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Nov 2014 Dummy.Indd
NOVEMBERJULY 20102014 •• TAXITAXI INSIDERINSIDER •• PAGEPAGE 11 INSIDER VOL. 15, NO. 11 “The Voice of the NYC Transportation Industry.” NOVEMBER 2014 Letters Start on Page 3 EDITORIAL • By David Pollack Insider News Page 5 • Taxi Drivers and Ebola Updated Relief Stands Thankfully there is a radio show where you can Taxi Dave (that’s me!) not only had the Chairwoman get fi rst hand information needed to answer any of of the TLC, Meera Joshi discuss fears of the Ebola Page 6 your questions whether industry related or even virus, but I had Dr. Jay Varma, a spokesperson from • health related. the NYC Department of Health answering all ques- Taxi Attorney Before we get into Ebola, TLC Chair- tions that drivers brought to “Taxi Dave’s” By Michael Spevack woman Joshi stated that the TLC will attention. How does Ebola spread? What be sending out warning letters to drivers is the best means of prevention and pro- Page 7 instead of summonses for a red light tection? • camera offense. “Vision Zero is not Chairwoman Joshi stated, “Thank you How I Became A Star about penalties,” she stated. To hear this for reaching out to the Department of By Abe Mittleman and much more, listen to this link: http:// Health. The myth of how Ebola spreads is www.wor710.com/media/podcast-the- spreading incredibly faster than the actual Page 15 taxi-dave-show-TaxiInsider/the-taxi-dave- disease ever could. It is really important to • show-102614-25479519/ separate facts from fi ction and the Depart- Street Talk Folks, if you want fi rst hand infor- ment of Health has been doing an amazing By Erhan Tuncel mation, every Sunday evening at 8:00 job in getting that message out there and PM listen to WOR-710 radio to TAXI DAVE. -
Pleasure/Principle
GHADA AMER some kiss we want Breathe into Me There is some kiss we want with our whole lives, the touch of Spirit on the body. Seawater begs the pearl to break its shell. And the lily, how passionately it needs some wild Darling! At night, I open the window and ask the moon to come and press its face into mine. Breathe into me. Close the language-door, and open the love-window. The moon won’t use the door, only the window. jelaluddin rumi GAGOSIAN GALLERY PLEASURE/PRINCIPLE Maria Elena Buszek Feminism must increase women’s pleasure and joy, not just decrease our misery. carole s. vance 1 Feminism can be empowered by seduction. ghada amer 2 few topics have caused more debate within the long history of feminism than those of opposite sexuality and pleasure. Since the late eighteenth century feminist activists, scholars, and The Reign of Terror, 2005 artists have tangled with the issue of whether the representation of women’s pleasure liber- Installation at the ates them from or enforces traditional patriarchal notions of womanhood. While feminist Davis Museum & Cultural Center, Wellesley College thinkers have offered a wide and influential range of contemporary discourse on the ways in which women are victimized and manipulated through the representation of pleasure, Ghada Amer is part of a long tradition of others who have argued for the necessity of pleas- ure—in all its complex manifestations—as both an activist strategy and a human right. Naturally, finding visual languages that perform this task has been difficult—as many artists have learned, efforts to incorporate the highly individualized yet powerful realm of pleasure with the consensus-seeking goals of politics are downright impossible. -
Women Challenging the Norms in the Arab Diaspora: Body Talks in Contemporary Art
Mashriq & Mahjar 6, no. 1 (2019), 85–108 ISSN 2169-4435 Martine Natat Antle WOMEN CHALLENGING THE NORMS IN THE ARAB DIASPORA: BODY TALKS IN CONTEMPORARY ART At fifteen I was widowed.… I was illiterate. You must understand, it’s important not to be afraid to be different. ―Chabia Talal Before embarking on the production of the artistic expression of women of the Arab diaspora, and in particular how they represent the body and sexuality in art, it is first important to foreground representations of the body by women in Western art, because their production also continues to be relegated to the margins of art history. On a large scale and globally speaking, both in the East and West, women have rarely participated directly in the production of art history. Yet, women in the West, who had up to the 1980s been all but excluded from the art world, have challenged us to rethink and recontextualize the representation of the body. Most often they have found identity and affirmation through the desire to differentiate themselves from the long history of masculine production of art. As Marie-Jo Bonnet observes about nudity in Western art: “The nude is thus one of the greatest conquests of women artists of the twentieth As a specialist in twentieth-century French theatre, contemporary writing, photography and painting, Martine Antle (Emeriti Professor, University of North Carolina Chapel Hill) has published extensively on race and gender in 20th and 21st- century French and Francophone literature. Her scholarship spans the political, social, and cultural revolutions that shaped modernity from the turn of the twentieth century to the present. -
The Eddie Awards Issue
THE MAGAZINE FOR FILM & TELEVISION EDITORS, ASSISTANTS & POST- PRODUCTION PROFESSIONALS THE EDDIE AWARDS ISSUE IN THIS ISSUE Golden Eddie Honoree GUILLERMO DEL TORO Career Achievement Honorees JERROLD L. LUDWIG, ACE and CRAIG MCKAY, ACE PLUS ALL THE WINNERS... FEATURING DUMBO HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD AND MUCH MORE! US $8.95 / Canada $8.95 QTR 1 / 2019 / VOL 69 Veteran editor Lisa Zeno Churgin switched to Adobe Premiere Pro CC to cut Why this pro chose to switch e Old Man & the Gun. See how Adobe tools were crucial to her work ow and to Premiere Pro. how integration with other Adobe apps like A er E ects CC helped post-production go o without a hitch. adobe.com/go/stories © 2019 Adobe. All rights reserved. Adobe, the Adobe logo, Adobe Premiere, and A er E ects are either registered trademarks or trademarks of Adobe in the United States and/or other countries. All other trademarks are the property of their respective owners. Veteran editor Lisa Zeno Churgin switched to Adobe Premiere Pro CC to cut Why this pro chose to switch e Old Man & the Gun. See how Adobe tools were crucial to her work ow and to Premiere Pro. how integration with other Adobe apps like A er E ects CC helped post-production go o without a hitch. adobe.com/go/stories © 2019 Adobe. All rights reserved. Adobe, the Adobe logo, Adobe Premiere, and A er E ects are either registered trademarks or trademarks of Adobe in the United States and/or other countries. -
Andy Warhol Exhibit American Fare Summer Sets
NYC ® Monthly JULY 2015 JULY 2015 JULY NYC MONTHLY.COM VOL. 5 NO.7 VOL. AMERICAN FARE AMERICAN CUISINE AT ITS FINEST SUMMER SETS HEADLINING ACTS YOU CAN'T MISS ANDY WARHOL EXHIBIT AT THE MUSEUM OF MODERN ART B:13.125” T:12.875” C M Y K S:12.75” The Next Big Thing Is Here lated. Appearance of device may vary. B:9.3125” S:8.9375” T:9.0625” The world’s frst dual-curved smartphone display Available now. Learn more at Samsung.com/GS6 ©2015 Samsung Electronics America, Inc. and Galaxy S are trademarks of Co., Ltd. Screen images simu FS:6.3125” FS:6.3125” F:6.4375” F:6.4375” 304653rga03_HmptMnthy TL Project Title: US - GS6_2015_S5053 Job Number: S5053 Executive Creative Director: None E.C.D. C.D. A.C.D A.D. C.W. Creative Director: None Client: SAMSUNG Bleed: 13.125” x 9.3125” Associate Creative Director: None Media: MAGAZINE Trim 1: 12.875” x 9.0625” Art Director: None Photographer: None Trim 2: None Copywriter: None Art Buyer: None STUDIO PRODUCTION IA PRODUCER ACCOUNT EX. ART BUYER Illustrator: None Live: 12.75” x 8.9375” Print Production: None Insertion Date: None Gutter: 0.125” Studio Manager: None Account Executive: None Traffic: None Publications/Delivery Company: Hamptons Monthly FILE IS BUILT AT: 100% THIS PRINT-OUT IS NOT FOR COLOR. 350 West 39th Street New York, NY 10018 212.946.4000 Round: 1 Version: C PACIFIC DIGITAL IMAGE • 333 Broadway, San Francisco CA 94133 • 415.274.7234 • www.pacdigital.com Filename:304653rga03_HmptMnthy.pdf_wf02 Operator:SpoolServer Time:13:37:40 Colors:Cyan, Magenta, Yellow, Black Date:15-05-06 NOTE TO RECIPIENT: This file is processed using a Prinergy Workflow System with an Adobe Postscript Level 3 RIP. -
FOX SEARCHLIGHT PICTURES Presents
FOX SEARCHLIGHT PICTURES Presents A MYTHOLOGY ENTERTAINMENT / VINSON FILMS Production A RADIO SILENCE Film SAMARA WEAVING ADAM BRODY MARK O’BRIEN with HENRY CZERNY and ANDIE MacDOWELL DIRECTED BY………………………………………MATT BETTINELLI-OLPIN & TYLER GILLETT WRITTEN BY………………………………………..GUY BUSICK & R. CHRISTOPHER MURPHY PRODUCED BY………………………………………………………………………....TRIPP VINSON …………………………………………………………………………………..…JAMES VANDERBILT …………………………………………………………………………………………WILLIAM SHERAK ……………………………………………………………………………………BRADLEY J. FISCHER EXECUTIVE PRODUCERS…………………………………………………………..CHAD VILLELLA ………………………………………………………………………………………….…TARA FARNEY …………………………………………………………...……………………………TRACEY NYBERG ………………………………………………………………………………………DANIEL BEKERMAN DIRECTOR OF PHOTOGRAPHY………………………………………………BRETT JUTKIEWICZ FILM EDITOR……………………………………………………………………TEREL GIBSON, ACE COSTUME DESIGNER…………………………………...………………………….AVERY PLEWES PRODUCTION DESIGNER…………………………..………………………..ANDREW M. STEARN MUSIC BY..………………………………………………………………………………..BRIAN TYLER http://www.foxsearchlight.com/press Running Time: 95 minutes Rating: R Los Angeles New York Regional Lauren Gladney Samantha Fetner Isabelle Sugimoto Tel: 310.369.5918 Tel: 212.556.8696 Tel: 310.369.2078 [email protected] [email protected] [email protected] 1 Fox Searchlight Pictures’ READY OR NOT follows a young bride (Samara Weaving) as she joins her new husband’s (Mark O’Brien) rich, eccentric family (Adam Brody, Henry Czerny, Andie MacDowell) in a time-honored tradition that turns into a lethal game with everyone fighting for their -
Exhibition Reviews
Exhibition Reviews: Ghada Amer: Love Had No End, Curated by Maura Reilly, Brooklyn Museum, February – October, 2008 1. Press Release, Brooklyn Museum 2. Karen RosenberG, “Veiled or Naked: ScrutinizinG Women’s Roles,” The New York Times, June 20, 2008. 3. Alix Finkelstein, “ReinventinG the Painted Veil,” The New York Sun, February 21, 2008. 4. Sonia Kolesnikov‐Jessop, Sonia. “Ghada Amer: DefusinG the Power of Erotic ImaGes.” The International Herald Tribune, March 12, 2007. December 2007 First Major Retrospective in U.S. of the Work of Ghada Amer to Open at Brooklyn Museum February 16, 2008 Ghada Amer: Love Has No End, the first major U.S. retrospective of the renowned artist’s work, will feature some fifty pieces from every aspect of Amer’s career as a painter, sculptor, illustrator, performer, garden designer, and installation artist. These include the iconic Barbie Loves Ken, Ken Loves Barbie (1995/2002), The Reign of Terror (2005), and Big Black Kansas City Painting—RFGA (2005), as well as a generous selection of works never before exhibited in this country. The exhibition will be on view February 16 through October 19, 2008. While she describes herself as a painter and has won international recognition for her abstract canvases embroidered with erotic motifs, Ghada Amer is a multimedia artist whose entire body of work is infused with the same ideological and aesthetic concerns. The submission of women to the tyranny of domestic life, the celebration of female sexuality and pleasure, the incomprehensibility of love, the foolishness of war and violence, and an overall quest for formal beauty, constitute the territory that she explores and expresses in her art. -
Download Ghada Amer CV
GHADA AMER Born in Cairo, Egypt Lives and works in New York, NY EDUCATION 1991 Institut des Hautes Etudes en Arts Plastiques, Paris, France 1989 MFA in Painting, Villa Arson EPIAR, Nice, France SELECTED SOLO EXHIBITIONS 2015 Love.Earth.Fire. Leila Heller Gallery, Dubai, UAE 2014 Ghada Amer: Rainbow Girls, Cheim and Read, New York, NY, USA 2013 Ghada Amer: Référence à Elle, Kukje Gallery, Seoul, Korea 2012 The Other I, Tina Kim Gallery, New York, NY, USA Ghada Amer, Musee d’Art Contemporain de Montreal, Montreal 2011 100 Words of Love, Cheim and Read, New York, NY, USA No Romance, Goodman Gallery, Johannesburg, South Africa 2010 Color Misbehavior, Cheim and Read, New York, NY, USA 2009 Ghada Amer and Reza Farkhondeh: Roses Off Limits, Pace Prints, New York, NY, USA 2008 Ghada Amer and Reza Farkhondeh: Collaborative Drawings, Tina Kim Fine Arts, New York, NY, USA Ghada Amer and Reza Farkhondeh: A New Collaboration on Paper, Singapore Tyler Print Institute, Singapore Love Has No End, Elisabeth A. Sackler Center for Feminist Art, Brooklyn Museum, New York, NY, USA 2007 Ghada Amer & Reza Farkhondeh, Collaborative Drawings, Kukje Gallery, Seoul, Korea Another Spring, Kukje Gallery, Seoul, Korea Le Salon Courbé, Francesca Minini Gallery, Milan, Italy 568 West 25th Street New York, NY 10001 | Tel: +1 212 249 7695 Fax: +1 212 249 7693 www.LeilaHellerGallery.com Ghada Amer, Museo d’Arte Contemporanea Roma, MACRO, Rome, Italy 2006 Breathe Into Me, Gagosian Gallery, New York (Chelsea), NY, USA 2004 Ghada Amer, Gagosian Gallery, Beverly Hills, CA, USA Ghada Amer, Institut Valencià d’Art Modern, Valencia, Spain 2003 Ghada Amer, Forefront 45, Indianapolis Museum of Art, Indianapolis, IN, USA Ghada Amer, Galleria Massimo Minini, Brescia, Italy 2002 Ghada Amer, Gagosian Gallery, London, UK Ghada Amer, De Appel Foundation, Amsterdam, Netherlands 2001 Encyclopedia of Pleasure, Deitch Projects, New York, NY, USA Reading Between the Threads, Henie---Onstad Kunstsenter, Oslo, Norway Traveled to: Kunst Palast, Düsseldorf, Germany & Bildmuseet, Umea, Sweden. -
Spectator 1960-02-12 Editors of the Ps Ectator
Seattle nivU ersity ScholarWorks @ SeattleU The peS ctator 2-12-1960 Spectator 1960-02-12 Editors of The pS ectator Follow this and additional works at: http://scholarworks.seattleu.edu/spectator Recommended Citation Editors of The peS ctator, "Spectator 1960-02-12" (1960). The Spectator. 664. http://scholarworks.seattleu.edu/spectator/664 This Newspaper is brought to you for free and open access by ScholarWorks @ SeattleU. It has been accepted for inclusion in The peS ctator by an authorized administrator of ScholarWorks @ SeattleU. the News School Edition "All U.S. WEATHER BUREAU REPORT PORCCAtTI Cloudy, occasional rain today; showers. That's Fit to Print" partial clearing tonight. Wtnda to TheS. A.spectator 13-30. Temp, range: 52-38 ' Washington,Friday,February12, 1960 ■ 7O 15 Volume XXVII Seattle, "**££s* No. PRIVATE SCHOOLS AMERICAN JESUIT DISCUSSION TOPIC INROMEPENSTIPS ABOUTTHEWORLD FOR U.S. VISITORS Father William Dunne Describes Tourists at '60 Olympic Ganes U.S. Private SchoolEducation Advised to ClutchTheir Lire As 'Truly Big Business' and BewarePadded Checks A transcript of Father Dunne's tal\ is SPORTS VOCABULARY GIVEN printed on Page 4. BY FRAN FARRELL Art to Be Mixed With Olimpiadi; in Private education in the United Boxers Marble and Bronze ;States was described as "big busi- Among'Athletic' Treasures ness" by Rev. William Dunne, S.J., Rev. Francis Lindekugel executive secretary of the National Head of Theology Department A description of S.U.s Sumrne> Euro' Catholic Education Association, in peart tour is printed on Pag* 7. an address to S.U. alumni at the school's homecoming luncheon. By REV. -
Andy Warhol@Christie's
P R E S S R E L E A S E | W O R L D W I D E ONLINE AUCTION: 4 - 11 SEPTEMBER, 2014 ANDY WARHOL@CHRISTIE’S American Pastimes: Sports & Politics ONLINE-ONLY SALE TO BENEFIT THE ANDY WARHOL FOUNDATION FOR THE VISUAL ARTS ANDY WARHOL (1928-1987) ANDY WARHOL (1928-1987) ANDY WARHOL (1928-1987) Red Lenin (F. & S. II.403) Muhammad Ali (F. & S. II.181) Mao (F. & S. II.125A) screenprint in colors on paper, a trial screenprint in colors on paper screenprint in colors on wallpaper, proof, presumably unique in this 40 x 30 in. (101.6 x 76.2 cm.) 38 7/8 x 29 3/8 in. (98.7 x 74.6 cm.) composition Executed in 1978. Executed in 1974. 39¼ x 29 3/8 in. (99.7 x 74.6 cm.) Estimate: $15,000-20,000 Estimate: $20,000-30,000 Executed in 1987. Estimate: $60,000-80,000 Bidding Opens: Thursday, September 4th at 12 p.m. Bidding Closes: Tuesday, September 11th at 12 p.m. New York/London/Paris/Hong Kong/Dubai – Christie’s is pleased to announce Andy Warhol @ Christie’s: American Pastimes: Sports & Politics, an online-only sale that gives collectors a glimpse into Warhol’s relationships throughout his career with many leading sports and political figures. This sale features his iconic images from all 10 athletes in the athletes’ portfolio as well as many works he created to support politicians’ campaigns he believed in including Jimmy Carter, JFK, and Carter Burden. Highlights of the online sale include the iconic red Lenin print, Mao wallpaper, and a print impression of Muhammad Ali’s fist. -
PRESS RELEASE Presents Top of The
PRESS RELEASE For Immediate Release Presents Top of the Pop Live on artnet Auctions from February 18 through 27, 2014 Roy Lichtenstein Sweet Dreams Baby!, 1965 Screenprint 35.63 x 25.56 in. 90.5 x 64.9 cm. Signed and numbered Edition 49/200 Est. US$100,000-125,000 New York / Berlin, February 19, 2014—artnet Auctions is pleased to announce the highly anticipated Top of the Pop print sale, which features over 50 classic Pop prints by artists such as Andy Warhol, Roy Lichtenstein, Robert Indiana, Robert Rauschenberg, and Tom Wesselmann. This dazzling, curated selection of iconic Pop prints is perfect for both new and seasoned Pop Art collectors. Among the sale’s highlights is one of the most famous Pop prints of all time, Roy Lichtenstein’s 1965 Sweet Dreams Baby!, estimated at US$100,000 to 125,000. With its irreverent comic book character on the business end of a knock-out punch, Lichtenstein challenges the reigning Abstract Expressionist movement’s anti-figure aesthetic and emotional intensity, and instead finds inspiration in the popular press. Another Lichtenstein print in the sale, Foot and Hand (1964), estimated at US$15,000 to 20,000, also draws inspiration from a violent comic book image, this time of a boot stepping on a hand reaching for a pistol. The work shows the development of the artist’s visual shorthand, which would define his work for the next 33 years. The sale also features superb examples of Lichtenstein’s later work, including his portrait of Lady Liberty, I Love Liberty (1982), estimated at US$35,000 to 45,000, and The Oval Office (1992), estimated at US$40,000 to 45,000. -
Once Upon a Time in Hollywood
THE MAGAZINE FOR FILM & TELEVISION EDITORS, ASSISTANTS & POST- PRODUCTION PROFESSIONALS THE SUMMER MOVIE ISSUE IN THIS ISSUE Once Upon a Time in Hollywood PLUS John Wick: Chapter 3 – Parabellum Rocketman Toy Story 4 AND MUCH MORE! US $8.95 / Canada $8.95 QTR 2 / 2019 / VOL 69 FOR YOUR EMMY ® CONSIDERATION OUTSTANDING SINGLE-CAMERA PICTURE EDITING FOR A DRAMA SERIES - STEVE SINGLETON FYC.NETFLIX.COM CINEMA EDITOR MAGAZINE COVER 2 ISSUE: SUMMER BLOCKBUSTERS EMMY NOMINATION ISSUE NETFLIX: BODYGUARD PUB DATE: 06/03/19 TRIM: 8.5” X 11” BLEED: 8.75” X 11.25” PETITION FOR EDITORS RECOGNITION he American Cinema Editors Board of Directors • Sundance Film Festival T has been actively pursuing film festivals and • Shanghai International Film Festival, China awards presentations, domestic and international, • San Sebastian Film Festival, Spain that do not currently recognize the category of Film • Byron Bay International Film Festival, Australia Editing. The Motion Picture Editors Guild has joined • New York Film Critics Circle with ACE in an unprecedented alliance to reach out • New York Film Critics Online to editors and industry people around the world. • National Society of Film Critics The organizations listed on the petition already We would like to thank the organizations that have recognize cinematography and/or production design recently added the Film Editing category to their Annual Awards: in their annual awards presentations. Given the essential role film editors play in the creative process • Durban International Film Festival, South Africa of making a film, acknowledging them is long • New Orleans Film Festival overdue. We would like to send that message in • Tribeca Film Festival solidarity.