Friedrich Schiller. the Poet's Biography
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Anton Graff, Dresden, 1913 ~Cop., Pstl, 38X31 (Hedwig Nathusius, Née Wolfenbüttel, Munich, 1986– , No
Neil Jeffares, Dictionary of pastellists before 1800 Online edition GRAFF, Anton Winterthur 18.XI.1736 – Dresden 22.VI.1813 Graff went to Germany around 1756 to study with Johann Jakob Haid in Augsburg. He moved to Ansbach (1757–59), Regensburg (1764–65) before settling in Dresden, where he was court painter from 1766. He travelled to Berlin (1771), Leipzig etc. A versatile and prolific portrait painter and draughtsman, there seems to be no reliable evidence that Graff undertook pastels in his own hand, and the records are probably all copies after his oil paintings by some of the numerous pastel copyists active in Berlin at the end of the eighteenth century. Philipp Daniel LIPPERT (1702–1785) Graff is one among many artists who have ~cop. J. C. Seiforth, Halle, pstl. Exh.: Berlin Photo courtesy Stiftung Weimarer Klassik und Kunstsammlungen unconvincingly been suggested as the author of 1804, no. 158. Lit.: Berckenhagen 1967, no. ~grav. J. F. Bause 1773. Lit.: H. D. von the celebrated pastel of comtesse Potocka (v. 887 Diepenbroik-Grüter, Allgemeiner Porträt- Éc. fr.). Herr LOTH, Kauf- und Handelsherr in Leipzig, Katalog. Hamburg, 1931, no. 25632 ∞ Christiane, pnt. Lit.: Berckenhagen 1967, ~grav. Pfenninger. Lit.: P. Mortzfeld, ed., Die Monographic exhibitions no. 910 Porträtsammlung der Herzog August Bibliothek Graff 1913: Anton Graff, Dresden, 1913 ~cop., pstl, 38x31 (Hedwig Nathusius, née Wolfenbüttel, Munich, 1986– , no. 21521 Albrecht Kasimir von Sachsen, Herzog von Bibliography Wrocław, 1903). Lit.: Berckenhagen 1967, TESCHEN (1738–1822) Berckenhagen 1967; Börsch-Supan 1988; s.no. 910 ~cop., pstl (Dresden). Lit.: Berckenhagen 1967, Brieger 1921; Darmstadt 1914; Dresden 2009; Christiane LOTH no. -
Novalis's Magical Idealism
Symphilosophie International Journal of Philosophical Romanticism Novalis’s Magical Idealism A Threefold Philosophy of the Imagination, Love and Medicine Laure Cahen-Maurel* ABSTRACT This article argues that Novalis’s philosophy of magical idealism essentially consists of three central elements: a theory of the creative or productive imagination, a conception of love, and a doctrine of transcendental medicine. In this regard, it synthesizes two adjacent, but divergent contemporary philosophical sources – J. G. Fichte’s idealism and Friedrich Schiller’s classicism – into a new and original philosophy. It demonstrates that Novalis’s views on both magic and idealism, not only prove to be perfectly rational and comprehensible, but even more philosophically coherent and innovative than have been recognised up to now. Keywords: magical idealism, productive imagination, love, medicine, Novalis, J. G. Fichte, Schiller RÉSUMÉ Cet article défend l’idée selon laquelle trois éléments centraux composent ce que Novalis nomme « idéalisme magique » pour désigner sa philosophie propre : la conception d’une imagination créatrice ou productrice, une doctrine de l’amour et une théorie de la médecine transcendantale. L’idéalisme magique est en cela la synthèse en une philosophie nouvelle et originale de deux sources philosophiques contemporaines, à la fois adjacentes et divergentes : l’idéalisme de J. G. Fichte et le classicisme de Friedrich Schiller. L’article montre que les vues de Novalis tant sur la magie que sur l’idéalisme sont non seulement réellement rationnelles et compréhensibles, mais philosophiquement plus cohérentes et novatrices qu’on ne l’a admis jusqu’à présent. Mots-clés : idéalisme magique, imagination productrice, amour, médecine, Novalis, J. G. -
Don Carlos and Mary Stuart 1St Edition Pdf Free
DON CARLOS AND MARY STUART 1ST EDITION PDF, EPUB, EBOOK Friedrich Schiller | 9780199540747 | | | | | Don Carlos and Mary Stuart 1st edition PDF Book Don Carlos and Mary Stuart , two of German literature's greatest historical dramas, deal with the timeless issues of power, freedom, and justice. Showing It is an accessible Mary Stuart for modern audiences. Rather, the language is more colloquial and the play exhibits some extensive cuts. The title is wrong. I have not read much by Schiller as of yet, but I feel really inspired to pick up more plays now. A pair of tragedies from Friedrich Schiller, buddy to Goethe, and child of the enlightenment. June Click [show] for important translation instructions. As a global organization, we, like many others, recognize the significant threat posed by the coronavirus. Don Carlos and Mary Stuart. I am particularly impressed by Schiller, a Protestant, for his honest account of the good Queen Mary and the Roman religion. I've read several translations of this text, but this is the one I can most readily hear in the mouths of actors, especially Act 3, when the two women come face to face. This article on a play from the 18th century is a stub. Please contact our Customer Service Team if you have any questions. These are two powerful dramas, later turned into equally powerful operas. The Stage: Reviews. Help Learn to edit Community portal Recent changes Upload file. Peter Oswald London: Oberon Books, , 9. Mary Stuart. Don Carlos is a bit too long, I think, though it is fantastic. Archived from the original on September 8, Jan 01, Glenn Daniel Marcus rated it really liked it. -
Xerox University Microfilms 300 North Zaab Road Ann Arbor, Michigan 46106 I I
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. Thefollowing explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page ($)''. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. Whan an image on the film is obliterated with a large round black mark, it is an indication that die photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You w ill find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections w ith a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Friedrich Schiller - Poems
Classic Poetry Series Friedrich Schiller - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Friedrich Schiller(10 November 1759 – 9 May 1805) Johann Christoph Friedrich von Schiller was a German poet, philosopher, historian, and playwright. During the last seventeen years of his life, Schiller struck up a productive, if complicated, friendship with already famous and influential <a href="http://www.poemhunter.com/johann-wolfgang-von- goethe/">Johann Wolfgang Von Goethe</a>. They frequently discussed issues concerning aesthetics, and Schiller encouraged Goethe to finish works he left as sketches. This relationship and these discussions led to a period now referred to as Weimar Classicism. They also worked together on Xenien, a collection of short satirical poems in which both Schiller and Goethe challenge opponents to their philosophical vision. <b>Life</b> Friedrich Schiller was born on 10 November 1759, in Marbach, Württemberg as the only son of military doctor Johann Kaspar Schiller (1733–96), and Elisabeth Dorothea Kodweiß (1732–1802). They also had five daughters. His father was away in the Seven Years' War when Friedrich was born. He was named after king Frederick the Great, but he was called Fritz by nearly everyone. Kaspar Schiller was rarely home during the war, but he did manage to visit the family once in a while. His wife and children also visited him occasionally wherever he happened to be stationed. When the war ended in 1763, Schiller's father became a recruiting officer and was stationed in Schwäbisch Gmünd. The family moved with him. Due to the high cost of living—especially the rent—the family moved to nearby Lorch. -
SCHILLER, NOVALIS, and the CONCEPT of AUFHEBUNG Hammam Aldouri
Cosmos and History: The Journal of Natural and Social Philosophy, vol. 15, no. 1, 2019 BEFORE HEGEL: SCHILLER, NOVALIS, AND THE CONCEPT OF AUFHEBUNG Hammam Aldouri ABSTRACT: Philosophical explorations of the concept of Aufhebung (sublation, supersession) immediately prior to its formulation in Hegel’s work have remained relatively absent within the context of both Hegel scholarship and German Idealism studies. Hegel is often simply represented as the originator of the concept and the latter is understood almost exclusively within his oeuvre. This essay addresses this lack by offering an exposition of the notion as it unfolds in two works from 1795-1796: Friedrich Schiller’s Letters on the Aesthetic Education of Man and Novalis’ Fichte Studies. In these works, we find distinctive examinations of Aufhebung understood as the name of a process in which a subject comprehends itself in relation to its own processual development. My guiding premise is that without an adequate comprehension of the way in which Aufhebung is constructed and comprehended in the last years of the eighteenth century, we cannot establish the vantage point from which to reconstruct Hegel’s early conception of the notion, a conception which begins to emerge in his earliest Frankfurt writings in 1797, as a contribution to the constellation of post-Kantian conceptions. Keywords: Aufhebung, Schiller, Novalis, Aesthetic Education, Fichte Studies INTRODUCTION The concept of Aufhebung (sublation, supersession) is, without question, one of the most contested and discussed concepts of Hegel’s philosophical enterprise th th 1 and its critical reception in the 19 and 20 centuries. One distinctive 1 So much so, in fact, that it has led philosopher’s such as Jean-Luc Nancy to state that there is “no great study of Hegel that is not a study on the Aufhebung.” Nancy 2001, 158n7. -
Philosophy Sunday, July 8, 2018 12:01 PM
Philosophy Sunday, July 8, 2018 12:01 PM Western Pre-Socratics Fanon Heraclitus- Greek 535-475 Bayle Panta rhei Marshall Mcluhan • "Everything flows" Roman Jakobson • "No man ever steps in the same river twice" Saussure • Doctrine of flux Butler Logos Harris • "Reason" or "Argument" • "All entities come to be in accordance with the Logos" Dike eris • "Strife is justice" • Oppositional process of dissolving and generating known as strife "The Obscure" and "The Weeping Philosopher" "The path up and down are one and the same" • Theory about unity of opposites • Bow and lyre Native of Ephesus "Follow the common" "Character is fate" "Lighting steers the universe" Neitzshce said he was "eternally right" for "declaring that Being was an empty illusion" and embracing "becoming" Subject of Heideggar and Eugen Fink's lecture Fire was the origin of everything Influenced the Stoics Protagoras- Greek 490-420 BCE Most influential of the Sophists • Derided by Plato and Socrates for being mere rhetoricians "Man is the measure of all things" • Found many things to be unknowable • What is true for one person is not for another Could "make the worse case better" • Focused on persuasiveness of an argument Names a Socratic dialogue about whether virtue can be taught Pythagoras of Samos- Greek 570-495 BCE Metempsychosis • "Transmigration of souls" • Every soul is immortal and upon death enters a new body Pythagorean Theorem Pythagorean Tuning • System of musical tuning where frequency rations are on intervals based on ration 3:2 • "Pure" perfect fifth • Inspired -
Schiller and Music COLLEGE of ARTS and SCIENCES Imunci Germanic and Slavic Languages and Literatures
Schiller and Music COLLEGE OF ARTS AND SCIENCES ImUNCI Germanic and Slavic Languages and Literatures From 1949 to 2004, UNC Press and the UNC Department of Germanic & Slavic Languages and Literatures published the UNC Studies in the Germanic Languages and Literatures series. Monographs, anthologies, and critical editions in the series covered an array of topics including medieval and modern literature, theater, linguistics, philology, onomastics, and the history of ideas. Through the generous support of the National Endowment for the Humanities and the Andrew W. Mellon Foundation, books in the series have been reissued in new paperback and open access digital editions. For a complete list of books visit www.uncpress.org. Schiller and Music r.m. longyear UNC Studies in the Germanic Languages and Literatures Number 54 Copyright © 1966 This work is licensed under a Creative Commons cc by-nc-nd license. To view a copy of the license, visit http://creativecommons. org/licenses. Suggested citation: Longyear, R. M. Schiller and Music. Chapel Hill: University of North Carolina Press, 1966. doi: https://doi.org/ 10.5149/9781469657820_Longyear Library of Congress Cataloging-in-Publication Data Names: Longyear, R. M. Title: Schiller and music / by R. M. Longyear. Other titles: University of North Carolina Studies in the Germanic Languages and Literatures ; no. 54. Description: Chapel Hill : University of North Carolina Press, [1966] Series: University of North Carolina Studies in the Germanic Languages and Literatures. | Includes bibliographical references. Identifiers: lccn 66064498 | isbn 978-1-4696-5781-3 (pbk: alk. paper) | isbn 978-1-4696-5782-0 (ebook) Subjects: Schiller, Friedrich, 1759-1805 — Criticism and interpretation. -
Rulers Portraits on Coins and in Arts – a Comparison
Rulers Portraits on Coins and in Arts – a Comparison By Carol Schwyzer, © MoneyMuseum Sometimes, portraits can be so lifelike that they cost the portrayed's life. In 1793 the French king Louis XVI ended up on the scaffold because in Varennes, on his way out of the country, he was recognised by a postmaster's son. The king bore far too much resemblance to his effigy on the circulating coins! Whenever a ruler has him or herself portrayed, two components come into play: the person as an individual and as the representative of his realm, his throne and his people. Besides, regents like to be portrayed by the best artists of their time, because every subject or citizen is to know what the boss looks like. On the other hand his image is to be kept until long after his death. This picture tour is all about such portraits, comparing the effigies of rulers on coins with those of other forms of portrayal and revealing thus different facets of their personality. 1 von 16 www.sunflower.ch Alexander III the Great, king of Macedonia (336-323 BC) Left: Motif on a tetradrachm, minted under Ptolemy I Soter, satrap of the kingdom of Egypt, Alexandria, around 320 BC. Right: Detail from the Alexander mosaic, Pompeii, 2nd half of the 2nd century BC, Museo Archeologico Nazionale, Naples The tetradrachm shows Alexander the Great wearing an elephant's scalp, a symbol referring to his conquest of India, and the attributes of Zeus: the horn of Ammon and the aegis, a cape worn to demonstrate protection provided by a high religious authority or even a god. -
Durham E-Theses
Durham E-Theses Grillparzer's adoption and adaptation of the philosophy and vocabulary of Weimar classicism Roe, Ian Frank How to cite: Roe, Ian Frank (1978) Grillparzer's adoption and adaptation of the philosophy and vocabulary of Weimar classicism, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/7954/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Summary After a summary of German Classicism and of Grillparzer's at times confusing references to it, the main body of the thesis aims to assess Grillparzer's use of the philosophy and vocahulary of Classicism, with particular reference to his ethical, social and political ideas, Grillparzer's earliest work, including Blanka, leans heavily on Goethe and Schiller, but such plagiarism is avoided after 1810. Following the success of Ahnfrau, however, Grillparzer returns to a much more widespread use of Classical themes, motifs and vocabulary, especially in Sappho, Grillparzer's mood in the period 1816-21 was one of introversion and pessimism, and there is an emphasis on the vocabulary of quiet peace and withdrawal. -
Schiller-Porträts
Das Goethezeitportal: »Schiller-Motive auf Postkarten«: Schiller-Porträts CORE Metadata, citation and similar papers at core.ac.uk Provided by Hochschulschriftenserver - Universität Frankfurt am Main Home Kommunikation Infocenter Wissen Bibliothek Projekt-Infos Diskussionsforen Veranstaltungshinweise Künstlerenzyklopädie Glanzpunkte Verein Newsletter Goethegesellschaft TimeLine Forschungsbeiträge Hinter den Kulissen Goethemuseen Projektepool Neuerscheinungen Suche Adressenpool Porträts & Illustrationen Rezensionen Sitemap Weblinks Goethes Italienreise Primärwerke Impressum Sie befinden sich hier: Startseite > Wissensdatenbank > Porträts und Illustrationen literarischer Werke > Friedrich Schiller > »Schiller- Künstlerenzyklopädie Motive auf Postkarten«: Schiller-Porträts TimeLine Jutta Assel | Georg Jäger Projektepool Bildende Kunst Schiller-Motive auf Postkarten Porträts & Illustrationen Eine Dokumentation Anthologien und Sammlungen Schiller-Porträts Legenden, Märchen- und Sagenmotive Stand: September 2008 Volkslied-Motive Hans Christian Andersen Gliederung Ernst Moritz Arndt Clemens Brentano 1. Schiller-Porträts in der Plastik 2. Schiller-Porträts in Gemälde und Graphik Brüder Grimm 3. Schiller-Porträts in Silhouetten Georg Büchner 4. Kurzbiographien der Künstler Gottfried August Bürger 5. Literaturhinweise Joseph von Eichendorff 6. Rechtlicher Hinweis und Kontaktadresse Johann Wolfgang von Goethe Heinrich Heine Friedrich von Matthisson 1. Schiller-Porträts in der Plastik Eduard Mörike Wilhelm Müller August Musäus Zur Beachtung: Heinrich -
1 Schiller and the Young Coleridge
Notes 1 Schiller and the Young Coleridge 1. For the details of Schiller’s career and thought I am drawing on a number of works including Lesley Sharpe, Friedrich Schiller: Drama, Thought and Politics (Cambridge: Cambridge University Press, 1991); Walter Schafarschik, Friedrich Schiller (Stuttgart: Philipp Reclam, 1999); F. J. Lamport, German Classical Drama: Theatre, Humanity, and Nation, 1750–1870 (Cambridge: Cambridge University Press, 1990); and T. J. Reed, The Classical Centre: Goethe and Weimar, 1775–1832 (Oxford: Oxford University Press, 1986), and Schiller- Handbuch, ed. Helmut Koopmann (Stuttgart: Alfred Kröner, 1998). 2. Schiller later revised the essay and published it in his Shorter Works in Prose under the title ‘The Stage Considered as a Moral Institution’ (‘Die Schaubühne als eine moralische Anstalt betrachtet’). 3. See David Pugh, ‘“Die Künstler”: Schiller’s Philosophical Programme’, Oxford German Studies, 18/19 (1989–90), 13–22. 4. See J. M. Ellis, Schiller’s ‘Kalliasbriefe’ and the Study of his Aesthetic Theory (The Hague and Paris: Mouton, 1969). 5. See Paul Robinson Sweet, Wilhelm von Humboldt: a Biography, 2 vols (Columbus: Ohio State University Press, 1978–80) and W. H. Bruford, The Ger- man Tradition of Self-Cultivation: ‘Bildung’ from Humboldt to Thomas Mann (Cambridge: Cambridge University Press, 1975), ch. 1; also E. S. Shaffer, ‘Romantic Philosophy and the Organization of the Disciplines: the Found- ing of the Humboldt University of Berlin’, in Romanticism and the Sciences, ed. Andrew Cunningham and Nicholas Jardine (Cambridge: Cambridge University Press, 1990), 38–54. 6. Norbert Oellers, Schiller: Geschichte seiner Wirkung bis zu Goethes Tod, 1805– 1832 (Bonn: Bouvier, 1967).