Secticn Is Set out in Four Columnsprocesses and Media, Learning Activities, Performance Skills, and Wcrds and Terms
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The Textiles of the Han Dynasty & Their Relationship with Society
The Textiles of the Han Dynasty & Their Relationship with Society Heather Langford Theses submitted for the degree of Master of Arts Faculty of Humanities and Social Sciences Centre of Asian Studies University of Adelaide May 2009 ii Dissertation submitted in partial fulfilment of the research requirements for the degree of Master of Arts Centre of Asian Studies School of Humanities and Social Sciences Adelaide University 2009 iii Table of Contents 1. Introduction.........................................................................................1 1.1. Literature Review..............................................................................13 1.2. Chapter summary ..............................................................................17 1.3. Conclusion ........................................................................................19 2. Background .......................................................................................20 2.1. Pre Han History.................................................................................20 2.2. Qin Dynasty ......................................................................................24 2.3. The Han Dynasty...............................................................................25 2.3.1. Trade with the West............................................................................. 30 2.4. Conclusion ........................................................................................32 3. Textiles and Technology....................................................................33 -
Gods and Heroes: the Influence of the Classical World on Art in the 17Th & 18Th Centuries
12/09/2017 Cycladic Figure c 2500 BC Minoan Bull Leaper c 1500 BC Gods and Heroes: the Influence of the Classical World on Art in the 17th & 18th centuries Sophia Schliemann wearing “Helen’s Jewellery” Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk Heracles from the Parthenon Paris and Helen krater c 700 BC Roman copy of Hellenistic bust of Homer Small bronze statue of Alexander the Great c 100 BC Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk Judgement of Paris from Etruria c 550 BC Tiberius sword hilt showing Augustus as Jupiter Arrival of Aeneas in Italy Blacas Cameo showing Augustus with aegis breastplate Augustus of Prima Porta c 25 AD Dr William Sterling (discovered 1863) Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk 1 12/09/2017 Romulus and Remus on the Franks Casket c 700 AD Siege of Jerusalem from the Franks Casket Mantegna Triumph of Caesar Mantua c 1490 Très Riches Heures du Duc de Berry c 1410 – tapestry of Trojan War Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk The Colosseum Rome The Parthenon Athens The Pantheon Rome Artist’s Impression of the Mausoleum of Halicarnassus showing surviving sculpture Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk Hera and Zeus on the Parthenon Frieze in the British Museum Hermes, Dionysus, Demeter and Ares on the Parthenon Frieze Dr William Sterling Dr William Sterling www.williamsterling.co.uk -
Art 258: Ancient and Medieval Art Spring 2016 Sched#20203
Art 258: Ancient and Medieval Art Spring 2016 Sched#20203 Dr. Woods: Office: Art 559; e-mail: [email protected] Office Hours: Monday and Friday 8:00-8:50 am Course Time and Location: MWF 10:00 – 10:50 HH221 Course Overview Art 258 is an introduction to western art from the earliest cave paintings through the age of Gothic Cathedrals. Sculpture, painting, architecture and crafts will be analyzed from an interdisciplinary perspective, for what they reveal about the religion, mythology, history, politics and social context of the periods in which they were created. Student Learning Outcomes Students will learn to recognize and identify all monuments on the syllabus, and to contextualize and interpret art as the product of specific historical, political, social and economic circumstances. Students will understand the general characteristics of each historical or stylistic period, and the differences and similarities between cultures and periods. The paper assignment will develop students’ skills in visual analysis, critical thinking and written communication. This is an Explorations course in the Humanities and Fine Arts. Completing this course will help you to do the following in greater depth: 1) analyze written, visual, or performed texts in the humanities and fine arts with sensitivity to their diverse cultural contexts and historical moments; 2) describe various aesthetic and other value systems and the ways they are communicated across time and cultures; 3) identify issues in the humanities that have personal and global relevance; 4) demonstrate the ability to approach complex problems and ask complex questions drawing upon knowledge of the humanities. Course Materials Text: F. -
Ecosystem Profile Madagascar and Indian
ECOSYSTEM PROFILE MADAGASCAR AND INDIAN OCEAN ISLANDS FINAL VERSION DECEMBER 2014 This version of the Ecosystem Profile, based on the draft approved by the Donor Council of CEPF was finalized in December 2014 to include clearer maps and correct minor errors in Chapter 12 and Annexes Page i Prepared by: Conservation International - Madagascar Under the supervision of: Pierre Carret (CEPF) With technical support from: Moore Center for Science and Oceans - Conservation International Missouri Botanical Garden And support from the Regional Advisory Committee Léon Rajaobelina, Conservation International - Madagascar Richard Hughes, WWF – Western Indian Ocean Edmond Roger, Université d‘Antananarivo, Département de Biologie et Ecologie Végétales Christopher Holmes, WCS – Wildlife Conservation Society Steve Goodman, Vahatra Will Turner, Moore Center for Science and Oceans, Conservation International Ali Mohamed Soilihi, Point focal du FEM, Comores Xavier Luc Duval, Point focal du FEM, Maurice Maurice Loustau-Lalanne, Point focal du FEM, Seychelles Edmée Ralalaharisoa, Point focal du FEM, Madagascar Vikash Tatayah, Mauritian Wildlife Foundation Nirmal Jivan Shah, Nature Seychelles Andry Ralamboson Andriamanga, Alliance Voahary Gasy Idaroussi Hamadi, CNDD- Comores Luc Gigord - Conservatoire botanique du Mascarin, Réunion Claude-Anne Gauthier, Muséum National d‘Histoire Naturelle, Paris Jean-Paul Gaudechoux, Commission de l‘Océan Indien Drafted by the Ecosystem Profiling Team: Pierre Carret (CEPF) Harison Rabarison, Nirhy Rabibisoa, Setra Andriamanaitra, -
Research on the Application of Traditional Straw Weaving Art in Contemporary Furnishing Design
2019 7th International Education, Economics, Social Science, Arts, Sports and Management Engineering Conference (IEESASM 2019) Research on the Application of Traditional Straw Weaving Art in Contemporary Furnishing Design Cuiwei Hu School of Art, Dianchi College of Yunnan University, Kunming, Yunnan, 650228, China Keywords: Straw Weaving, Furnishing Design, Application Abstract: Grass weaving has gradually become a common art form in our home life. It combines a variety of artistic means, reflected in the shape, color and adaptability to the home space environment. There are many kinds of straw weaves and their colors are changeable. The products produced are beautiful, which highlights the unique aesthetics and superb artistic expression of the ancients. Based on previous studies, the article comprehensively expounds the historical source, characteristics and application forms of straw weaving, so as to show the unique charm of manual straw weaving art, aiming to arouse people's attention to the integration design of traditional handicraft and modern space furnishings, and further explore the artistic expression forms and application values of space furnishings. 1. Introduction Grass weaving has gradually become a common art form in our home life. It combines a variety of artistic methods, which are reflected in the shape, color and adaptability to the home space environment [1]. Straw weaving is a traditional handicraft of straw weaving in our country. It mainly uses some flexible straw stems or some herbaceous plants as raw materials to make simple daily necessities and handicrafts. Grass weaving in our country originated very early. Paleolithic grass weaving has been used in hunting activities. People use the bast of plants to weave net bags, throw stone balls and strike their prey. -
Art List by Year
ART LIST BY YEAR Page Period Year Title Medium Artist Location 36 Mesopotamia Sumerian 2600 Standard of Ur Inlaid Box British Museum 36 Mesopotamia Sumerian 2600 Stele of the Vultures (Victory Stele of Eannatum) Limestone Louvre 38 Mesopotamia Sumerian 2600 Bull Headed Harp Harp British Museum 39 Mesopotamia Sumerian 2600 Banquet Scene cylinder seal Lapis Lazoli British Museum 40 Mesopotamia Akkadian 2254 Victory Stele of Narum-Sin Sandstone Louvre 42 Mesopotamia Akkadian 2100 Gudea Seated Diorite Louvre 43 Mesopotamia Akkadian 2100 Gudea Standing Calcite Louvre 44 Mesopotamia Babylonian 1780 Stele of Hammurabi Basalt Louvre 45 Mesopotamia Assyrian 1350 Statue of Queen Napir-Asu Bronze Louvre 46 Mesopotamia Assyrian 750 Lamassu (man headed winged bull 13') Limestone Louvre 48 Mesopotamia Assyrian 640 Ashurbanipal hunting lions Relief Gypsum British Museum 65 Egypt Old Kingdom 2500 Seated Scribe Limestone Louvre 75 Egypt New Kingdom 1400 Nebamun hunting fowl Fresco British Museum 75 Egypt New Kingdom 1400 Nebamun funery banquet Fresco British Museum 80 Egypt New Kingdom 1300 Last Judgement of Hunefer Papyrus Scroll British Museum 81 Egypt First Millenium 680 Taharqo as a sphinx (2') Granite British Museum 110 Ancient Greece Orientalizing 625 Corinthian Black Figure Amphora Vase British Museum 111 Ancient Greece Orientalizing 625 Lady of Auxerre (Kore from Crete) Limestone Louvre 121 Ancient Greece Archaic 540 Achilles & Ajax Vase Execias Vatican 122 Ancient Greece Archaic 510 Herakles wrestling Antaios Vase Louvre 133 Ancient Greece High -
Market Values in Eighteenth-Century Rome
Market values in eighteenth-century Rome Review of: The Art Market in Rome in the Eighteenth Century: A Study in the Social History of Art, edited by Paolo Coen, Leiden and Boston: Brill, 2018 [Studies in the History of Collecting and Art Markets, vol. 5], xii + 234 pp., 80 colour illus., €116/$134 hdbk, ISBN 978-90-04-33699-5. Jeffrey Collins Anyone who doubts that a society’s art market reveals its underlying values need only consider the case of Inigo Philbrick, the high-flying young dealer who sold investors overlapping shares of the same blue-chip contemporary works and who was recently apprehended in Vanuatu. The present volume boasts no one quite so colourful, though it too concerns a moment in which the business side of art acquired new prominence. Based on an international congress held at Rome’s Palazzo Barberini, the anthology’s ten chapters consider diverse facets of art’s production, circulation, and recirculation in early modern Rome, unfortunately not all centred on the time and place announced in the title. This is a limitation in a study of art markets, which are typically localized and responsive to shifting conditions. While less focused than one would wish, the collection nonetheless illuminates a key phase in the market’s development while contextualizing our own age of glossy magazines, glamorous fairs, ‘specullectors’, and illicit trafficking of cultural property. Both symposium and anthology reflect the efforts of Paolo Coen, professor of the history of art at the Università degli Studi di Teramo, to bring to Rome something of the economic perspective long established in studies of the seventeenth-century Netherlands. -
President U Thein Sein Receives Swedish PM
THE MOST RELIABLE NEWSPAPER AROUND YOU Volume XX, Number 207 14th Waning of Thadingyut 1374 ME Tuesday, 13 November, 2012 President U Thein Sein receives Swedish PM NAY PYI TAW, 12 Nov— President U Thein Sein received a delegation led by Swedish Prime Minister Mr Fredrik Reinfeldt at the Credentials Hall of the Presidential Palace here this afternoon. Also present at the meeting were Union Minister for Foreign Affairs U Wunna Maung Lwin, Union Ministers at the President Office U Soe Thein, U Aung Min and U Tin Naing Thein, Union Minister for Commerce U Win Myint, Union Minister for National Planning and Economic Development Dr Kan Zaw, departmental heads, and Swedish Ambassador to Myanmar Mr Klas Molin. The meeting focused on cooperation and Swedish assistance for democracy, human rights and the rule of law, inter-governmental cooperation for improvement President U Thein Sein receives Swedish delegation led by Prime natural gas, rubber, wood, friendship between the two of human rights in Myanmar, Minister of Sweden Mr Fredrik Reinfeldt at the Credentials Hall of the sharing Swedish experiences, fishery and livestock breeding countries. Swedish investments in oil, and further cementing MNA Presidential Palace in Nay Pyi Taw.—MNA Republic of the Union of Myanmar President Office Flying Soccer Stadium Press Release (3/2012) * It is amazing 12, November, 2012 Like a picture painted by a Master Painter. th 13 Waning of Thadingyut, 1374 ME I’ve never seen before in our Country. Press Release on Evacuation and Rehabilitation efforts in quake-hit areas But it is Real. 1. A severe earthquake hit the central Myanmar at 7 hours, 42 minutes, 37 seconds on 11 November 2012, damaging * Just like a flying Saucer landing from the other pagodas, religious edifices, houses, schools, offices and construction works and killing and injuring some people Planet. -
Kd Lagu Judul Lagu Penyanyi Mark
By Titles # Harga @lagu hanya Rp.1000,- # Minimal 100 lagu, 500 lagu bonus SOFTWARE YEN-KARAOKE # Format file DAT/MPEG # Paket : DVD # Pembayaran Via Transfer Bank Mandiri No.Rek. 156-00-0223716-4 A/n Yendry # Pengiriman Via jasa JNE # Contact : Yendry 0812 50000 150 Beri tanda 1 pada kolom Mark untuk lagu pilihan Kirim xls ini kembali ke [email protected] bila anda memesan lagu2 karaoke berikut ini Kd_Lagu Judul_Lagu Penyanyi Mark E-0001 1 2 3 4 PLAIN WHITE TS Total lagu yg dip E-0002 1+1=CINTA BROERY PESOLIMA E-0003 100% PURE LOVE CRYSTAL WATER E-0004 1000 STARS NATALIE BASSINGTHWAIGTHE Harga E-0005 12 STEP CLARA FEAT MISSY ELLIOT E-0006 123 WHITNEY HOUSTON E-0007 18 TILL I DIE NN BARAT E-0008 1973 JAMES BLUNT E-0009 1999 PRINCE E-0010 21 GUNS GREEN DAY E-0011 21ST CENTURY BREAKDOWN GREEN DAY E-0012 25 MINUTES MLTR E-0013 25 OR 6 TO 4 NN BARAT E-0014 3 WORDS CHERYL COLE AND WILL I AM E-0015 3 BRITNEY SPEARS E-0016 30 SECONDS TO MARS A BEAUTIFUL LIE E-0017 4 EVER THE VERONICAS E-0018 4 MINUTES MADONNA FEAT JUSTIN E-0019 500 MILES AWAY FROM HOME PETER PAUL AND MARY E-0020 500 MILES PETER PAUL AND MARY E-0021 7 DAYS CRAIG DAVIDS E-0022 7 SECONDS YOUSSON NDOUR E-0023 7 THINGS MILEY CYRUS E-0024 7 YEARS AND 50 DAYS GROOVE COVERAGE E-0025 7 PRINCE E-0026 9 TO 5 DOLLY PARTON E-0027 A BETTER LOVE NEXT TIME JOHNNY CHRISTOPHER E-0028 A BETTER MAN NN BARAT E-0029 A BLOSSOM FELL NAT KING COLE E-0030 A CERTAIN KIND NN BARAT E-0031 A CERTAIN SMILE NN BARAT E-0032 A DEAR JOHN LETTER SKEETER DAVIDS E-0033 A DIFFERENT BEAT BOYZONE E-0034 A DIFFERENT -
David Liebman Papers and Sound Recordings BCA-041 Finding Aid Prepared by Amanda Axel
David Liebman papers and sound recordings BCA-041 Finding aid prepared by Amanda Axel This finding aid was produced using the Archivists' Toolkit November 30, 2018 Describing Archives: A Content Standard Berklee Archives Berklee College of Music 1140 Boylston St Boston, MA, 02215 617-747-8001 David Liebman papers and sound recordings BCA-041 Table of Contents Summary Information ................................................................................................................................. 3 Biographical/Historical note.......................................................................................................................... 4 Scope and Contents note............................................................................................................................... 4 Arrangement note...........................................................................................................................................4 Administrative Information .........................................................................................................................5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 Scores and Charts................................................................................................................................... -
Housing Vernacularism in Gaozhuang Village, Henan Prov. China
Housing Vernacularism in Gaozhuang Village, Henan Prov. China, Towards a Promising Future A report submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Architecture Jianing Gao School of Architecture McGill University Montreal, QC September 2016 Name: Jianing Gao Student ID: 260665339 Program: UDH Program Supervisor: Prof. Robert Mellin Date: Wed. September 26th, 2016 Contents Abstract Acknowledgements Chapter 1 Literature Review 1.1 Cultural Landscapes 1.2 Vernacular Architecture 1.3 Everyday Life Methodology Qualitative Study & Quantitative Study Chapter 2 Gaozhuang Village, Henan Province, China 2.1 Background 2.1.1 A Brief Introduction to Henan Province 2.1.2 A Brief Introduction to Gaozhuang Village and the Gao Family 2.2 The vernacular architecture of Henan and Gaozhuang Village 2.2.1 The development of Henan vernacular architecture 2.2.2 Vernacular architecture in Gaozhuang Village Chapter 3 Courtyard Houses in Gaozhuang Village 3.1 10 old courtyard houses——plans, sections, elevations, onsite drawings & sketches & interviews 3.2 8 semi-old courtyard houses——plans, sections, elevations, onsite drawings & sketches & interviews 3.3 12 new courtyard houses——plans, sections, elevations, onsite drawings & sketches & interviews Chapter 4 Cultual Landscape in Gaozhuang Village 4.1 Along the Yellow River... ... 4.2 The field and the working people 4.3 Fairs and markets 4.4 Everyday life---Food 4.5 Everyday life---Friendship 4.6 Everyday life---Clothing 4.7 Everyday life---Wedding ceremony 4.8 Everyday life---Entertainment Conclusion References Abstract As in many contexts, thousands of years of building houses have shaped the local features of rural houses in China in their long adaptation to nature to meet the demands of living. -
Bathing in Modernity: Undressing the Influences Behind Edgar Degas and Mary Cassatt's Baigneuses Maiji Castro Department Of
Bathing in Modernity: Undressing the Influences Behind Edgar Degas and Mary Cassatt’s Baigneuses Maiji Castro Department of Art History University of Colorado - Boulder Defended October 28, 2016 Thesis Advisor Marilyn Brown | Department of Art History Defense Committee Robert Nauman | Department of Art History | Honors Chair Priscilla Craven | Department of Italian Table of Contents Abstract………………………………………...………………………………………...3 Introduction………………………..…………...………………………………………...4 1 Visions of the Female Nude……..…….…………………………………………..….6 Testing the Waters Evolution In Another Tub 2 The Bourgeois Bather……………...………………………………………………….23 An Education A Beneficial Partnership A New Perspective 3 Bathing in Modernity…………………………………………………….………..…...41 Building the Bridge Similar Circumstances Cleanliness and Propriety 4 Epilogue.................................................................................................................54 Full Circle The Future Conclusion Illustrations............................................................................................................64 Bibliography………...…………………………………………………………………..74 2 Abstract This thesis examines how the motifs used in bathing genre paintings from Greek and Roman myths to eighteenth-century eroticism are evident in the bathing series of Edgar Degas and Mary Cassatt. The close professional relationship of Edgar Degas and Mary Cassatt is evident in the shared themes and techniques in their work and in personal accounts from letters by each other and their contemporaries. Both