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European and National Dimension in Research
MINISTRY OF EDUCATION OF BELARUS Polotsk State University EUROPEAN AND NATIONAL DIMENSION IN RESEARCH ЕВРОПЕЙСКИЙ И НАЦИОНАЛЬНЫЙ КОНТЕКСТЫ В НАУЧНЫХ ИССЛЕДОВАНИЯХ MATERIALS OF VI JUNIOR RESEARCHERS’ CONFERENCE (Novopolotsk, April 22 – 23, 2014) In 3 Parts Part 1 HUMANITIES Novopolotsk PSU 2014 UDC 082 Publishing Board: Prof. Dzmitry Lazouski ( chairperson ); Dr. Dzmitry Hlukhau (vice-chairperson ); Mr. Siarhei Piashkun ( vice-chairperson ); Dr. Maryia Putrava; Ms. Liudmila Slavinskaya Редакционная коллегия : д-р техн . наук , проф . Д. Н. Лазовский ( председатель ); канд . техн . наук , доц . Д. О. Глухов ( зам . председателя ); С. В. Пешкун ( зам . председателя ); канд . филол . наук , доц . М. Д. Путрова ; Л. Н. Славинская The first two conferences were issued under the heading “Materials of junior researchers’ conference”, the third – “National and European dimension in research”. Junior researchers’ works in the fields of humanities, social sciences, law, sport and tourism are presented in the second part. It is intended for trainers, researchers and professionals. It can be useful for university graduate and post- graduate students. Первые два издания вышли под заглавием « Материалы конференции молодых ученых », третье – «Национальный и европейский контексты в научных исследованиях ». В первой части представлены работы молодых ученых по гуманитарным , социальным и юридиче- ским наукам , спорту и туризму . Предназначены для работников образования , науки и производства . Будут полезны студентам , маги- странтам и аспирантам университетов . ISBN 978-985-531-444-9 (P. 1) © Polotsk State University, 2014 ISBN 978-985-531-443-2 MATERIALS OF V JUNIOR RESEARCHERS’ CONFERENCE 2014 Linguistics, Literature, Philology LINGUISTICS, LITERATURE, PHILOLOGY UDC 821.111.09=111 THE DECONSTRUCTION OF GENDER ROLES IN "THE GRAPES OF WRATH" BY JOHN STEINBECK ON THE EXAMPLE OF MA JOAD LIZAVETA BALSHAKOVA, DZYANIS KANDAKOU Polotsk State University, Belarus The Grapes of Wrath, has been read and reread by millions, pondered and set down in a thousand essays and books. -
On the Good Faith
On the Good Faith Zoroastrianism is ascribed to the teachings of the legendary prophet Zarathustra and originated in ancient times. It was developed within the area populated by the Iranian peoples, and following the Arab conquest, it formed into a diaspora. In modern Russia it has evolved since the end of the Soviet era. It has become an attractive object of cultural produc- tion due to its association with Oriental philosophies and religions and its rearticulation since the modern era in Europe. The lasting appeal of Zoroastrianism evidenced by centuries of book pub- lishing in Russia was enlivened in the 1990s. A new, religious, and even occult dimension was introduced with the appearance of neo-Zoroastrian groups with their own publications and online websites (dedicated to Zoroastrianism). This study focuses on the intersectional relationships and topical analysis of different Zoroastrian themes in modern Russia. On the Good Faith A Fourfold Discursive Construction of Zoroastrianism in Contemporary Russia Anna Tessmann Anna Tessmann Södertörns högskola SE-141 89 Huddinge [email protected] www.sh.se/publications On the Good Faith A Fourfold Discursive Construction of Zoroastrianism in Contemporary Russia Anna Tessmann Södertörns högskola 2012 Södertörns högskola SE-141 89 Huddinge www.sh.se/publications Cover Image: Anna Tessmann Cover Design: Jonathan Robson Layout: Jonathan Robson & Per Lindblom Printed by E-print, Stockholm 2012 Södertörn Doctoral Dissertations 68 ISSN 1652-7399 ISBN 978-91-86069-50-6 Avhandlingar utgivna vid -
Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town. -
St. Petersburg Is Recognized As One of the Most Beautiful Cities in the World. This City of a Unique Fate Attracts Lots of Touri
I love you, Peter’s great creation, St. Petersburg is recognized as one of the most I love your view of stern and grace, beautiful cities in the world. This city of a unique fate The Neva wave’s regal procession, The grayish granite – her bank’s dress, attracts lots of tourists every year. Founded in 1703 The airy iron-casting fences, by Peter the Great, St. Petersburg is today the cultural The gentle transparent twilight, capital of Russia and the second largest metropolis The moonless gleam of your of Russia. The architectural look of the city was nights restless, When I so easy read and write created while Petersburg was the capital of the Without a lamp in my room lone, Russian Empire. The greatest architects of their time And seen is each huge buildings’ stone worked at creating palaces and parks, cathedrals and Of the left streets, and is so bright The Admiralty spire’s flight… squares: Domenico Trezzini, Jean-Baptiste Le Blond, Georg Mattarnovi among many others. A. S. Pushkin, First named Saint Petersburg in honor of the a fragment from the poem Apostle Peter, the city on the Neva changed its name “The Bronze Horseman” three times in the XX century. During World War I, the city was renamed Petrograd, and after the death of the leader of the world revolution in 1924, Petrograd became Leningrad. The first mayor, Anatoly Sobchak, returned the city its historical name in 1991. It has been said that it is impossible to get acquainted with all the beauties of St. -
Road Rage - Not Even Past
Road Rage - Not Even Past BOOKS FILMS & MEDIA THE PUBLIC HISTORIAN BLOG TEXAS OUR/STORIES STUDENTS ABOUT 15 MINUTE HISTORY "The past is never dead. It's not even past." William Faulkner NOT EVEN PAST Tweet 15 Like THE PUBLIC HISTORIAN Road Rage by Alison K. Smith Making History: Houston’s “Spirit of the Confederacy” This article is reposted from Russian History Blog. This blog post is inspired by petty anger. In this deeply weird and unsettling time, I am, like virtually everyone, staying at home. I am in almost every way lucky—I have a job (though hoo boy do I sometimes wish I had listened to my gut and not said yes to being department chair), I have a comfortable home, our restrictions are not too extreme. I live alone, which on balance right now feels like probably also a lucky thing, though it has its own stresses and sources of sadness. I’ve in particular come to rely on a daily walk to get out into the air, to stretch my legs, to try to turn off from all the stresses of my job right now. May 06, 2020 More from The Public Historian BOOKS America for Americans: A History of Xenophobia in the United States by Erika Lee (2019) Gatchina Palace (via Flickr) April 20, 2020 On these walks, though, I often find myself seething with rage at the pettiest of things—people who do not keep to the right while walking or riding or running. Even in a time of social distancing, my rage feels out of proportion to the offense. -
At T He Tsar's Table
At T he Tsar’s Table Russian Imperial Porcelain from the Raymond F. Piper Collection At the Tsar’s Table Russian Imperial Porcelain from the Raymond F. Piper Collection June 1 - August 19, 2001 Organized by the Patrick and Beatrice Haggerty Museum of Art, Marquette University © 2001 Marquette University, Milwaukee, Wisconsin. All rights reserved in all countries. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage or retrieval system without the prior written permission of the author and publisher. Photo credits: Don Stolley: Plates 1, 2, 4, 5, 11-22 Edward Owen: Plates 6-10 Dennis Schwartz: Front cover, back cover, plate 3 International Standard Book Number: 0-945366-11-6 Catalogue designed by Jerome Fortier Catalogue printed by Special Editions, Hartland, Wisconsin Front cover: Statue of a Lady with a Mask Back cover: Soup Tureen from the Dowry Service of Maria Pavlovna Haggerty Museum of Art Staff Curtis L. Carter, Director Lee Coppernoll, Assistant Director Annemarie Sawkins, Associate Curator Lynne Shumow, Curator of Education Jerome Fortier, Assistant Curator James Kieselburg, II, Registrar Andrew Nordin, Preparator Tim Dykes, Assistant Preparator Joyce Ashley, Administrative Assistant Jonathan Mueller, Communications Assistant Clayton Montez, Security Officer Contents 4 Preface and Acknowledgements Curtis L. Carter, Director Haggerty Museum of Art 7 Raymond F. Piper, Collector Annemarie Sawkins, Associate Curator Haggerty Museum of Art 11 The Politics of Porcelain Anne Odom, Deputy Director for Collections and Chief Curator Hillwood Museum and Gardens 25 Porcelain and Private Life: The Private Services in the Nineteenth Century Karen L. -
Fedorov, Alexander. Western World in the Soviet and Russian Screen: from Epoch of Ideological Confrontation (1946-1991) to Modern Time (1992-2016)
Alexander Fedorov Western World in the Soviet and Russian Screen: From Epoch of Ideological Confrontation (1946- 1991) to Modern Time (1992-2016). Moscow, 2016 Fedorov, Alexander. Western World in the Soviet and Russian Screen: From Epoch of Ideological Confrontation (1946-1991) to Modern Time (1992-2016). Moscow: ICO Information for All, 2016, 153 p. This monograph analyzed the image of Western world and Western people in the Soviet and Russian screen: from epoch of ideological confrontation (1946-1991) to modern time (1992-2016). For scholars, universities professors and students. © Alexander Fedorov, 2016. 2 Content Introduction 4 1. Dynamics of the production of Soviet and Russian films, associated 6 with Western world topic 2. The image of the Western world on the Soviet screen in the era 9 of ideological confrontation (1946-1991) 2.1. Film Myths about Western world on the Soviet screen in the times 9 of ideological confrontation 2.2. A brief history of the transformation of the Western world topic 10 in the Soviet screen: 1946-1991 years 2.3. Soviet cinema stereotypes of the image of the Western world in the era of 33 ideological confrontation (1946-1991) 2.4. The ideological, structural analysis of the interpretation of the image of the 47 Western Word in the Soviet screen, in the era of ideological confrontation (1946-1991) on the example of concrete Soviet films of different genres 3. The image of the Western world on the Russian screen: the current stage 71 (1992-2016) 3.1. Film Myths about Western world on the post-communist era (1992-2016) 71 3.2. -
The Russian Sale New Bond Street, London | 28 November 2018
The Russian Sale New Bond Street, London | 28 November 2018 Bonhams 1793 Limited Bonhams International Board Bonhams UK Ltd Directors Registered No. 4326560 Malcolm Barber Co-Chairman, Colin Sheaf Chairman, Gordon McFarlan, Andrew McKenzie, Registered Office: Montpelier Galleries Colin Sheaf Deputy Chairman, Harvey Cammell Deputy Chairman, Simon Mitchell, Jeff Muse, Mike Neill, Montpelier Street, London SW7 1HH Matthew Girling CEO, Emily Barber, Antony Bennett, Charlie O’Brien, Giles Peppiatt, India Phillips, Patrick Meade Group Vice Chairman, Matthew Bradbury, Lucinda Bredin, Peter Rees, John Sandon, Tim Schofield, +44 (0) 20 7393 3900 Asaph Hyman, Caroline Oliphant, Simon Cottle, Andrew Currie, Veronique Scorer, Robert Smith, James Stratton, +44 (0) 20 7393 3905 fax Edward Wilkinson, Geoffrey Davies, James Knight, Charles Graham-Campbell, Matthew Haley, Ralph Taylor, Charlie Thomas, David Williams, Jon Baddeley, Jonathan Fairhurst, Leslie Wright, Richard Harvey, Robin Hereford, Michael Wynell-Mayow, Suzannah Yip. Rupert Banner, Shahin Virani, Simon Cottle. Charles Lanning, Grant MacDougall, The Russian Sale New Bond Street, London | Wednesday 28 November 2018 at 3pm BONHAMS BIDS ENQUIRIES ILLUSTRATIONS 101 New Bond Street +44 (0) 20 7447 7447 London Front cover: Lot 29 London W1S 1SR +44 (0) 20 7447 7401 fax Daria Khristova Back cover: Lot 80 (detail) To bid via the internet please visit +44 (0) 20 7468 8338 Inside front: Lot 13 www.bonhams.com www.bonhams.com [email protected] Inside back: Lot 43 Opposite page: Lot 33 VIEWING Please provide details of the Cynthia Coleman Sparke Sunday 25 November lots on which you wish to place +44 (0) 20 7468 8357 To submit a claim for refund of 11am to 3pm bids at least 24 hours prior to [email protected] VAT, HMRC require lots to be Monday 26 November the sale. -
On the Good Faith
On the Good Faith A Fourfold Discursive Construction of Zoroastrianism in Contemporary Russia Anna Tessmann Södertörns högskola 2012 Södertörns högskola SE-141 89 Huddinge www.sh.se/publications Cover Image: Anna Tessmann Cover Design: Jonathan Robson Layout: Jonathan Robson & Per Lindblom Printed by E-print, Stockholm 2012 Södertörn Doctoral Dissertations 68 ISSN 1652-7399 ISBN 978-91-86069-50-61650-6 Avhandlingar utgivna vid Institutionen för litteratur, idéhistoria och religion, Göteborgs universitet 25 ISBN 978-91-88348-47-0 Contents Abbreviations ........................................................................................................................................ vii Acknowledgements ............................................................................................................................... ix Chapter 1: Introduction ......................................................................................................................... 1 1.1. Point of departure and previous research ............................................................................. 4 1.2. Aims, scope and delimitations of the study ........................................................................ 10 1.3. Outline of the thesis ................................................................................................................ 13 1.4. Sources and selection procedure ........................................................................................... 14 1.5. Notes on transliteration ........................................................................................................ -
Romanov News Новости Романовых
Romanov News Новости Романовых By Paul Kulikovsky №89 August 2015 A procession in memory of Tsarevich Alexei was made for the twelfth time A two-day procession in honor of the birth of the last heir to the Russian throne - St. Tsarevich Alexei, was made for the twelfth time on August 11-12 from Tsarskoye Selo to Peterhof. The tradition of the procession was born in 2004 - says the coordinator of the procession Vladimir Znahur - The icon painter Igor Kalugin gave the church an icon of St. Tsarevich. We decided that this icon should visit the Lower dacha, where the Tsarevich was born. We learned that in "Peterhof" in 1994 was a festival dedicated to the last heir to the imperial throne. We decided to go in procession from the place where they lived in the winter - from Tsarskoye Selo. Procession begins with Divine Liturgy at the Tsar's Feodorovsky Cathedral and then prayer at the beginning of the procession. The cross procession makes stops at churches and other significant sites. We called the route of our procession "From Sadness to Joy." They lived in the Alexander Palace in Tsarskoye Selo, loved it, there was born the Grand Duchess Olga. But this palace became a prison for the last of the Romanovs, where they then went on their way of the cross. It was in this palace the Tsarevich celebrated his last birthday", - says Vladimir. The next morning, after the Liturgy, we go to the birthplace of the Tsarevich - "Peterhof". Part of the procession was led by the clergy of the Cathedral of Saints Peter and Paul in Peterhof, Archpriest Mikhail Teryushov and Vladimir Chornobay. -
Romanov Buzz
Romanov News Новости Романовых By Paul Kulikovsky №78 October 2014 150 years since the birth of Holy Martyr Grand Duchess Elisabeth Feodorovna By Paul Kulikovsky Born on 1st of November (old style 20 October) 1864, Her Grand Ducal Highness Princess Elisabeth Alexandra Louise Alice of Hessen and by Rhine, was the second child of Grand Duke Ludwig IV of Hessen and by Rhine and British Princess Alice. Through her mother, she was a granddaughter of Queen Victoria. Princess Alice chose the name "Elisabeth" for her daughter after visiting the shrine of St. Elisabeth of Hungary, ancestress of the House of Hessen. Elisabeth was known as "Ella" within her family. In the autumn of 1878, diphtheria swept through the Hessen household, killing Elisabeth's youngest sister, Marie on 16 November, as well as her mother Alice on 14 December. Elisabeth was considered by many contemporaries as one of the most beautiful women in Europe at that time. Many became infatuated with Elisabeth, but it was Russian Grand Duke Sergei Alexandrovich who ultimately won Elisabeth's heart. Sergei and Elisabeth married on 15 (3) June 1884, at the Chapel of the Winter Palace in St. Petersburg. She became Grand Duchess Elisabeth Feodorovna. “Everyone fell in love with her from the moment she came to Russia from her beloved Darmstadt”, wrote one of Sergei's cousins. The couple settled in the Beloselsky-Belozersky Palace in St. Petersburg, but after Sergei was appointed Governor-General of Moscow by his elder brother, Tsar Alexander III, in 1892, they resided in the Governor palace. During the summer, they stayed at Ilyinskoe, an estate outside Moscow that Sergei had inherited from his mother. -
Soviet Science Fiction Movies in the Mirror of Film Criticism and Viewers’ Opinions
Alexander Fedorov Soviet science fiction movies in the mirror of film criticism and viewers’ opinions Moscow, 2021 Fedorov A.V. Soviet science fiction movies in the mirror of film criticism and viewers’ opinions. Moscow: Information for all, 2021. 162 p. The monograph provides a wide panorama of the opinions of film critics and viewers about Soviet movies of the fantastic genre of different years. For university students, graduate students, teachers, teachers, a wide audience interested in science fiction. Reviewer: Professor M.P. Tselysh. © Alexander Fedorov, 2021. 1 Table of Contents Introduction …………………………………………………………………………………………………………………………3 1. Soviet science fiction in the mirror of the opinions of film critics and viewers ………………………… 4 2. "The Mystery of Two Oceans": a novel and its adaptation ………………………………………………….. 117 3. "Amphibian Man": a novel and its adaptation ………………………………………………………………….. 122 3. "Hyperboloid of Engineer Garin": a novel and its adaptation …………………………………………….. 126 4. Soviet science fiction at the turn of the 1950s — 1960s and its American screen transformations……………………………………………………………………………………………………………… 130 Conclusion …………………………………………………………………………………………………………………….… 136 Filmography (Soviet fiction Sc-Fi films: 1919—1991) ……………………………………………………………. 138 About the author …………………………………………………………………………………………………………….. 150 References……………………………………………………………….……………………………………………………….. 155 2 Introduction This monograph attempts to provide a broad panorama of Soviet science fiction films (including television ones) in the mirror of