Bibliotheca Alexandrina SUMMER 2015 | Year 8, Issue 3
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The Textiles of the Han Dynasty & Their Relationship with Society
The Textiles of the Han Dynasty & Their Relationship with Society Heather Langford Theses submitted for the degree of Master of Arts Faculty of Humanities and Social Sciences Centre of Asian Studies University of Adelaide May 2009 ii Dissertation submitted in partial fulfilment of the research requirements for the degree of Master of Arts Centre of Asian Studies School of Humanities and Social Sciences Adelaide University 2009 iii Table of Contents 1. Introduction.........................................................................................1 1.1. Literature Review..............................................................................13 1.2. Chapter summary ..............................................................................17 1.3. Conclusion ........................................................................................19 2. Background .......................................................................................20 2.1. Pre Han History.................................................................................20 2.2. Qin Dynasty ......................................................................................24 2.3. The Han Dynasty...............................................................................25 2.3.1. Trade with the West............................................................................. 30 2.4. Conclusion ........................................................................................32 3. Textiles and Technology....................................................................33 -
Intro to Light Fixtures
Intro to Light Fixtures IN THE BEGINNING PRIMITIVE LAMPS - (c 13,000 BC to 3,000 BC) Prehistoric man, used primitive lamps to illuminate his cave. These lamps, made from naturally occurring materials, such as rocks, shells, horns and stones, were filled with grease and had a fiber wick. Lamps typically used animal or vegetable fats as fuel. In the ancient civilizations of Babylonian and Egypt, light was a luxury. The Arabian Nights were far from the brilliance of today. The palaces of the wealthy were lighted only by flickering flames of simple oil lamps. These were usually in the form of small open bowls with a lip or spout to hold the wick. Animal fats, fish oils or vegetable oils (palm and olive) furnished the fuels. Early Developments Early Developments Rush lights: Candles: Tall, grass-like plant dipped in fat Most expensive candles made of beeswax Most common in churches and homes of nobility Snuffers cut the wick while maintaining the flame Early Developments Early Developments New Developments There was a need to improve the light several ways: 1. The need for a constant flame, which could me left unattended for a longer period of time 2. Decrease heat and smoke for interior use 3. To increase the light output 4. An easier way to replenish the source….thus, the development of gas and electricity 5. Produce light with little waste or conserve energy Page 1 Intro to Light Fixtures Industrial Revolution - Europe Gas lamps developed: London well known for gas lamps Argand Lamp Eiffel Tower (1889) originally used gas lamps The Argand burner, which was introduced in 1784 by the Swiss inventor Argand, was a major improvement in brightness compared to traditional open-flame oil lamps. -
!History of Lightingv2.Qxd
CONTENTS Introduction 3 The role of lighting in modern society 3 1. The oldest light sources 4 Before the advent of the lamp 4 The oldest lamps 4 Candles and torches 5 Further development of the oil lamp 6 2. Gaslight 9 Introduction 9 Early history 9 Gas production 10 Gaslight burners 10 The gas mantle 11 3. Electric lighting before the incandescent lamp 14 Introduction 14 Principle of the arc lamp 15 Further development of the arc lamp 16 Applications of the arc lamp 17 4. The incandescent lamp 20 The forerunners 20 The birth of the carbon-filament lamp 22 Further development of the carbon-filament lamp 25 Early metal-filament lamps 27 The Nernst lamp 28 The birth of the tungsten-filament lamp 29 Drawn tungsten filaments 30 Coiled filaments 30 The halogen incandescent lamp 31 5. Discharge lamps 32 Introduction 32 The beginning 32 High-voltage lamps 33 Early low-pressure mercury lamps 34 The fluorescent lamp 35 High-pressure mercury lamps 36 Sodium lamps 37 The xenon lamp 38 6. Electricity production and distribution 39 Introduction 39 Influence machines and batteries 39 Magneto-electric generators 40 Self-exciting generators 41 The oldest public electricity supply systems 41 The battle of systems 42 The advent of modern a.c. networks 43 The History of Light and Lighting While the lighting industry is generally recognized as being born in 1879 with the introduction of Thomas Alva Edison’s incandescent light bulb, the real story of light begins thousands of years earlier. This brochure was developed to provide an extensive look at one of the most important inventions in mankind’s history: artificial lighting. -
Rushlight Index 1980-2006
Rushlight Cumulative Index, 1980 – 2006 Vol. 46 – 72 (Pages 2305 – 3951) Part 1: Subject Index Page 2 Part 2: Author Index Page 21 Part 3: Illustration Index Page 25 Notes: The following conventions are used in this index: a slash (/) after the page number indicates the item is an illustration with little or no text. MA before an entry indicates a notice of a magazine article; BR indicates a book review. Please note that if issues were mispaginated, the corrected page numbers are used in this index. The following chart lists the range of pages in each volume of the Rushlight covered by this index. Volume Range of Pages Volume Range of Pages 46 (1980) 2305-2355 60 (1994) 3139-3202 47 (1981) 2356-2406a 61 (1995) 3203-3261 48 (1982) 2406b-2465 62 (1996) 3262-3312 49 (1983) 2465a-2524 63 (1997) 3313-3386 50 (1984) 2524a-2592 64 (1998) 3387-3434 51 (1985) 2593-2679 65 (1999) 3435-3512 52 (1986) 2680-2752 66 (2000) 3513-3569 53 (1987) 2753-2803 67 (2001) 3570-3620 54 (1988) 2804-2851 68 (2002) 3621-3687 55 (1989) 2852-2909 69 (2003) 3688-3745 56 (1990) 2910-2974 70 (2004) 3746-3815 57 (1991) 2974a-3032 71 (2005) 3816-3893 58 (1992) 3033-3083 72 (2006) 3894-3951 59 (1993) 3084-3138 1 Rushlight Subject Index Subject Page Andrews' burning fluid vapor lamps 3400-05 Abraham Gesner: Father of Kerosene 2543-47 Andrews patent vapor burner 3359/ Accessories for decorating lamps 2924 Andrews safety lamp, award refused 3774 Acetylene bicycle lamps, sandwich style 3071-79 Andrews, Solomon, 1831 gas generator 3401 Acetylene bicycle lamps, Solar 2993-3004 -
Technology Meets Art: the Wild & Wessel Lamp Factory in Berlin And
António Cota Fevereiro Technology Meets Art: The Wild & Wessel Lamp Factory in Berlin and the Wedgwood Entrepreneurial Model Nineteenth-Century Art Worldwide 19, no. 2 (Autumn 2020) Citation: António Cota Fevereiro, “Technology Meets Art: The Wild & Wessel Lamp Factory in Berlin and the Wedgwood Entrepreneurial Model,” Nineteenth-Century Art Worldwide 19, no. 2 (Autumn 2020), https://doi.org/10.29411/ncaw.2020.19.2.2. Published by: Association of Historians of Nineteenth-Century Art Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. License: This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License Creative Commons License. Accessed: October 30 2020 Fevereiro: The Wild & Wessel Lamp Factory in Berlin and the Wedgwood Entrepreneurial Model Nineteenth-Century Art Worldwide 19, no. 2 (Autumn 2020) Technology Meets Art: The Wild & Wessel Lamp Factory in Berlin and the Wedgwood Entrepreneurial Model by António Cota Fevereiro Few domestic conveniences in the long nineteenth century experienced such rapid and constant transformation as lights. By the end of the eighteenth century, candles and traditional oil lamps—which had been in use since antiquity—began to be superseded by a new class of oil-burning lamps that, thanks to a series of improvements, provided considerably more light than any previous form of indoor lighting. Plant oils (Europe) or whale oil (United States) fueled these lamps until, by the middle of the nineteenth century, they were gradually replaced by a petroleum derivative called kerosene. Though kerosene lamps remained popular until well into the twentieth century (and in some places until today), by the late nineteenth century they began to be supplanted by gas and electrical lights. -
Zallen Gsas.Harvard 0084L 11460.Pdf (8.379Mb)
American Lucifers: Makers and Masters of the Means of Light, 1750-1900 The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Zallen, Jeremy Benjamin. 2014. American Lucifers: Makers and Masters of the Means of Light, 1750-1900. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:12274111 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA American Lucifers: Makers and Masters of the Means of Light, 1750-1900 A dissertation presented by Jeremy Benjamin Zallen to The Department of History in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of History Harvard University Cambridge, Massachusetts April 2014 ©2014—Jeremy Benjamin Zallen All rights reserved. American Lucifers: Makers and Masters of the Means of Light, 1750-1900 Abstract This dissertation examines the social history of Atlantic and American free and unfree labor by focusing on the production and consumption of the means of light from the colonial period to the end of the nineteenth century. Drawing from archives across the country, I reconstruct the ground-level experiences and struggles of the living (and dying) bringers of lights—those American lucifers—and the worlds they made in the process. I begin by arguing that colonial American deep-sea whaling voyages triggered an Atlantic street lighting revolution radiating from London, while a New England run candles-for-slave(ry) trade helped illuminate and circulate processes caught up in colonial transatlantic sugar slavery. -
Jo Macfarlane Workshop Refresher
Candle School Refresher Jo Macfarlane Candle School Workshop Refresher Contents Getting started History of candle making Types of wax Wicks Scenting Thanks Bibliography Getting Started Here is a brief reminder of all the hands on 'making aspects' of the Jo Macfarlane Candle School workshop. 1. You chose your fragrance (definitely the hardest part) 2. Put your wick centred in your vessel using wax glue. If you are using a larger vessel you will need to work out how many wicks you will need. Use the bbq skewers to keep in place. You can buy proper wick supports if you wish. 3 Fill your pan with around 1/3 of water and put on a low heat You don't want too much water so your jug is bobbing around or splashing water into the wax. 4 Measure out your wax by filling the vessel twice, weigh. Remember to 'zero' the scales so you are just weighing the wax. Pop glass jug with wax in it into the pan. I use glass or metal jugs, they conduct the heat better than a plastic jug. 5 Work out 8% of the fragrance, this is industry standard but it does vary according to personal taste, it can go 5-10% but each scent varies too and also if it is a concentrated scent i use 6% but it all comes back to testing and testing again. 5 continued - 100g wax multiplied by 8% = 8g take the 8g which will be your fragrance away from the 100g of the wax =92g So the 92g will be your wax weight & 8g will be your fragrance weight making a 100g candle. -
December 20162016
Bugbrooke LINK DecemberDecember 20162016 www.bugbrookelink.co.ukwww.bugbrookelink.co.uk 2 The Bugbrooke “LINK” Committee Published bi-monthly. Circulated free to every household within the Parish boundary of Bugbrooke. The “LINK” Management Committee is elected in accordance with the Constitution and Rules at the AGM in May. Chairman Paul Cockcroft, 31 Pilgrims Lane Secretary Barbara Bell, 68 Chipsey Avenue Treasurer/Vice Chairman Jim Inch, 16a High Street Production & Website Geoff Cooke, 1 Browns Yard Advertising Sheila Willmore, 31 Oaklands Adverts Production Gwynneth White, 1 Homestead Drive Submissions Pat Kent, 1 High Street E-mail to [email protected] Web site address www.bugbrookelink.co.uk Deadline for February issue 2nd January 2017 Whilst we check the information for grammar and spelling on articles supplied by our contributors, the LINK magazine can accept no responsibility for errors or omissions in the factual content of the information. The views expressed in these articles are those of the contributors and are not necessarily shared by the LINK Management Committee. Advertisements are used to fund the LINK, and their services are not necessarily endorsed by the LINK Management Committee. 3 4 5 5 6 Bugbrooke LINK Magazine (Issue 201), December 2016 Chairman: Paul Cockcroft I’m delighted to welcome you to this festive issue of your village magazine. It’s great that so many of you have provided articles and photos to help us round off this final magazine of 2016. We hope you find time to enjoy the quizzes and read the many interesting items that have been prepared by others to inform, share details and support the local community. -
Sept 20 Catalog.Indd
TABLE OF CONTENTS SEPTEMBER & HALLOWEEN 2020 2 WHIRLWIND 20 LAST LICKS 37 BRAZEN BLUE The Champions Series The Lickety Splits Mystery Series The Muses’ Salon Series Janet Dailey Cynthia Baxter Rachel Miles 3 EVERY KIND OF WICKED 21 THE GAME NEVER ENDS 38 JEB’S WIFE The Gardiner and Renner Series The Game Series Patricia Johns Lisa Black Zaire Crown 39 SEARCHING FOR ROSE 4 TO COACH A KILLER 22 MIND MANIPULATION Dana Becker The Life Coach Mystery Series Dr. Haha Lung; Christpher B. Porwant 40 AGAINST THE SKY Victoria Laurie 23 THE OFF-ISLANDER The Brodies of Alaska Series 5 MURDER AT KINGSCOTE The Andy Roark Mystery Series Kat Martin The Gilded Newport Mystery Series Peter Colt 41 ENCHANT THE NIGHT Alyssa Maxwell 24 THE BENGAL IDENTITY Amanda Ashley 6 HOWLEOWEEN MURDER The Cat Groomer Mystery Series 42 TRIPLE THREAT The Melanie Travis Canine Eileen Watkins Camryn King Mystery Series 25 DOUGH OR DIE 43 KNOCKDOWN Laurien Berenson The Bread Shop Mystery Series William W. Johnstone; J.A. Johnstone 7 THE DEADLINE Winnie Archer 44 YOU CAN TRUST ME Kiki Swinson 26 GOURD TO DEATH Emma Rowley 8 CHURCHILL’S HELLRAISERS The Pie Town Mystery Series Damien Lewis Kirsten Weiss 45 BURY THE HATCHET The Buck Trammel Western Series 9 WIN FAST 27 EAT, DRINK AND BE WARY William W. Johnstone; J.A. Johnstone Siimon Reynolds The Cook-Off Mystery Series Devon Delaney 46 BULLET FOR A STRANGER 10 THE ABOLITIONIST’S DAUGHTER The Red Ryan Western Series Diane C. McPhail 28 GOODNIGHT MOO The Buttermilk Creek Mystery Series William W. -
Day the Universe Changed
Copyright Copyright © 1985 by London Writers Ltd. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems without permission in writing from the publisher, except by a reviewer who may quote brief passages in a review. First eBook Edition: November 2009 Hachette Book Group 237 Park Avenue New York, NY 10017 Visit our website at www.HachetteBookGroup.com ISBN: 978-0-316-09191-6 Contents Copyright Acknowledgements Preface 1 The Way We Are 2 In the Light of the Above 3 Point of View 4 Matter of Fact 5 Infinitely Reasonable 6 Credit Where It’s Due 7 What the Doctor Ordered 8 Fit to Rule 9 Making Waves 10 Worlds Without End Bibliography Picture Acknowledgements Acknowledgements So many members of academic faculties have given invaluable assistance in the writing of this book that it is regrettably impossible for me to express my gratitude to them all individually. I hope they will forgive me if I make mention in particular of Dr Alistair Crombie, of Trinity College, Oxford, who was especially generous with both his time and his unequalled knowledge. I should like to thank Penny Fairfax, Bettina Lerner and Jay Ferguson for their meticulous assistance with research, as well as the television production team who worked so hard to make possible the series of programmes associated with this book: Richard Reisz, John Lynch, Martin Hughes-Games, Katharine Everett, Maralyn Lister, Dorothy Prior, Brian Hall, Ian Stone, John Else, Sarah Carr and last but far from least, my hardworking and talented assistant, Veronica Thorne. -
Delight Man Found Dead by P.J
The Murfreesboro Diamond Wednesday, May 1, 2013 • Issue 41 • 1 Section • 12 pages • In Pike County, Arkansas • 75¢ Home of the USPC 103-230 Established 1975 Crater of Diamonds State Park Delight man found dead By P.J. Tracy IV own blood. Dowdle was later pronounced dead on scene Diamond Editor by the coroner. An investigation then began into the particulars of the A man was found dead in a Delight residence on Monday death, and a search warrant was obtained from Judge night. Charles Yeargan. At approximately 10:33 p.m. the Pike County Sheriff’s Of- Evidence was collected and a single male suspect was fice (PCSO) received a 9-1-1 telephone call from a female arrested on charges of murder. At deadline the name was stating that “someone was dead” at a Highway 26 resi- still being withheld from the press as part of the ongoing dence in Delight. investigation and pending formal charges. First responders via ambulance were dispatched to the Kinzler stated that he suspected that formal charges scene, who in return called the PCSO to confirm the death. would be levied against the alleged perpetrator by Wednes- Detective Clark Kinzler arrived on scene with other day or Thursday of this week, depending on the outcome members of the PSCO and secured the scene. Kinzler con- of the full investigation. tacted Dept. Prosecuting Attorney Jana Bradford and Pros- Pike County Sheriff Charlie Caldwell and Kinzler were ecuting Attorney Brian Chesshir, the latter of which later aided in the investigation by Jerry Lowery, the South Cen- arrived on scene. -
Lamps, Maps, Mud-Machines, and Signal Flags: Science, Technology, and Commerce in the Early United States James Russell Risk University of South Carolina
University of South Carolina Scholar Commons Theses and Dissertations 2017 Lamps, Maps, Mud-Machines, and Signal Flags: Science, Technology, and Commerce in the Early United States James Russell Risk University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the History Commons Recommended Citation Risk, J. R.(2017). Lamps, Maps, Mud-Machines, and Signal Flags: Science, Technology, and Commerce in the Early United States. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/4203 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. LAMPS, MAPS, MUD-MACHINES, AND SIGNAL FLAGS: SCIENCE, TECHNOLOGY, AND COMMERCE IN THE EARLY UNITED STATES by James Russell Risk Bachelor of Arts Fairmont State University, 2008 Master of Arts University of Maryland Baltimore County, 2011 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in History College of Arts and Sciences University of South Carolina 2017 Accepted by: Allison C. Marsh, Major Professor Carol E. Harrison, Committee Member Cary J. Mock, Committee Member Joseph A. November, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by James Russell Risk, 2017 All Rights Reserved. ii DEDICATION To Ann Johnson (1965-2016): mentor, colleague, and friend. iii ACKNOWLEDGEMENTS I would like to acknowledge my original advisor, the accomplished and adept Ann Johnson, who passed away December 11, 2016. Ann’s expertise and knowledge were an invaluable resource.