Turning Points Newsletter - May 2013
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Graphic Recording by Terry Laban of the Global Health Matters Forum on March 25, 2020 Co-Hosted by Craftnow and the Foundation F
Graphic Recording by Terry LaBan of the Global Health Matters Forum on March 25, 2020 Co-Hosted by CraftNOW and the Foundation for Advancement of International Medical Education and Research With Gratitude to Our 2020 Contributors* $10,000 + Up to $500 Jane Davis Barbara Adams Drexel University Lenfest Center for Cultural Anonymous Partnerships Jeffrey Berger Patricia and Gordon Fowler Sally Bleznack Philadelphia Cultural Fund Barbara Boroff Poor Richard’s Charitable Trust William Burdick Lisa Roberts and David Seltzer Erik Calvo Fielding Rose Cheney and Howie Wiener $5,000 - $9,999 Rachel Davey Richard Goldberg Clara and Ben Hollander Barbara Harberger Nancy Hays $2,500 - $4,999 Thora Jacobson Brucie and Ed Baumstein Sarah Kaizar Joseph Robert Foundation Beth and Bill Landman Techné of the Philadelphia Museum of Art Tina and Albert Lecoff Ami Lonner $1,000 - $2,499 Brenton McCloskey Josephine Burri Frances Metzman The Center for Art in Wood Jennifer-Navva Milliken and Ron Gardi City of Philadelphia Office of Arts, Culture, and Angela Nadeau the Creative Economy, Greater Philadelphia Karen Peckham Cultural Alliance and Philadelphia Cultural Fund Pentimenti Gallery The Clay Studio Jane Pepper Christina and Craig Copeland Caroline Wishmann and David Rasner James Renwick Alliance Natalia Reyes Jacqueline Lewis Carol Saline and Paul Rathblatt Suzanne Perrault and David Rago Judith Schaechter Rago Auction Ruth and Rick Snyderman Nicholas Selch Carol Klein and Larry Spitz James Terrani Paul Stark Elissa Topol and Lee Osterman Jeffrey Sugerman -
Press Release for Editing
Moderne Gallery Is Making A Move! - as always...looking forward, taking the lead ---- From Old City to Port Richmond, Philadelphia, in January 2019 Moderne Gallery, recognized internationally as the prime gallery for studio craft furniture, and as the leading Nakashima dealer in the world, is moving to a new center for high end design, art and antiques in the Port Richmond section of Philadelphia, as of January 2019. The new showroom is not open to the public as of yet, but can be visited by appointment only. It is set to open in the Spring of 2019. Moderne Gallery will be the first tenant in the Showrooms at 2220, a newly restored former mill at 2220 East Allegheny Avenue, (Port Richmond) Philadelphia, PA 19134. The 100,000 square-foot building is owned and managed by Jeffrey Kamal and Joe Holahan, co-owners of Kamelot Auction Company, which holds its auctions and has its offices in the building. "We are not downsizing, or giving up our showroom concept with special exhibitions," says Moderne Gallery founder/director Robert Aibel. "And certainly we will continue to build our business through internet sales." Joshua Aibel, Robert's son, is now co-director of Moderne Gallery and helping to develop this combination of sales concepts. "We see this as an opportunity to move to a setting that presents a comprehensive, easily accessible major art, antiques and design center for our region, just off I-95," says Josh Aibel. "The Showrooms at 2220 offer an attractive new venue with great showroom spaces and many advantages for our storage and shipping requirements." Moderne Gallery's new showrooms are being designed by the gallery's longtime interior designer Michael Gruber of Philadelphia. -
Antonio Prieto; » Julio Aè Pared 30 a Craftsman5 Ipko^Otonmh^
Until you see and feel Troy Weaving Yarns . you'll find it hard to believe you can buy such quality, beauty and variety at such low prices. So please send for your sample collection today. and Textile Company $ 1.00 brings you a generous selection of the latest and loveliest Troy quality controlled yarns. You'll find new 603 Mineral Spring Avenue, Pawtucket, R. I. 02860 pleasure and achieve more beautiful results when you weave with Troy yarns. »««Él Mm m^mmrn IS Dialogue .n a « 23 Antonio Prieto; » Julio Aè Pared 30 A Craftsman5 ipKO^OtONMH^ IS«« MI 5-up^jf à^stoneware "iactogram" vv.i is a pòìnt of discussion in Fred-Schwartz's &. Countercues A SHOPPING CENTER FOR JEWELRY CRAFTSMEN at your fingertips! complete catalog of... TOOLS AND SUPPLIES We've spent one year working, compiling and publishing our new 244-page Catalog 1065 ... now it is available. In the fall of 1965, the Poor People's Corporation, a project of the We're mighty proud of this new one... because we've incor- SNCC (Student Nonviolent Coordinating Committee), sought skilled porated brand new never-before sections on casting equipment, volunteer craftsmen for training programs in the South. At that electroplating equipment and precious metals... time, the idea behind the program was to train local people so that they could organize cooperative workshops or industries that We spent literally months redesigning the metals section . would help give them economic self-sufficiency. giving it clarity ... yet making it concise and with lots of Today, PPC provides financial and technical assistance to fifteen information.. -
Research Resources at the Smithsonian American Art Museum Amelia A
From La Farge to Paik Research Resources at the Smithsonian American Art Museum Amelia A. Goerlitz A wealth of materials related to artistic interchange between the United States and Asia await scholarly attention at the Smithsonian Institution.1 The Smithsonian American Art Museum in particular owns a remarkable number of artworks that speak to the continuous exchange between East and West. Many of these demonstrate U.S. fascination with Asia and its cultures: prints and paintings of America’s Chinatowns; late-nineteenth- century examples of Orientalism and Japonisme; Asian decorative arts and artifacts donated by an American collector; works by Anglo artists who trav- eled to Asia and India to depict their landscapes and peoples or to study traditional printmaking techniques; and post-war paintings that engage with Asian spirituality and calligraphic traditions. The museum also owns hundreds of works by artists of Asian descent, some well known, but many whose careers are just now being rediscovered. This essay offers a selected overview of related objects in the collection. West Looks East American artists have long looked eastward—not only to Europe but also to Asia and India—for subject matter and aesthetic inspiration. They did not al- ways have to look far. In fact, the earliest of such works in the American Art Mu- seum’s collection consider with curiosity, and sometimes animosity, the presence of Asians in the United States. An example is Winslow Homer’s engraving enti- tled The Chinese in New York—Scene in a Baxter Street Club-House, which was produced for Harper’s Weekly in 1874. -
Oral History Interview with George Tsutakawa, 1983 September 8-19
Oral history interview with George Tsutakawa, 1983 September 8-19 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with George Tsutakawa on September 8, 12, 14 & 19, 1983. The interview took place in Seattle, WA, and was conducted by Martha Kingsbury for the Archives of American Art, Smithsonian Institution. Interview DATE: SEPTEMBER 8, 1983 [Tape 1; Side A] [GEORGE TSUTAKAWA reviewed the transcript and added clarification, particularly about the World War II years. His added comments with his initials are in brackets--Ed.] MARTHA KINGSBURY: George, why don't we start by talking about a lot of biographical matters. I'd like to know about your personal background, your family, your growing up in Seattle and Japan also, education. GEORGE TSUTAKAWA: Uh huh. Well, let's see now. My father was a merchant who came to Seattle in 1905, and he started a small business and eventually he gets involved in fairly large company exporting and importing American goods and Japanese goods. He, as I recall, had business in Japanese food, clothing, art goods, and all sorts of things from Japan, and then in turn he was sending lumber from the Northwest to Japan. He also dealt in scrap metal and just anything. MARTHA KINGSBURY: That he sent to Japan? GEORGE TSUTAKAWA: Yeah, he sent to Japan. -
157Th Meeting of the National Park System Advisory Board November 4-5, 2015
NORTHEAST REGION Boston National Historical Park 157th Meeting Citizen advisors chartered by Congress to help the National Park Service care for special places saved by the American people so that all may experience our heritage. November 4-5, 2015 • Boston National Historical Park • Boston, Massachusetts Meeting of November 4-5, 2015 FEDERAL REGISTER MEETING NOTICE AGENDA MINUTES Meeting of May 6-7, 2015 REPORT OF THE SCIENCE COMMITTEE NATIONAL PARK SERVICE URBAN AGENDA REPORT ON THE NATIONAL PARK SERVICE COMPREHENSIVE ECONOMIC VALUATION STUDY OVERVIEW OF NATIONAL PARK SERVICE ACTIONS ON ADVISORY BOARD RECOMMENDATIONS • Planning for a Future National Park System • Strengthening NPS Science and Resource Stewardship • Recommending National Natural Landmarks • Recommending National Historic Landmarks • Asian American Pacific Islander, Latino and LGBT Heritage Initiatives • Expanding Collaboration in Education • Encouraging New Philanthropic Partnerships • Developing Leadership and Nurturing Innovation • Supporting the National Park Service Centennial Campaign REPORT OF THE NATIONAL HISTORIC LANDMARKS COMMITTEE PLANNING A BOARD SUMMARY REPORT MEETING SITE—Boston National Historical Park, Commandant’s House, Charlestown Navy Yard, Boston, MA 02139 617-242-5611 LODGING SITE—Hyatt Regency Cambridge, 575 Memorial Drive, Cambridge, MA 62139 617-492-1234 / Fax 617-491-6906 Travel to Boston, Massachusetts, on Tuesday, November 3, 2015 Hotel Check in 4:00 pm Check out 12:00 noon Hotel Restaurant: Zephyr on the Charles / Breakfast 6:30-11:00 am / Lunch 11:00 am - 5:00 pm / Dinner 5-11:00 pm Room Service: Breakfast 6:00 am - 11:00 am / Dinner 5:00 pm - 11:00 pm Wednesday NOVEMBER 4 NOTE—Meeting attire is business. The tour will involve some walking and climbing stairs. -
George Nakashima, Woodworker the Documentary the first Peace Altar Under Construction in the Workshop, 1986 George Nakashima, Woodworker the Documentary
GeorGe Nakashima, WoodWorker The documeNTary The first Peace Altar under construction in the workshop, 1986 GeorGe Nakashima, WoodWorker The documeNTary he was born of emigrant parents in the Pacific Northwest, the grandson of the family’s last samurai. in the 1930s he journeyed around the world, a seeker who started out as a modern architect. in 1940 he re-started the focus of his life and began again, this time as a woodworker. he died in his eighties; many say the decade of his finest work. Today the popularity of his works continue to grow and his concepts are found throughout modern woodworking. George Nakashima (1905-1990) was on a quest to find his "reason for being" that began as a teenager exploring deep in the mountains and rainforests of the olympic Peninsula and lasted into his mid-thirties in asia on the eve of WWii. in college and grad school he immersed himself in the nascent modern architecture that had begun in europe. The Great depression offered him time to experience and search the world for answers. a $295 open-ended, around the world steamship ticket took him to extended experiences in Paris, then Japan, then india, where he found what he was looking for. his answer came from a great philosopher/guru, sri aurobindo. it was reveal to George that by devoting his life to creating and offering it up to God, it would be the same as a life of prayer and meditation. hoW do ideas, aesTheTics, aNd sPiriTual realizaTioN become The raW maTerials for creaTiNG fuNcTioNal, iNNovaTive WoodWorkiNG? GeorGe fouNd a Way. -
Treadway3-12Catalog.Pdf
1 www.treadwaygallery.com Coming May 20, 2012, the most important private collection of early Gustav Stickley ever to be sold at auction. 2 www.treadwaygallery.com Treadway • Toomey Galleries 20th Century Art and Design Auction March 4th, 2012 Arts & Crafts/Art Nouveau Session One 10:00 a.m. American and European Paintings, Fine Prints and Works on Paper Session Two Immediately following the conclusion of Session One. 1950s/Modern Session Three Immediately following the conclusion of Session Two. Preview Dates: Saturday, February 25, 2012 10:00 a.m. - 5:00 p.m. Sunday, February 26, 2012 CLOSED Monday, February 27, 2012 10:00 a.m. - 5:00 p.m. Tuesday, February 28, 2012 10:00 a.m. - 5:00 p.m. Wednesday, February 29, 2012 10:00 a.m. - 5:00 p.m. Thursday, March 1, 2012 10:00 a.m. - 5:00 p.m. Friday, March 2, 2012 10:00 a.m. - 5:00 p.m. Saturday, March 3, 2012 10:00 a.m. - 5:00 p.m. Also open by appointment when available at John Toomey Gallery 818 North Blvd • Oak Park, Illinois 60301 (708) 383-5234 [email protected] www.treadwaygallery.com IL Lic. #444000195, #441001663, #441001222 OH Lic. #2007000142 A PRESENTATION BY TREADWAY GALLERY, INC. OF CINCINNATI, OHIO IN ASSOCIATION WITH JOHN TOOMEY GALLERY, INC. OF OAK PARK, ILLINOIS 3 www.treadwaygallery.com 4 www.treadwaygallery.com Arts & Crafts/Art Nouveau Session One 10:00 a.m. 1. Gustav Stickley twelve tile tea table, rectangular top with twelve inset Grueby tiles supported by thru-tenon construction, arched apron over a lower shelf supported by double key and tenon construction, restored finish, unsigned, 25.5”w x 20”d x 26”h, very good condition, this successful design is a result of the collaboration between Gustav Stickley and Grueby Faience Company that began when they were both exhibitors at 1901 Pan-American Exposition in Buffalo 12,000-15,000 2. -
20Th Century Design and Craft: the Library of Philip Aarons
20 th Century Design and Craft The Library of Philip Aarons 965 titles in 981 volumes The Philip Aarons Design Library The Philip Aarons design library is focused on modern decorative arts—including ceramics, glass, furniture design, metalwork and jewelry—and on modern architecture and architects, from Wright and Gaudi to Team 10. Studies of periods and movements, such as Art Nouveau, Arts and Crafts, and Art Déco, are represented as well. ARS LIBRI THE PHILIP AARONS 20 TH CENTURY DESIGN AND CRAFT LIBRARY GENERAL WORKS 1 AGIUS, PAULINE. British Furniture, 1880-1915. 195, (1)pp. Prof. illus. 4to. Cloth. D.j. Woodbridge (The Antique Collectors’ Club), 1978. 2 AKRON. THE AKRON ART INSTITUTE. Why Is an Object: An Exhibition Investigating Motivation and Purpose. Sept.- Nov. 1962. Text by Luke Lietzke and the artists. (32)pp. 15 plates. Sm. oblong 4to. Wraps. Josef Albers, Leonard Baskin, Wharton Esherick, Trude Guermonprez, Edith Heath, Margo Hoff, Gideon Kramer, Jack Lenor Larsen, Miriam Leefe, George Nakashima, Robert Sperry, Lenore Tawney, Peter Voulkos, Marguerite Wildenhain, George Wells. Akron, 1962. 3 AKRON. AKRON ART INSTITUTE. Young Designers 1953. March-April 1953. (16)pp. Prof. illus. Sm. sq. 4to. Wraps. Library stamp. Akron, 1953. 4 AKRON. AKRON ART MUSEUM. Off the Production Line. An invitational exhibition of products designed for industry for you. Feb.-March 1956. (28)pp. 55 illus. Oblong 4to. Self-wraps. Akron, 1956. 5 ALBUQUERQUE. UNIVERSITY OF NEW MEXICO. ART MUSEUM. Crafts: National Invitational Exhibition. April-May 1968. 23, (1)pp. Prof. illus. 4to. Wraps. Albuquerque, 1968. 6 ALBUQUERQUE. UNIVERSITY OF NEW MEXICO. -
Annual Report 2014–2015 MFAH by the NUMBERS July 1, 2014–June 30, 2015
μ˙ The Museum of Fine Arts, Houston annual report 2014–2015 MFAH BY THE NUMBERS July 1, 2014–June 30, 2015 • 908,000 visits to the Museum, Bayou Bend Tuition Attendance Revenue $2.5 Other Collection and Gardens, Rienzi, and the $2.1 4% 3% $7.8 13% Glassell School of Art Membership Revenue $3.1 • 112,000 visitors and students reached 5% through learning and interpretation programs FY 2015 Operating Operating Revenues Endowment • 10,300 local college students received Fund-raising (million) Spending free access to the MFAH $13.7 $33.2 22% 53% • 41,000 schoolchildren and their chaperones received free tours of the MFAH • 98 citywide community partners collaborated Total Revenues: $62.4 million with the MFAH Exhibitions, Curatorial, • 1.8 million visits recorded at mfah.org and Collections $14.2 Auxiliary 23% Activities $3.5 • 134,000 people followed the MFAH on social media 6% Fund-raising $5.2 9% • 191,000+ online visitors accessed the Documents of 20th-Century Latin American FY 2015 Education, and Latino Art Website Operating Expenses Libraries, (million) and Visitor Engagment $11.1 • 71,490 visitors attended landmark exhibition 18% Monet and the Seine: Impressions of a River Management Buildings and Grounds and General $12.2 • and Security $14.9 27,780 household members supported 20% 24% the MFAH Total Expenses: $61.1 million • 1,000+ volunteers served the community • 630 permanent and temporary staff employed by the MFAH CONTENTS ANNUAL REPORT JULY 1, 2014–JUNE 30, 2015 The Museum of Fine Arts, Houston 4 Board of Trustees 5 Committee -
Wednesday, November 9, 2016 NEW YORK
Wednesday, November 9, 2016 NEW YORK In the collaborative hands of Jacques Grüber, Louis Majorelle DOYLE+DESIGN Spanning the past 125 years, this sale takes and Daum Frères, an otherwise ordinary chandelier has seemingly without effort been transformed into a naturalistic AUCTION a look at design that has transformed the organic flower, forever captured at the pinnacle of its beauty. Wednesday, November 9, 2016 way we use living spaces while questioning at 10am (Eastern) This exceedingly rare and spectacular bronze and leaded where we draw the line between fine art glass chandelier with its three colorful and vibrant pendant EXHIBITION blossoms evocative of butterfly wings, was installed in about Saturday, November 5, 10am – 5pm and furniture and decorative objects. 1903 in the residence or hôtel particulier of Paul Luc, located Sunday, November 6, 12pm – 5pm Monday, November 7, 10am – 6pm From Tiffany glass to Chihuly glass, Joseph Hoffmann furniture to George Nakashima LOCATION Bold & Fanciful Doyle furniture, the objects in this sale show how 175 East 87th Street at 25, Rue de Malzéville, in Nancy, France. Luc's home was New York, NY 10128 each generation broke the mold of design certainly magnificent. It was built between 1901 and 1902 on a large parcel of land that he shared with his younger brother CONTACTS from those that came before. Specialists: Design–Todd Sell, 212-427-4141, ext 269, Victor, who also built a residence next door at 27, rue de [email protected]. Art–Angelo Madrigale and Malzéville. The impressive chandelier reputedly adorned Harold Porcher, 212-427-4141, ext 249, Paintings. -
The Wood Turning Center Is a Non-Profit Arts Institution Dedicated
Chronological List of Exhibitions & Publications The Center for Art in Wood 141 N. 3rd Street | Philadelphia, PA 19106 | 215-923-8000 Exhibitions in italics were accompanied by publications. Title of exhibition catalogue is listed with its details. 2017 CRISS CROSS: ROBYN HORN / BRIAN DICKERSON, October 27, 2017 – January 18, 2018, The Center for Art in Wood. Curator, Miriam Seidel. Two artists who use wood as a primary material, but whose work has emerged out of different traditions, set their work in conversation here. Both have created new work for this exhibition in response to the other’s practice that illuminates the intersections of texture and finish, paint versus natural surface, sculpture and painting, craft and fine art. Exhibiting artists: Robyn Horn, Brian Dickerson 2017 Bob Stocksdale International Excellence in Wood Award, October 27, 2017 – January 18, 2018, The Center for Art in Wood Supported by an anonymous donor, this $1,000 award is presented annually to an emerging or mid-career artist whose work, like Stocksdale’s, unites quality of craftsmanship and respect for materials. Dean Pulver, USA, is the 2017 recipient. In recognizing his talent and vision, Albert LeCoff commented that Dean “creates pieces that are raw and honest, expressing the perfection in imperfection as monuments to our existence.” 2017 allTURNatives: Form + Spirit 2017, August 4 – October 14, 2017, The Center for Art in Wood. Celebrating the 22nd year of the International Turning Exchange Residency (ITE) program, the Center is proud to host the international artists, photojournalist and scholar who worked together for 2 months at the UArts in Philadelphia and explored new directions in their work.