The Last Judgment Is Coming!
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THO 3347 (H 2015) – Glossary of Terms
THO 3347 (H 2015) – Glossary of Terms Akathist Literally, “not standing.” A hymn dedicated to our Lord, the Theotokos, a saint, or a holy event. Aposticha The stichera sung with psalm verses at the end of Vespers and Matins. These differ from the stichera at Psalm 140 (Vespers) and at the Praise Psalms (Matins), which are sung with fixed psalms, in that the psalm verses used (pripivs) vary with the day or feast, and do not end the singing of the whole psalm. See also stichery na stichovnych. Archieratikon Тhе book containing texts and rubrics for the solemn Hierarchical (a.k.a. Pontifical) Divine Liturgy. The Archieratikon also contains the sacrament of Ноlу Orders and special blessings and consecrations. Canon A system of nine odes (the Second Ode is sung only during Great Lent) sung at Matins after Psalm 50 and before the Praises. Each ode is connected traditionally with a scriptural canticle (see below for the nine scriptural canticles) and consists of an Irmos, a variable number of troparia and, on feasts, a katavasia. After the Third Ode a sidalen is usually sung, and after the Sixth Ode a kontakion and ikos, and after the Ninth Ode, the Svitelen is sung. The Canon has its own system of eight tones. Domatikon A theotokion sung after “Now…” (or “Glory… Now…”) at the end of Psalms 140, 141, 129, and 116 at Vespers on Friday and Saturday evenings, and on the eve of a Polyeleos saint or saints with a vigil in the same tone as the last sticheron of the saint (at “Glory…”). -
Questions and Answers with His Holiness Suhotra Swami
DANDA 1995 Questions and Answers with His Holiness Suhotra Swami The name of the conference is: (Have) Danda (Will Travel) ENMITY IN THE SPIRTUAL WORLD Question from Aprameya dd January 11, 1995 Recently in the text 60742 - Jiva strategy you quoted the following from Srila Prabhupada's book "Reincarnation Through Wisdom": "Although He is the source of unlimited potencies, He eternally exists in His transcendental, personal form. This form manifests in three aspects, namely, as He sees Himself, as a loving devotee sees Him, and as He is seen by His competitors and enemies." Than you explain that "that was a very clear indication that competition and enmity toward the Lord begins on the eternal platform in relationship with His "transcendental personal form". Is it to be understood that the competition and enmity are existing in Goloka Vrndavana, but how is it possible if as I know, even the slightest envy causes one's fall down from the spiritual world? Or the actual explanation is that this seeming enmity is not real but it is simply like a role in the Krsna's pastimes? Answer by Suhotra Swami January 12, 1995 There is envy and enmity in Goloka Vrndavana, for instance between the two wings of gopis headed by Srimati Radharani and Srimati Candravali respectively. But this is envy and enmity in pure love of Krsna. It pleases Krsna. It does not displease Him. Therefore this envy and enmity is transcendental. It arises from an attitude of service to Krsna. In the quote you've cited from Renunciation Through Wisdom, Srila Prabhupada distinguishes between the way the loving devotees see the Lord and the way His enemies and competitors see Him. -
June, 2015 SUN MON TUES WED THUR FRI SAT 21 Father’S Day 22 23 24 25 26 27 Celebration 28 Parastas for 29 30 JUL1 2 3 4 John, Paul & Mary Strenk
O who loves Nicholas the Saintly O kto kto Nikolaja l’ubit O who serves Nicholas the Saintly O kto kto Nikolaja služit Him will Nicholas receive Tomu svajatyj Nikolaj And give help in time of need Na vsjakij čas pomahaj Holy Father Nicholas Nikolaj, Nikolaj ST. NICHOLAS OF MYRA ORTHODOX CHURCH A PARISH OF THE AMERICAN CARPATHO-RUSSIAN ORTHODOX DIOCESE OF THE ECUMENICAL PATRIARCHATE OF CONSTANTINOPLE 288 E. 10th Street, New York, NY 10009 Divine Liturgy: 10am Church Phone #: 212-254-6685 For Dial-in Service: ten minutes prior to Liturgy call 1-877-459-3710 and enter access code 2546685# Website: www.stnicholaschurchnyc.org Email: [email protected] www.facebook.com/StNicholas10street Sunday June 21, 2015 TRANSLATION OF THE RELICS OF GREAT MARTYR THEODORE STRATELATES Epistle: Romans 5:1-10 Gospel: Matthew 6:22-33 Tone: 2 Troparian & Kontakian: p.42 If you are visiting today, we are delighted that you are here and Great Martyr we hope that you will find a spiritual home among us. Theodore Stratelates came from the city of COMMUNION REQUEST: Please state your name as you Euchaita in Asia Minor. approach the Chalice for communion. He was endowed with UPCOMING SERVICES many talents and TODAY: There will be a service for all of the men of St. Nicholas enlightened with the Church and a panachida for all deceased fathers. knowledge of Christian JUNE 28th: There will be a parastas in memory of parents Paul & truth. For his bravery, Mary Strenk and cousin John Strenk of Canton Ohio who passed he was appointed away in March 2015 given by Olga Gubinski & Eileen Pezzulich, military commander in the city of Heraclea. -
The Chalcedonian Christology of St John Damascene : Philosophical Terminology and Theological Arguments
Durham E-Theses The Chalcedonian Christology of St John Damascene : philosophical terminology and theological arguments Metallidis, George How to cite: Metallidis, George (2003) The Chalcedonian Christology of St John Damascene : philosophical terminology and theological arguments, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/1085/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 UNIVERSITY OF DURHAM DEPARTMENT OF THEOLOGY GEORGE METALLIDIS The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consentand information derived from it should be acknowledged. The Chalcedonian Christology of St John Damascene: Philosophical Terminology and Theological Arguments PhD Thesis/FourthYear Supervisor: Prof. ANDREW LOUTH 0-I OCT2003 Durham 2003 The ChalcedonianChristology of St John Damascene To my Mother Despoina The ChalcedonianChristology of St John Damascene CONTENTS Page ABBREVIATIONS 7 ACKNOWLEDGMENT 12 INTRODUCTION 14 CHAPTER ONE TheLife of St John Damascene 1. -
GONE to the DOGS in ANCIENT INDIA Willem Bollée
GONE TO THE DOGS IN ANCIENT INDIA Willem Bollée Gone to the Dogs in ancient India Willem Bollée Published at CrossAsia-Repository, Heidelberg University Library 2020 Second, revised edition. This book is published under the license “Free access – all rights reserved”. The electronic Open Access version of this work is permanently available on CrossAsia- Repository: http://crossasia-repository.ub.uni-heidelberg.de/ urn: urn:nbn:de:bsz:16-crossasiarep-42439 url: http://crossasia-repository.ub.uni-heidelberg.de/4243 doi: http://doi.org/10.11588/xarep.00004243 Text Willem Bollée 2020 Cover illustration: Jodhpur, Dog. Image available at https://pxfuel.com under Creative Commons Zero – CC0 1 Gone to the Dogs in ancient India . Chienne de vie ?* For Johanna and Natascha Wothke In memoriam Kitty and Volpo Homage to you, dogs (TS IV 5,4,r [= 17]) Ο , , ! " #$ s &, ' ( )Plato , * + , 3.50.1 CONTENTS 1. DOGS IN THE INDUS CIVILISATION 2. DOGS IN INDIA IN HISTORICAL TIMES 2.1 Designation 2.2 Kinds of dogs 2.3 Colour of fur 2.4 The parts of the body and their use 2.5 BODILY FUNCTIONS 2.5.1 Nutrition 2.5.2 Excreted substances 2.5.3 Diseases 2.6 Nature and behaviour ( śauvana ; P āli kukkur âkappa, kukkur āna ṃ gaman âkāra ) 2.7 Dogs and other animals 3. CYNANTHROPIC RELATIONS 3.1 General relation 3.1.1 Treatment of dogs by humans 3.1.2 Use of dogs 3.1.2.1 Utensils 3.1.3 Names of dogs 2 3.1.4 Dogs in human names 3.1.5 Dogs in names of other animals 3.1.6 Dogs in place names 3.1.7 Treatment of humans by dogs 3.2 Similes -
A Concise Glossary of the Genres of Eastern Orthodox Hymnography
Journal of the International Society for Orthodox Church Music Vol. 4 (1), Section III: Miscellanea, pp. 198–207 ISSN 2342-1258 https://journal.fi/jisocm A Concise Glossary of the Genres of Eastern Orthodox Hymnography Elena Kolyada [email protected] The Glossary contains concise entries on most genres of Eastern Orthodox hymnography that are mentioned in the article by E. Kolyada “The Genre System of Early Russian Hymnography: the Main Stages and Principles of Its Formation”.1 On the one hand the Glossary is an integral part of the article, therefore revealing and corroborating its principal conceptual propositions. However, on the other hand it can be used as an independent reference resource for hymnographical terminology, useful for the majority of Orthodox Churches worldwide that follow the Eastern Rite: Byzantine, Russian, Bulgarian, Serbian et al., as well as those Western Orthodox dioceses and parishes, where worship is conducted in English. The Glossary includes the main corpus of chants that represents the five great branches of the genealogical tree of the genre system of early Christian hymnography, together with their many offshoots. These branches are 1) psalms and derivative genres; 2) sticheron-troparion genres; 3) akathistos; 4) canon; 5) prayer genres (see the relevant tables, p. 298-299).2 Each entry includes information about the etymology of the term, a short definition, typological features and a basic statement about the place of a particular chant in the daily and yearly cycles of services in the Byzantine rite.3 All this may help anyone who is involved in the worship or is simply interested in Orthodox liturgiology to understand more fully specific chanting material, as well as the general hymnographic repertoire of each service. -
Kassia: a Female Hymnographer of the 9Th Century SPYROS PANAGOPOULOS
Proceedings of the 1st International Conference of the ASBMH page 111 Kassia: A female hymnographer of the 9th century SPYROS PANAGOPOULOS Introduction For over 1.000 years many men and a few women wrote hymns in Byzantium. Their contribution to world literature and to Greek letters constitutes a vast and priceless treasure of sacred poetry. It’s impossible to exaggerate the value of this hymnography, since it expresses, as nothing else can, the spiritual riches, faith and beauty of Eastern Christendom. Some of these hymns are still chanted today in many languages in Orthodox Churches in every part of the world. Others remain unknown. Hidden in manuscripts stored in monastic libraries, they wait to be discovered and to be edited.78 It’s obvious that the Byzantine female hymnography was not flourished especially in Byzantium. We have the names of hundreds male hymnodists who came from all parts of the oikoumene, from Greece, Italy, Palestine, and Syria, as well as from the islands of Cyprus, Crete and Sicily. These hymnodists came of all classes of Byzantine society, from the obscure man who signed his hymn ὁ ἀμαρτωλός (the sinner) to the Emperor Justinian (527‑565), who wrote in imperial red ink the troparion ὁ μονογενὴς υἱός, and then ordered its insertion into the Divine Liturgy. Despite the great number of male hymnodists, we know only six feminine names that composed hymns: Γρηγορίς, Μάρθα, Θεοδοσία79, Θέκλα80, Κασσία and Παλαιολογίνα.81 The fame of Kassia the Melodist outshines by far all other women writers in both medieval and Modern Greek writers. 78 For an introduction in Bzyantine Hzmnography there is a vast bibliography. -
I – the Triodion
I – The Triodion ON THE ISLAND OF ZAKYNTHOS a unique ceremony takes place at the beginning of the Triodion. The book of the Triodion is placed on a stand before the icon of Christ. Before the first hymn from this book is chanted, the volume is presented to the bishop. He venerates it as if it were an icon, followed by all the clergy. Then the book is presented to the chanter who intones the first hymn. The time of the Triodion has begun. The term Triodion refers to the ten weeks leading up to Pascha as well as to the book which contains the hymns, readings and prayers proper to this season. Triodion literally means “three odes” and refers to the canons at daily Orthros which contain three rather than the usual nine odes. The Triodion as we have it today was organized by Studite monks in ninth-century Constantinople. They drew chiefly on texts from the Patriarchate of Jerusalem by a number of outstanding hymnographers, including Andrew of Crete, Cosmas of Maiuma and John of Damascus – some twenty composers in all. In general the prayers and services of the Triodion may be considered a great catechesis for the faithful, setting forth the entire scope of divine revelation through the reading of several books from the Old Testament and allusions to many others in the Great Canon and other hymns as well as patristic homilies and chants based on still other sacred texts. This catechesis is not about imparting information but about motivating us to embrace the great task of the season: repentance and the renewal of our life in Christ. -
6 Jan Tropar Obikhod.67.Mus
Menaion: 6 January THEOPHANY OF OUR LORD AND SAVIOR JESUS CHRIST Troparion - Tone 1 Russian Imperial Court Chant arr. from L’vov/Bakhmetev . Soprano & b œ ˙ ˙. œ œ œœ œ ˙.˙ ˙ œ Alto œ ˙ When You,_ O Lord, were baptized in the Jor - dan, the ˙ ˙. œ ˙.˙ œ ? œ ˙. œ œ œ œ ˙ ˙. œ Tenor b ˙ ˙ ˙. Bass & b œ œ ˙ ˙ ˙ ˙ œ œ ˙ ˙ ˙ œ œ ˙ ˙ œ worship of the Trinity was made man - i - fest, for the voice_ of œ œ ˙ ˙ ˙ œ œ w ˙ œ ? b ˙ ˙ ˙ b . & œ œ œœ œ ˙ œ œ.œ ˙ œ œ ˙ the Fa - ther bore wit-ness to You, and called You His be - loved ˙ œ œ.˙ œ œ œ œ ˙ œ œ ˙. œ œ ˙ ? b ˙ œ œ ˙. ˙ b ˙. œ ˙ œ œ & ˙ œ œ ˙ ˙. œ œ œœ œ ˙ œ œ Son, and the Spir - it, in the form of a dove, confirmed the ˙ ˙. œ ˙ œ œ ˙ œ œ ˙. œ œ œ œ œ œ ? b ˙ ˙ b . ˙. œ ˙. & ˙. œ œ œ œ ˙. œ ˙ ˙. œ œ œ œœ œ.˙ truth-ful-ness of His word. O Christ_ our God, You have re-vealed . ˙. ˙. œ œ œ œ.˙. œ ˙ ˙. œ œ œ œ œ ? b ˙. œ œ œ œ ˙ ˙. © 2003 Orthodox Church in America. Permission is granted to duplicate for liturgical use only. All other rights reserved. Theophany Troparion - Imperial Chapel Chant & b œ ˙. œ œ ˙ œ œ œ.˙ œ œ ˙ œ œ w Your - self and have enlightened the world, glo - ry to You! œ.˙ œ œ œ œ ˙ œ œ w ? b œ ˙. ˙ œ œ w GOD IS THE LORD TONE 1 Deacon: In the First Tone - God is the Lord and has revealed Himself to us. -
Byzantine Hymnography and the Quest for Orthodox Unity: Notes on the Liturgical Commemoration of the Council of Chalcedon, Towar
Byzantine Hymnography and the Quest for Orthodox Unity: Notes on the Liturgical Commemoration of the Council of Chalcedon, Towards the Reconciliation of “Eastern” and “Oriental” Churches Gregory Tucker* Among the issues remaining to be addressed along the path to reconciliation between the “Eastern” and “Oriental” Orthodox is the characterisation of Oriental teachers as heretics in the liturgical texts of the Byzantine Rite. The mere suggestion of liturgical revision to reflect the agreement that multiple theological vocabularies are legitimate and therefore theologians associated with them should not be anathematized or deprecated has been met with fierce opposition from some Eastern Orthodox. This paper considers what might actually be involved in such a revision, taking as an example the texts for the commemoration of the Council of Chalcedon. It suggests that the extent of necessary revision would be far less than is perhaps feared. Keywords: Chalcedon, liturgy, liturgical revision, Byzantine Rite, Eastern Or- thodox, Oriental Orthodox Introduction From an Orthodox perspective, one of the great fruits of modern ecumen- ism1 has been the inauguration of a new phase in the relationship between the “Eastern” and “Oriental” Orthodox churches.2 An unofficial bilateral dialogue began in 1964, which became an official dialogue in 1985. Initial conversations correctly prioritised discussion of contested points in Chris- tology (disagreement over which contributed significantly to and, to a large * Gregory Tucker, Universität Regensburg, Universitätsstr. 31, 93503 Regensburg, Germa- ny, [email protected] 1 This paper will not address opposition on principle to ecumenical dialogue (including dialogue between separated Orthodox groups) which is a common–indeed, characteristic– feature of some traditions within contemporary Eastern Orthodoxy. -
Hymnographica & Liturgica
Hymnographica & Liturgica 1 Downloaded from Brill.com09/27/2021 04:01:58AM via free access . 2 Downloaded from Brill.com09/27/2021 04:01:58AM via free access Roman Krivko Moscow, Russia [email protected] A TYPOLOGY OF BYZANTINE OFFICE MENAIA OF THE NINTH — FOURTEENTH CENTURIES* I. Introduction I.1. The Research Goal and Classifi cation Criteria This article aims at describing the structure of Byzantine offi ce Menaia of the 9th–14th cc. from a historical point of view. The typo- logical classifi cation of sources will be based on a) genre content, and b) structure, i. e. the order in which the genres are arranged. The fol- lowing classifi cation criteria are taken into consideration: 1) the use of (*) This article was wri en as a part of the research project “Sprache der altkirchenslavischen liturgischen Denkmäler” carried out at the Seminar für Slavische Philologie der Georg-August-Universität Gö ingen (2009-2010) and fi nanced by the Alexander von Humboldt Foundation. For the invitation to Gö ingen and for every support provided during my research stay in Göt- tingen, I am deeply grateful to Prof. em. Dr. Dr. h.c. Werner Lehfeldt. The manuscripts from the collections of the Bibliotheca Apostolica Vaticana were consulted according to the microfi lms held by the Vatican Film Library — Center for Medieval and Renaissance Studies at St. Louis University (St. Louis, MO, USA); the research in the Vatican Film Library was supported by the NEH — National Endowment for the Humanities Fellowship (October 2008). For numerous bibliographical consultations regarding Vatican manuscripts I am obliged to Dr. -
February 5, 2009 Email AMBO
Ambo ST. THEODOSIUS ORTHODOX CATHEDRAL 733 Starkweather Ave. FEBRUARY 8, 2009 Cleveland, Ohio 44113 34th. Sunday after Pentecost Mailing: Publican and Pharisee 733 Starkweather Avenue Greatmartyr Theodore Cleveland, Ohio 44113 Stratelates Prophet Zechariah T 216 741.1310 F 216 623 1092 Greatmartyr Theodore Stratelates "the General" www.sttheodosius.org • Archpriest John Zdinak Dean • Dn. Daniel Boerio • Subdeacon Theodore Lentz Sacristan • Reader Julius Kovach Ecclesiarch & Choirmaster Divine Services Eve Sundays & Feast Days 5:00 PM Confessions 6:00 PM Great Vespers Sundays and Feast Days 8:40 AM 3rd and 6th Hour 9:00 AM Divine Liturgy Fr. John Office Hours Tuesday & Wednesday 10:00 AM - 1:00 PM *Articles for publication in the AMBO should be sub- mitted to: [email protected] by Wednesday of each week before noon. St. Theodosius Orthodox Cathedral Ambo - Page 1 The Great Martyr Theodore Stratelates came from the city of Euchaita in Asia Minor. He was endowed with many talents, and was handsome in appearance. For his charity God enlightened him with the knowledge of Christian truth. The bravery of the saintly soldier was revealed after he, with the help of God, killed a giant serpent living on a precipice in the outskirts of Euchaita. The serpent had devoured many people and animals, terroriz- ing the countryside. St Theodore armed himself with a sword and vanquished it, glorify- ing the name of Christ among the people. For his bravery St Theodore was appointed military commander [stratelatos] in the city of Heraclea, where he combined his military service with preaching the Gospel among the pagans subject to him.