1 www.treadwaygallery.com Coming May 20, 2012, the most important private collection of early Gustav Stickley ever to be sold at auction.
2 www.treadwaygallery.com Treadway • Toomey Galleries 20th Century Art and Design Auction
March 4th, 2012
Arts & Crafts/Art Nouveau Session One 10:00 a.m.
American and European Paintings, Fine Prints and Works on Paper Session Two Immediately following the conclusion of Session One.
1950s/Modern Session Three Immediately following the conclusion of Session Two.
Preview Dates:
Saturday, February 25, 2012 10:00 a.m. - 5:00 p.m. Sunday, February 26, 2012 CLOSED Monday, February 27, 2012 10:00 a.m. - 5:00 p.m. Tuesday, February 28, 2012 10:00 a.m. - 5:00 p.m. Wednesday, February 29, 2012 10:00 a.m. - 5:00 p.m. Thursday, March 1, 2012 10:00 a.m. - 5:00 p.m. Friday, March 2, 2012 10:00 a.m. - 5:00 p.m. Saturday, March 3, 2012 10:00 a.m. - 5:00 p.m. Also open by appointment when available
at
John Toomey Gallery 818 North Blvd • Oak Park, Illinois 60301 (708) 383-5234 [email protected]
www.treadwaygallery.com
IL Lic. #444000195, #441001663, #441001222
OH Lic. #2007000142
A PRESENTATION BY TREADWAY GALLERY, INC. OF CINCINNATI, OHIO IN ASSOCIATION WITH JOHN TOOMEY GALLERY, INC. OF OAK PARK, ILLINOIS
3 www.treadwaygallery.com 4 www.treadwaygallery.com Arts & Crafts/Art Nouveau Session One 10:00 a.m.
1. Gustav Stickley twelve tile tea table, rectangular top with twelve inset Grueby tiles supported by thru-tenon construction, arched apron over a lower shelf supported by double key and tenon construction, restored finish, unsigned, 25.5”w x 20”d x 26”h, very good condition, this successful design is a result of the collaboration between Gustav Stickley and Grueby Faience Company that began when they were both exhibitors at 1901 Pan-American Exposition in Buffalo 12,000-15,000
2. Dr. Harry P. Mera box, c. 1930, in walnut, lidded form with finely hand carved designs, a physician and anthropologist at the Museum of Anthropology in Santa Fe, Mera designed the flag of the state of New Mexico, he also authored books on Southwest Indian designs, 14”w x 8.5”d x 5.5”h, very good condition 1000-2000
5 Details / Phone bids call: (708) 383-5234 or (513) 321-6742 www.treadwaygallery.com 5 3. Prairie School table lamp, pyramidal slag-glass shade with cut-out 4. Niloak Missionware vase, large cylindrical shape with a flared foot, details on a pedestal base, one broken glass segment and missing colorful swirl design, impressed mark, 4.5”w x 10.5”h 300-400 wood detail, 20”w x 20”d x 20”h 700-900
5. English Arts & Crafts ice bucket, lidded two-handled form in hammered copper with brass mounts, with original liner, 17”w x 12.5”d x 15”h, very good condition 300-500
6. Unusual Limbert table, narrow un-cataloged trestle-form with cut-outs at side and a lower stretcher on a shoe-foot base, refinished, branded signature, 45”w x 23.5”d x 29”h, very good condition 2000-2500
7. Handel table lamp, seven-sided shade with reverse-painted leaf 8. Rookwood vase, shouldered form with a molded tulip design, under motif on a two-socket base, base signed, 20”w x 21”h, very good a powder blue crystalline glaze, 1937, #1711, 5”w x 10”h 250-350 condition 2500-3500 6 www.treadwaygallery.com 9. Gustav Stickley wastebasket, #94, slatted form with iron loop construction, signed with red decal, good original dark finish, 12”dia x 14”h, very good condition 1500-2000
10. Good Gustav Stickley chest of drawers, #902, two half drawers above four full drawers with original oval copper hardware, paneled sides with thru-tenon construction, signed with red decal and paper label, fine original finish, 41”w x 22.5”d x 54”h, excellent condition 7000-9000
11. Gustav Stickley settle, #208, even-arm form with eight vertical slats at back and three under each arm, heavy thru-tenon construction, original leatherette cushion, signed with red decal, good original finish, 76”w x 32”d x 29”h, very good condition 6000-8000 7 www.treadwaygallery.com 12. Early Limbert bookcase, #322, three-door form with leaded glass panels and original escutcheons, double key and tenon construction at sides, refinished, signed with paper label, 64”w x 14”d x 54”h, very good condition 3500-4500
13. Pisgah Forest bowl, under a turquoise and purple high glaze, 5.5”w x 4”h; with a Pisgah Forest vase, flared shape, under a tan and blue crystalline glaze, 4”w x 5”h, both marked 200-300
14. L & JG Stickley china cabinet, #728, two doors with six panes of glass and original hardware above an arched rail, original finish, signed with Handcraft decal, some staining to top, 48”w x 15”d x 55”h, very good condition 3500-4500
15. Arts & Crafts china cabinet, plate rail at top above two doors glass at sides, recoated original finish, 49”w x 14.5”d x 58”h, very good 8 condition 700-900 www.treadwaygallery.com 16. Rookwood vase, flaring bottle shape 17. Good Rookwood vase, Vellum glaze, 18. Rookwood vase, tapered shape with with an Arts & Crafts geometric design, nicely painted river landscape with a bulbous top, Arts & Crafts geometric covered in a green matte glaze with lush green trees and silhouetted hills, design, covered in a nice green matte mottled red highlights, 1918, #326D, beautifully executed by Sallie Coyne in glaze with crystalline highlights, 1914, 3.75”w x 6.75”h 200-300 1921, #942D, 4.5"w x 6"h 600-800 #2040E, 3.25”w x 7.5”h 200-300
20. Unusual Rookwood bowl, large form with an incised stylized Arts & Crafts design in green, blue and brown, executed by Charles Todd in 1920, #957B, 9”w x 3.5”h, ground X 400-500
19. Nice Rookwood vase, bulbous and footed 22. Large Teco vase, shape #266, designed shape, in a green to blue matte glaze, by W.B. Mundie, double handled form unusual stylized floral design, painted by covered in a good green matte glaze Charles Todd in 1920, #949D, 3.25”w x with exceptional charcoal highlights, 9.5”h 450-550 unmarked, 5”w x 11.25”h 1000-1500
21. Rookwood vase, double handled shape, matte glaze with a carved and colorfully painted organic design, by C.S. Todd in 1917, #77C, 3”w x 5.5”h 300-400
23. Rookwood vase, bulbous shape with an 24. Rookwood vase, unusual round shape 25. Rookwood vase, bulbous shape, Arts & Crafts geometric design, under a with raised organic designs, covered in geometric Arts & Crafts design, covered nice green matte glaze, 1903, #33FZ, 4”w a powder blue matte glaze with crystals, in a fine green matte glaze, 1915, #53EZ, x 5”h 250-350 1940, #6217, 6"w x 4.5"h 100-200 4.5”w x 4.5”h 200-300
9 www.treadwaygallery.com 26. Lifetime desk, slant-top above a single drawer with original 27. Arts & Crafts umbrella stand, eight divided sections above an hardware and a lower stretcher, interior with storage compartments, original drip pan, original finish, 24”w x 12”d x 28”h, very good original finish, 27”w x 16.5”d x 40.5”h, very good condition 300-500 condition 200-300
28. Roycroft plate, designed by Dard Hunter, produced by Buffalo Pottery, 29. Bradley & Hubbard andirons, in hammered iron with cube detail, with geometric design and orb, signed and dated 1926, 8.5”dia, with signed, 10”w x 22”d x 16”h, very good condition 300-400 Roycroft bookends, in hammered copper with rolled top and peacock motif, signed with orb, worn original patina, 6”w x 4.5”h 300-400
30. Roycroft Little Journeys stand, rectangular top above two shelves 31. Arts & Crafts umbrella stand, eight divided sections above an supported by double key and tenon construction, some looseness, original drip pan, original finish, 24”w x 12”d x 28”h, very good refinished, signed with brass tag, 26”w x 14”d x 26”h, very good condition 200-300 condition 300-500 10 www.treadwaygallery.com 32. Gustav Stickley hanging fixture, two hammered copper lanterns #205 with heart cut-outs and glass shades supported by horizontal bar with original chain and ceiling cap, original patina, nicely replaced shades, signed, 17”w x 33”h, shades: 3”dia, very good condition 3500-4500
33. Arts and Crafts candlesticks, pair, similar to Jarvie Beta model, nice new patina, 6”dia x 12”h 500-700
34. Overbeck vase, shouldered form with 35. Unusual Newcomb College vase, 36. Russell Crook vase, tapered shape carved abstract landscape designs, slender cylindrical shape in a high glaze, with a delicately painted forest scene covered in an olive green and blue matte carved and painted floral design, perfectly featuring numerous moose, unsigned, glaze, executed by EF, marked, 4.5”w x executed by Henrietta Bailey, #DF64, 4”w x 8”h 3500-4500 6.25”h 3500-4500 2.5”w x 7.75”h 5000-7000 11 Details / Phone bids call: (708) 383-5234 or (513) 321-6742 www.treadwaygallery.com 11 37. Art Pottery tile trivet, bold stylized leaves, 39. German tile, green, white and yellow mounted on a brass base, 6.5”sq; with drapery design, tile: 6”sq, overall: 9.25”sq; Moyr Smith tiles, for Minton Tile Co., two, with a German tile, green, white and (one shown), mythological scenes, titled yellow geometric design, tile: 6”sq, overall: Gareth and Elaine, each signed within 9.25”sq, both framed 100-200 image, framed, tiles; 6”sq, each overall: 7.25”sq 100-150 38. Heintz vase, silver on bronze, organic design with monogram, original patina, signed and numbered 2708, small dent to base, 5”dia x 11”h 200-300
40. Rookwood vase, reverse tapered shape, 41. Heintz desk pieces, sterling on bronze, five, 42. Rookwood vase, cylindrical shape with a Arts & Crafts geometric design, covered inkwell: 6”w x 3.5”h, rocker blotter: #104, flared base, Arts & Crafts geometric design, in a reddish-brown matte glaze, 1917, 5.5”l, lamp: 9”w x 12.5”h, letter rack: 9”l x covered in a pink and green matte glaze, #1660F, 2.75”w x 6”h 200-300 5”h, tray: 5”w x 10”l, all in bronze with applied 1918, #1358F, 3.25”w x 6”h 200-300 designs, #1206, most marked 900-1200
43. Fulper vase, large form with five handles, 44. Rookwood vase, pentagonal shape, rook 45. Rookwood Faience tile, round form covered with a turquoise glaze with designs, covered in an unusual purple with a ship design, marked, impressed crystalline highlights, marked, 10.5”w x and pink matte glaze, 1922, #1795, 3”w x numbers: J182, 442 and 3232YS, 12”dia x 10”h 500-700 4.75”h, hairline; with a Weller Roma vase, 1.5”d 1200-1700 (not shown), colorful pine cone design, marked, 3.5”w x 7”h 100-200 12 www.treadwaygallery.com 46. Gustav Stickley china cabinet, #820, single door with twelve panes of glass and original iron hardware, refinished, signed with red decal, 36”w x 15”d x 62”h, very good condition 3000-4000
47. Gustav Stickley sideboard, similar to #816, plate rail at back above a series of drawers and doors with original iron hardware, refinished, signed with red decal, 48”w x 19”d x 45”h, very good condition 1800-2200
48. Gustav Stickley china cabinet, #820, single door with twelve panes of glass and original copper hardware, old refinish, signed with red decal, 36”w x 15”d x 62”h, very good condition 3000-4000 13 www.treadwaygallery.com 50. George Frost match safe, brass with etched design of a sailboat and windmills, signed, 4”w x 4”l 100-200
49. Joseph Heinrichs tea set, tray: 12.75”w x 51. Fulper cider set, pitcher and five cups, covered 16.5”l, teapot and burner: 10”w x 12”h, creamer: in an iridescent gray glaze, all marked, pitcher: 5”w x 4”h and sugar: 3.5”w x 3.75”h, ribbed 7”w x 10”h 500-700 cylindrical forms in hammered copper, teapot original patina, all marked 300-500
53. Liberty & Co. basket, oval shape in pewter with cut-out leaf designs, marked, #0359, 9”l x 6”h 200-300
52. Handel table lamp base, bronzed metal three- 55. Handel table lamp base, large bronzed socket form with ‘lava’ glass orb and marble metal form with budding stems and broad foot, unmarked, 7.5”w x 25”h 300-500 leaves, original patina, unmarked, 8”w x 54. German tiles, set of five, two with blue 24”h 350-550 and white organic designs and three solid blue, all unmarked, each: 6”sq 200-300
56. Arts & Crafts lamp, reverse-painted 57. WMF handled vessel, large form in 58. Jefferson lamp, bronzed metal sculpted shade with a hilly landscape design hammered copper, with tooled designs, and painted base, with palm tree trunk revealing the roof and chimney of a original patina, brass accents, marked, motif supporting a reverse painted glass building, suported by an unusual bronzed 8”w x 15.5”h, minor dents; with a WMF shade with a beautiful tropical floral metal base, 16”w x 21.5”h 700-900 vase, double handled form in hammered design, shade signed on fitter rim, overall: copper, with tooled designs, original 14”w x 22”h 800-1100 patina, marked, 7”w x 11.5”h, minor break 14 to foot 300-400 www.treadwaygallery.com 59. Gustav Stickley Morris chair, #2340, desirable narrow bow- arm form with reverse-tapered legs and hip-rail at sides, nicely recovered leather cushions above an arched seat rail, nicely refinished, unsigned, a very nice example of the important design, 28.5”w x 36”d x 38.5”h, very good condition 7500-9500
60. Rare Gustav Stickley bookcase, early open-form with four shelves supported by slab sides with double key and tenon construction and a chamfered board back, signed with red decal, original finish, 40”w x 11”d x 45”h, a great example of early bungalow furniture, very good condition 7500-9500 15 Details / Phone bids call: (708) 383-5234 or (513) 321-6742 www.treadwaygallery.com 15 61. Gustav Stickley side chair, #370, in 62. Stickley Brothers postcard desk, #171, 63. Gustav Stickley side chair, #370, three mahogany, three horizontal slats at back shaped back with divided compartments horizontal slats at back above a worn original above a recovered leather seat, signed above two drawers with original copper leather seat, branded signature, 17”w x 17”d with red decal, 17”w x 17”d x 36”h, very pulls over a slatted base with a lower x 36”h, very good condition 100-200 good condition 100-200 stretcher, signed with Quaint metal tag, refinished, 36”w x 23”d x 36”h, very good condition 500-700
64. Arts & Crafts armchair, possibly by 66. Charles Stickley armchair, #1653, Phoenix, a variation of the “McKinley” attribution, five vertical slats at back chair, original slab seat and back with and three under each arm with corbel slatted sides, 27.5”w x 24”d x 27.5”h, very supports at sides, recovered leather seat, good condition 200-300 65. Handel lamp, leaded glass shade with numbered, cleaned original finish, 28”w x red flowers and multicolored green 24”d x 38”h, very good condition 300-500 leaves, supported by a bronzed metal pedestal base with a leaf design on the foot, signed Handel, 16”w x 20”h, very good condition 1500-2500
67. Prairie School desk chair, possibly 68. Arts & Crafts tabourets, pair, in the 69. Arts & Crafts hall chair, narrow tall-back Stickley Brothers with two long vertical style of Limbert, octagonal top above form with four horizontal slats over a slats at back over a recovered leather splayed legs supported by key and recovered seat, refinished, 16.5”w x 14.5”d seat, original finish, 15”w x 16”d x 41”h, tenon construction, original finish, some x 41”h, very good condition 100-200 very good condition 200-300 looseness 17”w x 17”d x 18.5”h, very 16 good condition 300-400 www.treadwaygallery.com 70. Dirk Van Erp table lamp, assembled, original mica stenciled shade with leaf design on a hammered copper base, original patina, signed, original finial at top, some flakes to mica, 21”dia x 19”h, very good condition 6000-8000
71. Exceptional Pewabic vase, bulbous shape with a flaring rim, under a fine blue, green and brown metallic glaze, impressed mark, 6”w x 10”h, one of the better Pewabic glazes 2000-3000
72. Early Gustav Stickley magazine cabinet, #547, square top above three shelves supported by paneled sides, signed with early red decal, some wear to original finish, 15.5”w x 15.5”d x 35”h, very good condition 1800-2200 17 www.treadwaygallery.com 74. Arts & Crafts footstool, upholstered seat above slab sides with shaped feet, 21”w x 10.5”d x 16”h, with an Arts & Crafts tabouret, square top with beveled edge above slab sides with floral pyrographic design, artist signed and dated 1911, 11”w x 11”d x 17.5”h, very good condition 200-300
73. Arts & Crafts hall tree, single post with corbel 76. L & JG Stickley costumer, #89, four supports at base, original finish, 20”w x 20”d x original copper hooks on a tapered 72.5”h, very good condition 200-300 post with long corbel supports at base, original finish, 24”w x 24”d x 72”h, very good condition 600-800
75. Arts & Crafts table, in the style of Limbert, hexagonal top above a lower shelf supported by splayed legs with key and tenon construction, refinished, some roughness, needs gluing, 28”w x 28”d x 29”h, very good condition 200-300
77. Arts and Crafts gun cabinet, single door 78. Limbert armchair, single wide vertical slat 79. Arts & Crafts tall case clock, slatted form with frosted divided panes at top above at back above a partial original leather with original brass face, refinished, one a single drawer with original hardware, seat, original finish, branded signature, piece of molding missing, 16”w x 13”d x refinished, 26”w x 17”d x 70.5”h, very 24.5”w x 21”d x 38.5”h, with an Arts 77”h, very good condition 400-600 good condition 700-900 & Crafts plant stand, cut-corner top supported by tapered slat sides and a cross-stretcher base, original finish, 12”w x 12”d x 19.5”h, good condition 300-400 18 www.treadwaygallery.com 80. Marblehead vase, flaring shape, covered 82. Marblehead vase, bulbous shape, in a mottled green and red matte glaze, covered in a mottled green, blue and marked, original paper label, 5.5”w x brown matte glaze, marked, original paper 5.5”h 350-450 81. Art Pottery vase, in the style of label, 3.5”w x 4.5”h 300-400 Newcomb College, high glaze form with an incised and a blue and green iris motif, marked, #796, 5”w x 9”h 800-1100
84. Gates Pottery bowl, Chicago, unusual blade design under a light green matte glaze, marked, 6.5”w x 3”h 200-300
83. Rookwood vase, unusual shape in a 86. Rookwood vase, large form in a matte matte glaze with a molded and painted glaze with a stylized floral design, organic design, executed by Louise Abel executed by L.N. Lincoln in 1922, #1667, in 1920, #2102, 3.5”w x 6.75”h 300-400 4.5”h x 11”h 700-900
85. Marblehead bowl, low shape, covered in a mottled brown and tan matte glaze, marked, original paper label, 4.5”w x 2.25”h 200-300
88. Kalo bowl, hammered copper, original patina, applied monogram “E”, marked, 8.5”w x 3.5”h 300-400
87. Dirk Van Erp ash stand, ashtray and 89. Kalo bowl, broad shape, original patina, 90. Good Roycroft American Beauty vase, match-holder in hammered copper on subtle organic designs, applied silver classic large form in hammered copper with a pedestal base, signed, some wear to monogram "A", marked, 7"w x 3"h 300-400 rivets, fine original patina, signed, 8.5”dia x original patina, 8.5”dia x 27”h, very good 21”h, very good condition 2000-3000 condition 900-1200 19 www.treadwaygallery.com 92. Arts & Crafts style coffee table, in maple, hexagonal form with riveted copper top, refinished base, possibly shortened, original patina, 30.5”w x 35”d x 16”h, very good condition 300-500
91. Michigan Chair Company 93. Michigan Chair Company magazine stand, square top magazine stand, attribution, above two square and one five shelves supported by oval shelf, signed, lightly slatted sides, original finish, recoated original finish, 13.5”w x 14”d x 45”h, very 18.5”w x 13”d x 36”h, very good condition 300-500 good condition 200-300
94. Fulper vase, double handled 95. Arts & Crafts period magazine stand, four shelves supported by 96. Large Roseville Sunflower shape, covered in a brown slab sides with pyrographic carved floral design, female portrait jardinière, in brown, green matte glaze, marked, 6”w x carved at top, warped top, looseness and roughness, 14”w x and blue, signed with 4.5”h 150-250 13.5”d x 42”h, good condition; with an Arts & Crafts hall tree, Roseville paper label, 12.5”w original finish, 14"w x 13"d x 42"h, good condition 300-500 x 9”h 700-900
97. Stickley Brothers drink table, #2615, 98. Ford & Johnson server, single drawer with original brass 99. Arts and Crafts drink table similar circular copper top above a wide hardware over an open shelf supported by slab sides with to Stickley Brothers #2615, in maple, notched arched apron on a tapered leg, key and tenon construction, original finish, remnant of paper circular copper top above a wide some cleaning to original copper top, label, 43”w x 20”d x 37”h, very good condition 800-1200 inverted “V” apron on a tapered leg, refinished, unsigned, 18”dia x 28”h, some roughness, recoated original very good condition 800-1000 finish, some cleaning to original copper top, 18”dia x 30”h, very good condition 300-500 20 www.treadwaygallery.com 100. Dirk Van Erp table lamp, flaring mica shade with an unusual vented cap supported by a graceful riveted hammered copper base, new patina, original mica, signed, 16”dia x 19”h, very good condition 8000-10,000
101. Dirk Van Erp tableware set, seven pieces, in hammered brass, set consists of two goblets and five bowls, signed, original patina, goblet: 4”h, oval bowl” 9.5”w x 4”d, round bowls: 5”dia x 2”h 1000-1500
102. Early and rare Gustav Stickley Morris chair, #2342, short-arm form with five vertical slats under each arm and corbel supports at sides, original finish, nicely replaced leather cushions, unsigned, 31.5"w x 33"d x 42"h, very good condition 7000-9000 21 www.treadwaygallery.com 103. Stickley Brothers three-piece set, consisting of rocker, armchair, #578 ½, and footstool, #5904, Glasgow-influenced forms with caned seat and back, some breaks to cane on rocker, original finish, footstool signed with Quaint metal tag, rocker signed with decal, footstool: 18”w x 13”d x 14”h, armchair: 23”w x 20”d x 38”h, rocker: 24”w x 29.5”d x 34.5”h, very good condition 900-1200
104. Early Stickley Brothers Morris chair, 105. German Arts & Crafts clock, wall clock 106. Arts & Crafts Morris chair, flat-arm #354, massive form with shaped arms with organic brass strap hinges, brass form with wide vertical slats under supported by thru-post construction, face with starburst design to pendulum, each arm, refinished, 31.5”w x 36”d x recovered seat, refinished, signed refinished, 16.5”w x 7.5”d x 38”h, very 24”h, very good condition 500-700 with paper label, 34”w x 39”d x 38”h, good condition 400-600 very good condition 800-1000
107. Rare Roycroft dressing table, #0110, and Roycroft “Marshall P. Wilder chair”, in bird’s eye maple, c. 1903, historically significant pieces from the Emerson Room at the Roycroft Inn, pivoting mirror at top of vanity above a single drawer with original copper hardware on a Mackmurdo foot, matching chair has a recovered seat, branded signature and marked RO35, desk: 39”w x 18”d x 58”h, chair: 17”w x 17”d x 27”h, some restoration to finish, very good condition 7000-9000 22 www.treadwaygallery.com 108. Early Gustav Stickley card table, #447, one drawer at each end with original oval hardware above a lower stretcher supported by key and tenon construction, refinished, some roughness to feet, unsigned, 30”w x 18”d x 29”h, very good condition 2500-3500
109. English Arts & Crafts frame, small dual image form in silver with enameled and repousse design, 4.5”w x 3”h 200-300
110. Rare and early Gustav Stickley bookcase, #508, low form with two doors with mitered mullions and early copper escutcheons, inverted “V” at base with paneled sides and a chamfered board back, unsigned, enhanced original finish, 38.5”w x 10.5”d x 43”h, very good condition 8000-10,000 23 www.treadwaygallery.com 111. Stickley Brothers smoking stand, #144, 112. Tobey Furniture Company stand, 113. Brooks fern stand, #421, square top unusual form with copper ashtray and rectangular top above slab sides with above cut-outs and a lower shelf, original match stand inset at top above a single a lower stretcher supported by key and finish, 16”w x 16”d x 30”h, very good drawer and lower shelf, refinished, tenon construction, signed with paper condition 300-400 branded signature, 13”w x 13”d x 28”h, label, cleaned original finish, 24”w x 14”d very good condition 300-400 x 30”h, very good condition 200-300
115. Michael Adams boudoir lamp, "warty" copper base holding a copper and mica shade, excellent original red patina, marked, #8, dated 12/95, overall: 11"w x 114. Common Ground Pottery vase, 11"h, in 1995 master craftsman Michael 116. Common Ground Pottery vase, contemporary, expertly incised and brightly Adams hand-crafted twelve red warty contemporary, beautifully handcrafted with colored daffodil design, signed by Eric boudoir lamps, they were not made before unusual fish designs, signed by Eric Olson, Olson, 2011, marked, 6”w x 11”h 250-350 or after that year 1500-2500 2011, marked, 5”w x 12”h 350-450
117. Arts and Crafts smoking stand, square 118. Gustav Stickley umbrella stand, #55, 119. Lakeside Craft Shop magazine rack, top above a single door supported tapered posts with three-sections at top, cut-outs at back above three sections by splayed legs, roughness to feet, original drip pan, branded signature, some supported by slab sides with applied peg refinished, 14”w x 14”d x 30”h, good retouch to original finish, 21”w x 11.5”d x detail, break to one side, refinished, 14.5”w condition 200-300 34”h, very good condition 600-800 x 10”d x 38”h, good condition 300-400 24 www.treadwaygallery.com 120. Roycroft meditation chair, shelf at back above two horizontal slats over a recovered leather seat, signed with orb, refinished, 24”w x 24”d x 34”h, very good condition 1000-1500
Advertised by Roycroft in the 1906 furniture catalog with the description: “Induces Sound Sleep, an Easy Conscience, and a Good Appetite.”
121. Roycroft chair, from the Grove Park Inn, wide vertical slat at back above a recovered leather seat, carved GPI at back, refinished, 25.5”w x 17”d x 40.5”h, very good condition 1500-2000
122. Good Roycroft Ali Baba bench, #046, plank seat with bark to underside and thru-post construction, supported by splayed legs with a horizontal stretcher and keyed-tenon construction, fine original finish, signed with orb, 42.5”w x 14”d x 19.5”h, excellent condition 8000-10,000
123. Roycroft dining chairs, set of six, #025, in mahogany, four vertical slats at back over a recovered seat on a Mackmurdo foot, signed with orb, some minor wear to original finish, 18”w x 17”d x 38”h, very good condition 3000-4000 25 Details / Phone bids call: (708) 383-5234 or (513) 321-6742 www.treadwaygallery.com 25 124. Harden rocker, five vertical slats at back 125. Good Arts & Crafts fire tools, very well 126. Harden armchair, five vertical slats at and four under each arm, recovered crafted three piece set consists of poker, back and four under each arm with thru- leather seat above an arched rail, signed shovel and tongs held on a hammered tenon construction, recovered spring seat with paper label, refinished, 29”w x 32”d x wrought iron base, as shown: 15”w x over an arched rail, signed, original finish 40”h, very good condition 400-600 13.5”d x 43”h, excellent condition 700-900 has alligatored, 29”w x 26.5”d x 37.5”h, good condition 300-400
127. Good Arts & Crafts cube chair, manufactured by Rittenhouse, 128. Good Arts & Crafts cube chair, manufactured by Rittenhouse, Philadelphia, large form with slatted sides and back above a Philadelphia, large form with slatted sides and back above an original replaced leather spring cushion, back cushion not shown, good leather spring seat, good original finish, 30.5”w 27.5”d x 33”h, very original finish, 30.5”w 27.5”d x 33”h, very good condition 1500-2000 good condition 1500-2000
129. Stickley Brothers lamp table, #2516, circular top above a 130. Michigan Chair Company table, circular top above a lower shelf lower shelf supported by a cross stretcher base with thru-tenon supported by a cross-stretcher base with thru-tenon construction, construction, original finish to base, worn finish to top, unsigned, numbered, original finish to base, top refinished, 36”dia x 30”h, very 28”dia x 26”h, very good condition 400-600 good condition 300-400 26 www.treadwaygallery.com 131. Fine and early Gustav Stickley Thornden side chairs, set of eight, #1299, two wide horizontal slats at back above an exceptional original rush seat, supported by thru-tenon construction, some retouch to original dark finish, unsigned, 18”w x 16”d x 36”h, very good condition 6500-8500
132. Rare and early Gustav Stickley dining table, important design with 133. Gustav Stickley Luncheon linen, in the Teazle massive fixed circular top above a stacked trumpeted cross stretcher design, hand-stitched stylized blossom pattern, base with central faceted peg and thru-tenon construction, lightly recoated original Gustav textiles rarely come to market, original finish, unsigned, 60”dia x 30”h, very good condition 8000-10,000 15.75”w x 15.75”h, very good condition 1000-1500
27 Details / Phone bids call: (708) 383-5234 or (513) 321-6742 www.treadwaygallery.com 27 134. Shop of the Crafters bookcase, massive three door form with long corbels at sides, thru-peg construction and original hardware to doors, signed, original finish, one pull missing, 70”w x 14”d x 54”h, very good condition 2500-3500
135. Dirk Van Erp lamp shade, broad form in hammered copper, mica panels, original patina, marked, 17”w x 7”h 2000-3000
136. Arts & Crafts bookcase, two doors with wood overlay, some retouch 137. Arts & Crafts bookcase, two doors flanked by peaked posts, original to original finish, 36”w x 13”d x 48”h, very good condition 400-600 finish, 42”w x 12”d x 56”h, very good condition 400-600 28 www.treadwaygallery.com 138. Grueby vase, bulbous shape with 139. Hampshire vase, in a green matte glaze, 140. Exceptional Dedham Pottery vase, large a carved and applied leaf and bud bulbous base with incised greek key design bulbous shape, covered in textured red design, covered in a green matte glaze, and two reticulated handles, signed and glaze with green highlights, marked, artist impressed mark, artist initials, 4.5”w x numbered 88, 10”w x 14.5”h 700-900 initials HR, 7”w x 10”h 3000-5000 5.25”h, damage 500-700
141. Marblehead vase, swollen shape, 142. Rare and fine Arthur Baggs vase, large 143. Marblehead vase, tapered shape, covered covered in a blue matte glaze, impressed ribbed shape, covered in a red, brown in a mottled green, brown and yellow matte mark, 4”w x 7”h 250-350 and tan matte glaze, marked, 8”w x 8”h, glaze, marked, 4”w x 6.75”h 250-350 excellent glaze 1500-2500
144. Pewabic vase, shouldered form, under 145. North Dakota School of Mines vase, 146. Nice Walrath vase, 1919, carved and a tan and brown matte glaze, unmarked, rectangular and footed shape with carved painted organic Art Nouveau design with 4.5”w x 7”h 900-1200 designs, covered in a green matte glaze, three incorporated handles, covered executed by Mattson, marked, 3.75”w x in a blended blue and red matte glaze, 2.5”h 350-450 marked, 4”w x 5.5”h 1500-2500 29 Details / Phone bids call: (708) 383-5234 or (513) 321-6742 www.treadwaygallery.com 29 147. Stickley Brothers lamp table, #2508, circular top above a lower 148. Roseville Montacello vase, large form, 8.5”w x 9.5”h; with a shelf supported by a notched cross-stretcher base with thru-tenon Roseville Montacello vase, 6”w x 7.25”h, both double handled, both construction, refinished, unsigned, numbered, 30”dia x 29.5”h, very brown 500-700 good condition 500-700
149. Arts & Crafts window, in leaded glass with floral and shield motif, held in a wood frame, several cracked panels, glass: 43”w x 42.25”h, overall: 48.5”w x 49”h, very good condition 300-400 150. Gustav Stickley library table, #659, spindled form with three drawers above a lower stretcher, some wear to top, original iron hardware, original finish, signed with black ink mark, 54”w x 32”d x 29”h, very good condition 3500-4500
151. Early Gustav Stickley lamp table, similar to #426, circular top above 152. Roseville Sunflower bowl, 8”w x 4”h, hairlines; with a Roseville a stacked trumpeted cross-stretcher base supported by double Sunflower vase, large form, 6”w x 10.5”h, paper label, restored, both thru-tenon construction, refinished, unsigned, 36”dia x 28”h, good in brown and green 500-700 condition 1500-2000 30 www.treadwaygallery.com 153. Good Gustav Stickley sideboard, #814 ½, plate rail at back above a series of drawers and doors with original iron pulls and strap hardware, ooze leather in top drawer, signed with red decal, lightly recoated original light finish, 56”w x 21”d x 47.5”h, excellent condition 4500-6500
154. Unusual Gustav Stickley dining table, variation of #656, with a square top on a pedestal base, four original 12” quarter-sawn leaves, lightly recoated original light finish, some wear to top, signed with paper label, 48”w x 48”d x 29”h, square top dining tables by Gustav are rarely found, very good condition 4000-5000
155. Gustav Stickley dining chairs, assembled set of five, #306, ladder-back form with three horizontal slats over a recovered leather seat, overall roughness, three signed with red decal, original finish to four, one has been refinished, breaks to two chairs, 17”w x 17”d x 36”h, very good condition 1000-1500 31 www.treadwaygallery.com 156. Fulper vase, three-handled shape, 157. Clewell vase, attribution, copper-clad 158. Fulper vase, double handled and bulbous covered in a brown, tan and blue flambé pottery, grape design, unmarked, 4”w x shape, covered in a green and red matte glaze, marked, 4.4”w x 6”h 200-300 9”h, drilled hole 300-400 glaze, marked, 6”w x 7.5”h 150-250
159. California Faience bowl, shouldered form 160. Rookwood handled vessel, cylindrical 161. Roseville Sunflower wall pocket, in under a red high glaze, marked, 6.5”w shape with an unusual handle, Standard brown and blue, 6”w x 7.5”l 500-700 x 4”h; with a Roseville Velmoss vase, glaze with corn design, executed by Bruce bulbous shape, in brown with green leaves, Horsfall in 1902, #328B, 4.5”w x 6”h; unmarked, 5.5”w x 6”h, hairline 200-300 with a Rookwood tray, large rook figure, covered in a green and brown matte glaze, 1935, #1139, 8”w x 4”h 200-300
162. Fulper vase, cylindrical shape, covered 163. Rookwood vase, incised flowers and 164. Rookwood vase, molded flowers and broad in a brown, tan and green flambé glaze, grasses, green matte glaze, executed by leaves, under a brown and yellow matte marked, 2.75”w x 8.25”h 150-250 Rose Fechheimer in 1906, #939C, 4”w glaze, 1927, #2129, 3.5”w x 9”h 200-300 x 8”h, damage to top; with a Rookwood vase, geometric design, brown matte 32 glaze, 2.75”w x 6”h 350-450 www.treadwaygallery.com 165. Early Gustav Stickley bookcase, #525, two doors with mitered mullions and unusual copper escutcheons, supported by slab sides with double key and tenon construction, some restoration and retouch to original finish, signed with red decal, 46”w x 12”d x 56”h, very good condition 7500-9500
166. Gustav Stickley dresser, #911, Harvey Ellis influenced form, pivoting mirror at back with peaked top supported by butterfly joint construction, two half drawers above two full drawers with original wood knobs over an arched toe-board, signed with red decal and partial paper label, fine original light finish, 48”w x 22”d x 66”h, excellent condition 3000-4000 33 Details / Phone bids call: (708) 383-5234 or (513) 321-6742 www.treadwaygallery.com 33 167. Limbert cricket stool, #201 ½, recovered 168. Arts & Crafts footstool, in the style of 169. Lakeside Craft Shop footstool, #116, seat above slab sides with cut-out details, Roycroft, leather top on tapered legs, original leather seat above three vertical refinished, signed, 20.5”w x 12.5”d x 12”h, worn finish, replaced leather, 18”w x 11”d slats on each side, original finish, signed very good condition 300-400 x 8”h, good condition 200-300 with decal, 19”w x 19”d x 15”h, very good condition 200-300
170. Arts & Crafts screen, three panels with inlaid marquetry landscape detail at top, replaced green fabric, each panel: 20”w x 38”h, as shown: 51”w, very good condition 300-500
171. Arts & Crafts bookcases, pair, peaked top above open shelves, exposed screw construction, original finish, 25.5”w x 10”d x 52”h, very good condition 400-600 34 34 www.treadwaygallery.comwww.treadwaygallery.com 172. Dirk Van Erp vase, shouldered form, hammered copper, original patina, marked, 3”w x 5.5”h 500-700
173. Arts & Crafts settle, twelve vertical slats at back and three under each arm with corbel supports at sides, tear to original leather cushion, original finish, 76”w x 27.5”d x 35”h, very good condition 500-700
175. Helen Hyde (American, 1868-1919) “A Summer Shower,” 1909, woodblock print, pencil signed lower right, numbered 64 lower left, 5” x 13.25”, framed 700-900 174. Gustav Stickley bed, similar to #923, three-quarter size with peaked top rails above four wide vertical slats on reverse-tapered posts, branded signature, old refinish, 46”w x 81”l x 46”h, very good condition 700-900
176. F.J. Wildenhofer vase, hammered copper, original patina, marked, 3.25”w x 8.5”h 300-400 177. Stickley Brothers daybed #3758, slant-back with vertical slats, replaced cushions are in poor condition, foundation missing, cleaned original finish, 28.5”w x 76”l x 24.5”h, very good condition 500-700 35 www.treadwaygallery.com 178. Limbert table, #190, circular top above a 179. Gustav Stickley lamp table, #611, cut- 180 Limbert table, similar to #1135, circular square shelf supported by tapered legs, corner top above a lower shelf supported top above an arched cross-stretcher signed, refinished, 22”dia x 26”h, very by a cross-stretcher base, some overall base supported by tapered legs, original good condition 600-800 roughness, painted blue, 24”w x 24”d x finish, signed, 24”dia x 29”h, very good 29”h, good condition 400-600 condition 900-1200
181. Stickley armchairs, pair, contemporary, in cherry, vertical spindles at 182. L & JG Stickley armchair and rocker, #810 and #811, four vertical back and corbel supports under each arm, 24.5”w x 19.5”d x 41.5”h, slats at back over partial original leather spring cushion with corbel very good condition 200-300 supports at sides, original finish, unsigned, armchair: 26.5”w x 25.5”d x 38”h, rocker: 26.5”w x 28”d x 35.5”h, very good condition 500-700
183. L & JG Stickley tabouret, #558, octagonal 184. English Arts & Crafts fire screen, 185. Michigan Chair Company drink stand, top with thru-post construction above a hammered copper panel with a repousse #1204, circular top above an arched apron cross-stretcher base, recoated original classical design held in a wrought iron and lower stretcher, original finish, signed finish, signed “The Work of…” 15”w x 15”d frame, 21.75”w x 5.5”d x 30”h, very good with paper label, 27”dia x 27”h, very good x 17”h, very good condition 600-800 condition 200-400 condition 300-500
36 www.treadwaygallery.com 187. Roseville Sunflower jardiniere, large form in brown and green, 8.5”w x 7”h; with a Zaneware bowl, (not shown), low form with four molded designs, under a brown and tan matte glaze, unmarked, 6.5”w x 2.5”h 700-900
186. Limbert table, #186, single drawer above a lower stretcher supported by tapered legs, top refinished, original finish to base, signed, 36”w x 24”d x 29”h, very good condition 300-500
188. Gustav Stickley library table, #615, rectangular top above two drawers with original iron oval pulls, corbel supports at sides above a lower stretcher with thru-tenon construction, original finish, some distress to top, signed with large red decal, 48”w x 30”d x 30”h, very good condition 2000-3000 189. Limbert sideboard, #457 ½, mirrored back above two half drawers and one full drawer and two paneled cabinet doors, all with original hardware, original finish, branded signature, 45”w x 19.5”d x 51”h, very good condition 1000-1500
190. L & JG Stickley library table, similar to #520, single drawer above 191. North Dakota School of Mines vase, unusual shape with a bison corbel supports and a lower stretcher with double key and tenon design, covered in a green and brown matte glaze, executed by M. construction, refinished, unsigned, restoration to feet, 36”w x 24”d x Cable, marked, 6.5”w x 4.5”h 900-1200 29”h, good condition 300-400 37 www.treadwaygallery.com 192. Stickley Brothers library table, #2561, 194. Arts & Crafts umbrella stand, large form rectangular top above a single drawer with eight divided compartments at top, with original wood pulls, lower stretcher supported by peaked posts with corbel supported by thru-tenon construction, supports, refinished, 40”w x 24”d x 33”h, original finish, some distress to top, very good condition 200-300 unsigned, 40”w x 26”d x 30”h, very good condition 300-400 193. Vintage hanging fixture, large mosaic shade with an organic design in green and caramel glass, bronzed metal fixtures with ribbon designs, unmarked, overall: 24”w x 46”l 800-1100
195. Arts & Crafts andirons, in twisted and 196. Arts & Crafts bridal chest, in mahogany, canted 197. Arts & Crafts andirons, in wrought iron curled wrought iron with loop detail, 17”w x sides with carved handles at top and sides with with loop and ball details, 13.5”w x 22”d 36”d x 25”h, very good condition 300-500 decorative brass ball detail, refinished, 34”w x x 20”h, very good condition 200-300 21”d x 16.5”h, very good condition 300-400
198. Arts & Crafts lamp, leaded glass shade 199. J.M. Young luggage bench, slatted top 200. Wilkinson lamp, six-sided slag glass with a colorful floral and geometric design above a lower stretcher, signed, original shade with scenic design in a metal held by a pedestal base with an original finish, 30”w x 18”d x 22”h, very good overlay, on a base with scroll designs, brass-wash patina, 18”w x 24”h 500-700 condition 200-300 original patina, 18”w x 27”h 1200-1700 38 www.treadwaygallery.com 201. Rare Teco vase, shape #107, designed 202. Teco vase, shape #407, designed by W.D. 203. Teco vase, shape #335, designed by by Blanche Ostertag, green matte Gates, double handled form, under a good Fritz Albert, an exceptional green matte glaze covers a form with reed design green matte glaze with charcoal highlights, glaze covers an unusual flattened form, and scalloped top, this is the only form impressed marks, 4”w x 8.5”h 1000-1500 impressed signature and number, a great designed by this renowned artist and one example of a successful Teco glaze, 5.5”w of only two known Teco forms done by a x 12”h 1500-2500 female designer, impressed signature, 5”w x 12”h 1500-2000
204. Teco vase, shape #51, designed by W. D. Gates, in an adventurine glaze, chips to rim, impressed mark, 3.75”w x 3.75”h 200-300
205. Teco vase, shape #418A, designed by J. K. Cady, green matte glaze covers an architectural form with four handles, this bold form is the rarer of the two sizes which Teco offered this form, functional as a vase or lamp base, impressed signature, 9.5”w x 11”h 4000-6000 39 Details / Phone bids call: (708) 383-5234 or (513) 321-6742 www.treadwaygallery.com 39 206. Early L & JG Stickley chairs, set of four, #793, from the Onondaga Shops, recovered leather seat and back on a base supported by double key and tenon construction, refinished, unsigned, 21”w x 17”d x 35.5”h, very good condition 1200-1500
207. Exceptional Benedict Studios lamp, hammered copper base and 208. Limbert settee, two-seat form with two trumpeted slats at back shade, fine original patina, shade with a cut-out landscape design above a recovered leather seat and arched rail, refinished, branded over multicolored glass panels, unmarked, 13"w x 22"h 1500-2500 signature, 44”w x 22.5”d x 36”h, very good condition 600-800
209. Limbert armchairs, set of four, #8073, two horizontal trumpeted slats at back above a recovered leather seat and arched rail, nicely refinished, branded signature, 24”w x 21”d x 36”h, very good condition 800-1200 40 40 www.treadwaygallery.comwww.treadwaygallery.com 210. Good Handel table lamp, reverse painted "chipped-ice" shade, goldenrod and ferns against a red-orange sky, bronzed metal three-socket base with unusual handles, original patina, shade signed and numbered 6536, 18”w x 23.5”h, very good condition, similar shade decorations are pictured in Handel Lamps, by De Falco and Hibel, p. 154 & 173 4500-5500
211. Gustav Stickley lamp table, similar to 212. Arts & Crafts lamp table, cut-corner to 213. Stickley Brothers lamp table, #2504, #608, circular top above a lower shelf above a lower shelf supported by cross- circular top above a lower square shelf supported by an arched cross-stretcher stretcher base, refinished, 18”w x 18”d x supported by cross-stretcher base with base, refinished, unsigned, 24”dia x 29”h, 28”h, very good condition 200-300 thru-tenon construction, numbered, very good condition 800-1100 recoated original finish, 26”dia x 29.5”h, very good condition 500-700
214. Stickley Brothers dining chairs, set of four, #381, one armchair and three side chairs, three horizontal slats at back, leather seat missing, numbered, branded signature, original finish, armchair: 28”w x 18”d x 39”h, side chair: 18.5”w x 17”d x 37”h, very good condition 400-500 41 www.treadwaygallery.com 215. English Arts and Crafts tea set in hammered pewter made by A & M Company, with tray, tea and coffee pots, cream and sugar bowls, as shown: 16”dia x 7.75”h 700-900
216. L & JG Stickley desk, similar to #601, single drawer with replaced hardware above a lower shelf, refinished, unsigned, some distress to top, 34”w x 20”d x 33”h, very good condition 300-500
217. Stickley Brothers server, #8503, two drawers with original copper hardware above a lower shelf, original finish, signed with brass tag, 48”w x 20”d x 38”h, very good condition 700-900 218. Arts & Crafts candle lamp, handled oak base supports a pyramidal frosted glass shade with overlay geometric design, cracks to shade, replaced socket, original finish to base, 8”w x 8”d x 19”h 300-400
219. Craftsman Co. bowl, hammered copper, cleaned patina, impressed mark, #883, 8”w x 2.75”h; with a Heintz letter opener, attribution, sterling on bronze, applied geometric design, original patina, 220. L & JG Stickley server, #641, three drawers with original copper unmarked, 1”w x 10”l ; with a Craftsman Studios tray, hammered hardware above a lower shelf, original finish, unsigned, 44”w x 18”d copper with tooled leaf and berry designs, original patina, marked, x 39.5”h, very good condition 1500-2000 3”w x 9.5”l 250-350 42 www.treadwaygallery.com 221. Wilcox inkwell, silver-plated Aesthetic 222. Grueby vase, large cylindrical form, 223. Fulper vase, double handled shape, movement with floral design, engraved covered in a suspended brown matte glaze, covered in a blue, green and brown “Bernice to Grandma Mary 18/91,” signed impressed mark, 5.5”w x 11”h 1500-2500 flambé glaze with crystalline highlights, and numbered 2811, original glass inert, marked, 6”w x 4.25”h 150-250 4”dia x 3”h 100-200
224. Batchelder tile, design of a 225. Pewabic bookends, pair, carved rabbit design, 226. Rookwood Faience tile, knight on horseback riding covered in a metallic glaze with overall iridescence, landscape design, signed by up to a castle, bisque with marked, paper label, 4”w x 5.25”h 1000-1500 Cecil A. Duell, held in an Arts painted blue highlights, & Crafts oak frame, marked, marked, 8”sq 250-350 #1157, tile: 8”sq, overall: 13.5”w x 14”h 800-1100
227. Fulper sculpture, reclining cat, covered 228. Fulper vase, large double handled 229. Fulper sculpture, sleeping curled-up cat, in a tan, brown and blue glaze, marked, shape, covered in a blue glaze with brown covered in a blue matte glaze, marked, 9.5”w x 6”h 800-1100 highlights, marked, 10”w x 6.5”h 300-500 9”w x 3”h, repair to one ear 700-900
43 Details / Phone bids call: (708) 383-5234 or (513) 321-6742 www.treadwaygallery.com 43 231. Roycroft lamp base, acid etched copper with a blue glass stem by Steuben, impressed mark, 4.75”w x 11”h 200-300
230. English Arts & Crafts hall chair, 232. English Arts & Crafts hall chair, tall-back influenced by C F A Vovsey, high back form with wide slat having organic carved form with heart cut-out details at back detail, nicely recovered seat and back and sides over a recovered leather seat, in a Liberty of London fabric, original cleaned original finish, 26.5”w x 23.5”d x finish, 26”w x 26.5”d x 53.5”h, very good 57”h, very good condition 1000-1500 condition 1000-1500
233. Plail rocker, barrel-form with vertical slats, recovered original spring cushion, refinished, 24.5”w x 31.5”d x 32”h, very good condition 1200-1500
234. Arts & Crafts rocker, wide horizontal 235. Handel Tam O’Shanter lamp, shade with 236. Limbert rocker, #1894, single vertical slat at slat at back with cut-out detail above poppy motif reverse-painted on chipped back over a replaced leather seat, branded a recovered original spring cushion, ice shade, on a brass base with flower signature, cleaned original finish, 24”w x 28”d refinished, 27”w x 31.5”d x 35”h, very buds, shade signed, original patina, 12”dia x 32.5”h, very good condition 300-400 good condition 300-400 x 19”h 700-900 44 www.treadwaygallery.com 237. Heintz lamp, helmet shade with silver overlay design on bronze and an unusual cameo inset on shade, 8”w x 10”h 500-700 238. Gustav Stickley armchair, #318, five vertical slats at back over a recovered spring cushion with corbel supports at sides, original finish, some minor discoloration, signed with red box mark, 27”w x 23”d x 37”h, very good condition 600-800
239. Rookwood Faience tile, attribution, colorful ship design, held in an Arts & Crafts oak frame, markings are obscured, tile: 6”sq, overall: 12”sq, frame warped 250-350
240. Gustav Stickley side chairs, set of three, #306, ladder-back form with three horizontal slats, good original finish, signed with red decal, seats missing, 17”w x 18”d x 36”h, very good condition 300-500
241. Roycroft vase, cylindrical shape, hammered copper, applied 242. Stickley Brothers telephone chair, #841 ½, low form with wide cut-out design, original patina, impressed mark, 3”w x 6.5”h 800-1100 slat at back above a recovered leather seat, recoated original finish, seat altered, unsigned, 16”w x 15”d x 26”h, good condition 100-200
45 www.treadwaygallery.com 243. North Dakota School of Mines vase, 244. Van Briggle vase, 4”w x 5”h; with a Van 245. Weller Dickensware handled vessel, large form covered in a black to gray to Briggle handled vessel, 6.5”w x 11.5”h; Hollowhorn Bear, executed by E.L. Pickens, red glaze, artist signed, 1926, marked, with a Van Briggle shell vase, 6”w x 3.5”h; marked, #580, 6.5”w x 12”h 550-750 6”w x 11”h, restored chip to rim 200-300 with a Van Briggle vase, 3.5”w x 4.25”h, hairline, all under a blue and green matte glaze, all with incised marks 200-300
246. Clifton covered vessel, painted design, 248. Weller Coppertone vase, unusual shape, unmarked, 5.5”w x 6.5”h, hairline, chip to lid; unmarked, 5”w x 6”h; with a Weller with a Fulper vase, footed shape, covered in Coppertone candle holder, turtle motif, a brown matte, marked, 5”w x 5”h 100-200 marked, foil label, 5”w x 3”h 200-300
247. Weller Forest jardiniere, large form with a colorful molded landscape, marked, 9”w x 8”h 100-200
249. Rookwood handled vessel, Standard glaze with a 251. Good Rookwood handled vessel, Standard glaze well executed portrait titled after Rubens, done by with a monk drinking beer, well painted by Bruce Grace Young in 1896, #837, 5.5”w x 5”h 500-700 Horsfall in 1895, #656, 5.5”w x 5”h 500-700
250. Weller Louwelsa handled vessel, brown glaze, large portrait of a monk, faint artist initials on side, marked, #484, 5.5”w x 6”h, restoration to rim 200-300
252. Weller Woodcraft lamp base, owl 253. Roseville Vintage vase, brown, 5.5”w x 8.5”h; 254. Weller L’Art Nouveau vase, and fruiting tree motif, covered in with a Roseville Freesia planter, blue, 10.5”w x large form with a poppy design, a matte glaze, unmarked, 6”w x 3.5”h, chip and hairline; with a Roseville Freesia marked, 5.5”w x 13”h, very nice 14”h 200-300 vase, blue, 6.5”w x 8.5”h, minor chip 100-200 matte glaze 250-350 46 www.treadwaygallery.com 255. E.T. Hurley books, lot of 10, various titles, with forwards from various authors, all feature prints of Hurley’s etchings with descriptions of their scenes, 4 hardcover, 6 soft cover, largest is: 6”w x 8”l 100-200
256. Tiffany Studios lamp shade on a Hampshire base, leaded geometric glass shade on a base with green matte glaze with incised geometric linear designs, base signed, ghost of a metal tag to shade, 12”dia x 16.5”h, very good condition 5000-7000
257. Rookwood vase, Vellum glaze with a green hue and molded panels, 1908, #1096, 3”w x 5”h, uncrazed; with a Rookwood vase, cylindrical shape with a molded organic design, covered in a turquoise crystalline 258. Handel piano lamp, cylindrical shade with pine needle pattern in glaze, 1927, #1903, 4”w x 5.5”h; with a Rookwood vase, bulbous overlay design on slag glass, supported by an adjustable base, shape, molded stylized floral designs, covered in a blue matte glaze, original patina, some bends to overlay and wear to patina, 12”w x 1927, #2401, 4”w x 7.25”h, uncrazed 200-300 13”d x 14”h, good condition 600-800
259. Art Reference Books, group five books relating to decorative art and design, lot includes: L'Art International d'Aujourd'hui , Vol. 5 - Maisons D'Habitations, 1929; L'Art International d'Aujourd'hui, Vol. 15 - Sculpture, 1929; La Sculpture Decorative Moderne, Series 1, 1925; La Sculpture Decorative a L’Exposition des Arts Decoratifs, Series 2, 1925; and La Ferronnerie Moderne, Series 2, 1925, largest: 260. Tiffany Studios lamp shade on a Hampshire base, leaded glass 13”w x 18”h 600-800 shade in the Colonial pattern supported by a three-socket base with green matte glaze, shade signed Tiffany Studios, New York, base 47 Details / Phone bids call: (708) 383-5234 or (513) 321-6742 with impressed signature and www.treadwaygallery.compaper tag, 16.5”dia x 18”h, very good 47 condition 6500-8500 262. Rookwood Faience tile, sea horse design, gray, purple and tan matte glazes, held in an Arts & Crafts oak frame, marked, #1234YE, tile: 6”sq, overall: 14”sq 250-350 263. E.T. Hurley color etching, “Fountain Square, Cincinnati,” 1915, signed, framed, pencil signed and dated 1916, image: 10.5" x 12.5", overall: 17.5" x 19.5" 350-550
264. Rookwood Faience tiles, two, stylized designs, in colorful matte glazes, each held in an Arts & Crafts oak frame, both marked, each tile: 4”sq, each overall: 261. Arts & Crafts bookcase, two sliding leaded 10”sq 250-350 and beveled glass doors with a stylized floral motif, original finish, 36”w x 14”d x 62”h, very good condition 900-1200 265. E.T. Hurley etching, “Suspension Bridge, from Covington,” 1917, signed, framed, pencil signed and dated 1918, image: 10.25" x 13.5", overall: 18.5" x 21.5" 250-350
266. Rookwood Faience tiles, two, griffin and shield design, and stylized lion design, both in colorful matte glazes, each held in an Arts & Crafts oak frame, both marked, each tile: 4”sq, each overall: 10”sq 250-350
267. E.T. Hurley color etching, “6th Street Market,” 1915, signed, framed, pencil signed and dated 1920, image: 10.25" x 12.75", overall: 16.5" x 19" 350-550
268. Lifetime bookcase, similar to #7630, single 269. Rookwood Faience tile, stylized rose 270. E.T. Hurley etching, “Bend of the River,” door with original hardware, thru-tenon design, in green, brown, pink and tan matte 1915, signed, framed, pencil signed and construction, signed, original finish, 30.5”w x glazes, held in an Arts & Crafts oak frame, dated 1933, image: 8" x 12.5", overall: 14" 12”d x 58”h, very good condition 700-900 marked, tile: 4”sq, overall: 10”sq 250-350 x 19.25" 250-350 48 www.treadwaygallery.com 271. Arts & Crafts vase, tall form in hammered 272. Roycroft vase, tapered shape, hammered 273. Heintz vase, attribution, sterling on brass with a stylized repousse design, copper, original patina, impressed mark, bronze, cylindrical shape with a flared rim, original patina, 20.5"h 300-500 2.5”w x 4.5”h 150-250 applied organic design, unmarked, 3.5”w x 8”h 200-300
274. Rookwood handled vessel, Standard 275. Rare Kalo dish, unusual handled form 276. Rookwood vase, double handled shape, glaze, intricately painted holly design, with strainer insert, hand-wrought sterling, Standard glaze, painted dogwood applied silver overlay, executed by marked, 8”w x 4.5”h 1200-1700 blossoms, applied silver overlay, executed Josephine Zettel in 1892, #468D, 6”w x by Sallie Coyne in 1899, #583D, 7”w x 8”h 3000-4000 8.5”h 3000-4000
277. Exceptional Merrimac vase, large bulbous shape, covered in a yellow and green drip glaze, impressed mark, 9”w x 9.75”h, as nice as they come 1500-2500 49 Details / Phone bids call: (708) 383-5234 or (513) 321-6742 www.treadwaygallery.com 49 279. Arts & Crafts hanging plate rail, in elm, two doors above a lower shelf supported by double key and tenon construction, refinished, 53”w x 11.5”d x 36”h, very good condition 500-700 278. Gustav Stickley magazine stand, four 280. Stickley Brothers magazine stand, shelves with a wide vertical slat at each side, three shelves supported by spindled original finish, minor staining to top, branded sides, original finish, signed with Quaint signature and paper label, 27”w x 12”d x metal tag, 19”w x 12”d x 32”h, very good 38.5”h, very good condition 800-1000 condition 400-600
281. Arts & Crafts tabouret, Flemish-influenced 282. Gustav Stickley chest of drawers, #909, two 283. Limbert tabouret, #206, octagonal top form with a hexagonal top above a carved half drawers above three full drawers with above splayed legs with cut-out details base, original finish, 14.5”w x 17”d x 19”h, original wood knobs supported by paneled and supported by a cross-stretcher base, very good condition 100-200 sides, recoated original finish, some wear, refinished, branded signature, 15”w x 15”d remnant of red decal, 37”w x 19.5”d x 42.5”h, x 18”, very good condition 300-400 very good condition 1500-2500
284. Arts and Crafts drink table 285. Limbert sideboard, three drawers flanked by two cabinet 286. Stickley Brothers drink similar to Stickley Brothers doors with original hammered hardware, refinished, table, #2615, circular copper #2615, in maple, circular overall roughness, one pull missing, branded signature, top above a wide notched copper top above a wide 65”w x 23”d x 38”h, very good condition 500-700 arched apron on a tapered inverted “V” apron on a leg, some cleaning to original tapered leg, refinished, some copper top, refinished, cleaning to original copper unsigned, 18”dia x 28”h, very top, 17.5”dia x 28”h, very good condition 800-1000 good condition 300-500 50 www.treadwaygallery.com 288. Asahel Curtis (American, 1874-1941) “Mt. Rainier,” 1911, hand-colored photograph, signed and dated in negative, 14” x 17”, overall: 18.5” x 21.5”, held in 287. Edward Sheriff Curtis photogravure, original frame 500-700 289. Arts & Crafts period print, after the “An Isleta Man,” 1925, Plate 549, margin George de Forest Brush painting, “The marked with copyright, dated and title, Indian and the Lily,” 1887, 27” x 26”, held photogravure by Suffolk Engraving Co., in a period frame 200-300 Cambridge, Mass., 15.5” x 11.5”, overall: 27.5” x 23”, framed 400-600
290. Liberty & Company “Tudric” crumb tray, c. 1905, in hammered pewter with organic design in blue/green enamel and repoussé, signed and numbered 0532, 10”w x 4.5”l, very good condition 500-700
291. Liberty & Company “Tudric” clock, c. 293. Liberty & Company “Tudric” coffee pot, 1920, in hammered pewter with a arched c. 1905, rare design by Archibald Knox, top over a blue/green enamel face on ball in pewter with organic repoussé design, feet, wind-up key, signed and numbered signed and numbered 0375, 6”w x 4”d x 0136, 6”w x 3.25”d x 6.25”h, very good 5.5”h, very good condition 600-800 condition 1800-2200
292. English Arts & Crafts vase, c. 1900, in hammered copper with organic repoussé design, stamped R.T. English, 5.5”dia x 9”h, very good condition 300-500
294. English Arts & Crafts mirrors, pair, c. 1910, in hammered copper with repoussé design around an octagonal beveled mirror, 15.5”w x 15.5”h, very good condition 600-800 51 www.treadwaygallery.com 295. Large Kutani vase, by Hyoyu, c. 1900, “Thousand Scholars” depicts people engaged in various activities that make up the ‘four accomplishments,’ marked, 12”dia x 11.5”h 2000-3000 The Four Accomplishments were arts to be mastered by an ideal scholar, included were playing the musical instrument qin, the board game weiqi, calligraphy, and painting.
296. Kawase Hasui (Japanese, 1883-1957) “Shiba Benten Ike (Pond at Benten Shrine),” 1929, woodblock print, monogrammed in image lower left, impressed markings in lower margin, edition of 350, framed 1000-1500
297. Persian Heriz rug, c. 1920, floral design on a red field with central medallion, minor wear, 115” x 155”, very good condition 4000-5000 52 52 www.treadwaygallery.comwww.treadwaygallery.com 298. Nice Renee Irene Prahar (American, 1880- 299. Japanese masks, two, Miroku Bosatsu 300. Interesting Renee Irene Prahar 1963), bronze, stylized falcon, very good in plaster and Buddha in bronzed metal; (American, 1880-1963), bronze, stylized original patina, signed, 1.5”w x 4”h 300-400 with a Filipino mask, wood, all intricately monkey, good original patina, signed, .5”w sculpted and painted forms, two have rope x 4”h 300-400 fasteners, largest is: 8”w x 18”l 200-300
302. Utagawa Kunisada (Toyokuni III), c.1855, Japanese woodblock print, triptych with figures, signed, each image: 14" x 9.5", Ronin Gallery label on verso, framed 300-500
301. Japanese woodblock print, standing 303. Japanese woodblock print, standing figure, figure, signed, damage to paper, 28.5" x signed, 26" x 8.5", framed 200-300 9", framed 100-200
304. Interesting Japanese sculpture, c. 1930, 305. Japanese sculpture, hand-carved wood, 306. Asian sculpture, bronze, stylized frog, original bronze, Mount Fuji, wonderful original snake and frog, original finish, unmarked, patina, unmarked, 1.5”w x .75”h 150-250 patina, marked, 5.25”w x 1.5”h 200-300 8”l, repaired; with Japanese sculptures, pair, wire stems with crystal leaves, largest is: 12”l, one leaf broken 150-250
307. Japanese noh mask, plaster, intricately 308. Japanese Gigaku mask, plaster; with a 309. Japanese noh mask, plaster, intricately sculpted and painted Tengu goblin, rope Asian mask papier maché, both intricately sculpted and painted Hannya ghost spirit, fastener, 8”w x 9”l 150-250 sculpted and painted, rope fasteners, largest rope fastener, 8”w x 10”l 150-250 is: 9”w x 12.5”l, chipping to both 150-250 53 www.treadwaygallery.com 310. Chinese vase, late 19th century, baluster 311. Chinese temple alter candlesticks, pair, 312. Chinese sculpture, c. early 20th century, form with a Famille Verde scene featuring c. 19th century, large forms in bronze with Kuan Yin standing on a dragon in a peacock on a white crackle ground, silver inlay, organic and geometric designs, intricately carved driftwood, unsigned, 8”w marked, completed with a wooden stand, unmarked, 6.5”w x 21”h 200-300 x 18.5”h 200-300 overall: 8.5”w x 18.25”h 250-350
313. Japanese wine canteen, c. early 20th century, 315. Japanese vase, 20th century, bulbous bulbous shape covered in a brown matte shape in yellow glass cased over white glaze with painted characters, braided rope glass, unmarked, 4”w x 8.25”h 150-250 handle, unmarked, 5”w x 7.5”h 100-200
314. Japanese candle stick, c. early 20th century, large wooden form with a square base, original finish, unmarked, 6.5”w x 24”h 200-300
316. Japanese vase, c. early 20th century, 317. Japanese vase, c. early 20th century unusual shape, covered in a white glaze, bulbous shape, unmarked, 3.5”w x 8”h, marked, 3”w x 4.5”h; with a Japanese hairline and chips to rim, restoration to foot; vase, c. 20th century, urn shape with ring with an Japanese bowl, c. early 20th century, handle accents, covered in a brown glaze, flaring shape, both covered in a blue matte 2.5”w x 4.25”h 150-250 glaze, marked, 5.5”w x 2”h 100-200
318. Chinese shelf, c. early 20th century, two-tiered 319. Bretby Delhi Ware jardiniere and pedestal,320. Interesting Chinese shelf, c. 20th century, rosewood form with carved accents, original maroon glaze covers an eastern and multi-tiered sculptural rosewood form, original finish, unmarked, 15”w x 8.5”h 150-250 dragon motif, jardiniere: 13”dia x 9”h, finish, unmarked, 25”w x 14.5”h 200-300 overall: 37”h, signed and numbered 1999A, 54 2000, very good condition 400-600 www.treadwaygallery.com 321. Arts & Crafts hall chairs, pair, possibly Hunzinger, in oak, tooled leather 322. Old Hickory rockers, pair, worn original splint back and seat, back with a classical scene, barley twist legs and spools, wear to seat, stripped finish, signed, some breaks to splint, 24.5”w x 31”d x 34.5”h, original finish, 23”w x 23”d x 41”h, very good condition 200-300 fair condition 200-300
323. Old Hickory style bar stool, woven seat 324. Arts & Crafts period armchair, barrel form 325. Old Hickory settee, designed by Russell and back supported by twig construction, with sculpted cut-out details, refinished, 22”w Wright, bow-arm form with a woven splint minor breaks to seat, 16.5”w x 16”d x x 23”d x 33”h, very good condition 200-300 seat and back, some breaks to splint, 43”h, seat height: 29.5”h, very good worn original finish, 42.5”w x 34”d x 32”h, condition 100-200 very good condition 300-500
326. Old Hickory table, attribution, #202, 327. Arts & Crafts curtain panel, linen with 328. Heywood Wakefieldsewing stand, woven rounded edges to top on a rustic cross- stylized roses climbing a trellis in red, rattan with applied decorations, original stretcher base, worn original finish, green and blue on a beige background, finish, signed with paper label, 16”w x 11”d unsigned, 30”w x 30”d x 30.5”h, very good 42.5” x 72”, very good condition 200-400 x 27”h, very good condition 100-200 condition 200-300 55 www.treadwaygallery.com 329. French Art Nouveau table, marble top 330. Arts & Crafts period Black Forest/Folk 331. Arts & Crafts plant stand, copper insert above an intricate brass and iron base Art planter, deeply carved grape and leaf held by a twisted and curled wrought iron with worn original paint, professional design on a pedestal base, original liner, base with wolf detail, 16”dia x 28”h, very repair to marble, 16”w x 12”d x 32”h, very original finish, 23”w x 14.5”d x 35”h, very good condition 100-200 good condition 500-700 good condition 300-400
332. Arts & Crafts benches, pair, in the manner of Rose Valley, carved details at back above a slab seat and lower stretcher, original finish, some separation, 51.5”w x 20”d x 33”h, very good condition 1000-1500
333. English Arts & Crafts table, 334. Good Arts & Crafts period bench, in curled wrought iron with an 335. English Arts & Crafts circular top over splayed upholstered seat, repainted, stains to fabric, 57.5”w x 15.5”d x footstool, original leatherette turned wood legs, original 29.5”h, very good condition 700-900 seat on turned legs, original finish, 33”dia x 24”h, very good finish, 13.5”w x 13.5”d x 14”h, condition 100-200 very good condition 100-200 56 www.treadwaygallery.com 336. Good Architectural chandelier, and four sconces designed for the formal dining room of Kingswere, Homer Minnesota. Seven light fixture in brass with a hunting motif of arrows and horns with original decorative chains, four matching two light sconces, E.L. King commissioned Philip Maher the son of famed Prairie School and Rockledge architect George Washington Maher to build Kingswere as a wedding gift to his daughter, original patina, chandelier: 29"w x 54"h, sconce: 11"w x 22"h, very good condition 3500-4500
337. Arts & Crafts floor lamp, mica shade 338. Oscar Bach style planter, in brass with 339. French Art Nouveau floor lamp, art glass with overlay decoration on a wrought grape vine design, unsigned, 11”dia x 44”h, shade supported by a wrought iron base with iron base, 14.5”dia x 66.5”h, very good very good condition 300-400 applied leaf design, 11”w x 68.5”h 700-900 condition 600-800 57 www.treadwaygallery.com 340. Frank Lloyd Wright end 342. Frank Lloyd Wright end table, manufactured by table, manufactured by Heritage Henredon, open 341. Luxfer prism window, 100 prisms held together with leaded Heritage Henredon, open storage above two drawers glass, twenty Frank Lloyd Wright designed-prisms make up storage surrounds a single with recessed handles, the central border, some leaded segments bowed at end, drawer with recessed Taliesin design at edges, glass: 37.5”w x 39.5”h, very good condition 500-700 handles, Taliesin design at original finish, some edge edges, original finish, distress chips, script signature, 20”w to top, script signature, x 20”d x 25.5”h, very good 21.5”w x 18”d x 25.5”h, very condition 600-800 good condition 500-700
343. Frank Lloyd Wright 345. Arts & Crafts period Wasmuth print, Plate IL, photograph, “Mission San exterior elevation for the Juan Capistrano,” image City National Bank, Mason 344. Frank Lloyd Wright Wasmuth print, Plate XXX, size: 20” x 14”, held in a City, Iowa, 1909, embossed exterior elevation for the Edwin H. Cheney Residence, period frame 300-400 monogram, image: 16” x Oak Park, Illinois, 1903, embossed monogram, image: 13.5”, overall: 26.5” x 22”, 10” x 21”, overall: 24” x 31.5”, framed 400-600 framed 300-500
346. Luxfer prism window, 100 prisms held 347. Prairie School windows/cabinet doors, pair, 348. Luxfer prism window, 100 prisms held together with leaded glass, twenty Frank geometric design in leaded glass, held in together with leaded glass, twenty Frank Lloyd Wright designed-prisms make up oak frames, glass: 15.5”w x 37.5”h, overall: Lloyd Wright designed-prisms make up the central border, glass: 40”w x 39”h, 20”w x 43”h, very good condition 500-700 the central border, one signed Luxfer, very good condition 500-700 glass: 39.5”w x 39.75”h, very good condition 500-700 58 www.treadwaygallery.com 349. Frank Lloyd Wright dining chairs, set of six, manufactured by Heritage Henredon, Taliesin design at edges with back and seat cushions recovered in Schumacher fabric, Coonley Weave pattern, original finish, some chairs have been reinforced with brackets, 21”w x 22”d x 32”h, very good condition 1200-1500
350. Frank Lloyd Wright armchairs, pair, manufactured by Heritage Henredon, Taliesin design at edges with back and seat cushions nicely reupholstered in Schumacher fabric, Coonley Weave pattern, original finish, reinforced with brackets, 22”w x 22”d x 32”h, very good condition 600-800
352. Louis Sullivan door knob and back plate, from the Chicago Stock Exchange Building, c. 1893, organic Prairie design with Stock Exchange monogram 351. Frank Lloyd Wright table, manufactured by Heritage Henredon, circular at bottom of doorplate, with top with incised copper band over a cruciform base with Taliesin design at key-hole cut-out, original patina, edges, three original 16” leaves with copper band and apron, worn original 3.5”w x 9.5”h 600-800 finish, script signature, 48”dia x 29”h, very good condition 1500-2000
353. Prairie School spindle, in 354. Frank Lloyd Wright stool, manufactured by Heritage Henredon, 355. Louis Sullivan door knob and mahogany, carved organic circular swivel top on a cruciform base, nicely reupholstered in back plate, from the Chicago design with Louis Sullivan Schumacher fabric, Imperial Crystals pattern, unsigned, numbered, Stock Exchange Building, c. influence converted to a candle original finish, 18”dia x 18”h, very good condition 700-900 1893, organic Prairie design stand, 7”dia x 36”h 300-400 with Stock Exchange monogram at bottom of doorplate, original 59 www.treadwaygallery.compatina, 3.5”w x 9.5”h 600-800 356. Hamadan rug, c. 1950, floral 358. Sarouk rug, c. 1940, floral design on a red field, some design on a red field, minor wear, 104” x 136”, very good wear, 103” x 142”, very good condition 800-1200 357. Frank Lloyd Wright chest of drawers, manufactured by Heritage condition 1500-2000 Henredon, a series of drawers and doors with recessed handles, Taliesin design at edges, original finish, signed with red monogram, some edge chips, 36.5”w x 26”d x 52.5”h, very good condition 1200-1500
359. Frank Lloyd Wright desk, manufactured 360. Frank Lloyd Wright dual table, 361. Frank Lloyd Wright cabinet, manufactured by Heritage Henredon, top with Taliesin manufactured by Heritage Henredon, Taliesin by Heritage Henredon, paneled top above design at edges above a series of drawers design at edges, fits knee-hole compartment two doors with recessed handles on a with recessed handles, signed with red of desk, worn original finish, edge chips, base with Taliesin design at edges, script monogram, good original finish, minor unsigned, 24”w x 19”d x 24”h, very good signature, original finish, 31”w x 17”d x 25”h, roughness and chips, 52”w x 20”d x 28”h, condition 700-900 very good condition 1000-1500 very good condition 2000-3000
362. Caucasian runner, c. 1920, 363. Frank Lloyd Wright headboard, manufactured by Heritage 364. Persian Sarouk runner, c. stylized floral design on a navy Henredon, full-size with Taliesin design at edges, original finish, 1920, floral design on a red field, some wear and repairs, script signature, 54”w x 39”h, very good condition 400-600 field, minor wear, 29” x 78”, possibly shortened, 32” x 202”, very good condition 500-700 60 good condition 700-900 www.treadwaygallery.com 365. Moroccan rug, c. 1950, floral and animal motif on a tan field, some wear, 60” x 103”, good condition 400-600
366. Frank Lloyd Wright ottoman, manufactured by Heritage Henredon, hexagonal form with Taliesin design to base, nicely reupholstered in Schumacher fabric, Imperial Crystals pattern, original finish, signed with paper label, 27.5"w x 29.5"d x 17"h, very good condition 900-1200
367. Frank Lloyd Wright table, manufactured by Heritage Henredon, 368. Agra rug, c. 1960, floral design on an ivory field, 97” x 99”, very good square top with Taliesin design at edges above a cube base, original condition 1000-1500 finish, signed with red monogram, 27”w x 27”d x 13”h, very good condition 900-1200
369. Sumak rug, c. 1940, floral pattern on a navy field, repairs, wear and damage, 77” x 126”, good condition 1000-1500
370. Frank Lloyd Wright table, manufactured by Heritage Henredon, circular slate top on a cruciform base with Taliesin design at edges, recoated original finish, signed with red monogram, 36”dia x 16.5”h, very good condition 2500-3500
61 www.treadwaygallery.com 61 372. Arts & Crafts period planter, in woven wicker with painted diamond detail, original finish, 50”w x 13”d x 28”h, very good condition 200-300
371. Arts & Crafts period 373. Old Hickory armchair, paddle- armchair, in bent willow with arm form on a base with twig spindled back and sides, construction, needs cushions, replaced cushions, repainted branded signature, original 28”w x 35”d x 31”h, very finish, 33”w x 28”d x 32”h, very good condition 200-300 good condition 200-300
374. Heywood Wakefield game set, table and four chairs, chairs with woven back above a seat with inset woven cane seat, brass feet, 14.5”w x 18”d x 28”h, table with circular oak top above a woven cross-stretcher base with brass feet, refinished top, signed with paper label, 42.5”dia x 30”h, very good condition 700-900
375. Art Nouveau music stand, in mahogany, 376. Karabagh rug, c. 1940, stylized floral 377. Arts & Crafts period table, Aesthetic four open shelves on a carved base, 22”w x design on a navy field, some wear, Movement influenced, in walnut, with stick 18”d x 30.5”h, very good condition 300-400 47” x 85”, good condition 400-600 and ball design at sides and brass feet, original finish, 26”w x 17”d x 28.5”h, very good condition 300-500 62 www.treadwaygallery.com 378. European Arts & Crafts corner desk, 379. Thonet rocker, bentwood form in beech, 380. Thonet hall tree, bentwood form with two probably Austrian, in mahogany, bevel-glass original finish with minor breaks to cane, 22”w posts, mirror missing, refinished, some cabinet door above a drop-front writing x 35”d x 35”h, very good condition 300-400 restoration and warping, 57”w x 18”d x desk with complete interior, original brass 75”h, very good condition 500-700 hardware and trim, refinished, 40”w x 21”d x 68”h, very good condition 700-900
381. French Art Nouveau armoire, knock-down form with two carved 382. English Arts & Crafts sideboard, two drawers with original brass doors flanking a central mirrored door with beveled glass, cleaned hardware above two cabinet doors with Art Nouveau carving, original finish, replaced shelves to interior, 56.5”w x 18”d x 80.5”h, refinished, back gallery missing, 48”w x 17.5”d x 37”h, very good some roughness, very good condition 400-600 condition 400-600 63 www.treadwaygallery.com57 383. L.C. Tiffany turtle-back tile, gold favrile 385. Tiffany Studios box, bronze in the pine glass with overall iridescence, unmarked, needle pattern, green and white glass, 4.5”w x 6”l 500-700 original patina, unmarked, 8”sq x 2.75”h, crack to bottom glass panel, repaired damage to beading on lid 700-900
384. Good Muller Freres chandelier, central domed shade with three surrounding art glass hanging shades suspended on French wrought iron hanging fixture with an intricate grape and vine motif and decorative ceiling plate, shades signed, 25”w x 37”h, excellent condition 2000-3000
386. Gustav Klimt (Austrian, 1862-1918), 387. Gustav Klimt (Austrian, 1862-1918) from 388. Gustav Klimt (Austrian, 1862-1918), second edition 1931, issued by the the first edition portfolio, “Portrait of Sonja second edition 1931, issued by the Austrian Austrian government, "Friederike-Maria Knips,” 1908-1914, halftone, signed with government, "The Bride," 1917, collotype, Beer," collotype, No. 24, signed, image: signet, 12”sq 1000-1500 No. 30, image: 10.5" x 12.5" 1200-1700 12.5" x 9.5" 2500-3500
389. French centerpiece, Schneider glass insert held in a by a wrought iron basket with grape and leaf design, 21”w x 12”d x 10”h 800-1200
390. French Art Deco clock and two garnitures, in spelter with a worn patina, on a marble base, garnitures with Peacock motif, signed P. Sega, 6”w x 11”h, clock: 20”w x 12.5”h, very good condition 1000-1500 64 64 www.treadwaygallery.comwww.treadwaygallery.com 391. L.C. Tiffany glass, miniature form in gold 393. L.C. Tiffany glass, gold favrile glass with favrile glass with applied tendrils, overall faceted base and a pulled design, overall iridescence, #D2447, 1.5”w x 2.25”h 250-350 iridescence, signed L.C.T., 3”w x 4”h 250-350
392. Rene Lalique “Bacchantes” vase, female nudes in clear glass, signed R. Lalique, France, 8”dia x 10”h excellent condition 4000-6000
395. Lalique bottle stopper, frosted glass with thorny branch design, marked, 2”w x 1.5”l 100-200
394. L’Verre Francais vase, cameo cut stylized 397. Durand vase, attribution, blue aurene fuchsia design in red and blue against a glass with pulled leaf designs in platinum, mottled yellow and green background, colorful iridescence, unmarked, 3.5”w x marked, 4”w x 10”h 1000-1500 9”h 500-700
396. L.C. Tiffany jewels, all in colorful iridescent favrile glass, unsigned, largest is: 1.25”w 100-200
398. Trevaise vase, attribution, floral shape in 399. L.C. Tiffany vase, double gourd 400. Gallé vase, bulbous shape with a cameo gold glass with pulled iridescent designs, shape in gold favrile glass, #x2821, and enameled fuchsia design in pink and marked with a Steuben label, 5”w x 14”h, 4”w x 9”h 900-1200 green on a frosted and blue ground, cameo c. 1908 1000-1500 signature, 4.5”w x 13.5”h 1700-2200 65 www.treadwaygallery.com 402. Amphora vase, female portrait in a landscape, marked, impressed number 108, 6.5”dia x 10.75”h 1000-1500 401. Exceptional Amphora vase, monumental 403. Royal Doulton vase, bulbous bottle shape with a bulbous bottom, spiraling shape, covered in a red and blue veined neck and four openings at waist, boldly flambé glaze, marked, #1618, 7.5”w x painted stylized leaves and berries, overall 10”h 800-1100 iridescence, marked, #3963, 9.5”w x 16”h, this vase is pictured in House of Amphora, by Richard Scott, p. 209 400-600
405. Ludwig R. Schutz vase, German, c. 1895, flaring shape, covered in a cobalt glaze with an acid etched design of the sun rising over a body of water, pewter mounts attributed to Orion, unmarked, 4”w x 7.75”h 400-600
404. Moorcroft bowls, two, green and blue, 407. Moorcroft handled vessel, speckled impressed mark, 8.75”w 150-250 blue, impressed mark, 5”w x 5.5”h; with a Moorcroft vase, flambé red, impressed mark, 4”w x 6”h 100-200
406. Amphora vase, double handled form with an organic design, #5625, 9”w x 7”h 150-250
408. Moorcroft vase, large flaring shape, 409. Moorcroft vase, decorated with poppy 410. Large Moorcroft vase, decorative poppy decorated with pomegranate design, design, impressed mark and painted design, impressed mark and painted impressed mark, painted signature, 7”w x initials, 4.5”w x 6”h 200-300 initials, 7.5”w x 12.5”h 700-900 10”h 600-800 66 www.treadwaygallery.com 411. L.C. Tiffany teacups, set of six, gold favrile glass with pulled designs, overall iridescence, all signed L.C. Tiffany- Favrile, #V698, all 4”w x 2.5”h 2000-3000
412. L.C. Tiffany bowl, frosted and turquoise 413. L.C. Tiffany glasses, two, in gold favrile 414. Steuben shade, large form in gold glass favrile glass with applied designs and glass, overall iridescence, one signed with a Intarzia design at bottom edge, overall veining to rim, signed L.C.T.-Favrile, L.C.T., 3"w x 4"h 250-350 iridescence, marked, 10"dia 2000-3000 #1925, 6.5”w x 2”h 250-350
415. Durand shades, set of seven, glass shades with leaf design, 416. L.C. Tiffany cordial glasses, set of six, gold favrile glass with overall unsigned, 4”dia x 4.5”h 500-700 iridescence and enameled monogram, one signed L.C.T., some marked either C73O, C717 or C74O, each: 2"w x 3.5"h 2000-3000
417. Daum vase, unusual form, cameo 418. Unusual L.C. Tiffany vase, pinched gourd 419. Loetz vase, folded rim in mottled yellow grapevine designs, in green and brown form in gold favrile glass with overall iridescent glass, 11”h 350-450 against a mottled purple and frosted ground, iridescence, signed L.C. Tiffany Favrile, cameo signature, 6”w x 11”h 1500-2000 #W5203, 4.5"h 500-700
67 www.treadwaygallery.com 420. Monumental Daum vase, intricate and 421. Good Gallé vase, elegant bulbous shape 422. Large Gallé vase, impressive form beautifully cut cameo landscape design, rising from a solid foot, cameo cut delicate featuring a beautifully detailed cameo the black and dark green trees are blossoms and intricate leaf patterns in cut river landscape in multiple shades of silhouetted against an intense mottled red, red and burgundy tones, on a frosted to brown, against finely toned background yellow, orange, green and blue ground, yellow ground, cameo signature, 2.5”w x of yellow with pink highlights, cameo signed, 6.5"w x 22.25"h 4000-5000 8”h 1200-1700 signature, 9”w x 19.5”h 3000-4000
423. Fine Daum vase, bulbous Art Nouveau 424. “Art et Décoration” book, (one page 425. Gallé vase, unusual and nicely executed shape featuring unusual and interesting shown), various articles and photographs of cameo cut design of wild roses, in cameo and enameled cotton plants in French art and decorative arts, title page and reds and purples on a frosted to yellow multiple shades of brown with green copyright information missing, approximately background, impressed signature, 4.25”w highlights, behind the decoration is a nicely 160 pages, hardcover 50-100 x 14.5”h 2000-3000 mottled frosted and brown ground with a finely hammered surface, signed, 5.25”w x 17”h 3000-4000
68 www.treadwaygallery.com 426. Tiffany Studios twelve-light lily lamp, twelve favrile glass lily shades supported by a gold doré base with lily pads, base signed Tiffany Studios New York, #382, three shades signed LCT, nine shades signed LCT Favrile, 14”w x 15”d x 21”h 30,000-40,000
427. L.C. Tiffany bowl and flower frog, large form in gold favrile glass with a pulled green leaf design, bowl signed Louis C.Tiffany Furnaces Inc. Favrile, #1790/4759N, flower frog signed L.C. Tiffany Inc. Favrile, #4759N, overall: 11.5”w x 5”h, minor chips 900-1200
428. Edouard Cazaux charger, nude figure at center in white against a brown and ivory ground with incised geometric designs, signed, 11.5”w 1500-2500 69 www.treadwaygallery.com 429. Tiffany Studios lamp base, in bronze 430. Charles Lotton lamp, red glass base 431. Tiffany Studios lamp base, three-light lily, with a gold doré patina and a colorful and shade with a pulled peacock feather in bronze with a gold doré patina, signed enameled design, signed Tiffany design, in gold iridescence, signed, 1993, Tiffany Studios, New York, #306, 6”w x Furnaces, Inc., #18, 6"w x 14”h 800-1100 18"w 23"h 3500-4500 16.5”h 900-1200
432. Tiffany Studios lamp base, bronze with an original patina, in the Zodiac pattern, signed Tiffany Studios, New York, #661, 9.5”w x 12.5”h 800-1100
433. Tiffany Studios floor lamp base, bronze 434. Tiffany Studios lamp base, bronze with 435. Tiffany lamp base, harp form with a three-footed form, original patina, signed a leaf design, original patina, signed bronze acid-etched finish, signed Tiffany Tiffany Studios, New York, #423, 15”w x Tiffany Studios, New York, #426, 5.5”w x Studios New York, numbered 423H, 54”h 1000-1500 10”h 800-1100 14.5”w x 58”h 1500-2500 70 www.treadwaygallery.com Fine American and European Paintings, Fine Prints and Works on Paper Session Two immediately following Session One
436. Mariano José María Bernardo Fortuny y Carbó (Spanish, 1838-1874) “Street Scene,” c. 1860, oil on canvas, 9.5” x 6.5”, signed lower left, framed 8000-10,000
71 www.treadwaygallery.com 437. Louis Lartigau (French, 19th/20th century) 438. Arthur Burdett Frost (American, 1851- 439. Charles T. Webber (American, 1825- “Chickens,” c. 1920, oil on canvas, 12.75” x 1928) “Man Reading the News,” c. 1900, 1911) “Ohio Landscape,” c. 1900, oil on 16”, signed lower right, framed 800-1200 watercolor and gouache, 14.25” x 11”, canvas, 19.5” x 25”, signed lower right, signed lower left, framed 500-700 Getz-Brown Gallery, Cincinnati label on verso, framed 600-800
440. After Antoine-Louis Barye (French, 1796-1875) “Elk,” c. 1900, bronze sculpture, 14”h, signed, held on a marble base 1000-2000
441. Charles Edward Dixon (British, 1872-1934) “Steamboats,” 1890, 442. William Manners (British, 1874-1955) “Solitude,” c. 1900, oil on board, watercolor, 18.5” x 39.5”, signed and dated lower left, framed 500-700 8” x 12”, signed and dated indistinctly lower right, framed 400-600
72 www.treadwaygallery.com 443. George Henry Hall (American, 1825-1913) “Roses,” 1897, oil on canvas on board, 15” x 8”, signed and dated lower right, framed 3000-5000
444. Artist Unknown (American, 19th 445. Jacques Villon (French, 1875-1963) 446. Jacques Villon (French, 1875-1963) “La century) “Portrait of a Gentleman,” c. “Study of a Carriage” and “Studies of Dame au Chien (Madame Villon),” 1906, 1880, oil on canvas, 24” x 19”, unsigned, Horses,” 1896, graphite on paper, images etching and drypoint, 9.5” x 8.5”, signed in framed 400-600 on both sides of sheet, 8.5” x 5”, signed plate, unframed 400-600 and dated lower left, framed 500-700 Reference: Ginestet & Pouillon 156
73 www.treadwaygallery.com 447. Charles Alfred Meurer (American, 1865-1955) “Winter Landscape,” 448. Victor Casnelli (American, 1868-1961), “Landscape with Hunter,” 1950, oil on canvas, 23.5” x 30.5”, signed and dated lower right, c. 1940, watercolor, 7” x 12”, signed, framed 300-500 framed 800-1200
449. Svend Rasmussen Svendsen (Norwegian/American, 1864-1945) " 450. Svend Rasmussen Svendsen (Norwegian/American, 1864-1945) "Nocturnal Forest," c. 1910, oil on canvas, 24" x 17.5", signed lower "Winter Landscape," c. 1900, oil on canvas, 32" x 24", signed lower right, framed 400-600 right, framed 800-1200
451. Paul André Jean Eschbach (French, 452. Victor Joseph Harles (American, 1894- 453. L. Clarence Ball (American, 1858- 1881-1961) “Winter Scene,” c. 1940, oil 1975) “Winter Landscape,” 1946, gouache 1915) “On the Kankakee River,” c. 1900, on board, 21.5” x 19.5”, signed lower right, on paper, 21.5” x 15”, signed and dated watercolor, 15.5” x 21”, signed lower right, framed 500-700 lower left, framed 500-700 framed 500-700
74 www.treadwaygallery.com 454. Harry Spiers (American, 1869-1947) “Lion Statues,” 1901, oil on 455. Harry Wallace Methven (American, 1864-1947) “The Lone board, 19” x 27”, signed and dated lower left, framed 1000-2000 Fisherman,” 1895, oil on canvas, 12” x 16”, signed lower right, framed 1500-2000 Literature: Chicago Modern, 1893-1945: Pursuit of the New, Terra Foundation for American Art, 2004, edited by Elizabeth Kennedy, p. 29, illustrated
456. Louis Oscar Griffith (American, 1875-1956) “Pumpkin Flowers,” c. 1940, oil on canvas, 24” x 20”, signed lower left, titled on stretcher, framed 3000-4000
457. Louis Oscar Griffith (American, 1875-1956) “Beach with 458. Louis Oscar Griffith (American, 1875-1956) “The Clearing in Sailboats,” c. 1908, oil on canvas on board, 5.5” x 8”, initialed lower Autumn,” c. 1930, oil on canvas on board, 10” x 13”, signed lower left, framed 1200-1500 left, framed 1500-2000 Provenance: Estate of the Artist 75 www.treadwaygallery.com 460. Louise Mary Wahl Kamp (American, 1867-1959) “Landscape,” c. 1940, oil on canvas board, 15.5” x 19.5”, signed lower left, framed 700-900
459. Sara Mae Hess (American, 1875-1960) “Spring in the Hills,” c. 1930, oil on board, 12” x 16”, signed lower right, titled on verso, framed 800-1200
461. Reinhold H. Palenske (American, 1884-1954) “Heading South,” c. 1930, graphite on paper, 9” x 10”, signed lower right, titled lower left, framed 200-400
462. Harry Leon Engle (American, 1870-1968) “Wood Nymph,” c. 1930, oil on board, 9.5” x 10.5”, signed lower right, framed 700-900
463. William Ballantine Dorsey (American, b. 1942) “Landscape,” c. 1990, oil on canvas, 14” x 18”, signed lower right, framed 1500-2500
76 www.treadwaygallery.com 464. Walter Joseph Phillips (Canadian, 1884-1963) “Landscape,” c. 1940, oil on paper, 43.5” x 46.5”, signed lower right, framed 10,000-15,000
465. Ignac Konrad (French/Hungarian, 1894-1969) “High Time by 466. Carl Rudolph Krafft (American, 1884-1938) "Landscape," c. 1930, oil on Ultimus-Noonday,” 1929, oil on board, 15” x 18”, signed lower right, canvas, 15.5" x 19.5", signed lower left with thumbprint, framed 2000-3000 framed 1500-2500
77 www.treadwaygallery.com 468. Hugó Scheiber (Hungarian, 1873-1950) “Portrait of a Standing Boy,” c. 1930, oil on canvas, 26.5” x 21”, signed lower left, framed 2000-4000
469. Dorothy Hart Drew (American, 1910-1994) “Standing Nude,” c. 1950, oil on canvas, 60.75” x 37”, signed upper right, unframed 3000-4000
467. Marie Laurencin (French, 1885-1956) “Les Trois Jeunes Filles,” c. 1920, graphite on paper, 13.5” x 9.5”, initialed lower right, framed 8000-10,000
This lot is accompanied with a certificate of authenticity by Jean- Pierre Camard
470. Luvena B. Vysekal (American, 1873-1954) “Sonia, Russian Model,” c. 1930, oil on canvas, 29” x 27.25”, signed lower right, titled on verso, framed 2000-3000 Literature: This painting will be included in the forthcoming Maureen Saint Laudens, Emerging from the Shadows: California Women Artists Works 1860-1960 78 www.treadwaygallery.com 471. Pauline Palmer (American, 1867-1938) "The Precious Jewel," c. 1936, oil on canvas, 32" x 26", signed lower left, titled on original exhibition label on verso from the Arts Club of Chicago Annual Exhibition, 1936, remnant of Provincetown Artist Association exhibition label on verso, framed 6000-8000
472. Maurice Sterne (American, 1878-1957) 473. John D. Graham (Ukranian/American, 474. Jan Matulka (American/Czech, 1890- “Balinese Nude,” c. 1930, charcoal on 1886–1961) “Sandy (Alexander Calder),” 1972) “Seated Woman,” c. 1930, crayon paper, 20” x 16”, estate stamped lower 1928, graphite on paper, 7.5” x 5”, on wove paper, 17” x 14”, pencil signed right, framed 600-800 signed “John Graham by David Burliuk,” lower right, estate stamped on verso, framed 2000-4000 unframed 1200-1500 Provenance: Sylvan Cole Gallery, New York
79 www.treadwaygallery.com 475. Mané-Katz (French/Ukrainian, 1894-1962) “Fiddler,” c. 1950, bronze sculpture with black patina, 14”h, signed, held on a marble base 1500-2500
476. Palmer Z. Holmes (American, 1896- 477. Robert Bartholomew Harshe (American, 478. Henry Gilbert De Kruif (American, 1882- 1955) “Wash Day,” c. 1940, oil on 1879-1938) “Nude on Bed,” c. 1930, oil 1944) “Woman Washing,” c. 1930, oil on masonite, 25.5” x 35.5”, signed lower left, on board, 21.5” x 28”, signed lower right, canvas board, 8.5” x 11.75”, signed lower framed 600-800 framed 1500-2500 right, framed 400-600
479. Richard Hayley Lever (American, 1876- 1958) “Seated Nude,” 480. André Lhote (French, 1885-1962) “Seated Nude,” c. 1930, graphite 1939, charcoal on paper, 24” x 13.5”, signed and dated lower right, on paper, 19” x 14”, signed lower right, framed 2500-3500 unframed 200-400 80 www.treadwaygallery.com 481. After Marcel Debut (French, 1865-1933) “Ducks,” c. 1930, bronze sculpture, 17”h, signed, held on a marble base 1000-2000
482. Herbert Reynolds Kniffin (American, 1886-1970) “The Dories,” c. 1916, oil on canvas, 40” x 50”, signed lower right, titled on Associated Artists of Pittsburgh 7th Annual Exhibition label on verso, framed 4000-6000
483. Herbert Reynolds Kniffin (American, 1886-1970) “Paris,” c. 1915, 484. Herbert Reynolds Kniffin (American, 1886-1970) “Moonlit oil on canvas board, 6” x 8.75”, signed lower right, framed 400-600 Harbor,” c. 1920, oil on canvas, 25.25” x 30.25”, signed lower left, framed 1000-2000 81 www.treadwaygallery.com 485. Lawrence McConaha (American, 1894-1962) “Quai du Commerce, 486. Harry Freckelton (American, 1890-1979) “On the River Soar,” c. Papette, Tahiti,” c. 1930, oil on canvas, 19.5” x 23.5”, signed and 1950, oil on canvas, 25” x 29.5”, signed lower left, framed 1500-2500 indistinctly dated lower right, framed 1500-2500
487. Vern Broe (American, b. 1930) “Catboats,” 488. Henry J. Winslow (American, 1874-1953) 489. Emile Albert Gruppe (American, 1896- 1987, oil on canvas board, 17.5” x 27.5”, “The Outer Shore, Cape Cod,” c. 1930, 1978) “New England Town,” c. 1940, signed lower right, Miller Gallery label on watercolor and gouache on paper, 5.5” colored pencil on paper, 9.25” x 12.5”, verso, Cincinnati, framed 800-1200 x 9.25”, signed lower right margin, titled signed lower right, framed 600-800 lower left, framed 200-400
490. Luigi Maria Galea (Maltese, 1847-1917) “Castle in Malta,” c. 1900, oil on board, 8.5” x 21.5”, signed, titled indistinctly on verso, framed 1500-2500 82 www.treadwaygallery.com 492. Hildegarde Hume Hamilton (American, 1898-1970) “Village on the River,” c. 1940, oil on canvas, 15” x 18”, signed lower right, unframed 600-800
493. Karl Albert Buehr (American, 1866-1952) “Market Scene,” c. 1915, oil on canvas, 10” x 12”, initialed on verso, framed 1500-2500
Provenance: Gift of the artist to his wife, Mary Hess Buehr By descent to the artist’s niece, daughter of Will Hess David Saltzman Robert Henry Adams Fine Art, Chicago Acquired by the present owner from the above
491. Boris Izrailovich Anisfeld (Russian, 1879-1973) “Marushka or Morella (The Artist’s Daughter),” 1940, watercolor, 28.5” x 21”, signed and dated lower left, framed 8000-10,000
494. Arisztid Szendy (Hungarian, 1903-1972) “Market Scene,” c. 1960, oil on canvas, 19.5” x 27”, signed lower right, framed 500-700 83 www.treadwaygallery.com 495. Stuart Davis (American, 1892-1964) “Rooftops,” 1917, graphite on paper, 11” x 10.5”, signed and dated lower left, framed 3000-4000
496. Lucy Carter Eliot (American, 1913- 497. Harry Gottlieb (American, 1895-1992) 498. Lucy Carter Eliot (American, 1913-2010) 2010) “Go Rayhill/Syracuse Storefronts,” “Untitled,” 1930, mixed media on paper, “South 68th Street #1,” c. 1970, oil on c. 1997, oil on canvas, 41.5” x 32.5”, 14.75” x 18.25”, signed and dated lower canvas, 47” x 42”, signed lower right, titled signed lower right, winner of the Elizabeth right, framed 500-700 on period label on verso, framed 700-900 Erlanger Memorial Award, 79th Annual Exhibition, 1997, with exhibition label on verso, framed 700-900
Freeman is best known for his work as an illustrator. In addition to being an illustrator he was an accomplished painter and print maker. Freeman studied print making at The Arts Student League under the tutelage of John Sloan. His work has been exhibited in the Philadelphia Print Club, The Art Institute of Chicago and the Pennsylvania Academy of Fine Arts.
499. Don Freeman (American, 1908- 500. Don Freeman (American, 501. Don Freeman (American, 502. Don Freeman (American, 1908- 1978) “Just a Rough Sketch 1908-1978) “Building 1908-1978) “Pay Day,” c. 1978) “Airplane Builders,” c. 1940, of the Body Builders,” c. 1940, Ships,” c. 1940, gouache 1940, gouache on board, gouache on board, 20” x 30”, signed gouache on board, 20” x 30”, on board, 30” x 20”, 20” x 30”, signed lower right, lower right, unframed 400-600 signed lower right, titled along signed lower right, unframed 500-700 right edge, unframed 500-700 unframed 400-600 84 www.treadwaygallery.com 503. John Marin (American, 1870-1953) “New York Skyline, Lower Manhattan from the Bridge,” 1912, watercolor and pencil, 10.25” x 12”, signed and dated lower right, titled on period label on verso, Kennedy Galleries Inc. label on verso, framed 30,000-60,000 Provenance: Estate of the artist Kennedy Galleries, New York Acquired by the present owner from the above Literature: Sheldon Reich, John Marin: A Stylistic Analysis and Catalogue Raisonne, Tucson, Arizona, 1970, no. 12.50, p. 370, illustrated
504. John Marin (American, 1870-1953) “Study of Mid-Manhattan II,” c. 1932, oil and graphite on board, 10” x 8”, signed lower right, framed 10,000-15,000 Provenance: Kennedy Galleries, New York Christie's, New York Private Collection Acquired by the present owner from the above This work is one of a series of studies for the finished painting “Mid-Manhattan No. II,” as illustrated in Sheldon Reich’sJohn Marin Drawings 1886-1951 (Salt Lake City, University of Utah Press, 1969), figures 57-60 85 www.treadwaygallery.com 505. Louis Phillipe Grumieaux (Belgian/American, 1872-1953) “Still Life,” 1942, oil on canvas, 20” x 33.25”, signed and dated lower right, unframed 800-1200
506. Ida Marie Perrault (American, 1872-1929) “Still Life,” c. 1910, oil on canvas, 14.5” x 21”, signed lower right, framed 3000-5000
507. Trude Schullerus (German, 1889-1981) “Still Life,” c 1960, oil on 508. Victor Petry (American, early 20th century) “Symphony,” c. 1923, oil canvas, 17.5” x 23”, signed lower right, framed 400-600 on canvas, signed lower right, 27” x 37.5”, framed 200-400
86 www.treadwaygallery.com 509. Boris Izrailovich Anisfeld (Russian, 1879-1973) “Colorado Mountain,” c. 1930, watercolor, 21.5” x 29”, signed lower right, framed 3000-5000
510. Thomas Moran (American, 1837-1926) "Pink Terraces, Mammoth Hot Springs Gardiners River," "Great Blue Spring, Lower Geyer Basin," "Grand Canyon of the Yellowstone River," and "Castle Geyser and Beautiful Spring, Upper Geyser Basin," published c. 1880, group of four chromolithographs, each: 4.5" x 7.5", unsigned, titled in margin, framed 4000-6000
87 www.treadwaygallery.com 511. Carl Schmidt (American, 1885-1969) “Mountain and Desert Landscape,” c. 1950, oil on board, 29.5” x 35.5”, signed lower right, framed 800-1200
512. Eliot O’Hara (American, 1890-1969) “Pardinas, Pyrenees Village,” 513. Leonard Howard Reedy (American, 1899-1956) “Indian and Bison,” 1959, watercolor, 15.5” x 21”, signed and dated lower right, titled on c. 1940, watercolor, 8” x 11”, signed lower right, framed 400-600 Doll & Richards, Inc., Boston label on verso, framed 200-400
514. Eduard Buk Ulreich (American, 1889-1966) "Cartoon for New Rockford, North Dakota Mural - Advance Guard of the West," 1940, watercolor with gouache, 65" x 143.5", signed and dated lower right, unframed 800-1200 88 www.treadwaygallery.com 515. William C. Grauer (American, 1896-1985) “Almeria Enclosed Home,” 516. William C. Grauer (American, 1896-1985) “Arizona Rock Forms,” c. 1960, 1960, oil on masonite, 25” x 16.5”, signed lower right, framed 700-900 oil on masonite, 23.75” x 23.75”, signed lower right, framed 800-1200
517. William C. Grauer (American, 1896- 518. William C. Grauer (American, 1896- 519. William C. Grauer (American, 1896-1985) 1985) “Untitled (Cacti and Mexicans),” 1985) “Mexican Apartments,” c. 1950, “Untitled (Buildings, Mexico),” 1950, ink and c. 1950, ink and watercolor, 8.5” x 11”, watercolor, 8.75” x 11.5”, estate stamped, watercolor on Morilla board, 18.75” x 23.75”, signed lower right, unframed 300-500 unframed 200-300 signed lower right, unframed 500-700
Born in Philadelphia, Grauer was an active painter and teacher until his death at 89 years old. Grauer trained at the Philadelphia School of Industrial Design. In 1920 he relocated to Cleveland where he opened his own studio and became well known as a muralist. He created murals for the Cleveland Builders Exchange (1928), the Greenbrier Hotel in White Sulphur Springs, West Virginia (1932), the Century of Progress Exhibition in Chicago (1933) and the New York World's Fair (1939). Grauer is in numerous collections including The Cleveland Museum of Art, the Whitney Museum of American Art in New York and the Smithsonian Institution in Washington D.C.
520. William C. Grauer (American, 1896-1985) “Veiled Figures,” c. 1950, watercolor, 19” x 24.5”, signed lower right, framed 1000-1500 89 www.treadwaygallery.com 521. Jorge Luis Cuevas (Mexican, 20th century) “Nude,” 1977, bronze sculpture with black patina, 14.5”h, signed and dated, edition of thirty, held on a wood base 4000-6000
522. Jorge Luis Cuevas (Mexican, 20th century) “Nude,” 1982, bronze sculpture with black patina, 8.5”h, signed and dated, edition IXX 1500-2500
90 www.treadwaygallery.com 523. Felipe Castañeda (Mexican, 1933) “Desnudo Sentada,” 1982, bronze sculpture with green patina, 16.5”h, signed and dated, edition II/VII, held on a wood base 6000-8000
524. Manuel Felguérez (Mexican, b. 1928) “Untitled,” 1957, oil on canvas, 21” x 39.5”, signed and dated upper left, framed 5000-7000
525. Diego Rivera (Mexican, 1886-1957) “Woman with Basket,” 1941, ink on paper, 15.25” x 11”, signed and dated lower right, framed 4000-6000 91 www.treadwaygallery.com 526. Georges Meunier (French, 1869-1942) “Moto-Flirt” and “Moto-Fuite,” c. 1900, pair of color lithographs, each: 19.75” x 13”, signed in plate, unframed 300-500
527. Alexandre Lunois (French, 1863-1916) “Le Magasin de 528. Robert Frederick Blum (1857-1903), “The Musmée,” c. 1900, color Nouveaute’s (Shop of Novelties),” 1902, color lithograph on rives lithograph, 11” x 7”, signed, unframed 300-500 BFK paper, 17.25” x 20.75”, unsigned, unframed 600-800
529. Howard Giles (American, 1876-1955) “Nothing Stops These Men, 530. Jonas Lie (American/Norwegian, 1880-1940) “On the Job for Let Nothing Stop You,” 1918, color lithograph mounted to linen, 39.5” Victory,” c. 1918, color lithograph mounted to linen, 39” x 53”, signed x 53.5”, signed in plate, unframed 200-400 in plate, unframed 200-400 92 www.treadwaygallery.com 531. Pierre-Auguste Renoir (French, 1841-1919) “Odalisque,” 1904, lithograph, 3.25” x 4.75”, signed in plate, framed 5000-7000
532. Pierre-Auguste Renoir (French, 1841-1919) “Les Laveuses,” 533. Alphonse Mucha (Czech, 1860-1939) “Gismonda, c. 1910, lithograph, 18” x 23.75”, unsigned, framed 5000-7000 Theatre de la Renaissance,” 1894, lithograph, 83” x 27.5”, signed in plate, framed 4000-6000
93 www.treadwaygallery.com 534. Pablo Picasso (Spanish, 1881-1973) “Le Saltimbanque au Repos,” 1905, drypoint on Van Gelder paper, 4.75” x 3.5”, unsigned, edition of 250, Bloch 10, unframed 4000-5000
535. Pablo Picasso (Spanish, 1881-1973) “Les Deux Tourterelles, II,” 1946, lithograph on Arches wove paper, 14” x 17.5”, signed in plate, annotated in pencil “variante en noir,” annotated verso: 47721 (Inventory no., Picasso Archives, Paris), variant trial proof printed in black, Bloch 406, Mourlot 50, unframed 4000-5000 Provenance: Pablo Picasso Marina Picasso Collection (her oval stamp verso)
536. After Pablo Picasso (Spanish, 1881-1973) “27 Avril XXXVI,” 1936, offset lithograph, 20.5” x 15.75”, stamped lower right, numbered lower right, edition of 500, unframed 1000-1500 94 www.treadwaygallery.com 537. Pablo Picasso (Spanish, 1881-1973) “Le Repas Frugal, from La Suite des Saltimbanques,” 1904, etching on Van Gelder paper, 18.25” x 14.75”, unsigned, edition of 250, Bloch 1, framed 90,000-110,000 Provenance: Acquired by the present owner from R.S. Johnson Fine Art, Chicago
95 www.treadwaygallery.com 538. Glenn Anthony Wessels (American, 1895-1982) “Iron for Japan,” 539. Louis Lozowick (American/Russian, 1892-1973 “City on a Rock,” 1936, lithograph, 11.5” x 14.5”, pencil signed and dated lower right, 1931, lithograph, 8.25” x 12.75”, pencil signed and dated lower right, titled lower left, framed 300-500 edition of 242, framed 500-700 Reference: American Magazine of Art XXIII, July 1931, p. 25, illustrated. The Print Club of Cleveland 1919-1969, p. 52, illustrated. Exhibited: CMA, 1931: First International Competitive Print Exhibition, cat. No 74. CMA, 1948: The Art of Lithography, cat. no. 313
540. Ida Marie Perrault (American, 1872-1929) “Sand Pile,” c. 1915, white-line woodcut, 13.25” x 13.25”, inscribed lower right, edition of 100, framed 1000-2000
541. Georges Rouault (French, 1871-1958) 542. Frederick Childe Hassam (American, 543. Stanley William Hayter (British, 1901- “Le Pitre (The Clown),” 1926, lithograph, 1859–1935) “Cos Cob,” 1915, etching with 1988) “Cheiromancy,” 1935, engraving and 13.75” x 9”, pencil signed lower right, steel facing, 7” x 5”, initialed lower margin, scorper, 7.75” x 5.75”, pencil signed, titled, unframed 800-1200 edition of 400, unframed 1200-1500 dated and numbered in lower margin, edition of 100, unframed 300-500 Provenance: The Raymond and Martha French Collection Reference: Black & Moorhead 89 iii/III 96 Reference: Cortissoz 32; Library of www.treadwaygallery.com Congress 544. Thomas Hart Benton (American, 1889-1975) “Shallow Creek,” 1939, 545. Thomas Hart Benton (American, 1889-1975) “Down the River,” 1939, lithograph, 14.25” x 9.25”, pencil signed lower right, unframed 1000-2000 lithograph, 12.5” x 10”, pencil signed lower right, unframed 2000-3000
546. Thomas Hart Benton (American, 1889-1975) “Sunday Morning,” 1939, lithograph, 9.5” x 12.75”, pencil signed lower right, unframed 1000-2000
547. Thomas Hart Benton (American, 1889- 548. Thomas Hart Benton (American, 1889- 549. Thomas Hart Benton (American, 1889- 1975) “Lonesome Road,” 1927-1928, 1975) “Rainy Day,” 1938, lithograph, 1975) “Plowing It Under,” 1934, lithograph, lithograph, 9.75” x 12.5”, pencil signed 8.75” x 13.25”, pencil signed lower right, 8” x 13.25”, pencil signed lower right, lower right, unframed 500-700 unframed 500-700 unframed 500-700
97 www.treadwaygallery.com 551. Robert Von Neumann (German/American, 1888-1975) “Supper on the Boat,” 1969, graphite on paper, 28.5” x 37”, signed and dated lower right, framed 500-700
550. William Samuel Schwartz (American/Russian, 1896-1977) “Head,” c. 1925, lithograph, 12” x 5.5”, pencil signed lower left, unframed 500-700 552. Robert Von Neumann (German/American, 1888-1975) “Island Provenance: Hirschl & Adler, New York (APG Stock number verso) Fishermen,” c. 1950, lithograph, 8.75” x 11.75”, pencil signed lower right, titled lower left, framed 200-400
553. Robert Von Neumann (German/American, 1888-1975) “Six Net Menders,” c. 1950, etching, 7.75” x 11.75”, pencil signed lower right, titled lower left, framed 200-400
554. Stow Wengenroth (American, 1906-1978) “Wild Country,” 1960, lithograph, 15.75” x 10.5”, pencil signed lower right, numbered lower left, edition of 30, unframed 300-500
555. Robert Von Neumann (German/American, 1888-1975) “Net Menders,” c. 1950, woodcut, 10.75” x 8.25”, pencil signed lower right, titled lower left, framed 200-400 98 www.treadwaygallery.com 556. Louise Nevelson (American, 1899-1988) “Animal Kingdom (Magnificent Jungle Cats),” 1953- 1955, etching, 12” x 13.75”, pencil signed, titled and annotated in pencil “first proof”, printed by the artist under the title Animal Kingdom at Atelier 17, New York, unframed 3500-4500 Provenance: Estate of the Artist (Foundation stamp verso) Jeffrey Hoffeld (Estate agent)
557. Léonard Tsuguharu Foujita (French/Japanese, 1886-1968) 558. Léonard Tsuguharu Foujita (French/Japanese, 1886-1968) “Children with Baguette,” c. 1950, lithograph, 13” x 10.5”, pencil “Woman in Profile,” c. 1950, lithograph, 12.5” x 9.5”, pencil signed signed lower right, edition AP, unframed 600-800 lower right, numbered lower left, edition of 220, unframed 600-800
99 www.treadwaygallery.com 560. Stow Wengenroth (American, 1906-1978) “Dunes,” 1961, lithograph, 9.75” x 16”, pencil signed lower right, numbered lower left, edition of 40, unframed 400-600
559. Raphael Soyer (American, 1899-1987) “Girl Combing Hair,” c. 1950, lithograph, 10.5” x 8”, pencil signed lower right, numbered lower left, edition of 125, unframed 150-250
562. Robert R. Malone (American, b. 1933) “Rhino” and “Elephant,” 1969, pair of etchings, each: 4.75” x 7”, signed, titled, numbered and dated in margin, unframed 200-400 561. Doris Emrick Lee (American, 1905-1983) “The Dove,” 1952, lithograph, 11.25” x 9.5”, pencil signed lower right, framed 200-400
563. Emil Armin (American, 1883-1971) “57th Street Art Studios,” c. 564. John Adams Spelman (American, 1880-1941) “Fishing Cove,” c. 1945, color woodcut, 8.25” x 12.25”, pencil signed and titled in lower 1920, woodcut, 7.25” x 6.25”, pencil signed lower right, titled lower margin, framed 300-500 left, framed 200-400 100 www.treadwaygallery.com 565. Tom A. Robertson (American, 1911- 566. Alfredo Müller (Italian, 1869-1940) 567. Alfredo Müller (Italian, 1869-1940) “La 1976) “Little Willie,” c. 1940, silkscreen, “La Lecture (A Reading),” 1901, color Grande Cascade de Saint Cloud,” 1905, 9” x 7.25”, pencil signed, titled and aquatint, 11.75” x 15.75”, pencil signed color aquatint on watermarked Arches numbered in lower margin, edition of 70, lower right, unframed 400-600 paper, 23.25” x 17.25”, pencil signed unframed 100-200 lower right, unframed 400-600
568. Letterio Calapai (American, 1902-1993) “Job,” c. 1975, color 569. Letterio Calapai (American, 1902-1993) “Snow Scene,” 1979, woodcut, 12” x 18”, pencil signed, titled and numbered in margin, pastel, 13.75” x 21”, signed and dated lower right, framed 400-600 edition of 30, framed 200-400
570. Letterio Calapai (American, 1902-1993) 571. Letterio Calapai (American, 1902-1993) 572. Letterio Calapai (American, 1902-1993) “Strata,” c. 1970, color etching, 11.75” x “Nocturne II,” 1976, color woodcut, 13.25” “Coral World V,” c. 1975, lithograph, 13.5” 7.75”, pencil signed and titled in lower x 10.25”, pencil signed, numbered and x 8.75”, pencil signed titled and numbered margin, trial color proof, framed 400-600 titled, edition of 30, framed 800-1200 in margin, edition of 50, framed 200-400 101 www.treadwaygallery.com 573. Edouard Vuillard (French, 1868-1940) “Le Jardin des Tuileries,” 1896, color lithograph, 11.75” x 17”, signed and annotated “no. 58” in pencil in upper right, intended edition of 100 for Vollard’s Album des Peintres-Gravures of 1896, unframed 4000-6000 Reference: Roger-Marx 28 ii/II
574. Louis Schanker (American, 1903-1981) 575. Oscar Domínguez (Spanish, 1906-1957) 576. Oscar Domínguez (Spanish, 1906-1957) “Circle Image No. 25,” 1954-1955, color “Tres Damas en el Balcom,” c. 1950, color “Hommage a Manolete,” 1955, lithograph, woodcut, 14” x 18”, pencil signed lower lithograph, 19” x 24.5”, stamped lower 19” x 23”, stamped lower right, numbered right, numbered lower left, edition of 200, right, edition EA, unframed 400-600 lower left, edition of 100, unframed 400-600 unframed 800-1200 An image of this print was used for the cover of the catalog raisonné for the artist by Una Johnson, published by the Brooklyn Museum.
102 www.treadwaygallery.com 577. Walter Sanford (American, 1912-1987) “We’ll Call,” c. 1960, oil on 578. Houston E. “Keg” Chandler (American, b. 1914) “Figure,” c. 1940, masonite, 24” x 18”, signed lower left, titled and dated indistinctly on wood sculpture, 21”h, signed “Keg” on base 1000-2000 verso, framed 700-900
579. Claude Clark (American, 1915-2001) “Man and Dump Truck,” c. 1970, oil on board, 11.5” x 15.5”, signed lower right, framed 3000-5000
580. Houston E. “Keg” Chandler (American, b. 1914) “Fish,” c. 1940, marble sculpture, 9.5”h, signed “Keg,” held on a wood base 1500-2500 103 www.treadwaygallery.com 581. Albert William Christ-Janer (American, 1910-1973) “Up the 582. Frederick Remahl (Swedish/American, b.1901) “Ice in the Harbor,” c. 1950, Hudson,” 1954, watercolor and ink on paper, 9.5” x 19.5”, signed and oil on canvas, 19.75” x 22”, signed lower left, framed 800-1200 dated upper left, framed 600-800 Exhibited: University of Chicago, 1947, with corresponding label on verso Provenance: Kraushaar Galleries, New York (label on verso) Mr. and Mrs. Frederick William Specht, Chicago Robert Henry Adams Fine Art, Chicago Acquired by the present owner from the above
Exhibited: Contemporary American Watercolors, 1957, Chicago Renaissance Society, University of Chicago, with corresponding label on verso
th 583. Maksim Krstulović (Croatian, 20 584. Clarence Holbrook Carter (American, 585. Ray Anthony Grathwol (American, century) “Dubrovnik,” 1959, oil on board, 1904-2000) “First Snow,” c. 1980, 1900-1992) “Ohio Farm,” c. 1950, oil on 12.5” x 21”, signed and dated lower left, gouache on hand-made paper, 17.5” x 7”, canvas, 21” x 29.75”, signed lower right, titled on verso, framed 200-400 signed lower left, framed 500-700 framed 200-400
586. George Colin (American, 20th century) “Field Workers,” c. 2000, 587. Frank Keenan (American, 1893-1984) “South Side,” c. 1960, pastel, 22” x 30”, signed lower right, framed 300-500 watercolor, 17.25” x 18.75”, signed lower left, framed 200-400 104 www.treadwaygallery.com 588. Dora Maar (French, 1909-1997) “Still 589. Margaret D. H. Keane (American, b. 590. Robert Moore Kulicke (American, 1924- Life with Apples,” c. 1960, color marker 1927) “Figure in a Cityscape,” c. 1960, oil 2007) “Floral Still Life,” 1966, oil on graph on wove paper, 11.75” x 16.5”, estate on canvas, 28” x 22”, signed lower left, paper, laminated, 7.75” x 8.75”, signed stamped lower left, unframed 1000-1500 framed 700-900 and dated on verso, unframed 500-700 Provenance: Estate of the artist Hotel Drouot, Paris
591. John Andre Gundelfinger(American, 1937-1991) “September Sunset, Delaware River,” c. 1985, oil on canvas, 52” x 72”, signed lower left, titled on stretcher, framed 2000-4000
592. Vincent Lambe (Irish, 20th century) “Wexfurd,” c. 1980, oil on artist board, 9.5” x 20”, signed lower right, titled on verso, framed 1000-2000 105 www.treadwaygallery.com 593. Man Ray (American, 1890-1976) “Nu,” 1936, cast in 1983, bronze sculpture, 15”h, signed, edition of 350, held on a marble base 2000-4000 Provenance: Artcurial, Munich, Germany The Elliot and Harriet Goldstein Private Foundation, Atlanta, Georgia Bonhams & Butterfields, December 19, 2010, lot 6126 Acquired by the present owner from the above
Literature: Objects de mon affection, Paris, 1983, p. 165
594. Arline Hollander Wingate (American, b. 595. Jane Steiner (American, 1900-1996) 596. Vincent Glinsky (American, 1895-1975) 1906) “Female Figure,” c. 1950, marble “Mambo,” c. 1950, oil on board, 13.5” x “Standing Nude,” c. 1960, earthenware sculpture, 23”h, signed on base 500-700 17.25”, signed lower right, framed 400-600 sculpture, 19.5”, signed, held on a wood base 500-700
597. Meir Steingold (Israeli, 20th century) “Boys,” 598. Aminah Brenda Lynn Robinson 599. Henry Charles Hannig (American, 1883- c. 1970, oil on canvas, 33.25” x 20.75”, (American, b. 1940) “Mud People, from 1948) “Street Performers,” c. 1940, oil on signed lower right, framed 500-700 the Sapelo Series” 1984, mixed media board, 17.75” x 14.5”, estate stamped on with music box, 33” x 21”, signed and verso, framed 200-400 dated lower right, unframed 200-400 106 www.treadwaygallery.com 600. John Henry Wilde (American, 1919-2006) “Red Wing,” 1953, oil on canvas, 11.5” x 8”, signed and dated lower right, titled and dated on stretcher, framed 3500-4500
601. Jakob Weidemann (Norwegian, 1923-2001) “Two Figures,” 1947, oil on board, 23” x 31”, signed and dated lower left, framed 6000-8000
107 www.treadwaygallery.com 603. John J. Floherty, Jr. (American, 1907-1977) “Man with Clenched Fist,” 1958, gouache, 16” x 9.5”, signed lower left, framed 300-500
602. Chaim Gross (American, 1904-1991) “Mother and Child,” c. 1960, bronze sculpture, 5.25”h, signed, held on a wood base 1000-2000
604. Ethel Spears (American, 1903-1974) “Figures Copying Painting in Metropolitan Museum,” c. 1960, watercolor, 11.75” x 13”, signed lower right, titled on verso, framed 400-600
605. Karl Priebe, (American, 1914-1976) “Woman with Bird,” c. 1955, watercolor, 15.5” x 12.5”, signed lower left, framed 1000-2000
606. Emerson Woelffer (American, 1914-2003) “The Couple,” 1989, acrylic on paper, 23.5” x 17.5”, signed and dated lower left, framed 500-700 108 www.treadwaygallery.com 607. Eugene Gauss (American, 1905-1988) “Seated Nude,” 1962, marble 608. After Demetre H. Chiparus (Romanian, 1888-1947) “Hades,” c. 1950, sculpture, 15.5”h, signed and dated 500-700 bronze sculpture, 11”h, signed, held on a marble base 1000-2000
609. Eduardo Kingman (Ecuadorian, 1913-1997) “Portrait,” 1965, oil on board, 39” x 19.5”, signed and dated lower left, framed 5000-7000
We are grateful to Soledad Kingman from the Fundación Kingman for her assistance in confirming the authenticity of this work. 109 www.treadwaygallery.com 610. Abbott Pattison (American, 1916-1999) “Firenze,” c. 1960, bronze sculpture, 26”h, signed and titled 3000-5000
611. Itzchak Tarkay (Israeli, b. 1935) “Seated Women,” c. 1980, ink and watercolor on paper, 15.5” x 12”, signed lower right, framed 2000-4000 110 www.treadwaygallery.com 612. Joseph Mellor Hanson (American, 1900-1963) “Mother and Child,” 1943, oil on canvas, 24” x 23”, signed and dated on verso, Andrew Dickson White Art Museum, Cornell University label on verso, framed 3000-5000
613. Harold Noecker (American, 1912-2002) “Bridge and Cat,” c. 1960, oil on board, 23.5” x 35.5”, signed lower right, framed 2000-3000
614. Bernard Weinstein (American, 20th century) “Woman with Cats,” 615. Bernard Weinstein (American, 20th century) “Man and Child with Cat,” c. 1950, oil on canvas, 14” x 24”, initialed lower right, framed 600-800 c. 1950, oil on canvas, 26” x 24”, initialed lower right, framed 1000-2000
111 www.treadwaygallery.com 617. Lyonel Laurenceau (Haitian, b. 1942) “Coquetterie,” 1992, oil on canvas, 10” x 8”, signed and dated lower left, titled on verso, framed 200-400
618. Darrel Austin (American, 1907-1994) “Young Watcher,” 1960, oil on canvas, 8.5” x 10”, signed and dated lower left, Perls Galleries, New York label on verso, framed 600-800
616. Pal Fried (American/Hungarian, 1893-1976) “Portrait of a Lady,” c. 1960, oil on canvas, 30.25” x 24”, signed lower right, framed 1000-2000
619. Lyonel Laurenceau (Haitian, b. 1942) “Enfant d’Haiti ,” 1993, oil on canvas, 10” x 8”, signed and dated lower right, titled on verso, framed 200-400 112 www.treadwaygallery.com 620. Gianfranco Gorgoni (Italian, 20th century) “Andy Warhol, New York City,” 1971, photograph, 60.5” x 41.5”, unsigned, mounted on a sheet of tin 7000-9000
621. Alfred Wertheimer (American, b. 1929) “The Kiss,” 1956, printed in 2006, photograph, 11.25” x 16.75”, signed lower right, framed 2000-3000
622. Patty Carroll (American, b. 1946) “Fringed,” “Steamed” and “Caged,” c. 2000, group of three photographs, 11.25” x 11.25”, signed and titled on verso, framed 600-800 113 www.treadwaygallery.com 623. Bert Stern (American, b. 1929) “Marilyn Monroe with Necklace, from 624. Bert Stern (American, b. 1929) “Marilyn Monroe in Jackie Wig, from the Last Sitting,” 1962, printed later, photograph, 23” x 23”, signed the Last Sitting,” 1962, printed later, photograph, 30” x 30”, signed lower right, edition of 12, framed 2000-3000 lower right, edition of 50, framed 2000-3000
625. Bert Stern (American, b. 1929) “Marilyn Monroe Nude with Chenille 626. Bert Stern (American, b. 1929) “Marilyn Monroe Nude with Scarf, Scarf, from the Last Sitting,” 1962, printed later, photograph, 30” x from the Last Sitting,” 1962, printed later, photograph, 30” x 30”, 30”, signed lower right, edition of 50, framed 2000-3000 signed lower right, edition of 50, framed 2000-3000
114 www.treadwaygallery.com 627. Bert Stern (American, b. 1929) “Marilyn Monroe Nude with Fur, from the Last Sitting,” 1962, printed later, photograph, 30” x 30”, signed lower right, edition of 30, framed 2000-3000
These photographs are from Stern’s best-known work: the Last Sitting with Marilyn Monroe. During the sitting for Vogue magazine, he took 2500 photographs of the actress. She died six weeks later.
628. Bert Stern (American, b. 1929) “Marilyn Monroe Nude with Pink 629. Bert Stern (American, b. 1929) “Marilyn Monroe in Jackie Wig, from Scarf, from the Last Sitting,” 1962, printed later, photograph, 23” x the Last Sitting,” 1962, printed later, photograph, 30” x 30”, signed 23”, signed lower right, edition of 12, framed 2000-3000 lower right, edition of 50, framed 2000-3000
115 www.treadwaygallery.com 630. Benjamin G. Benno (American, 1901-1980) “Untitled (No. 78),” 1936, ink and watercolor on paper, 7.5” x 9.5”, signed and dated lower right, framed 4000-5000 Exhibited: Phillips Collection (Washington D.C.) “Theme and Improvisation: Kandinsky & the American Avant Garde,” 1992, traveled to Dayton Art Institute, Terra Museum of American Art (Chicago), Amon Carter Museum (Ft. Worth, Texas), cat. No. 2, reproduced in color plate 75, p. 152, with corresponding label on verso
Provenance: Michael Rosenfeld Gallery, New York
631. Benjamin G. Benno (American, 1901-1980) “Portrait of a Man and a Woman II,” 1937, oil on canvas and cardboard, 9.5” x 7.5”, signed and dated lower right, titled on verso, held in Guggenheim frame 2000-4000
116 www.treadwaygallery.com 632. Attilio Salemme (American, 1911-1955) “Untitled,” c. 1945, group of two 633. Attilio Salemme (American, 1911-1955) watercolors with pencil, 7.25” x 10.25”, each signed lower right, framed 400-600 “Untitled,” c. 1945, watercolor and pencil, 10.5” x 13.5”, signed lower right, framed 400-600
634. Pablo Picasso (Spanish, 1881-1973) “Tormented Fawn’s Face,” 1956, painted ceramic plate, 16.5”dia, stamped Madoura, edition of 100, unframed 2500-3500
635. Medard P. Klein (American, 1905-2002) 636. Medard P. Klein (American, 1905-2002) 637. Medard P. Klein (American, 1905-2002) “Abstraction,” c. 1945, graphite on paper, “Abstraction,” c. 1945, graphite on paper, 9.25” “Lithograph #17,” 1946, lithograph, 12.75” 11” x 14”, unsigned, unframed 800-1200 x 13”, signed lower left, framed 800-1200 x 9”, pencil signed, dated, titled and numbered, framed 400-600 Provenance: Estate of the Artist Provenance: Estate of the Artist
117 www.treadwaygallery.com 638. Ludwig Eikaas (Norwegian, 1920-2010) “Untitled,” c. 1960, oil on canvas, 39” x 25.5”, signed lower right, stamp on verso: "From the Collection of Saint Olaf College," framed 3000-5000
639. Robert Natkin (American, 1930-2010) “Untitled,” c. 1970, oil on canvas, 42.25” x 42.25”, signed lower left, framed 3000-5000
118 www.treadwaygallery.com 640. Seymour Fogel (American, 1911-1984) “Newspaper Collage #1, Triptych Ctr.,” c. 1975, newspaper and oil on illustration board, 30” x 21”, estate stamped, Graham Modern Gallery, New York label on verso, framed 5000-7000
641. Seymour Fogel (American, 1911-1984) “Untitled,” 1958, oil on board, 47.5” x 35.25”, signed and dated lower right, framed 10,000-20,000
642. Seymour Fogel (American, 1911-1984) “Sentinel,” c. 1978, mixed media on illustration board, 27.5” x 13”, unsigned, framed 4000-6000
119 www.treadwaygallery.com 644. Carl Schwartz (American, b. 1935) “Blue Key Note,” c. 1980, oil on canvas, 24” x 36”, signed lower right, titled on verso, framed 400-600
645. Joseph Kaplan (American, 1900-1982) “Untitled,” c. 1970, ink and wash on paper, 6” x 9.75”, signed lower left, framed 300-500
643. Dorothy Bartholemy (American, 1914-2005) “View of New Mexico,” 1946, oil on canvas, 24” x 18”, initialed lower left, titled and dated on stretcher, framed 2000-3000
646. Joseph Kaplan (American, 1900-1982) “Untitled,” c. 1970, ink and wash on paper, 3.75” x 6.5”, signed lower right, framed 300-500 120 www.treadwaygallery.com 647. Peter W. Ostuni (American, 1908-1992) “Untitled,” c. 1960, oil on artist board, 13” x 17.75”, unsigned, accompanied by letter of authenticity from the artist's nephew, framed 200-400
648. Peter Ostuni (American, 1908-1992) “Untitled,” c. 1960, oil on masonite, 23.25” x 31.75”, unsigned, accompanied by letter of authenticity from the artist's nephew, unframed 400-600
649. Peter Ostuni (American, 1908-1992) “Untitled,” c. 1960, oil on 650. John Franklin Koenig (French/American, 1924-2008) “Puzzle,” 1965, masonite, 32.5” x 12.5”, unsigned, accompanied by letter of collage, 22.5” x 17.25”, signed and dated lower right, titled lower left, authenticity from the artist's nephew, unframed 400-600 acquired by the current owner directly from the artist, framed 500-700
651. George Fred Keck (American, 1895-1980) “Abstracted Landscapes,” 1960-1973, group of four watercolors with mixed media, largest: 21.5” x 29.5”, signed and dated, unframed 500-700
121 www.treadwaygallery.com 653. Roger Hilton (British, 1911-1975) “Untitled,” 1973, mixed media on paper, 7.5” x 10.25”, signed and dated upper right, framed 800-1200
652. Marcia Kaplan, attribution (American, 20th century) “Untitled,” c. 1970, bronze sculpture, 16”h, unsigned, held on a wood base 800-1200
654. Carol Summers (American, b. 1925) “Puerta del Sol,” 1976, stencil with metal leaf, 20” x 20”, unsigned, edition of 75, framed 500-700 Published: Adi Gallery, San Francisco, 1977: Carol Summers Woodcuts, no. 132, p. 38
655. Nicolaas Warb (Dutch, 1906-1957) “Composition,” 1955, watercolor and ink, 13” x 8”, signed and dated lower right, framed 500-700
656. Artist Unknown (American, 20th century) "Untitled," c. 1970, oil on canvas, 22" x 28", signed indistinctly lower right, framed 400-600
122 www.treadwaygallery.com 657. Bernard Lorjou (French, 1908-1986) “Polo Players,” c. 1970, mixed media on paper on canvas, 21.75” x 30”, signed lower left, unframed 4000-6000
658. Victor Vasarely (French/Hungarian, 1906-1997) “Cubes,” c. 1970, collage, 7.5” x 6”, signed lower right, framed 3000-5000
123 www.treadwaygallery.com 659. Rolph Scarlett (American, 1891-1984) “Untitled,” c. 1950, watercolor 660. Rolph Scarlett (American, 1891-1984) “Untitled,” c. 1940, watercolor and gouache, 14.25” x 17.25”, signed lower right, framed 1500-2500 and gouache, 14” x 17”, signed lower left, framed 1500-2500
661. Rolph Scarlett (American, 1891-1984) “Untitled,” c. 1947, watercolor and gouache, 14.25” x 10.25”, signed lower right, framed 1000-2000
662. Rolph Scarlett (American, 1891-1984) 663. Rolph Scarlett (American, 1891-1984) 664. Rolph Scarlett (American, 1891-1984) “Untitled,” 1944, watercolor and gouache, “Untitled,” 1944, watercolor, 10.5” x 13”, signed “Untitled,” c. 1944, watercolor, 8” x 12”, 10.5” x 13”, signed and dated lower right, and dated lower right, framed 1000-2000 signed lower left, framed 1000-2000 framed 1000-2000
124 www.treadwaygallery.com 665. Salvador Dalí (Spanish, 1904-1989) “Colossus,” c. 1970, lithograph 666. Salvador Dalí (Spanish, 1904-1989) “The Discovery of America by on japon paper, 24.5” x 13.75”, pencil signed lower right, numbered Christopher Columbus,” 1959, color lithograph, 30” x 22.5”, pencil signed lower left, edition of 225, unframed 300-500 lower right, numbered lower left, edition of 300, unframed 300-500
667. Richard Bosman (American, b. 1944) “Car Crash,” 1982, woodcut, 36.5” x 50”, signed lower right, numbered lower left, PP edition of 5, framed 1500-2500
668. Kiyoshi Saito (Japanese, 1907-1992) 669. Kiyoshi Saito (Japanese, 1907-1997) 670. Kiyoshi Saito (Japanese, 1907-1992) “Winter “Dachshund,” c. 1975, woodcut, 10.25” x “Untitled,” c. 1970, color woodcut, 15” x in Aizu,” c. 1975, woodcut, 10” x 15.25”, pencil 15.25”, signed lower right, unframed 500-700 10”, signed lower right, unframed 500-700 signed lower left, unframed 500-700 125 www.treadwaygallery.com 671. Moshe Castel (Israeli, 1909-1992) 672. Jacob Gildor (Israeli, b. 1948) “Coffee 673. Jacob Gildor (Israeli, b. 1948) “At the “Jerusalem,” c. 1970, color lithograph, 27.5” House,” c. 1980, silkscreen, 23.75” x Station,” c. 1980, woodcut, 17” x 14.5”, x 19.5”, pencil signed lower right, numbered 19.5”, pencil signed and numbered lower pencil signed lower right, edition AP, lower left, edition of 85, framed 300-500 left, edition of 150, unframed 300-500 unframed 200-400
674. Leo Roth (Israeli, 1914-2002) “Synagogue,” c. 1960, lithograph, 675. Samuel Bak (Israeli, b. 1933) “Untitled,” c. 1970, color lithograph, 17.25” 15.75” x 24.5”, pencil signed lower right, numbered lower left, edition x 22.75”, pencil signed lower right, edition AP, unframed 150-250 of 150, unframed 150-250
676. Leo Roth (Israeli, 1914-2002) “The 677. Marcel Janco (Israeli, 1895-1984) 678. Reuven Rubin (Israeli, 1893-1974). Sacrifice of Isaac,” 1964, lithograph, 23” x “Composition,” c. 1970, silkscreen, 19.25” “David and Bat-Sheva,” c. 1970, color 17.5”, pencil signed lower right, edition AP, x 25.5”, signed lower right, numbered lower lithograph, 23.25” x 17”, pencil signed unframed 150-250 left, edition of 230, unframed 200-400 lower right, unframed 400-600
126 www.treadwaygallery.com 679. Robert Rauschenberg (American, 1925-2008) “Sack,” 1969, 680. Itzchak Tarkay (Israeli, b. 1935) “Woman with a Blue Pillow,” lithograph, 39.75” x 28”, pencil signed, numbered and dated upper c. 1980, lithograph, 36.5” x 29.5”, pencil signed lower right, center, edition of 60, framed 1000-2000 numbered lower left, edition of 350, framed 1000-2000
681. Paul Rebeyrolle (French, 1926-2005) 682. Jim Dine (American, b. 1935) “Lost 683. Yaacov Agam (Israeli, b. 1928) “Untitled,” “Untitled,” c. 1970, lithograph, 20.25” x Shells,” 1985, hand -colored etching on c. 1980, silkscreen, 22.25” x 29.25”, 29.25”, pencil signed and numbered, two sheets, 22.25” x 35.5”, pencil signed, signed lower right in pen, numbered lower edition of 75, framed 400-600 numbered and dated in margin, edition of left, HC, edition of 9, unframed 400-600 32, framed 600-800
684. Leonor Fini (French, 1908-1996) 685. Jacques Lipchitz (French, 1891-1973) 686. André Masson (French, 1896-1987) “Young Girl’s Face,” c. 1980, lithograph, “Prometheus,” c. 1970, color lithograph, “Woman and Birds,” c. 1970, color 23.5” x 18.5”, signed faintly lower right, 20” x 23”, pencil signed lower right, lithograph, 22” x 16.5”, pencil signed lower framed 150-250 numbered lower left, edition of 100, right, numbered lower left, edition of 100, unframed 500-700 framed 500-700
127 www.treadwaygallery.com 687. LeRoy Neiman (American, b. 1921) “Johnny Bench,” 1970, color serigraph, 38.5” x 18.75”, pencil signed, titled and numbered, edition of 250, framed 2000-3000
688. LeRoy Neiman (American, b. 1921) “Indy 689. Bridget Riley (British, b. 1931) “Untitled 690. LeRoy Neiman (American, b. 1921) Start,” 1973, color serigraph, 28.5” x 22”, (Variation of Fall),” c. 1960, collograph, “Bikes and Boats,” 1973, color serigraph, pencil signed lower right, artist’s proof, 17” x 14”, pencil signed upper right, 28” x 21”, pencil signed lower right, Merrill Chase label on verso, Chicago, framed 800-1200 numbered lower left, edition of 300, Illinois, framed 800-1200 framed 600-800
691. Christo (American, b. 1935) “Wrapped Coast, One Million Square 692. Josef Albers (American/German, 1888-1976) “Untitled (Blue & Feet, Little Bay, Sydney, Australia,” 1968-1969, color offset Green),” c. 1970, serigraph, 25” x 25”, unsigned, unframed 500-700 lithograph, 18.5” x 27”, signed and numbered lower right, edition of 128 100, unframed 1000-2000 www.treadwaygallery.com 1950s Modern Session Three Immediately following Session Two
693. Warren McArthur chaise, 1930s, aluminum, black rubber feet, rolled armrests, white cotton with dark red welted trim, one foot missing, replaced upholstery, original finish, 25”w x 52”d x 30”h, very good original condition 2500-3000
694. Warren McArthur lounge chairs, pair, 1930s, aluminum, black rubber feet, rolled armrests, white cotton with dark red welted trim, replaced upholstery, original finish, 24”w x 32”d x 29.5”h, stains to fabric, otherwise very good original condition 2500-3000
129 www.treadwaygallery.com 696. Jean Despres handled vessel or compote, France, c.1935, silver plate, incised signature “J Despres” underneath base, hallmarks to edge of base, 6.5"w x 4.5"d x 4.75"h, very good original condition 800-1000
695. Gilbert Rohde china cabinet, by Herman Miller, from the Formal Dining Group, model 3321, 1930s, large glass door, glass shelf, lower drop-front, original legs and handles in matte-finished steel, tinted mirror to back wall, original finish, 36"w x 14"d x 52"h, lower hinges need repair, very good original condition 2000-3000 697. Large Herman Miller wall clock, Art Deco form with stylized numerals and hands, black enameled case with chrome trim, refinished, signed on face “Herman Miller Clock Co. Zeeland, Mich. USA”, 21" diameter, very good condition 1500-2000
698. Gilbert Rohde sideboard, by Herman Miller, from the Formal Dining Group, model 3321, two center doors flanked by six drawers, original legs and handles in matte-finished steel, original finish, 66"w x 17"d x 34.5"h, very good original condition 3000-4000 130 www.treadwaygallery.com 699. Gilbert Rohde Cloud tables, pair, by Herman Miller, biomorphic green glass tops connected by wood dowel legs, brass caps to feet, original finish, 24”w x 14.5”d x 21.5”h, one glass shelf replaced, very good condition 500-700
700. Gilbert Rohde night stand or bedside cabinet, by Herman Miller, 701. Gilbert Rohde East Indian Laurel Group cabinet, by Herman model 3770, Brazilian rosewood, one drawer above one door, Miller, East Indian Laurel wood, one door with c-shaped pull, three original brushed metal handles, refinished, signed with stenciled shelves, black platform base, refinished, 32”w x 15”d x 41”h, some model number, 16”w x 13.5”d x 27”h, excellent condition 900-1200 restoration, very good condition 2000-2500
702. Gilbert Rohde vanity, by Herman Miller, model 3770, Brazilian rosewood, four drawers with metal pulls, four small lift-up compartments with matching metal pulls, glass insert, signed with Gilbert Rohde for Herman Miller foil label, 56”w x 18”d x 26”h, excellent condition 1500-2000 131 www.treadwaygallery.com 703. Gilbert Rohde Z clock, by Herman Miller, c.1933, chrome-plated metal base with the original clear light green glass dial with etched hour markers, painted dial with original finish, black hour and minute hand, original red second hand, 12.75”w x 3.5”d x 12”h, very good condition 7500-8500
704. Gilbert Rohde East Indian Laurel Group small sideboard, by Herman Miller, East Indian Laurel wood, black platform base, three doors with c-shaped handles, refinished, unsigned, 48”w x 15”d x 30”h, hinges damaged and need repairs, otherwise excellent condition 1500-2000 132 www.treadwaygallery.com 705. Gilbert Rohde Art Deco table clock, by Herman Miller, 1930s, round 706. Gilbert Rohde Art Deco table clock, by Herman Miller, 1930s, chromed metal case, stainless base, stylized numerals, signed on rectangular rosewood case with banded aluminum trim and stylized face, original hands, original cord, 6”w x 2.5”d x 6.5”h, excellent numerals, two round wood feet, also features temperature and original condition 1000-1500 humidity gauges, stamped number to bottom of case 6381, 10.25”w x 2.5”d x 5.5”h, very good original condition 3000-4000
707. Gilbert Rohde table clock, by Herman Miller, 1930s, chrome-plated steel ball is suspended over a curved bronze support with black finish, aluminum base, 11.5”w x 5”d x 6.5”h, very light wear, overall excellent condition 4000-5000
708. Gilbert Rohde Art Deco table clock, by Howard Miller, 1930s, square 709. Gilbert Rohde table clock, by Herman Miller, 1930s, burled wood chromed metal case, stylized numerals, original red second hand, case with banded chrome trim, Art Deco numerals, original finish, signed, 8"w x 2.5"d x 6.25”h, very good condition 400-600 signed on dial, 13”w x 2.5”d x 6.75”h, some wear, very good original condition 1000-1500
133 www.treadwaygallery.com 710. Herman Miller table clock, 1920s, 711. Howard Miller & Herman Miller clocks, five, mostly from the 1920s-30s, wood cases, all signed, stepped case of green alabaster, signed largest shown at front: 15.5”w x 2”d x 4”h, one refinished, very good original condition 200-300 on face, 10”w x 3”d x 7.75”h, very good original condition 200-300
712. Harry Schwartz bar cart, by Romweber, 713. Art Deco household objects, 1930s, rosewood, glass and aluminum, two mirrored trays, pair of drop sides, molded plywood lower shelf, bookends, picture frame and covered glass storage box, none signed, original finish, large tray two metal mesh baskets, on castors, is 14” x 11.5”, very good original condition 200-300 original finish, unsigned, documented, 25”w x 38”d x 27.5”h, very good original condition 600-800
714. Paul Frankl love seat and chair, by Payat, 1930s, banded bamboo frames, blue cotton cushions with yellow piping, original finish, love seat: 56”w x 39”d x 35”h, chair: 34”w, wear to finish, good original condition 900-1200 134 www.treadwaygallery.com 715. Harry Schwartz dining chairs, six, by Romweber, USA, oak frames with the original green leather upholstery, amoeba-shaped brass trim pieces to sides, original finish, signed with Romweber label, documented, 22”w x 19”d x 28”h, cracks to wood of one chair, otherwise very good original condition 1000-1500
716. Harry Schwartz dining table, by Romweber, oak, sculptural carved wood base, pull-out leaves at ends, original finish, documented, 72.5”w x 38.25”d x 30.5”h, leaves are 21” each, very good original condition 1500-2000
717. Harry Schwartz sideboard, by Romweber, oak, five center drawers, two sliding doors conceal pull-out shelves, top and sides are grooved, curved legs, original finish, signed with Romweber cloth label, documented, 84”w x 21”d x 37.5”h, very good original condition 2000-2500 135 www.treadwaygallery.com 718. Gilbert Rohde console table, by Cavalier, exotic wood top and lighter 719. Art Deco wall mirrors, pair, oval forms with lighted sconces on each wood slab sides, four drawers with original carved wood pulls, three side, cast aluminum, from the McVickers Theater, Chicago, each is wooden rod dowels, uncommon form, refinished, signed with Gilbert 21”w x 30.5”h, very good original condition 1200-1500 Rohde paper label, 40.5"w x 16"d x 29"h, very good condition 900-1200
720. Gilbert Rohde Century of Progress desk, mahogany wood case 721. Fine Rest Aluminum Seating office chair, 1930s, polished with finished back and carved round wood handles with grooved aluminum base and frame, on castors, tilts and swivels, Akron, Ohio, edges, five drawers, two open compartments, slab sides, refinished, dark orange upholstery, signed with metal tag, 26”w x 22.5”d x 37”h, unsigned, 48”w x 22.5”d x 29”h, very good condition 600-800 excellent condition 400-600
722. Gilbert Rohde Formal Dining Group table, by Herman Miller, c. 1940, rectangular top with checkerboard veneer pattern of Maidou burl and mahogany over two curved plinth bases, 4" apron, includes two 10” leaves, 72"w x 40"d x 30"h, original finish, wear to finish and some veneer losses, fair condition 200-300 136 www.treadwaygallery.com 723. Art Deco table lamp, designer unknown, heavy form of brass with 724. Gilbert Rohde armchairs, pair, attribution, burled wood veneered a dome shade and a glass diffuser, weighted base with ball foot frames, the padded backrest forms a stepped appearance, detail, unsigned, 16”dia x 18”h, crack to glass, otherwise very good reupholstered in dark red cotton velvet fabric, original finish, condition 300-400 unsigned, 24”w x 23.5”d x 33.5”h, veneer repairs, very good condition 400-600
726. Wolfgang Hoffman lounge chair, by Howell, 1930s, heavy chrome- plated cantilevered steel frame, two flat bar stretchers to back, wood armrests with original black finish, replaced upholstery, 24”w x 29”d x 725. Gilbert Rohde Century of Progress console/credenza, burled wood, 32”h, very good original condition 500-700 slab sides, carved wood handles finished in black and red, original finish, 36”w x 16”d x 29.5”h, very good condition 400-600
727. Alfons Bach end tables, pair, by Lloyd, tubular chromed frames, 728. Gilbert Rohde dining table, by Heywood-Wakefield, rectangular top, two black lacquered wood tops, refinished, one with Lloyd paper label, 12” leaves, refinished, signed with Heywood-Wakefield paper label, 60”w 11.5”w x 25”d x 23”h, excellent condition 1000-1500 x 42”d x 29”h, one end of the top is warped, fair condition 100-200
729. Gilbert Rohde dining chairs, four, by Heywood-Wakefield, molded plywood frames, original upholstery, original finish, signed with Heywood-Wakefield labels, 16” x 20.5”d x 32”h, wear to upholstery, good original condition 400-600 137 www.treadwaygallery.com 732. Finn Juhl NV-53 settee, by Niels Vodder, Denmark, frame with sculptural armrests, original wool upholstery, original finish, signed with branded mark “Niels Vodder Copenhagen Denmark Finn Juhl”, 50”w x 29”d x 28.5”h, excellent condition 2000-2500
730. Large Industrial styled floor lamp, maker unknown, aluminum with bronze finish, tubular base supports a large cone shade, base is 36”w x 32”d, shade is 16” in diameter, overall height is 71”, age unknown, possibly somewhat recent production, excellent original condition, photographed with chair to show scale 700-900 731. Nanna Ditzel lounge chair, by Soren Willadsen, teak frame, floating curved backrest, original upholstery, original finish, signed with “Made in Denmark” 733. Rare Nanna Ditzel candle holder, by stamp, 28”w x 26”d x 27”h, repaired break to one joint under seat, burn to Brdr. Kruger, Denmark, six curved arms seat, otherwise very good original condition 1500-2000 in turned wood, signed with burned mark to base "woodturning by DRDR Kruger Denmark Design Nanna Ditzel", original finish, 13.5"dia x 13.5"h, repaired chip, good condition 200-300
734. Vamo Sonderborg cabinet, teak, rounded edges, lip to back of top, sliding door, four drawers, large tamboured door, made in Denmark, original finish, signed with stamped mark to bottom, 94.5”w x 20”d x 32.5”h, light stains to top, otherwise very good original condition 1000-1500 138 www.treadwaygallery.com 736. Hans Wegner Swivel chair, by Johannes Hansen, Denmark, c.1960, solid oak backrest, original black leather upholstery, polished die-cast steel base with four legs on castors, seat height adjusts, signed with "Designed by Hans Wegner Johannes Hansen Made in Copenhagen Denmark" label, original finish, 29"w x 22"d x 29"h, excellent original condition 8000-10,000
735. Ahrend de Cirkel drafting table, by Friso Kramer, the Netherlands, 1950s, adjustable gray enameled steel frame with wood top, top adjusts from vertical to horizontal position, signed with "Ahrend Made in Holland" and “Ahrend Cirkel” labels, 41.25"w x 32"d x 29.5"h, top replaced, very good condition 600-800
737. Arne Jacobsen Series 3300 sofa, by Fritz Hansen, chromed steel frame with integrated foot pads, reupholstered in blue silk fabric with squares pattern, 71.5"w x 29"d x 28"h, upholstery very clean, excellent condition 2000-3000 139 www.treadwaygallery.com 739. George Nelson firestarter, by Howard 740. Charles & Ray Eames LCW, by Herman Miller, iron, removable flint, marked Miller, c. 1996, molded rosewood "Howard Miller" on bottom, 12"h, good plywood, from a reissue of 500 examples, original condition 400-600 made of old stock rosewood, original finish, 22"w x 25.25"d x 26.25"h, signed with oval tag with impressed numbers, excellent original condition 1200-1500
738. George Nelson fire tools, by Howard Miller, 1950s, brush, shovel and poker in wrought iron with birch handles, wrought iron stand, 33.5"h, very good condition 1000-1500
741. Charles & Ray Eames DCMs, set of six, 1953, molded birch plywood with the original red aniline dye, original rubber and metal boot glides, original finish, signed with stamped date, 19.5”w x 21”d x 29.25”h, overall, excellent original condition 1200-1500
742. Charles & Ray Eames vintage Sofa Compact, by Herman Miller, original Alexander Girard “Miller Stripe 1272” upholstery, back folds, 72”w x 28”d x 35”h, fabric is faded, very good original condition 1800-2200 140 www.treadwaygallery.com 743. George Nelson table clock, by Howard Miller, original black and white body over a natural birch cone base, original gray map pin hour markers, signed with Howard Miller label to back, original cord, original finish, 5.75"dia x 6.75"h, some wear, very good original condition 1000-1500
744. George Nelson CSS mirror with original Alexander Girard fabric covering, folding mirror with the exterior front and back covered in Girard “Quatrefoil” fabric, black enameled steel frame, 13.5”w x 2”d x 16.5”h, very good original condition 500-700
745. 1960s photograph of Herman Miller designers, including Eames, 746. Alexander Girard stool, by Herman Miller, 1960s, cast aluminum Nelson and Girard photograph, 1960s, with other designers, image is frame, seat reupholstered in vintage Girard “Checker” fabric, original 7.25" x 9", matted and framed 200-300 finish, 16"dia x 17.5"h, excellent condition 2500-3000
747. Charles & Ray Eames 670/671 lounge chair and ottoman, by Herman Miller, molded rosewood plywood shell with black leather down- and foam-filled cushions over a black enameled and polished aluminum base, original finish, chair signed with round metal tag and paper patent label, chair: 34"w x 32"d x 32.5"h, ottoman: 26"w x 22"d x 17"h, wood grain is faded, very good original condition 2500-3000 141 www.treadwaygallery.com 749. George Nelson table clock, by Howard Miller, round birch wood case with curved glass over a brass-plated ring base, original finish, Howard Miller label, 5.5"w x 4.5"d x 6.5"h, excellent condition 200-300
750. Jefferson Electric Co. “Contemporaire” table clock, Zeeland MI, 1950s, limed oak case with black enameled metal legs, black face with brass hour markers, original red second 748. Charles & Ray Eames shell chair, by Herman Miller, red-orange hand, signed with Jefferson shell, Eiffel tower base, signed with paper label and impressed label, original finish, 13.5”w x Herman Miller mark, 25”w x 24.5”d x 30”h, several broken welds to 3.5”d x 5.5”h, very good original base, shell in excellent condition 400-600 condition 200-300
752. Herman Miller advertising poster, commemorating the design of Charles Eames, numbered 402/500, by Brian Edlefson, in a cherry wood frame, artist signed, frame signed “Kari Miller 2003”, overall size: 29.5”w x 42”h, excellent condition 300-500
751. Charles & Ray Eames shell chairs, pair, LAX model, dated 1971, white, H-bases with nylon glides, original finish, signed with paper labels and stamped marks, 24.5”w x 23.5”d x 27.5”h, small chip to lower front edge of one shell, very good original condition 400-600
753. Harvey Probber lounge chair and ottoman, pair (four pieces), by Harvey Probber, Inc., white molded plastic bases, upholstered foam seats, original rust- colored upholstery, original finish, signed with Harvey Probber labels, chair: 29”w x 34”d x 27.5”h, ottoman: 31.5”sq x 15”h, good original condition 800-1000 142 www.treadwaygallery.com 754. Charles & Ray Eames Time-Life chairs, pair, aluminum frames 755. Charles & Ray Eames Time-Life chairs, pair, aluminum frames over four-point bases, tilt, adjustment knob under seat, dated 1978, over four-point bases, tilt, adjustment knob under seat, dated original brown leather upholstery, signed with Herman Miller labels, 1978, original brown leather upholstery, signed with Herman Miller 26.5”w x 27”d x 35”h, excellent original condition 1200-1500 labels, 26.5”w x 27”d x 35”h, light wear to leather, very good original condition 1200-1500
757. Charles & Ray Eames CTM coffee table, by Herman Miller, round molded plywood top with original ebonized finish over a four-leg 756. George Nelson cabinet, by Herman Miller, four drawers with curved metal base, original finish, signed with black rectangular Herman metal handles, hairpin legs, combed oak with pickled finish, refinished, Miller tag, 34"dia x 16"h, very good condition 300-400 unsigned, 34”w x 19.5”d x 30”h, very good condition 300-400
758. George Nelson cabinets, pair, by Herman Miller, walnut, curved metal handles, ebonized legs, one with four drawers and one with three drawers, center hanging vanity included but not shown, original finish, 34”w x 18.5”d x 29.5”h, some wear, very good original condition 600-800
759. Charles & Ray Eames high-back Soft Pad lounge chairs, pair, by 760. Charles and Ray Eames Soft Pad lounge chairs, by Herman Miller, Herman Miller, five-point bases, aluminum armrests, original purple pair, high-back version upholstered in original neutral wool fabric in wool upholstery, signed with Herman Miller paper labels, 26”w x an aluminum frame, early four-point base, swivel mechanism, both 31.5”d x 37.5”h, very good condition 400-600 signed, 25w x 28d x 35h, excellent original condition 400-600 143 www.treadwaygallery.com 761. Egyptian Revival bracelet, earrings and 763. Egyptian Revival Pharaoh pin, 1930s, 14k pin set, 18k rose gold with faceted rubies rose gold with five small diamonds and two and black and white enamel, 1930s, small rubies, total weight with stones is 6.3 unsigned, earrings: .75"w x 1.75"h, grams, stamped “14k”, 1 1/8"w x 1.25"h, bracelet: 7.25"l, pin: 1.5"w x 1"h, very excellent condition 300-400 good original condition 1200-1500 762. Reed & Barton choker necklace, sterling with geometric gold wash design, stamped “Reed & Barton Sterling” 6.25"w x 9"long, opening is 5.5"w x 6"h, very good original condition 400-600
764. 1950s gold and tourmaline ring, 18k rose 765. 1950s 14k gold ring, prong-set ruby 766. Art Deco revival style 14k gold ring, gold, large emerald-cut green chrome cabochon with inset diamond-shaped ruby oval Jade cabochon, approximate size tourmaline, basket and prong set in a high on each side of setting, approximate size is is 7.5, total weight with stone is 9.7 shoulder geometric design, approximate size 6.5, total weight with stones is 6.8 grams, grams, stamped “14k”, very good original is 6.25, total weight with stone is 18.9 grams, ruby is approximately 2.33 ct., stamped condition 400-600 stone is approximately 3.83 ct., unmarked, “585", excellent condition 900-1200 5/8"w, very good condition 900-1200
767. Mabe earrings, 1970s, 22k gold, each with a large pear-shaped pearl 768. 18k gold and diamond bracelet, square engraved links with 40 and small prong-set diamond, USA, stamped “22k” with maker’s inset faceted diamonds, each diamond is approximately .04 ct., total hallmark stamp, 1"w, very good original condition 300-400 weight is .560 ounces, .515 ounces troy, 15.9 grams, stamped “18k”, 7"long, 3/16"w, very good original condition 1000-1500
144 www.treadwaygallery.com 769. William Spratling "Key Note" necklace, 770. Henning Koppel pin, by Georg Jensen, 771. Mexican sterling necklace, probably 1980s, attribution, sterling silver, silver beads on a Denmark, biomorphic sterling silver multi-chain choker, 8.245 ounces, signed metal chain, two large central “key” pendants, form with original presentation box, .715 with illegible stamps, 7.25"dia, 1 3/8" thick, stamped “925” with a hallmark, 16” long, ounces, stamped “375 Georg Jensen very good original condition 500-700 pendants together are 2.25”w x 2”h, very 925S Denmark”, 2.5"w x 1.75"h, excellent good original condition 1000-1500 original condition 300-400
772. Return to Tiffany sterling silver oval 773. 1960s sterling cuff bracelet, polished cuff 774. Murano glass necklace and earrings, tag necklace and bracelet, by Tiffany with textured spiral coils, weight is 3.105 Italy, 1920s-30s, “Bird and Leaf”, pink and Co., authenticity guaranteed, tag ounces, stamped “Sterling” with partial glass elements and brass, some pieces marked "Please Return to Tiffany and illegible hallmark, 3"w x 2.5"d x 3.5"h, with gold inclusions, adjustable length Co. New York 925", lobster claw clasps spirals are 1" in diameter each, very good chain, clip-on earrings, unmarked, also stamped 925, necklace: 15.5" long, original condition 300-400 necklace: 16" long, earrings: 1"w, very bracelet: 2.5” long, very good original good condition 200-300 condition 200-300
775. Finnish bracelet, silver with green agates, 2” 776. Antonio Pineda earrings, pair, Mexico, 777. English cuff bracelet, sterling silver, large crown-shaped element to top with six small sterling with amethyst quartz drops, screw form with impressed geometric design and stones, one 5/8” stone, stamped marks “MV backs, stamped marks, .75"w x 2"h, raised elements, maker unknown, weight 830 U7 830 Silver KJ-N” with hallmarks, excellent original condition 250-350 is 8.115 ounces, stamped with maker’s 2.5”w, excellent condition 400-600 hallmarks, 3.5"w x 3"d, opening is 2.75"w x 2.5"h, excellent condition 400-600 145 www.treadwaygallery.com 779. T.H. Robsjohn-Gibbings desk, by Widdicomb, bleached walnut, upper gallery with hinged compartment at left and right and two sliding doors, one drawer below writing surface, slight flare to legs at tips, original finish, 46"w x 22"d x 36"h, writing surface is 30"h, signed with cloth Widdicomb/Robsjohn-Gibbings label, very good original condition 2000-2500
778. Gerald Thurston floor lamp, by Lightolier, USA, solid brass tripod base supports walnut standard, molded plastic lower diffuser, replaced silk shade, original finish, 16dia x 52”h, very good original condition 400-600
780. T.H. Robsjohn-Gibbings dining chairs, six, walnut, two armchairs and four side chairs, curved backrests with single panel, original finish, reupholstered, armchair: 23"w x 22"d x 33"h, seat height: 16.5"w, side chairs: 21.5"w, good original condition 400-600
781. T.H. Robsjohn-Gibbings sideboard, by Widdicomb, bleached mahogany, three drawers flanked by two doors, original brass and wood pulls, brass legs, custom made black glass top, original finish, signed with Widdicomb/Gibbings cloth label, 67.5”w x 21.5”d x 32”h, stains to top, good original condition 2000-3000 146 www.treadwaygallery.com 782. T. H. Robsjohn-Gibbings stools, pair, by Widdicomb, bleached walnut frames with reverse tapered legs and curved ring stretcher to bases, original gold fabric upholstery, original finish, overall: 21”dia x 17.5”h, seat is 18”dia, very good original condition 2000-2500 783. Gerald Thurston table lamp, by Lightolier, 1950s, brass and walnut, tripod base, white enameled metal perforated diffuser to top, molded plastic diffuser to bottom original shade, 16”dia × 24”h, very good original condition 600-800
784. T.H. Robsjohn-Gibbings cabinet, by Widdicomb, mahogany, three 785. T.H. Robsjohn-Gibbings magazine stand, by Widdicomb, 1950s, drawers, original caned handles, brass legs, original finish, signed mahogany and birch, original finish, 29.5”w x 23.5”d x 23”h, wear to with Widdicomb/Gibbings cloth label, 34.25”w x 20”d x 32”h, very the finish of the top, otherwise very good condition 500-700 good original condition 800-1000
786. T.H. Robsjohn-Gibbings cabinets, pair, by Widdicomb, mahogany, three drawers, original caned handles, brass legs, original finish, signed with Widdicomb/Gibbings cloth label, 34.25”w x 20”d x 40.5”h, very good original condition 1500-2000 147 www.treadwaygallery.com 787. Warren Platner dining chairs, pair, by Knoll, nickel wire bases, original blue wool upholstery, plastic floor protectors, original finish, 27”w x 22”d x 29”h, very good original condition 1000-1500
788. Warren Platner coffee table, by Knoll, nickel-plated wire base with 789. Arredoluce style floor lamp, chrome shade on an adjustable arm round glass top, 36"dia x 14.5"h, replaced 3/8" thick glass top, floor with leather-wrapped handle, tripod base, leather-wrapped standard, protector missing, slight bend to overall shape, good condition 100-200 34”w x 59”h, excellent original condition 500-700
790. Warren Platner high-back lounge chair & ottoman, by Knoll, bronze wire bases, original dark red wool upholstery, dated 1970, chair signed with Knoll Associates label, ottoman signed with Knoll International label, chair: 4”w x 35.5”d x 39”h, ottoman: 24”dia x 16”h, good original condition 3000-4000 148 www.treadwaygallery.com 791. Poul Kjaerholm PK 71 nesting tables, set of three, by Fritz Hansen, steel bases with removable acrylic tops, original finish, largest: 1 and 1/8” sq, light wear, very good original condition 1000-1500
792. Charles Pollock chairs, pair, by Knoll, original black leather sling 793. Koch & Lowy floor lamps, pair, chrome, each with three square seats, chromed steel frames, black armrests, original upholstery, shades with black interior, signed with stamped “DMI” marks, 10” x each signed with Knoll Associates label, 25”w x 24”d x 28”h, very 10” x 62”h, excellent original condition 600-800 good original condition 600-800
794. Warren Platner dining table and four chairs, by Knoll, bronze, table with a replaced glass top, chairs with the original blue wool upholstery and plastic floor protectors, extra 54" top in opaque glass is optional (not shown), original finish, table: 60"dia x 28"h, chairs: 27"w x 22"d x 29"h, very good condition 4000-6000 149 www.treadwaygallery.com 795. Tito Agnoli “Korium” chairs, pair, by Matteograssi, Italy, black leather, on castors, original upholstery, signed “Matteograssi” on side of seat cushion, 31”w x 25”d x 35”h, very good original condition 400-600 796. Stilnovo table lamp, Italy, black shade supported by four brass arms, adjustable, original finish, signed with Stilnovo label and impressed marks on side of base, 4”w x 5.5”d x 25”h, very good original condition 1000-1500
797. Pozzi and Verga desk, Italy, black lacquered wood form with drop sides, black leather surface, three drawers and one open 798. Tito Agnoli dining table, by Matteograssi, very heavy base wrapped compartment with black leather lining, locking drawers, key missing, in white leather with exposed stitching, round smoked glass top, original finish, signed with "Pozzi Le Sedie Made in Italy" label, as original finish, signed with stamped mark “Matteograssi” on base, shown, 50"w x 23"d x 31.5"h, each drop side is 19.75"w, legs swing 42”dia x 28.25”h, very good condition 500-700 out to support sides, very good original condition 600-800
799. Paolo Deganello "Torso" chaise, by Cassina, original black leather seat cushion, white canvas backrest, light blue and gray legs, black caps to 800. Belux floor lamp, Spain, black enameled metal, articulated arm with feet, attached table with original black finish, signed with Cassina fabric two adjustment points with red trim, original finish, signed with stamped in decking, 65"w x 36"d x 46"h, excellent condition 1000-1500 marks, as shown: 47”h, very good original condition 200-300 150 www.treadwaygallery.com 801. Large Kovacs table lamps, pair, new old stock, white enameled bases and shades, each with three sockets and semi-opaque glass diffuse to top, heavy and well made, 18”w x 12”d x 29”h, very good original condition 600-800
803. O-luce “Wing” lamp, Italy, weighted black enameled base supports a curved arm with an adjustable black plastic halogen light source, signed with O-luce label, 30”w x 55”h, very good original condition 200-300
802. Toshiyuki Kita “112 Kick” tables, pair, by Cassina, black lacquered teardrop-shaped wood tops, two ball-shaped castors, tops swivel, dark gray enameled steel frames, height adjustable, original finish, one signed with Cassina paper label, 18.5”w 19”d x 21”h, very good original condition 600-800
804. Paolo Piva “Divan Adia” sofa/daybed, by B&B Italia, Italy, multi-use form with the original black leather upholstery, two articulated backrests swivel and can be positioned as desired around the seat cushion, two small round table attachments (only one is shown), steel frame, large brass disc feet, original finish, signed with B&B Italia and “Made in Italy for USA” labels, 102”w x 35.5”d x 40”h, seat height: 18.5”, excellent original condition 2000-3000 151 www.treadwaygallery.com 805. Greene ceramic vessel, (two views shown), “The Reunion”, two figures, hand-built, signed “greene” with title, 20”w x 12.5”d x 26.5”h, excellent condition 700-900 806. Zig Zag chairs, pair, cantilevered forms composed of thin wood slats, designer unknown, original finish, unsigned, well made, 14.5”w x 21.5”d x 36”h, very good original condition 1000-1500
808. Greene ceramic vessel, “Six Figures with Mask”, each side features three figures with white crackle glaze, hand-built, signed “greene” on side and titled, 15”dia x 30.5”h, excellent condition 700-900 807. George Nakashima hutch cabinet, cherry, two sliding doors with the original pandanus cloth, four oak shelves, original finish, signed with client’s name (Sawyer), 42”w x 12”d x 48”h, excellent original condition 3500-4500
809. Griffin Okie dining table, USA, solid California walnut, elliptical top over a hand-carved base with four supports, original finish, authenticated by the artist, signed Okie 8 75, 72"w x 39.5"d x 29.5"h, very good original condition 800-1000 152 www.treadwaygallery.com 810. Fine Gene Sherer jewelry cabinet, 1987, solid walnut, large hand- carved torso with eleven spring-loaded, suede-lined drawers, original finish, hand signed, dated and numbered 58, 15”w x 9.5”d x 22”h, excellent original condition 5500-6500
811. Robert Dice craft movement chair, laminated carved oak, 812. Stewart Paul chest, oak, 1976, cantilevered solid wood form with biomorphic frame with dowels that form the seat and backrest, one large drawer with a carved handle, original finish, signed with original finish, signed with carved initials, “78” and “#1”, 23.5”w x carved signature “SP 76”, 34”w x 20.5”d x 22.5”h, excellent original 31”d x 51”h, very good original condition 1000-1500 condition 2000-2500
813. George Nakashima bench/daybed, walnut, long low form with six legs, wood joint details to corners, original finish, unsigned, 96.5”w x 26”d x 14.5”h, very good condition 3000-4000 153 www.treadwaygallery.com 814. Raymond Loewy DF 2000 valet cabinet, by Doubinsky Freres, France, wood and laminate cabinet with unusual molded white plastic drawer fronts and red top and sides, hinged top with interior mirror and removable tray over two single drawers, one double drawer and drop front door at bottom for shoe storage, compartment for hanging clothes in back, interior is dark wood grain, on castors, signed with DF 2000 paper label, all original, 19.75"w x 20"d x 43"h, very good original condition 1800-2200
815. Verner Panton SP-3 light fixture, by Verpan (not by J. Luber), pre-production, chrome-plated Cellidor plastic elements connected by nylon thread, three bulbs, 92"h, includes matching ceiling plate, 15 strips are no longer attached but are included (not shown), unsigned, very good condition 1500-2000
816. Hollen dining set, Houston, Texas, molded plastic bases, round white laminate top, chairs, swivel, original bright red upholstered seat cushions, chairs signed with Hollen, Inc. labels, table: 48"dia x 27"h, chairs: 19"w x 20"d x 38"h, very good original condition 500-700
817. Pierre Paulin Ribbon chairs, pair, by Artifort, dark purple upholstery, each signed with “Artifort design Pierre Paulin” stamp, 40”w x 30”d x 27”h, very good condition 3000-4000 154 www.treadwaygallery.com 818. Torino Robot Puppy lamp, Italy, chrome, 819. Ettore Sottsass “Valentine” typewriter, by Olivetti, 1969, Milan Italy, Pop art lighted eyes, Plexiglas ears, original finish, form in bright red molded ABS plastic, metal and rubber, with carrying case, 15"w x 11"d x 11"h, excellent original also includes Ettore Sottsass Architect and Designer by T. Labaco, published condition 300-400 by Merrell, 13.5”w x 14”d x 4.5”h, excellent original condition 300-500 “It is called Valentine and was invented for use in any place except in an office, so as not to remind anyone of monotonous working hours, but rather to keep amateur poets company on quiet Sundays in the country or to provide a highly colored object on a table in a studio apartment.”
820. Giovannoni & Rodrigo Torres Morfeo sleeper sofa, by 821. Pierre Paulin Mushroom lounge chair and ottoman, by Artifort, round Domodinamica, Italy, polyurethane resin covered with elastic fabric, forms with original dark red stretch upholstery over a fiberglass base, two antennae-like lights, seat unzips to reveal a folding bed frame Artifort and Turner Ltd. labels, 34"dia x 25"h, ottoman: 21"dia x 14"h, with mattress, original orange fabric, 81"w x 35"d x 32.5"h, bed is good original condition 400-600 50"w x 71"d, very good original condition 900-1200
822. Pierre Paulin Ribbon chairs, pair, by Artifort, dark purple upholstery, each signed with “Artifort design Pierre Paulin” stamp, 40”w x 30”d x 27”h, very good condition 3000-4000 155 www.treadwaygallery.com 823. Vistosi table lamps, pair, Italy, large hand blown opaque white 824. Horchow bust planters/vases, two, ceramic with hand-painted glass forms with removable matching inner diffuser, 15"dia x 21.5"h, decoration, 1960s, man and woman, signed with stamped excellent original condition 1500-1800 “Horchow Made in Italy”, 11.5”w x 7.5”d x 15.5”h, very good original condition 300-500
825. Piero Palange & Werther Toffoloni “Hoop” lounge chairs, pair, by Germa Mobili, Italy, beech wood frames with replaced tan saddle leather upholstery, original finish, unsigned, 31"w x 28"d x 41.5"h, excellent condition 2500-3500
826. Italian cabinets, pair, beech, clean-lined forms with finished backs, each with four drawers with round cutout pulls, maker unknown, original finish, unsigned, 39”w x 18”d x 28.5”h, excellent original condition 600-800 156 www.treadwaygallery.com 827. Roger Capron coffee table, France, 1950s, glazed stoneware tiles 828. Jasper Morrison “Glo-ball” table lamp, by Flos, Italy, opaque frosted in a wood frame with round legs, tiles with natural glaze, gray glaze, white glass, dimmer switch, signed with Flos paper label, 16”dia x and one with dark green glaze, original finish, 38.5”w x 26.5”d x 13”h, 15”h, excellent original condition 400-600 one leg needs repair, very good condition 800-1000
829. Midcentury Italian lounge chairs, pair, molded wood armrests form the front legs which become thicker at the base, thick seats with a flat front edge, reupholstered in tan leather, refinished, 29.75”w x 31”d x 31.5”h, frames in very good condition, leather is in excellent condition 1200-1500
830. Tommaso Barbi floor lamp, Italy, 1970s, a large 831. Midcentury Italian club chairs, pair, rounded forms with curved details, small brass leaf shade is supported by a brass floor tapered wood feet, reupholstered in black linen fabric with welted trim, unsigned, ring, original finish, 20"w x 20"d x 71"h, leaf is 35”w x 32”d x 29”h, restoration to feet, otherwise very good condition 800-1000 19"w, excellent original condition 900-1200
157 www.treadwaygallery.com 832. 1960s Arco style floor lamp, white Italian marble base supports a tubular chrome and steel curved standard, chrome shade, shade is 13”dia, 75”h, good original condition 400-600
833. 1970s chandelier, aluminum structure, six blown glass shades, conical ceiling cap, unsigned, 21”dia x 19.5”h, very good original condition 400-600
834. Lino Tagliapietra for Effetre table lamps, two, Italy, white glass encased in clear with vertical black lines, unsigned, small: 17"h, large: 27"h, mint condition 800-1000
835. Sergio Mazza “Alfa” table lamp, by Artemide, black marble base, ribbed glass shade, signed with paper labels, 11.75”dia x 19.5”h, excellent original condition 400-600
836. Milo Baughman lounge chairs, pair, by Thayer Coggin, chromed metal frames with padded armrests and tufted cushions with the original patterned upholstery, 30"w x 32"d x 28.5"h, excellent condition 1000-1500
837. Fritz Haller cabinet, by Herman Miller, black lacquered sheet metal structure connected by chromed steel fittings, one drop-front door, no key, laminate top, original finish, 60"w x 21"d x 29"h, very good condition 400-600 158 www.treadwaygallery.com 838. Milo Baughman dining chairs, four, by Thayer Coggin, square tubular frames, original brown velvet upholstery, signed with Thayer Coggin labels on three, 20”w x 22.5”d x 36”h, very good original condition 400-600
839. Milo Baughman lounge chair, by Thayer Coggin, chromed metal frame 840. Karl Springer style coffee table, rectangular wood top covered in with padded armrests and tufted cushions in the original dark gray faux parchment, polished chrome base, clear finish, unsigned, 48"w x fur upholstery, 30"w x 32"d x 28.5"h, excellent condition 500-700 30"d x 20.5"h, original finish, excellent condition 700-900
841. Paul Evans Cityscape executive desk, by Directional, patchwork burled wood form with seven drawers, base and sides covered with vertical chrome plated strips, signed "An Original Paul Evans," original finish, 60"w x 32"d x 29.5"h, some wear to chrome and small veneer chips, otherwise very good condition 3500-4500 159 www.treadwaygallery.com 842. Midcentury blown glass lamps, pair, opaque frosted white glass 843. C. Jeré wall sculpture, leaves and flowers, signed “C. Jeré 1974” with silver and gold coin decoration, original shades with matching label, 25”w x 55”h, very good original condition 500-700 finials and glass diffusers, unsigned, overall: 32"h, excellent original condition 300-400
844. Mastercraft chairs, pair, brass frames with upholstered seats and 845. Bernhard Rohne coffee table, by Mastercraft, large square wood backrest, continuous tube forms the front legs and backrest, 24"w x form with acid-etched brass trim plates to edges, inset glass top with 19.5"d x 33.5"h, very good condition 200-300 beveled edge, 40.25"sq x 18"h, excellent original condition 400-600
846. Mastercraft dining table, USA, solid brass frame supports an inset glass top with beveled edge, 60"sq x 40"d x 29.25"h, excellent condition 700-900 160 www.treadwaygallery.com 847. Maison Jansen Campaign folding chair, France, 1960s, patinated brass and brushed steel frame, original black leather sling backrests, armrests and seat cushion, original finish, 24.5”w x 35”d x 36”h, very good original condition 800-1000
848. Maison Jansen tables, pair, France, 1960s, tall forms on three legs with brass hoof feet and ring details, nickel-plated steel and brass, black marble tops, original finish, unsigned, 13”dia x 39.5”h, very good original condition 2000-3000
849. Maison Jansen campaign bed, France, 1960s, nickel-plated steel and brass, 38”w x 86”d x 40”h, very good original condition 1500-2000 161 www.treadwaygallery.com 851. C. Jeré Raindrops wall sculpture, chromed metal disks and half- globes, original finish, signed with “C. Jeré 1971”, 34”w x 8”d x 22”h, very good original condition 1000-1500
850. Fine T.H. Robsjohn-Gibbings floor lamps, pair, by Hansen, New York, polished chrome cross-shaped bases, original white paper shades, three sockets turn on and off by way of an integrated handle switch on the chrome standard, each stamped on base “Hansen Lamps New York”, 16.75” x 16.75” x 56”h, shades are 15”dia, excellent original condition 3000-3500
852. 1960s Italian lounge chairs, pair, square chrome frames, tufted black leather seat cushions and flexible backrests, nicely made, original upholstery, unsigned, 25”w x 25”d x 28”h, excellent original condition 600-800
854. Large C. Jeré tree sculpture, rounded chrome petals, black stem over a wood 853. 1960s lounge chairs, pair, polished chromed steel frames, dark-stained bamboo block base with chrome plate to surface, armrests with wrapped leather trim, rubber supports under seats, original Larsen original finish, signed with metal plaque upholstery, unsigned, 24.25"w x 30"d x 28.5"h, excellent original condition 700-900 on base “C. Jeré 74”, 21”dia x 47”h, slight bend to stem, otherwise very good original condition 1500-2000 162 www.treadwaygallery.com 855. Bill Robertson (American, 20th century) frieze, 1970s, fiberglass, nudes in heavy relief, original finish, signed “Robertson” at lower center, 75"w x 6"d x 33"h, condition 800-1000
856. Charles Ringer “Poppies” sculpture, 1986, black enameled and 857. 1960s rug, by Regal Design Studio, titled “Forté”, nylon, grid-like polished steel, three weighted and balanced arms that rock gracefully, composition in orange and yellow with repeating square border, 92” x round base with white marble surface, signed on base “Charles Ringer 104”, labeled, very good condition 400-600 1986”, 36”w x 40”h, excellent original condition 2000-3000
858. Brueton lounge chair and ottoman, USA, tubular chromed metal frames, original black leather upholstery, original finish, signed with Brueton label, chair: 27.5”w x 39”d x 27.5”h, ottoman: 17.5”w x 2”d x 16”h, excellent original condition 900-1200 163 www.treadwaygallery.com 859. Murano glass table lamps, pair, Italy, translucent amber glass bases with an encased white glass swirl, brass base, unsigned, base: 22.75”h, with shade: 37”h, excellent condition 300-500
860. Venini glass table lamps, pair, attribution, tall form of pink, green, blue and clear glass, no shades, brass and black metal bases, overall: 36"h, some wear to finish of bases, glass is in mint condition 800-1000
861. 1960s ice buckets, two, in the style of Albrizzi, clear solid lucite, each with swiveling lid, unsigned, octagonal: 9.5”dia x 8”h, square: 6.5”w x 9.25”h, both in excellent original condition 200-300
862. Vladimir Kagan armchair, 1960s, barrel-shaped molded and tinted lucite, original velour upholstery and padded armrest, original upholstery, 28”w x 23”d x 26”h, unsigned, very good original condition 400-600
863. James Mont inspired console table and mirror, maker unknown, carved wood with leaf motif and original red lacquered finish, 864. Lucite bar cart, 1960s, clear structure with mirror glass to shelves, console with rectangular glass top with beveled edge, round mirror, metal fittings and handle, on castors, 24.5”w x 16”d x 27”h, unsigned, console: 60”w x 18”d x 29”h, mirror: 44”dia, very good original very good original condition 400-600 condition 600-800 164 www.treadwaygallery.com 865. Fornasetti occasional table, Italy, brass frame with top handle and 866. Venini table lamps, pair, clear, white and light green latticino, tripod base supports a round top decorated with flowers against a black replaced shades with burlap exterior, signed with partial paper label field, original finish, signed with paper “Fornasetti Milan” label, 24” dia x to one, glass: 6"dia x 14"h, overall: 26.5"h, mint condition 700-900 24.5”h, table top is 18”h, very good original condition 500-700
867. Philip & Kelvin LaVerne coffee table, rectangular top with oxen in a landscape over round legs with supportive stretchers, original finish, signed in the surface of the top, 60”w x 24”d x 17”h, excellent condition 2000-3000
868. Salterini patio set, by John B. Salterini, table and six chairs, wrought-iron frames with red finish, chairs with original glossy yellow cushions, table with inset glass top, several chairs with Salterini tags, chairs: 23”w × 20”d × 37”h, table: 42”sq x 29”h, very good condition 400-600
165 www.treadwaygallery.com 869. Ronald Pearson "Vision" sterling silver flatware, by International Silver, 84 pieces (only one place setting and serving pieces are shown), the set consists of 12 six-piece place settings (butter knife, dinner knife, salad/dessert fork, dinner fork, soup spoon, and teaspoon), as well as 6 extra teaspoons and six serving pieces (ladle, serving fork, two serving spoons, sugar spoon and lemon/ pickle fork), stamped marks, wooden storage box included, excellent 870. J.A. Burlini kinetic sculpture, 1972, walnut base supports a metal condition 3500-4000 construction with moving parts, inscribed on base "J.A. Burlini 1972", 22.5"w x 33"h, very good original condition 600-800
871. LeCoultre "Atmos" Perpetual Motion mantle clock, Switzerland, late 1950s, with original carrying case, lacquered brass case, Roman 872. Taxco candlesticks, pair, sterling silver, signed with stamped numerals to dial, signed marks “Playa 925 Hecho en Mexico Sterling Taxco Marcarita” in several places, original with a stylized MV stamp, engraved on bottom “Guy James instructional paper label to top Parke William Chambers Parke Taxco January 1, 1955”, 873. Alfredo Burlini sculpture, of case, runs well, stamped 9.5”w x 10”h, very good original condition 400-500 untitled, 1973, bronze form with serial no. 94149, 7"w over a black lucite base, x 5.25"d x 8.75"h, excellent signed and dated, 6.5"h, original condition 400-600 excellent condition 400-600
874. Harris Strong framed tile mosaic, “Drift Wood”, hand-painted ceramic tiles in a wood frame, signed with paper label, framed size: 43.5"w x 19.25"h, excellent condition 300-400 875. Midcentury candlesticks, pair, maker unknown, large forms in hammered nickel, applied geometric designs of red, white and blue stones, unmarked, removable bobeches, 5.5”w x 15.5”h 300-500 166 www.treadwaygallery.com 876. John Kearney sculpture, rearing horse, 877. Nohr salt and pepper shakers, two, turned 878. Allan Adler shakers, five, sterling silver, welded steel rods, original finish, 10"w wood, cork stoppers, original finish, signed two are 4.5"h, two are 3.25"h, one is x 3.5"d x 12.5"h, excellent original with branded mark “HN”, tall: 8”h, small: 6"h, each stamped “Allen Adler Sterling”, condition 700-900 7.5”h, very good original condition 150-250 excellent original condition 300-400
879. Bode Willumsen & Hans Hansen covered 880. Art Nouveau planter, cast aluminum, 881. Los Costillo Taxco covered vessel, Mexican jar, ceramic with blue and brown glaze, female figures with flowers in relief, silver with inlaid turquoise design and finial, hammered silver lid with bone handle, jar unsigned, 10.5”w x 9”d x 9”h, very impressed mark, 4”w x 4”h 350-550 signed and dated 1938, lid stamped “Hans good original condition 300-400 Hansen Denmark 925”, 4”dia x 4”h, very good original condition 400-600
882. C. Jeré bookends, pair, aluminum with 883. Wilhelm Kage "Argenta" covered tobacco 884. Eugene Deutch bowl, stoneware, blue- brass finish, arrows, each signed “C. jar, for Gustavsberg, green glaze with silver green glaze to interior, signed “E. Deutch”, Jeré”, 4.5”w x 5”d x 4.5”h, very good overlay, marked "Gustavsberg Kage 945" 12"dia x 3.5"h, mint condition 300-500 original condition 300-500 and with Sweden House paper label, 5"w x 5"d x 6"h, mint condition 900-1200
885. 1960s “Love” patio chairs, four, round backrests in painted metal spell the word LOVE, repainted, no seat cushions, 16.5”w x 19.5”d x 33.5”h, very good condition 400-600 167 www.treadwaygallery.com 886. Alessandro Mendini kitchen utensil set, attribution, Italy, enameled metal and beech storage rack, utensils with natural and stained beech handles, partial decal to back appears to read “Valteluna”, rack is 15”w x 3”d x 8”h, very good original condition 200-300
887. Cenedese bottle with stopper, Italy, yellow-green glass with red murrines, 4"dia x 16"h, mint condition 300-500
888. Gambone vase, Italy, cylindrical form, 889. Michael and Frances Higgins dropout bright orange glaze with horizontal bands, bowls, three, thick multi-layered forms of signed “Gambone Italy”, 4.25"w x 7.5"h, glossy fused glass in orange, yellow and mint condition 100-200 green, designed to be slightly irregular in shape, each with etched signature "higgins", yellow: 9”dia, green: 8.25”dia, orange: 8”dia, mint condition 300-500
890. Vistosi vase, Italy, cylindrical clear glass 891. Kent Ipsen glass object, 1968, clear 892. Murano table lamp, Italy, yellow glass with blue and green murrines, signed with green glass with a large central inclusion, with partially embedded jewel-like glass engraved marks “Vistosi 76", 7.25"dia x signed “Kent Ipsen 1968”, 4.75”h, mint elements in green, red, white and gold, 7.75"h, mint condition 300-500 condition 200-300 gold leaf inclusions, alabaster and brass base, unsigned, glass only: 20.5"h, mint condition 400-600 168 www.treadwaygallery.com 893. Lalique crystal dish, France, clear glass 894. Lalique black crystal dish, France, oval 895. Lalique crystal “Isere” door handle, with acid-etched maple leaf design, form with matte acid-treated decoration France, thick fluted glass with chrome signed “Lalique France”, 9.5”dia, mint around rim, signed “Lalique France”, fittings, signed “Lalique France”, 7”dia x condition 200-300 10.75”w x 9”d, mint condition 150-250 4”d, light scratches to metal, glass is in mint condition 400-600
896. Lalique crystal “Roscoff “centerpiece bowl, France, repeating fish head motif to rim with three-dimensional water droplets to back side, signed “Lalique France”, 14”d x 2.75”h, mint condition 700-900
897. Lalique brandy snifters, six, France, crystal, in the original box, each signed “Lalique France”, 3.5"dia x 5"h, mint condition 600-800
898. Mark Peiser glass vase, multi-colored pulled leaf design, signed “Mark Peiser 1969”, 7”dia x 7”h, mint condition 300-500 899. Large Seguso bowl, attribution, black glass with swirled gold inclusions, unsigned, 21.5”w x 7.75”d x 4”h, excellent original condition 200-300
900. Barovier & Toso vase, bulbous form of clear glass with fine red latticino, applied white lip to rim, signed “barovier & toso 901. Baccarat crystal goblets, set of seven, each stamped murano” label, 7.25”dia x 5”h, residue to "Baccarat France", 3.5"dia x 4.5"h, mint condition 600-700 interior, good condition 200-300 Provenance: Han Schroeder, former architectural assistant to 169 Details / Phone bids call: (708) 383-5234 or (513) 321-6742 Gerrit Rietveld and daughter of Truus Schroder-Schraderwww.treadwaygallery.com 169 902. Edward Wormley desk, by Drexel, 1950s, 903. Edward Wormley lounge chair, by 904. Edward Wormley coffee table, by Drexel, elm, inset green leather top, gallery two Dunbar, ebonized mahogany frame with elm frame with original dark gray/green sliding doors, two shallow drawers under caned sides, pivoting backrest, original leather, original finish, signed with Drexel top, one medium drawer and one large Jack Lenor Larsen silk upholstery with stenciled marks, 30”w x 30”d x 16.5”h, drawer with original vertical slats for files, metallic threads, original finish, signed with good original condition 200-300 back is finished, signed with branded Drexel rectangular brass tag, 26”w x 25”d x 27”h, mark, original finish, 54”w x 32.5”d x 35.5”h, very good original condition 400-600 very good original condition 500-600
905. Edward Wormley lounge chairs, pair, by Dunbar, ebonized 906. Edward Wormley lounge chairs, pair, by Dunbar, mahogany frames mahogany frames with caned sides, pivoting backrest, original Jack with subtle shaping, down-filled backrest cushion, original striped Lenor Larsen silk upholstery with metallic threads, original finish, upholstery, signed with Dunbar fabric in cushion decking, 30.5”w x signed with rectangular brass tag, 26”w x 25”d x 27”h, very good 34”d x 28”h, good original condition 1200-1500 original condition 800-1000
907. Edward Wormley sofa, by Dunbar, floating backrest, mahogany frame with exposed supports to back, tufted seat and backrest, curved armrests, replaced upholstery, 88”w x 30”d x 28”h, some regluing to frame, very good condition 2500-3500 170 www.treadwaygallery.com 908. Edward Wormley cabinet, by Dunbar, USA, 1950s, walnut case with slab sides, four cabinet doors decorated with antique carved Japanese print blocks, three doors are spring-loaded, one door locks, four rosewood drawers under doors, shelves to interior, signed with rectangular brass Dunbar tag, 65.5”w x 13.5”d x 41.5”h, original finish, one key, light wear to top, very good original condition 2000-3000
909. Edward Wormley dining chairs, six, by Dunbar, dark mahogany frames with caned backrests, original leather upholstered removable seat cushions, original finish, all signed with green metal tags, 22.5”w x 21”d x 32”h, very good original condition 1500-2000
910. Edward Wormley drop-leaf Extension Dining Table, by Dunbar, model 4576, dark mahogany, versatile form with drop sides and five 14” leaves in the original crate, original finish, signed with green metal Dunbar tag, with sides down: 42”w x 28”d x 29.5”h; 58”d with sides up, with leaves: 126.75”d, light wear, very good original condition 1000-1500 171 www.treadwaygallery.com 911. Edward Wormley folding console table, by Dunbar, mahogany, 912. Edward Wormley corner table, by Dunbar, triangular top with lip to rectangular top opens to double the surface area, tapered legs, edge and slight curve to front edge, curved front stretcher, subtle original finish, signed with green metal Dunbar tag, 54”w x 34”d x design details, original finish, signed with rectangular brass tag, 48”w 27”h, closed: 17”d, excellent condition 900-1200 x 23”d x 24.5”h, small area of damage to front edge, good original condition 500-700
913. Paul McCobb server, by Calvin, dark stained cabinet with one door and 914. 1950s tea cart, maker unknown, three caned shelves with protective one drawer with slide-out work surface, one shelf, laminated top, brass glass, metal handles, wreath and arrow decoration at each end, original and wood handles, brass frame, castors, original finish, signed with Calvin finish, 37”w x 16.5”d x 36.5”h, excellent original condition 300-500 metal tag, 39”w x 18”d x 18”h, excellent original condition 700-900
915. Edward Wormley sofa, by Dunbar, 1940s, tufted backrest, tapered dark wood legs, original blue wool upholstery, unsigned, 96”w x 33”d x 31.5”h, good original condition 1000-1500 172 www.treadwaygallery.com 916. T.H. Robsjohn-Gibbings coffee table, by Widdicomb, ebonized wood base supports 917. Edward Wormley occasional chair, by a replaced faux marble composite top, base is signed with Robsjohn-Gibbings/ Dunbar, white upholstery, tapered dark- Widdicomb and stenciled 3/54, 54”w x 24”d x 14”h, excellent condition 600-800 stained wood legs, original upholstery, original finish, 25”w x 27”d x 34”h, good original condition 200-300
918. T.H. Robsjohn-Gibbings dining table, by Widdicomb, mahogany, 919. Edward Wormley cabinet, by Dunbar, mahogany, No. 4566, six elliptical top with inlaid detail to top, tapered legs with square block drawers, five drawers with angled fronts, inset glass to top, original detail, one 22" leaf (not shown), stenciled date 8/56, Widdicomb dark finish, signed with Dunbar paper label, 42”w x 19”d x 33”h, light label, model 4312, original finish, 60"w x 40"d x 29.75"h, very good wear, very good original condition 600-800 condition 200-300
920. Edward Wormley dining chairs, by Dunbar, four, 1940s, wood frames with semi- opaque lacquered finish, original leather seats and backrests with brass tack trim, original finish, unsigned, 20”w x 22.5”d x 34”h, very good original condition 800-1000 173 www.treadwaygallery.com 921. Paul McCobb bench and pair of cabinets, by Winchendon, 922. Stiffel table lamp, USA, 1950s, brass rocket ship base, original removable cabinets with natural wood sliding doors and black period shade, 10”dia x 29”h, very good original condition 200-300 stained exterior, refinished, 48”w x 18”d x 34”h, one sliding door is warped, very good restored condition 600-800
923. Paul McCobb dining table and chairs, by Calvin, mahogany, custom-made table with subtly tapered top and brass stretchers, four 12" leaves in the original box, drop-down legs support top when leaves are in use, five chairs with subtle v-backs, one armchair, original finish to all, table marked with metal tag, 72"w x 38"d x 29"h, 120" with all four leaves inserted, original custom table pads included, chairs: 18"w x 18"d x 35"h, very light wear, excellent original condition 1000-1500
924. Midcentury mirror, brass frame with marble inserts, 20”w x 46”h, unsigned, very good condition 200-300
174 www.treadwaygallery.com 925. Rembrandt table lamps, pair, USA, 1950s, bases of tapering wood 926. Paul McCobb end tables/night stands, pair, by Calvin, from the bases with vertical grooves and brass, original glass diffusers and Linear Group, walnut frames with metal trim, each with one shallow silk shades with original finials, each with Rembrandt label, bases: drawer, each with Calvin label, refinished, 21”w x 21”d x 24”h, very 21.75”h, with shades: 43”h, excellent original condition 300-500 good condition 400-600
927. Paul McCobb dining table, by Calvin, round mahogany top over tapered legs with brass stretchers, top expands to accept two 12.5" leaves, as shown closed: 44"dia x 29.25"h, with two leaves: 82"w x 44"d, all with original finish, signed with Calvin metal tag, good original condition 300-500
928. Henredon server cabinets, pair, each with two carved doors, original faux goatskin finish, interiors consist of one drawer over one shelf, metal tag to each, branded Henredon mark in drawer, each is 36"w x 18"d x 33.25"h, very good original condition 600-800 175 www.treadwaygallery.com 930. Swedish occasional table, teak, thick round removable top over a folding base, original finish, stamped “Made in Sweden”, 21”dia x 17”h, excellent condition 100-200
929. Danish Modern planter cabinet, teak, small cabinet with three drawers, removable copper insert, lower slatted shelf, original finish, stamped VM Made in Denmark, 38”w x 13”d x 22”h, very good original condition 300-500
931. Rene Drouet coffee table, France, c.1930, sycamore with painted bronze trim, mirrored glass top, original finish, unsigned, 36”w x 19.25”d x 20.5”h, very good original condition 400-600
932. Danish floor lamp, brass and wood, pleated shade, original finish, unsigned, base only: 50”h, with shade: 64”h, very good original condition 300-400 933. Bruno Mathsson coffee table, by Dux, Sweden, round travertine top with notches for the four beech leg posts, metal cross-stretchers, original finish, marble is stamped “Made in Italy”, 40"dia x 15"h, excellent condition 400-600
934. Danish cabinets, pair, teak, each with three drawers with cutout pulls, square legs, original finish, each signed with “Made in Denmark” stamp and maker’s stamp, 36”w x 18”d x 29”h, very good original condition 400-600 176 www.treadwaygallery.com 935. Danish teak wall mirror, oral, original finish, 936. Borge Mogensen game or dinette table, 937. 1960s floor lamp, teak, fabric cylinder stamped “Made in Denmark”, 24”w x 1.5”d x by Frederica Stolefabrik, Denmark, shade, original finish, 9.5”dia x 40”h, very 36”h, excellent original condition 300-500 square beech top over oak legs, original good original condition 200-300 finish, signed, 35.25”sq x 29”h, excellent condition 100-200
938. Nanna Ditzel style lounge chairs, pair, wood frames, upholstered 939. Midcentury console cabinet, rosewood, rectangular top over tapered seats and floating backrests, reupholstered, original finish, 26.5”w x legs, two drawers with the original pulls, original finish, unsigned, 24.5”d x 28”h, very good condition 600-800 48”w x 15”d x 29”h, very good original condition 400-600
940. Koefoeds rosewood dining table and chairs, Denmark, round table with one leaf, chairs with vertical slat backs, unsigned, original finish, table: 48”dia x 28.5”h, chairs: 19.5”w x 22”d x 38.5”h, excellent condition 1200-1500 177 www.treadwaygallery.com 941. Cedric Hartmann style floor lamp, brass, 942. Moroccan rug, hand-knotted thick pile 943. Lightolier floor lamp, USA, black T-shaped base, triangular shade, knob natural wool, cream field with geometric enameled metal base supports three replaced, unsigned, as shown: 12”w x 12”d x black decorations and black border, plastic shades in red, black and white, 40”h, very good original condition 400-600 braided fringe at one end, 61” x 94”, 65.5”h, some fading, very good original excellent original condition 600-800 condition 100-200
944. Tommy Parzinger for Willow & Reed cabinet, three drawers with 945. Milo Baughman Scoop chairs, pair, by James Inc., curved seats over curved black brass handles, stained burlap sides, white laminate top, original rod bases, original tan vinyl upholstery, original finish, signed with James Inc. label, finish, 36"w x 17"d x 30"h, excellent original condition 400-500 26.5”w x 28”d x 28”h, fading to upholstery, very good original condition 500-700
946. Tommi Parzinger work tables, pair, by Parzinger Originals, white laminate tops over black enameled metal bases, one with branded Parzinger Originals mark underneath top, original finish, 43”w x 30”d x 30”h, very good original condition 400-600 178 www.treadwaygallery.com 947. Nessen marble table lamps, pair, brass 948. Italian glass table lamp, blue glass over 949. Nessen table lamps, pair, square wood fittings, no shades, one signed with a lucite base, lucite finial, dated 1979, bases, polished steel stems, replaced Nessen label, bases stamped “Made in signed with illegible signature, glass only: shades, original finish, signed with Italy”, marble: 7”w x 3.5”d x 17”h, chips, 20”h, excellent condition 100-200 Nessen paper label, bases: 6”sq, as good original condition 300-400 shown: 28”h, stain to one base, otherwise very good original condition 400-600
950. Andre Dupre Stacking Chairs, by Knoll, set of 8, tubular chrome frames with off-white nylon cord seat and back, manufactured 1947-1966, 16"w x 17"d x 34"h, very good condition 400-600
951. Salterini cantilevered patio chairs, pair, rounded seats with removable footrests (one shown, two included in the lot), footrests may not be original, original finish, chairs: 30”w x 26”d x 32”h, footrests: 18”w x 29”d, one footrest needs repair, otherwise very good original condition 300-500
952. Midcentury sofa, maker unknown, slat seat and four separated backrest cushions, supported by a black enameled metal frame with exposed back supports, reupholstered, original finish, unsigned, 93”w x 24.5”d x 31”h, some wear to fabric, very good condition 700-900 179 www.treadwaygallery.com 953. Craig Nealy chairs, four, by Glenn of California, hardwood frames with original black leather woven seats and sling backrests, unsigned, original finish, 19"w x 18"d x 30"h, very good condition 600-800
954. Craig Nealy chairs, pair, by Glenn of California, hardwood frames with original black leather woven seats and sling backrests, unsigned, original finish, 19"w x 18"d x 30"h, very good condition 300-500
955. Harvey Probber cabinet, by Harvey Probber Inc., ebonized oak 956. Harvey Probber coffee table, round walnut top with terrazzo insert, case with eight drawers with rosewood fronts, original drawer pulls, dark stained frame with reverse tapered legs and brass caps to feet, original finish, unsigned, 14”w x 15”d x 36”h, wear to finish, good original finish, terrazzo marked with a paper Portugal label, 45”dia x original condition 500-700 16”h, insert is 18”dia, excellent original condition 800-1000
957. Harvey Probber cabinet, by Harvery Probber, Inc., rosewood case with six drawers, original metal pulls, original finish, stenciled mark to back “47201-02”, 60”w x 18”d x 30.25”h, wear to finish, good original condition 300-500 180 www.treadwaygallery.com 958. Midcentury bench, oak frame with black stained legs, three seats upholstered in black vinyl fabric, original finish, signed with Johnson-Handley-Johnson metal tag, 60”w 16.5”d x 15”h, very good original condition 300-400
959. 1960s folding tables, two, possibly by Craft Associates, teak frames 960. Baker armchairs, four, in the style of Wormley’s Riemerschmid with aluminum fittings, 3/8” glass tops, bases fold, original finish, chairs, walnut, seat cushions upholstered in silk fabric, two with coffee table: 53”w x 19”d x15.5”h, end table: 23.25”w x 23.25”d x Baker metal tags, original finish, 25.5”w × 23”d × 31.5”h, very good 20.5”h, excellent condition 300-400 condition 400-600
961. Scandinavian seating unit, teak, four pieces, long sofa, shorter sofa, corner cabinet and coffee table, each sofa with removable caned side panels, each with tapering legs and floating slat backrests, cabinet has sliding doors, back cushions not shown, L-shaped coffee table with teak top and six oak legs, all with original finish, long sofa: 75”w x 29.5”d x 30.5”h, shorter sofa: 47”w, corner cabinet: 42.5”w x 42”d x 32”h, coffee table: 61”w x 34.5”d x 19”h, wear to cushions, good original condition 500-700 181 www.treadwaygallery.com 962. Burke dining chairs, four, in the Style of Saarinen, one yellow seat cushion, original finish, signed, 20.5”w x 20”d x 31.5”h, good condition 200-300
963. 1950s nesting tables, style of McCobb, three, rectangular tops with 964. Donald Drumm coffee table base, USA, cast aluminum, white laminate surface, ebonized legs with tapered cross-stretchers, no top, 31.25”dia x 15”h, very good condition 200-300 unsigned, large: 32.5"w x 25.5"d x 21.25"h, good condition 200-300
965. Midcentury coffee table, maker unknown, solid wood frame with metal supports and a metal grid layer, original glass top, unsigned, 61”w x 24”d x 17.5”h, chip to glass, very good condition 400-600
966. Thonet armchairs, pair, molded oak plywood, painted white finish, padded cushions with geometric 967. Thonet armchair, molded oak plywood, original black and white upholstery, 26.5”w x 26.5”d x 40”h, excellent restored condition 300-400 finish, signed with Thonet label, 26.5”w x 26.5”d x 40”h, very good condition 100-200
182 www.treadwaygallery.com 968. Kai Christensen nesting tables, set of three, teak, smallest with a 969. Danish magazine rack, rosewood frame supports a canvas sling, caned shelf, original finish, largest: 25.75”w × 14”d × 20.5”h, very original finish, signed with Bent Silberg’s Mobler Denmark label, 18”w good condition 200-300 x 18.25”d x 18”h, very good original condition 100-200
970. Dunbar style Sheaf of Wheat occasional table, 1960s, walnut base, 971. John Keal coffee table, attribution, by Brown-Saltman, walnut removable travertine top, unsigned, original finish, 21”dia X 20.5”h, divided top slides open to reveal a black surface, unsigned, fully excellent condition 200-300 open: 88″w, closed: 66″w × 24″d × 16″h, original finish, very good condition 300-500
972. Erik Buck dining chairs, four, rosewood, high-back forms with original tan faux leather upholstery, unsigned, original finish, 18"w x 22"d x 39"h, very good original condition 400-600
973. Moller dining table, Denmark, oak legs support a teak top, two pull-out leaves are stored under the top, original finish, unsigned, 51”w x 35.5”d x 25.5”h, open: 93”w, some wear to top, good original condition 400-600 183 www.treadwaygallery.com 184 www.treadwaygallery.com 20th Century Art & Design
Galleries Arts & Crafts Department John Toomey Don Treadway Treadway Gallery, Inc. 708-383-5234 513-321-6742 2029 Madison Road [email protected] [email protected] Cincinnati, OH 45208 (513) 321-6742 Fax: (513) 871-7722 Fine Arts Department e-mail: [email protected] Joe Stanfield Lucy Toomey 708-383-5234 708-383-5234 John Toomey Gallery, Inc. [email protected] [email protected] 818 North Boulevard Oak Park, IL 60301 Modern Design Department (708) 383-5234 Fax: (708) 383-4828 Lisanne Dickson 708-383-5234 e-mail: [email protected] [email protected]
Auctioneers Jennifur Condon • Kevin Mannella • Lucy Toomey
Directions Accounting Anne Dickinson 708-383-5234 [email protected]
Absentee & Phone Bidding Lucy Toomey 708-383-5234 [email protected]
Shipping Information Colleen Trimarco Drew Affeld 708-383-5234 708-383-5234 [email protected] [email protected]
Shipping/Staff The auction is being held at 818 North Boulevard (not to be confused Kevin Mannella • Marty Uribe with North Avenue) in Oak Park, a suburb of Chicago. Bob Yuro • Drew Affeld 708-383-5234 By automobile from the East; take I-90/94 to 290 West Eisenhower X-way to Exit 21B, Harlem go north (right) to North Boulevard, take a right to 818 North Boulevard. Photography Tom Vogel By automobile from the South; take I-57 or I-55 to I-294 (Tri-State 513-321-6742 Tollway) continue north until you come to I-290 (Eisenhower x- [email protected] way) go east on I-290 to Exit 21B, Harlem Avenue, go north (left) approximately 10 blocks under viaduct to North Boulevard, take right to 818 North Boulevard. Catalog Design • Layout • Production Carrie White • Shannon Barnes • Dave Warren By automobile from the West; take I-80 or the East-West Tollway to I-290 (Eisenhower x-way) go east on I-290 to Exit 21B, Har- 513-321-6742 lem Avenue, go north (left) to North Boulevard, take right to 818 North Boulevard. Advertising & Website Development Dave Warren By automobile from the North; take I-90 East to I-294 South, to 513-321-6742 I-290 (Eisenhower x-way) go east on I-290 to Exit 21B, Harlem [email protected] Ave., go north (left) to North Boulevard, take right to 818 North Boulevard. Treadway Gallery Internet Check our site on the World Wide Web for the latest information: http://www.treadwaygallery.com Catalog price - $35.U.S., $45. Foreign Photos: All Rights Reserved ©2012 Treadway Gallery
185 www.treadwaygallery.com TERMS OF SALE: Cash or check with positive I.D. Auctioneer determines the highest bidder and resolves any disputes. All purchases are subject to state tax unless buyer has proof of exemption or merchandise will be shipped out of state, other than Ohio, no exceptions. Buyers premium is 22%, if bidding by phone or absentee directly through the Gallery, if bidding via internet buyers premium is 25%. Forms of payment accepted; Check, Money Order, Bank Wire, Amex, Visa or MasterCard, please note; there is an additional 2.5% added to your premium if paying by credit card. If you are a resident of Illinois or Ohio, OR are picking up your purchase at our gallery, you must pay sales tax unless you have a valid tax ID number.
Jurisdiction: Buyer agrees that the state and federal courts in Hamilton County, Ohio or Cook County, Illinois shall have exclusive jurisdiction over all matters arising out of the Buyer’s purchase of items from Treadway/Toomey Galleries, and that service of process in any such proceeding shall be effective if mailed to Buyer at the Buyer’s address supplied to Treadway/Toomey Galleries.
Late Payments/Default Rates and Fees: If any payment is not paid when due or within 10 days thereafter, or if Buyer defaults in its dealings with Treadway/ Toomey Galleries or breaches Buyer’s obligations, Buyer agrees to pay to Treadway/Toomey Galleries all damages and attorneys fees and expenses, together with interest at the highest rate allowed by law or 21 percent per annum. Treadway/Toomey Galleries may impose, and purchaser agrees to pay a monthly storage charge of 1.5 percent of the purchase price as well as a monthly interest charge of 1.5 percent for any lot or item not paid for or removed by purchaser within 10 days of the sale. Treadway/Toomey Galleries shall have no liability for any damage to property left on its premises after the date of sale. In addition, Treadway/Toomey Galleries may charge such damages, costs and expenses to any credit card that Buyer has identified to Treadway/Toomey Galleries and Buyer hereby authorizes Treadway/Toomey Galleries to do so.
Delivery to any location other than auction site carries a transportation charge. ••• Please read our guarantee carefully ••• OUR GUARANTEE: We guarantee the authenticity of every item that we sell for 30 days after the auction, except those lots listed as: “in the style of”, “attributed to”, “the school of”, “in the manner of”, or “after”. We are not responsible for errors or omissions in the catalog, or in written or oral condition reports. All measurements are approximate. We make every effort to accurately describe our merchandise, but in the event that errors occur, we cannot be held responsible. It is the bidder’s sole responsibility to be well-informed before bidding. We sell clocks, lamps, and all electrical items only for their decorative value. They are not represented to be in working order, but they may be. Bidding in our auctions indicates that you accept these terms and any announced the day of the sale. Shipping costs are non refundable.
Ceramics offered in this sale are free of repairs, chips or cracks post production unless noted in the description of each lot. Our term “mint” refers to the object being in the same condition that it was in when originally produced. Sizes are approximate. Crazing, surface scratches, firing lines, bubbles, glaze crawls, stilt marks, firing flaws and base flakes will be noted if we feel that they are objectionable. Many of these flaws may have occurred when made. Most ceramics can be crazed, we generally will not mention it. Many producers have ground the bottom of their vases causing minute chips or flakes. Unless we feel that they are objectionable, they will not be mentioned. Grueby and other makers of carved pots or those with high relief will often have flakes on edges of the leaves or points in high relief, we will only mention anything we feel objectionable and will still consider these pieces to be mint. Clewell is copper-clad and patinated; this patina occasionally has small flakes, we mention any we feel is significant. Some framed tiles or plaques may have chips which are hidden by their frames. We will not be responsible for their disclosure unless we feel it is significant. Some pieces will be dirty or stained, this will usually not be mentioned. In any case, if you are particular about minor flaws, you should examine pieces in person or have our staff answer any questions. Please ask questions before you buy.
Furniture has its original hardware and wood unless otherwise noted. Finishes and marks are carefully described. Some original finishes have minor restoration such as added color or a recoating. We will describe to the best of our ability, but it is the buyers responsibility to obtain an in depth description. The wood is oak, unless otherwise stated, and the dimensions are approximate. The furniture is old and over the years has acquired a few dents, drink rings, separations, burns, chips and assorted flaws. We will only mention those that we feel are objectionable. When we describe a piece of furniture as being in “excellent condition”, it generally implies that the finish is original and the structure is in fine shape. A piece that has been totally or partially refinished and is in good structural shape will generally be described as being in “very good condition”. A piece that needs to be refinished or that has a less than stable structural state (i.e. needs gluing, redoweling, etc.) may be generally described as being in “good condition”. The majority of this furniture is ready to be put in the home.
Carpets, Rugs and textiles will be described on their overall condition. A piece that is without holes or major wear, but needing minor side or end repair will be described as in excellent condition. Pieces containing reweaves, re-piling or other professional repairs will be described as in very good condition. Pieces with wear or flaws and possibly needing repair will be described as in good condition. Certain pieces are rare in any condition and may be described as good condition regardless of appearance.
Lamps will be described based on patina and condition of glass. Leaded lamps may have cracked segments, most will. Some parts may have been replaced through the years, and we will mention it if we feel objectionable. Shades with mica may contain minor flaking or burn spots that will be mentioned if we feel objectionable.
Metalwork will be described based on patina and the condition of the object. Dents, scratches, wear and assorted flaws will be mentioned if we feel that they are objectionable. A piece with original patina, free of major dents or scratches usually will be described as in “excellent condition”.
Art Glass will sometimes contain air bubbles, surface scratches, lines in the making and chips to the pontil. We will mention anything that we feel to be objection- able. Some glass may be ground at the factory causing minor chips or flakes. We will mention anything we feel to be excessive. Discoloration on the interior is usually present when originally produced and will not be noted unless we feel it is excessive.
Paintings, Drawings, Prints and Bronzes. We guarantee objects to be an authentic work by the artist listed. Any and all information listed in the catalog that is not printed in bold type is given to the best of our knowledge, is merely our opinion, and is not guaranteed to be correct or authentic. We make every effort to insure that all artwork is authentic and is represented accurately. If the authenticity of a purchased object is contested, it must be made known to us within 30 days of the sale. 1) A written letter from a noted authority presented to us, declaring the object to be executed by someone other than the artist listed. 2) This authority has no vested interest in the artist's work or the estate of the artist. 3) The object is returned to us in the same condition in which it was purchased. The purchase price will be refunded only; there will be no compensation for damages, loss of profit, professional fees, transportation or any other costs.
If you have any questions regarding the condition, we would be happy to provide an opinion of the condition, but all works are sold as viewed. If a work is in obvious need of repair, or has obvious imperfections, we will attempt to note it in the description. If a painting is excessively dirty, we will attempt to note it in the description; however, we do not feel that the normal darkening of varnish over years is problematic, and it will not be noted in the description. If you would like for us to give our opinion regarding whether or not a work needs to be cleaned, please contact us. We believe it is important for you to know the condition of a work before you bid on it. We strongly recommend that you personally inspect potential purchases before the sale, or have your representative inspect it on your behalf. If this is not possible, we urge you to call us for a detailed verbal or written condition report. This report is not a professional conservator's evalu- ation, but is given to the best of our opinion.
186 www.treadwaygallery.com CONDITION REPORTS: It is the buyer’s sole responsibility to be knowledgeable about the condition of the property before bidding. We are open for preview the week prior to every auction, or by appointment. We encourage you to visit and inspect all lots at this time. If you cannot personally examine items, we encourage you to call, e-mail or fax us your condition report requests prior to the sale. Our staff will give you our opinion of condition, answer any questions, and send photos if necessary. This information is solely our opinion and is not to be relied on as representations or statements of fact. It is the buyer’s responsibility to be aware of all conditions, addendums, and corrections before the sale. Condition Reports for the auction are obtainable by contacting the John Toomey Gallery at 708-383-5234, they would be happy to assist you with detailed reports and photographs. Also, all secondary condition reports are listed on our website at the top of each online catalog page. There is a button that says "Condition Reports" that when clicked on, serves as a link to a lot numbered list of reports. Finally, we do our best to place a condition report with every lot listed on Artfact.
PREVIEW: We will have a preview of the items offered in this sale, at the John Toomey Gallery, 818 North Blvd. in Oak Park, on the following dates: Saturday, February 25, 2012 10:00 a.m. - 5:00 p.m., Sunday, February 26, 2012 CLOSED, Monday, February 27, 2012 10:00 a.m. - 5:00 p.m., Tuesday, February 28, 2012 10:00 a.m. - 5:00 p.m., Wednesday, February 29 2012 10:00 a.m. - 5:00 p.m., Thursday, March 1, 2012 10:00 a.m. - 5:00 p.m., Friday, March 2, 2012 10:00 a.m. - 5:00 p.m., Saturday, March 3, 2012 10:00 a.m. - 5:00 p.m. Also open by appointment when available. We're glad to offer an advance preview, usually for six weeks prior to sale date on most of the items in this sale to benefit those traveling through Chicago or for those who may find it inconvenient to preview at our normal times. Call for an appointment if you wish to arrange special viewing or evening viewing and we will try to accommodate you; contact John Toomey or Anne Dickinson at (708) 383- 5234 in Oak Park. We extend this courtesy to all our clients but request an advance phone call to make arrangements. ESTIMATES: Our price estimates are purely that, an estimate, reflecting the range in which the price may fall. This should give buyers an idea of what they should bid in order to have a good chance of being successful. In some cases the price range may be wider than others, due to the uniqueness of the individual piece. A few items have reserves. We implement them to offer items that may not have been available without them. You will find that few of the pieces offered have reserves. In most instances, the reserves will be less than the low estimate.
ABSENTEE BIDS/PHONE BIDS: If you can't attend our sale, it is quite easy to get involved. You can bid over the phone during the sale or leave bids which will be executed by one of our representatives in the audience. When leaving a bid the only disadvantage you have is that you can't advance your bid as you might if you were there in person. Your bids are executed as though you are there in person. We get you into the bidding at the first opportunity to insure your chance of being successful at the lowest price. Because of this, the lot may sell for your highest left bid, but not to you because you were "in" at the previous bid.
We respectfully ask that you refrain from calling during the auction to set up phone or leave absentee bids, as we use these lines to make calls to pre-arranged phone bidders. Advance arrangements are crucial to insure your bids will be handled without problems.
Note: Please try to send in absentee bids and/or arrangements for phone bidding to us as early as possible. We have a limited number of phone lines available, and they do fill up very quickly, so make arrangements early to insure yourself a line. We cannot guarantee you will get a line if you make arrangements later than 5:00 p.m. (EST) on the Friday prior to the sale. Also, please remember we prefer to avoid phone bidding on items estimated under $500. Be sure absentee bids are given in the correct increments (see chart below). Keep in mind, when tie absentee bids come in, we will honor the first one received. However, absentee bids have an equal chance of being successful as do telephone or in-person bids and in no way take precedence. Again, please mail, fax or phone in absentee bids prior to 5:00 p.m. (EST) on the Friday prior to the sale, as we cannot guarantee execution after this time. If you mail your bids in, to avoid confusion, please do not also fax them (and vice versa). If you wish to confirm that your bids were received, please phone us. If you phone in to make additions to left bids, be sure you mention that you've already left bids. Call Janet Rogers in Cincinnati with any questions concerning absentee bids or phone bidding. NOTE: PLEASE DO NOT CALL FOR RESULTS OF SALE THE MONDAY AFTER THE AUCTION. WE WILL BE HAPPY TO ASSIST YOU AFTER ALL INFORMATION HAS BEEN CHECKED FOR ACCURACY.
AUCTION INCREMENTS: We use the following increment multiples at our auctions. When leaving absentee bids, please make sure your bids fall within the proper increments. This is crucial to the success of your bids. If your bid is out of increment, we will drop it down to the closest increment.
0-500 $25. increment 3,000-5,000 $250. increment 500-1000 $50. increment 5,000-10,000 $500. increment 1,000-3,000 $100. increment 10,000+ $1000 increment or auctioneer's discretion DELIVERY: We use the safest and most economical methods that we are aware of to deliver purchases. You can obtain estimates for shipping prior to the auction by providing us with a full shipping address and lot(s) you are interested in purchasing. Domestic shipping quote requests must be received three business days prior to the sale; international quote requests must be received five business days prior to the sale. A single piece of furniture shipped within the US will range from $200-600 before insurance; a piece of pottery or glass of average size costs $35-60 before insur- ance; an average sized framed painting will range from $55-95 before insurance. All furniture delivery quotes are for delivery to a first floor or elevator building. Oversized items can cost significantly more to ship. All items are shipped fully insured, unless the buyer sends a signed waiver. If you have questions about the shipping or delivery cost of any item please inquire. The buyer is free to make his or her own shipping arrangements. Treadway/ Toomey Galleries are not responsible for items that are damaged in any way by shippers. If a problem arises, all claims must be settled between the buyer and the shipper.
CONSIGNMENTS WANTED CONSIGNMENTS WANTED
We are seeking fine quality consignments for our auctions. We will match or beat anyone's consign- ment rate for better items. Check with us before going elsewhere; you will be glad you did. We are not limited to our geographic area and can easily arrange shipment of any item. Call or write for a proposal. We are very interested in buying a single piece or any entire collection. Please call us if you have anything to consign or sell.
187 www.treadwaygallery.com 20th Century Art & Design Auction December 4th, 2011 • Sale Results * The prices listed do not include the 20% buyers premium. Results are subject to change.
1 Gustav Stickley desk, #706 8000 93 Heintz humidor, design with a dog and AP&PA 600 2 Gustav Stickley screen, #91 2500 94 Arts & Crafts fire fender 300 3 Gustav Stickley china cabinet 3750 95 Heintz humidor, in bronze 400 4 Gustav Stickley chest of drawers, #902 6000 96 L & JG Stickley bookcase, Onondaga Shops 2400 5 Gustav Stickley beds, pair, #923 4000 97 Roycroft tall pedestal, #080 8500 6 Benedict Studios hanging fixture, attribution 2500 98 Charles Rohlfs desk chair, tall back 8500 8 Gustav Stickley settee, #226 4000 99 Gustav Stickley desk, paneled front 2500 9 Gustav Stickley plaque, #347 2000 100 Gustav Stickley chairs, set of six, #1303 6000 10 Good Gustav Stickley mantle clock, 9000 101 Gustav Stickley library table, #653 3000 11 Gustav Stickley wastebasket, #94 1700 102 Van Briggle vase, c. 1907-1912, Dos Cabesos 2500 12 Gustav Stickley coal bucket, #351 7000 103 Rookwood vase, with stylized animals 1300 13 Gustav Stickley floor lamp, #500 3500 104 Arequipa vase, gray and brown matte glaze 900 14 Gustav Stickley night stand, #642 1300 105 Rookwood jardiniere, cherry design 175 15 Gustav Stickley cellarette, #88 1300 106 Rookwood handled vessel, Limoges 175 16 Gustav Stickley bookcase, #717 10000 107 Rookwood vase, leaves and berries 100 17 Gustav Stickley armchair, #320 1000 108 Rookwood Faience floor vase #467 2500 18 Gustav Stickley armchair, #366 300 109 Cincinnati Art Carved easel 425 19 Roycroft footstool, recovered leather top 1000 110 Rookwood Faience floor vase #467 3250 20 Gustav Stickley lamp table, #654 900 111 Liberty & Co. dish 900 21 Gustav Stickley lamp table, #607 1400 113 Heintz compote, sterling on bronze 150 22 Roycroft lamp, #907 17000 114 Heintz vase, attribution, 125 23 Gustav Stickley desk, #550 6000 115 George Frost match safe, oval shape 425 24 Gustav Stickley Morris chair, #346 950 116 Liberty & Co. box, pewter 850 25 Gustav Stickley Morris chair, #346 1400 117 English Arts & Crafts mirror 1500 27 Gustav Stickley sewing rocker, #303 175 119 Liberty & Co. clock, Tudric 1200 29 Dirk Van Erp lamp 12000 120 Royal Doulton bowl, very large 1500 30 Gustav Stickley side chair c. 1903 Harvey Ellis 12000 121 Liberty & Co. teaspoons, set of six 750 31 Roycroft china, group of fourteen pieces 1600 123 L & JG Stickley sideboard, #735 4500 32 Roycroft china, group of thirty-seven pieces 2300 124 Gustav Stickley server, #818 1400 33 Gustav Stickley chafing dish stand, #352 3500 127 Arts & Crafts table, circular top 500 35 Gustav Stickley tray, #355, oval 950 128 Gustav Stickley trestle table #401 1500 36 Gustav Stickley candlestick, #74 475 129 Arts & Crafts lamp, pyramidal shade with green 325 37 Dirk Van Erp candlesticks, pair 2700 130 Dirk van Erp lamp, riveted shade 30000 38 Grueby tile trivets, two 1700 131 Rohlfs candle stand, tall 9500 39 Gustav Stickley twelve tile tea table 15000 132 Marblehead vase, bulbous shape 325 41 Roycroft candelabra, #419 600 133 Marblehead vase, low shape 225 42 Gustav Stickley copper table articles, group of four 700 134 Marblehead vase, cylindrical shape 500 43 Roycroft candle holders, pair 1000 135 Marblehead vase, shouldered shape 375 44 Roycroft lamp base, #914, with a Steuben shade 6000 136 Van Briggle vase, c. 1916, double handled form 225 45 Roycroft syrup jugs, set of six 200 137 large Marblehead vase, bulbous shape 2000 46 Roycroft lamp, #906 1100 138 Rookwood lamp, tapered pottery base 2600 47 Gustav Stickley book rack 700 139 Limbert table, #120, octagonal top 3500 48 Roycroft frame, triptych form 1700 140 Limbert table, #158, double oval 6000 51 Heywood Wakefield wastebasket 550 141 Limbert pedestal, uncataloged form 4000 52 Gustav Stickley umbrella stand, #382 2300 142 Limbert table, #146, oval top 2200 53 Good Gustav Stickley armchairs, pair, #318 3000 143 L & JG Stickley settle, Prairie form 1200 54 Roycroft Little Journeys stand 600 144 L & JG Stickley dining chairs, set of six 2400 55 Gustav Stickley magazine stand, #72 1400 146 Pewabic vase, double handled shape 1500 56 Stickley Brothers magazine stand, #4702 800 147 Marblehead vase, slender form 900 57 Teco vase, #85, designed by W.J. Dodd 8500 148 Roseville Crocus vase, light blue 400 58 Tiffany Studios/Wheatley Pottery lamp 7500 149 Pewabic vase, small shape 200 59 Teco vase, shape #155 2900 151 Marblehead vase, bulbous form 450 60 Arts & Crafts clock, combined with shelf 275 154 Marblehead vase, large form 700 61 Teco vase, shape #60B Orn, W. D. Gates 600 155 Heintz vase #3621B 550 62 Teco vase, #287, designed by W.B. Mundie 1200 156 Arts & Crafts plates, pair, hammered copper 275 64 Arts & Crafts Morris chair 700 157 Heintz vase, #3688 350 65 Stickley Brothers child’s chair 100 158 Silver Crest vase #B1023 175 66 Stickley Brothers armchair, tall back 350 159 Heintz vase #3581A 325 67 Arts & Crafts chairs, pair, Prairie School design 400 160 Dedham Pottery plate, water lily 75 68 Arts & Crafts child’s chairs, two 75 161 Jarvie bookends, pair 375 69 Stickley Brothers rocker, #891 350 162 Jarvie plate, in hammered sterling silver 650 70 Arts & Crafts office chair, slatted back 250 163 Heintz vase #3659C 250 71 Stickley Brothers sewing rocker, #933 100 164 Heintz vase #3798B 325 74 Rookwood vase, Iris glaze 4250 166 Heintz vase #3592A 275 75 Liberty & Company clock 3000 170 Rookwood handled vessel, detailed berry design 350 76 Liberty & Co. bowl, double handled form 1500 171 Rookwood vase, cherry blossom design 650 77 Weller Sicard vase, bulbous shape 1200 172 Rookwood vase, relief design of an iris 250 78 Bradley & Hubbard lamp, attribution 450 174 Rookwood vase, stylized fuchsia design 425 79 Arts & Crafts pillow, design of red roses 375 175 Rookwood vase, Venetian scene 2000 80 Arts & Crafts pillow, design of flowering trees 450 176 Rookwood jardiniere, Arts & Crafts geometric design 375 81 Pittsburgh lamp, bronzed metal base 375 179 Gustav Stickley umbrella stand, #54 550 82 Heintz frame, applied US military symbols 125 180 Gustav Stickley chair, c. 1901, three vertical slats 1800 83 Teco vase, #266, designed by W.B. Mundie 1500 182 Gustav Stickley bed, #912 3000 84 Arts & Crafts pillow, design of yellow roses 550 184 Gustav Stickley chest of drawers, #621, c. 1902 6000 85 Teco vase, #432, designed by W.D. Gates 1300 185 Kalo goblets, pair 550 86 Silver Crest vase 225 187 Charles Binns vase, bulbous hand-thrown shape 1500 87 Arts and Crafts library table 600 188 Pewabic vase, unusually large bulbous form 1600 88 Heintz vase #3641 250 189 Arts & Crafts lamp with green slag glass 250 89 Gustav Stickley secretary, designed by Harvey Ellis 27000 190 Arts & Crafts dresser mirror 300 90 Teco tray, #307, designed by W.D. Gates 275 191 Arts & Crafts lamp bronze base with tree motif 1600 91 Jarvie Art Nouveau candlesticks, pair 2600 192 Gustav Stickley footstool, #729 750 92 Arts & Crafts charger, hammered copper 475 193 Gustav Stickley tea table, #604 800
188 www.treadwaygallery.com RESULTS - December 4, 2011 - Hammer Prices 194 Stickley Brothers footstool, recovered leather seat 250 293 Heintz vase #6596 375 195 Stickley Brothers magazine stand, #4743 700 294 Handel lamp, pine needle designs 2500 196 Limbert magazine stand #304 1200 295 Fulper lamp, green crystalline glaze 1300 197 Arts & Crafts magazine stand, caned sides 300 298 George Ohr vase, charcoal glaze 550 198 Handel floor lamp, harp base 475 299 Forest Craft Guild blotter ends 175 199 Limbert cube chair, with three vertical slats 4500 300 Navajo rug, serrated diamond pattern 550 200 Limbert wash stand, copper top 2800 301 Lifetime bookcase, similar to #7630 1100 201 Stickley Brothers coat rack, #187 600 302 The Greatest Mother in the World, vintage poster 225 202 Gustav Stickley silverware chest, in chestnut 4000 303 California tile-top table, eight tiles, bird 75 203 Jervis handled vessel painted ducks 300 304 Arts & Crafts table, wrought iron base 100 204 Roseville Futura vase in red 150 307 Edward Sheriff Curtis In Black Canyon, 1500 205 Norse bowl, footed shape 100 309 Mono Lake Paiute coiled basket 600 206 Weller Etna mug with a Weller Etna vase 125 310 California coiled basket, possibly Mission 425 208 Weller Louwelsa vase with Weller Louwelsa vase 150 311 Northwest California twined basket 500 209 Roseville Futura vase, in brown, blue and green 375 312 Edward Sheriff Curtis The Piki Maker, 2400 210 Roseville Futura vase, unusual green glaze 450 313 Northwest California twined basketry hat 7.5w 425 211 Roseville Futura vase with green leaf design 275 314 Northwest California twined basketry hat 6.75w 425 212 Roseville Futura vase, green with flame design 700 315 Tlingit basket, cylindrical shape 500 213 Roseville Futura vase, red with geometric design 150 317 The Arts & Clay Co. tile, tile: 9w x 11h 425 214 Roseville Futura vase, brown with green geometric design 550 318 Common Ground Pottery vase, mushrooms 275 215 Gustav Stickley table, c. 1901, dramatic design 8000 320 Common Ground Pottery vase, cats 450 217 Dirk Van Erp lamp, riveted three-panel mica shade 26000 321 Common Ground Pottery vase, grapes 350 218 The Art that is Life poster 150 322 Common Ground Pottery vase, grasshoppers 325 219 Harden table, thru-post top 1000 323 Common Ground Pottery, lilies 350 220 Arts & Crafts textile, stylized pine cone 250 324 The Arts & Clay Co. tile, tile: 5.25w x 10.5h 275 221 Roycroft bowl, footed form 1100 325 Common Ground Pottery vase, dragonflies 375 222 Old Mission Kopperkraft bowl, made by hand 450 326 Old Hickory style side chairs, set of four 750 223 Stickley Brothers telephone stand and chair 650 328 Gustav Stickley armchair, #60 3250 224 Grueby fountain tile, large diamond shape 350 329 Old Hickory style settee 275 225 Malibu Pottery tile, floral design 100 330 Old Hickory style console table 600 226 Arts & Crafts textile, lace border 175 331 Frank Lloyd Wright mirror, Taliesin 550 227 Arts & Crafts desk, two drawers and letter rack 450 332 Frank Lloyd Wright sectional sofa, Taliesin 5500 228 Arts & Crafts textile, brown and pale blue 175 333 Frank Lloyd Wright coffee table, Taliesin 1200 229 Gustav Stickley book rack, #74 2500 335 Frank Lloyd Wright dual table, Taliesin 375 230 L & JG Stickley lamp table, #542 2200 336 Frank Lloyd Wright chair, Peacock 10000 231 Shop of the Crafters side chairs, pair, #320 1300 337 Louis Sullivan architectural block 950 232 Weller Rhead Faience vase, geisha 1500 338 Frank Lloyd Wright poster 450 233 Weller Aurelian vase, painted poppy 500 339 Frank Lloyd Wright dresser, 34h, shelf at top, Taliesin 1400 234 Weller Rhead Faience, figure holding an instrument 700 340 Frank Lloyd Wright night stand, Taliesin, script signature 425 235 Saturday Evening Girls vase, yellow 275 341 Frank Lloyd Wright dresser, 53h, Taliesin 1100 236 Newcomb College vase, with moss-laden trees 1200 342 Frank Lloyd Wright night stand, Taliesin, red monogram 550 237 Wheatley vase, green matte glaze 475 343 Frank Lloyd Wright headboard, Taliesin 500 238 Roseville Chloron handled vessel 150 344 Frank Lloyd Wright club chair, Taliesin 2000 239 Weller Rhead Faience vase, tall w/ geisha 3500 345 Frank Lloyd Wright ottoman, Taliesin, Coonley Weave pattern 850 240 Owens vase, large double handled 275 347 Frank Lloyd Wright ottoman, Taliesin, Imperial Crystals pattern 850 241 Arts & Crafts print, titled Herta Zuckermann 200 348 Frank Lloyd Wright chest of drawers, Taliesin 1900 242 Lilian Miller woodcut Rain Blossoms, 1200 349 Frank Lloyd Wright table, Taliesin, circular slate top 2300 244 Arts & Crafts clock, riveted hammered copper 750 350 George Washington Maher game table and two chairs 3000 245 Charles W. Bartlett, woodcut Kobe, 600 353 Morgan Co. hanging light, eight-sided 550 248 Arts and Crafts dining chairs, set of five 650 354 Afshar rug, floral pattern on red 350 249 Stickley Brothers dining table, Prairie School design 2900 355 Art Deco Chinese rug, floral and urn 48 x 70 300 250 Michigan Chair Company table, octagonal top 600 356 Persian Bidjar rug, floral design w/ central medallion 2700 251 Roseville Mostique jardiniere, huge 250 359 Heriz rug, floral design on red 1300 252 Niloak Missionware floor vase 700 360 Ersari rug, geometric pattern, red 650 253 Fulper vase, Cucumber glaze 600 361 Arts & Crafts andirons, pair with crossbar 200 254 Russell Crook vase family of moose 18000 365 Persian Sarouk runner, floral on red 950 255 Teco vase, #273 2800 366 Persian Tabriz rug, 58 x 81, 1800 256 Teco vase, #173 4250 369 Persian Sarouk Mohajeran rug, floral on navy 750 258 important Rookwood plaque, Mountain Lake, 17000 370 Kerman rug, floral with central medallion 850 261 Stickley armchair, #354 -A, V Back 1400 371 Persian Sarouk rug, floral on red field 375 262 Arts & Crafts Morris chair, bow-arm form 2000 372 Persian Bidjar rug, floral w/ central medallion 600 263 Gustav Stickley side chair, #354, V back 400 373 Northwest Persian runner, floral w/ central medallion 1300 264 Arts & Crafts lamp table, Prairie influenced 500 374 Iranian rug, floral on red 2000 265 Gustav Stickley rocker, #2603 800 375 Kazak rug, geometric with medallions 375 266 Stickley Brothers lamp table, similar to #2684 600 377 Arts & Crafts window, landscape with windmill 325 267 Fred Brosi tray, attribution 200 379 Handel lamp green leaf overlay 1800 268 Arts & Crafts mirror, with hooks 700 380 Loetz Figural vase, serpent 550 269 Rare Teco vase, #184 1700 381 Art Glass & Metal Co. lamp, water lily design 3000 271 Teco vase, #336 900 382 Heintz ashtray set, with an Arts & Crafts ashtray 75 272 Teco vase, #51 300 383 Art Glass & Metal Co. lamp, wisteria pattern 2900 273 Teco bowl, #341 1600 384 Handel lily lamp blossoming flower 1200 274 Teco vase, #150 750 385 Handel lamp, attribution, pink flowers 1400 275 Teco vase, #428A 1500 386 Handel lamp, attribution, green bows and pink flowers 1400 276 Teco vase, #435 900 387 Loetz inkwell, attribution, iridescent 200 277 Teco vase, #447 1000 388 Handel lamp, attribution, red and green floral 1300 278 Rookwood vase, Wilhelmine Rehm in 1934 500 390 Zsolnay vase, designed by Sándor Apáti Abt 8000 279 Arts & Crafts textiles, pair, fruit 275 392 Moorcroft vase, wisteria design 7h 375 280 Rookwood vase, sea horse 325 394 Gallé vase brown, green, blue, yellow 3w x 8h 500 281 Group of 3 Weller Louwelsa 150 395 Gallé bowl, cameo cut maple leaf 1300 282 Arts & Crafts textiles, pair, 43.5w x 106l 275 396 Gallé vase, miniature, green on pink 400 283 Rookwood vase, fish designs 225 397 Gallé bowl, large, purple, green on pink 1700 284 Arts & Crafts textiles, pair, 47w x 117l 300 398 Tiffany Studios Nautilus lamp 7500 285 Rookwood vase w/ Rookwood wall pocket 225 400 Tiffany Studios lamp, base Queen Anne’s Lace pattern 4500 286 Arts & Crafts textile, tree designs 275 401 Tiffany Studios floor lamp, amber linen fold 9000 287 Rookwood vase #881E 100 402 Tiffany Studios Counter Balance floor lamp 9000 288 Handel desk lamp three glass panels 1500 403 Amphora vase, double handled with fish 125 289 Roycroft sconces, pair 325 405 Mougin vase, carved figural panel, white and blue 750 290 Heintz desk lamp #5501 500 406 Emile Muller/La Grande Tuilerie d’Ivry vase 2500 291 Silver Crest vase #1010 400 409 Mettlach bowl, long and footed 275 292 Roycroft bookends, pair with rope design 200 410 Reinhold Merkelbach handled vessel, pewter lid 50
189 www.treadwaygallery.com RESULTS - December 4, 2011 - Hammer Prices 411 WMF smoker’s set, all silver-plate 150 554 Jefferson Stephen Ward Mountain Landscape, oil 375 412 Art Nouveau sconce, female face 2400 556 Thomas Moran, group of four chromolithographs 3500 413 Hagenauer tea service, in copper and brass 400 558 Édouard Manet Odalisque, etching 1000 414 L.C. Tiffany bud vase, vertical ribs, iridescence 600 559 Francisco de Goya La Touromaquia, etching 750 415 Georg Jensen silverware, group of sixty pieces 1600 560 Kent Hagerman, group of three etchings 325 416 Large Arts & Crafts tankard, copper and brass 375 561 Grant Wood Sultry Night, lithograph 5500 417 Aesthetic Movement tray, hammered bronzed metal 75 562 Thomas Hart Benton Missouri Farm Yard, lithograph 700 418 Amphora Edda vase, four-handled #3623 750 565 Flora Itwin Schofield House and Garden, lithograph 200 419 Louis Riche Seated Cat, bronze sculpture 1200 568 Rand McNally & Co. Bird’s-eye View... sepia-toned lithograph 2100 420 Loetz Figural vase, gold glass with serpent 1400 569 Harry Lee Gadbury, group of three etchings 150 421 Amphora plaque, female, with an Austrian plaque 325 571 Artist Unknown We Eat Because We Work, color lithograph 500 422 Loetz Phänomen Genre 7499 vase 1100 572 Edward Penfield Join the United-States... color lithograph 425 424 Johann Maresch plaque, woman in a river landscape 250 573 John Gould Mecistura Caudata, color lithograph 75 426 Steuben vase, ruffled rim, gold aurene glass 350 576 Pablo Picasso Vallauris, 1964, linocut 5000 427 Loetz Creta Rusticana vase, green iridescent glass 200 577 William Edouard Scott 7000 428 Steuben vase, ruffled rim, Verre de Soie glass 200 580 Palmer Cole Hayden New York City Street, oil 13000 429 Loetz vase, orange, pink with blue swags 250 581 Fred D. Jones, Jr Woman on the Street with Cat, watercolor 2800 430 Gallé vase, yellow with blue Azalea design 12000 583 David Clyde Driskell Untitled, oil 5000 432 L.C. Tiffany vase 3570L, pulled feather 1900 584 Fred D. Jones, Jr. Street Performers, oil 4250 433 Large Steuben vase, gold aurene 800 585 Joseph Delaney Reclining Nudes, ink 600 434 L.C. Tiffany vase, bronze holder 858 and 1048 900 586 Robert Gwathmey Stitching, watercolor 3250 435 Tiffany & Co. cigar lighter, ashtray and timepiece 600 588 Merton D. Simpson Forms Falling, pair of watercolors 1400 436 WMF liqueur set, silver-plate 400 589 Charles Henry Alston Head, mixed media 2100 437 Tiffany & Co. opera glasses 325 594 William E. Artis Head, earthenware sculpture 24000 438 L.C. Tiffany vase, opalescent glass, #217E 400 595 Lucy Carter Eliot Hessler, oil 950 439 Tiffany Furnaces/Steuben lamp 2000 597 Lucy Carter Eliot Disappearing Breed, oil 1200 440 L.C. Tiffany vase, iridescence, 2w x 3h 350 610 Lyonel Laurenceau Portrait of a Man, oil 2700 441 Tiffany Studios lamp base, harp, bronze 1100 611 Lyonel Laurenceau Jour de Fete, oil 1900 442 Pittsburgh lamp, attribution, glass shade with a landscape 275 612 Lyonel Laurenceau Meditation, oil 850 443 Tiffany Studios lamp base, gold doré patina 800 616 Edgar Louis Yaeger Nude, oil 600 444 L.C. Tiffany shade, green damascene pattern 8500 623 style of Alexander Calder, wire sculpture 700 445 L.C. Tiffany vase, three-sided, pulled feather 17h 9000 625 Ben-Zion Weinman Prophets, pair of oils 500 447 L.C. Tiffany shade, opaque yellow and orange 4500 627 Artist Unknown Lakeshore Path, oil 350 448 Amphora vase, Allegory of Russia, portrait 2400 628 Giancarlo Cazzaniga Jazz Man, oil 1100 450 Amphora vase, Fairy Tale Princess 1500 629 Benjamin G. Benno The Meeting on the Road, No. II, oil 4500 452 Gustav Klimt Cradle, halftone 800 630 Jean Cortot Untitled, oil 2700 453 Gustav Klimt Diptych (The Tree of Life), collotype No. 13 1000 631 Hugo Weber Untitled, oil 1600 454 Amphora vase, Dachsel, landscape 475 633 Robert Arthur Goodnough On Gray Pink, acrylic 2500 455 L.C. Tiffany vase 550 636 Savo Radulovic Cosmic Man, oil 500 457 Amphora vase, sculpted dragon 9500 638 Juan Cruz Untitled, oil 325 459 Moorcroft vase, Wisteria pattern 7.5h 250 639 Remo Michael Farruggio Untitled, oil 600 460 Amphora vase, sculpted snake and leaves 300 640 Hugh Sheldon Wiley Figure, plaster 500 464 Mazime Ewertz Two Figures, two sculptures 500 641 Richard Florsheim Night Tide, wax and oil 550 465 Macintyre handled vessel, leaf pattern 100 642 Arthur Flory Winter, gouache, crayon and sumi 300 467 Moorcroft Florian Ware vase, blue 750 644 Jimmy Ernst Tropic, oil 32500 469 George Warren Rickey Weathervane, kinetic steel sculpture 11000 645 Charmion von Wiegand #112, collage, 3000 470 John Antrobus Early Morning View... oil 3000 646 Lazar Vozarevic Zlatno Pakovanje, mixed media 14000 471 Artist Unknown Standing Nude, oil 1300 649 Henri Robert Bresil Flamingos , oil 750 472 Theodore Baur Untitled, oil 425 650 Henri Robert Bresil Flamingos , oil 650 476 Charles Warren Eaton Nocturnal Landscape, oil 3000 651 Henri Robert Bresil Flamingos , oil 550 478 Edward Loyal Field Normandy Girl, oil 475 653 Ansel Adams Lake Tenaya, Yosemite National Park, silver gelatin print 300 480 Claude Buck Figure in Moonlight, oil 700 654 Karel Appel Drole de Drame, color lithograph 750 481 Robert Fletcher Gilder Landscape, oil 500 655 Helmut Horn Carmel Tree, color photograph 1100 482 Walt Alonzo Lee Gold of Autumn, oil 300 656 Kiyoshi Saito Untitled, color woodcut 425 483 Louis Weiner Landscape, oil 700 657 Nicola Simbari Wall by the Sea, color lithograph 125 484 Herbert Cyrus Farnum Figures on a Path, oil 275 658 Pierre Alechinsky Boeuf Gros Sel, color lithograph 200 487 Frank Alfred Bicknell Man in Landscape, oil 1600 659 Ed Paschke Untitled, lithograph 350 492 Artist Unknown Hillside, oil 150 660 Joan Miró Untitled, color lithograph 275 497 Arno Bretsnyder Winter Landscape, oil 250 661 Chuck Close Untitled... photo print 1100 498 Artist Unknown Street Scene, oil 150 663 Victor Vasarely Untitled, screenprint 550 499 Frederick Lester Sexton Winter Landscape, oil 600 664 Richard Anuszkiewicz V, silkscreen 1100 501 Percy B. Eckhart The Manor House, Asheville, NC, oil 425 666 Marko Spalatin Geometric, silkscreen 250 503 James M. Donnell Old Sugar House at Dupois Near Rawdon, oil 75 667 Mihail Chemiakin Untitled, lithograph 250 506 John Hubbard Rich Portrait of Kate Millett, oil 600 669 Mihail Chemiakin Untitled, lithograph 225 507 Frederick Frary Fursman Nude in Woods, oil 700 670 Alex Katz Corrine (Four Faces), woodcut 1100 509 Raphael Soyer Seated Nude, oil 2000 671 Mel Ramos Miss Fruit Salad, color silkscreen 750 510 Gustave Claude Etienne Courtois, 1500 673 Peter Max Toulouse Lautrec, lithograph 600 514 John Steuart Curry, attribution Dunavant, Kansas, pair, watercolor 500 676 LeRoy Neiman Red Goal, serigraph 550 515 Eduard Buk Ulreich A Flower of Spain, watercolor 600 677 LeRoy Neiman Ice Men, serigraph 750 518 José Clemente Orozco Female Nude, ink 3000 678 Andy Warhol Fish, screenprint 4000 521 Paul Rahilly Portrait of a Man, watercolor 550 679 Jim Dine A Robe in Los Angeles, litho 2300 524 Paul Rahilly Landscape, watercolor, 550 680 Jim Dine (Oo La La) Gangway Birdseed, litho 400 525 Dixie Selden Boats in Harbor, oil 32500 681 Andy Warhol Lincoln Center Ticket, silkscreen 2300 526 Dixie Selden Portrait of a Lady, pastel 800 682 Jim Dine (Oo La La) Peoria Pig, litho 400 527 Louis Alexander Neebe Dunes, oil 1000 685 Paul Frankl console, cork top, oak base 950 528 Rudolph T. Pen Haitian Scene, oil 125 686 Gilbert Rohde coffee table, round glass top 600 529 Nell Walker Warner, attribution Boats in Harbor, oil 375 687 Gilbert Rohde china cabinet, model 3321 3250 531 George Robert Smith, Jr. City Island, oil 300 688 Gilbert Rohde bar cart, model 3321 1200 532 J.J. Enwright Boats in Dock, Gloucester, oil 550 689 Gilbert Rohde sideboard, model 3321 4250 533 George Robert Smith, Jr. Wind Swept Breakers, oil 125 690 Gilbert Rohde dining chairs, set of six 1800 535 Frederic Whitaker House in the Rain, watercolor 250 691 Gilbert Rohde dining table, curved stretchers 2600 538 Samuel David Lev-Landau Edge of Town, oil 500 692 Gilbert Rohde cabinets, pair, model 3626 and 3627 2000 539 Artist Unknown Ferris Wheel, watercolor 600 693 Peter Muller-Munk Normandie pitcher 2000 540 Artist Unknown Street Scene, watercolor 500 694 Manning Bowman thermos, light green enameled 750 542 Artist Unknown Street Scene, watercolor 500 697 René Coulon radiator, textured glass 1000 543 Lyonel Feininger Towers of St. Blaise, watercolor 16000 698 Hoffmann/Wiener Werkstatte wallet 450 544 Maurice H. Sterne Benares Ghats, oil 1500 699 K.E.M. Weber lounge chairs, pair 6500 546 style of Joaquín Torres García Constructivo con Barco, oil 1000 700 Grosfeld House console table, wood frame 425 549 Francesco J. Spicuzza Still Life, oil 150 701 Wolfgang Hoffman console or vanity table 1000 553 Peter Moran Harvest in San Juan, New Mexico etching 225 702 Eileen Gray Bibendum chair, black leather 600
190 www.treadwaygallery.com RESULTS - December 4, 2011 - Hammer Prices 704 Angelo Mangiarotti bowl and platter, two pieces 300 825 Edvin Ohrstrom for Orrefors Ariel vase, midnight blue 2500 705 Paul Mayen table lamp, opaque white 400 826 Ingeborg Lundin for Orrefors Ariel cone-shaped 1200 706 Angelo Mangiarotti vases, two, marble 800 827 Cendese Scavo vase, bulbous red 250 707 1960s floor lamp, white aluminum shade 400 828 Cendese Scavo platter 200 708 Le Corbusier LC/4 chaise, serial no. (25261) 900 829 Cendese Scavo vase, orange glass 150 709 Le Corbusier LC/3 chair and sofa 1300 830 Cendese Scavo vase, extended neck 200 710 Midcentury chair, brown and white cowhide 700 831 Cendese Scavo candle holder 100 711 Le Corbusier LC/2 sofa, black leather 900 832 Cendese Scavo vase, pink glass 150 712 Arthur Court sea lion champagne/ice bucket 1000 834 Gino Mazzega vase, fasce vase 300 713 Le Corbusier LC/1 Basculant chairs, pair, cowhide 1200 835 Bertil Vallien vase, bottle form 300 714 Mies van der Rohe MR dining chairs, four 900 837 Michael & Frances Higgins serving dish 225 719 Nice Peter Voulkos Production Ware vase 1000 838 Gino Mazzega bottle, fasce bottle 300 721 Ted Randall covered vessel 900 839 Tapio Wirkkala Kanttarelli vase, clear 350 722 Robert Turner vase, gourd shape 3500 841 Tapio Wirkkala Kanttarelli vases, two 250 723 Robert Turner vase, gourd shape in bisque 2400 842 Timo Sarpaneva Orchide vases, two 450 725 Robert Turner covered vessel, large 450 843 Tapio Wirkkala Tokio vase, internal bubbles 400 726 John Gill teapot, contemporary 1300 844 Tapio Wirkkala vase, swollen cylindrical 175 727 John Gill vase, contemporary 900 845 Clyde Burt pottery, three pieces 175 728 Art Pottery bowl, unknown 25 846 Scheier low bowl, incised geometric 250 730 W.M. & C. Daley bowl, contemporary 4000 847 Harrison McIntosh bowl, glazed stoneware 275 732 Raymond Loewy DF 2000 valet cabinet 34h 1500 848 Clyde Burt vase, rooster 850 733 Raymond Loewy DF-2000 cabinet 30.5h 1800 849 Richard Etts sculpture, open mouth 1800 734 Verner Panton chairs, set of four 600 851 Paul Laszlo chair 1100 735 Verner Panton chair, molded white 175 852 Clyde Burt charger/platter 1400 736 Verner Panton Phantom chair 300 854 Clyde Burt ceramic wall sculpture 5500 737 Giancarlo Mattioli Nesso table lamp 275 855 Paul Laszlo chairs, pair 2300 738 Torino robot lamps, two 2300 856 Paul Laszlo settee 3500 739 Verner Panton Bachelor chairs, pair 650 857 Hilliard art glass table lamp 1700 740 Wendell Castle Molar chair 1900 859 Lafer rosewood coffee table 850 741 Eero Aarnio Pastille chair 375 860 Midcentury tapestry 350 742 Lars Gören-Nilson ‘Avanti 70’ cabinet 425 861 Tobia Scarpa Bastiano sofa 800 743 Cesare Lacca bar cart, walnut and brass 475 862 Midcentury andirons, whimsical dog 400 744 Barovier table lamps, pair 600 865 Marianna von Allesch wall plaque 300 745 Franco Albini stool, rattan 300 866 Borge Mogensen Hoop chair, 750 746 Marco Zanuso Lady chair, gold wool 1200 867 Charles & Ray Eames RAR (Baby rocker) 1200 749 Aldo Tura bar cart, red-stained parchment 800 868 Charles & Ray Eames LCW 1400 753 Marcello Fantoni clown figure, 225 869 Charles & Ray Eames DTW-30 dining table 650 754 Warren Platner coffee table, nickel-plated wires 600 870 Boris Kroll tapestry, wool 1400 755 Angelo Testa paper art object 650 871 Charles & Ray Eames LCWs, pair 1600 756 Warren Platner lounge chairs, pair 1500 872 Isamu Noguchi table lamp 1100 757 Warren Platner lounge chairs, pair 1300 873 Isamu Noguchi Prismatic tables, pair 2500 758 Laurel floor lamp, polished brass 325 874 Charles & Ray Eames 670/671 lounge chair and ottoman 3000 760 Florence Knoll lounge chairs, pair 1200 875 George Nelson speaker cabinet 600 761 Nessen floor lamps, pair 600 876 Charles & Ray Eames DTW-50 coffee table 475 762 Eero Saarinen dining table 2100 878 Alexander Girard neckties, three, horizontal stripes 375 763 Eero Saarinen Womb chairs, pair 2000 879 Alexander Girard fabric, Lines, cotton 750 764 Harry Bertoia chairs, four 850 880 George Nelson Gateleg dining table 375 765 Ross Lovegrove desk/table, thick glass 750 881 Charles & Ray Eames 670 lounge chair 1100 766 Laurel floor lamp, white base 500 883 Alexander Girard table cloth, blue Checkerboard 300 767 Fritz Haller cabinet, open shelving, green 800 884 George Nelson Bubble lamp 425 768 Fritz Haller cabinet, open shelving, green 600 885 Alexander Girard table cloth, round blue 300 769 Verner Panton chairs, four, bright green 500 886 Alexander Girard table cloth, orange Checkerboard 250 771 Ray Wilkes sofa, charcoal gray 125 887 Alexander Girard table cloth, orange Checkerboard 200 772 Ray Wilkes chairs, pair, charcoal gray 700 888 Alexander Girard table cloth, blue Checkerboard 300 773 Akio Takamori ceramic vessel sculpture, female 6500 889 George Nelson Bubble lamp 26dia 200 776 Emanuele Terzani tiles, two 75 890 Charles and Ray Eames ETR (Surfboard) table 375 777 James Makins pitcher, white porcelain 100 891 Norman Cherner side chairs, four 1200 779 Toshiko Takaezu bowl, brown glaze 225 892 George Nelson bench, 500 780 Val Cushing bowl, 10w 250 893 George Nelson jewelry chest, 550 782 Rose Cabat Feelie vase, bulbous 1100 894 George Nelson bench, 900 783 Vivika & Otto Heino bowl, large 300 895 Charles and Ray Eames chaise, eggplant-colored 2300 784 Harry Nohr turned wood bowl 800 896 George Nelson jewelry chest 900 786 Natzler bowl, #C901, flaring form 1200 897 Norman Cherner armchairs, pair 1500 787 Harrison McIntosh vase, large tapering 2000 898 Florence Knoll single pedestal desk 450 788 Beatrice Wood vase, cylindrical 900 899 Charles & Ray Eames Eiffel tower shell chair 275 790 Alessio Tasca sculpture 500 900 George Nelson Executive desk, 1200 791 blue, Timo Sarpaneva Kotilo bowl 500 901 Paul McCobb Irwin Collection wall unit 1300 792 red, Timo Sarpaneva Kotilo bowl 500 902 Gerald Thurston hanging lamp 500 793 Robert Willson glass sculpture, 500 903 Hugh Acton coffee table/bench 650 794 Venini battuto Canoa (canoe) bowl 750 904 Gerald Thurston floor lamp 500 795 Vistosi Murano glass table lamp 400 905 Paul McCobb cabinet, bleached mahogany 1100 797 Marcel Wanders for Cappellini table lamp 425 906 Paul McCobb Easy chair and ottoman 1900 800 Gucci glass bowls, set of six 800 907 Paul McCobb settee, replaced upholstery 850 801 Timo Sarpaneva Kotilo vase green 750 908 Paul McCobb Slipper chairs 2100 803 Philippe Starck Bloodmoney chair 250 909 Paul McCobb Master Chest, Irwin Collection 700 804 Wharton Esherick stool 5000 910 Paul McCobb table and chairs 1200 805 Mira Nakashima Conoid chairs 3000 912 Edward Wormley lounge chair 800 807 Henning Koppel Caravel Sterling Silver flatware 5500 913 Edward Wormley Sheaf of wheat occasional table 1000 810 Venini latticino salt and pepper bowls 150 914 Edward Wormley game table 550 811 Gio Ponti for Venini glasses, eight 900 915 Edward Wormley sofa, Astra Strobel 1000 812 Venini Handkerchief vase, clear 200 916 Edward Wormley desk 850 814 Venini vase, double incalmo form, signed with three-line acid stamp 600 917 Edward Wormley Our Town fabric remnant 275 815 Tobia Scarpa sommerso bullicini vase, 425 919 Edward Wormley Printing Block cabinet 3500 816 Orrefors Ariel vase, oval 175 920 Harris Strong framed tile mosaic 300 817 Mark Peiser vase, pearlescent 150 921 Johann Tapp desk, round form 2100 818 Barbini figures, pair, Murano 1200 924 Widdicomb bench, attribution, original brown 450 820 Edvin Ohrstrom for Orrefors Ariel low bowl, blue 250 927 Lightolier floor lamp 150 821 Edvin Ohrstrom for Orrefors Ariel small vase 200 928 Dorothy Thorpe chandelier, six solid Lucite arms 500 823 Ingeborg Lundin for Orrefors Ariel vase, square 1300 929 Edward Wormley stools, pair 2300 824 Edvin Ohrstrom for Orrefors Ariel vase, The Gondolier 2500 930 Edward Wormley sectional sofa 850
191 www.treadwaygallery.com RESULTS - December 4, 2011 - Hammer Prices 931 Paul Laszlo cabinet 225 932 Hans Wegner Wishbone or Y chairs 950 933 Hans Wegner rocking chair 1400 934 Finn Juhl Easy Chair No.53 1500 935 Finn Juhl F137 chair, Japan chair 1000 936 Hans Wegner Peacock chair, pair 3750 938 Hans Brattrud demi-lune desk 2700 939 Arne Norell Ari lounge chair and ottoman 2900 940 Lyfa floor lamp, bronze tri-form base 425 942 Bruno Mathsson Maria folding table 1600 943 Ole Wanscher cabinet, mahogany and birch 600 944 Hans Wegner CH07 lounge chair 850 945 Erik Buck barstools, pair 950 947 Hans Wegner The Chair/Round chair, set of six 4000 948 Jens Quistgaard desk, teak, hinged gallery 1000 949 Hans Wegner The (Round) chair 1200 950 Hans Wegner The (Round) chairs, pair 2000 951 Hans Olsen dining set, four chairs 1700 952 Lars Gören-Nilson Avanti 70 cabinet 375 954 Borge Mogensen dining chairs, six 500 956 Borge Mogensen seating unit, two pieces 700 957 Poul Henningsen PH-5 hanging lamp 375 958 Kristian Vedel table rosewood 800 960 Danish rosewood corner cabinet 650 963 Lisa Larson animals 450 964 Hector Aguilar carving set 75 965 Taxco pitcher and glasses set 400 966 Midcentury sculpture, bronze, spikes 1100 967 Edna Arnow vases, with a Pillin vase, three pieces 225 968 Stephen Polchert ceramic bowl 200 969 Julio de Diego bowl 125 970 Carstens Tonnieshof table lamp 150 971 German pitcher, brass 175 973 Bjorn Winblad Juggler sculpture 425 974 Midcentury tile-top table, wrought-iron 475 975 Mexican brass trays, pair, triangular 200 976 Harris Strong framed tiles, two panels 300 977 Grete Jalk coffee table and pair of end tables 1600 978 Peter Hvidt and Orla Nielsen coffee table 325 979 Midcentury Danish desk cabinet 600 980 Yngve Ekstrom Lamino chair and ottoman 1000 981 H. Brockmann-Petersen armchairs, six 800 982 Borge Mogensen Safari chair 550 983 Sven Ivar Dysthe Armchair 1001 lounge chairs 1100 984 Fritz Hansen tray table 350 985 Poul Cadovius style wall unit 600 986 Dux reclining chair and ottoman 400 987 Midcentury wall unit with desk 800 988 Edward Fields rug, Alexander Calder style 1200 989 Dennis Pearson White Turkeys, lighted sculpture 425 990 Paul McCobb occasional table 275 991 Frederick Weinberg room divider 550 992 French tile-top coffee table 1100 993 Mathieu Mategot torch-style table lamps, pair 600 994 Frederick Weinberg shelving unit 750 995 C. Jeré sculpture, steel, open rectangular 300 996 Mathieu Mategot trays, three, 750 997 Vallauris coffee table 800 998 Alan Gould chairs, set of four 400 999 T.H. Robsjohn-Gibbings desk 2700 1000 Moroccan rug, thick hand-knotted 1200 1001 Jens Risom sofa 500 1002 Paul Frankl night stands, pair 700 1003 Paul Frankl occasional tables, pair 650 1004 T.H. Robsjohn-Gibbings coffee table 425 1005 Paul McCobb bench and cabinet 425 1006 Moroccan rug, thick hand-knotted natural wool 500 1007 T.H. Robsjohn-Gibbings china cabinet 300 1008 C. Jeré sculpture, wire star-burst 1500 1009 Karl Springer mirror, square form 500 1010 Cedric Hartman occasional table 1500 1011 Paul Evans coffee table, sculpted bronze base 3500 1012 Philip & Kelvin LaVerne La Fleur coffee table 2600 1013 C. Jeré table lamp, brass, large rectangular 500 1014 French glass lamps, blue glass, metal base 600 1015 Barovier and Toso Opalino a Fiamma Murano glass lamp 550 1016 Philip & Kelvin LaVerne Muses coffee table 2200 1017 Midcentury sofa and chair 1000 1018 Directional tables, pair, attribution 700 1019 C. Jeré Lone Cypress sculpture, bronze 325 1020 Tobia Scarpa Soriana chair 900 1022 Milo Baughman lounge chairs, pair 1800 1023 C.Jeré table lamp/sculpture 300 1024 Design Institute America coffee table 125 1027 Rougier table lamp, two-piece shade 350 1028 Russell Woodard Sculptura chairs, pair 250 1029 Midcentury desk, USA, burled wood 450 1030 John Widdicomb bedroom suite, five pieces 500
192 www.treadwaygallery.com INDEX
1930s - 721 Daum - 417, 420, 423 Harshe, Robert Bartholomew - 477 1950s - 764, 765, 914, 963 Davis, Stuart - 495 Hartmann, Cedric, style - 941 1960s - 745, 773, 852, 853, 861, 885, 937, 959 De Kruif, Henry Gilbert - 478 Hassam, Frederick Childe - 542 1970s - 833 Debut, Marcel, after - 481 Hasui, Kawase - 296 Adams, Michael - 115 Dedham Pottery - 140 Hayter, Stanley William - 543 Adler, Allan - 878 Despres, Jean - 696, 698, 699, 700, 701, 702, Heinrichs, Joseph - 49 Agam, Yaacov - 683 703, 704, 705, 706, 707, 708, 709 Heintz - 38, 41, 237, 273 Agra - 368 Deutch, Eugene - 884 Henredon - 928 Ahrend de Cirkel - 735 Dice, Robert - 811 Hess, Sara Mae - 459 Albers, Josef - 692 Dine, Jim - 682 Higgins, Michael and Frances - 889 Albrizzi, style of - 861 Ditzel, Nanna - 731, 733, 938 Hilton, Roger - 653 Amphora - 401, 402, 406 Dixon, Charles Edward - 441 Hoffman, Wolfgang - 726 Anisfeld, Boris Izrailovich - 491, 509 Domínguez, Oscar - 575, 576 Hollen - 816 Arco, style - 832 Dorsey, William Ballantine - 463 Holmes, Palmer Z. - 476 Armin, Emil - 563 Drew, Dorothy Hart - 469 Horchow - 824 Arredoluce, style - 789 Drouet, Rene - 931 Hurley, E.T. - 255, 263, 265, 267, 270 Art Deco - 713, 719, 723 Drumm, Donald - 964 Hyde, Helen - 175 Art Deco, revival - 766 Dunbar, style - 970 Hyoyu - 295 Art Nouveau - 375, 880 Dupre, Andre - 950 Industrial - 730 Art Reference Books - 259 Durand - 415 Ipsen, Kent - 891 Artist Unknown - 444, 656, 806 Durand, attribution - 397 Italian - 826, 829, 831, 852, 948 Arts & Crafts - 15, 27, 324, 31, 33, 56, 56, 64, Eames, Charles & Ray - 740, 741, 742, 747, Jacobsen, Arne - 737 68, 69, 73, 74, 75, 77, 79, 92, 95, 99, 106, 112, 748, 751, 754, 755, 757, 759, 760 Janco, Marcel - 677 117, 125, 127, 128, 136, 137, 149, 168, 170, Egyptian Revival - 761, 763 Jansen, Maison - 847, 848, 849 171, 173, 194, 195, 196, 197, 198, 212, 218, Eikaas, Ludwig - 638 Japanese - 299, 301, 303, 304, 305, 307, 308, 230, 234, 261, 271, 279, 281, 284, 289, 321, Eliot, Lucy Carter - 496, 498 309, 313, 314, 315, 316, 317 327, 330, 331, 332, 337, 345, 371, 372, 377 Engle, Harry Leon - 462 Jefferson - 58 Asian - 306 English - 777 Jefferson Electric Co. - 750 Austin, Darrel - 618 English Arts & Crafts - 5, 109, 184, 215, 232, Jensen, Georg - 770 B&B Italia - 804 292, 294, 333, 334, 335, 382 Jeré, Curtis - 843, 851, 854, 882 Baccarat - 901 Eschbach, Paul André Jean - 451 Juhl, Finn - 732 Bach, Alfons - 727 European Arts & Crafts - 378 Kagan, Vladimir - 862 Bach, Oscar, style - 338 Evans, Paul - 841 Kalo - 88, 89, 275 Baggs, Arthur - 142 Felguérez, Manuel - 524 Kamp, Louise Mary Wahl - 460 Bak, Samuel - 675 Fini, Leonor - 684 Kaplan, Joseph - 645, 646 Baker - 960 Finnish - 775 Kaplan, Marcia, attribution - 652 Ball, L. Clarence - 453 Floherty, Jr., John J. - 603 Karabagh - 376 Barbi, Tommaso - 830 Flos - 828 Keal, John, attribution - 971 Barovier & Toso - 900 Fogel, Seymour - 640, 641, 642 Keane, Margaret D. H. - 589 Bartholemy, Dorothy - 643 Ford & Johnson - 98 Kearney, John - 876 Barye, Antoine-Louis, after - 440 Fornasetti - 865 Keck, George Fred - 651 Batchelder - 224 Fortuny y Carbó, Mariano José María Ber- Keenan, Frank - 587 Baughman, Milo - 836, 838, 839, 945 nardo - 436 Kingman, Eduardo - 609 Belux - 800 Foujita, Léonard Tsuguharu - 557, 558 Kjaerholm, Poul - 791 Benedict Studios - 207 Frankl, Paul - 714 Klein, Medard P. - 635, 636, 637 Benno, Benjamin G. - 630, 631 Freckelton, Harry - 486 Klimt, Gustav - 386, 387, 388 Benton, Thomas Hart - 544, 545, 546, 547, Freeman, Don - 499, 500, 501, 502 Kniffin, Herbert Reynolds - 482, 483, 484 548, 549 French - 389, 424 Koch & Lowy - 793 Blum, Robert Frederick - 528 French Art Deco - 390 Koefoeds - 940 Bosman, Richard - 667 French Art Nouveau - 329, 339, 381 Koenig, John Franklin - 650 Bradley & Hubbard - 29 Fried, Pal - 616 Konrad, Ignac - 465 Bretby - 319 Frost, Arthur Burdett - 438 Kovacs - 801 Broe, Vern - 487 Frost, George - 50 Krafft, Carl Rudolph - 466 Brooks - 113 Fulper - 43, 51, 94, 156, 158, 162, 223, 227, Krstulovi, Maksim - 583 Brueton - 858 228, 229, 246 Kulicke, Robert Moore - 590 Buck, Erik - 972 Galea, Luigi Maria - 490 Kunisada, Utagawa - 302 Buehr, Karl Albert - 493 Gallé - 400, 421, 422, 425 L’Verre Francais - 394 Burke - 962 Gambone - 888 Lakeside Craft Shop - 119, 169 Burlini, J.A. - 870, 873 Gates Pottery - 84 Lalique, Rene - 392, 395, 893, 894, 895, 896, Calapai, Letterio - 568, 569, 570, 571, 572 Gauss, Eugene - 607 897 California Faience - 159 German - 39, 54, 105 Lambe, Vincent - 592 Capron, Roger - 827 Gildor, Jacob - 672, 673 Lartigau, Louis - 437 Carroll, Patty - 622 Giles, Howard - 529 Laurenceau, Lyonel - 617, 619 Carter, Clarence Holbrook - 584 Girard, Alexander - 742, 744, 746 Laurencin, Marie - 467 Casnelli, Victor - 448 Glinsky, Vincent - 596 LaVerne, Philip & Kelvin - 867 Cassina - 799, 802 Gorgoni, Gianfranco - 620 LeCoultre - 871 Castañeda, Felipe - 523 Gottlieb, Harry - 497 Lee, Doris Emrick - 561 Castel, Moshe - 671 Graham, John D. - 473 Lever, Richard Hayley - 479 Caucasian - 362 Grathwol, Ray Anthony - 585 Lhote, André - 480 Cazaux, Edouard - 428 Grauer, William C. - 515, 516, 517, 518, 519, Liberty & Company - 53, 290, 291, 293 Cenedese - 887 520 Lie, Jonas - 530 Chandler, Houston E. “Keg” - 578, 580 Greene - 805, 808 Lifetime - 26, 268, 285 Chinese - 310, 311, 312, 318, 320 Griffith, Louis Oscar - 456, 457, 458 Lightolier - 943 Chiparus, Demetre H., after - 608 Gross, Chaim - 602 Limbert - 6, 12, 78, 167, 178, 180, 186, 189, Christensen, Kai - 968 Grueby - 138, 222 208, 209, 236, 283 Christ-Janer, Albert William - 581 Grumieaux, Louis Phillipe - 505 Lipchitz, Jacques - 685 Christo - 691 Gruppe, Emile Albert - 489 Loetz - 419 Clark, Claude - 579 Gundelfinger, John Andre - 591 Loewy, Raymond - 814 Clewell - 157 Gustavsberg - 883 Lorjou, Bernard - 657 Clifton - 246 Hall, George Henry - 443 Lotton, Charles - 430 Colin, George - 586 Haller, Fritz - 837 Lozowick, Louis - 539 Common Ground Pottery - 114, 116 Hamadan - 356 Lucite - 864 Craftsman Co. - 219 Hamilton, Hildegarde Hume - 492 Lunois, Alexandre - 527 Crook, Russell - 36 Hampshire - 139, 256, 260+B62 Luxfer - 341, 346, 348 Cuevas, Jorge Luis - 521, 522 Handel - 7, 52, 55, 65, 210, 235, 258 Maar, Dora - 588 Curtis, Asahel - 288 Hannig, Henry Charles - 599 Mabe - 767 Curtis, Edward Sheriff - 287 Hansen, Hans & Bode Willumsen - 879 Maher - 336 Dalí, Salvador - 665, 666 Hanson, Joseph Mellor - 612 Malone, Robert R. - 562 Danish - 932, 934, 935, 969 Harden - 124, 126 Man Ray - 593 Danish Modern - 929 Harles, Victor Joseph - 452 Mané-Katz - 475
193 www.treadwaygallery.com March 4, 2012 INDEX
Manners, William - 442 Riley, Bridget - 689 Villon, Jacques - 445, 446 Marblehead - 80, 82, 85, 141, 143 Ringer, Charles - 856 Vintage - 193 Marin, John - 503, 504 Rivera, Diego - 525 Vistosi - 823, 890 Masson, André - 686 Robertson, Bill - 855 Von Neumann, Robert - 551, 552, 553, 555 Mastercraft - 844, 845, 846 Robertson, Tom A. - 565 Vuillard, Edouard - 573 Mathsson, Bruno - 933 Robinson, Aminah Brenda Lynn - 598 Vysekal, Luvena B. - 470 Matteograssi - 795, 798 Robsjohn-Gibbings, T.H. - 779, 780, 781, 782, Wakefield, Heywood - 328, 374 Matulka, Jan - 474 784, 785, 786, 850, 916, 918 Walrath - 146 Mazza, Sergio - 835 Rohde, Gilbert - 695, 718, 720, 722, 724, 725, Warb, Nicolaas - 655 McArthur, Warren - 693, 694 728, 729 Webber, Charles T. - 439 McCobb, Paul - 913, 921, 923, 926, 927 Rohne, Bernhard - 845 Wegner, Hans - 736 McConaha, Lawrence - 485 Rookwood - 8, 16, 17, 18, 19, 20, 2, 23, 24, 25, Weidemann, Jakob - 601 Mendini, Alessandro, attribution - 886 40, 42, 44, 45, 83, 86, 160, 163, 164, 226, 239, Weinstein, Bernard - 614, 615 Mera, Harry P., Dr. - 2 249, 251, 257, 262, 264, 266, 269, 274, 276 Weller - 245, 247, 248, 250, 252, 254 Merrimac - 277 Roseville - 96, 148, 152, 159, 161, 187, 253 Wengenroth, Stow - 554, 560 Methven, Harry Wallace - 455 Roth, Leo - 674, 676 Wertheimer, Alfred - 621 Meunier, Georges - 526 Rouault, Georges - 541 Wessels, Glenn Anthony - 538 Meurer, Charles Alfred - 447 Royal Doulton - 403 Wilcox - 221 Mexican - 771 Roycroft - 28, 30, 90, 107, 120, 121, 122, 123, Wilde, John Henry - 600 Michigan Chair Company - 91, 93, 130, 185 231, 241, 272 Wildenhofer, F.J. - 176 Midcentury - 829, 831, 842, 875, 924, 939, 952, Rubin, Reuven - 678 Wilkinson - 200 958, 965 Saito, Kiyoshi - 668, 669, 670 Wingate, Arline Hollander - 594 Miller, Herman - 697, 710, 745, 752 Salemme, Attilio - 632, 633 Winslow, Henry J. - 488 Miller, Howard & Herman - 711 Salterini - 868, 951 WMF - 57 Mogensen, Borge - 936 Sanford, Walter - 577 Woelffer, Emerson - 606 Moller - 973 Sarouk - 358, 364 Wormley, Edward - 902, 903, 904, 905, 906, Mont, James, inspired - 863 Scandinavian - 961 907, 908, 909, 910, 911, 912, 915, 917, 919, 920 Moorcroft - 404, 407, 408, 409, 410 Scarlett, Rolph - 659, 660, 661, 662, 663, 664 Wright, Frank Lloyd - 340, 341, 342, 343, 344, Moran, Thomas - 510 Schanker, Louis - 574 346, 348, 349, 350, 351, 354, 357, 359, 360, Morfeo, Giovannoni & Rodrigo Torres - 820 Scheiber, Hugó - 468 361, 363, 366, 367, 370 Moroccan - 365, 942 Schmidt, Carl - 511 Young, J.M. - 199 Mucha, Alphonse - 533 Schullerus, Trude - 507 Muller Freres - 384 Schutz, Ludwig R. - 405 Müller, Alfredo - 566, 567 Schwartz, Carl - 644 Murano - 774, 859, 892 Schwartz, Harry - 712, 715, 716, 717 Nakashima, George - 807, 813 Schwartz, William Samuel - 550 Natkin, Robert - 639 Seguso - 899 Nealy, Craig - 953, 954 Sherer, Gene - 810 Neiman, LeRoy - 687, 688, 690 Shop of the Crafters - 134 Nelson, George - 738, 739, 743, 744, 749, 756, Smith, Moyr, for Minton Tile Co. - 37 758 Sonderborg, Vamo - 734 Nessen - 947, 949 Soyer, Raphael - 559 Nevelson, Louise - 556 Spears, Ethel - 604 Newcomb College - 35 Spelman, John Adams - 564 Newcomb College, style of - 81 Spiers, Harry - 454 Niloak Missionware - 4 Spratling, William - 769 Noecker, Harold - 613 Springer, Karl - 840 Nohr - 877 Steiner, Jane - 595 North Dakota School of Mines - 145, 191, 243 Steingold, Meir - 597 O’Hara, Eliot - 512 Stern, Bert - 623, 624, 625, 626, 627, 628, 629 Okie, Griffin - 809 Sterne, Maurice - 472 Old Hickory - 322, 323, 325, 326, 373 Steuben - 414 Olivetti - 819 Stickley - 181 O-luce - 803 Stickley Brothers - 62, 97, 103, 104, 111, 129, Ostuni, Peter W. - 647, 648, 649 147, 177, 192, 213, 214, 217, 242, 280, 286 Overbeck - 34 Stickley, Charles - 66 Palenske, Reinhold H. - 461 Stickley, Gustav - 1, 9, 10, 11, 32, 46, 47, 48, Palmer, Pauline - 471 59, 60, 61, 63, 72, 102, 108, 110, 118, 131, 132, Panton, Verner - 815 133, 150, 151, 153, 154, 155, 165, 166, 174, Parzinger, Tommy - 944, 946 179, 188, 211, 238, 240, 278, 282 Pattison, Abbott - 610 Stickley, L & JG - 14, 76, 182, 183, 190, 206, Paul, Stewart - 812 216, 220 Paulin, Pierre - 817, 821, 822 Stiffel - 922 Pearson, Ronald - 869 Stilnovo - 796 Peiser, Mark - 898 Strong, Harris - 874 Perrault, Ida Marie - 506, 540 Sullivan, Louis - 352, 355 Persian - 297, 364 Sumak - 369 Petry, Victor - 508 Summers, Carol - 654 Pewabic - 71, 144, 225 Svendsen, Svend Rasmussen - 449, 450 Phillips, Walter Joseph - 464 Swedish - 930 Picasso, Pablo - 534, 535, 537, 634 Szendy, Arisztid - 494 Picasso, Pablo, after - 536 Tagliapietra, Lino - 834 Pineda, Antonio - 776 Tarkay, Itzchak - 611, 680 Pisgah Forest - 13 Taxco - 872, 881 Plail - 233 Teco - 22, 201, 202, 203, 204, 205 Platner, Warren - 787, 788, 790, 794 Thonet - 379, 380, 966, 967 Pollock, Charles - 792 Thurston, Gerald - 778, 783 Pozzi and Verga - 797 Tiffany and Co. - 772 Prahar, Renee Irene - 298, 300 Tiffany Studios - 256, 260, 385, 426, 429, 431, Prairie School - 3, 67, 347, 353 432, 433, 434, 435 Priebe, Karl - 605 Tiffany, L.C. - 383, 391, 393, 396, 399, 411, 412, Probber, Harvey - 753, 955, 956, 957 413, 416, 418, 427 Rauschenberg, Robert - 679 Toffoloni, Werther & Piero Palange - 825 Rebeyrolle, Paul - 681 Torino - 818 Reed & Barton - 762 Trevaise, attribution - 398 Reedy, Leonard Howard - 513 Ulreich, Eduard Buk - 514 Regal Design Studio - 857 Van Briggle - 244 Remahl, Frederick - 582 Van Erp, Dirk - 70, 87, 100, 101, 135, 172 Rembrandt - 925 Vasarely, Victor - 658 Renoir, Pierre-Auguste - 531, 532 Venini - 860, 866
194 www.treadwaygallery.com March 4, 2012 Bu i l t a n d f u r n i s h e d in 1901 t o 1902, La Ha c i e n d a w a s l o c a t e d in t h e m o u n t a i n s o f Co l o r a d o , w h e r e t h e c o l l e c t i o n r e m a i n e d u n t i l c o m i n g t o a u c t i o n o n Ma y 20, 2012.
195 www.treadwaygallery.com 196 www.treadwaygallery.com