Does the Principle of Majority Rule Represent a Threat to Liberty? ROBERT NEF * • June 2008
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Friedrich Schiller - Poems
Classic Poetry Series Friedrich Schiller - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Friedrich Schiller(10 November 1759 – 9 May 1805) Johann Christoph Friedrich von Schiller was a German poet, philosopher, historian, and playwright. During the last seventeen years of his life, Schiller struck up a productive, if complicated, friendship with already famous and influential <a href="http://www.poemhunter.com/johann-wolfgang-von- goethe/">Johann Wolfgang Von Goethe</a>. They frequently discussed issues concerning aesthetics, and Schiller encouraged Goethe to finish works he left as sketches. This relationship and these discussions led to a period now referred to as Weimar Classicism. They also worked together on Xenien, a collection of short satirical poems in which both Schiller and Goethe challenge opponents to their philosophical vision. <b>Life</b> Friedrich Schiller was born on 10 November 1759, in Marbach, Württemberg as the only son of military doctor Johann Kaspar Schiller (1733–96), and Elisabeth Dorothea Kodweiß (1732–1802). They also had five daughters. His father was away in the Seven Years' War when Friedrich was born. He was named after king Frederick the Great, but he was called Fritz by nearly everyone. Kaspar Schiller was rarely home during the war, but he did manage to visit the family once in a while. His wife and children also visited him occasionally wherever he happened to be stationed. When the war ended in 1763, Schiller's father became a recruiting officer and was stationed in Schwäbisch Gmünd. The family moved with him. Due to the high cost of living—especially the rent—the family moved to nearby Lorch. -
Schiller and Music COLLEGE of ARTS and SCIENCES Imunci Germanic and Slavic Languages and Literatures
Schiller and Music COLLEGE OF ARTS AND SCIENCES ImUNCI Germanic and Slavic Languages and Literatures From 1949 to 2004, UNC Press and the UNC Department of Germanic & Slavic Languages and Literatures published the UNC Studies in the Germanic Languages and Literatures series. Monographs, anthologies, and critical editions in the series covered an array of topics including medieval and modern literature, theater, linguistics, philology, onomastics, and the history of ideas. Through the generous support of the National Endowment for the Humanities and the Andrew W. Mellon Foundation, books in the series have been reissued in new paperback and open access digital editions. For a complete list of books visit www.uncpress.org. Schiller and Music r.m. longyear UNC Studies in the Germanic Languages and Literatures Number 54 Copyright © 1966 This work is licensed under a Creative Commons cc by-nc-nd license. To view a copy of the license, visit http://creativecommons. org/licenses. Suggested citation: Longyear, R. M. Schiller and Music. Chapel Hill: University of North Carolina Press, 1966. doi: https://doi.org/ 10.5149/9781469657820_Longyear Library of Congress Cataloging-in-Publication Data Names: Longyear, R. M. Title: Schiller and music / by R. M. Longyear. Other titles: University of North Carolina Studies in the Germanic Languages and Literatures ; no. 54. Description: Chapel Hill : University of North Carolina Press, [1966] Series: University of North Carolina Studies in the Germanic Languages and Literatures. | Includes bibliographical references. Identifiers: lccn 66064498 | isbn 978-1-4696-5781-3 (pbk: alk. paper) | isbn 978-1-4696-5782-0 (ebook) Subjects: Schiller, Friedrich, 1759-1805 — Criticism and interpretation. -
1 Schiller and the Young Coleridge
Notes 1 Schiller and the Young Coleridge 1. For the details of Schiller’s career and thought I am drawing on a number of works including Lesley Sharpe, Friedrich Schiller: Drama, Thought and Politics (Cambridge: Cambridge University Press, 1991); Walter Schafarschik, Friedrich Schiller (Stuttgart: Philipp Reclam, 1999); F. J. Lamport, German Classical Drama: Theatre, Humanity, and Nation, 1750–1870 (Cambridge: Cambridge University Press, 1990); and T. J. Reed, The Classical Centre: Goethe and Weimar, 1775–1832 (Oxford: Oxford University Press, 1986), and Schiller- Handbuch, ed. Helmut Koopmann (Stuttgart: Alfred Kröner, 1998). 2. Schiller later revised the essay and published it in his Shorter Works in Prose under the title ‘The Stage Considered as a Moral Institution’ (‘Die Schaubühne als eine moralische Anstalt betrachtet’). 3. See David Pugh, ‘“Die Künstler”: Schiller’s Philosophical Programme’, Oxford German Studies, 18/19 (1989–90), 13–22. 4. See J. M. Ellis, Schiller’s ‘Kalliasbriefe’ and the Study of his Aesthetic Theory (The Hague and Paris: Mouton, 1969). 5. See Paul Robinson Sweet, Wilhelm von Humboldt: a Biography, 2 vols (Columbus: Ohio State University Press, 1978–80) and W. H. Bruford, The Ger- man Tradition of Self-Cultivation: ‘Bildung’ from Humboldt to Thomas Mann (Cambridge: Cambridge University Press, 1975), ch. 1; also E. S. Shaffer, ‘Romantic Philosophy and the Organization of the Disciplines: the Found- ing of the Humboldt University of Berlin’, in Romanticism and the Sciences, ed. Andrew Cunningham and Nicholas Jardine (Cambridge: Cambridge University Press, 1990), 38–54. 6. Norbert Oellers, Schiller: Geschichte seiner Wirkung bis zu Goethes Tod, 1805– 1832 (Bonn: Bouvier, 1967). -
Schiller-Handbuch
Schiller-Handbuch Leben – Werk – Wirkung Bearbeitet von Matthias Luserke-Jaqui 1. Auflage 2011. Buch. X, 651 S. Softcover ISBN 978 3 476 02406 0 Format (B x L): 17 x 24,4 cm Gewicht: 1126 g Weitere Fachgebiete > Literatur, Sprache > Deutsche Literatur Zu Leseprobe schnell und portofrei erhältlich bei Die Online-Fachbuchhandlung beck-shop.de ist spezialisiert auf Fachbücher, insbesondere Recht, Steuern und Wirtschaft. Im Sortiment finden Sie alle Medien (Bücher, Zeitschriften, CDs, eBooks, etc.) aller Verlage. Ergänzt wird das Programm durch Services wie Neuerscheinungsdienst oder Zusammenstellungen von Büchern zu Sonderpreisen. Der Shop führt mehr als 8 Millionen Produkte. IX Inhalt Dramen ................. 1 Die Ideale (1796) ..............271 Die Räuber. Ein Schauspiel (1781) ..... 1 Xenien (1796) ................273 Semele. Eine lyrische Operette von zwo Klage der Ceres (1797) ...........277 Szenen (1782) ............... 45 Die Kraniche des Ibycus. Ballade (1798) . 278 Die Verschwörung des Fiesko zu Genua. Ein Der Ring des Polykrates. Ballade (1798) . 280 republikanisches Trauerspiel (1783) .... 53 Der Taucher. Ballade (1798) ........281 Kabale und Liebe. Ein bürgerliches Trauer- Die Bürgschaft. Ballade (1799) .......283 spiel in fünf Aufzügen (1784) ....... 65 Das Glück (1799) ..............285 Körners Vormittag .............. 88 Das Lied von der Glocke (1800) .......287 Don Karlos – Briefe über Don Karlos Nänie (1800) ................289 Don Karlos. Infant von Spanien(1787/ An*** (1802) / Der Antritt des neuen 1805) .................. -
Friedrich Schiller. the Poet's Biography
FRIEDRICH SCHILLER.^ BY THE EDITOR. A T AY nintli, the centenary of Schiller's death, is approaching; iVX and vast preparations are being made to honor the great German poet on the memorial day of the completion of his re- markable life. Friedrich Schiller is not merely a great poet, he is great as a man, as a thinker, and as a leader in the progress of hnmanity. lie is a disciple of Kant, but not his blind follower. He applies Kant's philosophy to practical life, but works it out in his own way. Especially in his religious convictions Schiller is far ahead of his time. He points out a wa\- of conservative advance along the lines of liberty and reverence, and so the opposition in which he stands to the narrow dogmatism of his age, is not a lack of religion but the surest evidence of a dee]) religious spirit. It pervades all his works and makes him a ])rophet of the religion of the future, a priest on the altar of mankind, and a poet of the eternal ideals of life. THE POET'S BIOGRAPHY. The great poet's father, Johann Kaspar Schiller, was born Oc- tober ij, 1723. in Bittenfeld, near Waiblingen. He was" the son of Johann Schiller, the mayor of the village, and his wife, Eva Maria, whose maiden name was Schatz. Schiller's father was a military surgeon. He served both as soldier and as army physician, especially in Holland. After his marriage, in 1749, he settled in Marbach. In 1753 he entered the Wiirttemberg army and fought against Prussia in 1758. -
Schiller Und Gotha“ Veranschaulicht Mit Druckschriften Und Bildnissen Die Zeit Und Die Literarischen Zustände Von Damals, Wie Sie Hier Geschildert Worden Sind
Schiller und Gotha Eine heimatkundlich-literarhistorische Studie von DR. OTTO KÜTTLER Landesbibliothek Gotha im Schillerjahr 1955 Sonderdruck aus »Der Friedenstein«, Monatsblätter des Kulturbundes zur demokratischen Erneuerung Deutschlands, Kreisverband Gotha April - September 1955 Einbandentwurf: Katharina Wirtz, Gotha Druck: Druckerei August Bebel, Gotha 1387 WV61-10 Re 2154 55 S c h i l l e r ist der volkstümlichste deutsche Dichter. Schon bei seinen Lebzeiten erfuhr er den Beifall der deutschen Jugend, und wenn wenige Jahre nach seinem Tode das deutsche Nationalgefühl erwachte, so ist es zu einem guten Teil seinen begeisternden Werken zu verdanken. Sein 100. Geburtstag wurde geradezu ein politisches Ereignis ersten Ranges; denn zum erstenmal in seiner Geschichte hat sich das deutsche Volk eins gefühlt, und, wie Wilhelm Raabe im „Dräumling“ bekannte, auf das besonnen, was es ist: ein ganzes, großes, einiges Volk. Und wenn es heute wieder um die Einheit unseres Volkes geht und wir alle Kräfte auf die Wiedervereinigung der getrennten Teile unseres Vaterlandes richten müssen, soll uns Schiller als glühender Patriot und unentwegter Kämpfer für Freiheit und Wahrheit leuchtendes Vorbild sein. Mit Recht also ist das Jahr 1955 zum Schillerjahr erklärt worden. Der Kulturbund zur demokratischen Erneuerung Deutschlands hat insbesondere die Aufgabe, Schillers unsterbliches Werk den Menschen unserer Zeit nahezubringen. Wir wollen es mit besonderer Berücksichtigung unserer Heimatstadt tun und versuchen, alle die mehr oder weniger indirekten Beziehungen aufzuzeigen, die Gotha mit dem Dichter der Nation verbinden. Es werden folgende Abschnitte behandelt: 1. Schiller und seine Zeit, 2. Gotha zu Schillers Zeit, 3. Schillers Beziehungen zu den Gothaer Schriftstellern, 4. Schiller-Erinnerungsfeiern in Gotha. 3 Schillerbildnis aus >>Luna<<, ein Taschenbuch auf das Jahr 1805, gestochen von Lips. -
1 1 “Ich Bin Und Bleibe Bloȕ Poet Und Als Poet Werde Ich
“Ich bin ud bleibe bloß Poet und als Poet werde ich auch sterben.” Friedrich Schiller’s Sense of Poetic Calling and the Role of the Poetic Idea in his Emerging Professional Identity as a Dramaturge Item Type text; Electronic Dissertation Authors Cser, Agnes Judit Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 25/09/2021 13:31:04 Link to Item http://hdl.handle.net/10150/627671 1 “ICH BIN UND BLEIBE BLOȕ POET UND ALS POET WERDE ICH AUCH STERBEN.“ FRIEDRICH SCHILLER’S SENSE OF POETIC CALLING AND THE ROLE OF THE POETIC IDEA IN HIS EMERGING PROFESSIONAL IDENTITY AS A DRAMATURGE By Agnes J. Cser __________________________ Copyright © Agnes J. Cser 2018 Dissertation Submitted to the Faculty of the DEPARTMENT OF GERMAN STUDIES In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2018 1 3 STATEMENT BY AUTHOR This dissertation has been submitted in partial fulfillment of the requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this dissertation are allowable without special permission, provided that an accurate acknowledgement of the source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the copyright holder. -
Schillers Wohnhaus Weimar
Audioguidetext zum SCHILLERS WOHNHAUS WEIMAR Text/Redaktion: Linon Medien Klassik Stiftung Weimar | Schillers Wohnhaus Weimar | 09.2011 1 Inhalt TITEL ...................................................................................................... AUDIOGUIDE-NUMMER Einführung ............................................................................................................................... 200 Gemälde M. Stieler, Schiller auf der Flucht, 1850 ............................................................... 201 Gewölbenraum mit Dauerausstellung (Schiller in Thüringen/Bauerbach) ....................... 202 Vertiefungsebene zu 202 ................................................................................................... 20 Dauerausstellung (Schiller in Thüringen ab 1787) ............................................................... 203 Vertiefungsebene zu 203 ................................................................................................... 21 Eingangshalle ........................................................................................................................... 204 Vertiefungsebene zu 204 ................................................................................................... 22 Dienerzimmer .......................................................................................................................... 205 Wirtschaftsraum mit Dauerausstellung (Haus- und Sozialgeschichte) .............................. 206 Vertiefungsebene zu 206 .................................................................................................. -
Pushkin's Tragic Visions, 1824-1830 Maksim Hanukai Submitted In
Pushkin’s Tragic Visions, 1824-1830 Maksim Hanukai Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Maksim Hanukai All rights reserved ABSTRACT Pushkin’s Tragic Visions, 1824-1830 Maksim Hanukai This dissertation traces the development of Alexander Pushkin’s sense of the tragic in the context of Russian and European Romanticism. Pushkin was a self-proclaimed skeptic in matters of literature: though deeply influenced by Romantic poets and theorists, he never subscribed to any one school or creed, experimenting in a range of genres to express his changing tragic vision. Many of his works move seamlessly between the closed world of traditional tragedy and the open world of Romantic tragic drama; and yet, they follow neither the cathartic program prescribed by Aristotle nor the redemptive mythologies of the Romantics. My study explains Pushkin’s idiosyncratic approach to tragedy by re-situating his works within their literary, historical, and philosophical contexts. In my readings of The Gypsies, Boris Godunov, and The Little Tragedies, I connect Pushkin’s works to those of a range of European writers, including Shakespeare, Racine, Rousseau, Goethe, Schiller, the Marquis de Sade, and Hugo; and I examine such topics as tragedy and the tragic, the sublime and the grotesque, the relationship between literature and history, irony and tragic ritual. While I ground my work in traditional Russian philology, I use recent Western scholarship to help frame my study theoretically. In particular, I aim to contribute to the ongoing debate between scholars who claim that Romanticism marked “the death of tragedy” and those who see the change less as a death than as a redefinition. -
Contributions of J. C. Friedrich Von Schiller to the Art of Opera
International Journal of Technical Research and Applications e-ISSN: 2320-8163, www.ijtra.com Special Issue 13 (Jan-Feb 2015), PP. 14-18 CONTRIBUTIONS OF J. C. FRIEDRICH VON SCHILLER TO THE ART OF OPERA Mehmet Baltacan Selcuk University Dilek Sabanci State Conservatory Konya, Turkey [email protected] Abstract— Known as a German poet and writer in Turkey, between the years of 1812 – 1816. His poems called “Der An Friedrich von Schiller brought numerious works in different Die Freude (When You Love)”, “Rasignation”, “Die Götter areas such as dramas, ballads, philosophic essays and lyric Griechenlandes (Greek Gods)”, “Die Künstler (The Artists)” poems into the World literature during his 46-year life. were published in 1786; his philosophical poems such as These works of Schiller becoming reputed with great dramas “Das ideal Und Das Leben (The Ideal and Life)”, “Das like “Die Räuber”, ”Kabale und Liebe”, “Don Carlos”, “Wilhelm Tell” and “Maria Stuart” were rewritten as opera Verschleirte Bild zu Sais (The Veiled Picture in Sais)”, “Der texts and composed by opera composers and libretists, and Spaziergang (The Stroll)”, “Die Teilung Der Erde (The these works contributing to the art of opera as repertory have Allocation of the World)” were published in the journal of taken part in the World opera repertory as qualified ones. Thalia in 1788 and 1789 [4]. In this study, the related literature to Schiller’s life and His story called “Verbrecher Dus Infame Eine Wahre Works will be scanned, and by examining the works rewritten Geschicte” was published with a different name in 1786. as opera texts and their composers, the importance of these In the July 1787, Schiller was introduced to Herder and works will be tried to be analyzed in terms of the art of opera. -
Friedrich Schiller
Journal of Poetry, Science, and Statecraft Spring/Summer 2005 $10.00 Gavins Point Dam, South Dakota. development of the notion of Abelian functions applies to such cases. To trace the development of the notion of a field in modern European science, revisit Kepler’s U.S. Army Corps of Engineers/Harry Weddington development of the conception of universal gravitation, as from his The New Astronomy through the Work and Its Organization as Power implications of his World Harmony, this time viewing the ontrary to the accountants Leibniz, brings into immediate subject-area treated, in a Cand their like, economic view the way in which Carl pioneering fashion, by Kepler, science, like related functions of Gauss and Riemann dealt, from the standpoint of the work government, must define an respectively, with what I have of such as Gauss and Riemann. increase in productivity as the identified as Dirichlet’s Principle. Then, apply the same approach to outcome of the discovery and the notion of a physical-economic appropriate application of a Notion of a Field process encompassing a nation, such universal physical principle, or The only discovered manner in as the U.S.A., or our planet as a what we term, in memory of the which we can deal rationally whole. ancient Pythagoreans and Plato, with the efficient relationship as powers. with a universal physical Fallacy of ‘Globalization’ The best way to introduce the principle, is to express the The understanding of this point, relevant conception, is to focus on relevant experimental expression enables us to understand why the way in which technological of cause-effect connections in the transfer of the production of progress, as embodied within the terms of the notion of a field. -
Schiller and Baratynsky: Truth and Eternity
Schiller and Baratynsky: Truth and Eternity ].A. HARVIE Schiller's poem Resignation, written in 1784, was popular in Russia and is frequently mentioned in the literature. In 1807 the minor poet V.S. Filomonov made a free translation, which was published in the Vestnik Evropy (European Messenger) four years later, under the title K Laure (To Laura).1 It was also translated in the 1820s by Mikhail Dmitriev.2 Among other writers it was admired by Herzen3 and Dostoevsky; there is undoubtedly an allusion to it in The Brothers Karamazov, when Ivan tells Alesha that he will return God his entrance ticket to life.4 In Turgenev's story Yakov Pasynkov the hero of the title effectively bases his life on the rejection of Schiller's conclusions, while considering Resignation to.be a splendid piece of writing.5 Tolstoy regarded the poem as one of Schiller's finest achievements.6 The German critic Setschkareff has claimed that Baratynsky's ode Istina (Truth) is 'eine Reminiszenz' of Resig nation and sees it as typical of Baratynsky's work as a whole.7 Schiller's in fluence on Russian literature is as extensive as it is undoubted and well-doc umented,8 but what follows will be mainly a consideration of possible links between Resignation and Istina. There would probably be general agreement, both inside and outside his own country, that Evgeny Baratynsky (1800-1844), is one of the major Russian poets of the nineteenth century.9 A friend and contemporary of Pushkin, he began as a conventional elegist, but soon moved to the deeply pessimistic medi tations on the human condition which characterise his best work.