”, Galerie Hartwich, Rügen (2018); “Sneaky Paradise”, in Contemporary Figurative Art”, Tucson Museum of Art, Tucson (2017); “Kölner Hannover (2015); Galerie Lake, Oldenburg (2015); Galerie Anne Moerchen, Hamburg (2019); “Adidas Sport Club”, Zenyara Estate, Coachella (2019); “Beloved”, Mercedes- Lachenmann Art, Konstanz (2018); “Stolen Images”, Kunst- und Atelierhaus Liste”, Artfein Gallery, Cologne (2017); “Moderne Zeiten”, Galerie Christine Knauber, (2014); Galerie Anne Moerchen, Hamburg (2013); L’Accrochage, Hamburg (2013); Benz-Stadium, Atlanta (2019); “Immersed in Wonderland”, 262 Rodeo Drive, Beverly Meinblau e.V., Berlin (2018); “10 years after”, 532 gallery, New York (2018); “Ja zum Berlin (2017); “15th Anniversary Group Exhibition”, heliumcowboy artspace, “Beauty In The Dark”, Open Studio, Hamburg (2012); “Karokabinett”, Govanni Hills (2018); “Proyecto Frida”, Museo Dolores Onedo, Mexico City (2018); “Euphoria Bild”, Galerie Martina Kaiser, Cologne (2017); “Farbauftrag”, Haus am Lützowplatz, Hamburg (2017); “The Edge of Forever, Kunst Zürich”, Galerie Greulich, Zürich Castell, Hamburg (2012); Sotheby’s, Hamburg (2012); “Find Your Love”, Open Studio Soandbox”, San Francisco Symphony Orchestra, San Francisco (2018); “Sky Space”, Studiogalerie, Berlin (2017); “Ladies Night”, Feinkunst Krüger, Hamburg (2017); (2016); “Corporate Warfare”, The National Arts Club, New York (2016); “Cultural (Marc Schmitz), Berlin (2004); Damensalon, Berlin (2004); Galerie am Savignyplatz, U.S. Bank Tower, Los Angeles (2018); “Self-Portraits”, Galleria Sagittaria, Pordenone “Painting XX”, Kunsthalle Sparkassenstiftung, Lüneburg (2017); “Small Format Devolution”, Artfein Gallery, Berlin (2016); “Continental Drift”, Galerie Greulich, Berlin (2002); St. Emmaus Kirche, Kassel, (2002); Galerie Claudia Brandt, Munich (2018); “A Life in Colors”, Galerie Ingo Seufert, Munich (2018); “The Art of VR”, – Great Painting”, Galerie Brennecke, Berlin (2017); “Ander Influence”, Galerie Frankfurt am Main (2016); “Berliner Liste”, Artfein Gallery, Berlin (2016). (1998); Phase 4, Munich (1998). Sotheby’s, New York (2017); “Step into the Frame”, Cannes Lions, Cannes (2017); Dukan, Leipzig (2017); “Winter Salon”, 532 Gallery Thomas Jaeckel, New York His works can be found in the following collections and museums: Georgia Dome Since 1997 he has also worked as a screenwriter, director and producer of animated “Maurice. Lacroix”, Baselworld, Basel (2017); “Become the Masterpiece”, Brooklyn, (2017); “Female Ejaculation Vol. 1”, Kosmetiksalon Babette, Berlin (2017); “Cocoon”, Owner’s Club, Atlanta; Mesa Contemporary Arts Museum, Mesa; Kolon Industries, films for children. With his debut film ”Leroy”, he won the German Film Award (Lola) Chicago, Los Angeles, San Francisco (2017); “Dance on Camera”, Lincoln Center, Kosmetiksalon Babette, Berlin (2017); “Quantum Levitation”, Polarraum Hamburg, Seoul; The National Arts Club, New York; The Phoenix Art Museum, Phoenix; in the categories ”Best Children’s Film” and ”Best Musical Score”. New York (2016); “Pasteur Institut”, United Nations Building, New York (2016); “Flux Hamburg (2016); “Rien ne va plus”, Kunsthalle der Sparkassenstiftung, Lüneburg Phynique Phamily Phoundation, Minneapolis; Collection SØR Rusche, Bielefeld/ His works can be found in the following museums and collections: World Bank, Series”, The Hammer Museum, Los Angeles (2016); “Premiéres”, Galerie Ingo Seufert, (2016); “Séance”, Janine Bean Gallery, Berlin (2016); “Blanke Teile”, Schaufenster, Berlin; Scottsdale Museum of Contemporary Art, Scottsdale, The Tucson Museum of Washington D.C.; Hypovereinsbank, Munich; Schering AG, Berlin; Sir Paul McCartney Munich (2016); “Le Pressionnisme”, Pinacothèque de Paris, Paris (2015). Berlin (2016); “Into the Neon Light”, Kreuzberg Pavillon, Berlin (2015). Contemporary Art, Tucson; West Valley Art Museum, Phoenix. Collection; Patricia Highsmith (Estate). Alexa Meade lives and works in Los Angeles. Tanja Selzer lives and works in Berlin. Casey McKee lives and works in the countryside of Sachsen-Anhalt, Germany. Armin Völckers lives and works in Berlin. www.alexameade.com, www.ingoseufert.com www.tanjaselzer.de www.caseymckee.com, www.galerie-greulich.de www.arminvolckers.com 56 57

95. M ichel Sauer – St. Thibaud 96. M atthias Danberg – Jonathan 2006, bronce, sulfur patina, 42x22x10 cm Donated by the artist. 2017, 3D-print, acrylic on ultrat 36x18x18 cm Donated by the artist. € 4.000 starting price € 1.100 starting price Michel Sauer (boren 1949 in Titisee-Neustadt, Germany) studied at the Staatlichen Akademie der Bildenden Künste Karlsruhe. From 1994 to 2014 he Matthias Danberg (born 1981 in Bochum, Germany) studied from 2002 to 97. L ivia Marin – Broken Things 98. Livia Marin – Broken Things was a Professor with a focus on plastic at the Universität Siegen. 2003 art and philosophy at the Universität Dortmund and from 2004 until 2019, mixedmedia, 17,5x17,5x3,3 cm 2018, Earthenware, 9,5x18,5x5 cm 2011 at the Kunstakademie Münster in the class of Professor Michael van Ofen Selected solo- and group-exhibitions: “Land # Water”, Galerie De Zaal, Delft (2019); Donated by the artist. Donated by the artist. and graduated in his masterclass. “Under Constuction”, Galerie annex14, Zürich (2019); “gestalten – Ein Jahrhandert € 1.000 € 1.300 abstrakte Kunst im Westen, Kunsthaus NRW, Kornelimünster”, d-polytop, Kunsthalle Selected solo- and group-exhibitions: “All in/6”, Galerie Falko Alexander, Cologne starting price starting price Düsseldorf, Düsseldorf (2019); “To Catch a Ghost”, Museum für Neue Kunst, (2019); “Die Digitale”, Weltkunstzimmer, Düsseldorf (2018); “DEW21”, Museum Freiburg (2018); “West-Östlicher Divan, Schenkungen from Wolfgang Wittrock”, Ostwall, Dortmund (2018); “Danberg2”, Künsterlzeche Unser Fritz, Herne (2018); Taiwan (2016); “Post-Pop.” Miradas desde/hacia Oriente, Galería Impakto, Lima Staatliche Museen zu Berlin, Kunstbibliothek im Kulturforum (2013); Hooy Kaye “The wrong Biennale”, Galerie Ampersand, Cologne (2017); “Command Controll”, Bar Livia Marin (born 1973 in Santiago de Chile, Chile) studied until 1998 at the (2016); ”Convergence and Transcendence, 8th Gyeonggi International Ceramic Museum, Brussels (2005); “Tonspur”, Museum für Neue Kunst, Freiburg (2000); Babette, Berlin (2017); “Macht Kunst”, Forum der Deutschen Bank, Berlin (2017); Universidad ARCIS in Santiago, until 2004 at the Universidad de Chile and Biennale”, Icheon (2015); ”Blue and White: British Printed Ceramics”, Victoria and “Magie der Zahl”, Staatsgalerie Stuttgart, Stuttgart (1997); Sprengel Museum, “Play III”, Galerie Ampersand, Cologne (2017) “Metaconference”, Kunstpalast, graduated with her PhD in 2012 at the Goldsmith College of the University of Albert Museum, London (2015); ”Nature Morte”, Hå gamle prestegard,Stavanger Hannover (1996), Neuer Aachener Kunstverein, Aachen (1994); “Salone”, Villa Düsseldorf (2017); “Sculptures”, Galerie Ampersand, Cologne (2016); “Digitale”, London. (2015); ”Diane Van Deren”, Galeria Gabriela Mistral, Santiago de Chile (2015); Romana, Florence (1994); “Peter Royen und Freunde”, Kunsthalle Düsseldorf, Weltkunstzimmer, Düsseldorf (2016); “Bloom Art Award”, Cologne (award winner Selected solo- and group-exhibitions: ”green gold”, Galeria Patrcia Ready, “Engendered”, MIAD, Milwaukee (2015); ”Grado Cero”, Corpartes, Santiago de Düsseldorf (1993); “Buchstäblich”, Von der Heydt-Museum, Wuppertal (1991); 2016); “Tragic Kingdom – Matthias Danberg und Sven Piayda”, Kunstraum unten, Santiago (2019); ”Urban Parallel”, Artistry, Bloomington (2019); ”The Precious Chile (2015); ”Broken Memory”, Harewood House, Leeds (2014); ”Objektivity”, “Kunst im öffentlichen Raum”, Museum für Moderne Kunst, Frankfurt am Main Bochum (2016); “Play II”, Galerie Ampersand, Cologne (2015); “ID, New Talents”, Clay”, Museum of Royal Worcester, Worcester (2019; ”Cabinett of Curiosities Galería Impakto, Lima (2014); ”Stillleben”, KunstKontor, Nuremberg (2014); (1990); Museum Abteiberg, Mönchengladbach (1987); Galerie Philippe Casini, Paris Sal. Oppenheim, Cologne (2015); “Order”, Kunstraum unten”, Bochum (2015); “Mind III”, jageedart, London (2019); ”Un reloj detenido”, Molino, Santiago (2019); ”Le Metre Carre”, Ville de Nancy, Nancy (2014); ”Barroco Fronterizo”, Archivo (1985); “Abstract Drawings and Sculptures”, Shimada Gallery, Yamaguchi (1985); the Gap”, Atelierhof Kreuzberg, Berlin (2014); “New Talents Biennale Cologne”, ”Relics”, Senesi Contemporanea, London (2018); ”Thrill of Deception”, Kunsthalle Nacional, Santiago de Chile (2014); ”Manufactories”, Atelier Art et Restauration, Kunst der Bundesrepublik Deutschland nach 1945”, Nationalgalerie Berlin, Berlin Cologne (2014); “Inventory by Appropriation”, Galerie Voss, Düsseldorf (2013); “Anna München, Munich (2018); ”Héritage at Centre d’art contemporain départe- Paris (2014); ”Oi You!”, Canterbury Museum, Christchurch (2014); ”New Blue- (1985). Sokolova und Matthias Danberg – Förderpreisausstellung der Stadt Düsseldorf”, mental”, L’arTsenal, Dreux (2018); ”Canary Syndrome”, Ferrin Contemporary, and-White”, Museum of Fine Art Boston, Boston (2013); ”Colección Juan Yarur”, His works can be found in the following collections and museums: Museum of Kunstraum Düsseldorf, Düsseldorf (2013); “Zu Gast im Bühlers”, Haus Bühlers, North Adams (2018); ”La Dérive des Contenants”, Terre et Terres, Souel (2018); Museo de Arte Contemporáneo, Santiago (2013); ”Punctuations”, Separations Modern Art, New York; Collection of the federal state NRW, Düsseldorf; DKM Führt (2013); “Inventur – Daniel Dwyer und Matthias Danberg”, Kunstraum unten, ”Material Earth: myth, material and metamorphosis”, Messums Wiltshire, and Artists’ Books, Eagle Gallery, London (2013); ”Minimalismo made in Chile”, Museum, Duisburg; Kunstforum Regensburg, Regensburg; Museum Weserburg, Bochum (2012); “Finale – alles andere ist alles andere”, Landesmuseum Münster, Tisbury (2018); ”Al limite della forma”, Triennale di Milano, Milan (2018); Matucana 100, Santiago (2013); ”Banda Sonora”, LA Galería, Bogotá (2013); Bremen; FRAC ille de France, Paris; Museum für Neue Kunst, Freiburg; Museum Münster (2012); “Unterordnung und frühes Leid”, Galerie im Rathaus, Lippstadt ”Concealed”, jaggedart, London (2018); ”Amphorae”, Proyecto H, Madrid (2017); ”Efemérides”, Museum of National History, Santiago (2013); ”Mimesis”, Duflon of Modern Art, Mexico City; Hamburger Bahnhof, Staatliche Museen, Berlin; (2011); “Kaiserbad”, Mönchengladbach (2011); “Kunststudenten stellen aus, ”casi nada”, Punto de Cultura Federico Ramírez, Concepción (2017); ”Nature Racz, Bern (2013); ”Mine: Take What’s Yours”, Underline Gallery, New York Staatsgalerie Stuttgart, Stuttgart; Collection Andersch, Neuss; Collection Outback, Bundeskunsthalle Bonn, Bonn (2011); “Primordium”, Projektraum Bredowstraße, Morte”, Guildhall Art Gallery, London (2017); ”Confabulations of Millennia”, ICA (2013). Düsseldorf. B e r l i n (2011). at MECA, Portland (2017); ”Thread”, jaggedart, London (2017); ”Objects ? ... Objections !”, XXIV Biennale Internationale de Vallauris, Vallauris (2016); ”The Livia Marin lives and works in London. Michel Sauer lives and works in Düsseldorf. Matthias Danberg lives and works in Düsseldorf. Imagination of Blue and White”, New Taipei City Yingge Ceramics Museum, www.liviamarin.com www.michelsauer.de www.matthias-danberg.com > 58 59

Detail

100. Mathias Kadolph – kleine Figurine 99. C arsten Goering – BettyBlue 2014-19, linden wood, painted white, 80x43x32 cm Donated by the artist. 2017, oil on linen, 60,5x50,5x4,5 cm € 2.500 starting price Donated by the artist. € 1.400 starting price Mathias Kadolph (born 1957 in Hannover, Germany) studied architecture from 101. C olin Penno – Scoop 1978 until 1988 at the Universität Hannover and art (sculpture) from 1982 until 2017, ink, acrylic, oil, woodprint on canvas, 148x85 cm Carsten Goering (born 1982 in Sömmerda, Germany) studied from 2003 1988 at the Fachhochschule für Kunst und Design in Hannover. In 2009 he was Donated by the artist. Courtesy Galerie Berthold Pott, Cologne. until 2007 theatre-science, history of art, journalism and philosophy at the a lecturer at the Internationale Sommerakademie in Dresden. € 2.800 Universität off Leipzig, from 2007 until 2008 art with professor Liz Bachhuber Selected solo- and group-exhibitions: Galerie Falkenstern, Kampen (Sylt), (2020); starting price at the Bauhausuniversität Weimar, from 2008 until 2015 media-art and painting Galerie Holzhauer, Hamburg (2020); Barlachhalle Hamburg, Galerie Holzhauer, with the professors Christian Lahr, Astrid Klein and Ingo Meller and graduated Hamburg (2019); “affordable art fair”, Hamburg (2019); Galerie Ostendorff, Münster Colin Penno (born 1980 in Mühlheim an der Ruhr, Germany) studied from 2017 in the masterclass of professor Ingo Meller. (2019); “NordArt”, Rendsburg/Büdelsdorf (2019); Galerie Ostendorff, Münster 2003 until 2010 graphical design and photography at the Folkwang Universität Selected solo- and group-exhibitions: “CHROMA ABERRARE”, REITER | Berlin pros- (2018); “NordArt”, Rendsburg/Büdelsdorf (2018); Galerie Holzhauer, Hamburg Essen and from 2010 until 2015 at the Kunst Akademie Düsseldorf, in the pect, Berlin (2020); “Fine Line”, space xx, Seoul (2019); “Meisterstück! Hauptwerke (2018); “affordable art fair”, Hamburg (2018); Wallstraßengalerie, Mönchengladbach masterclass of professor Martin Gostner. der Kunstsammlung der Sparkasse Leipzig”, ZAK Gallerie, OG, Zentrum für Aktuelle (2017); “Art & Antik Messe”, Galerie Ostendorff, Münster (2017); Galerie Angela Selected solo- and group-exhibitions: “Roma 275”, Berthold Pott, Cologne (2020); Kunst, Alte Kaserne, Zitadelle, Berlin (2019); “infra”, REITER | Leipzig (2018); Lenz, Feldberg-Falkau (2017); Kunstraum Anakoluth, Cologne (2016); Galerie “Colin Penno/Raul Diaz Reyes”, Osnova Gallery, Moskau (2019); “Einzelausstellung”, “monumenta”, Pittlerwerke, Leipzig (2018); “Benefizauktion”, Halle 14, Leipzig (2018); Ostendorff mit Bürgerstiftung Coesfeld und SPK Westmünsterland, Coesfeld (2016); Kunstverein Heppenheim, Heppenheim (2018); “Duo Exhibition”, Osnova Gallery, “Meisterschülerausstellung”, HGB Leipzig, Leipzig (2017); “salondergegenwart”, Galerie Holzhauer, Hamburg (2016); Wallstraßengalerie, Mönchengladbach (2016); Moscow (2018); “Duo Presentation”, Miart, Milan (2018); “Homeland 2”, Berthold Große Bleichen 34, Hamburg (2017); “How to slice reality”, REITER | Berlin prospect, “Art & Antik Messe”, Galerie Ostendorff, Münster (2016); Kunstraum Anakoluth, Pott, Cologne (2018); “Wanderkammer”, kh7, Aarhus (2018); “Art Cologne”, Berthold Berlin (2017); “Leipzig Transfer”, Galerie, AdBK Nürnberg, Nürnberg (2017); “XYZ”, Cologne (2015); Wallstraßengalerie, Mönchengladbach, “Art & Antik Messe”, Galerie Pott, Cologne (2017); “Attitudes in painting”, Lepsien Art Foundation, Düsseldorf Galerie Anette Müller, Düsseldorf (2016); “In The Making”, REITER | Berlin prospect, Ostendorff, Münster (2015); “Affordable Art Fair”, Galerie Holzhauer, Hamburg (2017); “NADA”, New York (2016); “Tresher”, Geukens de Vil, Antwerp (2016); “Code Berlin (2016); “Frische”, Erfrischungsraum Luzern, Luzern (2016); “paint euphoria”, (2014); Kunstraum Anakoluth, Cologne (2014); Kunstraum Fliessau, Zernien art fair”, Berthold Pott, Copenhagen (2016); “The Horts Family Collection”, New York maerzgalerie, Leipzig (2016); “Drawing Now Paris 10”, maerzgalerie, Paris (2016); “Art (2014); “Art Karlsruhe”, Galerie Holbein 4, Karlsruhe (2013); Galerie Holzhauer, (2016); “Art Brussels”, Berthold Pott, Brussels (2016); “Space Invaders”, Rotterdam Palm Beach”, maerzgalerie, Florida (2016); “Staub”, Galerie bipolar, Leipzig (2015); Hamburg (2013); Galerie Kunststück, Oldenburg (2013); Wagnerkunstmanagement, (2016); “Group Exhibition”, SandayS, Copenhagen (2016); “New Paintings”, The “Die Menge”, maerzgalerie, Leipzig (2015); “Segment”, Tapetenwerk Halle C01, Hamburg (2013); “Affordable Art Fair”, Galerie Holzhauer, Hamburg (2013); Cabin, Los Angeles (2015); “Limbo”, Berthold Pott, Cologne (2015); “Inside Out”, Leipzig (2015); “Kunst auf Zeit”, Steibs Hof, Leipzig (2015); “Art15”, maerzgalerie, Galerie Holbein 4, Hannover (2012); “Affordable Art Fair”, Galerie Holzhauer, Museum Rheda Wiedenbrück, Bleichhäuschen (2014); “An der Schanz”, Wilsberg London (2015); “00”, Muck, Leipzig (2014); “&”, Spinnerei, Werkschau, Leipzig Hamburg (2012); Städtische Galerie Norderstedt, Norderstedt (2012); Galerie from Monkiewitsch, Cologne (2014); “Square Dance”, Berthold Pott, Cologne (2013); (2014); “Klassentreffen”, Galerie, Hochschule für Künste, Bremen (2013); “Natur 3d”, Kunststück, Oldenburg (2011); Galerie Dr. Margit Lurz, Gauting, Munich (2010); “At the time”, WalzwerkNull, Düsseldorf (2013); “Auf dem Boden der Tatsachen”, Museum der bildenden Künste, Leipzig (2012); “Dora”, Spinnerei, Halle 14, Leipzig Kunstverein Kehdingen, Freiburg/Elbe (2010); Galerie Holzhauer, Hamburg (2010); Kunsthaus Essen, Essen (2012); “Arbeit nervt”, Künstlerhaus, Dortmund (2011); “The (2011); Dora”, Pasinger Fabrik, Munich (2011); “WEG”, Galerie, Hochschule für Grafik Wagnerkunstmanagement, Hamburg (2010); Galerie Holbein 4, Hannover (2010); second act”, De Brakke Grond, Amsterdam (2011); “Sugary Photohraphs with Tricks, und Buchkunst, Leipzig (2010). Werkstätten Hellerau, Dresden (2009). Poses and Effects”, FotoMuseum Antwerp, Antwerp (2010). Carsten Goering lives and works in Leipzig. Mathias Kadolph lives and works in Hamburg. Colin Penno lives and works in Essen. www.carstengoering.com www.mathiaskadolph.de www.colinpenno.de, www.bertholdpott.com 60 61

Detail

103. Miriam Vlaming – Push the sky away 102. Julien Deiss – high altar; one day I was looking 104. C hristine Reifenberger – Medaillon for the trinity 2018, Color lithograph of 3 stones in brown-red, yellow and black on Zerkall ”Alt Meißen” Bütten 270g, 59x75 cm, (AP) 2018, tempera on paper, 75x41x22 cm 2017, acrylic and oil on canvas, 190x125 cm Donated by the artist. Donated by the artist. Donated by the artist. € 350 starting price € 2.800 starting price € 3.700 starting price Miriam Vlaming (born 1971 in Hilden, Germany) studied from 1993 until 1999 Christine Reifenberger (born 1964 in Waldsassen, Germany) trained as a Julien Deiss (born 1983 in Düsseldorf, Germany) studied from 2004 art painting at the Hochschule für Grafik und Buchkunst in Leipzig with professors theatre painter from 1985 to 1988 at the Bavarian State Opera in Munich and history and french at the Universität Aachen and from 2006 until 2011 at the Arno Rink and Neo Rauch, from 1999 until 2001 she was a visiting student studied from 1989 to 1991 with professor Daniel Spoerri at the Akademie der Kunstakademie Düsseldorf with the professors Markus Lüpertz, Braun and at the Kunstakademie Düsseldorf in the class of professor Jan Dibbets and Bildenden Künste München and from 1992 until 1998 at the Kunstakademie Siegfried Anzinger. From 2009 until 2010 he was a guest student at the école graduated 2001 in the masterclass of professor Arno Rink at the Hochschule Düsseldorf, with the professors A.R. Penck and Gotthard Graubner supérieure d’arts de Brest. für Grafik und Buchkunst in Leipzig. Selected solo- and group-exhibitions::“WestFarbe IV, Paint vs. Colour”, Two Rooms Selected solo- and group-exhibitions: “Art Herning”, Gallery Wolfsen, Aalborg (2019); Selected solo- and group-exhibitions: “Fremde Mächte. Malerei aus Leipzig”, Gallery, Auckland (2020); “WestFarbe V”, CoCa – Centre of Contemporary Art, “emergence: temporary results in the process of becoming”, von Fraunberg Art Museum Franz Gertsch, Burgdorf (2019); “The Leipzig Connection”, HDLU Museum, Christchurch (2020); Five Walls, Melbourne (2020); “8+8+8”, raum 2810, YC Gallery, Düssledorf (2019); “Art North”, Gallery Wolfsen, Aalborg (2019); “Crisp”, Zagreb (2019); “Meisterstück! Hauptwerke der Sammlung der Sparkasse Leipzig”, youncollectors, Bonn (2019); “Draw, Art Fair London”, Saatchi Gallery, Esther Helium Cowboys Gallery, Hamburg (2018); “Art Copenhagen”, Gallery Wolfsen, Zitadelle Berlin, Berlin (2019); “#30”, Lachenmann Art, Frankfurt am Main (2019); Verhaeghe Gallery, London (2019); “Wer kann der soll”, Kunstgruppe Köln, Salon Copenhagen (2018); “Julien Deiss”, Galery Wolfsen, Herning (2018); “Art north”, “VERTIGO”, Museum Abtei Liesborn, Liesborn (2019); “VOIX”, Museum der Schmitz, Cologne (2019); “FARBE – PAPIER – MALEREI”, Verein für aktuelle Kunst, Gallery Wolfsen, Aalborg (2018); “Art Herning”, Gallery Wolfsen, Herning (2018); bildenden Künste, Leipzig (2019); “Zündung/Ignition”, Turps Gallery, London (2018); Oberhausen (2019); “Klasse A.R. Penck, zum 80. Geburtstag des Künstlers”, “North”, Galerie Hjorth, Aalborg (2017); “Art Herning”, Galerie Hjorth, Herning “Miriam Vlaming. Seltsam, im Nebel zu wandeln”, Kunstverein Duisburg, Duisburg Kunsthalle Düsseldorf, Düsseldorf (2019); “Paper Positions. Frankfurt”, Nathalie (2017); “Art Copenhagen”, Galerie Hjorth, Copenhagen (2016); “Art Herning, Yes! (2018); “Der Mensch. Das Wesen”, Museum für Zeitgenössische Kunst – Dieter Laue Gallery, Frankfurt am Main (2019); “KOSMOS HANCK”, Museum Kunstpalast, I might come…, probably,… not” bb-Contemporary, Berlin (2016); “leave nothing Kuhnert, Ottobeuren (2018); “Miriam Vlaming. Die Anderzeit”, Galerie From & Von, Düsseldorf (2019); “Mouvement – fait l’ouevre”, Esther Verhaeghe Gallery, Brussels untried”, Galerie Hjorth, Horsens (2016); “Art Bodensee”, bb-Contemporary”, Nürnberg (2018); “Miriam Vlaming. Malen”, Anhaltische Gemäldegalerie Dessau, (2018); “freshtest”, Kunstverein Kölnberg, Cologne (2018); “Schatten, Stein and Dornbirn (2016); “North”, Galerie Hjorth, Aalborg (2016); “Backyard”, Galerie Hjorth, Dessau-Roßlau (2018). Wind”, Sehsaal, Vienna (2018); “EsPOCHt, Episode 2”, Künstlerhaus Metternich, Horsens (2016); “Spring”, Galerie Hjorth, Horsens (2016); “coupe automatique”, Her works can be found int the following museums and collections: Altana Koblenz (2017); “nachtmeerfahrt”, Cora Hölzl Gallery, Düsseldorf (2016); “fugue de Galeri Oxholm, Copenhagen (2014); “Blinkers (Dominik Sartor, Mathias Rolskov, Kunstsammlung, Bad Homburg; Robert Bosch GmbH, Stuttgart; Collection papier”, Carla Reul Gallery, Bonn (2016); “nocturne”, Neuer Kunstverein Giessen, Julien Deiss)”, Düsseldorf (2014); “Actualities”, von Fraunberg Art Gallery, Düsseldorf Deutschen Bundesbank, Berlin; Collection Frisch, Berlin; Collection Kerber, Bielefeld/ Giessen (2015). (2013); “to defy”, Hurtig/Kany Gallery, Copenhagen (2013); “Madamme Basse”, Berlin; Collection Kleinsimlinghaus, Krefeld; Kunsthalle der Sparkasse Leipzig, Leipzig; Her works can be found in the following collections and museuns: Museum Insel FFFZ Kulturforum, Düsseldorf (2012); “art meets art”, Forum Kunst und Architektur, Kunsthalle G2 Collection Hildebrand, Leipzig; Collection Dirk Lehr, Berlin; Museum Hombroich, Neuss; Museum Pfalzgalerie, Kaiserslautern; Collection of the county Essen (2012); “Alles, was sie tun, ist ein Ballon”, Galerie Schloss Neersen, Willich der Bildenden Künste, Leipzig; Collection Philara, Düsseldorf; Collection Richter, Rheinland-Pfalz; Hypo-Kulturstiftung, Munich; federal ministry for the environment (2012); “Bilder über Bilder”, Kunst Haus, Essen (2012); “projekt 8”, eight tallet, Düsseldorf; SØR Rusche Collection, Oelde/Berlin; Staatliche Kunstsammlung Dresden, Berlin; IKB, Düsseldorf; Collection Deutsche Bank, Frankfurt am Main; Collection Copenhagen (2011); “I Between Days”, von Fraunberg Art Gallery, Düsseldorf (2011). Dresden; Von der Heydt-Museum, Wuppertal. Kahmen. Julien Deiss lives and works in Copenhagen. Miriam Vlaming lives and works in Berlin. Christine Reifenberger lives and works in Cologne. www.juliendeiss.dk www.miriamvlaming.de www.christine-reifenberger.de 62 63

105. Julian Voss-Andreae – not decided yet

2020, bronce, XXX cm 106. Silke Lauffs – Finding Food Donated by the artist. *€ donation can be found online (www.fund-art.com) 2002, tinted silver gelatin print, 30x40 cm, (2/25) Donated by the artist. Julian Voss-Andreae (born 1970 in Hamburg, Germany) studied until 2000 € 800 starting price 107. C hristoph Stepan – Exposition physic, mathematic and philosophy at the Freien Universität Berlin, the 108. Julia Stärz – Die magischen Drei 2013, archival pigment print, object framing with museum glass, university of Vienna and the University of Edinburgh. 2004 he graduated in Silke Lauffs (born 1969 in Hanau, Germany) studied at the art and design 64x134 cm, (4/7) 2019, fine liner on cardboard, 120x80 cm sculpture at the Pacific Northwest College of Art in Portland. school in Hanover and graduated in interior design. At the beginning of the Donated by the artist. Donated by the artist. 90s, while studying design and art in Hamburg, Silke Lauffs began to deal with Selected solo- and group-exhibitions: “Unmatched Pairs”, Multnomah Arts Center, € 2.500 € 850 Portland (2019); “Art New York”, New York (2019); “Art Palm Springs”, Palm Springs photography in a self-taught manner. After working as an interior designer in starting price starting price (2019); “CONTEXT Art Miami 2018”, Miami (2018); “Shanghai Contemporary New York for several years, she moved back to Germany in 1997. Art Fair”, Shanghai (2018); “Sitka Art Invitational”, World Foresty Center, Portland Her pictures, which she took mostly in the early morning hours, have a Christoph Stepan (born 1979 in Munich, Germany) studied at the University Julia Stärz (born 1973 in Karlsruhe, Germany) lives and works in Essen. (2018); “Layers: The Evolving Art of 3D Printing”, Lakewood Center for the Arts, Lake delicately veiled and sometimes melancholic expression. With every shot she of St. Gallen from 2000 to 2004, followed by assistant positions with James Oswego (2018); “Alchemy in 3D”, Art at the Cave Gallery, Vancouver (2018); “Group manages to capture rare moments and a certain, almost mystical, atmosphere. Turrell’s official photographer Florian Holzherr and the Canadian-American 2018”, Andrea Schwartz Gallery, San Francisco (2018); “Art Miami 2017”, Miami Long exposure times sometimes produce a blur that has a special effect: artist Robert Polidori. After a few years of contract work for some of the (2017); “CONTEXT Art Miami 2017”, Miami (2017); X-Power Gallery, Taipei (2017); beautiful and disturbing - because unusual - at the same time. leading architects in Europe, Christoph started working on personal projects. “New Sculptures by Julian Voss-Andreae”, Hohmann Fine Art, Palm Desert (2017); Selected solo- and group-exhibitions: “Photo Basel 2019”, Petra Gut Contemporary, With his analogue large format camera, he captures people in landscape and “Mad Pursuit: Exploring Science Through the Lens of Art”, Ford Gallery, Portland Basel (2019); “5 Jahre Bernheimer Luzern”, Bernheimer Fine Art, Luzern (2019); “Art urban spaces. There are often recordings of traditional major events such as (2017); “Art Miami New York 2017”, New York (2017); “Art Revolution Taipei Art Fair Düsseldorf”, Bernheimer Fine Art, Düsseldorf (2019); “The beauty and the beast”, the Festa del Redentore in Venice, the San Fermín in Pamplona or the interna- 2017”, Taipei (2017); Messum’s Gallery, London (2017); “Monaco Yacht Show”, Port Petra Gut Contemporary, Zürich (2019); “South Africa”, Persiehl+Heine/Europa2, tional horse race White Turf on Lake St. Moritz. The capture of the people in Hercules, Monaco (2016); “Gallery Without Walls”, Lake Oswego (2016); “Encounters Hamburg (2018); “Flowers”, Gallery 206, Berlin (2017); “Bright days ahead”, Gallery these landscapes is captured in a motivic way and sharp, close-up images are Between Biology and Contemporary Art”, Central Academy of Fine Arts Museum, Commeter, Hamburg (2017); “The world is a book”, Bernheimer Fine Art, Luzern created that fascinate with their depth of field, their unusual formats and their Beijing (2016); “HOHMANN Celebrates 40th Anniversary”, Hohmann Fine Art, Palm (2017); “India/Asia”, Persiehl+Heine/Europa2, Hamburg (2016); “Paris Photo”, richness of detail Desert (2016); “Artworks Northwest 2016”, Umpqua Valley Art Center, Roseburg Bernheimer Fine Art, Paris (2016); “Highlights”, Bernheimer Fine Art, Luzern (2016); Selected solo- and group-exhibitions: “Art Karlsruhe”, Karlsruhe (2020); “Photo (2016); “2nd National Juried Exhibition: Art + Science”, Tom Thomas Gallery, Indiana “Paris Photo”, Bernheimer Fine Art, Paris (2015); “Summertime”, Bernheimer Fine Basel”, Basel (2020); Alex Schlesinger, Zürich (2020); Photo Berlin, Berlin (2020); University East, Richmond (2016); “Art San Diego Art Fair 2015”, San Diego (2015). Art, Munich (2015); “Silke Lauffs”, Persiehl+Heine/Europa2, Hamburg (2014); “Paris “Photo Basel”, Basel (2019); Studio Widmann, Munich (2018); Galerie Kanzlei, His works can be found in the following museums and collections: MBank, Portland; Photo”, Bernheimer Fine Art, Paris (2014); “Enchanted Places”, Bernheimer Fine Munich (2017); Min from Werz Space Notting Hill, London (2017); Jahn + Jahn, Kimpton Rowan Hotel, Palm Springs; Georgia Institute of Technology, Atlanta; Art, Luzern (2014); “India/Asia”, Persiehl+Heine/Europa 2, Hamburg (2014); “Paris Munich (2016); Alex Schlesinger, Zürich (2016); “Luxury Made Fair”, London (2016); University of Queensland, Brisbane; California Institute of Technology, Pasadena; The Photo”, Bernheimer Fine Art, Paris (2013); “Platinum”, Bernheimer Fine Art, Munich Pinakothek der Moderne, Munich (2015); “Kunst Zürich, Contemporary Art Fair”, Bravern, Bellevue; Maryhill Museum of Art, Goldendale (2013). Zürich (2015); Alex Schlesinger, Zürich (2014); Villa Moyard, Morges (2012). Julian Voss-Andreae lives and works in Portland. Silke Lauffs lives and works in Berlin. Christoph Stepan lives and works in Munich. www.julianvossandreae.com www.silke-lauffs.com www.christophstepan.com 64 65

110. Johanna Flammer – Nodi 48 111. Julia Fullerton-Batten – Hitchcocks Birds Detail 109. Iris Hutegger – LS-Nr. 1902-253 2017, mixed media on canvas, 60x45 cm 2019, C-Type Print, 111,76x149 cm, (1/7) Donated by the artist. Donated by the artist. Courtesy, Camara Oscura, Madrid 2019, analog photography, gelatin silver print, thread (intervention by sewing), € 1.400 starting price € 4.700 starting price 71,5x46,5 cm Donated by the artist. Johanna Flammer (born 1978 in Wesel, Germany) studied from 1999 until Julia Fullerton-Batten (born 1970 in Bremen, Germany) studied from 1990 € 3.800 starting price 2003 at the Ruhrakademie Schwerte, from 2004 until 2006 art as a teaching until 1992 at the Berkshire College of Art & Design in Reading. degree Lehramt at the Universität Essen and from 2006 until 2010 at the Kunst Selected solo- and group-exhibitions: “Summertime 3”, Jenkins Johnson Gallery, Iris Hutegger (born 1964 in Schladming, Austria) attended from 1994 to 2000 Akademie Düsseldorf. San Francisco (2019); “Totaly Thames Foragers of the Foreshore”, Bargehouse, various courses in sculpture and drawing at the Hochschulen für Gestaltung und Since 2010 she is the assistent of Imi Knobel, since 2016 lecturer at the London (2019); “2019 Lishui Photography Festival”, Lishui (2019); “Old Father Kunst in Zürich and Luzern, 2001/2002 the preparatory course at the Hochschule für Kunstakademie Allgäu and since 2019 she has a professorship at the Thames”, FotoArtFestival 2019, Bielsko-Biaa (2019); Open Eye Gallery, Liverpool Gestaltung und Kunst in Luzern and from 2002 to 2005 the subject art & media art at Hochschule Düsseldorf. (2019); “Faces”, Camara Oscura, Madrid (2019); “Haute Photographie”, Mc2gallery, the Hochschule für Gestaltung und Kunst in Basel (Bachelor) Selected solo- and group-exhibitions: “Schönes Wohnen”, no cube, Münster (2019); Rotterdam (2019); “209 Women, Potraits of women MP’s shot by women photogra- Selected solo- and group-exhibitions: “+1000 festival de photographie”, La Brévine (2019); “Frauen können auch malen!”, Galerie Holger John, Dresden (2018); “Ansbach phers to celebrate 100 years of votes for women in the UK”, Portcullis House, London “Exposition d’Eté/Summer-Exhibition”, Galerie Jacques Cerami, Charleroi (2019); “Photo Contemporary 2018”, Ansbach (2018); “Honiggelb”, Galerie Michael Schultz, Berlin (2019); “Embracing Diversity”, Photo Vogue Festival, Milan (2018); Galerie Impakto, Basel”, Galerija Fotografija, Basel (2019); “BE/POLAR”, Galerie Daltra, Megève (2019-2018); (2018); “Florale Transformation II”, Krefelder Kunstverein, Krefeld (2018); “Klein”, no Miraflores (2018); “The Act, Organ Vida 18, Women Perspectives Now”, Museum of “Paris Photo”, Galerie Esther Woerdehoff, Paris (2018); “play.song.lines”, Projektraum M54 cube, Münster (2017); “Edition 12-21”, Me Collectros Room Berlin, Stiftung Olbricht, Contemporary Art, Zagreb (2018); “Old Father Thames”, 5th Biennial of Fine Art & & VIA, Basel (2018); “Photo Basel”, Galerie Esther Woerdehoff, Basel (2018); “Tension”, Berlin (2017); “Paradiesgrün”, Galerie Michael Schultz, Berlin (2017); “Solo Show”, Documentary Photography, Barcelona (2018); “Old Father Thames” & “Dreamlike”, Villa Bernasconim Centr d’Art, Grand-Lancy (2018); “Haute Photographie 2018 Rotterdam”, Formosa Art Show 2016, Taipei (2016); “Auf Papier”, Galerie Osper, Cologne (2016); Vogue Italia, VFNO 2018, Palazzo Morando, Milan (2018); “The Act”, Da Uno a Galerie Esther Woerdehoff, Rotterdam (2018); “Oltre il paesaggio”, Primo Piano di Palazzo “Edition 12-21”, Kunsthalle Düsseldorf, Düsseldorf (2016); “Addcited to Painting”, Dieci, Milan (2018); “Summertime”, Jenkins Johnson Gallery, San Francisco (2018); Grillo, Genoa (2017); “Paysages photographiques : réinventer le réel”, Galerie Esther Galerie Michael Schultz, Berlin (2016); “Nem as paredes confesso”, Galerie Rua “Old Father Thames”, Galeria Impakto, Lima (2018); WHITEBOX gallery, PUBLIKA Woerdehoff, Paris (2017); “Paris Photo”, Galerie Esther Woerdehoff, Paris (2017); “Brussels Miguel Bombarda, Porto (2016); “Set Out”, Galerie Grand Siécle, Taipei (2016); art space, Kuala Lumpur (2018); “Photo London”, Sommerset House, London (2018); Gallery Weekend / Le Rivoli”, Galerie Jaques Cerami, Uccle (2017); “Photo Basel”, Galerie “Liebesrot”, Galerie Osper, Cologne (2015); “Zoom”, Galerie Michael Schultz, Berlin “212 Photography Festival”, Bomontiada, Istanbul (2018); “Spring Selections”, Jenkins Esther Woerdehoff, Basel (2017); “Photo London”, Galerie Esther Woerdehoff, London (2017); (2014); “Arkadien ist auch nur ein Ort”, Kunthaus Alte Schule Essen, Essen (2014); Johnson Gallery, San Francisco (2018); “Feral Children”, FORMAT 17, Derby Quad “Hard Work”, Centre d’Art Dominique Lang, Dudelange (2017); “Haute Photographie”, “Johanna Flammer + Monir Nikouzinat Monfaret”, no cube, Münster (2014); “Solo (2017); “Korea 2013”, Mc2 Gallery, Korean Consulate, Milan (2016); “Me in the Galerie Esther Woerdehoff, Rotterdam (2017); “Sans limite”, Musée de l’Elysée, Lausanne Show: Nodi”, Art Fair Cologne, Cologne (2013); “Conturbanaries”, Berlin (2013); Photography”, Daegu Photo Biennale, Jung-gu (2016); Flatland Gallery, Amsterdam (2017); “Fuori 7”, Galeria Gallerati, Rome (2017/16); “Iris Hutegger and Alice Bailly”, “Vorsicht Ausläufer!”, 4Wände Marie, Düsseldorf (2012); “Bloom Award Show”, Art (2015); “Korea”, Mc2 Gallery, Milan (2015); Randall Scott, Baltimore (2015); “Drink Kunstmuseum Solothurn, Solothurn (2016); “winstill.grün”, Galerie Esther Woerdehoff, Paris Fair Cologne, Cologne (2012), “art in the office”, A.T. Kearney, Düsseldorf (2010); me, Bebeme”, Domous Atrium, Salamanca (2015); “Forged Worlds”, Manhattan (2016); “Dans l’oeil de l’observateur”, Galerie Jacques Cerami, Charleroi (2016). “The butterfly effect”, Christian Marx Galerie, Düsseldorf (2009). Bridge Anchorage, Dumbo, Brooklyn (2015). Iris Hutegger lives and works in Füllinsdorf, Switzerland. Johanna Flammer lives and works in Düsseldorf. Julia Fullerton-Batten lives and works in London. www.irishutegger.ch www.johanna-flammer.de www.juliafullerton-batten.com, www.camaraoscura.net 66 67

114. W olfgang Grinschgl – Bruderherzen 115. Katharina Reschke – Glasvase W. I. 2019, oil on canvas, 130x100 cm 2019, acrylic on canvas, 55x50 cm Donated by the artist. Courtesy Galerie Kandlhofer, Vienna. Donated by the artist. Courtesy Galerie Cerny, Wiesbaden. € 3.000 starting price € 2.000 starting price

Wolfgang Grinschgl (born in Graz, Österreich). Katharina Reschke (born 1989 in Omsk, Russia) studied from 2010 until 2014 112. M onika Romstein – untitled 113. Monika Romstein – untitled Selected solo- and group-exhibitions: “Land”, (with Herbert Brandl, Ronald Kodritsch, at the Alanus Hochschule für Kunst und Gesellschaft, Alfter bei Bonn, in the class of professor Andreas Orosz, from 2014 to 2017 history of art at the 2018, pencil, watercolor and aquarelle on paper, 40,5x34 cm 2019, pencil, watercolor and aquarelle on paper, 30x24 cm Erwin Lackner, Petra Sterry, Markus Wilfing and Bruno Wildbach), Rondell Gallery, Goethe Universität in Frankfurt am Main and from 2016 until 2017 she was Donated by the artist. Donated by the artist. Schwanberg (2019); “Auf Augenhöhe”, Galerie Heimo Bachlechner, Graz (2019); in the master class of professor Andreas Orosz at the Alanus Hochschule für € 550 € 400 “Art Vienna”, galerie Galerie, Vienna (2019); “Realität ins Bild bringen”, NöArt, starting price starting price Neulengbach (2019); “Portrait”, RAUMSECHS, Düsseldorf (2018); Dean Borghi Fine Kunst und Gesellschaft, Alfter bei Bonn. Arts, New York (2018); “Art Bodensee”, galerie Galerie, Dornbirn (2018); “Apache”, Selected solo- and group-exhibitions: “Vorzeigeprojekt”, Kultur und Wirtschaft im Rondell Gallery, Schwanberg (2018); “Not Dark Yet”, Kunsthaus Mürzzuschlag, MVB Forum, Mainz (2019); “perfectandunfinished”, Kurze Nacht der Galerien und Galerie Gilla Lörcher/Contemporary Art, Berlin (2014); “Wurzeln weit mehr Monika Romstein (born in Saarlouis, Germany) studierd art- and film-science Mürzzuschlag (2018); “privat”, galerie Galerie, Graz (2017); “Scope Miami”, Museen in Wiesbaden, Wiesbaden (2019); “Art Karlsruhe”, Galerie Cerny, Karlsruhe Aufmerksamkeit widmen”, Kunstverein Lola Montez, Frankfurt am Main at the Johan Wolfgang Goethe Universität in Frankfurt, at the Duncan of Galerie Ursula Stross, Miami (2017); “Ein Sack voller Knochen”, Laßnitzhaus, (2019); “Junge Kunst XIV – Katharina Reschke – Gegenständliche Malerei”, (2014); “In mind not appearances”, Hanfweihnacht Gallery, Frankfurt am Main Jordanstone College of Art and Design at the University of Dundee and at the Deutschlandsberg (2017); “Parallel Vienna”, Galerie Lisa Kandlhofer, Vienna Kunstverein Kirchzarten, Kirchzarten (2018); “Reschke-Reiffers-Realismus”, Galerie (2013); “Nach der Natur”, Ulrich Müller Gallery, Cologne (2013); “Shape the Staatlichen Hochschule für Bildende Künste, Frankfurt am Main, Städelschule, (2017); “Art Bodensee”, galerie Galerie, Dornbirn (2017); “Art Austria”, Galerie Lisa Cerny, Wiesbaden (2018); “Art Karlsruhe”, Galerie Cerny, Karlsruhe (2017); “Art scape”, Gilla Lörcher Gallery/Contemporary Art, Berlin (2013); “I laughed, I in the class of professor Christa Näher. Kandlhofer, Vienna (2017); “Interventionen 3 – unter Masken”, Feuerwehr Museum, Karlsruhe”, Galerie Cerny, Karlsruhe (2017); “Recent Still Lives”, Hohe Landesschule, cried, it was joy”, Basis Project Space, Frankfurt am Main (2013); “Chancen Selected solo- and group-exhibitions: “Future Universes”, Atelierschiff/Hanseatic, Groß St. Florian (2017); “Helden, Täter, Opfer”, ORF Landesstudio, Graz (2017); Hanau (2016); “Art Karlsruhe”, Galerie Cerny, Karlsruhe (2016); “Andreas Orosz und und Risiken”, Hanfweihnacht Gallery, Frankfurt am Main (2013); “Wurzeln weit Frankfurt am Main (2019); “Assonances”, Alliance Francaise die Bologna, Bologna “Endurance”, Lisabird Contemporary, Vienna (2016); “Parallel Vienna”, Galerie neue Positionen der Malereiklasse Orosz”, Klassenausstellung in der Galerie Cerny, mehr Aufmerksamkeit widmen”, Kunstverein Lola Montez, Weimar (2013); (2019); “No nymphs in polar regions”, Weißfrauen Diakoniekirche, Frankfurt am Marenzi, Vienna (2016); “Erlösung”, Ateliertheater, Vienna (2016); “Art Austria”, Wiesbaden (2016); “Main-Kinzing-Kreis Förderpreis 2015”, Main-Kinzing-Forum, “Atelierhäuser Of/Frankfurt am Main”, Halle für zeitgenössische Kunst, Offenbach Main (2018); “Sommergäste”, Glashaus II, Ausstellungshalle 1 a, Frankfurt am Lisabird Contemporary, Vienna (2016); “Zeitumstellung”, KS-Room, Riegersburg Gelnhausen (2015); “ART FAIR”, Cologne (2015); “Objects of Desire”, Galerie Cerny, (2013); “Gegenwart”, Gallery Perpétuel and Galerie Gilla Lörcher/Contemporary Main (2018); “Sommergäste”, Collage, Ausstellungshalle 1 a, Frankfurt am Main (2015); “Eismänner”, Lisabird Contemporary, Vienna (2015); “kiddushin.verspre- Wiesbaden (2015); “…noch feucht”, Klassenausstellung in der Fabrik 45, Bonn Art, Frankfurt am Main (2013); “Monolith”, Perpétuel Gallery, Frankfurt am Main (2018); “Der Herr im Damensattel”, Kunstverein Montez e.V., Frankfurt am Main chen.unter-freunden”, Villa Weiss, Ligist (2014); “chau…I”, Kunsthaus:Kollitsch, (2015); “Art Karlsruhe”, Galerie Cerny, Karlsruhe (2015); “ART FAIR”, Cologne (2014); (2012); “Familientreffen”, Atelierfrankfurt, Frankfurt am Main (2012); “ende gut (2018); “200 Jahre Städelschule”, Gallery Perpétuel, Frankfurt am Main (2017); Klagenfurt (2014); “Selbstportrait”, KMG-Gallery, Vienna (2014); “ATEM”, Lisabird “Andreas Orosz und Studenten”, Klassenausstellung im MVB Forum, Mainz (2014); alles gut”, Kunstverein Familie Montez, Frankfurt am Main (2012); “Gästezimmer”, “if you are shy, don’t click here”, Adlerflychtstr, Frankfurt am Main (2017); “Nach Contemporary, Vienna (2013); “Artpark”, Villa Buldfon, Velden (2013); “VORSPIEL”, “ABSOLVENTEN 2014”; Bachelorabschlussausstellung der Freien Bildenden Kunst, Atelierfrankfurt, Frankfurt am Main (2011). dem Lila links abbiegen”, Gilla Lörcher Gallery/Contemporary Art, Berlin (2016); Galerie Eugen Lendl, Graz (2012); “Vienna Fair”, Vienna (2012); “Artpark”, Villa Alanus Hochschule, Alfter (2014); “Art Karlsruhe”, Galerie Cerny, Karlsruhe (2014); Her works can be found in the following museums and collections: Rausch Collection; “Comming all together”, Gallery Perpétuel, Frankfurt am Main (2016); “Eleganz Buldfon, Velden (2012); “In einer Kiste neben der Tür”, KHG-Galerie, Graz (2012); “Stillleben”, Remisengalerie Schloss Philippsruhe, Hanau (2014); “ART FAIR”, Cologne Sonnberger-Sabarsky Collection; Herrmann Collection; University of Dundee Fine Arts ohne Aufwand”, Hanfweihnacht Gallery, Frankfurt am Main (2015); “Ten Years “Lisabird’s Art Collective”, Lisabird Contemporary, Graz (2011); “Small Pieces”, (2013); “Kunst trifft Kapital”, MLP-Kunstpreis, Bonn (2013); “Fokus Realität”, Collection, Dundee; Allen Woods Collection, Dundee. After”, Atelierfrankfurt, Frankfurt am Main (2014); “Was uns Trend”, Kunstquartier Galerie Eugen Lendl, Graz (2011). Klassenausstellung Galerie Cerny, Wiesbaden (2013). Bethanien, Berlin (2014); “Wurzeln weit mehr Aufmerksamkeit widmen”, Kunst- Monika Romstein lives and works in Frankfurt am Main. Wolfgang Grinschgl lives and works in Vienna and Styria. Katharina Reschke lives and works in Wiesbaden. verein Lola Montez, HBK Saarbrücken, Saarbrücken (2014); “ART VIDEO SCREENING”, > www.monikaromstein.de www.kandlhofer.com www.katharina-reschke.de, www.cernyundpartner.de 68 69

119. Markus Hanakam & Roswitha Schuller - Heraldik 118. Heiko Zahlmann – untitled 2017-19, mixed media und sketch on vergé-paper, 29,7x21 cm 2018, acrylic on hand drawn carton (1200g/sqm), 60x60 cm Donated by the artists. Courtesy Galerie Krinzinger, Vienna. Donated by the artist. € 300 starting price € 1.400 starting price Markus Hanakam (born 1979 in Essen, Germany) studied 2000 at the Heiko Zahlmann (born 1973 in Hamburg, Germany) has been traveling Universität Essen, faculty for art and design and from 2000 until 2009 at the around the world as a graffiti artist since 1989, making concrete walls his image Universität für Angewandte Kunst Wien. carriers for decades. In the meantime, Zahlmann has developed his own design Roswitha Schuller (born 1984 in Friesach, Austria) studied from 2002 until language, in which he transfers script in a highly abstract and reduced form 2009 at the Universität für Angewandte Kunst Wien. into three-dimensionality and into space. The graffiti past can still be felt in Selected solo- and group-exhibitions: Kunstraum Lakeside, Klagenfurt (2019); EIKON his work today. Concrete, color, writing, often specific to the location - the Schauraum MQ Vienna, Vienna (2019); Muzej – Museo Lapidarium Novigrad, basic elements remain unchanged. And yet his work is constantly evolving. His Novigrad (2019); “The Heralds”, HilbertRaum Berlin (2018); “Im Schwarm der spatial wall works move between architecture, sculpture, painting and drawing. 116. Helen Shulkin – Vancoucer Cruise Terminal I 117. H elen Shulkin – MAXXI II Objekte”, Cite international des Arts, Paris (2018); “AIR 2017”, Krinzinger Projekte, Working in situ, they refer to the space and its surroundings. Writing continues Vienna (2018); “Limbo Lichtspiel”, Museum Villa Stuck, Munich (2018); “Mobile”, to form the basis of the now three-dimensional forms, but it can only be 2018, oil on canvas, 70x80x4 cm 2018, oil on canvas, 70x80x4 cm Galerie Krinzinger, Vienna (2017); “Pivot”, Kostka Galerie, MeetFactory, Prague recognized as such in a highly abstract form at second glance. Donated by the artist. Donated by the artist. (2016); “Die Acht Schätze”, Neuer Kunstverein, Vienna (2016); “Cosmic Cathedral”, € 1.600 € 1.600 Selected solo- and group-exhibitions: “Words become Things”, Galerie Droste, Galerie Krinzinger, Vienna (2016); “Lichtwürfe”, Volkskandemuseum Graz / starting price starting price Wuppertal (2019); “art is where the heart is”, Galerie Droste, Paris (2018); Universalmuseum Joanneum, Graz (2016); “Nonstreaming Artifacts”, easy!upstream, “Spektrum”, Galerie Zimmerling & Jungfleisch, Saarbrücken (2018); “Karambolage” Munich (2016); “OFF IS”, Artspace, Vienna (2016); “Rencontres Internationales BC Gallery, Berlin (2016); “Heiko Zahlmann, Raphael Brunk, Boris Tellegen”, Galerie Festival”, Haus der Kulturen der Welt, Berlin (2016); “Rencontres Internationales (2016); National Museum of Macedonia, Skopje (2016); Municipal Museum of Helen Shulkin (born 1978 in Molodetschno, Belarus) graduated in 1995 from Droste, Wuppertal (2016); “Heiko Zahlmann”, ART.FAIR Cologne, Cologne (2014); Festival”, Gaite Lyrique, Paris (2016); “Phantom and Travertin”, Austrian Cultural Weilburg an der Lahn, Weilburg an der Lahn (2016); Osten Gallery, Skopje (2016); a classical art school in Molodetschno and 2001 she finished a Fine Art and “Elfte Interventionale”, Haus am Lützowplatz, Berlin (2013); “reKOLLECT”, Galerie Forum, Prague (2015); “Zirkel & Drop”, Galerie Clemens Gunzer, Zürich (2015); Drawing Degree at the Belarusian State University Minsk under professor “The Lightness of All”, OGallery, London (2016); Gallery Kunstreich, Kempten (2016); Borchardt, Hamburg (2014); “Words for Windows”, Galerie Schau Fenster, Berlin “Housing & Healing”, Fabrika, Moscow (2015); “Domestic II”, DI∞G, Vienna (2015); Stadthalle from Eggenstein-Leopoldshafen, Eggenstein-Leopoldshafen (2016); Shikulov. (2013); “Heiko Zahlmann”, BC Gallery, Berlin (2012), “reKOLLECT”, Kunstraum “Recommended By”, easy!upstream, Munich (2015); “Paris International Digital VARCO, Rome (2016); Frauenmuseum, Bonn (2015); Marler Kunststern, Marl (2015); Selected solo- and group-exhibitions: “Clerkenwell Design Week”, CHROM-Art, FT², Kreuzberg, Berlin (2012); “(Dis)Plavements”, Schaartorhof, Hamburg (2012); “Wilde Week”, Idente Reve(l)ee, mi* Galerie, Paris (2015); “TEXT:BILD/BILD:TEXT”, Livin’Art Gallery, Lucca (2015); “Parallax Art Fair”, Chelsea Old Town Hall, London London (2019); “Atlantic Contemporary Art (Spring Show)”, The Artistry House, Zeichen”, Kunsthalle Krems, Krems (2011); “Hall of Fame”, David Bloch Gallery, Fotogalerie, Vienna (2015); “Destination Vienna Extended”, Kunsthalle Vienna | (2015). Preston (2019); “Award Ceremony”, National Gallery of Macedonia, Skopje (2018); Marrakesch (2011); “Urban Art | Werke aus der Sammlung Reinking”, Neues DI∞G | wellwellwell, Vienna (2015); “SHARE Too much history, more Future”, DEPO, “Atlantic Contemporary Art”, The Artistry House, Preston (2018); “CHROM-ART, Museum Weserburg, Bremen (2009); “BANDE”, Galerie Borchardt, Hamburg Pilsen (2015); “AiR 2013-14”, Krinzinger Projekte, Vienna (2015); “Landschaft”, Her works are published by the Corvinus Press in Berlin and are in public collections, Artytecture”, RB 12, London (2018); “Rolfe Judd 5XI0”, The Bridge Theatre, London (2009); “Still on and non the wiser”, Von der Heydt Museum and Kunsthalle Barmen, Galerie 3, Klagenfurt (2015); “TRANSform V”, Kunstverein Kärnten, Klagenfurt including the Berlin State Library, the German Literature Archive Marbach, the East (2018); The Fritzovia Gallery, London (2018); Hallam Conference Centre, London Wuppertal (2007); “Aktive Konstellationen”, Haus der Kunst der Stadt Brünn, Brünn (2015); “Aura”, Artist Quarterly Sotheby’s, Vienna (2014); “Domestic”, DI∞G, Vienna Museum of Drawing Skopje and private and commercial collections worldwide. (2018); “Esthesia”, Momento srls, Jesi (2017); Russian Centre for Science and Culture, (2008). (2014); “Atelier”, PACT Zollverein, Essen (2014). London (2017); “Nude”, Tin Can Gallery, St. Albans (2017); QQArt Gallery, Hilden Helen Shulkin lives and works in Baden-Baden. Heiko Zahlmann lives and works in Hamburg. Hanakam & Schuller live and work in Vienna. (2017); The Chimera Gallery, Mullingar (2017); “Simplicity”, Livin’Art Gallery, Lucca > www.helenshulkin.com www.heikozahlmann.de www.hanakam-schuller.com, www.galerie-krinzinger.at 70 71

122. C lemens Wolf – Line Drawing (red) 2018, epoxy and parachute line on paper, framed, 68x53 cm Donated by the artist. 121. Talisa Lallai – Mirador de Ses Animnes € 1.750 starting price 2019, inkjetprint, 23,5x31 cm, (1/5) Clemens Wolf (born 1983 in Vienna, Austria) studied from 2002 until 2007 at Donated by the artist. the Kunstuniversität Linz. € 1.300 starting price Selected solo- and group-exhibitions: “Can’t touch this”, Backslash Gallery, Paris (2020); “Can touch this”, Galerie Steinek, Vienna (2020); “Corespondences”, Talisa Lallai (born 1989 in Frankfurt am Main, Germany) studied from 2009 Sanatorium Gallery, Istanbul (2019); “Out of the Blue”, McNamara Projects, until 2016 with the professors Rebecca Waren and Georg Herold at the Hongkong (2019); “Group Show”, Galerie Gölles, Fürstenfeld (2019); “Here we Kunstakademie Düsseldorf. are now entertain us”, Galerie Clemens Gunzer, Kitzbuehel (2018); “Future is Selected solo- and group-exhibitions: “Post Tropical”, Museum Kurhaus, Kleve Collective”, Backslashgallery, Paris (2018); “Breakfast at Tiffanys”, Collectors Depot, (2019); “To the Port”, Henie Onstad Kunstsenter, Høvikodden (2019); “Bright Light”, Pörtschach (2018); “Garten der Künstler”, Minoritenkloster, Tulln (2018); “Home Gusglasshalle, Berlin (2019); “I Caught A Rat, We Caught Some Air (group show by the sea”, Collectors Depot, Pörtschach (2018); “Accourage”, Galerie Clemens 120. Patric Sandri – untitled (für R.R.) in a book)”, Mélange, Cologne (2018); “Paradise is Now, Palm Trees in Art”, Salon Gunter, Kitzbuehel (2018); “Lounge Act”, Galerie Clemens Gunzer, Kitzbuehel (2018); Dahlmann, Berlin (2018); “Lento Violento”, BolteLang, Zürich (2017); “Timbuktu”, “Galerie M”, Galerie Z, Hard (2017); “Weihnachten”, Galerie Propaganda, Warsaw “Song No1”, No.Stereo Contemporary, Cascais (2017); “Scheinraeume”, Tart Gallery, Kunstverein Reutlingen, Reutlingen (2017); “The Museum of the Unwanted”, (2017); “Black is the new black”, Collectors Depot, Pörtschach (2017); “Oh! You 2014-16, synthetic enamel paint and alkyd resin enamel on canvas, each Zürich (2017); “Micro Salon#7”, galerie l‘inlassable, Paris (2017); “Work and Dolder Waldhaus, Zürich (2017); “Time is the longest distance”, Galerie Nathalie pretty things”, Galerie Clemens Gunzer, Kitzbühel (2017); “Surfaceblues”, Galerie 50x40 cm Residency Grants of the City of Zurich”, Helmhaus Zürich, Zürich (2017); “Bender Halgand, Vienna (2017); “Hinterland”, Schkeudi, Leipzig (2017); “Daniel Koniusz Nikolaus Ruzicska, Salzburg (2017); “Sometimes you live twice”, Backslashgallery, Donated by the artist. Schwinn Projekt Zwei”, Galerie Renate Bender, Munich (2017); “Paint(h)ings”, Galerie / Talisa Lallai”, Mélange, Cologne (2017); “a moment in time”, BolteLang, Zürich Paris (2017); “Groanded”, Galerie Steinek, Vienna (2016); “What goes up must € 6.000 Lisa Kandlhofer, Vienna (2017); “Eight Canvas – One Painting”, BALTSprojects, starting price (2016); “Slow Waves”, Van Horn, Düsseldorf (2016); “The Model’s Revenge”, Stüdyio, come down”, Grenzkunsthalle, Jennersdorf (2016); “Höhenrausch”, Eigen+Art Zürich (2016); “Dallas Art Fair”, Galerie Lisa Kandlhofer, Dallas (2016); “Between Cologne (2016); “Melike Kara, Talisa Lallai, Lindsay Lawson”, Studiolo, Milan (2016); Lab, Berlin (2016); “Gasträume”, Manifesta, Zürich (2016); “Interjektion”, Galerie Numbers and Poems”, Annarumma Gallery, Naples (2016); “If Walls are Trembling”, Patric Sandri (born 1979 in Uster, Switzerland) studied at the Hochschule der “Cuprum”, Cultural Foandation, Nicosia (2016); “This Is Your Replacement”, Sies + Clemens Gunzer, Zürich (2016); “Session 3 Planéité”, Backslashgallery, Paris (2016); Galerie Lisa Kandlhofer, Vienna (2016); “Summer never ends”, Laurent Marthaler Bildenden Künste in Luzern and at the Royal College of Art in London. Höke, Düsseldorf (2016); “We’ve been hiding too long”, David Achenbach Projects, “Greyscale”, Galerie Clemens Gunzer, Zürich (2015); “The other side of the rainbow”, Contemporary, Montreux (2016); “Another Spray”, Haeusler Contemporary Zurich, Selected solo- and group-exhibitions: “Art Geneva”, mutipleart, Geneva (2020); Wuppertal (2016); “buzz”, Tom Dick or Harry, Düsseldorf (2016); “Terra Incognita”, Backslashgallery, Paris (2015); “3. Danube Biennale”, Meulensteen Art Museum, Zürich (2016); “Untitled (to)”, Galerie Lisa Kandlhofer, Vienna (2016); “MM Editions”, “Me, you, myself, yourself, I and you”, Vebikus Kunsthalle Schaffhausen, Schaffhausen KIT, Düsseldorf (2015); “Junge Römer”, Tom Dick or Harry, Düsseldorf (2015); Bratislava (2015); “2015 Figur | Struktur”, Strabag Artcollection, RLB Kunstbrücke, Muster-Meier-Contemporary, Bern (2015); “!Champagne!”, BeatTricks, Milan (2015); (2020); “Grosse Regionale”, Alte Fabrik, Rapperswil (2020-2019); “Neue Staffel”, “The Pleasant Shore”, BolteLang, Zürich (2015); “68. Bergische Kunstausstellung”, Innsbruck (2015). “SOS – Self Organized Systems”, 2nd Tbilisi Triennial, Tiflis (2015); “Echoes”, Sihlhalle, Å+, Berlin (2019); “White Works in Melanie‘s Office”, 57W57ARTS, New York Kunstmuseum Solingen, Solingen (2014); “Disappear here”, Coalmine, Winterthur His works can be found in the following museums and collections: Albertina, Vienna; Zürich (2014); “Projections”, Toni-Areal, Zürich (2014); “The Day Remains_ii”, Peltz (2019); “Chroma”, WIP, Beirut (2019); “Three, Three, Three”, KORE Contemporary, (2014); “der stille Grand”, Kunstraum Düsseldorf (2013); “Klasse Georg Herold”, STRABAG Art Collection, Vienna; Artothek des Bundes, Vienna; Artothek des Landes, Room Gallery, London (2013); “25th Anniversary Varley Memorial Awards”, Royal Bern (2018); “XYZ”, FAX, Basel (2018); “Filter”, Å+, Berlin (2018); “What is Museum Kunstpalast, Düsseldorf (2013); “Refugium”, Mischpoke e.V., BIS, Vienna; Ringturm Collection (Vienna Insurance Group); National Bank of Austria College of Art, London (2013); “Versus Vice Versa”, Hockney Gallery, London (2012). DRAWing”, Temple Church Triforium, London (2018); “ArtVerona” solo presentation Mönchengladbach (2013); “Intershop”, Galerie der HGB Leipzig, Leipzig (2012). Collection, Vienna. with Annarumma Gallery, Verona (2017); “Matter / Non-Matter”, Angra do Patric Sandri lives and works in Zürich. Talisa Lallai lives and works in Düsseldorf. Clemens Wolf lives and works in Vienna. Heroismo Museum, Azores Islands (2017) “50/50”, Ultrastudio, Pescara (2017) > www.patricsandri.com www.talisalallai.de www.clemenswolf.com 72 73

125. T haddeus Strode – landscapes on the drift/pelican thoughts: while whale, number 2010, pen ink and watercolor on paper, 46x61 cm 126. K irsten van den Bogaard – Beobachtung 11:26:13h Donated by the artist. Courtesy neugerriemschneider, Berlin 2012, acrylic on Dibond, 75x150 cm € 1.600 starting price Donated by the artist. Thaddeus Strode (born 1964, Santa Monica, USA) studied at the California € 2.200 starting price Institute of the Arts and at the Otis/Parsons Art Institute. His work belongs to a generation of artists whose work permanently invigorated the genre Kirsten van den Bogaard (born 1963 in Hamburg, Germany) is trained by of painting, while breaking new ground in its adoption of popular culture the artistically family background and lives and works in Cologne. Her works 123. M anfred Peckl – Sparrow 124. M anfred Peckl – Bad Taste aesthetics. His work, which is focused on painting and sculpture, amalgamates show a skillful interplay of photography and painting by artistically translating found imagery and texts that waver between playful and sinister, fantastical everyday situations photographically captured on glossy aluminum panels. 2017, paper on wood and uv-paint, 50x40 cm 2015, paper on wood and uv-paint, 50x40 cm and everyday into compositions that are surreal and unresolved. Thus, on the basis of photographic observations, people are painterly captured Donated by the artist. Donated by the artist. in their movement. On closer inspection, the supposed ”photographs” appear € 2.300 € 2.300 Selected solo- and group-exhibitions: “n.c.n.d.n.t.”, neugerriemschneider, Berlin (2018); starting price starting price “Thaddeus Strode, Coop/Coup d’état /there are no walls”, neugerriemschneider, as painted one-of-a-kind pieces whose protagonists - detached from their Berlin (2017); “presently”, neugerriemschneider, Berlin (2016); “A Man Walks Into a original context - give scope for the free interpretation of their stories. Even Bar…”, me Collectors Room, Berlin (2015); “Everybody wants to go to heaven but no the viewer himself becomes part of the depicted scenery when he is in the re- Rotterdam (2018); “The World is Something Flat Or Not”, ArtOf Gallery, Offenbach Manfred Peckl (boren 1968 in Wels, Austria) studied from 1988 until 1990 at one wants to die”, C. Nichols Project, Los Angeles (2014); “In my room (fathoms and flection of the shiny material. It is the freedom of sensation and interpretation, (2018); “The Star Show, D7, Copenhagen (2018); “reimt sich”, Kunstverein Lola the Hochschule für Kunst und Gestaltung in Linz, with the professors Wolfgang displacement), neugerriemschneider, Berlin (2013); “Die Sammlung #3”, 21er Haus, as well as the moments of discovery that make the artist’s work so exciting. Montez, Frankfurt am Main (2017); “Augen zu”, Vitamin Kunstprojekte, Reutlingen Flatz and Dietmar Eberle and from 1990 until 1995 with professor Rainer Belvedere, Vienna (2013); “Fresh Paint”, Stenersenmuseet, Oslo (2012); “The Optimist’s Selected solo- and group-exhibitions: “Our Own”, Art Gallery Paju, Paju-si, Korea (2017); “Wir nennen es Arbeit”, Opere Scelte, Turin (2017); “We Are The Ones”, Jochims at the Staatlichen Hochschule für Bildende Künste, Städelschule, in Parking Lot”, Beacon Arts, Los Angeles (2011); “I hate Paul Klee, Papierarbeiten und (2019); “Vincents Archiv II”, Art Galerie 7, Cologne (2019); “Art Karlsruhe”, Karlsruhe Carlsberg Byrens Gallery & Kunstsalon, Kopenhagen (2017); “Golden Ass”, Laden für Frankfurt am Main. 2004 and 2005 he was a lecturer at the Akademie der Kunstbücher aus der Sammlung Speck”, Leopold-Hoesch-Museum & Papiermuseum, (2019); “Weibsbilder – Künstlerinnen der Galerie”, Klose, Essen (2019); “6. Biennale Nichts, Leipzig (2017); “Der apokalyptische Reiter”, Hipp Hallen, Gmunden (2017); bildenden Künste in Mainz and 2017 and 2018 eine visiting professor at the Düren (2011); “Vanishing point”, neugerriemschneider, Berlin (2010); “Strike a Pose”, Kunsttage Winningen”, Winningen (2018); “Vincents Archiv”, Art Galerie 7, Cologne “Coincidence & Reference”, Museum Villa Seitz, Schwäbisch Gmünd (2017); “Focus Akademie der bildenden Künste in Karlsruhe. Stephen Friedman Gallery, London (2009); “HEARTH”, Museum of Contemporary (2018); “Art Karlsruhe”, Karlsruhe (2018); “Affordable Art Fair Hamburg”, Hamburg Berlin”, Till Richter Museum, Schloß Bugenhagen, Bugenhagen (2017); “Linie, Gitter, Selected solo- and group-exhibitions: “earth”, König 2, Vienna (2020-2019); “Ja Art, Herning (2008); “Thaddeus Strode. Absolutes and Nothings”, Mildred Lane (2018); “Discovery Art Fair”, Frankfurt am Main (2018); “Discovery Art Fair”, Cologne Raum”, Instant Edition, Vienna (2017); “Morgen geht die Sonne unter”, Galerie Kai Nein”, Galerie Kai Erdmann, Hamburg (2019); “Rhizome”, Frank Taal Gallery, Kemper Art Museum at Washington University, St. Louis (2008); “When Bell Ring, But (2018); “Sightzeichen”, Galerie Klose, Essen (2018); “Blau”, Steinberger Galerien, Erdmann, Hamburg (2016); “Doppelgänger”, Torrance Art Museum, Los Angeles Rotterdam (2019); “Interintimes Autoportrait”, Galerie Lachenmann, Frankfurt We Can’t Hear”, neugerriemschneider, Berlin (2007); “VAC Colección Valencia Arte Langenargen (2018); “Square”, Galerie Klose, Essen (2017); “Outside”, Art Galerie (2016), “Intervent 9 Scenery”, Arnulf Rainer Museum, Baden/Vienna (2016); “Tom am Main (2019); “Berlin Klondyke”, Galeria Monumental, Lisbon (2019); “Um Contemporáneo”, IVAM, Madrid (2006); “We all have our little secrets”, neuger- 7, Cologne (2017); “Art Karlsruhe”, Karlsruhe (2017); “Discovery Art Fair”, Cologne of Finland//Freiheit-Gleichheit-Brüderlichkeit”, Elektrohaus, Hamburg (2016); “Die die Häuser ziehen”, Axel Obiger, Berlin (2019); “Uferhallen Kunstaktien”, riemschneider, Berlin (2005); “Funny Cuts”, Staatsgalerie Stuttgart, Stuttgart (2004); (2017); “C.A.R. Contemporary Art Ruhr”, Zeche Zollverein, Essen (2017). Geschichte hat einen Fehler/zu viele Erzähler”, Kunstverein Gütersloh, Gütersloh Neuer Berliner Kunstverein, Berlin (2019); “Primitive Cool”, Sardenhaus, “One Handred Artists See God”, The Jewish Museum, San Francisco & ICA Institute of Her works can be found in the following museums and collections: Collection (2016); “Alptraum/couchemar/Nightmare”, Visual Voice Gallery, Montreal (2015); Munich (2019); “Contemporary Accident”, Frank Taal Gallery, Rotterdam Contemporary Arts, London (2004); “Go Johnny Go”, Kunsthalle, Vienna (2003); “Dirty Trumpf, Ditzingen; Tui Cruises, Mein Schiff 6; Volksbank, Bielefeld; Kulturstiftung “Euro Art”, Museumsquartier, Vienna (2015). (2018); “Kegelclub Berlin”, Galerie Anja Knöss, Cologne (2018); “Transform sea tales told at dusk”, neugerriemschneider, Berlin (2003). Kreissparkasse Köln; Kulturstiftung Sparkasse Karlsruhe. the View”, Instant Edition, Vienna (2018); “Berlin Calling/Works and Paper”, Manfred Peckl lives and works in Berlin. Thaddeus Strode lives and works in Los Angeles. Kirsten van den Bogaard lives and works in Cologne. Galerie Kornfeld, Berlin (2018); “Yes, We Are Open”, Frank Taal Gallery, > www.manfred-peckl.com www.neugerriemschneider.com www.van-den-bogaard.de 74 75

128. G reg Gorman – Djimon Hounsou 1991, Fine Art Print, 40,64x50,8 cm, (16/16, special edition for our charity) Donated by the artist. 129. Yann Houri – untitled € 3.000 starting price 2018, acrylic on wood, 66x48 cm Donated by the artist. Greg Gorman (born 1949 in Kansas City, USA) studied photojournalism from 1967 to 1969 at the University of Kansas and until 1972 cinematography at the € 6.500 starting price University of South Carolina. Yann Houri (born 1990 in Paris, France) is a self-taught artist, currently For over four decades, Greg Gorman has continued to master the art of living and working in Paris. Today, well known for his unique style of work, photography. From celebrity portraits and advertising campaigns to magazine he combines different media and techniques, which allow him to explore 127. E duardo Guelfenbein – Allegro layouts and fine artwork, Greg has developed and showcased a discriminating his fascination of mankind’s daily choices and the repercussions of their and unique style in his profession. Greg’s work documents that peculiar consequent actions. 2019, acrylic on canvas, 80x80 cm obsession of the 21st century celebrity. His photography is timeless and not Donated by the artist. Selected solo- and group-exhibitions: CICA MESEUM, Seoul (2020); “Intuition”, Los confined to has-beens, hot properties, and wannabes. Each shot gives a € 7.500 Angeles (2019); “Moment”, Unit London, London (2019); Hi-Desert Cultural Center, starting price picture of human nature in its infinite range Each picture is also a testament Joshua Tree (2019); “For Your Information 2.0”, Los Angeles (2019); “Sculptures to the individual character. ”For me a photograph is most successful when it – Between organic and plastic”, We Art Partners online show, We Art partners doesn’t answer all the questions,” says Gorman, ”and it leaves something to (2019); “Absolutely Abstract”, Yucca Valley Visual & Performing Arts Center, Yucca Universite de Brest, The Coaster Project”, Palais de Tokyo, Paris (2004); “Portraits Eduardo Guelfenbein (born 1953 in Santiago, Chile) studied from 1973 until the imagination.” Valley (2019); “Art Market San Francisco”, San Francisco (2019); “Art Paris”, We Art d’attitudes”, Espace Herold 07, Paris (2004); Parsons School of Design, Paris (2003); 1977 at the Academia di Belle Arti, Brera in Milan. Selected solo- and group-exhibitions: “Photo London”, 29 Arts in Progress Gallery, Partners, Paris (2018); “Scope Miami Beach”, Miami (2018); “Hommage a Foujita”, Col di Lana, Milan (2002); Centre Culturel Francais de Milan, Milan (2000); “artisti Selected solo- and group-exhibitions: “Pop Your Walls with #ArtByEternity”, Eternity Somerset House, London (2019); “Greg Gorman The Outsiders: Best of & beyond”, Hotel Lutecia, Paris (2018); “HUMANATURE”, Espace Commines, Paris (2017); “Art Cileni”, Istituto Latino-Americano, Rome (2000); “Collages”, Instituto de Israel, Gallery, Paris (2019); “#ArtByEternity”, Eternity Gallery, Miami (2018); Valverde Images Fine Art Photography, Munich (2019); “BOYS BOYS! BOYS!”, The Ravetstijn Wynwood”, Miami (2017); “Southampton Pavillon”, Nova’s Ark Project, New York Santiago (1998); Museo de Arte Contemporaneo, Santiago (1997); Gallerie du Gallery, Brussels (2018); “Opera Gallery at Art Aspen”, Art Aspen, Aspen (2017); Gallery, Amsterdam (2019); “THINK BIG – GROSSE PHOTOGRAPHIE”, Monika (2017); “Art New York”, New York (2017); “Art Market San Francisco”, San Francisco Musee, Geneva (1996); Galleria Kennedy, Santiago (1994); “Biennal Paris”, Palais Valverde Gallery, Paris (2017); “Grand Opening: Miami Design District”, Opera Mohr Galerie, Hamburg (2019); “Art Karlsruhe”, in focus Galerie, Karlsruhe (2017); (2016); “Singapore Contemporary Art Fair”, Visionair Gallery, Singapore (2016); “Art Royal, Paris (1992); Gallerie Michel Reymondin, Geneva (1991); Australian embassy, Gallery, Miami (2016); Opera Gallery, Aspen (2016); “Tempo”, Opera Gallery, “famous faces”, in focus Galerie, Cologne (2017); “Color Works”, Newton Foundation, Wynwood”, Miami (2016); “Inside Identity”, Galerie A.B, Paris (2015); “Art Miami”, Paris (1990); “French Revolution”, Australian embassy,, Paris (1989); Gallerie Suisse de Monaco (2015); Opera Gallery, Singapore (2015); Opera Gallery, Dubai (2014); Berlin (2016); “Portraits”, Galerie Hiltawsky, Berlin (2014); “Men”, Newton Miami (2015); “Art New York”, New York (2015); “Feelings”, Geneva (2015); “Lille Paris, Paris (1987); Zeus Trabia Gallery, New York (1986); Hogharth Galleries, Sydney Opera Gallery, Paris (2014); Opera Gallery, London (2014); “David Bowie”, Opera Foundation, Berlin (2014); “Portraits”, Galerie Hiltawsky, Berlin (2014); “A distinct Art Fair”, Galerie A.B, Lille (2015); “Art Silicon Valley”, San Francisco (2015); “Texas (1981); Street art, New York (1980); “Parasit art”, Venice Biennale, Venice (1977); Gallery, London (2013); Opera Gallery, Dubai (2012); Opera Gallery, Singapore vision”, Halle 8, Graz (2011); “Das Portät. Fotografie als Bühne”, Kunsthalle Wien, Contemporary Art Fair”, Houston (2015); “Emotions”, Galerie A.B, Paris (2014); Galleria Boccioni, Milan (1976); Galleria Fiori Chiari, Milan (1975). (2010); Opera Gallery, Paris (2010); Opera Gallery, Hong Kong (2010); Opera Gallery, Vienna (2009). “Feelings”, Geneva (2014); “What’s inside”, L.A. Gallery, Los Angeles (2014) London (2009); “Liquid Portraits”, Galerie Sit Down, Paris (2009); “Retrospective”, Eduardo Guelfenbein lives and works in Paris. Greg Gorman lives and works in Mendocino and Los Angeles. Yann Houri lives and works in Paris. Universite de Brest, Brest (2005); Pavillon de la Faisanderie, Chantilly (2004); > www.guelfenbein.com www.gormanphotography.com www.yannhouri.com 76 77

132. Joanna Jesse – Am Wasser 2016, oil on canvas, 80x100 cm Donated by the artist. € 3.000 starting price

Joanna Jesse (born 1975 in Posen, Poland) was from 2006 to 2009 a guest student with professor Herbert Brandl at the Kunstakademie Düsseldorf and studied from 2009 until 2015 with professor Herbert Brandl at the Kunstakademie Düsseldorf and graduated as his master student. Selected solo- and group-exhibitions: “Gallery Choice – Season End 2019”, von Fraunberg Art Gallery, Düsseldorf (2019); “discovery art fair Frankfurt”, Galerie Klose, Frankfurt am Main (2019); “Contemporary Art Ruhr 2019”, Galerie Klose, Essen (2019); “PORTRÄTIERT?”, auf Burg Wertheim – Neues Archiv mit ART- Isotope – Galerie Schöber, Dortmund (2019); “Wasserspiele”, Art Galerie 7, Cologne (2019); “Kunstberührt”, Naumer Architekten BDB, Mannheim mit Kunst-Kompetenz Petra Kern, Heidelberg (2019); “Weibsbilder 2019”, Galerie Klose, Essen (2019); 130. D aniel Man – Es kann sein “ZUSAMMEN”, Kunst-Kompetenz Petra Kern, Heidelberg (2019); “Art Karlsruhe”, Hetzler und Dina Renninger Galerie zu Gast im Verein für Originalradierung Galerie 7 & Kunst-Kompetenz Petra Kern, Karlsruhe (2019); “Sightzeichen 2018”, 2010, varnish and acrylic on canvas, 170x130 cm Munich, Munich (2017); “UrbanArt Biennale”, Völklinger Hütte, Völklingen (2017); Galerie Klose, Essen (2018); “affordable art fair Hamburg”, Galerie Klose, Hamburg Donated by the artist. “Skateboarts”, Forum Kunst Rottweil, Rottweil (2016); “EIS, EISBABY”, Lenbachhaus (2018); “Beauties and the beast”, Galerie Klose, Essen (2018); “discovery art fair € 6.500 und Kunstbau, Munich (2016-2014); “Voyage Mezzanine”, Mirta Demare Gallery, Frankfurt”, Galerie Klose, Essen (2018); “on the beach”, Galerie Klose, Essen (2018); starting price Rotterdam (2015); “Voyage Mezzanine”, Galerie Clara Maria Sels, Düsseldorf (2015); “Faraway, so close – Summertimes 8”, Galerie Maurer, Frankfurt am Main (2018); “Wollfront”, Kesselhaus/Kunstverein Bamberg, Bamberg (2015); “Hangover Gardens, “Meeresrauschen”, Art Galerie 7, Cologne (2018); “Joanna Jesse – Malerei”, Galerie Daniel Man (born 1969 in London, England) studied from 1999 until 2003 at Daniel Man und Ted Green”, Kunstverein Friedberg Hessen, Friedberg (2014); Michael Heufelder, Munich (2018); “Kölner Liste – dicovery art fair”, Galerie Klose, the Hochschule der bildenden Künste in Braunschweig with professor Walter “Kunst, Kultur, Respekt.de”, Galerie der Künstler, Munich (2014); “Urban Art”, Schloß Cologne (2018); “Art Nordic”, Galerie Klose, Haslev (2018); “Das große Format”, Art Dahn and was from 2003 until 2005 in the masterclass of professor Markus Agathenburg, Agathenburg (2014); “Existenzielle Bildwelten, Sammlung Reinking”, Galerie 7, Cologne (2018); “Art Karlsruhe”, Art Galerie 7 & Kunst-Kompetenz Petra Oehlen at the Akademie der bildenden Künste in Munich. Weserburg Museum für moderne Kunst, Bremen (2014); “Gott und die Lust zur Kern, Karlsruhe (2018); “Das rote Kabinett”, Galerie Maurer, Frankfurt am Main Selected solo- and group-exhibitions: “Sammlung Reinking”, Woods Art Institute, Mechanik”, Museum im Kleinhuesbau, Kornwestheim (2014); “reKOLLEKT 2014”, 131. J. Doe – Flowerbomb (2017); “Sightzeichen 2017 – 25 Galerie Klose”, Galerie Klose, Essen (2017); “Entre Hamburg (2019); “Patrizia Children Foandation charity”, Ellia Art Gallery, Paris Galerie Borchardt, Hamburg (2014); “Tales from above”, Gallery Molliné, Stuttgart Nous – 50 Jahre Jubiläum”, Kunst-Kompetenz Petra Kern, Heidelberg (2017); “Outside (2019); “KOLLERNOW!”, Koller Auktionen, Munich (2019); “game over, insert (2013); “Daddy, you can’t make a cactus…this has been done!”, Grimmuseum, Berlin 2020, Fine Art Print, 91,44x66,04 cm – Malerei”, Art Galerie 7, Cologne (2017); “ART Bodensee 2017”, Michael Heufelder, coin | J‘ adore, sa ma fait pleurer”, Galerie Andreas Binder, Munich (2018); “I‘m a (2013); “Urbane Folklore”; Kunstraum Innsbruck, Innsbruck (2013); “Geometry and Donated by the artist. Munich (2017); “6. Entre Nous”, Kunst-Kompetenz Petra Kern, Heidelberg (2017); “Art Believer”, Lenbachhaus und Kunstbau, Munich (2018); “Body & Soul”, Künstlerhaus Friends”, Huntington Beach Art Center, Los Angeles (2013). € 111 Karlsruhe”, Galerie Maurer & Art Galerie 7, Karlsruhe (2017). FAKTOR, Hamburg (2018); “Congratulations!”, Kunstverein Speyer, Speyer (2018); starting price “Ansbach Contemporary 2018 2. Biennale”, Ansbach (2018); “KOKORO”, Petra > Daniel Man lives and works in Augsburg and Munich. Joanna Jesse lives and works in Solingen. www.danielman.net J. Doe lives and works in New York. www.joanna-jesse.de 78 79

135. Jonathan Schmidt-Ott – untitled (Sans 8) 136. Peter Halasz – Ocean and Rock Sketch I 2018, archival pigment print, 60x40 cm, (9+ 3 AP) 2018, oil on panel, 20,32x25,4 cm 133. Karina Wisniewska – S 312 134. Karina Wisniewska – S 314 Donated by the artist. Courtesy Galerie Michael Janssen, Berlin. Donated by the artist. € 700 starting price € 600 starting price 2014, mixed media on canvas, 50x50 cm 2014, mixed media on canvas, 50x50 cm Donated by the artist. Donated by the artist. Jonathan Schmidt-Ott (born 1976 in Berlin, Germany) studied until 2010 at the Peter Halasz (born 1974 in the USA). € 2.100 € 2.100 starting price starting price Film University Babelsberg Konrad Wolf in Berlin. Selected solo- and group-exhibitions: “Fall Into The Half Light”, Nancy Tommey Selected solo- and group-exhibitions: “Vollmond”, Galerie Michael Janssen, Berlin Fine Art, San Francisco (2019); “Art Market San Francisco”, Nancy Tommey Art, San (2018); “Art Dubai”, Galerie Michael Janssen, Dubai (2018); “…why no hug the Francisco (2019); “To Have Or To Be”, Ochi Projects, Los Angeles (2018); “Distant Miami (2009); Cosmos Gallery, Seoul (2009); C.A.M. Galerie, Istanbul (2009); Sara Karina Wisniewska (born 1966 in Venice, Italy) studied from 1983 until 1986 at strangers.”, Dzialdov, Berlin (2017); “The tree”, mAtter, Diginner Gallery, Tokyo Light”, Quint Gallery, San Diego (2018); “Wouldn’t It Be Nice If We Could Dream the Hochschule für Musik und Theater in Bern and at the Züricher Hochschule Tecchia Roma New York, New York (2008); Galerie Bergner + Job, Mainz (2008); (2016); “木”, mAtter, gift_lab, Tokyo (2016); “O f f C o u r s e”, Dzialdov, Berlin Together”, Diane Rosenstein Gallery, Los Angeles (2017); “CO OP”, Quint Gallery, Art-2, Gallery, Singapore (2008); Diana Lowenstein Fine Arts, Miami (2007); der Künste and at the Mozarteum in Salzburg. (2016); “The Gallery Store”, Studiolo, Berlin (2016); “Malfunction”, Dzialdov, Berlin La Jolla (2016); “Séance”, Quint Projects, San Diego (2016); “Under Pressure: Galerie am Lindenplatz, Vaduz (2007); Sara Tecchia New York, New York (2007); Selected solo- and group-exhibitions: Galerie im Park – Museum for Contemporary (2015); “The Stare Show”, Four Corners, Labyrinth Photographic, London (2015); Printmaking Today”, Grossmont College Hyde Art Gallery, La Mesa (2016); “Silence”, Lausberg Contemporary, Toronto (2006); Karin Weber Gallery, Hong Kong (2006); Art, Bremen (2019); Petra Gut Contemporary, Zürich (2019); Kühlhaus Berlin, “Apart”, Dzialdov, Berlin (2015); “Limited Editions”, Lubomirov-Easton, London Quint Contemporary, La Jolla (2015); “Western Lands: Peter Halasz and Anthony Diana Lowenstein Fine Arts, Miami (2006); Pentimenti Gallery, Philadelphia Berlin (2019); Galerie Proarta, Zürich (2018); “WAndE®N”, Kunstmuseum (2015); “fall”, Dzialdov, Berlin (2014); “Boot”, Dzialdov, Berlin (2014); “A year in Hernandez”, R.B. Stevens Gallery, La Jolla (2013); “GRAM Selects”, Grand Rapids (2005); Art Forum Ute Barth, Zürich (2005); Ueker&Ueker, Basel (2005); Galerie Appenzell, Appenzell (2017); Bildhalle, Zürich (2017); Galerie Proarta, Zürich the development”, Four Corners, Labyrinth Photographic, London (2014); “Pferde Art Museum, Grand Rapids (2013-2012); “Summer Group Show”, R.B. Stevenson am Lindenplatz, Vaduz (2004); Galerie Marie-Louise Wirth, Hochfelden (2004); (2017); WAndE®N, Kunstmuseum Appenzell, Appenzell (2016); Karin Weber stärken”, Four Corners, Labyrinth Photographic, London (2013); “Crowd”, Chocolate Gallery, La Jolla (2012); “Love Songs and Incantations”, R.B. Stevenson Gallery, La Jolla Galerie am Lindenplatz, Vaduz (2003); Galerie Fischer, Luzern (2002). Gallery, Hong Kong (2015); Heather James Fine Art, Palm Desert (2015); Heather Factory, London (2013); “Painting Forever…”, Little Bread Pedlar, London (2013); (2012); “Hyper/Hypo”, Secret Project Robot, Brooklyn (2012); “Gallery Group Show”, James Fine Art, Jackson (2014); Holis Taggart Galleries, New York (2014); Grand “House”, Little Bread Pedlar, London (2013); “Due”, ASC Studio, Bond House, London R.B. Stevenson Gallery, La Jolla (2011); “Elegant Discord”, Mighty Tanaka Gallery, Her works can be found in the following museums and collections: General Electric Gallery, The National Arts Club, New York (2014); Galerie des 20. Jahrhunderts, (2013); “Swan”, Belfast Photo Festival, Catalyst Arts Gallery, Belfast (2013); “A year Brooklyn (2010); “Salon Show”, Dactyl Foundation, New York (2009); “Peter Halasz”, Art Collection; Espace de l‘Art Concret Mouans-Sartoux; Museum zu Allerheiligen, Basel (2014); Galerie Proarta, Zürich (2014); Hollus Taggart Galleries, New York in development”, Four Corners, Labyrinth Photographic, London (2013); “Y”, The Envoy Enterprises, New York (2009); “Under the Drowning Stars”, Chambers Gallery, Schaffhausen; Mezzanin Stiftung für Kunst, Schaan; Credit Suisse Art Collection; (2013); 222 East 41st Street Space, New York (2013); Galerie Baudoin Lebon, Sassoon Gallery, Lonodn (2012); “Cheval Ivre”, Bateau Ivre, Berlin (2012); “Papergirl Portland (2009); “November’s Ghosts”, Richard Heller Gallery, Los Angeles (2009); UBS Art Collection; VP Bank Collection, Triesen; Musée Abbatiale de Payerne; Lord Paris (2012); Catherine Asquith Gallery, Sydney (2012); Galerie Forsblom, Helsinki #5 We’ve got the drive”, Neurotitan, Berlin (2010); “TAPS: Improvisations with Paul “Summer Group Show”, Galleria Glance, Turin (2008); “Together”, Bill Brady ATM Norman Foster Collection; Rudin Collection, De Woody Collection. (2011); Galerie Proarta, Zürich (2011); Hollis Taggart Galleries, New York (2011); Burwell”, Matt’s Gallery, London (2010). Gallery, New York (2007); “Nocturnes”, J. Dewers Gallery, San Diego (2006). Catherine Asquith Gallery, Melbourne (2010); Octavia Art Gallery, New Orleans Karina Wisniewska lives and works in Switzerland. Jonathan Schmidt-Ott lives and works in Berlin. Peter Halasz lives and works in Los Angeles. (2010); Galerie des 20. Jahrhunderts, Basel (2010); Diana Lowenstein Fine Arts, www.karinawisniewska.com > www.schmidtott.com, www.galeriemichaeljanssen.de www.peterhalasz.com 80 81

140. M atthias Mansen – Welle 137. S asan Nasernia – Beyond no 1 138. Stephanie Stein – ‚Qui parlerait nous de nous‘ 139. Jaouad Bentama – infinity 1998 (98 – 25), colour woodcut on deckle edged paper, 79x107 cm, 2018, ink on paper, 80x60 cm 2019, graphite, lacquer on wood, hinge, 49x39x4,5 cm (unique copy) Donated by the artist. Donated by the artist. 2018, mixed media (glue, acrylic, spray, plush, sheet) on canvas, Donated by the artist. 76,2 x 101,6x25 cm € 1.900 starting price € 2.600 starting price € 2.500 starting price Donated by the artist. Sasan Nasernia (born 1974 in Tehran, Iran) began his career primarily as a Stephanie Stein (born in Germany) studied at the Vakschool Schoonhoven € 3.500 starting price Matthias Mansen (born 1958 in Ravensburg, Germany) studied from 1978 until calligrapher and typography artist. Exploring different avenues in Persian for Gold and Silversmithing in Schoonhoven, at the Gerrit Rietveld Akademie 1984 at the Staatlichen Akademie der Bildenden Künste Karlsruhe with the classical and also modern calligraphy, he has since expanded his practice to in Amsterdam, the Cooper Union for the Advanced Science and Art in New Jaouad Bentama was born in Paris, between two doors, Saint Ouen’s and professors Georg Baselitz and Markus Lüpertz. include painting, print, digital work and installation. In his search to find a York and at the Kunstakademie Düsseldorf, where she graduated in the Clignancourt’s flea and public markets. Growing up, the artist regularly Selected solo- and group-exhibitions: “Matthias Mansen, Berlinzyklen, Holzschnitte”, personal format of calligraphy, he has found a novel way of intertwining letters masterclass of professor Rosemarie Trockel. found himself working along his dad selling second-hand objects. It is through Galerie Schrade, Karlsruhe (2019); “Alles ist Ausschnitt, Matthias Mansen, Potsdamer and words, which he refers to as ”Crazy Kufic”. Nasernia, who has a BFA Selected solo- and group-exhibitions: “MOVES”, Imagemovement hosted by ITALIC, this dusty and cluttered world of old artifacts that Jaouad Bentama started Straße”, Staatliche Kunsthalle Karlsruhe, Karlsruhe (2018); “Matthias Mansen: from Azad Art University of Tehran; also explores a myriad of themes in his Berlin (2019); “A Fist of Pure Emotion”, Crone Side, Berlin (2018); “Devices to Enter assembling diverting objects to create a window to an otherworldly place. Configurations”, National Gallery, of Art, Washington (2017); “Carte Blanche für work. He is broadly interested in playing with the tension between opposing a Space”, kjubh Kunstverein, Cologne (2018); “Last Dance”, Autocenter guest at In 2012 Jaouad moved to New York City to dedicate himself formally to his Wolfgang Wittrock: Potsdamer Straße”, Aurel Scheibler, Berlin (2015); “Work in elements of order and chaos. Sometimes borrowing from traditional Persian KINDL Zentrum für Zeitgenössische Kunst, Berlin (2018); “Jahresgaben Ausstellung”, artistic life, surrounded by a collective of artists, his work combines painting Progress”, Cabinet d’arts graphiques, Musée d’arts et d’historie, Geneva (2012); painting and iconography, he immerses them in abstraction and ambiguity. Kölnischer Kunstverein, Cologne (2017); “ERROR O (feat. Andreas Reihse und and found objects from the his childhood. “Künstlerische Positionen im Hochdruck”, Museum für Druckkunst, Leipzig (2011); In his more politically driven works he juxtaposed calligraphy with known Marcus Steinweg)”, Solo for One, Bar Babette, Berlin (2017); “Mind the Gap”, Selected solo- and group-exhibitions: “Group Show”, Espace 8, Montreal (2019); “Mansen, Woodcuts”, Galerie Mirchandani+Steinruecke, Mumbai (2008); “About the public personas and modern symbols of violence and conflict to explore the Wurlitzer Pied A Terre Collection, Berlin (2017); “Extradelicato International”, Festival “Reobron at Renaissance Hotel”, Hôtel Renaissance Paris Arc de Triomphe Hôtel, House, Woodcuts by Matthias Mansen”, The Ashmolean, Oxford (2007); “Matthias question of today’s political uncertainty and terror throughout the Middle East. Studi Milano, Milan (2017); “Fold”, ASPN Gallery, Leipzig (2017); “NochNicht”, Q-Box Paris (2019); “Jaouad Bentama x Boris Bernard”, Lazy Susan, New York (2019); Mansen – Holzschnitt”, Museum Folkwang, Essen (2003); “Das XX. Jahrhundert. Nasernia employs the icons of the past and the modern world, infuses them Gallery, Athens (2016); “Untitled (substitute)”, ASPN Gallery, Leipzig (2016); Festival “Pop-up exhibition”, Season Loft, Paris (2019); “Wearables exhibition”, Con Artist, Ein Jahrhundert Kunst in Deutschland – Gesichter der Zeit”, Staatliche Museen with letters and lines to create a visual lexicon of his own. Studi Milano, Milan (2016); “Tioi I”, MD Cologne, Cologne (2015); “The Vacancy”, New York (2019); “Unauthorized, 90 years of Mickey Mouse”, Con Artist, New York zu Berlin – Preußischer Kulturbesitz, Kupferstichkabinett, Berlin (1999); “About Galerie Crone, Berlin (2015); “20 Jahre Kunstgruppe Cologne”, Salon Schmitz, (2018); “Wonderland”, Secret Gallery, Paris (2018); “All Stars”, New York (2018); the House, New York 1989-1992”, Städtische Galerie in der Stiftung, Reutlingen, Selected solo- and group-exhibitions: Gallery Fann, Dubai (2019); “Sharjah Cologne (2015); “l’Aventura – Die mit der Liebe spielen”, Palazzo Guaineri delle “Eternity Gallery Collaboration with Lulu Laboratorium”, Miami (2017); “Opera Kunstverein Göttingen, Kunsthalle Recklinghausen, MIT List Visual Arts Center, Caligraphy Biennale”, Sharjah (2018); Mark Borghi, New York (2018); Iran Cossere, Brescia (2014); “Ifinito”, Maschinenhaus Essen, Essen (2014); “O”, Natalie Gallery Group”, Eternity Gallery, Sinpapore & Miami (2017); “Group Show”, Gallery Cambridge Massachusetts (1997). Heritage Foandation, London (2018); Gallery Ward, Dubai (2016); Seyhoun Hug Gallery, Cologne (2013); “Jahresgabenausstellung”, Kölnischer Kunstverein, Notforthemnyc, Long Island City (2017); “Group Show”, Conartist”, New York (2017); His works can be found in the following museums and collections: The Baltimore Gallery, Teheran (2016); ”Explorations and Reflections” (2015); Pro Art Cologne (2013); “The End”, Q-Box Gallery, Athens (2013); “Maison de Plaisance/ “Collaboration with”, Gallerie Camille Burgi, Paris (2017); “Group Show”, Gallery Museum of Art, Baltimore; Kupferstichkabinett, Staatliche Museen zu Berlin, Berlin; Gallery, Dubai (2014); J+A Gallery, Dubai (2014); Seyhoun Gallery, Teheran Jardins des Plaisirs”, Museum Morsbroich, Leverkusen (2012); “Uncanny Home”, Notforthemnyc, Long Island City (2016); “Art Studio”, Collective Conartist, New York Museum of Fine Arts, Boston; Kupferstichkabinett, Staatliche Kunstsammlungen, (2013); Pro Art Gallery, Dubai (2013); Pro Art Gallery, Dubai (2012); Shirin Corridor/Gangurinn, Reykjavik (2012); “Drunken Sailor”, Jagla Ausstellungsraum, (2016); “The Secret Art Show”, Troy Bar, New York (2016); “Conception Exhibition Dresden; Hamburger Kunsthalle, Hamburg; Ashmolean Museum, Oxford; Busch- Gallery, Teheran (2011); Tashkeel, Dubai (2010); Total Arts Gallery, Dubai Cologne (2012); “Breaking News – Fukushima and the Consequences”, KW Institute Show”, M1-5 Lounge, New York (2015); “Conception Exhibition Opening”, M1-5 Reisiger Museum, Harvard University, Cambridge; Staatliche Kunsthalle, Karlsruhe; (2010); ”Tehran Art Expo”, Teheran (2010); Shirin Gallery, Teheran (2009); for Contemporary Art, Berlin (2011); “#38”, Bar Ornella, Cologne (2010); “Folkwang Lounge, New York (2015); “Set NYC”, Holy Apostles, New York (2015); “Mon ami Graphische Sammlung, Munich; The Museum of Modern Art, New York; Kunsthalle Basement, Dubai (2009); Total Arts, Dubai (2008); Focus art Gallery, Dubai Video VI”, Folkwang Museum, Essen (2005); “Schweigen”, OLG, Cologne (2003); we share the same sky”, Fred Torres Collaborations Gallery, New York (2013); “First Recklinghausen, Recklinghausen.; Cabinet d’arts graphiques, le Musée d’art et (2008); Art Bastyaka, Dubai (2008). “Poème/Image”, Kunsthaus Schloß Wendlinghausen, Dörentrup (2003). Salon Show”, Green Point Gallery, Brooklyn (2013). d’histoire, Genf; National Gallery of Art, Washington, D. C. Sasan Naernia lives and works in Vancouver. Stephanie Stein lives and works in Berlin. Jaouad Bentama lives and works in New York. Matthias Mansen lives and works in Berlin. www.nase rnia.com www.stephanie-stein.com www.jaouadbentama.com www.matthiasmansen.com 82 83

142. Hassan Hajjaj – Lhiba 143. H ans Andersson – untitled 2016/1438, Kodak Metallic Lambda on Dibond, 52,5x64,5x3,5 cm, (4/7), Donated by the artist. 2017, mixed media on found paper, 30,5x38,5 cm Donated by the artist. Courtesy Galerie Forsblom, Stockholm. € 4.000 starting price 144. F lorian Baudrexel – Mag € 3.000 starting price 2012, collage from magazine paper, polystyrene passe-partout, 32x42 cm Hassan Hajjaj (born 1961 in Larache, Morocco). Donated by the artist. Courtesy, Linn Lühn, Düsseldorf. Hans Andersson (born 1979 in Kalmar, Sweden) studied from 2000 until 2005 Selected solo- and group-exhibitions: “Hassan Hajjaj”, Fotografiska, Stockholm € 850 (2020); “Carte Blanche à Hassan Hajjaj”, Maosin Européenne de la Photographie, at the Konstfack Stockholm. starting price Paris (2019); “The Path”, New Art Exchange, Nottingham (2019); “African Spirits”, Selected solo- and group-exhibitions: “Arco Madrid”, Galeria F2, Madrid (2020); Yossi Milo Gallery, New York (2019); “Get Up, Stand Up: Generations of Black Creative “Non-space”, Revolver Galeria, Peru (2020); “Fold”, Revolver Gallery, Peru (2019); “To Florian Baudrexel (born 1968 in Munich, Germany) studied from 1991 until 141. Johan Deckmann – The incomplete truth about 1997 at the Kunstakademie in Düsseldorf. everything Pioneers”, Somerset House, London (2019); “The Space of the Image – MAXXI a Tree”, Galerie F1, Madrid (2019); “Silcence of the Sirens”, Studio Giardini, Venedig Collection 2018-2019”, MAXXI, Rome (2019); “Styles of Resistance: From the (2019); “Art Cologne”, Cologne (2019); “Smetana Disc Brake”, Sjöberg, Fullersta Selected solo- and group-exhibitions: “o.T.”, Linn Lühn, Düsseldorf (2020); Herve Van 2016, paint on book, 43,5x37,5 cm Corner to the Catwalk”, Museum of Contemporary African Diasporan Arts, Brooklyn Gård (2019); Gallery LOKO, Shibuya, Tokyo (2019); Galerie Forsblom, Stockholm der Straeten Gallery, Paris (2019); “Nova Section”, Art Basel Miami, Miami (2019); Donated by the artist. (2019); “1-54 Marrakech”, Yossi Milo Gallery, Marrakech (2019); “Contemporary (2018); “Museum of Cosmic Consciousness”, Fenberger House, Nagano (2018); “Constructivism and Balance”, Lullin + Ferrari, Zürich (2018); “Die Gerade und die € 2.000 Muslim Fashions”, De Young Museum, San Francisco (2018); “African Metropolis: an Galerie Forsblom, Helsingfors (2017); “If You Don’t Like Art, Goodbye, Fuck Off, Go Krumme”, Ein Raum Haus, Mannheim (2018); “Doors of Paradise”, Union Pacific starting price Imaginary City”, Maxxi Museum, Rome (2018); “Talisman in the Age of Difference”, Home”, Vestfossen Kunstlaboratorium, Vestfossen (2017); “Biotop”, Biologiska Muset, Gallery, London (2018); “Translokale”, Filmwerkstatt Düsseldorf, Düsseldorf (2018); Stephen Friedman Gallery, London (2018); “Hyper Real”, The Arts Club, London Stockholm (2017); “Invited”, Konstärhuset, Stockholm (2017); American Embassy Kunstverein Oldenburg, Oldenburg (2017); “Junior Friend”, Linn Lühn, Düsseldorf Johan Deckmann (born 1976 in Copenhagen, Denmark) studied psychology (2018); “Al Musiqa”, Philarmonie de Paris, Paris (2018); “Pop Stars! Popular Culture in Sweden, Stockholm (2017); “Swefish Art: Now!”, Sven Harrys Konstmuseum, (2016); “Gelächter from außen”, Kunstverein Reutlingen, Reutlingen (2016); “The from 2003 until 2009 at the Danish Institute for Psychotherapy in Copenhagen. and Contemporary Art”, 21c Museum, Oklahoma City (2018); “Noss Noss”, National Stockholm (2016); “Implicit Hits, Hans Andersson/Eva Löfdahl/Arijana Kajfes”, Tiny Picture Show”, Pavel Zoubok Gallery, New York (2016); “Wendezeiten”, CCA Johan Deckmann is also an author and released his first book in 2018. Gallery of Victoria, Melbourne (2017); “La Caravane”, Somerset House, London Kalmar Konsthall, Kalmar (2015); Lars Bohman Gallery, Stockholm (2015); “Artefact: Andratx Kunsthalle, Andratx (2016); “Art Cologne”, Linn Lühn, Cologne (2016); “New Selected solo- and group-exhibitions: The Chicago Cultural Center, Chicago (2020); (2017); “African-Print Fashion Now!”, Fowler Museum, UCLA, Los Angeles (2017); from fetish to commodity”, Flach Gallery, Stockholm (2014); “No sound is innocent”, Collages”, Corbett vs. Dempsey, Chicago (2015); “Wo ist hier? #2§”, Kunstverein “1989”, Megaplex Worldwide Exhibition Center, Copenhagen (2019); Guy Hepner “Karima: A Day in the Life of a Henna Girl”, British Museum, London (2016); “Islamic Marabouparken, Sandbyber (2014); “Hans Anderson/Hilde Retzlaff”, Alers-sut-tech Reutlingen, Reutlingen (2015); “Komposition”, Galerie Moeller Witt, Aarhus (2015); Gallery, New York (2019); “HERE+NOW”, Pablo’s Bithday, New York (2019); Art Now: Contemporary Art of the Middle East”, LACMA, Los Angeles (2015); (2013); “Panorama”, Lars Bohman Gallery, Stockholm (2013); “Självporträtt”, “Small World”, Linn Lühn, Düsseldorf (2014); Lullin + Ferrari, Zürich (2014); “Vom “Fantasia”, Spoke Art Gallery, San Francicso (2018); “It Takes Time, It’s Risky and It “Karima: A Day in the Life of a Henna Girl”, Los Angeles County Museum of Art, Los Fullersta Gård, Stockholm (2013); “Sangrand”, Karlskrona (2013); Angelika Knäpper Aussenraum zum Innenraum – from the collection of Florian Peters-Messer”, Might Last Forever”, Arp Museum, Remagen (2018); “Windowlicker”, Galleri Benoni, Angeles & Art Basel Film Sector, Basel & Centre Pompidou, Paris (2015). Gallery, Stockholm (2013); “Festivall 3”, 5 Artima Gallery, Reykjavik (2012); “Market Kunstverein Potsdam, Potsdam (2014); “Maufa”, Center, Berlin (2013); “Kneeling Copenhagen (2018); “Book Club”, Unspeakable Projects Gallery, New York (2018); His works can be found in the following museums and collections: Barjeel Collection, art fair”, Angelika Knäpper Gallery, Stockholm (2012); “At the end of the Rainbow”, Window”, Kunstverein Hamburg, Hamburg (2012); “The Year of the Cat”, Linn “What Can I Say?”, Montserrat College of Art Galleries, Beverly (2018); “Xmas Sharjah; Brooklyn Museum, Brooklyn; Farjam Collection, Dubai; Institut des Cultures What the shop, Vienna (2012); “Hans Andersson”, Angelika Knäpper Gallery, Lühn, Düsseldorf (2012); “2-Pack”, Jacky Strenz Galerie, Frankfurt am Main (2011); ’17 – The Annual Winter Group Show”, Christoffer Egelund Gallery, Copenhagen d’Islam, Paris; Kamel Lazaar Foundation, Tunis; Musée d’Art Contemporain Africain Stockholm (2011); “Spår”, Malmö Konstmuseum, Malmö (2011/10); “Expanding “Autobot”, Leopold-Hoesch-Museum, Düren (2011); “Kneeling Window”, Linn Lühn, (2018-17); “First Editions”, 57W57 Arts Gallery, New York (2017); “Summertime Al Maaden, Marrakech; Museum of Arts of the XXI century, Rom; Memphis Brooks Mind and Space”, Angelika Knäpper Gallery, Stockholm (2010); “Hans Andersson”, Düsseldorf (2010); “Florian Baudrexel”, Cussler, Berlin (2010); “330”, Center, Berlin ’17 – The Big Annual Group Show”, Christoffer Egelund Gallery, Copenhagen (2017); Museum of Art, Memphis; Los Angeles County Museum of Art, Los Angeles; Nasher Angelika Knäpper Gallery, Stockholm (2009); Tsinghua Art Museum, Tsinghua (2010); “Georgica”, Lullin + Ferrari, Zürich (2009); “Florian Baudrexel und Tobias “Any Given Book”, White Noise Gallery, Rome (2016); “Charlottenborg Spring Museum of Art, Duke University, Durham; Newark Museum, Newark; National University, Peking (2009); “Cut Ups”, Centrum för Fotografi, Stockholm (2009); Hantmann”, Galerie Bernd Kugler, Innsbruck (2009); “Ti Conosco”, Linn Lühn, Exhibition 2016”, Kunsthal Charlottenborg, Copenhagen. Gallery of Victoria; Melnourne; Victoria and Albert Museum, London. “Återväxt”, Forum Kultur, Stockholm (2009). Cologne (2008); “Chess”, The Reliance, London (2007). Johan Deckmann lives and works in Copenhagen. Hassan Hajjaj lives and works in London and Marrakesch. Hans Andersson lives and works in Stockholm. Flroian Baudrexel lives and works in Berlin. www.johandeckmann.com www.instagram.com/hassanhajjaj_larache www.hans-andersson.org, www.galerieforsblom.com www.florianbaudrexel.com, www.linnluehn.com 84 85

146. F elicitas Rohden – Dunes (lines) 148. V ikenti Komitski – untitled 2020, Inkjet Print on Matte FineArt Paper, 2 successive prints, laminated in 147. Kenneth Blom – Alhambra cardboard, 90x70 cm 2018, mixed media (found objects), 53x37x13 cm Donated by the artist. Courtesy Kunst & Denker Contemporary, Düsseldorf. 2020, oil on canvas, 140x170 cm Donated by the artist. Donated by the artist. € 1.450 starting price € 2.500 starting price € 7.000 starting price Felicitas Rohden (born 1984 in Germany) studied from 2002 until 2008 at the Vikenti Komitski (born 1983 in Sofia, Bulgaria) studied at the National 145. K atja Gärtner – Rahmen Kunstakademie Düsseldorf with the professors A.R. Penck, Rita McBride and Kenneth Blom (born 1967 in Roskilde, Denmark) studied from 1990 until 1994 Academy of Arts in Sofia and at the Universität der Künste in Berlin. Georg Herold and graduated, while spending her exchange semester 2006 at the Oslo Academy of Art and from 1994 to 1995 at the Kunstakademie 2019, acrylic on fabric, 30x40 cm Selected solo- and group-exhibitions: “Sea Level”, Art Geneve, Fabien Levy, Genf in Stockholm at the Konstfack (University of Arts, Crafts and Design), in the Düsseldorf. Donated by the artist. (2020); “Solo-Show”, Liste Basel, SARIEV Contemporary, Basel (2019); “Alle Vögel masterclass of professor Georg Herold in 2008. Since 2015 she is a lecturer at € 650 Selected solo- and group-exhibitions: “Art Herning”, Galleri Birch, Herning (2020); sind schon da”, WERK, Berlin (2018); “Nothing to be lost”, Goethe-Institut Bulgaria, starting price the St-Lucas University School of Arts in Antwerp. “Art Karlsruhe”, Luisa Catucci Gallery, Berlin (2020); Galleri Birch, Copenhagen Sofia (2018); “Lost but safe for the moment”, Narkissos Gallery, Bologna (2017); Selected solo- and group-exhibitions: “Ida Gerhardi Förderpreis”, Städtische Galerie, (2020); Galleri Haaken, Oslo (2020); Luisa Catucci Gallery, Berlin (2019); “Kenneth “BASIC AND THE BEAST”, SARIEV Contemporary, Plovdiv (2017); “Art Cologne”, Katja Gärtner (born 1975 in Düsseldorf, Germany) studied from 1998 until Lüdenscheidt (2019); “VSAC Conference Exhibition”, KADOC, Leuven (2019); Blom: Intruder”, Jason McCoy Gallery, New York (2019); Gallery Dropsfabrikken, SARIEV Contemporary, Cologne (2017); “Shifting Layers”, Sofia City Art Gallery, Sofia 2004 at the Kunstakademie Düsseldorf, until 2002 with professor Dieter Krieg, “Blue is hot and red is cold – Klasse A.R. Penck”, Kunsthalle Düsseldorf, Düsseldorf Trondheim (2019); “Face; Figures and Portraits by Gallery Artists”, Peking fine art, (2017); “Volatile Truths”, Rainbow Unicorn, Berlin (2017); “World at a Crossroad”, from 2002 to 2004 with professor Siegfried Anzinger and got her degree in (2019); “Altered Angles – Mars Mission”, Kunst & Denker Contemporary, Düsseldorf Beijing (2018); Muster Meier Gallery, Bern (2017); “Posers II, Pekin fine art”, Hong National Gallery of Iceland, Reykjavik (2016); “Art Cologne”, SARIEV Contemporary, the masterclass of professor Dieter Krieg. (2018); “///”, Tique Artspace, Antwerp (2018); “B-Sides”, SALOON, Brussels (2018); Kong (2017); Gallery Haaken, Oslo (2017); Maerz Contemporary, Berlin (2016); Cologne (2016); “Update”, Galerie Krinzinger, Vienna (2015); “Contemporary Icons; Selected solo- and group-exhibitions: “Space frozen in timless matter”, Kulturforum “More then a book project”, Kunst & Denker Contemporary, Düsseldorf (2017); “Kenneth Blom: Theatre of Operations, Pekin fine art”, Hong Kong (2015); Gallery the art of Spectacle”, 3rd Danube Biennial, Meulensteen Art Museum, Bratislava Kapelle, Waltrop (2019); “Malerei”, Sonja Fröhlich, Cologne (2019); “Obscure “Akademie”, KIT, Düsseldorf (2017); “Stretched”, LUCA library, Brussels (2016); Haaken, Oslo (2015); “Kenneth Blom”, Jason McCoy Gallery, New York (2014); (2015); “Art Cologne”, SARIEV Contemporary, Cologne (2015); “Places of Transition”, transparency”, plan d, Düsseldorf (2019); HSBC Bank, Düsseldorf (2018); “SUN”, “Prix de la Gravure”, Centre de la Gravure et de l’image, La Louvière (2016); “The “Transformation”, Belgrad & Bukarest (2014); Rarity gallery, Mykonos (2014); Gallery frei_raum Q21, MuseumsQuartier, Vienna (2014); “Balkon zum Balkan”, Staatliche Schloss Jägerhof, e.V., Düsseldorf (2018); “Heart shot”, Onomato, Düsseldorf (2015); heavy hollow”, TORX, Brussels (2016); “The Huis Museum”, Museum Perron Oost, Haaken, Oslo (2013); Jason McCoy Gallery, New York (2013); Gallery Haaken, Oslo Kunsthalle Baden-Baden, Baden-Baden (2014); “Commodities Unplugged”, Sariev “Sommer 2”, projektraum Achenbachstraße, Düsseldorf (2010); “Kafkas Travel”, Amsterdam (2016); “Bended Sight”, Jagla Ausstellungsraum, Cologne (2015); “INKT”, (2012); Studio Hugo Opdal/Mood of Norway Flø (2012); Maerz Contemporary, Berlin Project Space, Plovdiv (2014); “New Poor”, ICA, Sofia (2013); “I am You Are Me”, Westwerk, Admiralitätsstrasse, Hamburg (2009); “more than human”, Parterre, artist edition and exhibition at Biennale de Venezia, Venice (2015); “0”, Tiefkeller, (2011); Gallery Haaken, Oslo (2011); Jason McCoy Gallery, New York (2011); Jason Bulart gallery, Varna (2013); “Go West!”, Muzeon Art Park, Moscow (2012); “Is It Düsseldorf (2007); “Vierwände Kunst”, The Minibar, Düsseldorf (2007); “Pars Bonn (2015); “Lightways”, De Coöperatieve, Hasselt (2014); “Golden Gaze”, TYSON McCoy Gallery, New York (2010); Galleri Bouhlou, Bergen (2010); Jason McCoy Free?”, NutureArt gallery, New York (2012); “Together Again”, Radiator Gallery, New pro Toto”, Virtuell – Visuell e.V., Dorsten (2007); “Komplikations”, Hoffeldstrasse, Raum, Cologne (2014); “Black Panther”, Galerie 21, Hamburg (2013); “Magical Gallery, New York (2010); Galleri Haaken, Oslo (2009); Galleri Haaken, Oslo (2009); York (2012); “East Of Best”, Roodkapje, Rotterdam (2011); “An Exclusive Object of Düsseldorf (2007); “Walz, Schelle, Werk”, Clubruine, Düsseldorf (2007); “Exile Rabbit”, studio for the artistic research, Düsseldorf (2013); “N°3 Kunstakademie Stavanger Art Society European Capital of Culture, Stavanger (2008); Colonade Art”, Dana Charkasi Gallery, Vienna (2011); “Entrepot”, Galerie Krinzinger, Vienna On Cottage Street”, Estemp, Düsseldorf (2007); “Grandmann – Gärtner”, Atelier at McKinsey”, Galerie Fischer, Düsseldorf (2013); “From Wanderern, Wilderern Gallery at Sotheby’s London, London (2007); Galleri Haaken, Oslo (2007); Aalesands (2011); “Beyond Credit”, Antrepo 5, Istanbul (2010); “FQ Test”, GMG Gallery, Kölnischer Kunstverein, Cologne (2005); “37.38.39”, Anna Heidenhain, Pfalzstrasse, & Dilettanten, 10 Jahre dHCS Stipendium”, Kunstverein für die Rheinlande und Art Society, Aalesand (2006); Galleri Haaken, Oslo (2006); Henie Onstad Art Center, Moscow (2010); “Photo I Photo You”, Calvert 22, London (2010); “Breaking Walls Düsseldorf (2004); “Klasse Krieg III”, Leinwandhaus, Frankfurt am Main (2004); Westfalen, Düsseldorf (2013); “Holes ‘n Frames”, Grafisches Kabinett, Düsseldorf Sandvika (2005); Galleri Haaken, Oslo (2004); Henie Onstad Art Center, Sandvika Building Networks”, Macedonian Museum of Contemporary Art, Thessaloniki (2010); “Bildräume”, Kunstverein Villa Streccius, Landau (2004); “Für den Innenbereich – (2012); “In several aspects”, Halka art project, Istanbul (2012); “The Postcard”, (2003); Galleri Haaken, Oslo (2003); Galleri Haaken, Oslo (2002); Galleri Haaken “From Ideology to Economy, Contemporary Bulgarian Art 20 Years Later”, The State Klasse Krieg”, Galerie Knecht, Karlsruhe (2004). Rosenberg gallery NYU, New York (2011). (2002). Central Museum of Contemporary History of Russia, Moscow (2009). Katja Gärtner lives and works in Düsseldorf. Felicitas Rohden lives and works in Brussels and Düsseldorf. Kenneth Blom lives and works in Oslo. Vikenti Komitski lives and works in Berlin. www.katjagaertner.de www.felicitasrohden.com, www.kunstanddenker.com www.kennethblom.com www.galerie-krinzinger.at 86 87

149. Herbert Hinteregger – Untitled (Autolack) 2015, Ballpoint pen color, light pen and car paint on canvas, 50x40 cm 150. Jeff Kahm – Transverse 151. Ruth Avra & Dana Kleinman – Cross Product Series: YZ Donated by the artist. Courtesy Kargl Fine Arts, Vienna. 2018, acrylic, acrylic medium on canvas over panel, 66,04x60.96 cm 2017, 3D aluminum construction with painting on canvas, 30,48x30,48x7,62 cm € 3.000 starting price Donated by the artist. Donated by the artists. Herbert Hinteregger studied at the Akademie der Bildenden Künste Wien € 1.450 starting price € 1.350 starting price with the professors Walter Oberholzer and Erwin Bohatsch. Jeff Kahm (born 1968 in Edmonton, Canada) studied 1992 at the Institute of Ruth Avra (born in the USA) and Dana Kleinman (born in the USA) work Selected solo- and group-exhibitions: “Untitled (Kunstschnee)”, Georg Kargl BOX, 152. T obias Kroeger – Monos (Orange, Blue, No.2) Vienna (2019); “Konkrete Gegenwart”, Museum Haus Konstruktiv, Zürich (2019); American Indian Arts in Santa Fe, 1994 Kansas City Art Institute in Kansas City together since 2008. and 1997 he graduated as a Master of Fine Arts at the University of Alberta Ruth graduated in 2001 in art Art Metal Concentration, at the University of “performance by appointment”, Georg Kargl Fine Arts, Vienna (2019); “Auf der Kippe. 03.2019, acrylic and vinyl on canvas, 30x24 cm in Edmonton. From 2009 until 2015 he was an Assistant Professor at the Wisconsin. Eine Konfliktgeschichte des Tabaks”, Tiroler Volkskunstmuseum, Innsbruck (2019); Donated by the artist. Institute of American Indian Arts in Santa Fe and since 2015, he is an Associate Dana graduated in 1997 at the Carnegie Mellon University in painting, drawing “Transformation of Geometry, Collections of Siegfried Grauwinkel, Berlin und Miroslav € 400 Velfl, Prague”, GHMP Prague City Gallery, Prague (2018); “Recollection”, Galeria Professor at the Institute of American Indian Arts in Santa Fe. and printmaking, with an additional major in history and anthropology and in starting price Proyectos Monclova, Mexico City (2018); “20 Jahre”, RLB-Kunstbrücke, Innsbruck Selected solo- and group-exhibitions: “John Gibson featuring Clay Johnson & Jeff 2002 she graduated in painting at the University of New Mexico ab. (2018); “La Collection”, BIC, CENTQUARTRE, Paris (2018); “Concentration – A Kahm”, William Havu Gallery, Denver (2019); “Fall Group Show”, Chiaroscuro Selected solo- and group-exhibitions: “Market Art + Design”, Hamptons (2019); Tobias Kroeger (born 1977 in Bremen, Germany). Some start small; Tobias Tribute”, Georg Kargl Fine Arts, Vienna (2018); “Untitles (Flow)”, Galerie im Taxispalais, Gallery, Santa Fe (2018); “Patternality”, Republic Plaza, Denver (2018); “Native Coral Springs Museum of Art, Coral Springs (2019); “Art Fort Lauderdale”, Fort Kroeger started rather large. Inspired by the New York City subway graffities Innsbruck & Kunstverein Heilbronn, Heilbronn (2017); “Relaunch”, Georg Kargl Fine Visions”, Chiaroscuro Gallery, Santa Fe (2018); “Etlelooaat – He Who Shouts”, Lauderdale (2019); “Art Palm Springs Art Fair”, Maria Elena Kravetz Gallery, Palm of the 1990’s, he sprayed his first works of art in his hometown of Bremen, Arts, Vienna (2017); “Remastered – Die Kunst der Aneignung”, Kunsthalle Krems, McNichols Civic Center Bldg., Denver (2018); “New Regionalisms”, McNichols Civic Springs (2019); “Water”, Whitewall Contemporary, Delray Beach (2019); Art and Germany, at the age of 12. Kroeger spent his youth exploring the boundaries Krems (2017); “Untitled (Value)”, RLB-Atelier, Lienz (2016); “Now on Display”, Center Bldg., Denver (2018); “Palm Springs Art Fair”, Chiaroscuro Contemporary Culture Center, Hollywood (2019); CICA Museum, Gyeonggi-do (2019); “SOFA Art of the genre: Out of the typical imagery of graffiti, he developed his own Sammlung Ivo Moser, Innsbruck (2016); “Abstrakt – Spatial” Kunsthalle Krems, Krems Art, Palm Springs (2018); “Wings”, IAIA Balzar Contemporary Edge Gallery, Santa Fair”, Maria Elena Kravetz Gallery, Chicago (2018); Amy Simon Fine Art, Westport iconography, and finally transported this style on to classic canvas – since 2013, (2016); “a likeness has blisters, it has that and teeth”, Semperdepot, Vienna (2015); Fe (2017); “11th Annual Contemporary Native Art Exhibition”, Chiaroscuro Gallery, (2018); “W H I T E”, Whitewall Contemporary, Delray Beach (2018); “Art Palm his focus has been on using oil and acrylic paints “Stadt Kunst Innsbruck, Die Sammlung der Stadt Innsbruck”, Alte Stadtsäle, Innsbruck Santa Fe (2017); “Without a Theme”, Mashantucket Pequot Museum & Research Springs Art Fair”, Maria Elena Kravetz Gallery, Palm Springs (2018); “Art Fort Selected solo- and group-exhibitions: “Two for Tomorrow”, 44309 Gallery, Dortmund (2015); “Transparency”, Georg Kargl Fine Arts, Vienna (2015); “Konkret – Abstrakt”, Center, Mashantucket (2017); “Palm Springs Fine Art Fair”, William Havu Gallery, Lauderdale Art Fair”, Fort Lauderdale (2018); “Exposed”, Art and Culture Center, (2019); “Windows”, Peggy Gallery, Bremen (2018); “Masquerade”, Mirus Gallery, Parlament, Vienna (2014); “Franz Graf/Herbert Hinteregger”, Halle Otrans, Kitzbühel Palm Springs (2017); “The Connected Edge”, William Havu Gallery, Denver (2017); Hollywood (2018); “Mottos”, Art and Culture Center, Hollywood (2018-2017); San Francisco (2017); “Nord Nord Ost”, Kolly Gallery, Zürich (2017); “Anamorphic (2014); “Bildwelten der Reduktion”, RLB-Kunstbrücke, Innsbruck (2014); “Endoscopia”, “Holiday Show”, Chiaroscuro Contemporary Art, Santa Fe (2016); “The World is Flat “December Group Show”, Lanoue Gallery, Boston (2018); “Duality”, Islip Art Portraiture”, Mirus Gallery, San Francisco (2017); “Another view”, Plastic Murs Galerie Bernd Kugler, Innsbruck (2014); “Sammlung RLB”, RLB Atelier, Lienz (2014); Not Round”, Phil Space, Sante Fe (2016); “Introducing Jeff Kahm”, William Havu Museum, East Islip (2017); “De/Constructing Landscape”, Sandra Philips Gallery, Gallery, Valencia (2017); “Abstract”, 44309 Streetart Gallery, Dortmund (2017); “Eye-Level of my Art Dealer”, Artissima, Turin (2013); “Herbert Hinteregger & Michael Gallery, Denver (2016); “Culture Shift: The Contemporary Native Art Biennial”, Art Denver (2017); “Tondo”, Exhibit 208, Albuquerque (2017); “Scope Miami”, Arte “MenschTierWir”, Affenfaust Gallery, Hamburg (2016); “Playground”, Hugo 45 Sailstorfer”, Gerog Kargl BOX (2013); “Siehe was dich sieht, Franz Graf”, 21er Haus, Mur, Montreal (2016); “Art in Embassies”, american embassies in Kathmandu, Ponte, Miami (2016); “Featured Artist March 2016”, Museum of the Golden Ratio Gallery, Brunswick (2916); “FOOLS”, kunstmix – Galerie im Schnoor, Bremen Vienna (2013); “Curated by: Additive Abstraktion”, Galerie Georg Kargl, Vienna (2013); Bogota, Asmara, Morovia (2016); “Transforming Landscapes”, Balzer Contemporary (2016); Kaller Fine Arts, Washington D.C. (2016); “Heavy Metal”, Downtown (2015); “KNOTENPUNKT 14”, Affenfaust Gallery, Hamburg (2014); “Face-Off”. “Sammlung Grauwinkel”, Vasarely Museum, Budapest (2013); Halle Otrans, Kitzbühel Edge Gallery, Santa Fe (2016); “Palm Springs Art Fair”, Madison Gallery, Palm Springs Contemporary, Albuquerque (2016); “Two person show”, Amy Simon Fine Art, GfG Gruppe für Gestaltung, Bremen (2014); “A Major Minority”, 1AM Gallery, San (2012); “Nemesims, by Muntean/Roseblum”, Frieze Art Fair, London (2012); “Killing the (2016); “Jeff Kahm: Works on Paper”, Lloyd Kiva New Gallery – MoCNA, Santa Fe Westport (2016); “Two person show”, Lanoue Fine Art, Boston (2015); ADC Fine Art, Francisco (2014); “Cantamananas” Contemporary Art Centre, Huarte (2012); “Das system softly”, Galleria Antonia Ferrara, Reggio Emilia (2012); “Sammlung Sigrid und (2015); “Native Art Now: Contemporary Indigenous Art”, NONAM, Nordamerika Cincinnati (2015); “Abstract Views”, Nan Miller Gallery, Rochester (2015); “s(and): an unbekannte Meisterwerk”, Bremer Art Centre Buntentor, Bremen (2005); “Graffiti Franz Wojda”, MMKK, Klagenfurt (2012); “Darling, you sent me”, B19, Vienna (2012). Native Museum, Zürich (2015). introduction”, Exhibit 208, Albuquerque (2015). Art”, Galerie Steinbrecher, Bremen (1998). Herbert Hinteregger lives and works in Kirchberg and Vienna. Jeff Kahm lives and works in Sante Fe. Ruth Avra und Dana Kleinman live and work in Florida and New Mexico. Tobias Kroeger lives and works in Bremen. www.herberthinteregger.com, www.georgkargl.com www.jeffkahm.com www.kx2art.com www.tobiaskroeger.com 88 89

153. Henning Strassburger – Drip 1 154. Daniel Kiss – springdow I 156. Jean Jullien – untitled 155. Javier Martin – Blindness luz de papel 2017, oil and charcoal on canvas, 45,5x35,5 cm 2019, metal, plastic, varnish, 40x30 cm 2020, acrylic gouache on canvas, 130x90 cm Donated by the artist. Courtesy Sies + Höke, Düsseldorf. Donated by the artist. 2020, digital stamp on 325gsm cotton paper, 100x79 cm, (1/30) Donated by the artist. Donated by the artist. € 3.000 starting price € 1.000 starting price € 8.500 starting price € 400 starting price Henning Strassburger (born 1983 in Meissen, Germany) studied from 2006 until Daniel Kiss (born 1984 in Roth, Germany) studied from 2007 until 2014 at the Jean Jullien (born 1983 in Nantes, France) completed a graphic design degree 2009 at the Kunstakademie Düsseldorf. In 2014 he was a visiting professor at Akademie der Bildenden Künste Nürnberg and graduated as a master student. Javier Martin (born 1985 in Ceuta, Spain) Martin began painting in oil colors in Quimper before moving to London. He has since graduated from Central the University of Las Vegas, UNLV, Department of Fine Arts and from 2015 to Selected solo- and group-exhibitions: “a tall dark stranger”, new now, Frankfurt am at the tender age of seven and had his first exhibition at the age of eight; yet, Saint Martins (2008) and from the Royal College of Art (2010) 2016 professor at the State Academy of Fine Arts in Karlsruhe. Main (2019); “get well soon”, Kunsthaus Nürnberg, Nuremberg (2019); “once more he never allowed formal artistic training to influence him. Instead, he relied He has worked with hundreds of clients including New York Times, New Selected solo- and group-exhibitions: “KARMA MANSION”, Blain|Southern, London with feeling”, four boxes, Skive (2019); “face my booth with your hot spotter”, Hard on his experiences, which allowed him to explore the various materials he Yorker, The Guardian, Beams, RCA Records, The Connaught, Colette, SZ (2019); “Image Vision”, Philipp Pflug Contemporary, Frankfurt am Main (2019); Space, Basel (2018); “shared spaces/wrong places”, Satellit, Berlin (2018); “being incorporates into his work. Martin supplemented his artistic development by Magazin, National Geographic, Le Grand Palais, Le Centre Pompi- dou, “Paintingzeitgeist?”, AchenbachHagemeier, Berlin (2019); “You are here – Works from seas being mountains”, lateral, Cjuj (2017); “shared spaces”, Neuer Kunstverein frequenting exhibitions and museums around the world to learn about the Amnesty International, Esquire, Le Coq Sportif, Le Bon Marché, Hermès, Mr. the Peters-Messer Collection”, Werkschauhalle Leipzig, Leipzig (2019); “Hyper! A Aschaffenburg, Aschaffenburg (2017); “Pferdepfad”, Offspace, Project, Bernkastle- universal history of art. Traveling, living, and working around the globe - from Porter, Champion USA, Salomon, Petit Bateau, Vogue and many more. journey into art and music”, Deichtorhallen, Hamburg, Hamburg (2019); “Fünf Bilder”, Kues (2017); “resilience”, stay hungry (in exile), Berlin (2017); “fountain2482”, Europe to South Korea and Hong Kong to the United States - honed his obser- Selected solo- and group-exhibitions: “les Sources”, Galeria Slika, Lyon (2020); “Pulse Blumenthal, New York (2018); “Air Conditioner”, Osnova Gallery, Moscow (2018); Kunstverein Nürnberg/Albrecht Dürer Gesellschaft, Nuremberg (2016); “three vation skills, allowing him to learn from people and daily situations far removed Art Fair”, Chandran Gallery, Miami (2019); “PETRICHOR”, Alice Gallery, Brussels “Kenny”, Blain|Southern, Berlin (2018); “Trance”, Aïshti Foandation, Beirut (2018); walls and a window”, black box gallery, Copenhagen (2016); “Allesverloren”, SØ, from his background. Through his work Martin demonstrates a capacity to (2019); “LESCONIL”, Nanzuka Gallery, Tokyo (2019); “The Aromatics”, Chandran “Works on Paper”, Gussglashalle, Berlin (2018); “Doodle & Disegno”, Blain|Southern, Copenhagen (2016); “crooked horizons”, PIK, Cologne (2016); “fountain I”, bazaar manipulate materials and conditions to construct sharp visual metaphors. Gallery, San Francisco (2019); “GIB”, Arsham Fieg Gallery, New York (2019); “Spring Berlin (2018); “Paradise is Now. Palm Trees in Art”, Robert Grunenberg und Salon compatible program, Shanghai (2015); “dancing with my buddy”, P/ART, Hamburg Selected solo- and group-exhibitions: “Borderless Artist Project” at Andong Arts Break art fair”, Chandran Gallery, New York (2019); “Le Volet Jaune”, Alice Gallery, Dahlmann, Berlin (2018); “Privacy”, Hofstra University Gallery, New York (2017); (2015); “Mélange”, COFA Contemporary, Cologne (2015); “painting and beyond”, and Culture Center, Andong (2019); “Infinite Light” Masahiro Maki Gallery, Tokyo Brussels (2018); “Le jardin Bleu”, Chandran Gallery, San Francisco (2018); “Onaju “JANE”, Sies + Höke, Düsseldorf (2017); “Private Resort”, Múrias | Centeno, Porto Kunstgalerie Bonn (nowadays Galerie Gisela Clement), Bonn (2014); “superfecta”, (2019); “Borderless Artist Project” Seoul Museum, Seoul (2019); “Plan B” (Volta) at Umi”, Gallery Target, Tokyo (2018); “Lineage”, Studio Concrete, Seoul (2018); “Le (2017); “Meditations in an Emergency”, Neue Galerie Gladbeck, Gladbeck (2017); Parkhaus, Düsseldorf (2014); “TJA”, Kunstarkaden, Munich (2014); “Lied des Jetzt”, David Zwirner, New York (2019); “Blindness The Dark Box Interactive Installation” Week-End”, Slika Gallery, Lyon (2018); “Flat out”, HVW8, Berlin (2017); “Art Basel “Wohnfront Megadark”, Plan5, Stockholm (2017); “Experimental Berlin”, Richard Basis, Frankfurt am Main (2014); “Salon 13, Kunstverein Nürnberg/Albrecht Dürer 520 West 28th by Zaha Hadid, New York (2019); “Intra Moenia – Cattelani Miami”, JUXTAPOZ x Adidas, Miami (2017); “Art is comic”, MIMA Museum, Brussels Taittinger Gallery, New York (2017); “Quality of Cuties”, just married, Osaka (2017); Gesellschaft, Nuremberg (2013); “the Gap”, Houmoller contract, Copenhagen (2013); Collections”, Campori Castle of Soliera, Modena (2018); “Blindness x Cosybox”, (2017); “The Giant for Children’s”, National Museum of Singapore, Singapore (2017); “Die Linke und die rechte Hand für ein Halleluja”, David Achenbach Projects, “my option is choice”, black box gallery, Copenhagen (2013); “truly unsiere”, lateral Cannes Film Festival, Cannes (2018); “Dear my wedding dress”, Seoul Museum, “Sigh”, the Lodge Gallery, Los Angeles (2017); “Shady”, Hotel Paisano, Marfa (2017); Wuppertal (2017); “Monet is my church”, Dittrich & Schlechtriem, Berlin (2017); artspace, Cluj (2013); “Kiosk offen mit Daniel Kiss”, Kutzbauergasse, Vienna (2013); Seoul (2018); “Blindness The Appropriation of Beauty” Curated by Robert C. Morgan, “Flat out”, Watt Gallery, Ghent (2016); Studio Concrete, Seoul (2016); “Duet, with Superet Exit Systems”, Studiolo, Milan (2016); “Bleaching is Teaching”, Kunstverein “Kiss/Klausecker”, studio Tröger, Kunstverein Kohlenhof, Nuremberg (2012); “collabs”, New York (2018) “36th Korea Galleries Art Fair”, Paik Hae Young Gallery, Seoul Jean Andre”, HVW8 Gallery, Los Angeles (2016); “Poor Traits”, HVW8 Gallery, New Reutlingen, Reutlingen (2016); “Superert Light”, Soy Capitán, Berlin (2016); “Provinz”, stitching hedah, Maastricht (2012); “Rotary Collection Nünerberg-Sigena zu Gast im (2018); “Blindness Alma- A Room Without Walls Installation”, Valli Art Gallery Miami, York (2015); “Affiche”, Cremona (2015); “Case of ubiquity”, Industrial Color, New c/o Kunsthalle Recklinghausen, Recklinghausen (2016); “My Abstract World”, me Kunstverein”, Kunstverein Nürnberg/Albrecht Dürere Gesellschaft, Nuremberg (2012); Miami (2017); “Art Miami”, Paik Hae Young Gallery, Miami (2017); “RAW- Blindness York (2015); “Petit Appetit”, Colette & L’imprimerie Gallery, Paris (2015); “Sylvie”, Collectors Room, Berlin (2016); “Dirt Club”, BolteLang, Zürich (2015); “Biographical “Präzission liegt im Auge des Betrachters”, ZAKK 3, Kunstverein Würzburg, Würzburg The Dark Box Interactive Installation”, Young Artist Initiative, Miami (2017); “Art Pictoplasma conference, Berlin (2014); “How beautiful it is”, Kemestry Gallery, Paintings of Love and Hate”, Naples (2015); “Think Tank”, Oldenburger Kunstverein, (2012); “Jahresausstellung”, AdBK, Nuremberg (2012); “better futures forever”, wysing Shenzhen”, Matthew Liu Fine Arts,Shenzhen (2017); “New Ways of Seeing Art World London (2014); “Us”, Kemestry Gallery, London (2014); “Allo”, Kemestry Gallery, Oldenburg (2015); “Pool”, Sies + Höke, Düsseldorf (2015); “Artists agains Aids”, arts contemporary, Bourn (2012); “Dual”, Kunsthaus Essen, Essen & Künstlerhaus Forum”, Liang Yi Museum, Hong Kong (2017); “Meet the Artist”, Soho House, New London (2013); “La Plage”, Beach Gallery, London (2013);” ☺/☹”, Galerie Michel Bundeskunsthalle, Bonn (2015). Dortmund, Dortmund (2011). York (2017). Lagarde and Gallery l’Atrrape rêve, Paris (2013). Henning Strassburger lives and works in Berlin. Daniel Kiss lives and works in Cologne. Javier Martin lives and works in Miami and Marbella. Jean Jullien lives and works in Paris. www.henningstrassburger.com, www.sieshoeke.com www.daniel-kiss.de www.javiermartinart.com www.jeanjullien.com 90 91

157. Jörg Kratz – Danglars II 158. Ludwig Reiter x Mccreedy – The Sneaker 160. Gábor Török – Einstellung 159. Jonas Leriche – Kiss of Delft 2019, oil on canvas, 45x40 cm 2018, Mccreedy-Blue on Ludwig Reiter sneaker, (you can choose any size 2012, bronce, 49x28x16 cm, (2/9) Donated by the artist. between 40-44) 2019, photo on archival fine paper, with gloss seal, 180x120 cm, (9 + 3 AP) Donated by the artist. Donated by Ludwig Reiter. Donated by the artist. € 1.200 starting price € 3.400 starting price € 300 starting price € 9.000 starting price Jörg Kratz (born 1987 in Haan, Germany) studierd from 2008 to 2011 history Gábor Török (born 1952 in Budapest, Ungarn) completed training as a gold- of art and philosophy at the Heinrich-Heine-Universität Düsseldorf and from Conor Matthew Mccreedy (born 1987 in Johannesburg, Southafrica) studied ”Even at a young age I was fascinated by the beauty of nature, and it has exerted an and silversmith and did an apprenticeship as a restorer and studied sport in 2011 until 2018 at the Kunstakademie Münster. at the University of North Carolina and the Pratt Institute of Art and Design elemental pull on me ever since. This authentic experience stands in shrill contrast with Budapest. He has been artistically active since 1980. the world in which I have lived and worked for the last decade, a world dominated by Selected solo- and group-exhibitions: “Nicht ohne Mühe, doch voller Würde”, in Manhattan. Selected solo- and group-exhibitions: Rubrecht-Contemporary, Wiesbaden (2020); mere appearance, social media posturing and superficiality. The driving force behind Kunstverein Ibbenbüren, Ibbenbüren (2020); “cadence”, Cité international des Selected solo- and group-exhibitions: “Bogota Art Fair”, Bogota (2019); “Lima PArC Galleria Kröger, Ascona (2020); Kunstkontor, Wiesbaden (2020); Galleria Kröger, my work is the desire to inject the rawness of nature into the seamless, controlled arts, Paris (2020); “Fortune & Failure”, Städtische Galerie im Bürgerhaus, Hilden Art Fair”, Lima (2019); “Solo Exhibition”, Askeri Gallery, Moscow (2018); “Shanghai Ascona (2019); “Art Karlsruhe”, Galerie Cerny, Karlsruhe (2019); Galleria Kröger, perfection of my photographs in order to undermine the facile gaze of viewers (2020); “add-on”, Künstlerhaus Dortmund, Dortmund (2020); “Sichtweiten”, International Art Fair”, Shanghai (2018); “COSMOSCOW Art Fair”, Moscow, (2017) Ascona (2018); “Art Karlsruhe”, Galerie Cerny, Karlsruhe (2018); Galerie Hovestadt, unaccustomed to scratching any deeper than the surface. Osthaus Museum, Hagen (2019); “Nebeltage”, Haus Am Quall, Gruiten (2019); “Solo”, Cat Street Gallery, Hong Kong (2015). Nottuln (2017); Galleria Kröger, Ascona (2017); “Art Karlsruhe”, Skulpturenplatz, Photography is just a medium “Schattenwand”, im Keller, Münster (2019); “Unbeschönigt – aber auch ohne Galerie Cerny, Karlsruhe (2017); Arthouse, Bregenz (2017); Galleria Kröger, Ascona Transforming emotions, intentional or unconscious ideas into gripping images: this is Übertreibung”, Alte Pumpstation, Haan (2019); “NRW.Bank.Kunstpreis 2018”, NRW. Conor Matthew Mccreedy lives and works in Zürich. (2016); “Art Bodensee”, Galerie Cerny, Dornbirn (2016); Galerie Cerny, Wiesbaden what matters to me. Constructing my photographs layer by layer, with meticulous Bank, Münster (2018); “Für eine lebendige Kultur”, Dörken Galerie, Herdecke (2018); www.conormccreedy.com (2016); Kunsthandel Draheim, Hattenheim (2016); Galerie Moderne, Bad Zwischenahn attention to detail, I compose my vision of beauty. Taking the actual photo is but the “gleich Fruchtböden voll epischer Saat”, Haus der Kunst Enniger, Ennigerloh (2018); Ludwig Reiter (1885 in Vienna, Austria) supplied already in 1887, the k.u.k. Security (2015); Galerie Jörg Schuhmacher, Frankfurt am Main (2015); Galerie Michael final stage of a long, deliberate process, punctuated by flashes of inspiration. This is why “out of peace”, Akademie Franz Hitze Haus, Münster (2018); “Ereignis Druckgraphik guard with made-to-measure boots and welted officer’s shoes. Blaszczyk, Bad Homburg (2015); Galleria Kröger, Ascona (2015); “Art Karlsruhe”, I consider myself an art director first, and then a photographer. 10”, Tapetenwerk, Leipzig (2018); “I’M BOB”, PS:Raum, Münster (2017); “wenn man The company operates 13 own business premises in Austria, Germany and Galerie Michael Draheim, Karlsruhe (2015); “Kunst- und Antiquitätentage Münster”, Larger than life in ihrem Halbdunkel kauert und sich seinen Träumereien hingibt”, Kunstraum-unten, Switzerland. In addition, around 200 first-class specialty shops and boutiques in Galerie Hovestadt, Münster (2015); “BRAFA Art Fair”, Galerie Jörg Schuhmacher, The scenarios I create go far beyond the individual or the anecdotal. My aim is not Bochum (2017); “Förderpreisausstellung der Freande der Kunstakademie Münster”, Austria, Germany, Switzerland, Italy, the Netherlands, Spain, Great Britain, Japan and Brussels (2015); Galleria Kröger, Ascona (2014); Galerie-im-Kies, Altach (2014); “Art merely to create an aesthetically appealing photo, but to create something larger than Kunsthalle Münster, Münster (2017); “Die Erfindung, die Behandlung des Stiches, die the USA manage the products of the manufacturer. Karlsruhe”, Galerie Rother Winter, Karlsruhe (2014); Galleria Kröger, Ascona (2013); life. That is why I transform individual models into dramatic, iconic figures that tap into Originalität oder die Nichtoriginalität, die Schönheit des Abdruckes, die Seltenheit…”, Ludwig Reiter is now known in Austria and abroad not only for his welted shoes, but Galleria Kröger, Ascona (2012); Galerie Rother, Wiesbaden (2012); “Art Karlsruhe”, a deeper level of experience, melancholy and mortality. The real quest, however, is to Baumhaus Wismar, Wismar (2017); “Stutenmilch”, Kunstspeicher Mettingen, also for high-quality sports shoes, women’s shoes and leather accessories. Around 60 Galerie Rother, Karlsruhe (2011); “Korea International Art fair”, Galerie Rother, Seoul discover true beauty inner, mysterious beauty for the viewer to gradually unravel. Mettingen (2016); “Er ging den Weg, den er gehen mußte, (…) und wenn er employees produce a total of around 30,000 pairs of shoes every year. (2010); “Kunsttage Winningen”, Winningen (2010); Hungarian embassy, Berlin (2010); Invitation to an inward journey irreging, so geschah es, weil es für etliche einen richtigen Weg überhaupt nicht gibt”, “Art Karlsruhe”, Galerie Rother, Karlsruhe (2010); Medana (2009); Handwerkskammer After years as a fashion photographer, I felt an emptiness, and something calling me. Kunstverein Hamm, Hamm (2016); “Malerei 16”, Dörken Galerie Herdecke (2016); www.ludwig-reiter.com Wiesbaden, Wiesbaden (2009); “Kunstsommer Wiesbaden”, 12 am Ring, Wiesbaden It was time to take the journey inward, to transform. Photography was the only way for “Lichtblicke”, Museum Villa Stahmer, Georgsmarienhütte (2016); “Radierung”, Galerie (2009); Schloss Wolfsgarten, Langen (2007). Ludwig Reiter x Mccreedy – The Sneaker me to make this journey. Delving into the rich layers in my photographs enables me to Schneeberger, Münster (2016); “EROTIK UNTEN Die Intimität der kleinen Form”, His works can be found in the following collections and museums: Rolf Arnold, connect with deeper layers in myself. My authentic self. It is a dramatic, ongoing and Kunstraum-unten, Bochum (2015); “Wild und Sanft”, WGZ Bank, Düsseldorf (2015); Two worlds meet that place great value on creation and craftsmanship as well Friedrichdorf; Kreditanstalt für Wiederaufbau, Frankfurt am Main, Walz-Foundation, even vital process. My ultimate wish is that my Art works will also awaken my viewers “Besuch aus Münster”, Raumsechs, Düsseldorf (2014); “Ereignis Druckgraphik 6”, as the best quality. Each sneaker is handmade by Ludwig Reiter and painted Stuttgart; European Central Bank, Frankfurt am Main; Airport Frankfurt, Frankfurt to a process of reconnection with the essential.” (Jonas Leriche) Tapetenwerk, Leipzig (2014); “Raumleere”, Galerie per-seh, Hannover (2013). with ‘McCreedy-Blue’ by the artist. Therefore, each pair is unique. am Main. The edition is 200 limited-edition sneakers. Each pair has about a serial Jörg Kratz lives and works in Haan. number and will be delivered with a certificate of authenticity. Each shoe is Jonas Leriche lives and works in New York and Antwerpen. Gábor Török lives and works in Wiesbaden. www.joerg-kratz.de made unique. www.leriche.be www.gabortoeroek.de 92 93

162. N ike Seifert – Jantar 2018, glue, chalks, pigments, oils, shellac on canvas, 120x100x9cm 163. Lena Amuat & Zoë Meyer – Edition: Kopf 164. F eriel Bendjama – We, they and I Donated by the artist. (Doppelbelichtung) 2011, lambda print on AluDibond, 50x45 cm, (8/10 + 2AP) € 3.100 starting price 2014, print, framed, 42x29,7 cm, (16/20) Donated by the artist. Donated by the artists. Nike Seifert (born 1970 in Hannover, Germany) studied law in Trier from 1989 € 600 starting price to 1993. From 1994 to 1996 she completed a gilding apprenticeship in Cologne € 450 starting price and Düsseldorf, has been working as a freelance artist since 2012 and has been Feriel Bendjama (born 1980 near Dresden, Germany) grew up between studying painting and drawing with professor Markus Lüpertz since 2019. Lena Amuat (born 1977 in Zürich, Switzerland) and Zoë Meyer (born 1975 in Offenbach am Main in Germany and Skikda in Algeria. Selected solo- and group-exhibitions: “Zwiegespräch”, Rufffactory, Cologne (2019); Bern, Switzerland) have been collaborating since 2008. Selected solo- and group-exhibitions: “Vergessene Aufklärungen”, Halle 14, “Quadratisch”, K49, Cologne (2019); “Privatausstellung”, Studio Nike Seifert, Cologne From 1999 to 2003 they both studied photography at the Zürcher Hochschule Leipzig (2019); “Berlin > Graz (Via Stockholm)”, Kunsthalle Graz, Graz (2018); (2019); “Art Karlsruhe”, Galerie Luzia Sassen, Karlsruhe (2019); “Privatausstellung”, der Künste and in 2010 (Zoë Meyer) and 2013 (Lena Amuat) they graduated in “Between Post and Pre”, Durden and Ray Gallery, Los Angeles (2018); “Untold Burg Kriegshoven, Swisttal (2019); “ST.ART”, Galerie Luzia Sassen, Straßburg (2018); their masters. Stories”, P21 Gallery, London (2018); “Muslime in Deutschland”, Museum für Tuch “Black Box”, Galerie Luzia Sassen, Cologne (2018); “Affordable Art Fair”, Galerie Selected solo- and group-exhibitions: “Kunst in der Krypta”, Grossmünster Zürich, und Technik, Neumünster (2017); “Blaue Jahre”, Kunstverein Hilsbach, Aurach Luzia Sassen, Amsterdam (2018); “Contemporary Art Ruhr”, Zeche Zollverein, Essen Zürich (2019); “Imago”, Kunsthalle Palazzo Liestal, Liestal (2019); “Mathematische (2017); “Graz-Berlin”, HilbertRaum, Berlin (2017); “Blaue Jahre”, HilbertRaum, 161. S tefania Tejada – By any means necessary (2018); “Odd Harmonics”, Kirchenatelier Link, Cologne (2018); “Revierkunst”, Zeche Modelle II”, Archiv Christoph Schifferli & UC Books, Zürich (2019); “l’ahah”, Gité Berlin (2016); “World in a Room”, Eight Obstructions, Berlin” (2016); “Muslime in Ewalds, Herten (2018); “Basis Grün”, K49, Cologne (2018); “Ausstellung Denkraum”, Griset / Rue Moret, Paris (2018); “Codex”, European Month of Photography, Berlin Deutschland”, VHS Dorsten, Dorsten (2016); “1 Jahr HilbertRaum”, HilbertRaum, 2020, oil on canvas, 125x95 cm Galerie Luiza Sassen, Siegburg (2018); “Spring Peaks”, K49, Cologne (2018); “Art (2018); “Elusive Objects”, Galerie Tart, Kunstszene Zürich, Zürich (2018); “Magische Berlin (2016); “Muslime in Deutschland”, Medienzentrum Freiburg, Freiburg (2016); Donated by the artist. Karlsruhe”, Galerie Luiza Sassen, Karlsruhe (2018); “Adventures Stories”, Galerie Welt”, Galerie Anixis, Baden (2018); “Pic.London”, Ambika P3 and Gallery SO, “Muslime in Deutschland”, Theodor Heuss Museum, Brackenheim (2015); “Muslime € 2.000 Luiza Sassen, Windeck (2017); “Art Karlsruhe”, Galerie Luiza Sassen, Karlsruhe London (2017); “Prix Photoforum”, Centre Pasquart Biel, Biel (2017); “The Wall”, in Deutschland”, Stadt Museum Erlangen, Erlangen (2015); “Veils, Horses and starting price (2017); “Reflections”, Dr. Bachem Rechtsanwälte, Cologne (2016); “Hell und kalt, Kunstgriff Zürich, Zürich (2017); “Surface matters”, Dyehouse 451, London (2017); Couscous”, HilbertRaum, Berlin (2015); “Der Löffel raubt den Winterschlaf”, Wild in warm und dunkel”, Galerie Luiza Sassen, Cologne (2016); “ART.FAIR”, Galerie Luiza “Werk- und Atelierstipendien der Stadt Zürich”, Helmhaus Zürich, Zürich (2017); a Room, Berlin (2015); “Inaugural Exhibition Part One”, HilbertRaum, Berlin (2015); Stefania Tejada (born in Tuluá, Columbia) studied from 2012 until 2014 fashion Sassen, Cologne (2016); “Revierkunst”, ehemaliges Museum am Ostwall, Dortmand “Recollection”, Grand Palais, Bern (2016); “Histoire des formes”, Amilly (2016); “We, they and I”, Return Gallery, Goethe Institute Ireland, Dublin (2014); “Courage”, design at the LaSalle College in Bogota and in Mexico and received her (2016); “Lucca Art Fair”, Lucca (2016); “Das Paradies”, Trinitatis Kirche, Cologne “Fetische”, Galerie Duflon Racz, Bern (2016); “# 2 Long distance communication”, Studio Cherie Gallery, Berlin (2014); “Die Schläferin”, Goethe Institut Ireland, Dublin postgraduate in Creation and Management of Fashion Brands at the BAU in (2016); “Extremes”, Atelier Meerkatze, Königswinter (2016); “Affordable Art Fair”, Galerie Marine Veilleux, Paris (2016); “Fool Moon”, Galerie Marine Veilleux, Paris (2014); “Muslima Online Exhibition”, International Museum of Women, San Francisco Barcelona. Galerie Luiza Sassen, Brussels (2016); “Arte Genova”, Genoa (2016); “Revierkunst”, (2015); “The Crossings”, Valla du Parc, Annemasse (2015); “Les Choses”, Galerie (2013); “We, they and I in Bilder des Islam”, Mercator Stiftung, Essen (2013); Selected solo- and group-exhibitions: “Every Woman Biennial”, LaMama Galleria, ehemaliges Museum am Ostwall, Dortmund (2015); “ART.FAIR”, Galerie Luiza Mark Mueller, Zürich (2015); “AC Stipendien Ausstellung”, Kunstmuseum Thun, “Muslime in Deutschland”, Museum Haus der Geschichte, Bonn (2012); “Bilder des New York (2019); “Ello X”, Creative Debuts, London (2018); “Artist for Smiling Sassen, Cologne (2015); “Gegenüberstellung”, Galerie Luiza Sassen, Cologne (2015); Thun (2015); “Offshore”, Photo Festival, Belfast (2015); “# 1 Poros”, Galerie Marine Islam in Deutschland”, Mercator Stiftung, Berlin (2012); “We, they and I”, Jungart Gecko project”, Liechtenstein National Museum, Vaduz (2018); “Posture Magazine: “Affordable Art Fair”, Galerie Luiza Sassen, Amsterdam (2015); “offenes Atelier”, Veilleux, Paris (2014); “Cantonale Berme Jura”, Kunstmuseum Thun, Thun (2014); Artist Night, Kitty Cheng, Berlin (2012); “Zenith Magazine, Islam in Deutschland”, The Infamous Issue”, SuperChief Gallery, New York (2017); “Trazos: Ilustrando Cologne (2015); “Arte Padova”, Padua (2015); “Alle”, Galerie Luiza Sassen, Cologne “Eclipse”, Galerie Marine Veilleux, Paris (2014); “Aliquid Mirari”, Piano Nobile, Geneva Soho House, Berlin (2012); “We, they and I”, Jungart Kunstschau, Alte Münze, Berlin moda”, Galeria Breve, Mexiko City (2016); “MalEntendidos”, Galeria Leun‘ un Arte (2015); “Künstler:Kurator”, Atelierhaus Aachen, Aachen (2015); “Kontraste”, Galerie (2014); “Plattform 14, EWZ Selnau, Zürich (2014); “Picture Show”, Alabama Sir, (2011); “Geschlechterbilder, Rollenbilder”, Verdi Zentrale, Berlin (2009); “Ausstellung Habitacion”, Mexiko City (2014); “Modus Operandi”, Columbia (2013). Luiza Sassen, Bonn (2015). Leipzig (2013); “It’s all in the Detail”, Kunsthaus Baselland, Muttenz (2013). Fotoklasse Ruth E. Westerwelle”, Alte Feuerwache, Berlin (2007). Stefania Tejada lives and works in Paris. Nike Seifert lives and works in Cologne. Lena Amuat & Zoë Meyer live and work in Zürich and Berlin. Feriel Bendjama lives and works in Berlin. www.stefaniatejada.com www.nikeseifert.de www.lenaamuat-zoemeyer.com www.ferielbendjama.com 94 95

166. Marlene Bart – June I/2018 167. Benjamin Appel – Zwischen Duschvorhang and 165. Magnus Gjoen – I Thought we‘d only meet in death Bodenfliesen 2018, silk-screen print, 50x35 cm, (edition: 8) 2018, archival pigment inks and silk-screen varnish on Donated by the artist. 2019, oil on canvas, 40x30 cm 305 gsm cotton rag paper, 70x70 cm (Edition: 80 – sold out) Donated by the artist. Courtesy ASPN, Leipzig. € 400 starting price Donated by the artist. € 2.100 starting price € 900 starting price Marlene Bart (born 1991 in Germany) studied with professor Wolfgang 168. S tijn Cole – Mont Venteux Ellenrieder at the Universität der Künste in Braunschweig (HBK), the Villa Benjamin Appel (born 1978 in Augsburg, Germany) studied from 2003 until 2019, oil on inkjet-print, 29,7x42 cm Magnus Gjoen (born in London, England). Born in England’s capital to Arson in Nizza (École nationale supérieure d‘art) and at the Art Center 2009 at the Akademie der Bildenden Künste Karlsruhe, with the professors Donated by the artist. Norwegian parents, Gjoen studied design in London and at the Insituto College of Design in Pasadena. She has been a docent at the Universität der Gerd van Dülmen, Thomas Zipp and Daniel Roth. € 1.000 Marangoni in Milan. He has worked as a denim designer and graphic designer Künste in Braunschweig (HBK) and startet her PhD at the Bauhaus Universität Selected solo- and group-exhibitions: “Vanitas Contemporaray”, H2 – Zentrum für starting price for British fashion legend Vivienne Westwood and in product development at in Weimar in 2018. Gegenwartskunst Augsburg, Augsburg (2020-2019); “Der Spalt zwischen Wand the American brand Lee Jeans, amongst others. Selected solo- and group-exhibitions: “Enviromental Crisis Exhibition”, Gerald Moore und Waschmaschine” Spinnerei Galerien, Leipzig (2019); “Entre la lavadora y la Stijn Cole (born 1970 in Ghent, Belgium) studied advertising from 1996 until Selected solo- and group-exhibitions: “To paint a deadly picture”, La Galleria Pall Gallery, London (2020); “Naturdinge”, Sprengel@Feinkunst, Hannover (2020); pared”, MAC Parque Forestal, Santiago de Chile (2019);, “Äpfel Birnen Ananas”, 2000 at the Sint-Lucasinstituut in Ghent and sculpture from 2000 until 2002 at Mall, London (2019); “Meet and Greet”, Baldi Shop, Harrods, London (2019); “Arrows “MyPrivateParadise”, Kunstverein Ludwigshafen, Ludwigshafen (2019); “Elswhere is Christine König Galerie, Vienna (2019); “Painting after painting after painting the Sint-Lucasinstituut. of Desire”, The Horse Hospital, London (2019); “Art Yard Sale”, Jubilee Square, here: Anderswo ist hier”, Centrespace Gallery, Bristol (2019); “the tableau of Dead after”, Guangdong Museum of Art, Guangdong (2018); “Another Aleph – Chinese Selected solo- and group-exhibitions: “Grey Blue Brown”, White Interios Ostend, Brighton (2019); “Presentation Baldi”, Salone del Mobile, Milan (2019); “Meet bird”, Art Quarter Budapest, Budapest (2019); “Novum Organum”, metavier Galerie, and German Contemporary Art Exhibition”, Museum Xiamen, Xiamen (2018); Oostende (2019); “Genesis”, L.A,C. Narbonne, Hameau du Lac (2019); “Intersecties”, the Artist”, Etch, Brighton (2019); “(it’s not) the end”, Jealous Gallery Shoreditch, Hannover (2019); “Mini Maxi Print Berlin”, Galerie Kuchling, Berlin (2019); “Image “Abstraction as painterly rhetoric. A case study between Germany and China”, Whitehouse Gallery, Lovenjoel (2019); “Finistère Fisterra”, Haus der Kunst St. Josef, London (2018); “Group Show”, Museum of Art, Haifa (2018); “Group Show”, Royal and Sound in Music Videos”, Dance Center Akropoditi, Syros (2018); “ORBIS PICTUS”, Galerie PIFO, Peking (2018); “Resonanzen”, ZKM, Karlsruhe (2017); “Vier Positionen Solothurn (2019); “Garden sculptures”, Whitehouse Gallery, Lovenjoel (2019); Overseas League, Liberty Gallery, London (2018); “Efflorescent”, Citizen Atelier 4D – Projektort des BBK LEIPZIG e.V., Leipzig (2018); “Leere Sockel / Entfernte aus vier Orten”, Kunstverein Nürtingen, Nürtingen (2017); “Yesterday Tomorrow”, “Variations sue les mêmes thèmes”, BPS22, Charleroi (2019); “Shore”, (re)D Gallery, (2018); “REBEL!”, Reem Gallery, London (2018); “Hang-Up Collections Autumn Momumente”, Organ kritischer Kunst, Berlin (2018); “MyPrivateParadise”, Neuer Thermen am Viehmarkt, Trier (2017); “Decade: Abstract Art 10”, Galerie PIFO, Antwerp (2019); “Biënnale van de schilderkunst”, Roger Raveelmuseum, Machelen Edition”, Hang-Up Gallery, London (2018); “UP IN ARMS”, Samuel Owen Gallery, Pfaffenhofener Kunstverein, Pfaffenhofen (2018); “Elsewhere is here: Anderswo ist Beijing (2017); “Art Rotterdam”, Galerie ASPN, Rotterdam (2017); “Rompelflasche”, (2018); “Art Brussels”, (re)D Gallery, Brussels (2018); “Vloed/Flood”, Ten Bogaerde, Greenwich (2018); “London Art Fair”, Liberty Gallery, London (2017); “Hang-Up hier”, TURBA Gallery, Hannover (2018); “Ereignis Druckgraphik 2017”, Tapetenwerk, Museum für Moderne Kunst, Quito (2016); “Poetique”, PIFO Gallery, Beijing (2016); Koksijde (2017); “1:1 / Marine”, C-Mine, Genk (2017); “Entre terre et mer”, (re)D Gallery Collections 2017”, Hang-Up Gallery, London (2017); “Explosion: Art to Blow Leipzig (2017); “Voyage Voyage Reise Reise I”, Galerie vom Zufall & vom Glück, “Über alle Maßen”, Kunststiftung Erich Hauser, Rottweil (2016); “Rompelflasche”, Gallery, Antwerp (2017); “1:1”, Château de Chimay, Chimay (2017); “New colors”, the Mind”, Flat Space Art, London (2017); “Sara Pope & Magnus Gjoen”, Studio 7 Hannover (2017); “Upcoming empires – Meisterschüler 2017”, Städtische Galerie, H2 Zentrum für Gegenwartskunst, Augsburg (2016); “Art Rotterdam”, Galerie ASPN, 019 & Designmuseum, Ghent (2017); “60 journées d’été ‘76 ‘16”, Raveelmuseum, Shoreditch, London (2017); “Solo Show”, Galleri Geo, Bergen (2017); “Pitch Black”, Wolfsburg (2017); “Turba Cux”, Künstlerhaus im Schlossgarten, Cuxhaven (2017); Rotterdam (2016); “A Visuell Odyssey”, Jing Gallery, Beijing (2015); “Sammlung Machelen (2016); “New Dialogues”, Gallery Wenger, Zürich (2016); “EL CAMINO”, Leonita Gallery, London (2017); “London Art Fair”, Liberty Gallery, London (2017); “All you need is more”, Anna Klinkenhammer Galerie, Düsseldorf (2017); “Per aspera Neue Kunst 7”, H2 Zentrum für Gegenwartskunst, Augsburg (2015); “Platzlegen”, L.A.C. Narbonne, Haneau du Lac (2016); “Halfway”, Italian institute, Brussels (2016); “Group Show”, Saatchi Gallery, London (2017); “Money talks”, Leonita Gallery, ad astra”, Lokal-int, Biel (2016); “Wunderkammer”, Galerie Schmalfuss, Berlin (2016); Kunstraum L6, Freiburg (2015); “Kunst im öffentlichen Raum”, Josef David Stiftung, “Chimay / Cancale”, (re)D Gallery, Antwerp (2016); “Grote Prijs Ernest Albert”, De London (2016); “Jealous needs you”, Jealous Gallery Shoreditch, London (2016); “SYSTEMS – a reconstructed encyclopedia”, Hochschule der Künste, Braunschweig Landau (2015); “Multipleart”, Kunsthaus Zofingen, Zofingen (2014). Garage, Mechelen (2016); “Colors of the sky”, Galerie de Mijlpaal, Knooke-Heist “Magnus Gjoen”, Popop, Oslo (2016); “Summer Exhibition”, Leonita Gallery, London (2016); “Inversion”, Museumsabtei, Liesborn (2015); “International Project”, Bolu His works can be found in the following museums and collections: Museum (2016); “Octobre”, Gallery René Blouin, Montreal (2015); “Splash!”, Amarant, /2016); “I’ll cry when I’m done killing”, Galleri Geo, Bergen (2016); “Show #1”, Bump Art Gallery, Bolu (2015); “87. Herbstausstellung”, Kunstverein Hannover, Hannover Voorlinden, Den Haag; Kunsthalle Mannheim, Mannheim; Museum of Art, Antwerp (2014); “Images & Colors”, (re)D Gallery, Antwerp (2013); “Stijn Cole”, Gallery Soho, London (2016); “International Art Showcase”, Mae Gallery, Japan (2015); “TURBA | efficere”, Montserrat DTLA, Los Angeles (2015); “Ora et labora – Guangdong; Kunst Raum Riehen, Riehen; Städtische Galerie Karlsruhe, Karlsruhe; Gallery Van De Weghe, Antwerp (2013); “Façades”, Be-Part, Waregem (2012); (2016); “Magnus Gjoen”, Soze Gallery, Los Angeles (2015). Labora et ora”, Art Center College of Design, Pasadena (2015). Kunstsammlung der Stadt Augsburg, Augsburg; Kunststiftung Erich Hauser, Rottweil. “Sunset / Sunset”, MSK, Ghent (2010). Magnus Gjoen lives and works in London. Marlene Bart lives and works in Berlin. Benjamin Appel lives and works in Karlsruhe and Leipzig. Stijn Cole lives and works in Seloignes. www.magnusgjoenart.com www.marlenebart.com www.benjaminappel.de, www.aspngalerie.de www.stijncole.eu 96 97

169. Joshua Hagler – Subway Study IV 172. M artin Schwenk – Berg8 2019, ink, oil on polyester film mounted on wood, 40x30 cm 171. N ina Stoelting – untitled (Stilübungen Birke V) 2019, acrylic and watercolor on paper, 76x57 cm Donated by the artist. Courtesy Unit London, London. Donated by the artist. Courtesy Galerie Cindy Rucker, New York 2017, mixed media, 50x32 cm & Galerie M. + R. Fricke, Berlin € 1.200 starting price Donated by the artist. € 1.200 starting price Joshua Hagler (born 1979 in Mountain Home, USA) studied at the University € 1.400 starting price of Arizona, Tucson. 170. S ibylle Springer – clash Martin Schwenk (born 1960 in Bonn, Germany) studied from 1981 until 1988 at Nina Stoelting (born 1966 in Wiesbaden, Germany) first studied architecture the Kunstakademie Düsseldorf and graduated as a master student of professor Selected solo- and group-exhibitions: “Chimera”, Unit London, London (2019); “From 2016, pencil on paper, 28,6 x 42 cm at the TU Darmstadt and the Escuela Tecnica Superior de Arquitectura in Günther Uecker. From 1999 to 2003 he was a lecturer at the Kunstakademie a Corner the Sound of a Small Bird”, Big Pictures, Los Angeles (2019); “Nuit Noire”, Donated by the artist. Barcelona, until 1993. After working in renowned architecture offices with a Düsseldorf and since 2010 a professor for sculpture at the Kunsthochschule der La Biennale de Lyon, Kashagan Galerie, Lyon (2019); “Gardens”, Last projects, € 850 Los Angeles (2019); “Love Letters to the Poorly Regarded”, Roswell Museum & starting price focus on competitions, she decided to do a doctorate in art history, which she Johannes Gutenberg-Universität in Mainz. Art Center, New Mexico (2018); “Dreams and Fevers”, Torrance Art Museum, Los completed in 1998 in Darmstadt. Nina Stoelting did her master from 1995 to Selected solo- and group-exhibitions: Galerie M-R Fricke, Berlin (2019); “Schaumfeld”, Angeles (2018); “With Liberty and Justice for Some”, Children’s Museum of the Arts, Sibylle Springer (born 1975 in Münster, Germany) studied from 2000 until 1997 in Salzburg as part of the European Executive Program for the Arts and Neuer Kunstverein Wuppertal, Wuppertal (2018); “Leaves and Tubes”, Cindy Rucker New York (2018); “Paradise Lost”, Patrick Painter, Inc., Los Angeles (2018); “Looking 2004 at the Hochschule für Künste, Bremen with the professors Karin Kneffel, Media at the University of Linz. Gallery, New York (2017); “Au rendez vous de amus”, Fondazione Palazzo Albizzini for U”, Unit London, London (2018); “The River Lethe”, Brand Library & Art Center, Stefan Kürten and Katharina Grosse and gradutaed in 2005 in the masterclass. Selected solo- and group-exhibitions: Rubrecht-Contemporary, Wiesbaden (2020); Collezione Burri, Città di Castello (2015); “Skulpturen in Marl”, Skulpturenmuseum Los Angeles (2018); “In the House is a Room into which Every River Empties”, Nicole 2015 until 2016 she was a lecturer at the Hochschule für Künste in Bremen. Kunsthandel Dratheim, Hattenheim (2020); Akademie der Wissenschaft und Glaskasten Marl, Marl (2015); “Nach der Natur”, Gerhard Marcks Haus, Bremen Longnecker Gallery, Houston (2017); “Missouri Parallels”, Galleri Oxhol, Copenhagen Selected solo- and group-exhibitions: “Something between us”, Kunsthalle Nürnberg, Literatur, Mainz (2019); “Art Karlsruhe”, Galerie Cerny, Karlsruhe (2019); “Berliner (2014); “Branching Out, Oswald Achenbach, Thomas Schütte, Martin Schwenk (2017); “Two Sides of the Coin”, Galerie Greulich, Frankfurt am Main (2017); “With Nuremberg (2020); “Pharma Phlora”, Kaponier Kunstverein, Vechta (2020); Luft”, Galerie Cerny, Wiesbaden (2018); “Art week”, Projektraum Galerie 102, Berlin und Thomas Struth”, Museum Ratingen, Ratingen (2014); “Alpenglühn”, Gallery Liberty and Justice for Some”, Walter Maciel Gallery, Los Angeles, Los Angeles & San “Something between us”, Kai 10, Düsseldorf (2020); “Neue Lügen”, Galerie K‘, (2018); Galerie Stefan Schmid, Zug (2018); Galerie am Park, Davos (2018); “Art Number35, Cindy Rucker, New York (2013); “home grown”, Kunstmuseum Krefeld, Francisco Arts Commission Gallery, San Francisco & Berkeley Art Center, Berkeley Bremen (2019); “Happy Crisis”, Galerie Anita Beckers, Frankfurt am Main (2019); Karlsruhe”, Galerie Cerny, Karlsruhe (2018); “Art Bodensee”, Galerie Cerny, Dornbirn Museum Haus Lange, Krefeld (2012); “Commander Mulroy”, Galerie Thorsten (2017); “Unknown Soldier”, San Francisco Arts Commision Gallery, San Francisco “Alles fließt”, Lazarus Gallery, Hamburg (2019); “Petersburg”, Weserburg, Museum (2017); “Kostbar”, Galerie Cerny, Wiesbaden (2017); “Art Karlsruhe”, Galerie Cerny, Obrist, Essen (2012); “The New Mainz School”, Kunsthalle Mainz, Mainz (2011); (2017); “Sould Case”, Durden & Ray Gallery, Los Angeles (2017); “Trust Fall”, Gallery für moderne Kunst, Bremen (2019); “Das Geheimnis der Dinge”, Beck & Eggeling, Wiesbaden (2017); Galerie Cerny, Wiesbaden (2016); “Art Bodensee”, Galerie Gallery Number35, Cindy Rucker, New York (2010); Dok25a, Düsseldorf (2010); “(z) ALSO, Los Angeles (2017); “The Encrypted Form”, Stoerpunkt, Munich (2017); Düsseldorf (2018); “Arte Noah”, Kunsthalle Feldbach, Feldbach (2018); “Ein Turm Cerny, Dornbirn (2016); “Kult(o)urnacht”, Speyer (2014); Georg Müller Stiftung art – Ausstellung from Jan Hoet”, ARTart, Stuttgart (2009); Kunstraum Düsseldorf, “Figurative Futures”, 101/Exhibit, Los Angeles (2017); “Figurative Futures”, 101/ von Unmöglichkeiten”, Galerie König, Berlin (2018); “Künstlerräume”, Weserburg, Hattenheim, Galerie Winter, Hattenheim (2014-13); “Kunst = Vielfalt”, Galerie Düsseldorf (2009); Gallery Number35, Cindy Rucker, New York (2009); “Herbarium EXHBIT, West Hollywood (2017); “Over the Hills”, Hometown, Brooklyn (2016); “In Museum für moderne Kunst, Bremen (2017); “Shoot the freak”, Kunstverein Ruhr, Draheim, Wiesbaden (2013); Haus der Nachhaltigkeit, Johanniskreuz (2012); Kloster der Blicke”, Deutscher Künstlerbund, Kunst- und Ausstellungshalle der BRD, Bonn the Mix”, Hometown, Brooklyn (2016), “The Adopted”, JAUS Gallery, Los Angeles Essen (2017); “Gift”, Gesellschaft für aktuelle Kunst, Bremen (2017); “Trading Bronnbach, Wertheim am Main (2011); Burg Eltville, Eltville (2011); Galerie Draheim, (2003); “Chilufim, Transfer Projekt NRW”, Kunstmuseum Bonn, Bonn & Museum (2016); “Hytercial Fiction”, La Estacione Arte Contemporaneo, Chihuahua (2016); Illusions”, Nationalmuseum Kiew, Ukraine (2017); “hell”, Galerie K‘, Bremen (2016); Wiesbaden (2010); Landesamt für Umwelt und Geologie, Wiesbaden (2010); Haus Lange und Haus Esters, Krefeld (2003); “Chilufim, Transfer Projekt NRW”, “Werewolf”, Gallery James Gallery, Los Angeles (2016); “Sincerely Yours”, Torrance “Grosser Hans-Purrmann-Preis 2015”, Kunstverein Speyer, Speyer (2015); “Ruinen Hungarian embassy, Berlin (2010); “Art Karlsruhe”, Galerie Rother, Karlsruhe (2010); The Israel Museum, Jerusalem & The Herzliya Museum of Art, Tel Aviv (2002); Art Museum, Torrance (2015); “Angels with Dirty Faces”, Galerie Ernst Hilger, der Gegenwart”, Steinbrenner / Dempf & Huber, Vienna (2014); “Das Vergnügen”, Handwerkskammer, Wiesbaden (2009). “Memories of Nature”, Contemporary Art Museum, Raleigh (2001); “Preziosen”, Vienna (2015); “Tallahassee International”, Florida State University Museum of Art, Galerie K‘, Bremen (2014); “Art up your life”, Kunstmuseum Bremerhaven, Her works can be found in the following collections and museums: Nassauische Kunstverein Lingen, Lingen (2001); “Bonn Direct”, Kunstverein Bonn, Bonn (2001); Tallahassee (2015); “52nd Annual Juried Exhibition”, Masur Museum of Art, Monroe Bremerhaven (2014); “Japonism in contemporary art”, Nippon Gallery, New York Sparkasse, Wiesbaden; Georg Müller Stiftung, Hattenheim; Staatsweingüter Kloster “Dorothea von Stetten-Kunstpreis”, Kunstmuseum Bonn, Bonn (2001); “Kabinett der (2015); “Romancing the West”, Gallerie Oxholm, Copenhagen (2014). (2014); “Hidden”, Galerie Anita Beckers, Frankfurt am Main (2013). Eberbach, Eltville; Handwerkskammer Wiesbaden, Wiesbaden. Zeichnungen”, Kunstfond, Bonn, Bonn (2000). Joshua Hagler lives and works in Roswell. Sibylle Springer lives and works in Bremen and Berlin. Nina Stoelting lives and works in Wiesbaden. Martin Schwenk lives and works in Düsseldorf. www.joshuahagler.com, theunitldn.com www.sibyllespringer.com www.ninastoelting.de www.martinschwenk.com, www.cindyruckergallery.com, www.galeriefricke.de 98 99

174. Jean-Yves Klein – Prometheus 2016, indian ink and pastel on paper, 73x55 cm 175. Markus Vater – untitled (Eule) Donated by the artist. 176. Graham Wilson – Hooplah 2010, oil on canvas, 71x56 cm € 1.100 starting price Donated by the artist. 2018, oil, twine and canvas, 127x121,92 cm Donated by the artist. Courtesy, Bjorn & Gundorph Gallery, Aarhus. Jean Yves Klein (born 1960 in Montreal, Canada) studied from 1976 at the € 2.500 starting price Académie St. Roch, Paris, from 1980 at the Ecole nationale supérieure des € 3.200 starting price beaux-arts, Paris and from 1982 until 1986 at the Hochschule der Künste Berlin Markus Vater (born 1970 in Düsseldorf, Germany) studied from 1992 and graduated in the masterclass. until 1994 at the Kunstakademie Münster and from 1994 until 1998 at the Graham Wilson (born 1987 in Louisville, USA). Selected solo- and group-exhibitions: “Zeitströme und Näherungen”, Kunsthaus Kunstakademie Düsseldorf as well as 1998 to 2000 at the Royal College of Art Selected solo- and group-exhibitions: “Plittin At The Seams”, Valentin, Paris (2019); Taunusstein, Niederlibbach-Taunusstein (2019); Galerie Holger John, Dresden (2018); in London. In 2003 he was awarded the Villa Romana scholarship. From 2012 “NEW WORK PART II: MATERIAL”, Cob, London (2018); “NADA Miami”, Valentin, “NGURO NGURO”, Atelier Jonas Burgert, Berlin (2018); Hotel Mond, Berlin (2018); until 2016 he was a lecturer at the Royal College of Art and 2014 a visiting Miami (2018); “In The Depth Of The Surface Act II”, Pablos Birthday, New York “Sanatorium”, Sanatorium Gallery, Istanbul (2018); Galerie Kampl, Munich (2018); professor at the Hochschule für bildende Künste in Hamburg and from 2016 (2018); “It takes a while for a round man to fit through a square hole”, Brand New “An den Orten dazwischen”, Kunsthaus Taunusstein, Niederlibbach-Taunusstein to 2019 a professor at the Staatlichen Akademie der Bildenden Künste in Gallery, Milan (2018); “Quarantine”, Spring Break Art Show, New York (2018); 173. C harlotte Neel Ritto – Kultur, naturligvis Karlsruhe. (from the series Decadence revisited) (2017); “Surf”, Galerie Hartwich, Rügen (2017); “Eröffnungsausstellung”, Rosenhang “Sometimes I Confuse Myself Too…”, Peninsula Art Space, Brooklyn (2018); “Every Museum, Weilburg (2017); “Blicksachen 11”, Bad Homburg & Frankfurt am Main Selected solo- and group-exhibitions: “Zwischen Nähe and Distanz: Konstruktion Which Way But Loose”, Anna Zorina Gallery, New York (2017); “Retirement Plan”, 2018, acrylic on newspaper, 72x52,5 cm (2017); “La vie est dure”, Galerie Bernard Jordan, Paris (2017); “Nem as paredes von Wirklichkeiten. Von Goya bis Picasso”, Museum Kunstpalast, Düsseldorf (2019); Corporation of Yaddo, Saratoga Springs (2017); “GIFC”, The Hole, New York (2017); Donated by the artist. confesso”, Galeria Rua Miguel Bombarda, Porto (2017); “Quellen”, Galerie Kampl, “Living is a problem”, Pi Artworks, London (2019); “Markus Vater What you See is “The August Show”, Galleri Jacob Bjorn, Aarhus (2017); “Summeary”, Valentin, Paris € 900 Munich (2016); “Energiefelder”, Kunsthaus Taunusstein, Niederlibbach-Taunusstein not What You Look at”, Kunstverein Ludwigsburg, Ludwigsburg (2018); “Art Cologne”, (2017); “Cauling all of my contemporaries…(to come burst my bubble)”, Galerie Chez starting price (2016); “4 Mann, vier Ecken und eine Frau”, Galerie Ina Schulz, Dresden (2016); Galerie Rupert Pfab, Cologne (2018); “bataillon d’amour”, Galerie Kleindienst, Valentine, Paris (2016); “Probably pushing up daisies by now…(dormant aesthetics)”, “Art Karlsruhe”, Galerie Michael Schultz, Karlsruhe (2016); “Marrakech Biennale 6.”, Leipzig (2018); “Bild and Blick – Sehen in der Moderne”, Wilhelm-Hack Museum, ARCO, Madird (2016); “In the depth of the surface”, Ex Fabrica Orobia 15, Milan Charlotte Neel Ritto (born 1958 in Denmark) studied from 2013 until 2018 at GLOBAL WONDERLAND, Marrakech (2016); “Chimeras”, Gallery Molly Krom, New Ludwigshafen (2018); “Sitting in a Hole that has the Shape of a Frightend Cat”, (2016); “Texture and Liquidity”, The Workbench International, Milan (2016); “Face the Gerit Rietveld Academie in Amsterdam. York (2015); “Art Miami”, Galerie Michael Schultz, Miami (2015); “Art Karlsruhe”, UNION Gallery, London (2017); “REMIX 2”, kunstmix, Copenhagen (2017); “In to Face: Works from Ernesto Esposito Collection”, Palazzo Fruscione, Salerno (2016); Selected solo- and group-exhibitions: Galleri Egelund, Copenhagen (2018); Galerie Michael Schultz, Karlsruhe (2015); “Triennale Venedig 2015”, Palazzo einer anderen Sprache bin ich ein anderer Mensch”, Orangerie Schloss Rheda- “I clocked out when I punched in”, Brand New Gallery, Milan (2015); “Tired of Bal(d) “Graduation Show”, DOGtime, Gerrit Rietveld Academie, Amsterdam (2017); “Si-Si Albrizzi, Galerie Michael Schultz, Venedig (2015); “Tell me nothing from the horse”, Wiedenbrück, Kunstverein Bleichhäuschen, Rheda-Wiedenbrück (2016); “ORBITAL ing Out”, Peninsula Art Space, Brooklyn (2015); “To rectify a situation”, Valentin, Spex.7”, DOGtime, Gerrit Rietveld Academie (2017); Galleri NBex, Viborg (2016); Galerie Michael Schultz, Berlin (2014); “Art.Fair”, Galerie Michael Schultz, Cologne EXPLORER”, Kulturforum Alte Post, Städtische Galerie, Neuss (2016); “I imagine how Paris (2015); “How to drape the concrete”, Galerie Jeanrochard, Brussels (2015); Amtert Merola Gallery, Provincetown (2016); Galleri NBex, Viborg (2015); Galleri (2014); “Vienna Fair”, Galerie Michael Schultz, Vienna (2014); “New Paintings You imagine I imagine You”, Galerie Rupert Pfab, Düsseldorf (2015); “In Schoenheit “The Hollow Bone”, Ray Smith Studio, Brooklyn (2015); “Volumes”, Berthold Pott at NBex, Viborg (2014); Galleri NBex, Viborg (2013); Galleri Oxholm, Hall, Copenhagen New Sculptures”, Galerie Michael Schultz, Berlin (2014); BAP, Istanbul (2013); auferstehen”, Galerie Patrick Ebensperger, Berlin (2015). Koelnberg, Cologne (2015); “New Vibrations”, Brand New Gallery, Milan (2015); “Art (2013); “KP13. Kunstnernes Paskeudstilling”, Arhus Kunsthal, Arhus (2013); Galleri “Contemporary Istanbul”, Galerie Michael Schultz, Istanbul (2013); “Berlin – New His works can be found in the following museums and collections: Collection Brussels”, Galerie Valentin, Brussels (2015); “Introducing Mr. Golyadkin”, MonCheri, North, Copenhagen (2012); “KE12, Kunstnernes efterarsudstilling”, Den Frie, York”, Contemporary Art Centre, Wiesbaden (2013); “Art Cargo”, Athen (2012); Museum Kunstpalast, Düsseldorf; Collection Wilhelm Hack Museums, Ludwigshafen; Brussels (2014); “To the happy few”, Galerie Jeanrochard, Paris (2014); “Warp and Copenhagen (2012); “KS12 Kunstnernes sommerudstilling”, Janusbygningen, Tistrup Vieranddreißig zu Kleist”, Städtische Galerie Speyer, Speyer (2012); Gallery 39 for Collection Falkenberg, Hamburg; Collection Deutsche Bank, Frankfurt; Collection of woof”, The Hole, New York (2014); “NADA”, The Hole, New York (2014); “Remnants (2012); “KP12, Kunstnernes Paskeurstilling”, Arhus Kunsthal, Arhus (2012). Contemporary Art, Tel Aviv (2011). the Royal College of Art, London. of Arcadia”, Peninsula Art Space, Brooklyn (2013). Charlotte Neel Ritto lives and works in Copenhagen. Jean-Yves Klein lives and works in Berlin and Peloponnese. Markus Vater lives and works in London. Graham Wilson lives and works in Brooklyn. www.charlotteneel.dk www.jean-yves-klein.de www.markusvater.com www.grahamwilsonstudio.com, www.bjorngundorphgallery.com 100 101

179. Jim Thorell – Tragic dope fiend 180. Aljoscha – Object from the series “Urpflanze” 178. K atrin Kampmann – We’re all mad here 2018, oil on canvas, 61x50 cm 2018, polymethylmethacrylat, acrylic, oil, 37x25 cm 2019, ink, acrylic, linoleum print and oil on canvas, 25x30 cm Donated by the artist. Courtesy Setareh Gallery, Düsseldorf. Donated by the artist. Courtesy Beck & Eggeling, Düsseldorf. Donated by the artist. € 2.500 starting price € 1.200 starting price € 1.600 starting price Jim Thorell (born 1981 in Stockholm, Sweden) studied from 2004 until 2010 at Aljoscha (born 1974 in Glukhov, Ukraine) was from 2001 until 2002 an auditor Katrin Kampmann (born in Bonn, Germany) studied from 2001 until 2006 the Konsthögsklan Valan in Gothenborg, 2004 at the Academy of Fine Arts in at the Kunstakademie Düsseldorf in the class of professor Konrad Klapheck, at the Universität der Künste Berlin and graduated in the master class of Helsinki, 2007 at the University of Kanzawa and the University of Fine Arts in 2006 he was a particpant at the international summer academy in Salzburg in 177. Julius Linnenbrink – untitled professor K.H. Hödicke. Hanoi and 2009 at the Akademie der Bildenden Künste Wien, with professor the classes of Shirin Neshat and Shoja Azari. Daniel Richter. 2019, acrylic on canvas, 30x23 cm Selected solo- and group-exhibitions: “A journey it must be”, Rosenhang Museum, Selected solo- and group-exhibitions: “Geschwindigkeitsbeschleunigung der Evolution”, Donated by the artist. Weilburg (2020); “art moves mountains”, Kraftwerk Bad Gastein, Bad Gastein Selected solo- and group-exhibitions: “Mykorrhiza”, Setareh X, Düsseldorf (2019); Galerie Maximilian Hutz, Lustenau (2019); “Alterocentric Eudaimonia”, Kunststation € 650 (2020); “Seduce Me Once Again”, Schreyger’s Kunstpalast, Berlin (2019); “The Great Longing – The Act of Painting”, Bohusläns Museum, Uddevalla (2019); St. Peter, Cologne (2019); “Urpflanze”, Goethe Museum, Düsseldorf (2019); “Modelle starting price “Paperwork”, COXEX, Berlin (2018); “Kleist und die Religion”, Kleist-Museum, Alma Löv Museum, Östra Ämtervik (2019); “ALAC”, Setareh, Los Angeles (2019); der nie dagewesenen Arten”, Kunstverein Paderborn, Paderborn” (2019); “Peak Frankfurt (Oder), (2018); “Luther und Babylon/Kleist und die Religion”, Kunsthaus “Market Stockholm”, Loyal Gallery, Stockholm (2019); “Art Cologne”, Setareh, Cologne Experience”, Galerie Beck & Eggeling, Vienna (2018); “Panspermia”, Anna Nova Julius Linnenbrink (born 1989 in Herdecke, Germany) studied from 2011 to Frankenthal, Frankenthal (2018); “Energiefelder”, Kunsthaus Taunusstein, Taunusstein (2019); “Illicit electricity”, Gillmeier Rech, Berlin (2018); “The beating heart”, Tatjana Gallery, St. Petersburg (2018); “So long as the mind keeps silent in the motionless 2017 at the Kunstakademie Düsseldorf and graduated in the masterclass of (2017); “Höhenrausch II”, Collectors Room, Hamburg (2017); “Ferien vom Über-Ich”, Pieters, Ghent (2018); “Art Berlin”, Setareh, Berlin (2018); “Aftermath”, Setareh X, world of its hopes, everything is reflected and arranged in the unity of its nostalgia. But professor Katharina Grosse. Kunstraum Nestroyhof, Vienna (2017); “Cut in”, Corner Window Gallery, Auckland Düsseldorf (2018); “Issue #6”, Issues, Stockholm (2018); “Art Düsseldorf”, Setareh, with its first move this world cracks and tumbles: an infinite number of shimmering Selected solo- and group-exhibitions: “Only By Moving”, Building-Gallery, Milan (2016); “Die Wanderausstellung, Sommer Frische Kunst”, Bad Gastein (2016); Düsseldorf (2018); “The private Collection of Water McBeer”, Jeffrey Deitch, fragments is offered to the anderstanding”, Futuro Gallery with Anna Nova Gallery, (2019); “preparation”, haydens gallery, Melbourne (2019); “Julius Linnenbrink/Lorna “CART, RAE”, Art Farm, Fehrbellin (2016); “Elevation”, Kunstverein KISS, Schloß New York (2018); “The Grey Liberator”, Pina, Vienna (2017); “New Elam”, Plan Nizhni Novgorod (2018); “A Biology of Happiness”, Kunstraum Dornbirn, Dornbirn Williams”, Cindy Rucker Gallery, New York (2019); “Genius Loci 7, IT JUST SMELLS Untergröningen, Abtsgmünd-Untergröningen (2016); “Glückliche Fügung”, Kunsthaus 5, Stockholm (2017); “Nordic Contemporary art collection”, Vestfossen kunstlab- (2017); “The Hedonotropic Force”, Galerie Susanne Neuerburg, Hennef (2017); “Know FUNNY”, Setareh Gallery, Düsseldorf (2019); “WELT OHNE ENDE”, Hot-Box Taunusstein, Taunusstein (2016); “Glück”, Vitrine-FN, Friedrichshafen (2015); oratorium, Vestfossen (2017); “Water McBeer”, Loyal Gallery, Stockholm (2017); Thyself”, Donopoulos International Fine Arts, Mykonos (2017); “The Gates of the Sun Düsseldorf, Düsseldorf (2018); “dreh dich nicht um”, sonneundsolche, Düsseldorf “Apltraum”, Visual Voice Gallery, Montreal (2015); “Alptraum”, Salon de Lirio, Goa “Issues #4”, Issues, Stockholm (2017); “NADA art fair”, Loyal Gallery, Miami (2017); and the Land of Dreams”, Museum Schloss Benrath, Düsseldorf (2017); “The Gates (2018); “‘#”, Cindy Rucker Gallery, New York (2018); “MAN KANN OHNE MANTEL (2015); “Exit Paradise”, Galerie Cornelissen, Wiesbaden (2015); “RAE – Works in “Dream Art Fair”, Gillmeier Rech, Basel (2017); “Methadone”, Gillmeier Rech, Berlin of the Sun and the Land of Dreams”, Galerie Beck & Eggeling, Düsseldorf (2017); ”A GEHEN”, SiTTartGalerie, Düsseldorf (2017); “Klasse Katharina Grosse stellt aus”, White”, Schau Fenster, Berlin (2015); “Bring The Darling”, Kreuzberg Pavillon, Berlin (2016); “Seashells On The Seahsore”, Roman Road Gallery, London (2016); “Painting Notion of Cosmic Teleology”, Sala Santa Rita, Rom (2017); “Early Earth Was Purple”, Kunstverein Lippe, Lemgo (2017); “STEINE und LICHT”, Kunstraum Praxis, Kempen (2014); “Sündenfall in 10, 9, 8…”, Bullhoand AG, Berlin (2014); “Sommerfreuden”, Failures”, Moderna Museet, Malmö (2016); “Image”, Brand New Gallery, Milan Ural Vision Gallery, Budapest (2017); “Bioethics”, Gallery Y, Minsk (2016); “From Homo (2016); “four to the wall”, Upstairs Gallery, Oldenburg (2016); “TAU, Ein Projekt der Vitrine-FN, Friedrichshafen (2014); “Eva und Adam – Malerei, Zeichnungen, (2016); “Swedish Art: NOW!”, Sven Harrys Konsthall, Stockholm (2016); “Market Faber to Homo Creator”, Galerie Martina Kaiser, Cologne (2016); “Lotophagie”, Anna Klasse Prof. Katharina Grosse in Kollaboration mir Josef Zky”, KIT, Düsseldorf (2014); Skulpturen und Objekte”, St. Marienkirche, Frankfurt (Oder), (2014). Art Fair”, Water McBeer Gallery, Stockholm (2015); “7 Paintings”, S2 gallery, New Nova Gallery, St. Petersburg (2016); “Auratic Objects”, Donopoulos International Fine “Brilliant – Junge Kunst aus der Kunstakademie Düsseldorf”, WGZ Bank, Düsseldorf Her works can be found in the following museums and collections: collection York (2015); “The Sweet Heart”, Loyal Gallery, Stockholm (2015); “Path tique”, Union Arts, Thessaloniki (2016); “Paradise Engineering”, Flora, Cologne (2015); “Animism (2014); “Kunstakademie Düsseldorf at McKinsey & Company No.3”, McKinsey, Wemhöner, Herford; Deichtorhallen, Hamburg; collection Grothe, Duisburg; collection Pacific, London (2015); “LUCID MEMES”, Carl Kostyál, Stockholm (2015); “This and Bioism”, National Museum of Natural History, Sofia (2015); “Hadaikum”, Galerie Düsseldorf (2014); “esposizioni”, Palazzo Ricci, Montepulciano (2014). de Knecht, Salzburg; collection Ingrid Roosen-Trinks, Hamburg; collection Sperling, sticky mess will get us there”, Nordic Contemporary Gallery, Paris (2015); “Doubling”, Martina Kaiser, Cologne (2015); “Funiculus umbilicalis”, St. Petri, Dortmund (2015); His works can be found in the following museums and collections: DZ Bank, Mainburg; collection Jutta and Manfred Heinrich, Maulbronn; collection Kunsthaus Wanås Konst, Wanås (2015); “Spears”, Loyal Gallery, Stockholm (2015); “Index “Bioism”, Erarta Museum, St. Petersburg (2014); “Lotuseffekt”, Goethe Institut, Sofia Düsseldorf; Volksbank Kleverland, Kleve; Collection Jorge M. Pérez, Miami. Taunusstein, Taunusstein; collection Stiftung Guenther Benedict, Vienna. foandation Stockholm”, c/o Belenius, Nordenhake (2015). (2014); “We love you stars. May you adore us”, Galerie Claudia Jung, Cologne (2013). Julius Linnenbrink lives and works in Düsseldorf. Katrin Kampmann lives and works Berlin. Jim Thorell lives and works in Stockholm. Aljoscha lives and works in Düsseldorf. http://juliuslinnenbrink.com www.katrinkampmann.com www jimthorell.se, www.setareh-gallery.com www.aljoscha.org, www.beck-eggeling.de 102 103

181. Martha Wilson – Chrysanthemum 183. Johan Wahlstrom – Collisions No. 7 184. A dela Andea – Glacier Parralax 182. Maxim Probst – Brilliant #5 2009, pigment ink print on Hahnemühle bamboo paper, 2019, Urethane mixed with color pigments on canvas, 45,72 x 60,96 cm 2017, various plastics and LED, 51x48x33 cm 40,64x40,64 cm, (25 +3AP) 2019, oil on copper, 20x20 cm Donated by the artist. Donated by the artist. Donated by the artist. Courtesy P.P.O.W. Gallery, New York. Donated by the artist. € 4.500 starting price € 2.200 starting price € 375 starting price € 1.000 starting price Johan Wahlstrom (born 1959 in Stockholm, Sweden) He is a fifth-generation Adela Andea (born 1976 in Romania) studied rom 1995 until 1999 at the law Martha Wilson (born 1947 in Philadelphia, USA) studied until 1969 at Maxim Probst (born 1981 in Tabuny, Russia) studied from 2005 to 2009 at the artist on his mother’s side. His first creative direction was rock and roll, where school “Dragan” European University, Logoj, from 2003 until 2004 painting at Wilmington College and got her master in english literature in 1971 at the AKI/ArtZR, Enschede with the professors K. Persoon, J. Geurts and K. Smits he had a successful and long career as a keyboardist and singer, touring with Ian Irvine College in Irvine and at Saddleback College in Missio Viejo, from 2005 Dalhousie University and in 1973 she recieved her PhD at the Dalhousie and from 2009 until 2011 at the Alanus Hochschule für Kunst und Gesellschaft, Hunter, Graham Parker, Mick Ronson and many Scandinavian artists. After 18 until 2009 painting at the University of Houston and 2009 until 2012 new University, Halifax. In 2013 she received a Honorary Doctorate of Fine Arts at Alfter bei Bonn, with professor A. Orosz. years, the rock and roll life caught up with him. Wahlstrom moved to a small media at the University of North Texas in Denton. the NSCAD University in Halifax. Selected solo- and group-exhibitions: “MASKULIN-Der Mann in der Kunst”, Galerie village in France where he did nothing but paint for seven years, part of that Selected solo- and group-exhibitions: “Norðurljós”, Cris Worley Fine Arts, Dallas (2019); Selected solo- and group-exhibitions: “I Have Become My Own Worst Fear”, Galerie Jörg Schuhmacher, Frankfurt am Main (2019); “MKMA”, Galerie ohne Namen, time under the tutelage of Swedish artist, Lennart Nystrom “Passage Through the Frozen Dusk”, Anya Tish Gallery, Houston (2019); “The Factory”, Crone, Vienna (2019); “Martha Wilson: Stagging the Journals”, michele didier, Paris Hürth (2019); “À la vieille Russie” Galerie Jörg Schuhmacher, Frankfurt am Main Selected solo- and group-exhibitions: “No Rules”, Gallery Ramfjord, Oslo (2019); Steve Madden, New York (2018); “In Control”, Anya Tish Gallery, Houston (2018); (2018); “Woman. The Feminist Avant-Garden from the 1970s: Works from the (2019); “Art Karlsruhe”, Art Galerie 7, Karlsruhe (2019); “Grand Salon 2019”, Villa “Collisions”, Georges Berges Gallery, New York. (2019); “From 1960s Celebrities “Color Vision”, Huntington Beach Art Center, Huntington Beach (2018); “It’s Unreal”, Sammlung Verbund”, Stavanger Art Museum, Stavanger (2018); “Human Interest: Berberich, Bad Säckingen (2019); “Das kleine Format”, Art Galerie 7, Cologne (2018); Until Todays Social Media, From Warhol To Wahlstrom 2 man show, Andy Warhol, Total Plaza, Houston (2017); “Glacier Parallax”, Anya Tish Gallery, Houston (2017); Portraits from the Whitney’s Collection”, Whitney Museum of American Art, New “Diamantenfieber”, Galerie Jörg Schuhmacher, Frankfurt am Main (2018); “Das Johan Wahlstrom”, Ethan Cohen ́s The KuBe, Beacon (2019); “Hidden Figures”, Es “A Celebration of Color”, Bath House Cultural Center, Dallas (2017); “Luminopolis”, York (2017); “Delirious: Arts at the Limits of Reasons, 1950-1980”, Met Breuer, New große Format”, Art Galerie 7, Cologne (2018); “Art Karlsruhe”, Art Galerie 7, Cologne Arte Gallery, San Pedro De Alcantara/Marbella (2019); “JustMad”, ES Arte Gallery, Cap Sciences, Center for Scientific, Technical and Industrial Culture, Bordeaux (2017); York (2017) “Feedback”, Marlborough Contemporary, New York (2017); “Martha (2018); “Das kleine Format”, Art Galerie 7, Cologne (2017); “Art Bodensee”, Galerie Madrid (2019); “Art Miami” Ethan Cohen Gallery, Miami (2018); “Contemporary “Sculpture Month”, The Site Gallery, Houston (2016); “Rappel”, Cris Worley Fine Arts, Wilson and Franklin Furnace”, Center of American University Museum, Washington Cerny & Partner, Dornbirn (2017); “Kostbar”, Galerie Cerny & Partner, Wiesbaden Istanbul”, Ethan Cohen Gallery, Istanbul (2018); “From 1960s Celebrities Until Todays Dallas (2016); “XX”, Anya Tish Gallery, Houston (2016); “Lux Aeterna”, Zebra 3/ D.C. (2016); “Enacting the Text: Performing with words”, Center for Book Arts, (2017); “GLOW”, Art Galerie 7, Cologne (2017); “Art Karlsruhe”, Art Galerie 7 & Social Media, From Warhol To Wahlstrom”, Ethan Cohen Gallery, New York (2018); Crystal Palace, Bordeaux (2015); “Pillars of creation”, UTPB, Odessa (2015); “On the New York (2016); “BLAGO BUNG X”, Cabaret Voltaire, Zürich (2016); “Priere de Galerie Cerny & Partner, Karlsruhe (2017); “Andreas Orosz und Malereiklasse “Marbella Art Fair”, ES Arte Gallery, Marbella (2018); “Hidden Figures”, Es Arte Left Side of Mercury”, Anya Tish Gallery, Houston (2015); “Illumination”, Pop Austin, Toucher. The Touch of Art”, Museum Tinguely, Basel (2016); “Woman. The Feminist Orosz”, Galerie Cerny & Partner, Wiesbaden (2016); “Radiant-Kunstraum im Gallery, San Pedro De Alcantara/Marbella (2018); “Scandinavian Artists curated by Austin (2015); “Country Home”, CUE Art Foundation, New York (2015); “Lone Star Avant-Garden from the 1970s: Works from the Sammlung Verbund”, Photographers Mediapark”, Art Galerie 7, Cologne (2016); “Art Bodensee”, Galerie Cerny & Partner, Galleri Ramfjord”, Vertical Gallery, Chicago (2018); “Life Is Good”, Georges Bergés Global”, Anya Tish Gallery, Houston (2015); “The MAC@20th Part II”, McKinney Gallery, London & Museum für Moderne Kunst, Vienna (2016); “The Proletariat of Dornbirn (2016); “SUMMERTIME”, Art Galerie 7, Cologne (2016); “Art Karlsruhe”, Gallery, New York (2018); “Mark Me”, Cross Contemporary Art Gallery, Saugerties Avenue Contemporary, Dallas (2015); “Seeing the Light”, Williams Tower, Houston the Sexes: Feminist Positions in the 1970’s”, Lenbachhaus, Munich (2015); “Laughter Galerie Cerny & Partner, Wiesbaden (2016); “…noch feucht”, Fabrik 45, Bonn (2018); “Realistic Abstraction”, Robert Kananaj Gallery, Toronto (2018); ”House of (2015); “Lux, Lumens and Candelas”, Women and their Work, Austin (2014); “Art (Riso)”, Electricity Museum, Lisbon (2013-12); “Stand like the hummingbird”, David (2015); “SUMMERTIME”, Art Galerie 7, Cologne (2015); “dreams and desire”, Lies”, Gallery Ekvall-Tornblom, Stockholm (2017); “Distorted Happiness”, Georges Palm Beach 2014”, Palm Beach (2014); “Zero Degrees Celcius”, Cris Worley Fine Zwirner, New York (2012). Galerie Cerny & Partner, Wiesbaden (2016); “Art.Fair”, Galerie Cerny & Partner, Bergés Gallery, New York (2017); “Political Poetical”, Petra Lossen Gallery, Zürich Arts, Dallas (2014); “Texas Contemporary”, Georges R Brown Center, Houston (2014); Her works can be found in the following collections and museums: Collection Cologne (2015); “Art Karlsruhe”, Galerie Cerny & Partner, Karlsruhe (2015); “Art. (2017); “Forever”, BuBox, Kortrijk (2016). “Drawn In/Drawn Out”, The Grace Museum, Abilene (2014); “Mirrored and Obscured: Verbund, Vienna; Solomon R. Guggenheim Museum, New York; Pinault Collection, Fair”, Galerie Cerny & Partner, Cologne (2014); “Tor zum Frieden”, Altes Pfandhaus, His works can be found in the following collections and museums: The Modern Contemporary Portraits”, Art Museum of Southeast Texas, Beaumont (2014); “Texas Paris; Brooklyn Museum, New York; The Metropolitan Museum of Art, New York; Cologne (2014); “Orosz und Studenten”, MVB-Forum, Mainz (2014); AEAF, Académie Museum of Art, Dubrovnik; Ethan Cohen Family Collection, New York; Kasteyeu State Biennial TX13”, Blue Star Contemporary Museum, San Antonio (2013); “Houston Fine Moderna Museet, Stockholm. Europeenne des Arts France, Paris (2014). Museum, Kazakhstan; Bell of Peace Foundation. Art Fair”, Georges R Brown Center, Houston (2013). Martha Wilson lives and works in New York. Maxim Probst lives and works in Cologne. Johan Wahlstrom lives and works in Jersey City. Adela Andea lives and works in Houston. www.marthawilson.com, www.ppowgallery.com www.maxim-probst.de www.johanwahlstrom.com www.adelaandea.com 104 105

188. Stefan Peters – untitled (chronicles) 185. Ulysses Belz – Sitzendes Papier (11) 187. Tiziano Martini – untitled 186. Sin Park – Merging Island 2019, acrylic on wooden panel, 80x60 cm 2011, oil on canvas, 106x73,5 cm 2018, acrylic and grounding on raw cotton, aluminium frame, 120x100 cm Donated by the artist. Donated by the artist. 2017, oil on canvas, 25,5x25,5 cm Donated by the artist. € 2.600 starting price Donated by the artist. € 1.800 starting price € 3.250 starting price € 400 starting price Stefan Peters (born 1978 in Hasselt, Belgium) studied from 1996 until 2000 Ulysses Belz (born 1958 in Mainz, Germany) completed a training as a book Tiziano Martini (born 1983 in Soltau, Germany) studied from 2003 until 2007 graphical design at the Academy of Fine Arts in Genk (BE) and 1999 at restorer, then studying art at the Ecole Nationale Supérieure des Beaux Sin Park (born 1987, South Korea) is a painter and PhD candidate in Fine Art at at the Accademie di Belle Arti in Venice. Falmouth College of Arts (UK). From 2015 until 2016 he did a residency at the Arts in Paris from 1980 to 1984, then lived and worked freelance in Athens, Glasgow School of Art. She completed an MA in Painting at the Royal College Selected solo- and group-exhibitions: “Le malerbe”, Ottozoo, Milan (2019); Jan Van Eyck Academy in Maastricht (NL). Frankfurt, Madrid, Riga and again in Paris as a painter and graphic artist. of Art 2017, and a BFA in Painting from Ewha Womans University 2007. “One night only”, Hunted Projects, Edinburgh (2019); “group show”, Ambacher Selected solo- and group-exhibitions: “Screen it”, Stadstriënnale, Hasselt-Genk The series ”Sitting Paper” was started by the painter in Paris in 2008 and has Selected solo- and group-exhibitions: “Virtues of Real / Necessity of Imaginary”, Contemporary, Munich (2019); “Solo Booth”, Art Cologne, Achenbach Hagenmeier (2020-2019); “PAN”, Galerie Roger Katwijk, Amsterdam (2019); “Volta Art Fair”, since been extended by ever new variations. In it, forms of presentation of The Art Space, Glasgow (2019); “Crocodiles Tears”, Greenpoint Studios, New York and A+B Gallery, Cologne (2018); “graffiare il presente”, Casa Testori, Novate Galerie Roger Katwijk, Basel (2019); “home” Museum Van Gogh, Zandert (2019); presence are tested - different states of consciousness ”take their seats” on (2019); “Bath Open Art Prize 2019; Fringe Arts Bath Festival”, 44D, Artspace, Bath (2018); “reazione a catena”, Bonelli, Milan (2018); “Code Art Fair”, A+B Gallery, “L‘Heure Bleue”, Kunstgalerij De Mijpaal, Knokke (2019); “Kunstrai”, Galerie Roger various seating furniture. The result is theatrical-looking image scenes that (2019); “Aucart LAB”, 189 Gloucester Place, London (2019); “Flourish award”, Spike Copenhagen (2018); “if you care about me you should think about it”, Ozzozoo, Katwijk, Amsterdam (2019); “Phantasmagoria”, C-mine, Genk (2019); “Nomadic directly involve the viewer. The structure of consciousness is the general print Studio, Bristol (2019) & PR1 Gallery at the university of central Lancashire, Milan (2018); “Art Verona”, A+B Gallery, Verona (2017); “premio citta di Lissone”, Mountains”, Schunck, Heerlen (2019); “Biënnale van de Schilderkunst”, Mudel, theme in the work of Ulysses Belz, who also deals intensively with the scientific Preston (2018); “Nature”, ARNA, Harlösa, (2018), “Skip-Ad; Play”, Savoy Center, Museo di Lissione, Lissione (2017); “fuocopaesaggio”, Forte di Monte Rucco, Deinze (2018); “Nomadic Mountains”, Schunck, Heerlen (2018); “Botanical stills aspects of cognition. Glasgow (2018), “Odyssey”, Summerhall, Edinburgh (2018), “U-Star”, Albereta Relais Dolomiti Contemporanee, Casso (2017); “Code Art Fair”, A+B Gallery, Copenhagen II”, kunstgalerij De Mijpaal, Knokke (2018); “Ce qui pèse et ce qui nourrit”, Autun Selected solo- and group-exhibitions: “28. Sächsisches Druckgrafik-Symposium”, Oper & Chateaux, Milan (2018); “Flourish award 2018”, West Yorkshire Print Workshop, (2017); “Die Tücken der neuen Freiheit”, Achenbach Hagemeier, Düsseldorf (2017); (2018); “Botanical stills”, kunstgalerij De Mijpaal, Knokke (2018); “The Gathering”, Leipzig (2019-2018); “Floating States”, Galerie Heldenreizer, Munich (2018); “Ulysses Mirfield (2018); “Summerhouse”, Lindenbecker Weg, Düsseldorf (2018); “ARNA”, “Firnt”, A+B Gallery, Brescia (2017); “CoFa, Cologne Fine Arts”, David Achenbach Panthera, Brussels (2018); “Malerei als Bühne”, Galerie Bechter-Katowsky, Vienna Belz Nueva Pintura”, FIRES de Llucmajor, Mallorca (2016); “Private Collection”, opening studio, Harlösa (2018); “No Safe Haven”, The Pipe Factory Gallery, Glasgow Projects, Cologne (2016); “In the depth of the surface”, Ex Fabrica Orobia, Milan (2018); “Buiten-Land”, cultuurhuis De Bijl, Zoersel (2018); “Nothing But Good Live Galerie Stefan Bartsch, Munich (2016-2015); “art@sciene, Drei Positionen der (2018); “Ashurst Emerging Artist Prize 2018 Shortlist Show”, Ashurst LLP, London (2016); “superficiali”, Studio La Citta, Verona (2016); “We’ve been hiding too long”, II”, Park, Tilburg (2018); “Fragments of reality”, Black swan gallery, Bruges (2017); Wissenschaftsästhetik”, Kunstverein Marburg, Marburg (2014); “Euphoria – Neue (2018); “One summer night”, Crypt Gallery, London (2017), “The Arrival”, Square David Achenbach Projects, Wuppertal (2016); “The essential Bruce Springsteen”, “Inspiration: Landscape”, C-Mine, Genk (2017); “Pop-up expo Input/Output”, Burg 3, Metakognitive Malerei”, Schloss Welda, Warbug-Welda (2012); “Ulysses Belz: Aires Gallery, London (2017); “Biophilia”, KI Europe, London (2017); “RCA Degree Show”, Andersen’s Contemporary, Copenhagen (2016); “Art first”, Bologne Fiere, A+B Bruges (2017); “In Stijl”, VDMA, DutchDesignWeek, Eindhoven (2017); “Arture#7”, cérébrales – Etudes naturalistes en Peinture”, Gallery Immanence, Paris + Institut Jean Royal College of Art, London (2017); “Ander the see”, Crypt Gallery, London (2017); Gallery, Bologna (2016); “Monsieur Fanta”, A+B Gallery, Brescia (2015); “16° Premio Hof te Roeselare, Herzele (2017); “Art Bodensee 2017”, Galerie Bechter-Kastowsky, Nicod (2010); “Ulysses Belz: Aura – Malerei ab 2010”, mbf-kunstprojekte, Munich “The Abstraction of Continents and The Continent of Abstraction”, Lychee One, Cairo”, Museo della Permanente, Milan (2015); “The Wrong Biennale, New Digital Dornbirn (2017); “Sommer17”, Galerie Bechter-Kastowsky, Vienna (2017); (2010); “Metakognitive Malerei”, mbf-kunstprojekte, Munich (2009); “Transmitter”, London Royal Institute of Oil Painters, Mall Galleries, London (2016); “Royal Institute Art Biennale”, Silver Surfer Pavilion, Fabrica del Vapore, Milan (2015); “Works on “Celibataire Divas”, Herkenrode Refuge, Hasselt (2017); “In Stijl”, DesignKwartier, mbf-kunstprojekte, Freiburg (2007); “Ulysses Belz – Porträts and andere Sachzwänge”, of Oil Painters”, Mall Galleries, London (2016), “Shadow”, Lichfield Cathedral, paper”, Leo XIII, Tilburg (2015); “Grants Show”, Lepsien Art Foandation, Düsseldorf Den Haag (2017); “Between Earth and Heaven”, PAK, Bruges (2017); “Tractatus”, Gallery Gunzenhauser, Munich (2005). Lichfield (2016); “Lost in the woods”, Square Gallery, London (2016); “Cityscape”, (2015); “Through Painting”, Fondazione Rivoli 2, Milan (2015); “Die Grosse”, Museum Galerie Bechter-Kastowsky, Vienna (2017); “Gradient”, Kunstgalerij De Mijlpaal, Ulysses Belz is represented in many important museums, such as in Lenbachhaus / Contemporary Art Gallery (2016); “Shadow(Lichfield Festival)”, Lichfield Cathedral Kunstpalast, Düsseldorf (2015); “Artissima”, Upp Gallery, Turin (2014); “The inner/ Heusden-Zolder (2017); “The Spring Exhibition”, Charlottenborg Kunsthal, Munich, Academic Art Library / Vienna, Columbia-University / New York, Museum (Emporium Art gallery), Lichfield (2016); “Nothing To See Here”, Square gallery, outside (bivouacs)”, Musei di Casso, Pordenone (2014); “Marquee Moon”, Tierry Copenhagen (2017); “Reveries of a Solitary Walker,”, Drei Ringe Galerie, Leipzig Gunzenhauser / Chemnitz, moreover in the collections Deutsche Bank / Frankfurt, London (2016); “Fine Art Work-In-Progress Show”, Royal College of Art, London Goldberg, New York (2014); “’Painting. About, aroand & within”, Upp Gallery, Venice (2017); “Subverted Expectations”, ArtLounge, Strabag Haus, Vienna (2016); “Dutch Collection Klewan / Munich, Collection Achim Freyer / Berlin etc.. (2016); “To each his own”, Sedec Art Gallery, Seoul (2014). (2014); “My alphabet”, Mars, Milan (2014). Design Week Eindhoven”, Kelderman en van Noort, Eindhoven (2016). Ulysses Belz lives and works in upper Bavaria and on Mallorca. Sin Park lives and works in Glasgow. Tiziano Martini lives and works in Val di Zoldo. Stefan Peters lives and works in Hasselt. www.ulysses-belz.de, www.instagram.com/metacognitionart www.studiosinpark.com www.tizianomartini.com www.stefanpeters.be 106 107

190. Wolfgang Betke – Sunshine 2016-2019, mixed media on canvas, 50x40 cm Donated by the artist. € 3.700 starting price

Wolfgang Betke (born 1958 in Düsseldorf, Germany) studied from 1977 until 189. Carles Castel – “Land” 1985 philosophy, art history at the Universität Hamburg and from 1982 until 1987 art at the Hochschule für Bildende Künste Hamburg with Professor Franz 2015, oil on canvas, 80x120 cm Erhard Walther Donated by the artist. € 3.000 Selected solo- and group-exhibitions: “Au rendez-vous des amis”, Aurel Schreiber, starting price Berlin (2019); “Notebook”, 56 Henry, New York (2019); “Wolfgang Betke. Schweigezone”, Setareh Gallery, Düsseldorf (2018); “Wolfgang Betke und Gregor Carles Castel (born 1965 in Manresa / Spain) studied fine arts at the Central Gleiwitz. Beyond the Fringe”, Setareh Gallery, Düsseldorf (2017); “In den Tiefen der University of Barcelona, a mong others with professors Joan Hermandez Oberfläche”, Kunstverein KISS, Kunst im Schloss Untergröningen e.V., Abtsgmünd 192. K alu Vossbeck – Ohne Frage 2 und ja Pijuan and Xavier Grau. From 1991 to 1996, parallel to his painting, he learned (2017); “Wolfgang Betke”. So ist die Lage”, Setareh Gallery, Düsseldorf (2016); restoration and the preservation of art and then increasingly restored pictures “Wolfgang Betke. Zeugen des Zustands”, Aurel Scheibler, Berlin (2016); “How 2018, Lacquer, markers, graphite, wax, and spray paint on canvas, 190x120 cm and sculptures of old masters as well as Gothic and Baroque church altars. to be unique”, Kienzle Art Foandation, Berlin (2016); “Eine Verschwindung, eine Donated by the artist. From 1992 to 1994 he completed doctoral seminars at the Central University Ankommung und Irgendwas dazwischen”, Galerie Nicole Gnesa, Munich (2015); € 3.000 of Barcelona and passed his doctoral examination for a Ph.D with ”suma cum “There is never a stop and never a finish”, Kreuzberg Pavillon, Berlin (2015); “The starting price laude”. Black and White Key”, Schaufenster, Raum für Kunst, Berlin (2015); “l‘oiseau Selected solo- and group-exhibitions: Edmond Gallery, Berlin (2018); “Material Boys présente...be abstract”, Kunstverein Schwäbisch Hall, Schwäbisch Hall (2015); Kalu Vossbeck (born 1987 in Berlin, Germany) studied film science, philosophy & Girls, part II”, Bernheimer Contemporary, Berlin (2017); “Material Boys & Girls, “Flowers and other abstractions”, Markhof 2, Vienna (2015); “Der Kubist Marcel and communication design at the Johannes-Gutenberg-Universität Mainz and part I”, Bernheimer Contemporary, Munich (2017); “Installation”, Xantener Straße 6, Duchamp mag nicht malen”, Galerie Thomas Schulte, Berlin (2014); “on the same fine arts at the Hochschule für Bildende Künste Braunschweig. Berlin (2017); “Checkpoint #12”, Ilgen, Berlin (2016); “Fashion Week”, Bernheimer side of the water”, Kunstquartier Bethanien, Berlin (2014); “SOLOS III”, OZEAN, 191. Hidayat Ullah – Dry Creek (Yellow Stone Park Montana) Selected solo- and group-exhibitions: “Come On Baby Light My Fire”, Valerius Art Contemporary, Berlin (2016); “Cumberland House”, Zirgibl Langwieser, Berlin Berlin (2014); “l’oiseau présente… Der Garten der Pfade, die sich verzweigen. Gallery, Luxembourg (2019); “fürsie”, Foxberghof, Brandenburg (2019); “NO ART (2016); Bernheimer Contemporary, Berlin (2016); “BAGL-art fair”, Spanish embassy, II”, Ballhaus Ost, Berlin (2014); “Se faire voyant”, Brandenburgischer Kunstverein 2018, oil on canvas, 23x30,4 cm NO HOME”, erstererstererster Galerie, Berlin (2019); “Transition Edition”, Solar Berlin (2015); “Hotel BARCELO”, Spanish embassy, Hamburg (2015); Verband Potsdam e.V., Potsdam (2014); “Painting Forever! Keilrahmen”, Kunst-Werke, Berlin Donated by the artist. Panel Art Series initiated by Studio Olafur Eliasson, Berlin (2019); “IT TAKES TWO, der Automobilindustrie, Berlin (2014); “Group Exhibition”, Kunstverein Kunsthaus (2013); “Ikarier”, Galerie Mikael Andersen, Berlin (2013); “Alternative Entrance”, € 350 Two-Artists-Show.” Curated by DUVE Berlin and Monica Eulitz Art Consulting, Potsdam, Potsdam (2013); Verband der Automobilindustrie, Berlin (2013); Ballhaus kunstbunker – forum für zeitgenössische kunst, Nuremberg (2012); “Menschenbilder starting price New York (2019); “LONDON”, MVP-Gallery, London (2018); “großgeschrieben”, Pankow, Berlin (2012); Pigs, Berlin (2010); “Fett 6”, Space of Art, Hamburg (2010); – Ausgewählte Werke aus der Sammlung zeitgenössischer Kunst der Bundesrepublik Montagehalle Braunschweig, Brunswick (2018); “Lasso Lasso”, HBK-Braunschweig, Metropolitan Museum of Art, Tokio (2004). Deutschland”, Große Kunstschau Worpswede, Worpswede (2011); “Der dritte Dr. Hidayat Ullah (born 1939, in Peshawar, Pakistan) studied medicine in Brunswick (2018); “Panorama”, MVP-Gallery, Berlin (2017); “Handrede og tyve timer His works can be found in private collections in Europe, USA, Brazil and the far east. Raum”, Kunsthalle Düsseldorf, Düsseldorf (2011). London, Edinburgh and Canada and worked as a surgeon on 4 continents. He i København”, MVP-Gallery, Copenhagen (2017); “Normal Art”, Solo, Berlin (2016). has worked for the Medecins Sans Frontieres in Africa as a volunteer surgeon Carles Castel lives and works in Berlin and Barcelona. Wolfgang Betke lives and works in Berlin. and currently lives and works as a doctor in the 4 First Nations Reserves in Kalu Vossbeck lives and works in Berlin. www.carlescastel.com www.betke.de Northern Alberta, Canada. www.Karlluisvossbeck.de 108 109

193. Tanja Ritterbex – Walking up stairs in Mallorca 196. G erda Steiner & Jörg Lenzlinger – Leichentuch 2018, rabbitskin glue, oil and oil crayons on canvas, 46x36 cm “Primavera” Donated by the artist. 2016, digital print on cotton, 191x135 cm, (3/5) € 850 starting price 194. Werner Liebmann – Wolke 7 donated by the artists. 2017, oil on canvas, 63x46 cm Tanja Ritterbex (born 1985 in Heerlen, Netherlands) studied from 2002 € 2.000 starting price Donated by the artist. until 2006 at the Academie Beeldende Kunsten in Maastricht, was in 2005 at the Universidas de Belles Artes in Salamanca, from 2010 to 2014 at the € 3.300 starting price Gerda Steiner (born 1967 in Ettiswil, Switzerland) and Jörg Lenzlinger (born Kunstakademie Düsseldorf in the class of professor Tal R and from 2014 to 1964 in Uster, Switzerland). 2016 at De Ateliers in Amsterdam for her postgraduate study. Werner Liebmann (born 1951 in Königsthal, Germany) studied from 1977 until Selected solo- and group-exhibitions: “Art Brussels”, Althuis Hofland Fine Arts, 1982 painting at the Burg Giebichenstein in Halle and graduatet in the class od They have been creating immersive in-situ installations together since 1997. Brussels (2020); “Beating Time”, Bonnefanten Museum, Maastricht (2020-2019); professor Hannes H. Wagner. After that he was in the masterclass of Bernhard Transformation, proliferation and crystallization function as full components of “Free the Eyeball”, Nest, Den Haag (2019); “van selfie tot zelfbeeld”, Bureau Heisig at the Hochschule für Grafik und Buchkunst Leipzig, from 1986 until their work, which transforms according to the chemical reactions that develop Europe, Maastricht (2019); “Der Rausch”, Arti et Amicitiae, Amsterdam (2019); “Art 1992 he was a lecturer at the Hochschule für Bildende Künste Dresden, from in it. Viewers are invited to immerse themselves in a fantastic vegetative 1992 until 1993 he was a professor at the HfBK in Dresden and since 1993 he universe or to take part in experiments that awaken their senses and mind. Rotterdam”, Althuis Hofland Fine Arts, Rotterdam (2018); “En Piste !”, Museum La 195. P etra Amtsberg Hoffmann – Gelber Scherben Boviere, Liege (2018); “Out of Office”, Kunstschatten uit bedrijven, Singer museum is a professor at the Kunsthochschule Berlin-Weißensee. The artists’ installations, which are both disturbing and enchanting, make connections between antagonistic worlds and suggest observing the strange Laren, Laren (2018); “De kertentuin”, Kunst RAI ART Amsterdam, Kers gallery, Selected solo- and group-exhibitions: “Tanzstande”, Kunstverein Neukölln, Berlin 2017, acrylic on canvas, 80x80 cm laboratory of the living with its biodiversity and questioning ideas of fertility Amsterdam (2018); “If the shoe fits it’s ugly”, Fluxus art and Fashion, Düsseldorf (2019); “Grafik zu Liedern der französischen Revolution”, Kunstarchiv Beeskow im Donated by the artist. and growth. (2017); “We Like Art”, Westergasfabriek, Amsterdam (2017); “Desperate to be a Schloss Biesdorf, Berlin (2019); “Les Valseuses”, Safe Galery, Berlin (2018); “Berlin € 1.250 housewife with Christmas”, Musezm Kranenburgh, Bergen (2017); “Vol 5. Canard au Worpswede – Worpswede Berlin”, Worpswede (2018); “UferOpen”, Uferhallen, starting price The have participated in various solo and group exhibitions with lavish installations sans”, Sans Titre, Paris (2017); “The painted bird”, Marres, Maastricht (2017); “Illusi Berlin (2018); “Pole”, Galerie “M”, Berlin (2018); “2 x 2 = 4 – Liebmann-Lentz / (selection): “Aux extrémités de notre univers”, Musée de Valence art et archéologie, en openbaring”, Bonnefanten Museum, Maastricht (2017); “Revolution/evolution/ Hand – Tamburini”, SEZ, Berlin (2018); “Wir nennen es Arbeit”, Galleria Opere Petra Amtsberg Hoffmann (born in Germany) studied from 1982 until 1986 Valence (2019); “Too Early to Panic”, Museum Tinguely, Basel (2018); “Lungenkraut”, revision”, Tsaritsynomuseum, Moscow (2017); “Art Rotterdam”, Ornis A. Gallery, Scelte, Turin (2017); “h²”, SEZ, Berlin (2017); “bankArt”, Kunstforum der Berliner interior design in Rosenheim and spend her foreign studies in Tokyo. Kunsthaus Bregenz, Bregenz (2017); “Der Totentanz”, Predigerkirche, Basel Rotterdam (2016); “Made in Amsterdam”, Amsterdam Museum, Amsterdam (2016); Volksbank, Berlin (2016); “Himmelhergott nochmal”, Galerie Berlin, Berlin (2016); Selected solo- and group-exhibitions: “Riot of Colour”, Orangerie, Munich (2018); (2016); “Metafloristik”, Museum of Fine Art Ghent, Ghent (2016); “Stein aus Licht”, “Art Cologne”, Jan Pleitner and Bruce Haines gallery, Cologne (2016); “I thought “Sorgen International”, Galerie Huren & Soehne, Munich (2016); “Die wilden 80er “Show Up 05”, Braunschweig (2018); “Art Muc”, Praterinsel, Munich (2018); “Close Kunstmuseum Bern, Bern (2015); “Das chymische Lustgärtlein”, Museum Kunst I could be an artist”, Ornis A. Gallery, Amsterdam (2015); “Das Auge der Katze”, Jahre”, Potsdam-Museum, Potsdam (2016); “Weltenwechsel”, dkw Kunstmuseum, Up”, Galerie Kunstquartier, Osnabrück (2017); “Open Studios Riemerling 2017”, Palast, Düsseldorf (2014); “Über die Metapher des Wachstums”, Kunstverein Elektrohaus, Hamburg (2015); “Today I am”, World Trade Center, The Hague (2015); Sammlung Seiz, Cottbus (2015); “NgoroNgoro”, Lehderstraße, Berlin (2015); Riemerling Studios, Hohenbrunn (2017); “Das kleine Format”, Galerie Freiraum Hannover/Frankfurter Kunstverein, Hannover/Frankfurt (2011); “Moscow Biennale”, “All together now”, Het Wilde Weten, Rotterdam (2015); “Ririrara Radobank”, DSM “Weltenwechsel”, Kunstverein Reutlingen, Reutlingen (2015); “Gala”, Galerie Burster, 16, Munich (2016); “What I am looking for”, Galerie Freiraum 16, Munich (2016); Moscow (2009); “Les Envahisseurs!”, Utopics, Biel (2009); “Lost paradise. Der Blick ART Collection, Sittard (2015); “Too good to be true”, CFA Berlin, Berlin (2014); Berlin (2015); “Im Zentrum”, Kunstverein Weinheim, Weinheim (2014); “Stillleben”, “Pentiment in Hamburg”, Pentiment, Hamburg (2016); “Pop Up 2”, Riemerling des Engels”, Zentrum Paul Klee, Bern (2008); “ “O sonho da planta do escritorio”, “Boost”, art foandation Bougie, Amsterdam (2014); “Elefantsnabel”, Storgata 164, Galerie Berlin, Berlin (2014); “alles neu”, John B. Aird Gallery, Toronto (2013); “Das Studios, Hohenbrunn (2016); “Arttasting”, Galerie Freiraum 16, Munich (2016); CCBB, Rio de Janeiro (2008); “Die Tropen”, Martin-Gropius-Bau, Berlin (2008); 2615, Lillehamer (2014); “PIGDOGANDMONKEYFESTOS”, Airspace gallery, London Selbstportrait”, Galerie Rosendahl, Thöne, Westphal, Berlin (2013); “Arbeiten auf “Inside-Outside”, Bürgerhaus Gräfeling, Gräfeling (2015); “Pop Up”, Schillerpallais, “Swiss Made. Präzision und Wahnsinn”, Kunstmuseum Wolfsburg (2007); “Biennale (2014); “I like it loud”, Kuepers Art, Heerlen (2013). Papier und drei Bilder”, Rosendahl, Thöne, Westphal, Berlin (2013). Berlin (2015); Atom Gallery, Irkutzk (2014). di Venezia”, Chiesa San Stae, Venice (2003). Tanja Ritterbex lives and works in Berlin. Werner Liebmann lives and works in Berlin. Petra Amtsberg Hoffmann lives and works in Munich. Gerda Steiner and Lukas Lenzlinger live in Switzerland. www.tanjaritterbex.nl www.liebmann.de www.petraamtsberghoffmann.com www.steinerlenzlinger.ch 110 111

198. K laus Merkel – 13.10.02 Master Slave System (afterglow) 199. D amien Flood – Display Model 2013, oil on canvas, 42x42 cm 2017, oil on canvas, 70x60 cm 197. F rank Maier – Crab Ball Donated by the artist. Donated by the artist. Courtesy Green on Red Gallery, Dublin & Stephane Simoens, Knokke. € 4.000 starting price 2018, acrylic on nettle, lacquered wood box, moldings, 56x42x5,5 cm € 1.900 starting price Donated by the artist. Klaus Merkel (born 1953 in Heidelberg, Germany) studied from 1975 until € 3.000 starting price 1980 at the der Staatlichen Akademie der Bildenden Künste Karlsruhe. Since Damien Flood (born 1979 in Dublin, Ireland) studied until 2003 at the Dun 200. Marten Kirbach – Neuland 2009 he is a professor at the Kunstakademie Münster Laoghaire Institute of Art Design and Technology in Dublin and until 2008 2014, acrylic on canvas, 105x155 cm Frank Maier (born 1966 in Stuttgart, Germany) studied from 1989 until 1994 at the National College of Art and Design in Dublin. He has been a tutor at Selected solo- and group-exhibitions: “Condo”, Project Native Informant, London Donated by the artist. Courtesy Heldenreizer Contemporary, Munich. at the Staatlichen Akademie der Künste Karlsruhe with professors Werner Belfast College of Art, Limerick College of Art, Wexford College of Art, Sligo (2019); Kunsthaus:Kollitsch, Klagenfurt (2019); “mews”, Galerie Max Mayer, € 4.000 Pokorny, Elisabeth Wagner and Harald Klinghöfer, in 1995 he was in the Düsseldorf (2019); Goethe -Institut, Heidelberghaus, Montpellier (2019); “Marketa College of Art, Burren College of Art and has been a Visiting Lecturer at the starting price masterclass of professor Harald Klinghöfer. 2007, 2008, 2010, 2013 and 2014 Othova, Klaus Merkel”, Galerie Nicolas Krupp, Basel (2018); “Crisis in the Credit National College of Art, Dublin and currently teaches at the RHA School and he was a lecturer at the Universität der Künste in Berlin. Systems”, Galerie Max Mayer, Düsseldorf (2018); “Academy”, Kunsthalle Düsseldorf, Bray Institute of Further Education. Marten Kirbach (born 1979 in Görlitz, Germany) studied from 2000 at the Selected solo- and group-exhibitions: “Gemalte Diagramme”, Museum für Konkrete Düsseldorf (2017); “Give”, T66 Kulturwerk, Freiburg (2016); “Klaus Merkel – hydra”, Selected solo- and group-exhibitions: “Shape of Things”, Diane Rosenstein Gallery, Hochschule für Bildende Künste in Dresden with Elke Hopfe, Siegfried Klotz, Kunst, Ingolstadt (2019); “#Favorites”, Ambacher Contemporary, Munich (2019); “to Galerie Max Mayer, Düsseldorf (2016); “iNITIAL”, Kunstverein Freiburg, Freiburg Los Angeles (2019); “Volta”, Green on Red Gallery, Basel (2019); “The Figure in the Günther Hornig and Ralf Kerbach and finished 2008 in the masterclass of put on paper”, Errant Sound, Berlin (2019); “Dimension of Space”, Kunsthaus Essen, (2016); “HOW TO BE UNIQUE”, Kienzle Art Foundation, Berlin (2016); “LE Carpet”, Green on Red Gallery, Dublin (2018); “Damien Flood / Herbert Warmuth”, professor Ralf Kerbach. Essen (2019); “Crab meets Gap”, Städtische Galerie Waldkraiburg, Waldkraiburg SOUFFLEUR – Schürmann trifft Ludwig”, Ludwig Forum Aachen, Aachen (2016-15); Thomas Rehbein, Cologne (2018); “Sea Change”, DLR Lexicon, Dun Laoghaire Selected solo- and group-exhibitions: “In Memoriam Hieronymus Wachter”, Galerie (2018); “Laura”, Laura Mars Galerie, Berlin (2018); “Mind the Gap”, Lage Egal, “L’oiseau presente… be abstract”, Kunstverein Schwäbisch Hall, Schwäbisch Hall (2018); “Museum of Mythological Water Beasts”, Ormston House, Limerick (2018); Irrgang, Leipzig (2019); “On those naked fields”, Galerie Irrgang, Leipzig (2019); Berlin (2018); “Ärmel aufkrempeln, zupacken, aufbauen!”, Spor Klübü, Berlin (2018); (2015); “L’oiseau presente… be abstract”, Ballhaus Ost, Berlin (2015); “Klaus “The Figure in the Carpet”, Green on Red Gallery, Dublin (2018); “Elevate: Irish “Neue Dialoge”, Heldenreizer Contemporary, Munich (2018); “Wintercollective V”, “Melon Man & Crab Shakes”, Drawing Room, Hamburg (2017); “Europe in China/ Merkel – Ecarte Arriere”, Bonner Kunstverein, Bonn (2015); “Klaus Merkel – Master contemporary art drawn from the Arts Council of Ireland”, Luan Gallery, Athlone Galerie Irrgang, Leipzig (2018); “Wintercollective IV”, Gallerie Irrgang, Leipzig (2017); Opus II”, Sculpture Art Museum, Qingdao (2017); “Krabbensucher”, Kunstverein am Slave System (afterglow)”, Joe Sheftel Gallery, New York (2015); “42”, Galerie Thomas (2018); “Theory of Two Centres”, Stephane Simoens, Knokke-Heist (2017); “Carrion “Accrochage 2017”, Kunsthandel Hubertus Hoffschild, Lübeck (2017); “Im Lauf Rosa Luxemburgplatz, Berlin (2016); “Service Compris”, Lehr Zeitgenössische Kunst, Flor, Berlin (2014); “over in out”, Expo Chicago, Galerie Max Mayer, Chicago (2013); Flowers”, The Cabin, La Brea, Los Angeles (2017); “Art Düsseldorf”, Green on Red der Dinge”, Galerie Irrgang, Berlin (2017); “Wintersalon”, Galerie Kristine Hamann, Berlin (2016); “Tiefe nach Aussen”, Galerie der Künstler, Munich (2016); “Liquidation “territories multiple”, Galerie Max Mayer, Düsseldorf (2013); “Fenster.Fenster”, Gallery & Thomas Rehbein Gallery, Düsseldorf (2017); “Wouldn’t it be nice if we Wismar (2016); “6 aus Dresden”, Kunsthandel Hubertus Hoffschild, Lübeck (2016); Totale”, Ambacher Contemporary, Paris (2016); “141 Linien”, Berlin (2015); “Vienna Kunsthaus L6, Freiburg (2013); “familytheater”, Brandenburgischer Kunstverein could dream together?”, Diane Rosenstein Gallery, Los Angeles (2017); “Volta”, Green “Das Palau-Gefühl”, Galerie Irrgang, Leipzig (2016); “what’s mine is yours”, Galerie Contemporary”, Galerie Ambacher, Vienna (2015); “exactly this”, Galerie Laura Potsdam & Kienzle Art Foundation, Berlin (2012); “Alternative Entrance”, Kunstbunker, on Red Gallery, Basel (2017); “A Fine Line”, Green on Red Gallery, Dublin (2016) Irrgang, Berlin (2015); “Mittlere Distanz”, Galerie Irrgang, Leipzig (2014); “Santa Mars, Berlin (2015); “Solo”, Ambacher Contemporary, Grand Palais, Paris (2015); “Be Nuremberg (2012); “Klaus Merkel – frühe 80er/späte 80er”, Kienzle Art Foundation, “2116: Forecast of the next century”, Broad Art Museum, Michigan (2016); “A Root Cloud”, Galerie Baer, Dresden (2014); “Winter is Coming”, Galerie Irrgang, Leipzig Abstract”, L‘oiseau présente, Berlin (2015); “Be Abstract”, Kunstverein Schwäbisch Berlin (2011); “Master Slave System”, Galerie Thomas Flor, Düsseldorf (2011); “thank that Turns as the Sun Turns”, Green on Red Gallery, Dublin (2016); “Infinite Plane”, (2014); “Konkrete Kunst in Dresden – Farbe konkret”, Galerie im 2. Stock im Hall, Schwäbisch Hall (2015); “Yia Art Fair #5”, Galerie Ambacher, Paris (2015); you”, haubrokshows, Berlin (2011); “07.06.01 stage”, LWL Landesmuseum für Grey Noise, Dubai (2015); “FIAC Officielle”, Paris (2015); “The Studio Chronicles”, RH Rathaus, Dresden (2013); “Brinkmann, Geiss, Kirbach, Lenke, Pretzer”, Atelier Stefan “In Place of a Trophy”, Beers Contemporary, London (2014); “salondergegenwart”, Kunst und Kulturgeschichte, Münster (2010); “hag”, Kunstverein Schwäbisch Hall, Contemporary Art, New York (2015); “Product Recall”, Galway Arts Centre, Galway Lenke, Dresden (2013); “FSK 18”, DREWAG, Dresden (2012); “Schichten”, Gallery Hamburg (2014); “ Konzentrat”, Koffer, Berlin (2014); “About Edith”, L’oiseau pre- Schwäbisch Hall (2009); “David Reed – Klaus Merkel Exhibition”, Galerie Thomas (2015); “NGORONGORO”, Lehder Strasse, Berlin (2015); “Promise of Palm Trees”, Art Academy, Dresden (2008); “Kunstzürich 07”, Zürich (2007); “Liste Cologne”, sente, Berlin (2014); “New York Exhibition/Launch for the 100 Painters of Tomorrow”, Flor, Düsseldorf (2008); “Gelenk & Zwischenton”, Galerie Elisabeth Kaufmann, Zürich Breese Little, London (2015); “Interior Sun”, Green on Red Gallery, Dublin (2014); Cologne (2007); “Im Erlengut”, Galerie Art Academy, Zürich (2006); “Biernat, One Art Space, New York (2014). (2007); “ways to make things”, Cynthia Broan Gallery, New York (2006). “Pull, Bite, Rally”, NCAD Gallery, Dublin (2014); “Artissima”, Turin (2013). Kabelelitz, Kirbach, Schmidt, Wölk”, Gallery Art Academy, Dresden (2006). Frank Maier lives and works in Berlin. Klaus Merkel lives and works in Freiburg and Münster. Damien Flood lives and works in Wicklow. Marten Kirbach lives and works in Dresden. www.frankmaier999.de www.merkel-atelier.de www.damienflood.ie, www.greenonredgallery.com, www.stephanesimoens.com www.martenkirbach.de, www.heldenreizer.com 112 113

205. S ara Shamma – Eye 6 2019, oil on canvas, 71x61 cm Donated by the artist. € 1.700 starting price 201. T im Cierpiszewski – untitled Cologne (2019); “The dark side of the room”, Salzamt, Linz (2018); “Loud Noise”, Tyson, Cologne (2018); “At the well”, Josef Albers Museum, Quadrat, Bottrop (2018); Sara Shamma (born 1979 in Damaskus, Syria) studied until 1998 at the Faculty 2019, digital print on paper, 42x29,7 cm “Homage to the square architecture”, Salzamt, Linz (2018); “Synchron”, Matjö – 204. Marta Soul – Idilio en divan of Fine Arts, University of Damascus. Donated by the artist. Raum für Kunst, Cologne (2018); “Atrium”, Kunsthalle Lüneburg, KulturBäckerei, Selected solo- and group-exhibitions: “Sara Shamma; Modern Slavery”, Arcade € 500 Lüneburg (2018); “Kunst & Leidenschaft, 50 Jahre Kunstverein Gelsenkirchen”, 2011, digital print, 60x70 cm, (1/10), starting price at Bush House, London (2019); “The Ruth Borchard Selfportrait Prize”, Piano Kunstverein Gelsenkirchen, Gelsenkirchen (2018); “The Cologne Art Book Fair”, Donated by the artist. nobile gallery, London (2019); “Multicolour”, Phillips, London (2019); “The Summer Kölnischer Kunstverein, Cologne (2018); “Evil Empire”, Bedford – Hotel # Congress € 1.200 starting price Exhibition”, Royal Academy of Art, London (2018); “New collective show”, Mark 202. T im Cierpiszewski – untitled Centre, Brussels (2017); “Artist Book Release”, Josef Albers Museum, Quadrat, Hachem Gallery, Beirut (2018); “London”, Art Sawa Gallery, Dubai (2017); “World Bottrop (2017); “Idiome Nr. 10”, Maerz Künstlervereinigung, Linz (2017); “Kunst Marta Soul (born 1973 in Madrid, Spain). Civil War Portraits”, The Old Truman Brewery, London (2015); “Sara Shamma as the 2019, digital print on paper, 42x29,7 cm Basis Ebertplatz”, Cologne (2017); “The longest line, 10qm”, Cologne (2017); Selected solo- and group-exhibitions: “209 Women”, Houses of Parliament, London guest artist in The 33rd Annual Exhibition”, Sharjah art museum, Sharjah (2015); Donated by the artist. “Trunk”, Kunstverein Lüneburg, Lüneburg (2017); “Drawing From The Future”, (2018); “Shutter Hub 2018”, Old Trumans Brewery gallery, London (2018); “The “Diaspora”, Art Sawa Gallery, Dubai (2014); “Q”, Royal College of Art, London € 500 Salon für Kunstbuch/21er Haus, Vienna (2017); “Space Invaders”, Hotel Van starting price generations of 87”, Conde Duque Art Centre, Madrid (2018); “Ama y bebe (Love (2013); “Florence biennale 2013”, Florenz (2013); “RP Annual Exhibition 2013”, The Walsum, Rotterdam (2016); Schauraum Hbf, Münster (2016); “Bacon & Spam”, and Drink)”, Dina Venua Art Space, Sheffield (2018); “Ama y bebe (Love and Mall Galleries, London (2013) “Nord Art”, Kunstwerk Carlshütte, Büdelsdorf (2012); Spam-Contemporary, Düsseldorf (2016); “Dystotal”, Ludwig Forum Aachen, Aachen Drink)”, Hybrid Festival, Madrid (2018); “Photobolsillo”, PHE 17 La Cárcel Art “Birth”, Art House, Damaskus (2011); “The Samawi Collection”, ayyam Art gallery, 203. T im Cierpiszewski – untitled (2016); “Openstudioscologne”, Atelierhaus Quartier am Hafen, Cologne (2016); Centre, Segovia (2017); “Dos + una”, BAT Alberto Cornejo Gallery, Madrid (2017); Dubai (2011); “Nord Art 2010”, Kunstwerk Carlshütte, Büdelsdorf (2010); “Art Prize “Jahresausstellung 2016”, Josef Albers Museum, Quadrat, Bottrop (2016); “Magic and “Infinito Interior”, Enaire Photography Collection, Cervantes Institute, Madrid (2017); 2010”, Kendall College of Art and Design, Grand Rapids (2010); “Contemporary 2019, digital print on paper, 42x29,7 cm Power / Of Magic Carpets to Drones”, Marta, Herford (2016); “URBAN HEREOS”, “Sheffield Contemporary. Behind the Scenes”, Abbeydale Picture house, Sheffield Istanbul 2009”, Istanbul Convention and Exhibition Center, Istanbul (2009); Donated by the artist. in Kolaboration mit dem Osthaus Museum Hagen, Hagen (2016); “Version 2.0”, (2017); “Idilios”, Photography Festival La nuu, Barcelona (2016); “East Meets West”, “Jablej Cultural Festival, 5th Edition”, Jableh (2009); “Let it be Jewelry”, Art House, € 500 Kultursalon Westfälische Küche / lecture, Westfälischer Kunstverein, Münster (2016); starting price Quard Gallery, Derby & Birmingham Museum & Art Gallery, Birmingham (2016); Damaskus (2009); “Damas- Paris, Regards Crois ©s”, The Araf World Institute, “Capsule”, Nakagin Kapusera Tawa, Tokyo (2015); “Pretty Vacant, Code Rood”, Tada Ă “Emotional Architecture”, Centro Centro Cibeles, Madrid (2016); “Welljob, Photo Paris & the National Museum, Damaskus (2009); “The Sema Ceremony from Turkey Projekts, Arnheim (2015); “Jahresausstellung 2015”, Josef Albers Museum, Quadrat, Beijing 2015”, Beijing (2015); “Welljob”, La Fábrica Gallery, Madrid (2015); “Silver with Sara Shamma’s Dervishes”, Turkish embassy, Art House, Damaskus (2009); Bottrop (2015); “Konnexion”, BDA/Band Deutscher Architekten, Forum Kunst und Night of Projections”, Encontros da Imagem Festival, Braga (2015); “Vidas Cruzadas” “Sara Shamma 2008”, ‘Finishing Touch’ Knowledge Village, Dubai (2008); “Sara Architektur, Essen (2015); “Glasgrün”, Mischpoke, e.V., Mönchengladbach (2015); Tim Cierpiszewski (born 1978 in Bottrop, Germany) studied from 2001 to Paula Alonso Gallery, Madrid (2015); “Retrospective. Last 10 years”, The Women’s 1978”, Art House, Damaskus (2008); “Modern Syrian Art”, Aouq Wakef Art Center, “voyager engine noise ambient”, Hong Kong Derrick Barge, Duisburg (2015); “since 2003 philosophy at the Universität Essen and from 2003 until 2009 at the Views Biennial”, Madrid (2014); “Time Suspended”, Paula Alonso Gallery, Madrid Doha (2008); “UAE Through Arabian Eyes”, the International Financial Center, Dubai 1996”, Galerie Flut, HfK Bremen, Bremen (2015); “Off-Orte des Ruhrgebiets”, Kunstakademie Münster, with the professors Maik and Dirk Löbbert and (2013); “Retando a la Suerte”, La Casa Encendida Art Center, Madrid (2013); (2008); “The Waterhouse Natural History Art Prize 2008”, The South Australian Kunsthaus Essen, Essen (2015); “Mango Tango Beton”, NCC-Nordrhein-Westfalen, graduated in the master class. “Desnudando a Eva. Artists Women in XX and XXI centuries”, Cervantes Institute of Museum, Adelaide (2008); “Music 2007”, Cornish Club Event Gallery, Kuwait (2007); Düsseldorf (2015). Selected solo- and group-exhibitions: “LIKE A HOUSE”, Gesellschaft für Marrakech & Beijing, Marrakech & Beijing (2012). “Sara Shamma 2007”, Art House, Damaskus (2007). Zeitgenössische Kunst, Osnabrück (2019); “MGame”, Stiftung Digitale Spiele Kultur, Tim Cierpiszewski lives and works in Essen. Marta Soul lives and works in Madrid and Sheffield. Sara Shamma lives and works in London. Mönchengladbach (2019); “The Cologne Art Book Fair”, Kölnischer Kunstverein, > www.timcie.com www.martasoul.com www.sarashamma.com 114 115

209. Ashleigh Sumner – Mercury Rising 2018, Mixed media, paint, silkscreen and ink on wood panel finished in resin, 101,6x101,6 cm Donated by the artist. € 2.300 starting price 208. Boris Hoppek – dead or alive Ashleigh Sumner (born in Charlotte, USA) graduated in 2002 at the Western 2015, acrylic on wood, 125x125 cm Carolina University. Donated by the artist. € 1.875 Selected solo- and group-exhibitions: “Art Market Hamptons”, Evan Lurie Gallery, starting price Hamptons (2019); “Art Market San Francisco”, Julie Zener Gallery, San Francisco (2019); “Affordable Art Fair, New York”, TAG Fine Arts, New York (2019); “Art Palm Hoppek (born 1970 in Kreuztal, Germany) in the graffiti and street art scene Springs”, Art Plex Gallery, Palm Springs (2019); “Come As You Are”, Julie Zener known as Forty, is a German street art artist. In 1990, the trained technical Gallery, Mill Valley (2018); “GRIT”, Detour Gallery and Canvas Miami Gallery, Miami draftsman went for the first time with a spray can in the outer space, then still (2018); “Clash”, Detour Gallery, Red Bank (2018); “Affordable Art Fair, London in his hometown Kreuztal in Siegen. Whether stencil, simple drawings, painted 206. Christian Flora – Mademoiselle Street-Art 207. Christian Flora – Biedermeier Graffiti Battersea”, Tag Fine Arts, London (2018); “Affordable Art Fair, London Hampstead”, shadows, revised advertising posters or larger colored pictures: Hoppek is Tag Fine Arts, London (2018); “Affordable Art Fair, New York”, Tag Fine Arts, New constantly expanding his repertoire. Hoppek’s work also includes cardboard 2019, graphite on primed MDF board, 30x30 cm 2017, fine art print auf paper, 25x25 cm York (2018); “Affordable Art Fair, Hong Kong”, Tag Fine Arts, Hong Kong (2018); and indoor and outdoor sculptures and drawings. Donated by the artist. Donated by the artist. “Red Dot Miami”, Evan Lurie Gallery, Miami (2017); “Art Market San Francisco”, Although relocations to Cologne, Berlin and finally to Barcelona provided € 250 € 150 Evan Lurie Gallery, San Francisco (2017); “Art Market Hamptons”, Evan Lurie Gallery, starting price starting price further contacts to the respective art scene, Hoppek did not get beyond Hamptons (2017); “Affordable Art Fair New York”, Artspace Warehouse, New York internal recognition for years. With commissioned work, As the design of (2017); “Palm Springs Contemporary Art Fair”, Artspace Warehouse, Palm Springs album covers and illustrations of books (eg in the book ”drugs”), a few sales (2017); “SCOPE, Miami”, Evan Lurie Gallery, Miami (2016); “Written All Over “Curatots Choice and Artists Tribute – 2018 – THE AURA IS PRESENT”, ausstel- Christian Flora (born 1972 in Klagenfurt, Austria) studied until 1999 with of his works to faithful collectors and the support of his parents, he held more Your Face”, Zener Schon Contemporary Art Gallery, San Francisco (2015); “Group lungsraum.at, Vienna (2018); “HAI SOCIETY”, Galerie Zwach, Schörfling/Attersee the professors Wolfgang Hutter and Wolfgang Herzig at the Universität für than badly over water. Exhibition”, Zener Schon Contemporary, San Francisco (2015); “Red Bull Curates”, (2017); “MÄNNER, MACHOS, MEMMEN – Männerbilder”, artist space strictly Angewandte Kunst in Wien and graduated in the master class of professor This has changed since 2005/2006. After being mentioned in several book Mack Sennett Studios, Los Angeles (2014); “Graffiti Ballads”, I820 Industrial Street HERRMANN, Vienna (2017); “From Outer Space”, IP.FORUM, Vienna (2017); Herbert Just in 2000. publications by Bernhard van Treeck, such as ”Wandzeichnungen”, ”Street Gallery, Los Angeles (2014). “OXYMORON”, Galerie MAX 21, Iphofen (2017); “Curators Choice & Artists Tribute Selected solo- and group-exhibitions: “Made in Vienna”, Galerie Kanzlei, Art Cologne” and the now out-of-print books ”Pochoir”, Graffiti Art # 9 and Her works can be found in the following museums and collections: Bryant Gumbel – remix 2017”, ARTOPIA, Vienna (2017); “Witz”, IP.FORUM, Vienna (2017); “Don’t Munich (2019); “CONNECTED”, Galerie Scharmüller, Fornach (2019); “Vanity ”Das große Graffiti-Lexikon” two books were published by renowned book Collection; Richard Hamilton Collection, Miami; Hannah & Derek Jeter Collection; touch it”, Le Méridien – Artistspace, Vienna (2017); “Curators Choice and Artist Fair”, Galerie Schloss Puchheim, Attnang-Puchheim (2019); “SCHAU…6”, publishers in 2005 him: ”Tranquillo” and ”Boris Hoppek y Sancho Panza”. Lynda Resnick Collection, Los Angeles; Tomas Jegeus Collection, Los Angeles; Eric Tribute”, Projectspace 1020, Vienna (2016); “Christian Flora”, Staatspark Fürstenlager Larger exhibitions followed. KUNSTHAUS : KOLLITSCH, Klagenfurt (2019); “46°36’55.4″N/14°01’52.6″E”, Goodwin Collection, Seattle; Gay Rosenthal Collection, Los Angeles; Laura Kimpton – Damenbau, Bensheim (2016); “ARTMUC”, Munich (2016); Kaethe Zwach, Galerie, Galerie – Zahnärzteteam Velden, Velden (2019); “Time goes by”, Dom Galerie, Hoppek also designs dolls, the so-called CMONS, and thus achieved Collection, San Francisco; Vivica A. Fox Collection, Los Angeles; Robin Weigert Schörfling am Attersee (2015), Galerie Artmondial, Vienna (2015). Wiener Neustadt (2018); “Die ewigen Götter”, Christoph Bacher Archäologie international attention. Collection, Los Angeles; Lindsey Berg Collection. Ancient Art, Vienna (2018); “Curated by BM Kuratoren”, Five Plus Art Galerie, Christian Flora lives and works in Vienna. Boris Hoppek lives and works in Barcelona. Ashleigh Sumner lives and works in Oakland. Vienna (2018); “ART IS THE DEVIL”, Galerie Morteveille, Vienna (2018); > www.christianflora.com www.borishoppek.de www.sumnerartstudio.com 116 117

210. Jiny Lan – Coincidence 212. Cl emencia Labin – Pulpa Charol 213. Conny Maier – Der Zweig 2 2017-2020, mixed media on canvas, 200x140 cm 2019, Bikinilycra papered on a wooden frame, filled with polyester wadding Donated by the artist. and painted with acrylic paint, 26x29x10 cm 2019, oil on canvas, 50x30 cm Donated by the artist. Donated by the artist. Courtesy Ruttkowski;68, Cologne. € 30.000 starting price € 1.600 starting price € 1.400 starting price Jiny Lan (born 1970 in Xiuyan, China) studied from 1988 until 1991 economics at the Bohai University in Liaoning and from 1991 until 1994 at the China Clemencia Labin (born 1946 in Maracaibo, Venezuela) studied from 1970 until Conny Maier (born in Berlin, Germany). 211. L ydia Peter – weibliche Rüstung / female armor Academy of Fine Arts in Zhejiang. 1974 Business Administration at the Columbia University in New York and Selected solo- and group-exhibitions: “Mixed Pickles 6”, Ruttkowski;68, Cologne from 1985 until 1990 at the Hochschule für bildende Künste in Hamburg with Selected solo- and group-exhibitions: “Oumini Illustri”, Biblioteca Nationale Maciana, 2020, acrystal, white pigment, 60x52x22 cm (2020-2019); “I didn’t mean to burn the woods”, S.M.A.C., Berlin (2019); “Chronik the professors Kai Sudeck, Franz Erhard Walter and Sigmar Polke. Venice (2019); “Jiny Lan: Meisterwerke”, Ludwiggalerie Schloss Oberhausen, Donated by the artist. der laufenden Ereignisse 2, Art Berlin”, Ruttkowski;68, Berlin (2019); “Im Trüben”, Oberhausen (2019); “From Grapes to Wine”, Villa van Delden, Ahaus (2019); € 1.600 Selected solo- and group-exhibitions: “Pack den Badeanzug ein”, Galerie Kornfeld, Ruttkowski;68, Cologne (2019); “Dorf 3”, Wullenstetten (2019); “Mixed Pickles 5”, “The World is Sometimes Flat, Sometimes Roand”, Galerie Michael Schultz, Berlin starting price Berlin (2019); “Spinning ideas. Weaving art”, Institut, Valencià d’Art Modern (IVAM), Ruttkowski;68, Berlin (2019); “Disorder”, Los Angeles (2019); “Atlantis 3000‘” 1, (2018); “Rent a Thirdhand Experience”, Confluentes III. Festival, Ludwig Museum Valencia (2019); “Clemencia Labin – Alex Trimino – Contrapunto/Counterpoint”, Atelier Concorde, Lisbon (2019); “Chronic der laufenden Ereignisse”, Christian Rosa Koblenz, Koblenz (2018); “Visionsverwaltung”, Bank Austria Kunstforum Vienna, Lydia Peter (born 1985 in Meerbusch, Germany) studied from 2005 until Diana Lowenstein Fine Arts, Miami (2018); “Die Neue Mona Lisa”, Galerie Melike Residency, Beverly Hills 90210 (2019); “Atlantis 3000”, PM Gallery, Lisbon (2019); Vienna (2017); “Alternative Fiction”, Kunstraum Essen, Essen (2017); “Globales, 2013 at the Kunstakademie Düsseldorf and graduated in the master class of Bilir, Hamburg (2018); “Bizarra”, Galerie Beatriz Gil, Caracas (2017); “La Extranjera, “Dorf 2”, Im Gerinne 2, Wullenstetten (2018); “Am Rothenbaum”, Ruttkowski;68, Nonverbales”, Galerie Shanghai, Munich (2017); “China Dialog: Transmission”, professor Didier Vermeiren. die Fremde, the Foreigner”, Galerie Renate Kammer, Hamburg (2016); “Mi Cocina” Paris (2018); “Mixed Pickles 4”, Michael Horbach Stiftung, Cologne (2018); “Grand Ludwig Museum Koblenz, Koblenz (2017); “Mona Lisa”, Villa van Delden, Ahaus Selected solo- and group-exhibitions: “sensation”, Galerie Grölle, Passprojects, Raum Galerie Melike Bilir, Hamburg (2016); “Confetti”, Galerie Grewenig, Heidelberg Opening”, Ruttkowski;68, Paris (2018); “Tangerine Dreams”, Funkhaus, Berlin (2017); “Bad Girls – Fempire de Mai, L’Espace de Femes”, Antoinette Fouque, Paris 2 Interventions, Wuppertal (2019); “Follow up Kunstpreis – Jubiläumsausstellung”, (2015); “Pulpa Chic”, Museo de Arte de Coro, Coro (2015); “God save the Queen”, (2018); “My body doesn’t like summer”, Haverkampf, Berlin (2018); “Mixed Pickles”, (2016); “Creativ Frenzy”, Galerie Michael Schultz, Berlin (2016); “Another Germany”, PriceWaterhouseCoopers AG, Düsseldorf (2019); “8. Skulpturenprojekt Hardt”, Museo de Arte Contemporáneo de Castilla y León, León (2015); “Pulpa Chic”, Museo Ruttkowski;68, Berlin (2018); “Provincetown”, MEWO Kunsthalle, Memmingen Cubus Kunsthalle Duisburg, Duisburg (2016), “Silk Road”, Dunhunag (2016); “Der Botanischer Garten, Wuppertal (2018); “Edition 24”, Raum 2 Interventions, Galerie de Valencia, Valencia (2014); “1° Bienal Cartagena de Indias”, Cartagena (2014); (2018); “Grand Opening”, Ruttkowski;68, Cologne (2018); “Waisting – Time Volume Stand der Dinge”, Galerie Anette Müller, Düsseldorf (2016); “Infinity Love”, City Hall Jürgen Grölle, Wuppertal (2018); “Pestalozzi”, Wuppertal (2016); “Realpräsenz”; “White Gold”, New World Museum, USA (2012); “La Mantuana”, Diana Lowenstein 1 – The Nature Edition”, Objekte unserer Tage, Berlin (2018); “Mixed Pickles 2”, Hongkong, Hongkong (2015); “Female Fairytale”, Kunstraum Essen, Essen (2015); Betonbox, Düsseldorf (2016); “Die große Kunstausstellung”, Museum Kunstpalast, Fine Arts Gallery, Miami (2012); “La Pinra de Clemencia Labin”, Musei de arte Michael Horbach Stiftung, Cologne (2017); “Dorf”, Wullenstetten, Ulm (2017); “Bald Girls – Pink Solution”, Fandaciòn Lia Faro del Tempo, Bogota (2014); “Bald Düsseldorf (2015); “Skulpturen im Sommerloch”, Alte Elba-Hallen, Wuppertal contemporaeneo, Maracay (2012); “Scope New York”, Diane Lowenstein Fine Arts “a.Tennis”, Parallel Vienna, Vienna (2017); “Alles very good./ – Nothing matters”, Girls – Timelag”, Frauenmuseum Bonn, Bonn (2014); “Face to Face – Portraitmalerei (2014); “Follow Up Kunstpreis”, PriceWaterhouseCoopers AG, Düsseldorf (2014); Gallery, New York (2012); “Pavilion of Venezuela”, 54. Venice Biennale, Venice (2011); ung5, Cologne (2017); “Hyper Hyper”, Michael Reid Galerie, Berlin (2017); “The cosy heute”, Galerie Anette Müller, Düsseldorf (2014); “Ein-Personen-Chor”, NRW-Forum, “Ansammlung Campoi”, Pilotprojet e.V., Düsseldorf (2013); “67. Bergischer “Tabgible – Clemencia Labin”, Galeria d’museo, Caracas (2010); “Scope Basel”, Jacob fire. / Alles Gut. – Nothing Matters”, Beinghunted./net.work, Berlin (2016); “Woman Düsseldorf (2013); “9th Shanghai Biennale”, Shanghai Museum für zeitgenössische Kunstpreis”, Museum Solingen, Solingen (2013); “Follow Up 2013 – Aktuelle Karpio, Basel (2009); “Doping Pulpa”, Diana Lowenstein Fine Arts Gallery, Miami in disguise”, Volume Galerie, Berlin (2016); “Hidepit FM”, Hireout FM Gallery, Los Kunst, Shanghai (2013); “Bald Girls 2 – A Door”, Zajia Art Center, Peking (2013); Positionen aus dem Rundgang der Düsseldorfer Akademie”, PriceWaterhouseCoopers (2009); “Tuva de Clemencia Labin”, Kunstverein Schallstadt, Schallstadt (2009); “ Angeles (2016); “Coke First, Pt. II”, BOLD Room, Los Angeles (2016); “Coke First”, “Bald Girls”, Iberia Zentrum für zeitgenössische Kunst, Peking (2012); “Die Zwölf AG, Düsseldorf (2013); “Lydia and friends”, Asta-Ausstellungsraum, Düsseldorf Scope Miami”, Jacob Karpio, Miami (2008); “El Vergel de Clemencia Labin”, Centro Beinghunted./ net.work, Berlin (2015); “Extended Visions”, Blockbuster Galerie, unschuldigen Frauen”, Galerie Nostheide-Eycke, Düsseldorf (2012); “Contemporary (2012); “Landschaft – innen, aussen”, Kunstverein Willich, Willich (2011); “Prisma, de Arte Lia Bermudez, Maracaibo (2007); “Quimeras de viento”, Galeria Alternativa, Berlin (2015); “Amerikanische Situation & Zigaretten”, Volume Galerie, Berlin (2014); Art of North East China from 1985-2006”, Canton Art Museum, Guangzhou (2006); Klasse Professor Didier Vermeiren”, Kunstverein Recklinghausen, Recklinghausen Caracas (2007); “Grand Opening”, Cuborosa, Hamburg (2007); “Art Basel Miami “Reseen”, MADE, Berlin (2013); “Berliner Liste”, Galerie Hermann & Wagner, Berlin “90 Days in New York City”, Red Dot Solution, New York (2003). (2011). Beach”, Jacob Karpio, Miami (2007). (2005). Jiny Lan lives and works in Bochum. Lydia Peter lives and works in Düsseldorf and Wuppertal. Clemencia Labin lives and works in Hamburg. Conny Maier lives and works in Berlin and Baleal. www.jinylan.com www.lydiapeter.de www.clemencialabin.com www.connymaier.tumblr.com, www.ruttkowski68.com 118 119

216. Grigori Dor – Still Life With A Lovebird 215. Bernd Kastner – Figurine 3 / 2019 2016, oil on canvas, 170x120 cm 2019, terracotta with glaze, epoxy resin, 52x31x31 cm Donated by the artist. Donated by the artist. € 4.500 starting price 214. P ierre Knop – German Angsthase € 1.800 starting price Grigori Dor (born 1970 in Ulan-Ude, Russia) studied art history and German 217. S ven Reile – Astronaut 2019, oil on canvas, 85x120 cm Bernd Kastner (born 1957 in Düsseldorf, Germany) studied sculpture at the studies at the University of St. Petersburg, from 1990 to 1994 at the Humboldt Donated by the artist. Courtesy Choi & Lager Gallery, Cologne. 2018, oil on canvas, 70x60 cm art academy of his Düsseldorf, which he ended as a master student of profes- University in Berlin and from 1994 to 1997 graphic design in Berlin. Donated by the artist. € 3.500 starting price sor Irmin Kamp. A scholarship then leads the young artist to the renowned Selected solo- and group-exhibitions: “50/50”, Paul-Fleischmann-Haus, Berlin €2.500 MoMA PS1 in New York City. (2020); “Hypnos”, Galerie Rothamel, Erfurt (2019); “Princess Slaughter”, Atelierhof starting price Pierre Knop (born 1982 in Nancy, France) studied from 2008 until 2013 Bernd Kastner is completely committed to sculpture, and he is particularly Kreuzberg, Berlin (2019); “From denen die auszogen”, städtische Galerie Landau, painting at the Kunstakademie Düsseldorf with the professors Andreas Schulze fascinated by the terracotta material. The processing and preservation of Kunstverein Villa Streccius, Landau (2019); “Salon Boheme”, janinebeangallery, Sven Reile (born 1967 in Braunschweig, Germany) studied from 1994 until and Katharina Grosse and graduated in the masterclass of professor Katharina the fabric is associated with some difficulties. That is why Bernd Kastner Berlin (2018); “Berlin Calling”, Gallery Parnass, Aarhus (2018); “Me, Myself and I – 2001 psychology and history of art at the Friedrich-Schiller-Universität Jena. Grosse. Since 2019 he is a visiting professor at the Staatlichen Akademie der often retires to his studio during his studies to develop new techniques in a The Portrait in Contemporary European Art”, Artdocks Gallery, Bremen (2018); “Fo Selected solo- and group-exhibitions: “+1”, Safe Gallery, Berlin (2019); “En Bildenden Künste Karlsruhe. self-chosen seclusion, to test glazes and to refine them more and more. This You”, Marienburg Berlin (2018); “Aneignung”, Galerie im Rathaus Reinickendorf, Bloc. Codex-Berlin”, Nicole Gnesa Galerie, Munich (2019); “Black Box”, Selected solo- and group-exhibitions: “Solokoje”, Art Berlin, Choi & Lager gallery, is how he succeeds in filling the brittle material with life in an impressive way. Berlin (2018); “Falling Empire”, janinebeangallery, Berlin (2017); “Blue Bleu Blau KulturBäckerei Lüneburg, Lüneburg (2018); “en bloc”, Codex Showroom, Berlin Berlin (2019); “Feast of Fools”, Choi & Lager Gallery, Cologne (2019); “Mixed Pickles Because the earth itself, according to Bernd Kastner, is nothing more than an Blu – Biennale Austria”, Ausstellungsraum, Vienna (2017); “ HOPE”, Willner (2018); “MELANCHOLIE/KUBRICK’S HOUSE II”, Auriga Galerie, Rostock (2017); 6”, Ruttkowski;68 Gallery, Cologne (2019); “Finger Talkin‘”, Barbara Seiler, Zürich oversized terracotta stove with its lava core. Brauerei by Priest and Prawns, Berlin (2017); “Mermaids and Unicorns”, online “Himmelskörper”, Städtische Galerie Pforzheim, Pforzheim (2016); “Les Miniatures”, (2019); “Art Cologne, New Positions”, Setareh Gallery, Cologne (2018); “Project In addition to terracotta, Bernd Kastner also works time and time again with exhibition by peertospace (2017); “Art Karlsruhe”, Galerie Lauth, Karlsruhe Galerie Nicole Gnesa, Munich (2016); “Erste Weißenseer Kabinettausstellung”, Bachsimpel”, Lyles & King, New York (2018); “Worshiping Sticks and Stones”, other materials that he knows how to combine virtuously: porcelain, stone, (2017); “Art Amsterdam”, janinebeangallery, Amsterdam (2016); “Barocktikum”, Brotfabrik Berlin, Berlin (2016); “SPECTRUM ONE – on canvas”, Eigenheim Galerie Anat Ebgi, Los Angeles (2018); “Ei Gude”, Annarumma Gallery, Neapel (2018); metal and even bones awaken to undreamed-of vibrancy under his hands. In all Kunstverein Speyer, Speyer (2016); “BEYOND selected by Tina Sauerländer”, St. – Weimar/Berlin, Berlin (2015); “HIMMELwärts – Kunst über den Wolken”, ALTANA “01”, PM/AM, London (2018); “Wunderkammer”, KH7artspace, Aarhus (2018); material combinations, the figurative works by Bernd Kastner, combined with Johannes Evangelist Kirche, Berlin (2016); Berlinische Galerie, Museum für moderne Kulturstiftung im Sinclair-Haus, Bad Homburg (2015); “Sven Reile – Mars Attacks”, “Memories of an elephant”, Kunsthaus Essen, Essen (2017); “Des wilden Zufalls abstract elements at the same time, are extraordinarily expressive, graceful and und zeitgenössische Kunst, Berlin (2015); Städtisches Museum Schloss Rheydt, Kunstverein Salzgitter, Salzgitter (2014); “Melancholie/Kubricks House”, Kunstraum- Beute”, Setareh Gallery, Düsseldorf (2017); “Die Grosse Kunstausstellung NRW”, sensual, while being gentle and enchanted as in dreamy melancholy. Numerous Mönchengladbach (2015); “Slick 10 Paris”, janinebeangallery, Paris (2015); “DIE Unten, Bochum (2014); “Outer Space – Faszination Weltraum – Der Weltraum Museum Kunstpalast, Düsseldorf (2017); “Piere Knop: And Left A Prey To Hazard CD and LP releases, plus radio plays and film work with the WDR (2019-1990). FARBE BLAU”, Galerie Liebau, Burghaun (2015); “Scope Basel”, janinebeangallery, zwischen Kunst und Wissenschaft”, Bandeskunsthalle, Bonn (2014); “Mixed Wild”, Setareh Gallery, Düsseldorf (2017); “SASKIA”, Jagla Ausstellungsraum, Selected solo- and group-exhibitions: “D-Polytrop: Rauminstallation from ‘Strafe Basel (2015); “The Archeology of Dreams and Desires”, janinebeangallery, Berlin Signals – Part I”, Kunstverein Ulm, Ulm (2013); “Mixed Signals – Part II”, Kunsthaus Cologne (2017); “Mayor Projects”, Jacob Bjørn Gallery, Aarhus (2016); “Die Grosse für Rebellion‘”, Kunsthalle Düsseldorf (2019); “Über Eck”, Kunsthalle Düsseldorf (2015); Galerie Lauth, Ludwigshafen (2014); Galerie Liebau, Burghaun/Fulda Meiningen/Berliner Salon, Meinigen (2013); “Sterne”, Walden Kunstausstellungen, Kunstausstellung NRW”, Museum Kunstpalast, Düsseldorf (2016); “THE THIRD (2014); “Der Westen leuchtet”, Kunstmuseum Bonn, Bonn (2010); Galerie Radtke, (2014); “Little Wonderland”, janinebeangallery, Berlin (2014); Kunstauktion- Berlin (2012); “Sommerausstellung im Gehag Forum”, Gehag Forum, Berlin (2012); GAND (with Wolfgang Voegele)”, Kunstverein Kölnberg, Cologne (2015); “KLASSE Krefeld (2005); “Ausstellung der Teilnehmer des Grohmann-Stipendiums”, Staatliche Galerie, Essen (2013); “Galerie Liebau, Burghaun/Fulda (2013); “Art Karlsruhe”, “GESICHTE – Portraitausstellung”, Kunsthof Jena, Jena (2012); “mit Jens Hausmann GROSSE. Kunstakademie Düsseldorf”, Galerie Villa Zanders, Bergisch Gladbach Kunsthalle Baden-Baden, Baden-Baden (1990); “Ausstellung der Jürgen Ponto- Galerie Lauth, Karlsruhe (2013); “Mensch”, Galerie Liebau, Burghaun/Fulda (2012); und Isabelle Borges”, ARD-Hauptstadtstudio, Berlin (2012); “ Wir glauben an Dich”, (2012). Stiftung”, Kunstverein Frankfurt, Frankfurt am Main (1985); “annual exhibition im “Art Karlsruhe”, Galerie Lauth, Karlsruhe (2012). Berlin (2010). PS1”, The Museum of Modern Art, MoMA PS1, New York (1983). Pierre Knop lives and works in Cologne. Grigori Dor lives and works in Berlin. Sven Reile lives and works in Berlin. www.pierreknop.de, www.choiandlager.com Bernd Kastner lives and works in Düsseldorf. www.grigori-dor.com www.svenreile.com 120 121

218. Ursula Susanne Buchart – Emigrant from Westgermany 2019, acrylic on wrapping paper, 74x50 cm Donated by the artist. € 900 starting price

Ursula Susanne Buchart (born 1976 in Munich, Germany) undertook study trips to the Galapagos, Ecuador, Dominican Republic, USA from 2001 to 2003 219. Volkano – The dead bird ritual No.39 and studied communikation design at the Fachhochschule München in 2004 2018, oil on canvas, 30x30 cm and from 2005 until 2011 visual arts at the Akademie der Bildenden Künste Donated by the artist. Wien, in the class of professor Gunter Damisch. € 1.500 Selected solo- and group-exhibitions: “Expected, …”, Kunstverein Meissen, Meissen starting price (2020); “The private is public”, Kunstwerkstatt Tulln, Tulln (2020); “Mein Sehen Volkano (born 1981 in Herford, Germany) studied graphic design. in Hamburg. bleibt physisch folgenlos”, A&O Kunsthalle Leipzig, Leipzig (2019); “Salon des 220. Sy bille Hentschel – Die Beobachtung Refusés”, HfBK Dresden, Dresden (2019); “Leipziger Buchmesse”, Galerie www. Selected solo- und group-exhibitions: “Art Herning”, Galerie Wolfsen, Herning (2019); nummeriertandsigniert.de, Leipzig (2018); “Eat the rich at all times”, Kaeshmaesh, “North Kunstmesse Aalborg”, Galerie Wolfsen, Aalborg (2018); “Directors Choice”, 2018, oil on canvas, 60x60 cm Verein zur Förderung from Kunst und Kommunikation, Vienna (2017); “Panoptical 19Karen Contemporary, Mermaid Beach (2018); “The Ritual of the Great White Donated by the artist, Courtesy Galerie Friedmann Hahn, Berlin. Blend #1”, Vienna (2017); “Unfolding Pigments: A Painting and Videogame Swan”, Galerie Wolfsen, Aalborg (2018); “Cowboyland”, Heliumcowboy, Hamburg € 2.100 Manifesto”, Semperdepot, Vienna (2017); “Stop and Go”, Museum Angerlehner, (2017); “North Kunstmesse Aalborg”, Galerie Wolfsen, Aalborg (2017); “Art Herning”, starting price Wels (2016); “Vienna Contemporary”, Zone 1, Galerie Ernst Hilger, Vienna (2015); Galerie Wolfsen, Herning (2017); “Bonbon & Beer”, Heliumcowboy, Hamburg Alles für die Krone II”, Loft8, Vienna (2015); “Alles für die Krone”, Moe, Vienna (2016); “Mist of Madness”, Heliumcowboy, Hamburg (2016); “Art Copenhagen”, Galerien”, Galerie Nolte, Münster (2015); “Die Fünfte”, Kap-Hoorn Art, Bremen (2015); “Atelierfrische”, Galerie Die Erlas, Traunkirchen (2015); “Obsessive”, Galerie Galerie Wolfsen, Copenhagen (2016); “Scope Basel”, Galerie Wolfsen, Basel (2016); Sybille Hentschel (born 1956 in Friedland, Germany) studied from 1975 Überseestadt (2013); “Sybille Hentschel – Malerei”, Haus der Bauindustrie, Zeitkunst, Kitzbühel (2015); Ausstellung Kabinettl, Kufstein (2014); “Unwritten”, Moe “North Kunstmesse Aalborg”, Galerie Wolfsen, Aalborg (2016); “Black Hole”, Galerie until 1980 at the Kunsthochschule Berlin-Weißensee and separately took Bremen (2013); “Lichtmomente”, 13. Edewechter Kunsttage, Oldenburg-Edewecht Vienna, ORF Funkhaus, Graz (2014); “Museum auf Abwegen”, Masc Foandation, Wolfsen, Aalborg (2016); “Lapiz, Papel O Tijera”, Plastic Murs Gallery, Valencia painting-classes with professor Günther Brendel. (2012); Galerie Moderne, Bad Zwischenahn (2012); Galerie Moderne, Bad Vienna (2014); “Upperworld-Anderworld”, Masc Foandation, Vienna (2014); “Café (2016); “Scope Miami Beach”, Galerie Wolfsen, Miami (2015); “Rituals”, Galerie Selected solo- and group-exhibitions: “Kunstessenzen XXIII”, Galerie Friedmann- Zwischenahn (2011); Galerie L’Officina, Locarno (2010); Artistic design of the foyer Draschan”, Apartement Draschan, Vienna (2014). Wolfsen, Aalborg (2015); “Knotenpunkt”, Affenfaust Galerie, Hamburg (2015); Hahn, Berlin (2019); “Schöne Welt!?”, Galerie Nolte, Münster (2019); “Nacht of the design hotel Sol Melia, Dresden (2010-2009); Galerie Behrmann, Bremen Her works can be found in the following collections and museums: Raiffeisenbank “Trend‘15”, Galerie Wolfsen, Aalborg (2015); “LA Art Show”, Galerie Wolfsen, Los der Galerien”, Galerie Nolte, Münster (2018); Galerie Peters Barenbrock, (2009); Artistic design of the conference rooms of the Innside Hotel, Düsseldorf Kitzbühel-St.Johann; Kupferstichkabinett der Akademie der Bildenden Künste, Vienna; Angeles (2015); “Unrealism”, Galerie Wolfsen, Aalborg (2014); “High on Lowbrow Ahrenshoop (2018); “Menschen unserer Zeit”, Galerie Brandt Credo, Bremen (2009-2008); Galerie GOLO, Düsseldorf (2008); Galerie Behrmann, Bremen Gemäldegalerie der Akademie der Bildenden Künste, Vienna; Sammlung Alfred No. 2”, Galerie Wolfsen, Aalborg (2014); “Art Copenhagen”, Galerie Wolfsen, (2018); “Sound of Life”, Galerie Nolte, Münster (2017); Galerie Nolte, Portocolom (2008). Brogyányi, Vienna; Sammlung Heinz Angerlehner, Wels. Copenhagen (2013); “High On Lowbrow No. 1”, Galerie Wolfsen, Aalborg (2012). (2017); “Konvergenzen”, Rathaus Weyhe, Weyhe (2017); “Formsache”, Galerie im Heuerhaus, Dötlingen/Oldenburg (2016); Galerie Nolte, Münster (2016); Sybille Hentschel lives and works in Weyhe. Ursula Susanne Buchart lives and works in Dresden and Vienna. Volkano lives and works in Hamburg. “Kunstessenzen XII”, Galerie Friedmann-Hahn, Berlin (2016); “Nacht der > www.sybille-hentschel.de, www.galeriefriedmann-hahn.com www.ursulasusannebuchart.de www.volkano-art.com 122 123

List of artist

Cat. Nr. Artist Page Cat. Nr. Artist Page Cat. Nr. Artist Page Cat. Nr. Artist Page

A G L S 51. Joshua Abelow 34 41. Katharina Gerold 29 194. Werner Liebmann 108 60. Dorothea Schüle 38 71. Cigdem Aky 44 165. Magnus Gjoen 94 177. Julius Linnenbrink 100 119. Roswitha Schuller 69 Wenn aus 180. Aljoscha 101 35. Michael Göbel 26 80. Kolja Linowitzki 48 172. Martin Schwenk 97 47. Ayad Alkadhi 32 44. Chris Goennawein 30 61. Marius Seidlitz 39 195. Petra Amtsberg Hoffman 109 99. Carsten Goering 58 M 162. Nike Seifert 92 leeren Räumen 163. Lena Amuat 93 128. Greg Gorman 75 213. Conny Maier 117 92. Tanja Selzer 54 184. Adela Andea 103 114. Wolfgang Grinschgl 67 197. Frank Maier 110 87./88. Elfie Semotan 52 143. Hans Andersson 83 38. Julia Gruner 27 130. Daniel Man 76 205. Sara Shamma 113 die perfekte 46. Nina Ansari 31 75. Manor Grunewald 46 140. Matthias Mansen 81 76. Bongchull Shin 46 167. Benjamin Appel 95 127. Eduardo Guelfenbein 74 97./98. Livia Marin 57 73. Marna Shopoff 45 10. Katharina Arndt 13 81. Kai-Uwe Gandlach 49 155. Javier Martin 89 116./117. Helen Shulkin 68 Location wird. 151. Ruth Avra 87 H 187. Tiziano Martini 105 204. Marta Soul 113 B 169. Joshua Hagler 96 19. Christof Mascher 17 18. Rainer Spangl 17 57. Enrico Bach 37 142. Hassan Hajjaj 82 158. Conor Matthew Mccreedy 90 170. Sibylle Springer 96 166. Marlene Bart 94 136. Peter Halasz 79 82. Jamie McGregor Smith 49 12. Rhea Standke 14 144. Florian Baudrexel 83 63./64. Hubertus Hamm 40 93. Casey McKee 55 108. Julia Stärz 63 31. Wolfgang Becksteiner 24 119. Markus Hanakam 69 91. Alexa Meade 54 3. Charlie Stein 9 7. Mina Bellack 11 220. Sybille Hentschel 121 198. Klaus Merkel 110 138. Stephanie Stein 80 Für jedes Event. 185. Ulysses Belz 104 49. Herbert Hinteregger 86 89. Matthias Meyer 53 6. Tim-Gregory Steiner 11 164. Feriel Bendjama 93 195 Petra Amtsberg Hoffmann 109 163. Zoë Meyer 93 196. Gerda Steiner 109 139. Jaouad Bentam 81 86. Frenzy Höhne 51 70. Filippo Minelli 43 107. Christoph Stepan 63 190. Wolfgang Betke 106 208. Boris Hoppek 115 59. Kate Montgomery 38 171. Nina Stoelting 97 147. Kenneth Blom 85 129. Yann Houri 75 8. Heiko Müller 12 153. Henning Strassburger 88 1. Arvid Boecker 8 109. Iris Hutegger 64 N 90. Martin Streit 53 22. Jenny Brosinski 19 28. Ran Hwang 22 137. Sasan Nasernia 80 125. Thaddeus Strode 73 218. Ursula Susanne Buchart 120 J 13. Sigrid Nienstedt 14 209. Ashleigh Sumner 115 C 65. Tom Jacobi 41 P 40. Duncan Swann 28 189. Carles Castel 106 132. Joanna Jesse 77 5. Thomas Pakull 10 15. Synchrodogs 15 36. Tugo Cheng 26 67. Miriam Jonas 42 17. Jochen Pankrath 16 T 23. Canal Cheong-Jagerroos 19 156. Jean Jullien 89 186. Sin Park 104 50. Johan Tahon 33 25. Ku Chi-Chun 20 K 123./124. Manfred Peckl 72 161. Stefania Tejada 92 39. Peter Rune Christiansen 28 100. Mathias Kadolph 59 101. Colin Penno 59 48. Marianne Thoermer 32 11. Marcin Cienski 13 150. Jeff Kahm 86 20. Christian Perdix 18 179. Jim Thorell 101 201.–203. Tim Cierpiszewski 112 79. Jan Kaláb 48 211. Lydia Peter 116 160. Gábor Török 91 168. Stijn Cole 95 178. Katrin Kampmann 100 72. Charley Peters 44 84. D.D. Trans 50 45. Steven Cox 31 29. Mahsa Karimizadeh 23 188. Stefan Peters 105 4. Paolo Troilo 10 D 215. Bernd Kastner 118 16. Sibylle Prange 16 U 96. Matthias Danberg 56 200. Marten Kirbach 111 42. Klaus Prior 29 191. Hidayat Ullah 107 141. Johan Deckmann 82 154. Daniel Kiss 88 182. Maxim Probst 102 V 102. Julien Deiss 60 174. Jean-Yves Klein 98 R 77. Rodrigo Valenzuela 47 78. Anne Desmet 47 151. Dana Kleinman 87 104. Christine Reifenberger 61 126. Kirsten van den Bogaard 73 131. J. Doe 77 32. Franziska Klotz 24 217. Sven Reile 119 175. Markus Vater 99 216. Grigori Dor 119 214. Pierre Knop 118 158. Ludwig Reiter 90 103. Miriam Vlaming 61 68. Katarína Dubovská 42 26. Ekin Su Koç 21 115. Katharina Reschke 67 94. Armin Völckers 55 54. Andreas Duscha 35 148. Vikenti Komitski 85 27. Beatrice Richter 21 219. Volkano 120 F 55./56. Eszter Kondor 36 49. Stefan Rinck 33 105. Julian Voss-Andreae 62 2. Florian Fausch 9 157. Jörg Kratz 90 193. Tanja Ritterbex 108 192. Kalu Vossbeck 107 43. Lionel Favre 30 152. Tobias Kroeger 87 173. Charlotte Neel Ritto 98 W Party Rent Österreich | Emrich GmbH 58. Ornella Fieres 37 85. James Krone 51 14. Christy Lee Rogers 15 183. Johan Wahlstrom 103 110. Johanna Flammer 65 L 146. Felicitas Rohden 84 34. Brigitte Waldach 25 199. Damien Flood 111 212. Clemencia Labin 117 112./113. Monika Romstein 66 83. Daniel Weißbach 50 206./207. Christian Flora 114 121. Talisa Lallai 71 69. Eberhard Ross 43 176. Graham Wilson 99 Pichl/Wels T: +43 7247 21021-0 30. Loreen Fritsch 23 210. Jiny Lan 116 S 181. Martha Wilson 102 111. Julia Fullerton-Batten 65 106. Silke Lauffs 62 120. Patric Sandri 70 133./134. Karina Wisniewska 78 [email protected] G 53. Simon Laureyns 35 95. Michel Sauer 56 122. Clemens Wolf 71 62. Sebastian Gahntz 39 9. Michael Lauterjung 12 52. Morgaine Schäfer 34 Z Wien T: +43 1 361 9555-0 24. Wolfgang Ganter 20 21. Camill Leberer 18 74. Armin Scheid 45 118. Heiko Zahlmann 69 [email protected] 145. Katja Gärtner 84 196. Jörg Lenzlinger 109 135. Jonathan Schmidt-Ott 79 37. Gianmaria Gava 27 159. Jonas Leriche 91 33. Berit Schneidereit 25 66. Heng Li 41

AU-Benefiz-2020-01-24.indd 1 24.01.2020 16:27:26 124 125

Thanks again to the fabulous and great collaboration, this time even internationally, of the participating Rotary clubs:

VILLA WEISS THE GRANDE DAME SHINES IN NEW SPLENDOR With an almost one-hundred-year-long history, the Villa Weiss is known amongst many as the Grand Dame of the Attersee Lake. Having celebrated their weddings in Rotary Club Wien-West the elegant Villa, some associate her with Charter 1959 their most wonderful hours of their lives. Others have discovered the Villa as a hidden summer home where they could escape from their hectic everyday lives. rotary.at/clubs/rc-wien-west Be it a private party, a retreat, a brunch or a dinner – there is no better place in the Salzkammergut than the Villa Weiss. In the past, entry to the Villa required an ROTARY CLUB invitation by the Brazilian royal family, VIENNA the founders of the estate in 1923. Today, INTERNATIONAL the exclusive Boutique Villa with 11 Suites RC welcomes all guests with open arms and guarantees an unforgettable time. One of ROTARY CLUB the highlights alongside the stunning VIENNA INTERNATIONAL lake view are the extensive brunches on RC Saturdays and Sundays, as well as the cosy three-course dinner menus, served daily. rotary.at/clubs/rc-vienna-international A particular secret recommendation is the Friday evening BBQ. With a reservation, external guests are always welcome to enjoy the cosy atmosphere at this special home away from home. The friendly Villa Weiss Team is always keen to inform you personally about their offers and will welcome you with open arms and hearts at the Boutique Villa Weiss at the Attersee Lake. Create muenchen-hofgarten.rotary.de VILLA WEISS yourself. SCHLOSSBERG 4 A-4864 ATTERSEE +43 7666 20857 [email protected] KTHE.AT www.instagram.com/lavillaweiss www.villaweiss.at rotary1810.org/koeln_ville 180104 Anzeigen Adaption 138x199mm RZ Pfade.indd 1 29.08.19 10:47 KTHE_CS_Magazin_2020_128x196_abf3mm_RZ.indd 1 05.02.20 14:01 126

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Without donations and sponsors such an event would not be possible. Therefore, we can just launch such an event with your help and support for the people in need at the CS Hospiz Rennweg Sedelmayer & Klier to secure their quality of life until the end. Thank you to all the artist, donors and sponsors. Steuerberater und Wirtschaftsprüfer GmbH A very special thank you goes to Mrs Andrea Jungmann from Sotheby’s Vienna, Mr Mario Portner from IV Vienna, the whole board of the IV Vienna, Mr Kai Kullen from the Design Distillery in Cologne, Mr Amer Sheikh from Vienna, Wagramer Straße 19 Mr Michael Schober from Vienna, A-1220 Vienna Mr Reinhard Schneider from Vienna, Tel.: +43 1 869 36 60-0 Fax: +43 1 869 36 60-4200 Mr Ulrich Theilacker from Munich, Mail: [email protected] Mrs Anja Schmidt-Ott from Wuppertal, Web: www.ihrekanzlei.at Mr Günther Ofner from Vienna, Mr Marius Starcke from Vienna, Mrs Michaela Stock from Vienna, Mr Christian Schmidt-Ott & Die große Aufgabe der Pflege Mrs Karin Schmidt-Ott from Wuppertal, lösen nur Menschen menschlich. Mrs Katharina Maria Raab from Berlin, Mr Konrad Limbeck from Vienna, Mr Bernhard Doeller from Gols, Mrs Daniela Schuster from Vienna

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Person in charge: Michael Schmidt-Ott, Vienna Graphical Design & Layout: Kai Kullen, Design Distillery, Cologne Wenn Menschen zum Pflegefall werden, Print: brauchen Familie, Partner, Verwandte, Freande Wograndl Druck GmbH, Mattersburg, Photos: Hilfe, um miteinander da sein zu können. Konrad Limbeck, www.konrad-limbeck.de, Vienna Kunst ist Mit freiwilligen, öffentlichen, privaten Teil unserer Kultur. No liability is accepted for printing and spelling errors. Kunst und Kultur sind eine Bereicherung für Geist Häusern gemeinsam, ist all dieses Tun und Seele. Aus diesem Grund fördert Raiffeisen Charityevents und zahlreiche andere Kulturveran- das, was uns wirklich zu Menschen macht. staltungen. So stärken wir die Region und erhalten das kulturelle Erbe Österreichs. raiffeisenbank.at Raiffeisenlandesbank Niederösterreich-Wien AG, Friedrich-Wilhelm-Raiffeisen-Platz 1, 1020 Wien AG, Friedrich-Wilhelm-Raiffeisen-Platz Impressum: Raiffeisenlandesbank Niederösterreich-Wien Buying order 128 for the Benefit-Auction in favor of the CS Hospiz Rennweg of the Caritas Socialis Wien at 22.02 2021 at 7 p.m. www.cs.at/charityauction We kindly ask you to transmit the buying order latest 24 hours before the auction.

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Please send the filled in form, My data will be deleted after the statutory retention via fax, email or mail to: period. The company (Caritas Socialis Privatstiftung) is responsible for the personal data. You can find our data Sotheby’s Wien in trust protection declaration / data protection declaration at: Mrs. Mag. Andrea Jungmann, https://www.cs.at/cs-caritas-socialis/datenschutzerklaerung Palais Wilczek, Herrengasse 5 1010 Vienna, Austria The auction is held in the name of and on the commitment of the Caritas Socialis Wien. or via fax +43/(0)1/513 48 67 I will pay within two weeks and pick up the work by myself or via email: [email protected] within two weeks after the auction for the purchased artwork. 1995_19_Kunstinserat_A4_Zweigniederlassungen.indd 1 © Sabine Klimpt www.artuniqa.at [email protected] 8002 Zürich,Schweiz +41 445603141,Lavaterstrasse 85, One LimeStreet,LondonEC3M 7HA, UK +44 2039042947,Lloyd’s 7, BuildingGallery 50678 Köln,Deutschland +49 22165078077,ImZollhafen24, 1029 Wien, Österreich +43 1211753932,UntereDonaustraße21, Kontakt Information: Kunstversicherung die Denk eine wir KUNST LEIDENSCHAFT, gerne ist teilen. 06.11.19 13:12

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