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Spa 248/Flm 495 Mexican Culture Through Film
SPA 248/FLM 495 MEXICAN CULTURE THROUGH FILM Course location: Cuernavaca, Mexico with excursions to Mexico City Fall semester only Prerequisites: for SPA 248: SPA 111 or instructor’s permission; for FLM 495: none. Course Description Welcome to SPA 248/FLM 495! This course is designed for both language learners and film Students with an interest in Mexican Cinema and Cultures. Both intermediate Spanish language learners and beginning Spanish language learners will develop their film and language literacy through the lens of Mexican filmmaking. The course may be taken in Spanish or in English, and course materials will be taught and offered in both Spanish and English to include a range of language comprehension. The course counts as an elective toward the Spanish major and minor, as well as a Film Studies and Communication Studies elective. The course will present a wide range of Mexican films from the Mexican Golden Age of Cinema “Cine de Oro” to the contemporary documentary auteur revolution. Films will feature diverse cast of characters including: Malinche, El Santo of Lucha Libre, Frida Kahlo, Yalitzia Aparacio, Cantinflas, Pedro Infante, Emilio “El Indo” Hernandez and Gael Garcia Bernal among many others. Course Objectives The course consists primarily of watching and discussing films in Spanish. The main objectives are: to provide an overview of the contemporary cinema of Mexico and the vocabulary to discuss it critically. to explore the cultural and historical dimensions of Mexican film and understand the major differences between the latter and the mainstream American film industry. to appreciate the complexity of Mexican cultures through the analysis of Mexican films. -
La Frontera- the US Border Reflected in the Cinematic Lens David R
1 La Frontera- The U.S. Border Reflected in the Cinematic Lens David R. Maciel1 Introduction The U.S.-Mexico border/la frontera has the distinction of being the only place in the world where a highly developed country and a developing one meet and interact.2 This is an area of historical conflict, convergence, conflict, dependency, and interdependency, all types of transboundary links, as well as a society of astounding complexity and an evolving and extraordinarily rich culture. Distinct border styles of music, literature, art, media, and certainly visual practices have flourished in the region. Several of the most important cultural and artistic-oriented institutions, such as universities, research institutes, community centers, and museums are found in the border states of both countries. Beginning in the late 19th century and all the way to the present certain journalists, writers and visual artists have presented a distorted vision of the U.S. - Mexican border. The borderlands have been portrayed mostly as a lawless, rugged, and perilous area populated by settlers who sought a new life in the last frontier, but also criminals and crime fighters whose deeds became legendary. As Gordon W. Allport stated: 1 Emeritus Professor, University of New Mexico. Currently is Adjunct Professor at the Centro de Investigación y Docencia Económicas (CIDE) in Mexico City. 2 Paul Ganster and Alan Sweedler. The United States-Mexico Border Region: Implications for U.S. Security. Claremont CA: The Keck Center for International Strategic Studies, 1988. 2 [Stereotypes] aid people in simplifying their categories; they justify hostility; sometimes they serve as projection screens for our personal conflict. -
Research on the Application of Traditional Straw Weaving Art in Contemporary Furnishing Design
2019 7th International Education, Economics, Social Science, Arts, Sports and Management Engineering Conference (IEESASM 2019) Research on the Application of Traditional Straw Weaving Art in Contemporary Furnishing Design Cuiwei Hu School of Art, Dianchi College of Yunnan University, Kunming, Yunnan, 650228, China Keywords: Straw Weaving, Furnishing Design, Application Abstract: Grass weaving has gradually become a common art form in our home life. It combines a variety of artistic means, reflected in the shape, color and adaptability to the home space environment. There are many kinds of straw weaves and their colors are changeable. The products produced are beautiful, which highlights the unique aesthetics and superb artistic expression of the ancients. Based on previous studies, the article comprehensively expounds the historical source, characteristics and application forms of straw weaving, so as to show the unique charm of manual straw weaving art, aiming to arouse people's attention to the integration design of traditional handicraft and modern space furnishings, and further explore the artistic expression forms and application values of space furnishings. 1. Introduction Grass weaving has gradually become a common art form in our home life. It combines a variety of artistic methods, which are reflected in the shape, color and adaptability to the home space environment [1]. Straw weaving is a traditional handicraft of straw weaving in our country. It mainly uses some flexible straw stems or some herbaceous plants as raw materials to make simple daily necessities and handicrafts. Grass weaving in our country originated very early. Paleolithic grass weaving has been used in hunting activities. People use the bast of plants to weave net bags, throw stone balls and strike their prey. -
Redirected from Films Considered the Greatest Ever) Page Semi-Protected This List Needs Additional Citations for Verification
List of films considered the best From Wikipedia, the free encyclopedia (Redirected from Films considered the greatest ever) Page semi-protected This list needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be chall enged and removed. (November 2008) While there is no general agreement upon the greatest film, many publications an d organizations have tried to determine the films considered the best. Each film listed here has been mentioned in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources focus on American films or we re polls of English-speaking film-goers, but those considered the greatest withi n their respective countries are also included here. Many films are widely consi dered among the best ever made, whether they appear at number one on each list o r not. For example, many believe that Orson Welles' Citizen Kane is the best mov ie ever made, and it appears as #1 on AFI's Best Movies list, whereas The Shawsh ank Redemption is #1 on the IMDB Top 250, whilst Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. None of the surveys that produced these citations should be viewed as a scientif ic measure of the film-watching world. Each may suffer the effects of vote stack ing or skewed demographics. Internet-based surveys have a self-selected audience of unknown participants. The methodology of some surveys may be questionable. S ometimes (as in the case of the American Film Institute) voters were asked to se lect films from a limited list of entries. -
List of Films Considered the Best
Create account Log in Article Talk Read View source View history Search List of films considered the best From Wikipedia, the free encyclopedia Main page This list needs additional citations for verification. Please Contents help improve this article by adding citations to reliable sources. Featured content Current events Unsourced material may be challenged and removed. (November Random article 2008) Donate to Wikipedia Wikimedia Shop While there is no general agreement upon the greatest film, many publications and organizations have tried to determine the films considered the best. Each film listed here has been mentioned Interaction in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources Help About Wikipedia focus on American films or were polls of English-speaking film-goers, but those considered the Community portal greatest within their respective countries are also included here. Many films are widely considered Recent changes among the best ever made, whether they appear at number one on each list or not. For example, Contact page many believe that Orson Welles' Citizen Kane is the best movie ever made, and it appears as #1 Tools on AFI's Best Movies list, whereas The Shawshank Redemption is #1 on the IMDB Top 250, whilst What links here Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. Related changes None of the surveys that produced these citations should be viewed as a scientific measure of the Upload file Special pages film-watching world. Each may suffer the effects of vote stacking or skewed demographics. -
Acevedo-Muñoz 1 Los Olvidados
Acevedo-Muñoz 1 Los olvidados: Luis Buñuel and the Crisis of Nationalism in Mexican Cinema by Ernesto R. Acevedo-Muñoz The University of Iowa Prepared for delivery at the 1997 meeting of the Latin American Studies Association, Continental Plaza Hotel, Guadalajara, Mexico April 17-19, 1997 Acevedo-Muñoz 2 Los olvidados: Luis Buñuel and the Crisis of Nationalism in Mexican Cinema The release of Los olvidados in 1950 is one of the historical markers of what I call the “crisis of nationalism” in Mexican cinema. The film was widely received as the “return” of Buñuel by European critics after the period of unnoticeable activity between 1932, the year of Las Hurdes, and 1946, the year of Buñuel’s incorporation into Mexican cinema and of the production of Gran Casino, which led to Buñuel’s Mexican career of almost twenty years and almost twenty movies. Nevertheless, it is known that at the time of the premiere of Los olvidados in Mexico City (November 9, 1950) the movie was mainly taken as an insult to Mexican sensibilities and to the Mexican nation. The stories of the detractors of Los olvidados are, of course, many and well documented.1 As it was often to be the case with Buñuel’s Mexican period, it took for Los olvidados to gather some prestige abroad before it was welcome in Mexico City. After its triumph at Cannes, where Buñuel won the best director award, Los olvidados had a successful season in a first run theater. Acevedo-Muñoz 3 Buñuel’s relationship with Mexican cinema went through several different stages, but it is significant that Los olvidados is recognized both by international critics and Mexican film historians as the turning point in the director’s entire career. -
President U Thein Sein Receives Swedish PM
THE MOST RELIABLE NEWSPAPER AROUND YOU Volume XX, Number 207 14th Waning of Thadingyut 1374 ME Tuesday, 13 November, 2012 President U Thein Sein receives Swedish PM NAY PYI TAW, 12 Nov— President U Thein Sein received a delegation led by Swedish Prime Minister Mr Fredrik Reinfeldt at the Credentials Hall of the Presidential Palace here this afternoon. Also present at the meeting were Union Minister for Foreign Affairs U Wunna Maung Lwin, Union Ministers at the President Office U Soe Thein, U Aung Min and U Tin Naing Thein, Union Minister for Commerce U Win Myint, Union Minister for National Planning and Economic Development Dr Kan Zaw, departmental heads, and Swedish Ambassador to Myanmar Mr Klas Molin. The meeting focused on cooperation and Swedish assistance for democracy, human rights and the rule of law, inter-governmental cooperation for improvement President U Thein Sein receives Swedish delegation led by Prime natural gas, rubber, wood, friendship between the two of human rights in Myanmar, Minister of Sweden Mr Fredrik Reinfeldt at the Credentials Hall of the sharing Swedish experiences, fishery and livestock breeding countries. Swedish investments in oil, and further cementing MNA Presidential Palace in Nay Pyi Taw.—MNA Republic of the Union of Myanmar President Office Flying Soccer Stadium Press Release (3/2012) * It is amazing 12, November, 2012 Like a picture painted by a Master Painter. th 13 Waning of Thadingyut, 1374 ME I’ve never seen before in our Country. Press Release on Evacuation and Rehabilitation efforts in quake-hit areas But it is Real. 1. A severe earthquake hit the central Myanmar at 7 hours, 42 minutes, 37 seconds on 11 November 2012, damaging * Just like a flying Saucer landing from the other pagodas, religious edifices, houses, schools, offices and construction works and killing and injuring some people Planet. -
Carolyn Fornoff
CAROLYN FORNOFF Department of Spanish & Portuguese University of Pennsylvania 521 Williams Hall 255 South 36th Street Philadelphia, PA 19104-6304 [email protected] 512.917.8129 EDUCATION: Ph.D., University of Pennsylvania, Spanish & Portuguese, expected February 2017. M.A., University of Pennsylvania, Spanish & Portuguese, December 2012. B.A., Rice University, Hispanic Studies, magna cum laude, May 2008. Dissertation: “Species Sadness: Sex, Politics, and Nonhuman Creativity in Latin America” Committee: Román de la Campa (Chair), Marie Escalante, Jorge Téllez, & Beatriz González-Stephan RESEARCH AND TEACHING FIELDS: • Mexican Studies • Central American Studies • 20th- and 21st-Century Literature and Poetry • Film Studies • Ecocriticism and Animal Studies • Gender and Queer Theory • Affect Theory PUBLICATIONS: Peer-Reviewed Journal Articles “Passivity and Nonhuman Absorption in Julieta Campos’s “Celina o los gatos”.” Revista de Estudios Hispánicos. (Forthcoming, 2017) “Ernesto Cardenal’s Apologia for Ezra Pound.” Istmo: Revista de estudios literarios y culturales centroamericanos, vol. 32, 2016. (Forthcoming) “Descifrar el Secreto: “La secta del Fénix” y el acertijo literario”. Variaciones Borges, vol. 39, 2015, pp. 125-142. Book Chapters González-Stephan, Beatriz and Carolyn Fornoff, “Market and Non-Consumer Narratives: From the Levity of Being to Abjection.” The Cambridge History of Latin American Women’s Literature, edited by Ileana Rodríguez and Mónica Szurmuk, Cambridge University Press, 2015, pp. 486-503. Other Publications Scholarly Dictionary Entries: The Fugitive (Film, 1947); Border Incident (Film, 1949); El norte (Film, 1983); Girlfight (Film, 2000). Race and Ethnicity in American Film: The Complete Resource. Edited by Daniel L. Bernardi and Michael Green, ABC-CLIO/Greenwood. (Forthcoming, June 2017) Fornoff 2 Review of Cortázar Sampleado, edited by Pablo Brescia. -
Housing Vernacularism in Gaozhuang Village, Henan Prov. China
Housing Vernacularism in Gaozhuang Village, Henan Prov. China, Towards a Promising Future A report submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Architecture Jianing Gao School of Architecture McGill University Montreal, QC September 2016 Name: Jianing Gao Student ID: 260665339 Program: UDH Program Supervisor: Prof. Robert Mellin Date: Wed. September 26th, 2016 Contents Abstract Acknowledgements Chapter 1 Literature Review 1.1 Cultural Landscapes 1.2 Vernacular Architecture 1.3 Everyday Life Methodology Qualitative Study & Quantitative Study Chapter 2 Gaozhuang Village, Henan Province, China 2.1 Background 2.1.1 A Brief Introduction to Henan Province 2.1.2 A Brief Introduction to Gaozhuang Village and the Gao Family 2.2 The vernacular architecture of Henan and Gaozhuang Village 2.2.1 The development of Henan vernacular architecture 2.2.2 Vernacular architecture in Gaozhuang Village Chapter 3 Courtyard Houses in Gaozhuang Village 3.1 10 old courtyard houses——plans, sections, elevations, onsite drawings & sketches & interviews 3.2 8 semi-old courtyard houses——plans, sections, elevations, onsite drawings & sketches & interviews 3.3 12 new courtyard houses——plans, sections, elevations, onsite drawings & sketches & interviews Chapter 4 Cultual Landscape in Gaozhuang Village 4.1 Along the Yellow River... ... 4.2 The field and the working people 4.3 Fairs and markets 4.4 Everyday life---Food 4.5 Everyday life---Friendship 4.6 Everyday life---Clothing 4.7 Everyday life---Wedding ceremony 4.8 Everyday life---Entertainment Conclusion References Abstract As in many contexts, thousands of years of building houses have shaped the local features of rural houses in China in their long adaptation to nature to meet the demands of living. -
Hegemony and Mediations in Melodrama of the Golden Age of Mexican Cinema
HEGEMONY AND MEDIATIONS IN MELODRAMA OF THE GOLDEN AGE OF MEXICAN CINEMA By Dave Evans A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Masters of Arts in Spanish and Latin American Studies Victoria University of Wellington 2015 ABSTRACT The influence of the mass media is a contentious issue, especially in regards to the Golden Age of Mexican Cinema in the mid-twentieth century. These melodramatic films have often been viewed by critics as instruments of hegemony. However, melodrama contains an inherent ambivalence, as it not only has a potential for imparting dominant messages but also offers a platform from which to defy and exceed the restraining boundaries imposed by dominant ideologies. An examination of a number of important Golden Age films, especially focussing on their contradictory tensions and their portrayals of modernity, illustrates this. The Nosotros los pobres series serves as an example of how melodramatic elements are incorporated into popular Mexican films and how melodrama could be used as an ideological tool to encourage the state’s goals. Similarly, the maternal melodrama Cuando los hijos se van uses the family to represent the processes of conflict and negotiation that Mexicans experienced as a result of modernization. Consistent with the reactionary nature of melodrama and its simultaneous suggestive potential, the film combines a Catholic worldview with an underlying allegory of moving forward. The issue of progress is also at the centre of a number of films starring iconic actor Pedro Infante, which offer an avenue for exploring what modernisation might mean for male identity in Mexico. -
The Contemporary Body of Mexican Masculinities A
THE CONTEMPORARY BODY OF MEXICAN MASCULINITIES A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Samanta Ordóñez Robles August 2015 © 2015 Samanta Ordóñez Robles THE CONTEMPORARY BODY OF MEXICAN MASCULINITIES Samanta Ordóñez Robles, Ph.D. Cornell University 2015 Abstract: This dissertation thematizes masculinity in Mexico’s post-NAFTA configurations of subjectivities and bodies, and in the geocultural politics of race and gender in order to analyze how male identities are produced and reified within these intersecting structures of oppression. It encompasses questions of resistance, gender categories established by nationalism and late capitalism, and modern/colonial power relations. I explore cinematic and literary engagements with maleness in order to demonstrate how collusion between neoliberal economic interests and the state’s established political and cultural framework of power conceals the deployment of gendered concepts of citizenship and subjectivity as a mechanism to exercise control over Mexican bodies. I conceptualize this process in terms of a violent colonial strategy of subjection which coerces men to internalize normative codes of masculinity based on essentialist categories of race, sexuality, biological sex, and space. I address relevant scholarly debates in postcolonial studies and discussions of neoliberalism’s impact on culture, politics and identity. In my first chapter, I examine patriotic male performances in northern Mexico as portrayed in the novels Duelo por Miguel Pruneda (2002) and El ejército iluminado (2006) by David Toscana. I posit that through their efforts to overcome U.S. imperialism northern males in these texts are revealed as dominated subjects for whom national masculinity is a failing model for resistance. -
Performing Arts Annual 1987. INSTITUTION Library of Congress, Washington, D.C
DOCUMENT RESUME ED 301 906 C3 506 492 AUTHOR Newsom, Iris, Ed. TITLE Performing Arts Annual 1987. INSTITUTION Library of Congress, Washington, D.C. REPORT NO ISBN-0-8444-0570-1; ISBN-0887-8234 PUB DATE 87 NOTE 189p. AVAILABLE FROMSuperintendent of Documents, U.S. Government Printing Office, Washington, DC 20402 (Ztock No. 030-001-00120-2, $21.00). PUB TYPE Collected Works - General (020) EDRS PRICE MF01/PC08 Plus Postage. DESCRIPTORS Cultural Activities; *Dance; *Film Industry; *Films; Music; *Television; *Theater Arts IDENTIFIERS *Library of Congress; *Screenwriters ABSTRACT Liberally illustrated with photographs and drawings, this book is comprised of articles on the history of the performing arts at the Library of Congress. The articles, listed with their authors, are (1) "Stranger in Paradise: The Writer in Hollywood" (Virginia M. Clark); (2) "Live Television Is Alive and Well at the Library of Congress" (Robert Saudek); (3) "Color and Music and Movement: The Federal Theatre Project Lives on in the Pages of Its Production Bulletins" (Ruth B. Kerns);(4) "A Gift of Love through Music: The Legacy of Elizabeth Sprague Coolidge" (Elise K. Kirk); (5) "Ballet for Martha: The Commissioning of 'Appalachian Spring" (Wayne D. Shirley); (6) "With Villa North of the Border--On Location" (Aurelio de los Reyes); and (7) "All the Presidents' Movies" (Karen Jaehne). Performances at the library during the 1986-87season, research facilities, and performing arts publications of the library are also covered. (MS) * Reproductions supplied by EDRS are the best that can be made * from the original document. 1 U $ DEPARTMENT OP EDUCATION Office of Educational Research and Improvement 411.111....