Theology in Sound ~ the Eight Tones

Total Page:16

File Type:pdf, Size:1020Kb

Theology in Sound ~ the Eight Tones Theology in Sound Orthodox Hymn Study ~ Introduction to the Eight Tones www.agesofgrace.com Page 1 Theology in Sound Orthodox Hymn Study ~ Introduction to the Eight Tones www.agesofgrace.com Page 2 Theology in Sound Orthodox Hymn Study ~ Introduction to the Eight Tones A great saint was born in Syria in the year 676 AD and it was this holy man, St. John of Damascus, who systemized the music forms of the Orthodox Church. St. John gave us what we know as the Octoechos, the eight-tone mode of music that forms the melodic framework of the hymnology of the Orthodox Church. Our venerable and God-bearing Father John of Damascus fell asleep in the Lord in the year 749 AD. The Orthodox Church celebrates his memory on December 4. Study Notes: We begin our simple introduction to the Eight Tones by learning the Sunday Resurrection Troparia, familiar hymns chanted each Sunday in the Divine Liturgy. It’s important to note that this study guide teaches the hymns in Greek Chant. This style is an easy starting place, especially to the western ear. It will be most familiar to families who worship in the Orthodox Church in America. In this guide you will find a suggested schedule of study as well as links to audio recordings and sheet music. Simply click the “Listen” and “Sheet Music” links to take you to the appropriate audio files and PDFs. It is suggested that you spend some time every day singing the selected hymn together. Use the audio recording to help you practice. You may want to use the text of the hymns for additional copywork and dictation exercises. The study guides ends with suggestions for end of year exams. Below you will find introductory notes on the Octoechos (Eight Tones) which include podcasts on the musical system of the Orthodox Church as well as an article on St. John of Damasus. As you begin your study, ask your children to add St. John to their Book of Centuries. Don’t forget to look up Damascus, the second largest city of Syria, on a map. (Icon of St. John of Damascus) Spend some time exploring these links: The Eight Tones podcast from Our Life in Christ Glory to Thee podcast series on Ancient Faith Radio Octoechos article on the musical system of the eight tones St. John of Damascus article on the originator of the Octoechos www.agesofgrace.com Page 3 Theology in Sound Orthodox Hymn Study ~ Introduction to the Eight Tones Hymn Study Rotation: Week Tone Weeks 1-4 Tone 1 Weeks 5-8 Tone 2 Weeks 9-12 Tone 3 Week 13 Review Tones 1-3 Weeks 14-17 Tone 4 Weeks 18-21 Tone 5 Weeks 22-25 Tone 6 Week 26 Review Tones 1-3 Week 27 Review Tones 4-6 Weeks 28-31 Tone 7 Weeks 32-35 Tone 8 Week 36 Review Tones 1-8/Exams www.agesofgrace.com Page 4 Theology in Sound Orthodox Hymn Study ~ Introduction to the Eight Tones Listen to the Resurrection Troparion {Octoechos: Tone 1} When the stone had been sealed by the Jews, and the soldiers were guarding Thine Immaculate Body, Thou didst rise on the third day, O Savior, granting life to the world. The Powers of Heaven therefore cried to Thee, O Giver of life: glory to Thy Resurrection, O Christ; glory to thy Kingdom; glory to Thy dispensation, O only Lover of man. Sheet Music Listen to the Resurrection Troparion {Octoechos: Tone 2} When Thou didst descend to death, O Life immortal, Thou didst slay hell with the lightening-flash of Thy Divinity. And when from the nether regions Thou didst raise the dead, all the powers of Heaven cried out: O Giver of life, Christ our God, glory to Thee. Sheet Music Listen to the Resurrection Troparion {Octoechos: Tone 3} Let those in Heaven be glad, let those on Earth rejoice, for the Lord hath wrought a mighty act with His arm. He hath trampled down death by death; He is become the first-born of the dead. From the bosom of hell hath He delivered us, and hath granted unto the world great mercy. Sheet Music www.agesofgrace.com Page 5 Theology in Sound Orthodox Hymn Study ~ Introduction to the Eight Tones Listen to the Resurrection Troparion {Octoechos: Tone 4} Having learned the radiant proclamation from the angel, the women disciples of the Lord cast off the ancestral curse. And boasting they told the Apostles, Death hath been despoiled; Christ God is risen, granting unto the world great mercy. Sheet Music Listen to the Resurrection Troparion {Octoechos: Tone 5} The Word who with the Father and the Spirit hath no beginning, and for our salvation was born of a Virgin, let us faithful believers hymn and worship, for He was pleased to ascend the Cross in the flesh, and to endure death, and to raise the dead by His glorious Resurrection. Sheet Music Listen to the Resurrection Troparion {Octoechos: Tone 6} The angelic Powers were at Thy tomb and the guards became as dead men. Mary stood by Thy grave, seeking Thine Immaculate Body. Thou didst despoil hell, not being tempted by it. Thou didst go to meet the Virgin granting life. O Lord, who didst rise from the dead, glory to Thee. Sheet Music www.agesofgrace.com Page 6 Theology in Sound Orthodox Hymn Study ~ Introduction to the Eight Tones Listen to the Resurrection Troparion {Octoechos: Tone 7} By Thy Cross, Thou didst destroy death; to the thief Thou didst open Paradise. For the myrrh-bearers Thou didst change their lamentation into joy; and Thou didst command Thine apostles, O Christ God, to proclaim that Thou art risen, granting unto the world great mercy. Sheet Music Listen to the Resurrection Troparion {Octoechos: Tone 8} Thou didst ascend from on high, O tender-hearted One. Thou didst accept the three-day burial to free us from our passions. O Lord, our Life and Resurrection, glory to Thee. Sheet Music A special note of thanks to Gabrielle Bronzich and Elaine King who so generously shared the gift of their voices, making the audio recording of these hymns available to families using Ages of Grace. Translation of the Resurrection Hymns copyright ©2002 St. Seraphim Orthodox Cathedral, All Rights Reserved. Translated by the Most Revered DMITRI, Archbishop of Dallas and the South (retired), OCA. www.agesofgrace.com Page 7 Theology in Sound Orthodox Hymn Study ~ Introduction to the Eight Tones Hymn Study Exams: By the end of 36 weeks your children should be able to sing the Sunday Resurrection Troparia in each of the 8 tones. Spend the last week reviewing each hymn and consider the following suggestions for exams. Level A Choose one or two Resurrection troparia and prompt your child by singing the first few words. Allow your child to finish the hymn on his or her own. Level B Choose two or three Resurrection troparia and ask your child to sing them from memory. You may begin by saying, Sing for me the Sunday Resurrection troparion in Tone 4. Level C Choose four Resurrection troparia and ask your child to sing them from memory. You may begin by saying, Sing for me the Sunday Resurrection troparion in Tone 2. Ask your child to write from memory the words of the remaining four troparia. www.agesofgrace.com Page 8.
Recommended publications
  • November 1: Registration and Welcome Reception at the Hilton Hotel Boston Downtown Financial District
    November 1: Registration and Welcome Reception at the Hilton Hotel Boston Downtown Financial District November 2 - 4: Panels, Registration and Book Exhibits will take place at Hellenic College Holy Cross campus November 2 - 3: Coaches to Hellenic College Holy Cross campus depart each morning at 8:00 a.m. from the Hilton Downtown Financial District only. Coaches for the return trip to the Hilton Downtown Financial District will depart in front of the Archbishop Iakovos Library Building after the end of the receptions. On Saturday, coaches to take participants to the Cathedral Center will depart at 1:00 p.m., also from the Archbishop Iakovos Library Building. November 2 - 4: A small exhibition of Greek, Roman and Byzantine objects from the Archbishop Iakovos Collection, curated by the Very Reverend Dr. Joachim (John) Cotsonis and Dr. Maria Kouroumali, will be on display in the Archbishop Iakovos Museum, Third Floor, Archbishop Iakovos Library Building. Opening hours of exhibition: 10:00 a.m. - 6:00 p.m. (Fri - Sat.); 10:00 a.m. - 4:00 p.m. (Sun) Thursday, November 1, 2012 Hilton Hotel Boston Downtown Financial District 5:00 p.m. - 8.00 p.m. Registration Hilton Lobby 6:30 p.m. - 7:30 p.m. The Mary Jaharis Center for Byzantine Art and Culture Informal Welcome Reception Kellogg Ballroom 8:00 - 10:00 p.m. BSANA Governing Board Meeting William Fly Room Friday, November 2, 2012 Hellenic College Holy Cross campus Continental Breakfast: 8:00 a.m. - 9.00 a.m. Maliotis Cultural Center Lobby Registration and Book Exhibits (all day) Maliotis Cultural Center Upper Wing 9:00 a.m.
    [Show full text]
  • OCTOECHOS – DAY of the WEEK Tone 1 – 1St Canon – Ode 3
    OCTOECHOS – DAY OF THE WEEK Tone 1 – 1st Canon – Ode 3 – Hymn to the Theotokos You conceived God in your womb through the Holy Spirit, and yet remained unconsumed, O Virgin. The bush unconsumed by the fire clearly foretold you to the lawgiver Moses for you received the Fire that cannot be endured. Monday – Vespers / Tuesday - Matins: Aposticha – Tone 1 O VIRGIN, WORTHY OF ALL PRAISE: MOSES, WITH PROPHETIC EYES, BEHELD THE MYSTERY THAT WAS TO TAKE PLACE IN YOU, AS HE SAW THE BUSH THAT BURNED, YET WAS NOT CONSUMED; FOR, THE FIRE OF DIVINITY DID NOT CONSUME YOUR WOMB, O PURE ONE. THEREFORE, WE PRAY TO YOU AS THE MOTHER OF GOD, // TO ASK PEACE, AND GREAT MERCY FOR THE WORLD. Tone 2 – Saturday Vespers & Friday Vespers (repeated) – Dogmaticon Dogmatic THE SHADOW OF THE LAW PASSED WHEN GRACE CAME. AS THE BUSH BURNED, YET WAS NOT CONSUMED, SO THE VIRGIN GAVE BIRTH, YET REMAINED A VIRGIN. THE RIGHTEOUS SUN HAS RISEN INSTEAD OF A PILLAR OF FLAME.// INSTEAD OF MOSES, CHRIST, THE SALVATION OF OUR SOULS. Tone 3 – Wed Matins – 2nd Aposticha ON THE MOUNTAIN IN THE FORM OF A CROSS, MOSES STRETCHED OUT HIS HANDS TO THE HEIGHTS AND DEFEATED AMALEK. BUT WHEN YOU SPREAD OUT YOUR PALMS ON THE PRECIOUS CROSS, O SAVIOUR, YOU TOOK ME IN YOUR EMBRACE, SAVING ME FROM ENSLAVEMENT TO THE FOE. YOU GAVE ME THE SIGN OF LIFE, TO FLEE FROM THE BOW OF MY ENEMIES. THEREFORE, O WORD, // I BOW DOWN IN WORSHIP TO YOUR PRECIOUS CROSS. Tone 4 – Irmos of the First Canon – for the Resurrection (Sat Night/Sun Morn) ODE ONE: FIRST CANON IRMOS: IN ANCIENT TIMES ISRAEL WALKED DRY-SHOD ACROSS THE RED SEA, AND MOSES, LIFTING HIS HAND IN THE FORM OF THE CROSS, PUT THE POWER OF AMALEK TO FLIGHT IN THE DESERT.
    [Show full text]
  • THO 3347 (H 2015) – Glossary of Terms
    THO 3347 (H 2015) – Glossary of Terms Akathist Literally, “not standing.” A hymn dedicated to our Lord, the Theotokos, a saint, or a holy event. Aposticha The stichera sung with psalm verses at the end of Vespers and Matins. These differ from the stichera at Psalm 140 (Vespers) and at the Praise Psalms (Matins), which are sung with fixed psalms, in that the psalm verses used (pripivs) vary with the day or feast, and do not end the singing of the whole psalm. See also stichery na stichovnych. Archieratikon Тhе book containing texts and rubrics for the solemn Hierarchical (a.k.a. Pontifical) Divine Liturgy. The Archieratikon also contains the sacrament of Ноlу Orders and special blessings and consecrations. Canon A system of nine odes (the Second Ode is sung only during Great Lent) sung at Matins after Psalm 50 and before the Praises. Each ode is connected traditionally with a scriptural canticle (see below for the nine scriptural canticles) and consists of an Irmos, a variable number of troparia and, on feasts, a katavasia. After the Third Ode a sidalen is usually sung, and after the Sixth Ode a kontakion and ikos, and after the Ninth Ode, the Svitelen is sung. The Canon has its own system of eight tones. Domatikon A theotokion sung after “Now…” (or “Glory… Now…”) at the end of Psalms 140, 141, 129, and 116 at Vespers on Friday and Saturday evenings, and on the eve of a Polyeleos saint or saints with a vigil in the same tone as the last sticheron of the saint (at “Glory…”).
    [Show full text]
  • BYZANTINE CAMEOS and the AESTHETICS of the ICON By
    BYZANTINE CAMEOS AND THE AESTHETICS OF THE ICON by James A. Magruder, III A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland March 2014 © 2014 James A. Magruder, III All rights reserved Abstract Byzantine icons have attracted artists and art historians to what they saw as the flat style of large painted panels. They tend to understand this flatness as a repudiation of the Classical priority to represent Nature and an affirmation of otherworldly spirituality. However, many extant sacred portraits from the Byzantine period were executed in relief in precious materials, such as gemstones, ivory or gold. Byzantine writers describe contemporary icons as lifelike, sometimes even coming to life with divine power. The question is what Byzantine Christians hoped to represent by crafting small icons in precious materials, specifically cameos. The dissertation catalogs and analyzes Byzantine cameos from the end of Iconoclasm (843) until the fall of Constantinople (1453). They have not received comprehensive treatment before, but since they represent saints in iconic poses, they provide a good corpus of icons comparable to icons in other media. Their durability and the difficulty of reworking them also makes them a particularly faithful record of Byzantine priorities regarding the icon as a genre. In addition, the dissertation surveys theological texts that comment on or illustrate stone to understand what role the materiality of Byzantine cameos played in choosing stone relief for icons. Finally, it examines Byzantine epigrams written about or for icons to define the terms that shaped icon production.
    [Show full text]
  • The Apocryphal Bulgarian Sermon of Saint John Chrysostom on the Оrigin of Paulicians and Manichean Dimensions of Medieval Paulician Identity
    Studia Ceranea 10, 2020, p. 425–444 ISSN: 2084-140X DOI: 10.18778/2084-140X.10.21 e-ISSN: 2449-8378 Hristo Saldzhiev (Stara Zagora) https://orcid.org/0000-0002-4116-6600 The Apocryphal Bulgarian Sermon of Saint John Chrysostom on the Оrigin of Paulicians and Manichean Dimensions of Medieval Paulician Identity ne of the most interesting documents concerning the early history of Pau- O licianism in Bulgarian lands is the apocryphal Saint John Chrysostom’s ser- mon on how the Paulicians came to be1. Its text is known entirely or partly from eight copies; the earliest ones are dated back to the 16th century2. The best-known variant is the copy from the Adžar collection N326 (17th century), preserved at the Bulgarian National Library3. It was found and published for the first time by Jor- dan Ivanov, the discoverer of the sermon, in 1922. Since then the Adžar and other copies have been published or quoted in different studies and research works4. The meaningful differences between the different copies are insignificant, except for the final passage. According to the Adžar copy, St. John Chrysostom from Petrič went to the Bulgarian land to search for the two “disciples of the devil”, but accord- ing to the others, he sent to the Bulgarian land delegates who brought “disciples of the devil” to Petrič5. That gives a reason to think that the copies transmitted the text of the initial original relatively correctly. According to Anisava Miltenova 1 Below in the text I will refer to it as “the sermon”. 2 А. МИЛТЕНОВА, Разобличението на дявола-граматик.
    [Show full text]
  • Course Listing Hellenic College, Inc
    jostrosky Course Listing Hellenic College, Inc. Academic Year 2020-2021 Spring Credit Course Course Title/Description Professor Days Dates Time Building-Room Hours Capacity Enrollment ANGK 3100 Athletics&Society in Ancient Greece Dr. Stamatia G. Dova 01/19/2105/14/21 TBA - 3.00 15 0 This course offers a comprehensive overview of athletic competitions in Ancient Greece, from the archaic to the hellenistic period. Through close readings of ancient sources and contemporary theoretical literature on sports and society, the course will explore the significance of athletics for ancient Greek civilization. Special emphasis will be placed on the Olympics as a Panhellenic cultural institution and on their reception in modern times. ARBC 6201 Intermediate Arabic I Rev. Edward W. Hughes R 01/19/2105/14/21 10:40 AM 12:00 PM TBA - 1.50 8 0 A focus on the vocabulary as found in Vespers and Orthros, and the Divine Liturgy. Prereq: Beginning Arabic I and II. ARTS 1115 The Museums of Boston TO BE ANNOUNCED 01/19/2105/14/21 TBA - 3.00 15 0 This course presents a survey of Western art and architecture from ancient civilizations through the Dutch Renaissance, including some of the major architectural and artistic works of Byzantium. The course will meet 3 hours per week in the classroom and will also include an additional four instructor-led visits to relevant area museums. ARTS 2163 Iconography I Mr. Albert Qose W 01/19/2105/14/21 06:30 PM 09:00 PM TBA - 3.00 10 0 This course will begin with the preparation of the board and continue with the basic technique of egg tempera painting and the varnishing of an icon.
    [Show full text]
  • Pna 35/2020 109 Artiklar
    “THE GREAT INITIATE OF GOD’S GRACE”: A KONTAKION ON ST NICHOLAS BY PSEUDO-ROMANOS Uffe Holmsgaard Eriksen ([email protected]) University of Southern Denmark Abstract: During the ninth and tenth centuries, St Nicholas of Myra became increasingly popular as a saint, eventually rising to rank of the apostles in veneration. This article presents an investigation into the monastic piety which brought St Nich- olas onto the stage of the Byzantine liturgical storyworld as one of the most im- portant saints. Through a closer examination of how he was presented from the ninth century onwards in hagiography in general, the main focus of the article is a kontakion on the saint attributed to the great poet Romanos the Melodist (ca. 485–560) in particular. The question of authorship, time and place of origin of the kontakion is discussed. The article finally brings a new translation of the kontakion into English. Key words: Keywords: pseudo-Romanos, Romanos the Melodist, kontakion, kanon, Byzan- tine hymnography, St Nicholas of Myra, St Nicholas of Sion, hagiography PNA 35/2020 109 ARTIKLAR Hagiographical Hymns in General Scholarly work on Byzantine hymns devoted to saints is still a desider- atum. This goes not only for a large amount of unedited hagiographical kanons,1 but also for the kontakia2 on saints’ lives. Most of these hagio- graphical kontakia, several hundred,3 remain unedited, but because of the high esteem and popularity of Romanos the Melodist among Byz- antinists we have 20 kontakia devoted to apostles or saints attributed to him in a critical edition. The edition was originally prepared by Paul Maas but it was his collaborator, Constantine Trypanis, who finished the volume after Maas’ death based on his notes and personal commu- nication.4 Maas and Trypanis regarded all the kontakia in this edition spurious, and Trypanis’ verdict on the quality of the hymns could easily scare away interested scholars (see below).
    [Show full text]
  • A Concise Glossary of the Genres of Eastern Orthodox Hymnography
    Journal of the International Society for Orthodox Church Music Vol. 4 (1), Section III: Miscellanea, pp. 198–207 ISSN 2342-1258 https://journal.fi/jisocm A Concise Glossary of the Genres of Eastern Orthodox Hymnography Elena Kolyada [email protected] The Glossary contains concise entries on most genres of Eastern Orthodox hymnography that are mentioned in the article by E. Kolyada “The Genre System of Early Russian Hymnography: the Main Stages and Principles of Its Formation”.1 On the one hand the Glossary is an integral part of the article, therefore revealing and corroborating its principal conceptual propositions. However, on the other hand it can be used as an independent reference resource for hymnographical terminology, useful for the majority of Orthodox Churches worldwide that follow the Eastern Rite: Byzantine, Russian, Bulgarian, Serbian et al., as well as those Western Orthodox dioceses and parishes, where worship is conducted in English. The Glossary includes the main corpus of chants that represents the five great branches of the genealogical tree of the genre system of early Christian hymnography, together with their many offshoots. These branches are 1) psalms and derivative genres; 2) sticheron-troparion genres; 3) akathistos; 4) canon; 5) prayer genres (see the relevant tables, p. 298-299).2 Each entry includes information about the etymology of the term, a short definition, typological features and a basic statement about the place of a particular chant in the daily and yearly cycles of services in the Byzantine rite.3 All this may help anyone who is involved in the worship or is simply interested in Orthodox liturgiology to understand more fully specific chanting material, as well as the general hymnographic repertoire of each service.
    [Show full text]
  • Sunday, January 12, 2020 – 30 Th Sunday After Pentecost, Afterfeast of the Theopany
    SAINT NICHOLAS RUSSIAN ORTHODOX CHURCH 980 Bridle Path Road | Bethlehem, PA 18017-3120 | T: 610-867-0402 stnicholasoca.org Reverend Matthew Joyner, Rector Cell: 570-468-2261 Email: [email protected] Very Reverend James Mason, Attached Deacon Geoffrey LoBalbo Ms. Patty Felix, Council Chair Reader Nicholas Lezinsky, Choir Director Jennifer Bzik, Administrative Assistant Email: [email protected] Note to our Guests and Friends Visiting St. Nicholas: We offer a most sincere and heart-felt welcome to St. Nicholas Church! Please be advised that according to the ancient traditions of the Orthodox Church, the Sacrament of Holy Communion is to be administered only to Orthodox Christians who have prepared themselves to receive the Holy Sacrament. (Please note – Information to be included in next week’s bulletin must be submitted by noon on Thursday. Thank you! ~ Jennifer N. Bzik) Schedule for the Week of January 12, 2020 30th SUNDAY AFTER PENTECOST — Tone 5. Afterfeast of the Theophany. Sunday after Theophany. Martyr Tatiana of Rome and those who suffered with her (226-235). Ven. Martinian, Abbot of Belozersk (1483). Martyr Mertius of Mauretania (284-305). Martyr Peter Apselamus of Palestine (309-310). Ven. Eupraxia of Tabenna, in Egypt (393). The “AKATHIST” and “THE MILKGIVER” Icons of the Most-holy Theotokos. Icon of the Mother of God, the “Priestly”. Coffee Hour Hosted By: The Lungu Family In Honor of Mom & Dad Father Matthew’s Office Hours This Week Office Hours during house blessing season will be irregular. Please call if
    [Show full text]
  • 1 the Beginning of the Church
    Excerpts from the “The Historical Road of Eastern Orthodoxy” By Alexander Schmemann Translated by Lynda W. Kesich (Please get the full version of this book at your bookstore) Content: 1. The Beginning of the Church. Acts of the Apostles. Community in Jerusalem — The First Church. Early Church Organization. Life of Christians. Break with Judaism. The Apostle Paul. The Church and the Greco-Roman World. People of the Early Church. Basis of Persecution by Rome. Blood of Martyrs. Struggle of Christianity to Keep its Own Meaning. The New Testament. Sin and Repentance in the Church. Beginnings of Theology. The Last Great Persecutions. 2. The Triumph Of Christianity. Conversion of Constantine. Relations between Church and State. The Arian Disturbance. Council of Nicaea — First Ecumenical Council. After Constantine. The Roman Position. Countermeasures in the East. End of Arianism. New Relation of Christianity to the World. The Visible Church. Rise of Monasticism. State Religion — Second Ecumenical Council. St. John Chrysostom. 3. The Age Of The Ecumenical Councils. Development of Church Regional Structure. The Byzantine Idea of Church and State Constantinople vs. Alexandria The Christological Controversy — Nestorius and Cyril. Third Ecumenical Council. The Monophysite Heresy. Council of Chalcedon (Fourth Ecumenical Council). Reaction to Chalcedon — the Road to Division. Last Dream of Rome. Justinian and the Church. Two Communities. Symphony. Reconciliation with Rome — Break with the East. Recurrence of Origenism. Fifth Ecumenical Council. Underlying Gains. Breakup of the Empire — Rise of Islam. Decay of the Universal Church Last Efforts: Monothelitism. Sixth Ecumenical Council. Changing Church Structure. Byzantine Theology. Quality of Life in the New Age. Development of the Liturgy.
    [Show full text]
  • Kassia: a Female Hymnographer of the 9Th Century SPYROS PANAGOPOULOS
    Proceedings of the 1st International Conference of the ASBMH page 111 Kassia: A female hymnographer of the 9th century SPYROS PANAGOPOULOS Introduction For over 1.000 years many men and a few women wrote hymns in Byzantium. Their contribution to world literature and to Greek letters constitutes a vast and priceless treasure of sacred poetry. It’s impossible to exaggerate the value of this hymnography, since it expresses, as nothing else can, the spiritual riches, faith and beauty of Eastern Christendom. Some of these hymns are still chanted today in many languages in Orthodox Churches in every part of the world. Others remain unknown. Hidden in manuscripts stored in monastic libraries, they wait to be discovered and to be edited.78 It’s obvious that the Byzantine female hymnography was not flourished especially in Byzantium. We have the names of hundreds male hymnodists who came from all parts of the oikoumene, from Greece, Italy, Palestine, and Syria, as well as from the islands of Cyprus, Crete and Sicily. These hymnodists came of all classes of Byzantine society, from the obscure man who signed his hymn ὁ ἀμαρτωλός (the sinner) to the Emperor Justinian (527‑565), who wrote in imperial red ink the troparion ὁ μονογενὴς υἱός, and then ordered its insertion into the Divine Liturgy. Despite the great number of male hymnodists, we know only six feminine names that composed hymns: Γρηγορίς, Μάρθα, Θεοδοσία79, Θέκλα80, Κασσία and Παλαιολογίνα.81 The fame of Kassia the Melodist outshines by far all other women writers in both medieval and Modern Greek writers. 78 For an introduction in Bzyantine Hzmnography there is a vast bibliography.
    [Show full text]
  • The Last Judgment Is Coming!
    Saint Joseph Melkite Greek Catholic Church 130 North Saint Francis Cabrini Avenue Scranton, PA 18504 Rev. Father Michael Jolly— Pastor E-Mail: [email protected] 570-213-9344 Web: http://melkitescranton.org Webmaster: Sal Zaydon Parish Office 570-343-6092 February 8, 2015 Meat Fare – The Last Judgment Tone 2 and Orthros Gospel 2 Liturgy Schedule: Sunday Orthros 8:55 am Saturday Vesper Liturgy 4 pm Sunday Divine Liturgy 10:00 am Compline Weds. 8:30PM Holy Confession—before Saturday Liturgy, after Compline and by appointment Parish Notes: Liturgy Intentions The Qurban consecrated at this weekend's liturgies was baked by Joanna Simon. Thank you Joanna. February 8, 2015 Whenever bread you bake is offered at the Divine Genevieve (Boots) Zaydon Liturgy, you and your intentions are specially remembered in the Prosthesis and the Liturgy itself. Yolande Haddad 2014 Contribution recognition letters have been sent to our contributors. Contact the parish office if you have February 15, 2015 any questions. Genevieve (Boots) Zaydon Fr. Michael will commemorate the newly deceased at all Yolande Haddad Liturgies until their 40 Day Memorial. At that point we will commemorate them according to liturgy requests. Next Sunday is Cheesefare Sunday. Today is the last day Today’s Icon: Today’s Gospel reading is Matthew that you can eat meat if you are 25:31-46, the parable of the Last Judgment. It observing the full Lenten fast. reminds us that while trusting in Christ’s love and We will have an Ice Cream mercy, we must not forget His righteous judgment when He comes again in glory.
    [Show full text]