A Survey of Taoist Literature : Tenth to Seventeenth Centuries
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Imagining a Universal Empire: a Study of the Illustrations of the Tributary States of the Myriad Regions Attributed to Li Gonglin
Journal of chinese humanities 5 (2019) 124-148 brill.com/joch Imagining a Universal Empire: a Study of the Illustrations of the Tributary States of the Myriad Regions Attributed to Li Gonglin Ge Zhaoguang 葛兆光 Professor of History, Fudan University, China [email protected] Abstract This article is not concerned with the history of aesthetics but, rather, is an exercise in intellectual history. “Illustrations of Tributary States” [Zhigong tu 職貢圖] as a type of art reveals a Chinese tradition of artistic representations of foreign emissaries paying tribute at the imperial court. This tradition is usually seen as going back to the “Illustrations of Tributary States,” painted by Emperor Yuan in the Liang dynasty 梁元帝 [r. 552-554] in the first half of the sixth century. This series of paintings not only had a lasting influence on aesthetic history but also gave rise to a highly distinctive intellectual tradition in the development of Chinese thought: images of foreign emis- saries were used to convey the Celestial Empire’s sense of pride and self-confidence, with representations of strange customs from foreign countries serving as a foil for the image of China as a radiant universal empire at the center of the world. The tra- dition of “Illustrations of Tributary States” was still very much alive during the time of the Song dynasty [960-1279], when China had to compete with equally powerful neighboring states, the empire’s territory had been significantly diminished, and the Chinese population had become ethnically more homogeneous. In this article, the “Illustrations of the Tributary States of the Myriad Regions” [Wanfang zhigong tu 萬方職貢圖] attributed to Li Gonglin 李公麟 [ca. -
Shishuo Xinyu : Kapitel 14
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 1976 Shishuo xinyu – Kapitel 14 Gassmann, Robert H ; von Duhn, Madeleine ; Homann, Rolf Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-97965 Journal Article Originally published at: Gassmann, Robert H; von Duhn, Madeleine; Homann, Rolf (1976). Shishuo xinyu – Kapitel 14. Asiatische Studien, 30:45-78. Shishuo Xinyu : Kapitel 14 Autor(en): Duhn, M. von / Gassmann, R. / Homann, R. Objekttyp: Article Zeitschrift: Asiatische Studien : Zeitschrift der Schweizerischen Asiengesellschaft = Études asiatiques : revue de la Société Suisse - Asie Band(Jahr): 30(1976) Heft 1-2 Erstellt am: 25.05.2014 Persistenter Link: http://dx.doi.org/10.5169/seals-146449 Nutzungsbedingungen Mit dem Zugriff auf den vorliegenden Inhalt gelten die Nutzungsbedingungen als akzeptiert. Die angebotenen Dokumente stehen für nicht-kommerzielle Zwecke in Lehre, Forschung und für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und unter deren Einhaltung weitergegeben werden. Die Speicherung von Teilen des elektronischen Angebots auf anderen Servern ist nur mit vorheriger schriftlicher Genehmigung möglich. Die Rechte für diese und andere Nutzungsarten der Inhalte liegen beim Herausgeber bzw. beim Verlag. Ein Dienst der ETH-Bibliothek Rämistrasse 101, 8092 Zürich, Schweiz [email protected] http://retro.seals.ch SHISHUO XINYU - KAPITEL 14 ÜBERSETZT UND HERAUSGEGEBEN VON M. VON DUHN, R. GASSMANN UND R. HOMANN Ostasiatisches Seminar der Universität Zürich* Einleitung Im Rahmen der Einführung in den Forschungsschwerpunkt «Nanbei- chao-Zeit» am Ostasiatischen Seminar wurde eine zweisemestrige Übung über das Kapitel 14 des Shishuo xinyu [a] abgehalten (SS 74 bis WS 74/7 c), deren Ergebnisse wir hier vorlegen möchten. -
Laozi Zhongjing)
A Study of the Central Scripture of Laozi (Laozi zhongjing) Alexandre Iliouchine A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Arts, Department of East Asian Studies McGill University January 2011 Copyright Alexandre Iliouchine © 2011 ii Table of Contents Acknowledgements......................................................................................... v Abstract/Résumé............................................................................................. vii Conventions and Abbreviations.................................................................... viii Introduction..................................................................................................... 1 On the Word ―Daoist‖............................................................................. 1 A Brief Introduction to the Central Scripture of Laozi........................... 3 Key Terms and Concepts: Jing, Qi, Shen and Xian................................ 5 The State of the Field.............................................................................. 9 The Aim of This Study............................................................................ 13 Chapter 1: Versions, Layers, Dates............................................................... 14 1.1 Versions............................................................................................. 15 1.1.1 The Transmitted Versions..................................................... 16 1.1.2 The Dunhuang Version........................................................ -
The Cultural and Religious Background of Sexual Vampirism in Ancient China
Theology & Sexuality Volume 12(3): 285-308 Copyright © 2006 SAGE Publications London, Thousand Oaks CA, New Delhi http://TSE.sagepub.com DOI: 10.1177/1355835806065383 The Cultural and Religious Background of Sexual Vampirism in Ancient China Paul R. Goldin [email protected] Abstract This paper considers sexual macrobiotic techniques of ancient China in their cultural and religious milieu, focusing on the text known as Secret Instructions ofthe Jade Bedchamber, which explains how the Spirit Mother of the West, originally an ordinary human being like anyone else, devoured the life force of numerous young boys by copulating with them, and there- by transformed herself into a famed goddess. Although many previous studies of Chinese sexuality have highlighted such methods (the noted historian R.H. van Gulik was the first to refer to them as 'sexual vampirism'), it has rarely been asked why learned and intelligent people of the past took them seriously. The inquiry here, by considering some of the most common ancient criticisms of these practices, concludes that practitioners did not regard decay as an inescapable characteristic of matter; consequently it was widely believed that, if the cosmic processes were correctly under- stood, one could devise techniques that may forestall senectitude indefinitely. Keywords: sexual vampirism, macrobiotics, sex practices, Chinese religion, qi, Daoism Secret Instructions ofthe Jade Bedchamber {Yufang bijue S Ml^^) is a macro- biotic manual, aimed at men of leisure wealthy enough to own harems, outlining a regimen of sexual exercises that is supposed to confer immor- tality if practiced over a sufficient period. The original work is lost, but substantial fragments of it have been preserved in Ishimpo B'O:^, a Japanese chrestomathy of Chinese medical texts compiled by Tamba Yasuyori ^MMU (912-995) in 982. -
Historiography and Narratives of the Later Tang (923-936) and Later Jin (936-947) Dynasties in Tenth- to Eleventh- Century Sources
Historiography and Narratives of the Later Tang (923-936) and Later Jin (936-947) Dynasties in Tenth- to Eleventh- century Sources Inauguraldissertation zur Erlangung des Doktorgrades der Philosophie an der Ludwig‐Maximilians‐Universität München vorgelegt von Maddalena Barenghi Aus Mailand 2014 Erstgutachter: Prof. Dr. Hans van Ess Zweitgutachter: Prof. Tiziana Lippiello Datum der mündlichen Prüfung: 31.03.2014 ABSTRACT Historiography and Narratives of the Later Tang (923-36) and Later Jin (936-47) Dynasties in Tenth- to Eleventh-century Sources Maddalena Barenghi This thesis deals with historical narratives of two of the Northern regimes of the tenth-century Five Dynasties period. By focusing on the history writing project commissioned by the Later Tang (923-936) court, it first aims at questioning how early-tenth-century contemporaries narrated some of the major events as they unfolded after the fall of the Tang (618-907). Second, it shows how both late- tenth-century historiographical agencies and eleventh-century historians perceived and enhanced these historical narratives. Through an analysis of selected cases the thesis attempts to show how, using the same source material, later historians enhanced early-tenth-century narratives in order to tell different stories. The five cases examined offer fertile ground for inquiry into how the different sources dealt with narratives on the rise and fall of the Shatuo Later Tang and Later Jin (936- 947). It will be argued that divergent narrative details are employed both to depict in different ways the characters involved and to establish hierarchies among the historical agents. Table of Contents List of Rulers ............................................................................................................ ii Aknowledgements .................................................................................................. -
Vespers Program Print 31MAR
HYMNS March 24: O God, Why Are You Silent 1. O God, why are you silent? I cannot hear your voice. The proud and strong and violent All claim you and rejoice. You promised you would hold me With tenderness and care. Draw near, O Love, enfold me, And ease the pain I bear. 2. Now lost within my grieving, I fall and lose my way. My fragile, faint believing So swiftly swept away. O God of pain and sorrow, My compass and my guide, I cannot face the morrow Without you by my side. 4. Through endless nights of weeping, This worship aid will suffice for all six weeks of Vespers. Just scroll Through weary days of grief, down until you see the appropriate date for each song or prayer. My heart is in your keeping, My comfort, my relief. Come, share my tears and sadness, Come, suffer in my pain; O bring me home to gladness, Restore my hope again. 5. May pain draw forth compassion, Let wisdom rise from loss. O take my heart and fashion The image of your cross. Then may I know your healing Through healing that I share, Your grace and love revealing Your tenderness and care. Text: Marty Haugen, b. 1950, © 2003, GIA Publications, Inc. EVENING THANKSGIVING PSALMS Each night, we begin with Psalm 141, and incense is placed in the censer to suggest our prayers rising to God. At the end of this and each psalm, there is a prayer by the presider. Every night: Psalm 141 Evening Offering March 31: Psalm 23 Shepherd Me, O God READING MAGNIFICAT (next page) INTERCESSIONS THE LORD’S PRAYER CLOSING PRAYER Presider: Our help is in the name of the Lord. -
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Quality Silversmiths since 1939. SPAIN www.molina-spain.com - ARTIMETAL - PROCESSIONALIA 2014-2015 Quality Silversmiths since 1939. SPAIN ARTISTIC SILVER INDEXINDEX Presentation ......................................................................................... Pag. 1-12 ARTISTIC SILVER - ARTIMETAL ARTISTICPresentation SILVER & ARTIMETAL Pag. 1-12 ChalicesChalices && CiboriaCiboria ........................................................................... Pag. 13-6713-52 MonstrancesCruet Sets & Ostensoria ...................................................... Pag. 68-7853 TabernaclesJug & Basin,........................................................................................... Buckets Pag. 79-9654 AltarMonstrances accessories & Ostensoria Pag. 55-63 &Professional Bishop’s appointments Crosses ......................................................... Pag. 97-12264 Tabernacles Pag. 65-80 PROCESIONALIAAltar accessories ............................................................................. Pag. 123-128 & Bishop’s appointments Pag. 81-99 General Information ...................................................................... Pag. 129-132 ARTIMETAL Chalices & Ciboria Pag. 101-115 Monstrances Pag. 116-117 Tabernacles Pag. 118-119 Altar accessories Pag. 120-124 PROCESIONALIA Pag. 125-130 General Information Pag. 131-134 Quality Silversmiths since 1939. SPAIN www.molina-spain.com Luis Molina Acedo, S.A. Justo Dorado, 12 28040 Madrid, Spain Product design: Luis Molina Acedo, S.A. CHALICES & CIBORIA Our silversmiths combine -
The Offering of Incense) Thurification Or Incensation Is an Expression of Reverence and of Prayer, As Is Signified in Sacred Scripture…Psalm 141; Revelation 8:3 1
Thurifer Procedures Preparing for Mass *Attire…dress as you would…when serving as Acolyte *Arrive inside church at a minimum 45 minutes before the start of Mass. *Position Censer Stand near Ambo/Lectern/Pulpit. You will need easy access to return boat before Gospel reading. Gather the following in Sacristy: *Thurible… (Metal censer suspended from chains) --Contains 4 items: Base; Tray; Top; Chains --If necessary, you may need to clean out any unburnt coals from the tray. You can dispense the coals directly in to the trash…please insure coals have been cooled. If not…place in sink, flow water over them. --Lighter…make certain it flames --Boat…contains the incense. Fill boat with incense --Spoon…position spoon in boat --Charcoal…2 discs Lighting of charcoal…10 minutes prior to start of Mass or Procession Service --Use tongs...with Star facing down…hold charcoal disc below countertop level. --Place lighter on underside of disc…the charcoal will flare…sparks will come off disc…continue to light until sparks have stopped. Slightly blow on disc to insure it is burning --Place charcoal disc inside tray…star side facing up. --Place charcoal discs side by side…not on top of each other --close top…exit Sacristy…start to ‘swing’ thurible Incensation (The offering of Incense) Thurification or Incensation is an expression of reverence and of prayer, as is signified in Sacred Scripture…Psalm 141; Revelation 8:3 1. During the entrance procession; 2. At the beginning of Mass; to incense the cross and the altar; 3. At the procession before the Gospel and the proclamation of the Gospel itself; 4. -
Cao Pi (Pages 5-6) 5
JCC: Romance of the Three Kingdoms 三國演義 Cao Cao Dossier 曹操 Crisis Director: Matthew Owens, Charles Miller Email: [email protected], [email protected] Chair: Harjot Singh Email: [email protected] Table of Contents: 1. Front Page (Page 1) 2. Table of Contents (Page 2) 3. Introduction to the Cao Cao Dossier (Pages 3-4) 4. Cao Pi (Pages 5-6) 5. Cao Zhang (Pages 7-8) 6. Cao Zhi (Pages 9-10) 7. Lady Bian (Page 11) 8. Emperor Xian of Han (Pages 12-13) 9. Empress Fu Shou (Pages 14-15) 10. Cao Ren (Pages 16-17) 11. Cao Hong (Pages 18-19) 12. Xun Yu (Pages 20-21) 13. Sima Yi (Pages 22-23) 14. Zhang Liao (Pages 24-25) 15. Xiahou Yuan (Pages 26-27) 16. Xiahou Dun (Pages 28-29) 17. Yue Jin (Pages 30-31) 18. Dong Zhao (Pages 32-33) 19. Xu Huang (Pages 34-35) 20. Cheng Yu (Pages 36-37) 21. Cai Yan (Page 38) 22. Han Ji (Pages 39-40) 23. Su Ze (Pages 41-42) 24. Works Cited (Pages 43-) Introduction to the Cao Cao Dossier: Most characters within the Court of Cao Cao are either generals, strategists, administrators, or family members. ● Generals lead troops on the battlefield by both developing successful battlefield tactics and using their martial prowess with skills including swordsmanship and archery to duel opposing generals and officers in single combat. They also manage their armies- comprising of troops infantrymen who fight on foot, cavalrymen who fight on horseback, charioteers who fight using horse-drawn chariots, artillerymen who use long-ranged artillery, and sailors and marines who fight using wooden ships- through actions such as recruitment, collection of food and supplies, and training exercises to ensure that their soldiers are well-trained, well-fed, well-armed, and well-supplied. -
The Daoist Tradition Also Available from Bloomsbury
The Daoist Tradition Also available from Bloomsbury Chinese Religion, Xinzhong Yao and Yanxia Zhao Confucius: A Guide for the Perplexed, Yong Huang The Daoist Tradition An Introduction LOUIS KOMJATHY Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 50 Bedford Square 175 Fifth Avenue London New York WC1B 3DP NY 10010 UK USA www.bloomsbury.com First published 2013 © Louis Komjathy, 2013 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Louis Komjathy has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury Academic or the author. Permissions Cover: Kate Townsend Ch. 10: Chart 10: Livia Kohn Ch. 11: Chart 11: Harold Roth Ch. 13: Fig. 20: Michael Saso Ch. 15: Fig. 22: Wu’s Healing Art Ch. 16: Fig. 25: British Taoist Association British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: 9781472508942 Library of Congress Cataloging-in-Publication Data Komjathy, Louis, 1971- The Daoist tradition : an introduction / Louis Komjathy. pages cm Includes bibliographical references and index. ISBN 978-1-4411-1669-7 (hardback) -- ISBN 978-1-4411-6873-3 (pbk.) -- ISBN 978-1-4411-9645-3 (epub) 1. -
妙法蓮華經觀世音菩薩普門品 Sutra on the Lotus Flower of the Wondrous Dharma, "The Universal Gateway of the Avalokitesvara Guan Yin Bodhisattva"
妙法蓮華經觀世音菩薩普門品 Sutra on the Lotus Flower of the Wondrous Dharma, "The Universal Gateway of the Avalokitesvara Guan Yin Bodhisattva" 楊枝淨水讚 Congregation Chants The Praise Of Holy Water Yang Zhi Jing Shui 。 Pian Sa San Qian 。 楊 枝 淨 水 。 徧 灑 三 千 。 Xing Kong Ba De Li Ren Tian 。 性 空 八 德 利 人 天 。 Fu Shou Guang Zeng Yan 。 Mie Zui Xiao Qian 。 福 壽 廣 增 延 。 滅 罪 消 愆 。 Huo Yan Hua Hong Lian 。 火 燄 化 紅 蓮 。 (Repeat * 3 Times & * Nan Mo Guan Shi Yin Pu Sa Mo He Sa Make Prostrations) 三稱三拜 南 無 觀 世 音 菩 薩 摩 訶 薩 ( ) Nan Mo Da Bei Guan Shi Yin Pu Sa (Repeat &3 Times) 南 無 大 悲 觀 世 音 菩 薩 (重覆三次) 開經偈 Sutra Opening Gatha Wu Shang Shen Shen Wei Miao Fa 。 無 上 甚 深 微 妙 法 。 Bai Qian Wan Jie Nan Zao Yu 。 百 千 萬 劫 難 遭 遇 。 Wo Jin Jian Wen De Shou Chi 。 我 今 見 聞 得 受 持 。 Yuan Jie Ru Lai Zhen Shi Yi 。 願 解 如 來 真 實 義 。 觀世音菩薩普門品 The Universal Gateway Of Avalokitesvara Guan Yin Bodhisattva 姚秦三藏法師鳩摩羅什譯 Miao Fa Lian Hua Jing 妙 法 蓮 華 經 Guan Shi Yin Pu Sa Pu Men Pin 觀 世 音 菩 薩 普 門 品 Er Shi 。 Wu Jin Yi Pu Sa 。 Ji Cong Zuo 爾 時 。 無 盡 意 菩 薩 , 即 從 座 Qi , Pian Tan You Jian 。 He Zhang Xiang Fo , 起 , 偏 袒 右 肩 , 合 掌 向 佛 , Er Zuo Shi Yan : Shi Zun ! Guan Shi Yin Pu 而 作 是 言 : 世 尊 ! 觀 世 音 菩 Sa , Yi He Yin Yuan , Ming Guan Shi Yin ? 薩 , 以 何 因 緣 , 名 觀 世 音 ? Fo Gao Wu Jin Yi Pu Sa : Shan Nan Zi ! 佛 告 無 盡 意 菩 薩 : 善 男 子 ! Ruo You Wu Liang Bai Qian Wan Yi Zhong Sheng , Shou 若 有 無 量 百 千 萬 億 眾 生 , 受 Zhu Ku Nao , Wen Shi Guan Shi Yin Pu Sa , 諸 苦 惱 , 聞 是 觀 世 音 菩 薩 , Yi Xin Cheng Ming , Guan Shi Yin Pu Sa , Ji 一 心 稱 名 , 觀 世 音 菩 薩 , 即 Shi Guan Qi Yin Sheng , Jie De Jie Tuo 。 時 觀 其 音 聲 , 皆 得 解 脫 。 請放掌 Please Put Down -
Taoism and Chinese Religion
www.quirinpress.com @QuirinPress Quirin Press Release “It is largely thanks to [Maspero’s] pioneer work in the fields of Chinese religion, anthropology, linguistics and history that China’s contribution to the achievement of man could first be reviewed on terms of parity with those of other civilizations. “To the question whether his discoveries, opinions and interpretations have been outdated by the subsequent thirty years’ research, it may be answered that leading scholars still rely with the utmost confidence on his writings as a framework whose validity has outdated their most recent findings, and whose detail has in many cases not been bettered.” — Michael Loewe, University of Cambridge (from the sleeve notes to the original 1981 edition.) Taoism and Chinese Religion Revised Edition by Henri Maspero Translated by Frank A. Kierman, Jr. Price for pb & E-book: $ 96.56 USD | €74.00 EUR | £ 58.40 GBP | $ 99.99 AUD Publication date: Sep. 2014 Paperback (Sep. 2015 E-book) Size: xli + 689 pages | 6 x 9 in. / 234 x 156 mm. | 2.339 lb / 1060 gm Formats available: Perfect Bound (pb) & E-book Series: Quirin Pinyin Updated Editions (QPUE) ISBN 13: 978-1-922169-04-4 Paper | 978-1-922169-05-1 E-book (Sep 2015) … one of the greatest attractions of Maspero’s writings in this volume (and one that will endure even when our own researches eventually make us better informed than he was on every topic upon which he touched), is the invaluable picture disclosed to us of a mature sinologist remarkable for his broad erudition and penetrating insight confronting a field of research completely untouched by earlier scholars.