Research on the Application of Traditional Straw Weaving Art in Contemporary Furnishing Design
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Navajo Baskets and the American Indian Voice: Searching for the Contemporary Native American in the Trading Post, the Natural History Museum, and the Fine Art Museum
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2007-07-18 Navajo Baskets and the American Indian Voice: Searching for the Contemporary Native American in the Trading Post, the Natural History Museum, and the Fine Art Museum Laura Paulsen Howe Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Art Practice Commons BYU ScholarsArchive Citation Howe, Laura Paulsen, "Navajo Baskets and the American Indian Voice: Searching for the Contemporary Native American in the Trading Post, the Natural History Museum, and the Fine Art Museum" (2007). Theses and Dissertations. 988. https://scholarsarchive.byu.edu/etd/988 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. by Brigham Young University in partial fulfillment of the requirements for the degree of Brigham Young University All Rights Reserved BRIGHAM YOUNG UNIVERSITY GRADUATE COMMITTEE APPROVAL committee and by majority vote has been found to be satisfactory. ________________________ ______________________________________ Date ________________________ ______________________________________ Date ________________________ ______________________________________ Date BRIGHAM YOUNG UNIVERSITY As chair of the candidate’s graduate committee, I have read the format, citations and bibliographical -
“A Song of Resilience”: Exploring Communities of Practice in Chumash Basket Weaving in Southern California
Journal of California and Great Basin Anthropology | Vol. 38, No. 2 (2018) | pp. 143–162 “A Song of Resilience”: Exploring Communities of Practice in Chumash Basket Weaving in Southern California KAITLIN M. BROWN Department of Anthropology, University of California, Santa Barbara JAN TIMBROOK Department of Anthropology, Santa Barbara Museum of Natural History DANA N. BARDOLPH Department of Anthropology, Cornell University This paper uses ‘communities of practice’ as an analytical framework to investigate the ways in which Chumash basket weavers reconstituted themselves and persevered during and after the colonial period in south-central California. Specifically, we focus on two distinct and chronologically-sequential Chumash basket weaving communities, including one group of weavers who lived at Mission San Buenaventura in the early 1800s and another group who fashioned baskets for the global market at the turn of the twentieth century. A detailed examination of baskets produced by these weavers and curated in museum collections reveals both similarities and distinct differences in manufacturing techniques and design styles. We suggest that during a time of cultural and political upheaval, the existence of basket weaving communities played a large part in the perseverance of Chumash cultural identities in these two historically-distinct contexts. Interviews with contemporary indigenous basket weavers lend support to these interpretations and provide insight into the significance and importance of basket weaving communities that continue to thrive today. HUMASH BASKET W E AV E R S H AV E LONG BEEN valuables, as well as collecting, processing, cooking, Cacknowledged as having been among the most storing, and serving food and water (Craig 1967; Dawson skilled weavers in the world, fashioning baskets with and Deetz 1965; Grant 1978; Hudson and Blackburn 1982, colors and designs so finely woven “as to strike one 1987; Shanks 2010; Timbrook 2007). -
A Comparative Study of the Swennes Woven Nettle Bag and Weaving Techniques
Karoll UW-L Journal of Undergraduate Research XII (2009) A Comparative Study of the Swennes Woven Nettle Bag and Weaving Techniques Amy Karol Faculty Sponsors: Dr. Connie Arzigian and Dr. David Anderson, Department of Sociology and Archaeology ABSTRACT During recent years, the Mississippi Valley Archaeology Center (MVAC) has acquired permission to look at a beautifully preserved bag from 47Lc84, a rockshelter located in La Crosse County, Wisconsin. The bag is tentatively dated to the Oneota cultural tradition (A.D. 1250-1650) based on pottery sherds associated with it. Nothing of its kind has been found archaeologically in this region before, owing mostly to poor preservation conditions. Due to its uniqueness, there is nothing to compare it to within the Oneota tradition. Therefore, to gain a better understanding of this bag, a cross-cultural study was undertaken. This paper examines separate sites in the American Midwest, as well as textile impressions that are preserved on pottery, the ethnohistoric and early historic record, and modern hand-weaving techniques to determine the textile tradition from which the bag may have emerged as well as how it was constructed. INTRODUCTION Textiles in the archaeological record are poorly preserved in the American Midwest. Only in very few sites are they actually found, and in even fewer are the fragments large enough to be studied in depth. Detailed studies conducted on textiles are not numerous. Lacking in these studies is a cross-cultural comparison of types and materials from sites that do have better preserved textiles to try and determine similarities and differences in textile manufacture. -
President U Thein Sein Receives Swedish PM
THE MOST RELIABLE NEWSPAPER AROUND YOU Volume XX, Number 207 14th Waning of Thadingyut 1374 ME Tuesday, 13 November, 2012 President U Thein Sein receives Swedish PM NAY PYI TAW, 12 Nov— President U Thein Sein received a delegation led by Swedish Prime Minister Mr Fredrik Reinfeldt at the Credentials Hall of the Presidential Palace here this afternoon. Also present at the meeting were Union Minister for Foreign Affairs U Wunna Maung Lwin, Union Ministers at the President Office U Soe Thein, U Aung Min and U Tin Naing Thein, Union Minister for Commerce U Win Myint, Union Minister for National Planning and Economic Development Dr Kan Zaw, departmental heads, and Swedish Ambassador to Myanmar Mr Klas Molin. The meeting focused on cooperation and Swedish assistance for democracy, human rights and the rule of law, inter-governmental cooperation for improvement President U Thein Sein receives Swedish delegation led by Prime natural gas, rubber, wood, friendship between the two of human rights in Myanmar, Minister of Sweden Mr Fredrik Reinfeldt at the Credentials Hall of the sharing Swedish experiences, fishery and livestock breeding countries. Swedish investments in oil, and further cementing MNA Presidential Palace in Nay Pyi Taw.—MNA Republic of the Union of Myanmar President Office Flying Soccer Stadium Press Release (3/2012) * It is amazing 12, November, 2012 Like a picture painted by a Master Painter. th 13 Waning of Thadingyut, 1374 ME I’ve never seen before in our Country. Press Release on Evacuation and Rehabilitation efforts in quake-hit areas But it is Real. 1. A severe earthquake hit the central Myanmar at 7 hours, 42 minutes, 37 seconds on 11 November 2012, damaging * Just like a flying Saucer landing from the other pagodas, religious edifices, houses, schools, offices and construction works and killing and injuring some people Planet. -
Ongoing Paleoclimatic Studies in the Northern Great Basin," Reno, Nevada, May 1993
CIRC. 1119 U.S. GEOLOGICAL SURVEY CIRCULAR 1119 Proceedings of the Workshop "Ongoing Paleoclimatic Studies in the Northern Great Basin," Reno, Nevada, May 1993 Proceedings of the Workshop "Ongoing Paleoclimatic Studies in the Northern Great Basin," Reno, Nevada, May 1993 Edited by Larry V. Benson U.S. GEOLOGICAL SURVEY CIRCULAR· 1119 U.S. DEPARTMENT OF THE INTERIOR BRUCE BABBITT, Secretary U.S. GEOLOGICAL SURVEY Gordon P. Eaton, Director The use of firm, trade, and brand names in this report is for identification purposes only and does not constitute endorsement by the U.S. Government U.S. GOVERNMENT PRINTING OFFICE: 1996 Free on application to the U.S. Geological Survey Information Services Box 25286 Federal Center Denver, CO 80225 Library of Congress Cataloging-in-Publication Data Workshop "Ongoing Paleoclimatic Studies in the Northern Great Basin" (1993: Reno, Nev.) Proceedings of the Workshop "Ongoing Paleoclimatic Studies in the Northern Great Basin," Reno, Nevada, May 1993/ edited by Larry V. Benson. p. em.- (U.S. Geological Survey circular; 1119) Includes index. 1. Paleoclimatology-Great Basin-congresses. 2. Great Basin-climate-Congresses. I. Benson, Larry V. II. Title. Ill. Series QC884.W67 1993 96-29329 551.6979-dc20 CIP PREFACE The workshop "'Ongoing Paleoclimatic Studies in the Northern Great Basin" was jointly sponsored by the U.S. Geological Smvey (USGS), the University ofNevada-Reno (UNR), and the Quaternary Sciences Center (QSC) of the Desert Research Institute, Reno, Nevada. W. Berry Lyons, chairman of the Hydrology Program (UNR), and Dale Ritter, head of the QSC, chaired the presentations. On May 16, Joseph Smoot, of the USGS, led a field trip along the Truckee River Canyon downstream from Wadsworth, Nevada. -
Traditional Ecological Knowledge to Develop and Maintain Fire Regimes
2 AN ABSTRACT OF THE DISSERTATION OF Frank K. Lake for the degree of Doctor of Philosophy in Environmental Sciences presented on May 10, 2007. Title: Traditional Ecological Knowledge to Develop and Maintain Fire Regimes in Northwestern California, Klamath-Siskiyou Bioregion: Management and Restoration of Culturally Significant Habitats Abstract approved: ________________________________________________________ Steve R. Radosevich The use of Native American fire regimes evolved in the Klamath-Siskiyou bioregion over millennia. A mixture of Native American and Euro-American socio- cultural management has developed from adaptations to climate, topography, ecological processes, and land use practices. This research incorporates Traditional Ecological Knowledge (TEK) to partially examine the role of tribal fire uses and ethnobotany. Research methods use an interdisciplinary approach to characterize fuels and fire management issues in culturally significant riparian and terrestrial habitats. Tribal fuels and fire management practices were investigated. Understanding past tribal fire management systems is needed to place contemporary Native American fuels and fire management issues in to context for government agencies and private interest that have altered tribal opportunities to continue fire uses. This study examined fire effects on sandbar willow (Salix exigua) in valley riparian zones along the lower mid-Klamath River. Prescribed fire was used to induce sprouting of sandbar willow and reduce insect populations to improve basket material quantity and quality. Results indicate that flooding had greater affects on the structure, composition, and abundance of vegetation and fuels than prescribed fire. A second 3 experiment to compare the effect of propane burning and pruning sandbar willow indicated that propane burning was less effective than pruning to improve stem morphology for basket weaving. -
Boon Bandarn Farm Workshop
Boon Bandarn farm workshop Setting up a workshop in a rural community would not have been possible without the intimate knowledge that Pann Parahom’s connections from Boon Bandarn farm had managed. She had established a working relationship over a period of time with local communities from adjoining villages. Pann Parahom is a dyer of yarn and weaver who wove on a floor loom. She was to become the future mother-in-law of one of the organisers, Nitaaya, a trained artist of this event. Pann Parahom’s energetic nature drew these two personalities together for a common cause. Thus a group of local craftspersons and an international group of artists had the unique experience of coming together. This was constructed anthropology, trained artists arrived on a farm where local craftsperson were shipped in rather than the artist arriving in their original rural or village setting and living amongst them. These practicing artists came together with a brief of not having to create any work. The environment of a working farm with its setting of individual huts specially created for the artists, a stream to swim in, flat farmland and the usual run of farm animals was our idyllic setting. Two diametrically opposed methods of learning were enabled to discover the close relationship of art and craft which is often mistakenly misconstrued as untenable was assembled. What followed in this laboratory was to prove otherwise over a period of ten days. Tentatively, we approached the craft persons array of cutting, dying of yarn, loom weaving, and basket weaving with some apprehension and awe. -
Housing Vernacularism in Gaozhuang Village, Henan Prov. China
Housing Vernacularism in Gaozhuang Village, Henan Prov. China, Towards a Promising Future A report submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Architecture Jianing Gao School of Architecture McGill University Montreal, QC September 2016 Name: Jianing Gao Student ID: 260665339 Program: UDH Program Supervisor: Prof. Robert Mellin Date: Wed. September 26th, 2016 Contents Abstract Acknowledgements Chapter 1 Literature Review 1.1 Cultural Landscapes 1.2 Vernacular Architecture 1.3 Everyday Life Methodology Qualitative Study & Quantitative Study Chapter 2 Gaozhuang Village, Henan Province, China 2.1 Background 2.1.1 A Brief Introduction to Henan Province 2.1.2 A Brief Introduction to Gaozhuang Village and the Gao Family 2.2 The vernacular architecture of Henan and Gaozhuang Village 2.2.1 The development of Henan vernacular architecture 2.2.2 Vernacular architecture in Gaozhuang Village Chapter 3 Courtyard Houses in Gaozhuang Village 3.1 10 old courtyard houses——plans, sections, elevations, onsite drawings & sketches & interviews 3.2 8 semi-old courtyard houses——plans, sections, elevations, onsite drawings & sketches & interviews 3.3 12 new courtyard houses——plans, sections, elevations, onsite drawings & sketches & interviews Chapter 4 Cultual Landscape in Gaozhuang Village 4.1 Along the Yellow River... ... 4.2 The field and the working people 4.3 Fairs and markets 4.4 Everyday life---Food 4.5 Everyday life---Friendship 4.6 Everyday life---Clothing 4.7 Everyday life---Wedding ceremony 4.8 Everyday life---Entertainment Conclusion References Abstract As in many contexts, thousands of years of building houses have shaped the local features of rural houses in China in their long adaptation to nature to meet the demands of living. -
I He CD DI Es I CALE N DAR in ID W N I Freei
I he CDDI es I CALE N DAR in ID w n I FREEi HonoluluDiary- pagetwo Welcome to The Machine-pagefive Moi]ii]i Masala- pagefifteen AFiesra of Mexican Movies -�ge� Being a Politician RequiresCompromise, Dirty Dealings and Ruthless Tactics. H. Ross Perot'sa Natural. irst, let's think about American big business. We don't know much about it, and never will, because the people who run it don't answer to you and me. We live in the circle of fog that they spray The underneath themselves, and unless a conscientious underling Secret spills the beans to the U.S. Lfil!gl_lage �®,-· Attorney, or the Securities and Exchange Commission - of the usually exacting political revenge on orders from the J�ong White House - decides to go Wollle after somebody, it's a diet of n Donald-Marla gossip forthe rest of us. -Pagell Continued on Page 6 @ 1qq1 JOHii! S. PRITCHETT Art Kazu Hayashida, the Board's man Honey Alexander, wifeof Bush's ager and chief engineer. The Board's Education Secretary, Lamar On June 21, the annual American announcement did not indicate the Alexander, was elected vice-chair Civil Liberties Union awards dinner cost of the study. person ... Hawaii County's popula will have a most interesting keynote tion is growing 2.5 times faster than speaker - former National the national average and Maui's is Endowment for the Arts chairper Sex growing at three times the national son John Frohnmayer. Forced out by According to American rate ... Hawaii has the fourth highest George Bush in a flap catalyzed by Demographics magazine, some old rate of state and local tax revenue Pat Buchanan's threat to make the sexual notions have recently been per $100 of personal income - NEA's fundingof "controversial"art confirmed, and some new discover $14.21. -
Weave Your Own Neolithic Basket
Weave your own basket Because of its location next to a natural point to cross the River Thames, the site of Fulham Pa- lace has been important to humans for a long time. Archaeological finds suggest that the site has been well visited by both travellers and settlers throughout history. Some of the earliest finds include a polished axe, from the Late Mesolithic to Early Neolithic time period, around 4,000 BC. Regardless of whether the people were settlers or travellers, they would have had to store and transport their belongings somehow. One way of doing this was to use baskets, but since this was way before you could go to a shop and buy one, early humans would have to make them themselves. This worksheet will introduce you to the art of basket weaving, using a simple technique that has been used by humans since ancient times. Baskets were traditionally made from grass, straw, bark or branches, but this worksheet will teach you to weave a basket out of yarn. A piece of cardboard or a paper plate will make out the base of the basket. Using a similar method to what the early humans would have used to weave their straw baskets, you can then weave around the paper base with yarn. There are many different ways of weaving, but this worksheet introduces the oldest and most basic type of weaving, called tabby or plain weave. You will need: A template (found in this worksheet) A paper plate. It also works great on a piece of study paper, for example an empty cereal box Yarn. -
Hopi Indian Basket Weaving Traditions
Hopi Indian Basket Weaving Traditions "With the inborn wisdom that has guided them for so long through so many obstacles, Hopi men and women perpetuate their proven rituals, strongly encouraging those who attempt to neglect or disrespect their obligations to uphold them. One of these obligations is to respect the flora and fauna of our planet. The Hopi closeness to the Earth is represented in all the arts of all three mesas, whether in clay or natural fibers. What clay is to a potter's hands, natural fibers are to a basket weaver." — Helga Teiwes Rising dramatically from the desert floor, Arizona's windswept mesas have been home to the Hopis for hundreds of years. A people known for protecting their privacy, these Native Americans also have a long and less known tradition of weaving baskets and plaques. Generations of Hopi weavers have passed down knowledge of techniques and materials from the plant world around them, from mother to daughter, granddaughter, or niece. Their beautiful baskets—the one art, above all others, that creates the strongest social bonds in Hopi life. Weavers open their lives to the outside world as a means of sharing an art form especially demanding of time and talent. Plant materials are gathered in canyons and creek bottoms, close to home and far away. The long, painstaking process of preparation and dying is followed step by step. Then, using techniques of coiled, plaited, or wicker basketry, the weaving begins. Baskets and their weavers carry stories with them-a rare glimpse of what is called "the Hopi Way," a life philosophy that has strengthened and sustained the Hopi people through centuries of change. -
Basket Weaving Terms and Techniques Tools
Basic Basket Making Buckeye Leadership Workshop 2019 Karen Saker, facilitator 330-369-9066 [email protected] Introduction to Basketweaving Basketry is one of the oldest of crafts. It even proceeded and influenced the development of cloth weaving and pot shaping. The first baskets were probably temporary, created on-the-spot to transport food. The next obvious step was to use materials that resisted decomposition to weave containers of some permanence. Baskets are among the few items that man has had little success producing mechanically. There are some exceptions, such as factory-produced, stapled bushel and peck baskets and some assembly weaving in other countries. However, these are far removed from the individual craftsmanship found in homemade baskets. Basketry is one of the few crafts that span the spectrum from holding trash to being exhibited as fine art. MATERIALS LIST Round reed in a variety of sizes Sea Grass Wood bases with pre-drilled holes (optional) Bucket or dish pan or other container for soaking reed Towel Tape measure or ruler Cutters Awl Needle nose pliers Pencil TIPS Rub the pencil marks off your reed with your fingertip while the reed is wet. Vinegar in the soaking pan with colored reed will help keep it from bleeding. To fold round reed without breaking it, twist it between your fingers or pinch it with needle nose pliers. Wipe soaked, dyed reed with a paper towel or old towel before weaving to help prevent bleeding. Don't put reed in your mouth or let pets drink from your soaking water. Reed is treated with insecticides.