DOCSLIB.ORG

Charity Art Auction in Favor of the CS Hospiz Rennweg in Cooperation with the Rotary Clubs Wien-West, Vienna-International, Köln-Ville and München-Hofgarten

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Charity Art Auction in Favor of the CS Hospiz Rennweg in Cooperation with the Rotary Clubs Wien-West, Vienna-International, Köln-Ville and München-Hofgarten Rotary Club Wien-West, Vienna-International, Our Auction Charity art Köln-Ville and München-Hofgarten in cooperation with That‘s how it‘s done: Due to auction 1. Register: the current, Corona- related situation, BenefizAuktion in favor of the CS Hospiz Rennweg restrictions and changes 22. February 2021 Go to www.cs.at/ charityauction and register there; may occur at any time. please register up to 24 hours before the start of the auction. Tell us the All new Information at numbers of the works for which you want to bid. www.cs.at/kunstauktion Alternatively, send us the buying order on page 128. 2. Bidding: Bidding live by phone: We will call you shortly before your lots are called up in the auction. You can bid live and directly as if you were there. Live via WhatsApp: When registering, mark with a cross that you want to use this option and enter your mobile number. You‘re in. We‘ll get in touch with you just before the auction. Written bid: Simply enter your maximum bid in the form for the works of art that you want to increase. This means that you can already bid up to this amount, but of course you can also get the bid for a lower value. Just fill out the form. L ive stream: at www.cs.at/kunstauktion you will find the link for the auction, which will broadcast it directly to your home. 3. Payment: You were able to purchase your work of art, we congratulate you very much and wish you a lot of pleasure with it. There are no surcharges or fees. The buyer only collects the works or cover the transport costs. You can pay for your works of art by bank transfer - to the donation account at Erste Bank: Hospice art auction Rotary Club CS Caritas Socialis private foundation IBAN: AT97 2011 1800 8098 0901 BIC: GIBAATWWXXX Password „benefit auction + number of your work“ It is possible to deduct part of the purchase price of your auctioned works of art for tax purposes. Caritas Socialis will be happy to send you a donation receipt. Exhibition of the works to be auctioned: Challery Galleria Meine Mitte, First Floor Stubenring Landstraßer Hauptstraße 99-101 Landstraßer Rochusgasse Hauptstraße 1030 Vienna, Austria M U Weekdays from 9 a.m. to 7 p.m. Saturday from 9 a.m. to 6 p.m. Admission is free Kardinal-Nagl-Platz Public transport and parking: Arenbergpark P M U U3 Rochusgasse H Bus 74A Barichgasse / Hinzerstraße Barichgasse 374 parking spaces Parking for 2 hours for free Rennweg Schlachthausgasse www.fund-art.com www.fund-art.com Denk KUNSTist eine LEIDENSCHAFT, Werden wir jemals lernen, zu gehen? #mehrRaum Hospiz ist mehr als ein Ort, Hospiz ist eine Haltung – die Lebensqualität in allen Dimensionen des Lebens bis zu- die teilen. letzt verwirklicht. Menschen mit Demenz haben besonde- gerne re Anforderungen am Ende des Lebensweges. Aus diesem wir Grund baut die CS Caritas Socialis die Hospizbetreuung und -begleitung aus. © Sabine Klimpt Die neue CS Kalksburg wird den Hospizanforderungen von Menschen mit Demenz Rechnung tragen und ermöglicht Kunstversicherung ihnen, sich so schmerzfrei wie möglich aus dieser Welt zu verabschieden. Mit Ihrer Spende für den Neubau der CS Kalksburg schaf- fen wir gemeinsam #mehrRaum für ein Leben in Würde und Kontakt Information: Geborgenheit bis zuletzt. +43 1 21175 3932, Untere Donaustraße 21, 1029 Wien, Österreich Mehr Infos: www.cs.at/mehrRaumKalksburg Online-Spenden: www.cs.at/spenden +49 221 6507 8077, Im Zollhafen 24, 50678 Köln, Deutschland Spendenkonto: IBAN: AT27 2011 1800 8098 0900 +44 203 904 2947, Lloyd’s Building Gallery 7, One Lime Street, London EC3M 7HA, UK CS Caritas Socialis Media +41 44 560 31 41, Lavaterstrasse 85, 8002 Zürich, Schweiz facebook youtube twitter instagram xing linkedin kununu [email protected] #mehrRaum #CSHospiz #Demenz www.artuniqa.at Werbung #CSKalksburgNEU #PalliativeCare 1995_19_Kunstinserat_A4_Zweigniederlassungen.indd 1 06.11.19 13:12 Anzeige_Kunstkatalog.indd 1 19.02.20 14:06 Charity art auction in favor of the CS Hospiz Rennweg in cooperation with the Rotary Clubs Wien-West, Vienna-International, Köln-Ville and München-Hofgarten Auction: 22.02.2021, at 5 p.m. CET www.cs.at/kunstauktion Exhibition of the works to be auctioned from 12.01.2021 to 20.02.2021 Challery Galleria – Meine Mitte, First Floor Landstraßer Hauptstraße 99-101 1030 Vienna, Austria weekdays from 9 a.m. to 7 p.m. Saturday from 9 a.m. to 6 p.m. POSSIBLES CHANGES DUE TO THE CURRENT SITUATION AT Admission is free WWW.CS.AT/KUNSTAUKTION lexa Meade, page 54 A ROTARY CLUB VIENNA INTERNATIONAL Cover: 91. RC Die große Aufgabe der Pflege 5 lösen nur Menschen menschlich. Dearest collectors and art-lovers, dear friends and supporters of the CS HOSPIZ RENNWEG, buy art at our auction and give #moreRoom and #HospiceAttendance … Digitale Hilfe hilft Familien, ... with this motto we are hosting our fourth charity art auction, Freanden, Helfern, Profis… curated by Michael Schmidt-Ott and organized by the Rotary Clubs Wien-West, Vienna-International, Köln-Ville and München-Hof- garten in favor of the CS HOSPIZ RENNWEG. I cordially invite you to February 22.02.2021. The auction will be broadcasted worldwide on the Internet (www.cs.at/charityauction). n Register today and you can bid in advance or directly via telephone fe from anywhere. el H m In this catalogue you will find an overview of all the photographic sa works, paintings, sculptures, sketches, drawings and prints that are in e up for the auction. 209 well-known artists from 40 different na- m ge tions have made them available for free of charge. But my heartfelt eim thanks goes to the artists not only for their generous donations. …b I would also like to thank, above all, for the great interest in the work of the hospice and the deep respect that was shown to the employees. Each one of the many personal discussions with the artists has shown how important such an institution like the CS HOSPIZ RENNWEG is. And so, I am delighted that their great works will make a charity auction possible, which will also bring the institution back into public awareness. Now it’s up to you: help! Support the CS hospice with your bid! The auction proceeds will make a valuable, indeed indispensable contribution to enabling seri- ously ill people to live in dignity and security until the very end. I wish you a lot of fun and joy… …when leafing through this catalog …when visiting the exhibition …when bidding on the auction evening …and of course, with your new artwork. I very much look forward seeing you there. With best regards, Andrea Jungmann Senior Director, Managing Director, Austria, Hungary and Poland, Senior Director Sotheby‘s London Lebe_das_Leben_KUSS_209x135_4c.indd 1 16.12.19 14:40 7 in cooperation with: Ihr Geld Terms and conditions of the auction The auction will be held by Sotheby’s Vienna in the name and towards the verdient mehr. CS Hospiz Rennweg Vienna. The auctioneer is free, by way of exception, to sepearte lots, to unite lots and to withdraw lots from the auction and also is allowed to auction in a different order then the one in the catalogue. Bankhaus Krentschker und Steiermärkische Sparkasse: Gemeinsam mehr. The prices in the catalogue are the starting-price and not the estimate. Usually the auction starts at this starting-price, regarding the written offers. Mehr Private Banking. Usually during the auction, the offers will be raised by ca. 10% on the last sum Mehr Service. or the written offer. The award of contract will be given to the hightes bidder. If there is a disput about a twofer or if the auctioneer misses an offer, the Mehr Angebot. auctioneer is allowed to withdraw the last bid and continue the auction. There are no extra fees or premiums. The buyer has to bear the costs of shipping the auctioned works. The works can also be picked up in Vienna up to 2 weeks after the auction. The revenues are goining entirety towards the CS Hospiz Rennweg Wien. All measurements are in cm. steiermaerkische.at/private-banking Sieglinde Klapsch, Leiterin Private Banking Written orders We kindly ask you to send your buying orders at the latest 24 hours bevor the auction. A copy of the buying order can be found on page 128 or you can download it Typo Geld verdient mehr_200x138_3mmÜ.indd 1 13.10.2020 16:26:09 as a pdf on www.fund-art.com. For telephone & written orders please contact: kaffeekunst, Sotheby’s Wien in trust Mrs. Mag. Andrea Jungmann, Palais Wilczek, Herrengasse 5, 1010 Wien, Austria Auction: 22.02.2021, at 5 p.m. or via fax: +43/(0)1/513 48 67 or via email: [email protected] CET www.cs.at/kunstauktion seit 2018. Handling of payments Exhibition of the works to be auctioned from 12.01.2021 to 20.02.2021 The auctioned works are to be paid for within 14 days after the auction. They can be paid by transferring to the donation account at: Erste Bank Challery under Hospiz Art Auction Rotary Clubs CS Caritas Socialis Privatstiftung. Galleria Meine Mitte, First Floor Landstraßer Hauptstraße 99-101 IBAN: AT97 2011 1800 8098 0901 1030 Vienna, Austria BIC: GIBAATWWXXX Subject: “Benefizauktion” Weekdays from 9 a.m. to 7 p.m. Saturday from 9 a.m. to 6 p.m. There is the chance of tax deduction on a part of the purchasing price. Admission is free Bidders who are paying taxes in Austria need therefore to announce, regarding to changes in the law, their full name and date of birth.
Load more

Recommended publications
  • Dream Poems, Experiential Narrative, and the Continuity Hypothesis
    UNIVERSITY OF CANBERRA CAUGHT IN THE DANCE: DREAM POEMS, EXPERIENTIAL NARRATIVE, AND THE CONTINUITY HYPOTHESIS Niloofar Fanaiyan Thesis submitted in fulfilment of the requirements of the degree of Doctor of Philosophy University of Canberra 2015 Contents Form B ............................................................................................................................. iii Abstract .............................................................................................................................. v Acknowledgements .......................................................................................................... vii Part One .............................................................................................................................................. 1 Introduction ........................................................................................................................ 2 The Dream Poem ........................................................................................................................ 5 Methodology and the Creative Product ...................................................................................... 6 A Further Prelude ....................................................................................................................... 9 Chapter One – Dreams and Dreaming ............................................................................. 13 In The Beginning .....................................................................................................................
    [Show full text]
  • Tina GARABEDIAN ARM Simon PROULX-SENECAL
    ICE DANCE Date of birth: 13.06.1997 Tina GARABEDIAN Place of birth: Montreal CAN Height: 163 cm ARM Home town: Montreal CAN Profession: student Hobbies: swimming, music Start sk. / Club: 2002 / Armenia Internet / Social Media contact (couple): Facebook: Ice Dance Armenia.com Former Partners Alexandre Laliberte Date of birth: 06.12.1991 Simon PROULX-SENECAL Place of birth: Lasalle CAN Height: 186 cm ARM Home town: Montreal CAN Profession: student Hobbies: swimming, music, biking Start sk. / Club: 1998 / Armenia Internet / Social Media contact (couple): Facebook: Ice Dance Armenia.com Former Partners Melissandre Dumas Coach: Elise Hamel, Shawn Winter Choreographer: Former Coach: Shae Zukiwsky Practice low season: 25 h / week Montreal/CAN Practice high season: 25 h / week Montreal/CAN Music Short Program / Short Dance as of season 2016/2017 Blues Swing Music Free Skating / Free Dance as of season 2016/2017 Pearl Harbour (soundtrack) by Hans Zimmer Personal Best Total Score 139.28 07.12.2016 ISU CS Golden Spin 2016 Personal Best Score Short Dance 53.94 18.11.2016 ISU CS Warsaw Cup 2016 Personal Best Score Free Dance 87.54 07.12.2016 ISU CS Golden Spin 2016 09/10 10/11 11/12 12/13 13/14 14/15 15/16 16/17 Olympic Games World Champ. 27. European Champ. 18. 19. Four Continents World Juniors 16.(1) National Champ. 11.J(3) 11.J(3) 15.J(2) 9.J(1) / 11.S(4) 1.S(1) / 12.S(4) 1.S S=Senior; J=Junior; N=Novice International Competition Year Place Internation Competition Year Place ISU CS Ice Challenge 2015 Graz 2015 6.
    [Show full text]
  • Norges Skøyteforbund Årbok 2015–2017
    Norges Skøyteforbund Årbok 2015–2017 Versjon 2 – 30.05.2017 ©Norges Skøyteforbund 2017 Redaktør: Halvor Lauvstad Historikk/resultater: Svenn Erik Ødegård Trond Eng Bjørg Ellen Ringdal Tilrettelegging: Halvor Lauvstad Distribusjon: Elektronisk (PDF) Innholdsfortegnelse Norges Skøyteforbunds Årbok 2015-2017 2/150 Innkalling til ordinært ting for Norges Skøyteforbund Det innkalles herved til Forbundsting på Quality Hotel Edvard Grieg (Sandsliåsen 50, 5254 Bergen) på Sandsli like utenfor Bergen, 9. – 11. juni 2017. Tingforhandlingene starter fredag 9. juni kl. 16.30. Forslag og saker som ønskes behandlet på Skøytetinget 2017, må være begrunnet og innsendt gjennom et lag eller en krets til forbundsstyret innen 9 mai 2017. Minimumskrav for at for at saker/lovforslag skal bli behandlet ifb med NSFs Ting, er at innmeldte saker/forslag inneholder henvisninger til aktuelle lover/regler og konkrete forslag til endret tekst/ordlyd. NSFs lover er her: https://skoyte.klubb.nif.no/dokumentarkiv/Documents/NSF%20lov%20revidert%20NIFs%20lovnorm %20Mai%202017.pdf Forslag/saker sendes elektronisk til Norges Skøyteforbund på epost: [email protected] Skøytetinget 2017 avholdes i henhold til § 14, 15, 16, 17 og 18 i Norges Skøyteforbunds lov. Dagsorden 1. Tingets åpning a) Minnetaler b) Åpningstale c) Hilsningstaler 2. Konstituering a) Godkjenning av innkalling til Tinget b) Godkjenning av fullmaktene c) Godkjenning av dagsorden d) Godkjenning av forretningsorden e) Valg av: - 2 dirigenter - sekretærer - 2 tillitsvalgte til å undertegne protokollen - reisefordelingskomité - tellekorps - Valg av redaksjonskomite på 3 medlemmer 3. Beretninger 4. Regnskap Norges Skøyteforbunds Årbok 2015-2017 3/150 a) Regnskap for perioden 1.1.2015 til 31.12.2015 b) Regnskap for perioden 1.1.2016 til 31.12.2016 5.
    [Show full text]
  • Yearbook 2014
    YEARBOOK 2014 CEB Yearbook 2014 Yearbook 2014 CEB Yearbook 2014 Table of Contents CEB Information ......................................................................................................... 3 CEB Directory 2014 ................................................................................................ 4 Presidential Report ................................................................................................. 6 Development Commission Report .......................................................................... 8 Technical Commission Report ................................................................................ 9 CEB Competitions 2014 ........................................................................................... 16 Club Team Competitions 2014 .............................................................................. 17 National Team Competitions 2014 ........................................................................ 20 IBAF Competitions 2014 ........................................................................................... 23 CEB Historical Data 2014 ......................................................................................... 25 Overview Registered Members 2009-2014 ........................................................... 26 History Final Standings – European Championships Senior ................................. 27 History Final Standings – European Championships Juniors ................................ 27 History Final Standings – European Championships
    [Show full text]
  • A Lower East Side Gallery Guide
    A LOWER EAST SIDE GALLERY GUIDE In the last 15 years, the scene on New York’s Lower East Side has slowly flourished—lower rents and the 2007 arrival of the New Museum being major factors. Just this month marks the arrival of an expansive new space from Richard Taittinger Gallery (yes, he’s an heir to the champagne dynasty of the same name), which joins a spate of big-name galleries (Sperone Westwater, Lehmann Mapuin, Boesky East) and early 2000s pioneers (Nicelle Beauchene, Invisible Exports, Miguel Abreu, Canada, Rachel Uffner). For gallery director Risa Needleman of Invisible Exports, the arrival of the more established guard is a great thing, bringing even more diversity, not to mention footfall, to the LES—there’s room for everyone here. Below is a guide to things up this weekend, as there are a lot of not-to-be-missed shows closing soon. Consider taking a spin on Sunday: While the Chelsea galleries all close that day, the LES is in full swing. WHERE THE GALLERISTS AND ARTISTS EAT & DRINK: While Vanessa’s Dumpling House and Cup & Saucer on Canal are popular and comfortingly kitschy choices for daytime eats, below are a couple of the insider’s after-hours haunts. Grey Lady: Lobster Rolls, Seafood Stew and Dark N’ Stormy’s are popular favorites at this Nantucket-inspired bar and restaurant. Fig. 19: Appropriately tucked behind Envoy Enterprises on Chrystie Street, many a gallery after party is known to take place here. BOESKY EAST !20 Clinton St. | 212.680.9889 Robert Elfgen: There and After All (March 29th through April 26th) Gallerist Marianne Boesky made her first entry east just last Spring, giving her stable of established artists—Roxy Paine, Melissa Gordon, Barnaby Furnas—a space to connect with a downtown crowd.
    [Show full text]
  • ALF.TNC.LESFA.2021.Artist List
    ARTIST WORKS CONTACT TITLE MEDIUM DIMENSIONS PRICE ARTIST STATMENT Adrian 1,2,3 [email protected] “BATTLE” BONDED 7.5” DIAMETER $1200.00 DiMetriou BRONZE “A MIDSUMMER BONDED 3.25” X1.5” $150.00 NIGHTS DREAM” BRONZE X0.5” “QUARNTINOPLIS” BONDED 4” DIAMETER X $150.00 BRONZE .05” Andrew 1 [email protected] Breaking Point Oil paint, price upon I define my style as subconscious abstract, painting without consideration of the end result. I do not Charcoal, request believe in mistakes or editing the way I have manipulated the surface. Using music as a rhythm and flow Hockenberry to my paintings, I make each piece balanced while experimenting with alternative applications and string,Canvas, materials. It’s as simple as paint on surface, surface being anything to hold paint, paint being anything to wood, make an impression on surface. Anna Pasztor 1,2,3 [email protected] “Hidden Blue” Acrylic on 8” x 8” price upon ARTIST STATEMENT of ANNA PASZTOR for the Exhibition Canvas and request “SURVIVING COVID” The year spent under the lockdown because of COVID was a very strange year for me. I belonged to the Wood lucky ones. The lockdown opened up new possibilities for me that were life saving and life changing. In April of 2020, I joined the Lab Ensemble of NowNetArts and participated in weekly presentations through the Internet until the end of June. The ensemble was originated by a sound research program, “For Synthesis” Acrylic on Wood 8” x 8” price upon and most of the members are musicians. request Our “demonstration presentations” were concerts with structured music improvisation.
    [Show full text]
  • Basquiat Free
    FREE BASQUIAT PDF Leonhard Emmerling | 96 pages | 29 Oct 2015 | Taschen GmbH | 9783836559799 | English | Cologne, Germany Jean-Michel Basquiat - Art, Death & Facts - Biography Basquiat first achieved fame as part of SAMOan informal graffiti duo who wrote enigmatic epigrams in the cultural hotbed of the Lower East Side of Manhattan during the late s, where Basquiatpunkand street art coalesced into early hip-hop music culture. By the early s, his neo-expressionist paintings were being exhibited in galleries and museums internationally. At 21, Basquiat became the youngest artist Basquiat ever take part in Documenta in Kassel. At 22, Basquiat was the youngest to exhibit at the Whitney Biennial in New York. The Whitney Museum of American Art held a retrospective of his art in Basquiat's art focused on dichotomies such as wealth versus poverty, integration versus segregation, and inner versus outer experience. He appropriated poetry, drawing, and painting, and married text and image, abstractionfigurationand historical information mixed with contemporary critique. Basquiat used social commentary in his paintings as a tool for introspection and for identifying with his experiences in the black community of his Basquiat, as well as attacks on power structures and systems of racism. Basquiat's Basquiat poetics were acutely political and direct Basquiat their criticism of Basquiat and support for class struggle. Since his death at the age of 27 from a heroin overdose inhis work has steadily increased in value. It also set a new record high for an American artist Basquiat auction. Matilde instilled a love for art in her young son by taking him to art museums in Manhattan and enrolling him as a junior member of the Brooklyn Museum of Art.
    [Show full text]
  • Burren Insight 2010
    BURRENThe Burrenbeo Trust 2010 IssueINSIGHT 2 Members FREE/Non-members €5.00 MAP OF THE BURREN! with walking trails outlined On the Trail of the Burren Green Sharon Parr Artefacts and Bones from Glencurran cave Marion Dowd My Burren - a priceless treasure Bishop William Walsh Wildlife around Carron - now and then Gordon D’Arcy The Burren - A new dawn? Michael Starrett The Underworld - caves in the Burren David Drew A year of Spotting Burren Butterflies Jesmond Harding A Day in the Forge PJ Curtis walks & talks programme quiz & competition book reviews and much more... 2010 International Year of Biodiversity CONTENTS My Burren - a priceless treasure Features Bishop William Walsh The late and much loved John O’Donaghue was a Burren man My Burren – a priceless treasure Bishop William Walsh 3 Burrenbeo Trust Patron to the core. His best known works, Anam Cara and Benedictus, The Burren – a new dawn? Michael Starrett 4 inspired people worldwide. I found perhaps greater inspiration in The Burren – a personal question Shane Casey 6 When I was growing up my father used to his lesser known “Tabernacle of Stone”. For me he gave life to the Artefacts and Bones from Glencurran Cave Marion Dowd 10 A Year of Spotting Butterflies in the Burren Jesmond Harding 13 go to Lisdoonvarna for a week with some Burren stone. What my Dad saw as barren rock John saw as a On the Trail of the Burren Green Sharon Parr 17 farming friends after the harvesting was living record of human, animal and plant life still speaking to us Wildlife Around Carron – now and then Gordon D’Arcy 19 completed.
    [Show full text]
  • Galway Campus
    POSTGDUATE PROSPECTUS 2019 YOU START THE NEXT CHAPTER TOP % of Universities1 worldwide based on data from QS NUI Galway Campus Áras de Brún (School of Mathematics, Statistics and Applied Mathematics) Áras Uí Chathail/Student Information Desk (SID) Áras na Gaeilge The Quadrangle Áras na Mac Léinn and Bailey Allen Hall University Hospital Galway Lambe Institute for Translational Research and HRB Clinical Research Facility Centre for Adult Learning and Professional Development Huston School of Film and Digital Media Martin Ryan Building (Environmental, Marine and Energy Research) O’Donoghue Centre for Drama, Theatre and Performance Human Biology Building Biomedical Sciences Hardiman Library and Hardiman Research Building Lifecourse Building Arts Millennium Building Corrib Village (Student Residences) School of Psychology Engineering Building J.E. Cairnes School of Business & Economics Áras Moyola (School of Nursing and Midwifery; School of Health Sciences) Research and Innovation Centre Sports Centre Postgraduate Prospectus 2019 Prospectus Postgraduate IT Building Arts/Science Building NUI Galway NUI Galway Orbsen Building (NCBES and REMEDI) 01 Why Choose NUI Galway? of UNIVERSITIES WORLDWIDE according 92% to the QS World University of POSTGRADUATES are in employment Rankings 2018 or additional education or research within six months of graduating OVER YEARS of Home to INSIGHT innovative teaching and National Centre research excellence for Data Analytics SPINOUT COMPANIES €65.5m 16 in five years in RESEARCH funding in 2017 OF ALL STENTS
    [Show full text]
  • Univerzita Palackého V Olomouci
    UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA KATEDRA VÝTVARNÉ VÝCHOVY Výtvarná tvorba se zaměřením na vzdělávání VERONIKA ŠOVČÍKOVÁ KRESBA: SEN A REALITA VŠEDNÍHO DNE Bakalářská práce Vedoucí práce: Doc. Petr Jochmann Olomouc, 2014 Prohlašuji, ţe jsem diplomovou práci vypracovala samostatně a uvedla v ní předepsaným způsobem všechny pouţité prameny a literaturu. V Olomouci dne 24. dubna 2014 …………………………. Obsah ÚVOD ...........................................................................................................................................................4 1 SPÁNEK ..............................................................................................................................................5 1.1 MECHANISMUS SPÁNKU .................................................................................................................5 1.2 PŘECHOD DO NEVĚDOMÍ ................................................................................................................6 1.3 FÁZE NREM A REM SPÁNKU .........................................................................................................7 2 SEN ......................................................................................................................................................9 2.1 DEFINICE A FUNKCE SNU V ZÁVISLOSTI NA EMOCI ..........................................................................9 3 KONTRASTNÍ PŘÍSTUPY KE SNU ............................................................................................... 10 3.1 PRÁCE
    [Show full text]
  • 30 Americans West Coast Debut at Tacoma Art Museum: Unforgettable
    MEDIA RELEASE August 2, 2016 Media Contact: Julianna Verboort, 253-272-4258 x3011 or [email protected] 30 Americans West Coast debut at Tacoma Art Museum: Unforgettable Tacoma, WA - The critically acclaimed, nationally traveling exhibition 30 Americans makes its West Coast debut at Tacoma Art Museum (TAM) this fall. Featuring 45 works drawn from the Rubell Family Collection in Miami – one of the largest private contemporary art collections in the world – 30 Americans will be on view from September 24, 2016 through January 15, 2017. The exhibition showcases paintings, photographs, installations, and sculptures by prominent African American artists who have emerged since the 1970s as trailblazers in the contemporary art scene. The works explore identity and the African American experience in the United States. The exhibition invites viewers to consider multiple perspectives, and to reflect upon the similarities and differences of their own experiences and identities. “The impact of this inspiring exhibition comes from the powerful works of art produced by major artists who have significantly advanced contemporary art practices in our country for three generations," said TAM's Executive Director Stephanie Stebich. "We've been working for four years to bring this exhibition to our community. The stories these works tell are more relevant than ever as we work toward understanding and social change. Art plays a pivotal role in building empathy and resolving conflict." Stebich added, "TAM is a safe space for difficult conversations through art. We plan to hold open forums and discussions during the run of this exhibition offering ample opportunity for community conversations about the role of art, the history of racism, and the traumatic current events.” The museum’s exhibition planning team issued an open call in March to convene a Community Advisory Committee.
    [Show full text]
  • To Care, to Curate. a Relational Ethic of Care
    Curare: to care, to curate. A relational ethic of care in curatorial practice Sibyl Annice Fisher Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Fine Art, History of Art and Cultural Studies November, 2013 The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgment. © 2013 The University of Leeds and Sibyl Annice Fisher The right of Sibyl Annice Fisher to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. Readers are respectfully advised that this document contains the names and images of Indigenous persons who are now deceased. Acknowledgements I would like to thank the School of Fine Art, History of Art and Cultural Studies for the international scholarship that enabled me to undertake this research project, and David Jackson for the initial conversation. For archival assistance, many thanks to Gary Haines at Whitechapel Art Gallery, Jennifer Page at the Research Center, National Museum of Women in the Arts, Janet Moore at the Institute of Contemporary Art, Boston, and Gary Dufour at the Art Gallery of Western Australia. Thanks also to Aunty Stephanie Gollan at Tandanya National Aboriginal Cultural Institute. Thank you to Rayma Johnson for kind permission to use the image of Russell Page, and to Glen Menzies and Hetti Perkins for advice on reproducing work by Emily Kame Kngwarreye.
    [Show full text]