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Basic Theory for Martial Arts and Oriental Health Practice Prepared By
Basic Theory for Martial Arts and Oriental Health Practice Prepared by: Jeffrey W. Helaney, D.Sc. Oriental Medicine & gthDan TaeKwon-Do The theories mentioned in this study guide comprise the basic conceptual framework of most Traditional Chinese Medicine modalities and eastern martial arts styles. When used separately or together the constructs form as simplistic method for viewing the interactions of the human body and the universe itself Regardless of the methodology used to diagnosis an illness, to treat a patient's complaints, or to focus a martial arts attack basic understanding of the process needed to affect change (from an eastern perspective) can be found utilizing one or more of theses theories. It is beyond the scope of this study guide to delve deeply into oriental medical theory or methods of attack. Volumes can and have been written on each subject. This outline is designed to give the student a basic understanding of how most eastern traditions view the functioning of the human body. A basic understanding of these theories and the meridian system is a prerequisite for progressing beyond the rank of 1st Degree Black Belt in this school. fig 1-1 Common characters on left, simplified characters on right Pire Water Table: 1 -2 Chart of Common Sun :Moon Concepts in Yin :MaCe PemaCe And Yang Theory 'fuJ:ess (])eficient )lctive Inactive P.nergy :Matter Punction Porm Yin and Yang are opposites, relative to each other. Nothing in nature is either wholly yin or wholly yang. Everything contains the essence of the other inside it. Yin and Yang are constantly changing balance, with each attempting to gain dominance. -
The Festival of the Nine Emperor Gods in Malaysia: Myth,Ritual,And Symbol
C heu H ock T ong National University of Singapore The Festival of the Nine Emperor Gods in Malaysia: Myth,Ritual,and Symbol Abstract The present paper describes and analyzes the Festival of the Nine Emperor Gods, a popular celebration among the Chinese in Malaysia. The origins of the myth of the Nine Emperor Gods may be traced back to the Nine Human Sovereigns of Chinese tradition, to the historical events of the Han and Ming dynasties, and to the circumstances of the Chinese immigration into Malaysia. The myth of the Nine Emperor Gods is enacted in a body of rituals, the significance of which is reflected in the symbolic representations of the gods. Myth, ritual, and symbol are thus ideologically interrelated to form a structural framework for the interaction of the yin-yang forces at different levels of the cosmic representations featured in the festival. The festival provides a venue for the yearly renewal of cosmic power, so that human life may be rejuvenated and human conflicts resolved. Key words: Nine Emperor Gods — festival— myth ——ritual— macrocosm 一 micro cosm — infracosm Asian Folklore Studies, Volume 55,1996: 49-72 1 H E Festival of the Nine Emperor Gods (Jiuhuangye 九皇爺)in 1 Malaysia is a form of temple fair celebrated only at temples dedicated to these gods. In a 1984 survey I found tmrty-nine such temples in Peninsular Malaysia and none in the states of Sabah and Sarawak. In 1990 the number in Peninsular Malaysia had increased to fifty. My latest surveys, in 1991 and 1992,revealed a further three temples in the West しoast Residency of Sabah (two in Kota Kinabalu and one in Labuan).1 The organization of the festival can be represented in the form of two large concentric circles. -
The Daoist Tradition Also Available from Bloomsbury
The Daoist Tradition Also available from Bloomsbury Chinese Religion, Xinzhong Yao and Yanxia Zhao Confucius: A Guide for the Perplexed, Yong Huang The Daoist Tradition An Introduction LOUIS KOMJATHY Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 50 Bedford Square 175 Fifth Avenue London New York WC1B 3DP NY 10010 UK USA www.bloomsbury.com First published 2013 © Louis Komjathy, 2013 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Louis Komjathy has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury Academic or the author. Permissions Cover: Kate Townsend Ch. 10: Chart 10: Livia Kohn Ch. 11: Chart 11: Harold Roth Ch. 13: Fig. 20: Michael Saso Ch. 15: Fig. 22: Wu’s Healing Art Ch. 16: Fig. 25: British Taoist Association British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: 9781472508942 Library of Congress Cataloging-in-Publication Data Komjathy, Louis, 1971- The Daoist tradition : an introduction / Louis Komjathy. pages cm Includes bibliographical references and index. ISBN 978-1-4411-1669-7 (hardback) -- ISBN 978-1-4411-6873-3 (pbk.) -- ISBN 978-1-4411-9645-3 (epub) 1. -
Early Daoist Meditation and the Origins of Inner Alchemy
EARLY DAOIST MEDITATION 7 EARLY DAOIST MEDITATION AND THE ORIGINS OF INNER ALCHEMY Fabrizio Pregadio According to one of the scriptures belonging to the Taiqing, or Great Clar- ity, tradition, after an adept receives alchemical texts and relevant oral instructions from his master, he withdraws to a mountain or a secluded place to perform purification practices. He establishes the ritual area, demar- cates it with talismans for protection against demons and wild animals, and builds a Chamber of the Elixirs (danshi) at the centre of this protected space. To start compounding the elixir, he chooses a favourable day based on traditional methods of calendrical computation. When all ritual, spatial and temporal conditions are fulfilled, he may finally kindle the fire. Now he offers food and drink to three deities, and asks that they grant the successful compounding of the elixir: This petty man, (name of the adept), truly and entirely devotes his thoughts to the Great Lord of the Dao, Lord Lao and the Lord of Great Harmony. Alas! This petty man, (name of the adept), covets the Medicine of Life! Lead him so that the Medicine will not volat- ilise and be lost, but rather be fixed by the fire! Let the Medicine be good and efficacious, let the transmutations take place without hesitation, and let the Yellow and the White be entirely fixed! When he ingests the Medicine, let him fly as an immortal, have audience at the Purple Palace (Zigong), live an unending life and become an accomplished man (zhiren)!1 The Great Lord of the Dao (Da Daojun), Lord Lao (Laojun, or Laozi in his divine aspect) and the Lord of Great Harmony (Taihe jun) are not mentioned together in other alchemical texts. -
Bakovic, Eric. 2002. Vowel Harmony and Stem Identity. Phd Dissertation, Rutgers University
247 REFERENCES: Bakovic, Eric. 2002. Vowel harmony and stem identity. PhD dissertation, Rutgers University. ROA#540. Bao, Zhi-ming. 1990. On the Nature of Tone. PhD dissertation, MIT, Cambridge, Massachusetts. Bao, Zhi-ming. 1999. The Structure of Tone. New York: Oxford Univ. Press. Beckman, Jill. 1998. Positional Faithfulness. PhD dissertation, UMASS, Amherst, MA: Graduate Linguistic Student Association. ROA#234. Beijing Univeristy, Department of Chinese languages and literature. 1995. Hanyu Fangyan Cihui. (A lexicon of Chinese dialects). Beijing: Yuwen Chubanshe. (In Chinese). Benua, Laura. 1997. Transderivational Identity: Phonological Relations Between Words. PhD dissertation, UMASS, Amherst, MA: Graduate Linguistic Student Association, ROA#259. Chao, Yuen-Ren. 1930. A System of Tone Letters. La Maître phonétique. 45:24-27. Chao, Yuen-Ren. 1968. A grammar of spoken Chinese. Berkeley: Univ. of California Press. Chen, Matthew Y. 1979. Metrical Structure: Evidence from Chinese Poetry. Linguistic Inquiry 10:371-420. Chen, Matthew Y. 1984. Unfolding latent principles of literary taste - poetry as a window into language. In The Tsing Hua Journal of Chinese Studies, 1984. Taiwan. Chen, Matthew Y. 1985. Tianjin tone sandhi: erratic rule application? Ms., Univ. of California, San Diego. Chen, Matthew Y. 1986. The paradox of Tianjin tone sandhi. CLS 22:98-154. 248 Chen, Matthew Y. 1987. Introductory remarks to a symposium on Tianjin tone sandhi. Journal of Chinese Linguistics 15:203-227. Chen, Matthew Y. 2000. Tone Sandhi: Patterns across Chinese dialects. Cambridge Univ. Press. Chen, Matthew Y. 2002. Changting Hakka tone sandhi. Paper presented at the Eighth International Symposium on Chinese Languages and Linguistics. Academia Sinica, Taipei. Chen, Matthew Y, Xiuhong Yan and Lian-Hee Wee. -
Practicing Propriety by Wearing Jade and the Origin of Confucian Myth
Journal of Literature and Art Studies, April 2017, Vol. 7, No. 4, 399-409 doi: 10.17265/2159-5836/2017.04.002 D DAVID PUBLISHING Body and Etiquette: Practicing Propriety by Wearing Jade and the Origin of Confucian Myth-ritual* TANG Qi-cui WU Yu-wei Shanghai Jiao Tong University, Shanghai, China The Chinese University of Hong Kong, Hong Kong, China Etiquette (禮 Li, or ceremonial rules) is essentially a narrative symbol laden on human body (體 Ti). The practice and belief in etiquette and body are observable points which cannot be ignored in genetics exploration of “etiquette”. This article makees an archaeological excavation on “Li” (禮),“Ti” (體), and the metaphorical meaning of such phrases as “ringing jade to show etiquette” (鸣玉以相), “practicing etiquette by wearing jade” (佩玉践形) and so on. It finds that body, etiquette, and jade is a trinity in the Confucian ritual practice of the body, and even in ancient religious rites. The relationship is shown as below: external body (physical appearance)—etiquette and jade (media)—internal virtue (sacred power or holy force). The paper thus reveals the power source of the birth of rites, and the source link between holy rites and the mundane morals, which provide a new explanation of the origin of the “etiquette”. Keywords: body (體 Ti), etiquette (禮 Li), practicing etiquette by wearing jade, bodily thinking, confucian myth and rites, the origin of etiquette Introduction As the most technical and instrumental part of the ethical code and regulation, etiquette (Li) was the practice of the metaphysical part in Confucianism. According to the classical speeches of Gaoyao (皋陶谟) in Book of History (《尚书》), rites originated from destiny, Fatality Order constituted the basic root of ritual system’s legitimacy (天秩有礼,自我五礼有庸哉!)1. -
Taoist Canon in Encyclopaedia of Manuscripts Cultures in Asia and Africa, Michael Friedrich, Harunaga Isaacson and Jörg B
Taoist Canon in Encyclopaedia of Manuscripts Cultures in Asia and Africa, Michael Friedrich, Harunaga Isaacson and Jörg B. Quenzer, Berlin: de Gruyter Christine Mollier To cite this version: Christine Mollier. Taoist Canon in Encyclopaedia of Manuscripts Cultures in Asia and Africa, Michael Friedrich, Harunaga Isaacson and Jörg B. Quenzer, Berlin: de Gruyter. 2021. hal-03094618 HAL Id: hal-03094618 https://hal.archives-ouvertes.fr/hal-03094618 Preprint submitted on 4 Jan 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Christine Mollier CNRS/CRCAO, Paris Encyclopaedia of Manuscripts Cultures in Asia and Africa, Michael Friedrich, Harunaga Isaacson and Jörg B. Quenzer, Berlin: de Gruyter. À paraître Taoist Canon The Ming Daozang (Repository of the Tao), compiled during the first half of the fifteenth century, is the last and only extant Taoist Canon. It comprises about 1,500 texts including important scriptural corpuses dating back to early medieval times. Due to the vicissitudes of Chinese history, none of the successive Taoist canonical collections that were produced – always under imperial authority and sponsorship – during the preceding millennium have survived. It is known, however, that the first inventory of Taoist scriptures dates to the fifth century. -
Daily Life for the Common People of China, 1850 to 1950
Daily Life for the Common People of China, 1850 to 1950 Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access China Studies published for the institute for chinese studies, university of oxford Edited by Micah Muscolino (University of Oxford) volume 39 The titles published in this series are listed at brill.com/chs Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Daily Life for the Common People of China, 1850 to 1950 Understanding Chaoben Culture By Ronald Suleski leiden | boston Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access This is an open access title distributed under the terms of the prevailing cc-by-nc License at the time of publication, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. More information about the initiative can be found at www.knowledgeunlatched.org. Cover Image: Chaoben Covers. Photo by author. Library of Congress Cataloging-in-Publication Data Names: Suleski, Ronald Stanley, author. Title: Daily life for the common people of China, 1850 to 1950 : understanding Chaoben culture / By Ronald Suleski. -
The Status and Thinking of Chinese Farmer Painting Research
International Journal of Frontiers in Sociology ISSN 2706-6827 Vol. 2, Issue 4: 52-58, DOI: 10.25236/IJFS.2020.020407 The Status and Thinking of Chinese Farmer Painting Research Weiping He Associate Professor of Changzhou Textile and Garment Vocational and Technical College [email protected] ABSTRACT. Chinese peasant paintings are the common product of folklore and painting in a special political environment. The study of peasant paintings has artistic, social and political significance, so it is extremely important. Existing farmer painting research has been restricted and misled in many ways, causing related research to lag behind and unable to establish the true historical and cultural value of farmer painting. Based on the analysis and analysis of the existing farmer painting research results, this article attempts to actively and effectively think and suggest this issue. KEYWORDS: Image farmer, painting modernization, political Since 1958, guided by the way of governance, rural murals in Pi County, Jiangsu Province, Shulu, Hebei Province, and other places have successively appeared in the phenomenon of the "Great Leap Forward" in rural murals, exaggerating agricultural harvests visually, responding to political slogans, and realizing socialist self-reform. The emergence of this method is a controversial event in social development and historical process, and even in the study of art history, it is also a trivial phenomenon. However, the massive painting activity with the creative subject as the farmer is extremely rare in the history of the world. Its uniqueness fully confirms certain problems in the modernization process of New China, involving politics and art, ideals and reality. , Culture, and the general public, facing this phenomenon, and its extension in sociology and fine arts, has a certain positive significance for the communication of fine arts history, sociology, political science and other disciplines. -
Origin Narratives: Reading and Reverence in Late-Ming China
Origin Narratives: Reading and Reverence in Late-Ming China Noga Ganany Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Noga Ganany All rights reserved ABSTRACT Origin Narratives: Reading and Reverence in Late Ming China Noga Ganany In this dissertation, I examine a genre of commercially-published, illustrated hagiographical books. Recounting the life stories of some of China’s most beloved cultural icons, from Confucius to Guanyin, I term these hagiographical books “origin narratives” (chushen zhuan 出身傳). Weaving a plethora of legends and ritual traditions into the new “vernacular” xiaoshuo format, origin narratives offered comprehensive portrayals of gods, sages, and immortals in narrative form, and were marketed to a general, lay readership. Their narratives were often accompanied by additional materials (or “paratexts”), such as worship manuals, advertisements for temples, and messages from the gods themselves, that reveal the intimate connection of these books to contemporaneous cultic reverence of their protagonists. The content and composition of origin narratives reflect the extensive range of possibilities of late-Ming xiaoshuo narrative writing, challenging our understanding of reading. I argue that origin narratives functioned as entertaining and informative encyclopedic sourcebooks that consolidated all knowledge about their protagonists, from their hagiographies to their ritual traditions. Origin narratives also alert us to the hagiographical substrate in late-imperial literature and religious practice, wherein widely-revered figures played multiple roles in the culture. The reverence of these cultural icons was constructed through the relationship between what I call the Three Ps: their personas (and life stories), the practices surrounding their lore, and the places associated with them (or “sacred geographies”). -
A Reconstruction of Zhuangzi's Philosophy on Transcendence
religions Article The Big and the Great: A Reconstruction of Zhuangzi’s Philosophy on Transcendence Limei Jiang Center of Value & Culture, School of Philosophy, Beijing Normal University, Beijing 100875, China; [email protected] Received: 29 November 2018; Accepted: 25 December 2018; Published: 4 January 2019 Abstract: This essay attempts to demonstrate the logic of Zhuangzi in his different attitudes toward “debate on big and small” by bringing into discussion the two versions of translation in the English languages, which provide a new approach to analyze the difference in the controversial commentaries on Zhuangzi. This essay points out that the ideal of “free and easy wandering” is a type of positive pleasure. By means of rational thinking and imagination, one’s searching for the external values is turned into the internal pursuit for wisdom in the transformation of things. Zhuangzi’s theory of transcendence not only provides the subject with multi-perspectives, but also substitutes the self-identity with self-value. Through the interaction between self-awareness and self-reaction, the subject can be unified with the great Dao through purposive activities. However, Guo Xiang’s commentary cancels the necessity of self-cultivation and negates the purposefulness of the subject, which underestimates the value of Zhuangzi’s construction of transcendence. Keywords: positive pleasure; purposiveness; self-awareness; self-reflection; no-self 1. Introduction The “debate on big and small” (xiaoda zhi bian小'K¨) was raised in the first chapter, Free and Easy Wandering (xiaoyaoyou逍e8), of the Zhuangzi. It is also discussed in other chapters such as On Making Things Fit Together (qiwulunPiº) and Autumn Waters (qiushuiË4). -
Chinese Journal of Applied Ecology 161: 180–185
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