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Nil Sorsky: the Authentic Writings Early 18Th Century Miniature of Nil Sorsky and His Skete (State Historical Museum Moscow, Uvarov Collection, No
CISTER C IAN STUDIES SERIES : N UMBER T WO HUNDRED T WENTY -ONE David M. Goldfrank Nil Sorsky: The Authentic Writings Early 18th century miniature of Nil Sorsky and his skete (State Historical Museum Moscow, Uvarov Collection, No. 107. B 1?). CISTER C IAN STUDIES SERIES : N UMBER T WO H UNDRED TWENTY -ONE Nil Sorsky: The Authentic Writings translated, edited, and introduced by David M. Goldfrank Cistercian Publications Kalamazoo, Michigan © Translation and Introduction, David M. Goldfrank, 2008 The work of Cistercian Publications is made possible in part by support from Western Michigan University to The Institute of Cistercian Studies Nil Sorsky, 1433/1434-1508 Library of Congress Cataloguing-in-Publication Data Nil, Sorskii, Saint, ca. 1433–1508. [Works. English. 2008] Nil Sorsky : the authentic writings / translated, edited, and introduced by David M. Goldfrank. p. cm.—(Cistercian studies series ; no. 221) Includes bibliographical references (p. ) and indexes. ISBN 978-0-87907-321-3 (pbk.) 1. Spiritual life—Russkaia pravoslavnaia tserkov‚. 2. Monasticism and religious orders, Orthodox Eastern—Russia—Rules. 3. Nil, Sorskii, Saint, ca. 1433–1508—Correspondence. I. Goldfrank, David M. II. Title. III. Title: Authentic writings. BX597.N52A2 2008 248.4'819—dc22 2008008410 Printed in the United States of America ∆ Estivn ejn hJmi'n nohto;~ povlemo~ tou' aijsqhtou' calepwvtero~. ¿st; mysla rat;, vnas= samäx, h[v;stv÷nyã l[täi¡wi. — Philotheus the Sinaite — Within our very selves is a war of the mind fiercer than of the senses. Fk 2: 274; Eparkh. 344: 343v Table of Contents Author’s Preface xi Table of Bibliographic Abbreviations xvii Transliteration from Cyrillic Letters xx Technical Abbreviations in the Footnotes xxi Part I: Toward a Study of Nil Sorsky I. -
OCTOECHOS – DAY of the WEEK Tone 1 – 1St Canon – Ode 3
OCTOECHOS – DAY OF THE WEEK Tone 1 – 1st Canon – Ode 3 – Hymn to the Theotokos You conceived God in your womb through the Holy Spirit, and yet remained unconsumed, O Virgin. The bush unconsumed by the fire clearly foretold you to the lawgiver Moses for you received the Fire that cannot be endured. Monday – Vespers / Tuesday - Matins: Aposticha – Tone 1 O VIRGIN, WORTHY OF ALL PRAISE: MOSES, WITH PROPHETIC EYES, BEHELD THE MYSTERY THAT WAS TO TAKE PLACE IN YOU, AS HE SAW THE BUSH THAT BURNED, YET WAS NOT CONSUMED; FOR, THE FIRE OF DIVINITY DID NOT CONSUME YOUR WOMB, O PURE ONE. THEREFORE, WE PRAY TO YOU AS THE MOTHER OF GOD, // TO ASK PEACE, AND GREAT MERCY FOR THE WORLD. Tone 2 – Saturday Vespers & Friday Vespers (repeated) – Dogmaticon Dogmatic THE SHADOW OF THE LAW PASSED WHEN GRACE CAME. AS THE BUSH BURNED, YET WAS NOT CONSUMED, SO THE VIRGIN GAVE BIRTH, YET REMAINED A VIRGIN. THE RIGHTEOUS SUN HAS RISEN INSTEAD OF A PILLAR OF FLAME.// INSTEAD OF MOSES, CHRIST, THE SALVATION OF OUR SOULS. Tone 3 – Wed Matins – 2nd Aposticha ON THE MOUNTAIN IN THE FORM OF A CROSS, MOSES STRETCHED OUT HIS HANDS TO THE HEIGHTS AND DEFEATED AMALEK. BUT WHEN YOU SPREAD OUT YOUR PALMS ON THE PRECIOUS CROSS, O SAVIOUR, YOU TOOK ME IN YOUR EMBRACE, SAVING ME FROM ENSLAVEMENT TO THE FOE. YOU GAVE ME THE SIGN OF LIFE, TO FLEE FROM THE BOW OF MY ENEMIES. THEREFORE, O WORD, // I BOW DOWN IN WORSHIP TO YOUR PRECIOUS CROSS. Tone 4 – Irmos of the First Canon – for the Resurrection (Sat Night/Sun Morn) ODE ONE: FIRST CANON IRMOS: IN ANCIENT TIMES ISRAEL WALKED DRY-SHOD ACROSS THE RED SEA, AND MOSES, LIFTING HIS HAND IN THE FORM OF THE CROSS, PUT THE POWER OF AMALEK TO FLIGHT IN THE DESERT. -
BYZANTINE CAMEOS and the AESTHETICS of the ICON By
BYZANTINE CAMEOS AND THE AESTHETICS OF THE ICON by James A. Magruder, III A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland March 2014 © 2014 James A. Magruder, III All rights reserved Abstract Byzantine icons have attracted artists and art historians to what they saw as the flat style of large painted panels. They tend to understand this flatness as a repudiation of the Classical priority to represent Nature and an affirmation of otherworldly spirituality. However, many extant sacred portraits from the Byzantine period were executed in relief in precious materials, such as gemstones, ivory or gold. Byzantine writers describe contemporary icons as lifelike, sometimes even coming to life with divine power. The question is what Byzantine Christians hoped to represent by crafting small icons in precious materials, specifically cameos. The dissertation catalogs and analyzes Byzantine cameos from the end of Iconoclasm (843) until the fall of Constantinople (1453). They have not received comprehensive treatment before, but since they represent saints in iconic poses, they provide a good corpus of icons comparable to icons in other media. Their durability and the difficulty of reworking them also makes them a particularly faithful record of Byzantine priorities regarding the icon as a genre. In addition, the dissertation surveys theological texts that comment on or illustrate stone to understand what role the materiality of Byzantine cameos played in choosing stone relief for icons. Finally, it examines Byzantine epigrams written about or for icons to define the terms that shaped icon production. -
The Apocryphal Bulgarian Sermon of Saint John Chrysostom on the Оrigin of Paulicians and Manichean Dimensions of Medieval Paulician Identity
Studia Ceranea 10, 2020, p. 425–444 ISSN: 2084-140X DOI: 10.18778/2084-140X.10.21 e-ISSN: 2449-8378 Hristo Saldzhiev (Stara Zagora) https://orcid.org/0000-0002-4116-6600 The Apocryphal Bulgarian Sermon of Saint John Chrysostom on the Оrigin of Paulicians and Manichean Dimensions of Medieval Paulician Identity ne of the most interesting documents concerning the early history of Pau- O licianism in Bulgarian lands is the apocryphal Saint John Chrysostom’s ser- mon on how the Paulicians came to be1. Its text is known entirely or partly from eight copies; the earliest ones are dated back to the 16th century2. The best-known variant is the copy from the Adžar collection N326 (17th century), preserved at the Bulgarian National Library3. It was found and published for the first time by Jor- dan Ivanov, the discoverer of the sermon, in 1922. Since then the Adžar and other copies have been published or quoted in different studies and research works4. The meaningful differences between the different copies are insignificant, except for the final passage. According to the Adžar copy, St. John Chrysostom from Petrič went to the Bulgarian land to search for the two “disciples of the devil”, but accord- ing to the others, he sent to the Bulgarian land delegates who brought “disciples of the devil” to Petrič5. That gives a reason to think that the copies transmitted the text of the initial original relatively correctly. According to Anisava Miltenova 1 Below in the text I will refer to it as “the sermon”. 2 А. МИЛТЕНОВА, Разобличението на дявола-граматик. -
Language and Theology in St Gregory of Nyssa
Durham E-Theses Language and theology in St Gregory of Nyssa Neamµu, Mihail G. How to cite: Neamµu, Mihail G. (2002) Language and theology in St Gregory of Nyssa, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/4187/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk University of Durham Faculty of Arts Department of Theology The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. Language and Theology in St Gregory of Nyssa Mihail G. Neamtu St John's College September 2002 M.A. in Theological Research Supervisor: Prof Andrew Louth This dissertation is the product of my own work, and the work of others has been properly acknowledged throughout. Mihail Neamtu Language and Theology in St Gregory of Nyssa MA (Research) Thesis, September 2002 Abstract This MA thesis focuses on the work of one of the most influential and authoritative theologians of the early Church: St Gregory of Nyssa (f396). -
3 Cappella Romana Presents VENICE in the EAST: Renaissance Crete
Cappella Romana presents VENICE IN THE EAST: Renaissance Crete & Cyprus Wednesday, 8 May 2019, 7:30 p.m. Touhill Performing Arts Center, University of Missouri, Saint Louis Friday, 10 May 2019 at 7:30 p.m. Alexander Lingas Christ Church Cathedral, Vancouver, British Columbia Founder & Music Director Presented by Early Music Vancouver Saturday, 11 May 2019 at 8:00 p.m. St. Ignatius Parish, San Francisco Spyridon Antonopoulos John Michael Boyer Kristen Buhler PROGRAM Aaron Cain Photini Downie Robinson PART I David Krueger Emily Lau From the Byzantine and Venetian Commemorations of the Paschal Triduum Kerry McCarthy The Crucifixion and Deposition Mark Powell Catherine van der Salm Venite et ploremus Johannes de Quadris David Stutz soloists: Aaron Cain, Mark Powell Liber sacerdotalis (1523) of Alberto Castellani Popule meus Liber sacerdotalis soloist: Kerry McCarthy Sticherón for the Holy Passion: Ἤδη βάπτεται (“Already the pen”) 2-voice setting (melos and “ison”) Manuel Gazēs the Lampadarios (15th c.) soloists: Spyridon Antonopoulos, MS Duke, K. W. Clark 45 John Michael Boyer Traditional Melody of the Sticherarion Mode Plagal 4 Cum autem venissent ad locum de Quadris Liber sacerdotalis soloists: Aaron Cain, Mark Powell O dulcissime de Quadris Liber sacerdotalis soloists: Photini Downie Robinson, Kerry McCarthy Verses of Lamentation for the Holy Passion “Corrected by” Angelos Gregoriou MS Duke 45, Mode Plagal 2 Sepulto Domino de Quadris Liber sacerdotalis The Resurrection Attollite portas (“Lift up your gates”) Liber sacerdotalis celebrant: Mark Powell Ἄρατε πύλας (“Lift up your gates”) Anon. Cypriot (late 15th c.?), MS Sinai Gr. 1313 Attollite portas … Quem queritis … Liber sacerdotalis Χριστὸς ἀνέστη (“Christ has risen”) Cretan Melody as transcribed by Ioannis Plousiadenós (ca. -
1 Jerusalem and the Work of Discontinuity Elizabeth Key Fowden He Was Not Changing a Technique, but an Ontology. John Berger
Jerusalem and the Work of Discontinuity Elizabeth Key Fowden He was not changing a technique, but an ontology. John Berger, “Seker Ahmet and the Forest”1 In a review of Kamal Boullata’s 2009 book Palestinian Art: From 1850 to the Present, the critic Jean Fisher noted that “among Boullata’s most stunning insights . is that the crucible of Palestinian modernism is to be found in the Arabisation and progressive naturalisation of Byzantine iconography.”2 But Boullata himself did not follow this course. Instead, the Orthodox icon stimulated him to travel down a path away from the increasing naturalization of figural art toward varieties of abstraction, distilling the nonlinear perspective that lies at the existential heart of Orthodox iconography to create a modern artistic expression of a radically different sort from the Palestinian artists whose work he analyses in his book. Why did he take such a different path? Boullata has frequently observed that his own artistic impulse was first formed by three modes of artistic creation that coexisted in Jerusalem, where he was born and grew up: Byzantine icons, Arabic calligraphy, and Islamic ornament. He has not elaborated on the role of the Orthodox icon except to mention that his first lessons in painting were from the icon painter Khalil Halabi, who taught him to organize the multiple planes of an icon by the use of a grid. In his chapter “Peregrination Between Religious and Secular Painting,” Boullata also mentions “reverse perspective,” which he gleaned from the Byzantine art historian André Grabar, whose teacher in early twentieth-century St. -
1 the Beginning of the Church
Excerpts from the “The Historical Road of Eastern Orthodoxy” By Alexander Schmemann Translated by Lynda W. Kesich (Please get the full version of this book at your bookstore) Content: 1. The Beginning of the Church. Acts of the Apostles. Community in Jerusalem — The First Church. Early Church Organization. Life of Christians. Break with Judaism. The Apostle Paul. The Church and the Greco-Roman World. People of the Early Church. Basis of Persecution by Rome. Blood of Martyrs. Struggle of Christianity to Keep its Own Meaning. The New Testament. Sin and Repentance in the Church. Beginnings of Theology. The Last Great Persecutions. 2. The Triumph Of Christianity. Conversion of Constantine. Relations between Church and State. The Arian Disturbance. Council of Nicaea — First Ecumenical Council. After Constantine. The Roman Position. Countermeasures in the East. End of Arianism. New Relation of Christianity to the World. The Visible Church. Rise of Monasticism. State Religion — Second Ecumenical Council. St. John Chrysostom. 3. The Age Of The Ecumenical Councils. Development of Church Regional Structure. The Byzantine Idea of Church and State Constantinople vs. Alexandria The Christological Controversy — Nestorius and Cyril. Third Ecumenical Council. The Monophysite Heresy. Council of Chalcedon (Fourth Ecumenical Council). Reaction to Chalcedon — the Road to Division. Last Dream of Rome. Justinian and the Church. Two Communities. Symphony. Reconciliation with Rome — Break with the East. Recurrence of Origenism. Fifth Ecumenical Council. Underlying Gains. Breakup of the Empire — Rise of Islam. Decay of the Universal Church Last Efforts: Monothelitism. Sixth Ecumenical Council. Changing Church Structure. Byzantine Theology. Quality of Life in the New Age. Development of the Liturgy. -
Spiritual Struggle and Gregory of Nyssa's Theory of Perpetual Ascent
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Spring 5-10-2019 Spiritual Struggle and Gregory of Nyssa’s Theory of Perpetual Ascent: An Orthodox Christian Virtue Ethic Stephen M. Meawad Follow this and additional works at: https://dsc.duq.edu/etd Part of the Christianity Commons, and the Ethics in Religion Commons Recommended Citation Meawad, S. M. (2019). Spiritual Struggle and Gregory of Nyssa’s Theory of Perpetual Ascent: An Orthodox Christian Virtue Ethic (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/1768 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. SPIRITUAL STRUGGLE AND GREGORY OF NYSSA’S THEORY OF PERPETUAL ASCENT: AN ORTHODOX CHRISTIAN VIRTUE ETHIC A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the Degree of Doctor of Philosophy By Stephen M. Meawad May 2019 Copyright by Stephen Meawad 2019 SPIRITUAL STRUGGLE AND GREGORY OF NYSSA’S THEORY OF PERPETUAL ASCENT: AN ORTHODOX CHRISTIAN VIRTUE ETHIC By Stephen M. Meawad Approved December 14, 2018 _______________________________ _______________________________ Darlene F. Weaver, Ph.D. Elizabeth A. Cochran, Ph.D. Professor of Theology Associate Professor of Theology Director, Ctr for Catholic Intellectual Tradition Director of Graduate Studies (Committee Chair) (Committee Member – First Reader) _______________________________ _______________________________ Bogdan G. Bucur, Ph.D. Marinus C. Iwuchukwu, Ph.D. Associate Professor of Theology Associate Professor of Theology (Committee Member – Second Reader) Chair, Department of Theology Chair, Consortium Christian-Muslim Dial. -
Church Lectionary & Typicon Church Services and Events St John's
Saint John The Baptist Orthodox Church September 23, 2018 Church Lectionary & Typicon Seventeenth Sunday After Pentecost Sunday Before the Elevation of the Cross Virgin Martyrs Menodora, Metrodora, & Nymphodora Epistle : Galatians 6:11-18; Gospel : Mark3:13-27 St John The Baptist Orthodox Church Resurrectional Tone 8 1240 Broadbridge Ave Stratford, CT 06615 FIFTEENTH SUNDAY AFTER PENTECOST www.sjoc.org Church Services and Events www.facebook.com/stjohns broadbridge The Venerable Poemen the Great Sunday, September 23 12:00PM Church Picnic Very Rev. Protopresbyter Peter Paproski Wednesday, September 26 Epistle : 2 Corinthians 4:6-15; [email protected] Gospel : Matthew 22: 35-48 6:30PM Great Vespers & Litya 7:30PM Adult Education Thursday, September 27 Office: 203-375-2564 Resurrectional Tone 6 Cell: 203-260-0423 9:00AM Divine Liturgy - Elevation of The Cross – Strict Fast Day _______________________ Saturday, September 29 Resurrectional Tone 5 9:00AM Pagachi Workshop A Parish of The American 5:00PM Great Vespers Carpatho-Russian Sunday, September 30 Resurrectional Tone 3 Orthodox Diocese 9:00AM Divine Liturgy 10:45AM Church School St John’s Stewards Diocesan Website: Date Coffee Hour Host Hours Epistle Church Cleaner http://www.acrod.org Sept 30 Decerbo Holly Bill Cleaning Service Camp Nazareth: http://www.campnazareth.org Oct 7 Ivers/Pierce Pani Carol Matt Cleaning Service Facebook: www.facebook.com/acroddiocese Twitter: 2018 Parish Stewardship Offering (As of 09/16 /18) https://twitter.com/acrodnews YTD: $48,209 .00 Goal: $70,000.00 You Tube: https://youtube.com/acroddiocese Announcements Lives of The CHURCH SCHOOL - The 2018-2019 Church School Year began last Sunday. -
Icons and Saints of the Eastern Orthodox Church Pdf, Epub, Ebook
ICONS AND SAINTS OF THE EASTERN ORTHODOX CHURCH PDF, EPUB, EBOOK Alfredo Tradigo | 384 pages | 01 Sep 2006 | Getty Trust Publications | 9780892368457 | English | Santa Monica CA, United States Icons and Saints of the Eastern Orthodox Church PDF Book In the Orthodox Church "icons have always been understood as a visible gospel, as a testimony to the great things given man by God the incarnate Logos". Many religious homes in Russia have icons hanging on the wall in the krasny ugol —the "red" corner see Icon corner. Guide to Imagery Series. Samuel rated it really liked it Jun 21, It did not disappoint on this detail. Later communion will be available so that one can even utilize the sense of taste during worship. Statues in the round were avoided as being too close to the principal artistic focus of pagan cult practices, as they have continued to be with some small-scale exceptions throughout the history of Eastern Christianity. The Art of the Byzantine Empire — A Guide to Imagery 10 , Bildlexikon der Kunst 9. Parishioners do not sit primly in the pews but may walk throughout the church lighting candles, venerating icons. Modern academic art history considers that, while images may have existed earlier, the tradition can be traced back only as far as the 3rd century, and that the images which survive from Early Christian art often differ greatly from later ones. Aldershot: Ashgate. In the Orthodox Church an icon is a sacred image, a window into heaven. Purple reveals wealth, power and authority. Vladimir's Seminary Press, The stillness of the icon draws us into the quiet so that we can lay aside the cares of this world and meditate on the splendor of the next. -
UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations
UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations Title “We’re Not Ethnic”: Ethnicity, Pluralism, and Identity in Orthodox Christian America Permalink https://escholarship.org/uc/item/9f61p9hw Author Sokoll, Aaron J Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Santa Barbara “We’re Not Ethnic”: Ethnicity, Pluralism, and Identity in Orthodox Christian America A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Religious Studies by Aaron Josef Sokoll Committee in charge: Professor Wade Clark Roof, Chair Professor Catherine Albanese Professor Kathleen Moore March 2018 The dissertation of Aaron Josef Sokoll is approved. ____________________________________________ Catherine Albanese ____________________________________________ Kathleen Moore ____________________________________________ Wade Clark Roof, Committee Chair March 2018 “We’re Not Ethnic”: Ethnicity, Pluralism, and Identity in Orthodox Christian America Copyright © 2018 by Aaron Josef Sokoll iii VITA OF AARON JOSEF SOKOLL March 2018 EDUCATION Present Ph.D., Religious Studies, UC Santa Barbara, (March 2018) “We're Not Ethnic”: Race, Ethnicity, and Identity in Eastern Orthodox America 2007 M.A., Religious Studies, University of Denver American Civil Religion and American Empire 1999 B.A., Philosophy, Cedarville University RESEARCH AND TEACHING INTERESTS Religion & Culture, American Religious