DOCSLIB.ORG

Fall Program Book

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fall Program Book FALL 2020 CONNECTED APART Fall 2020 1 COMPOSE YOUR FUTURE qhere World-class faculty. State-of-the-art facilities you have to see (and hear) to believe. Endless performance and academic possibilities. All within an affordable public university setting ranked the number five college town in America.* Come see for yourself how the University of Iowa School of Music composes futures...one musician at a time. To apply, or for more information, visit music.uiowa.edu. *American Institute for Economic Research, 2017 MUSIC.UIOWA.EDU FALL 2020 VIRTUAL PERFORMANCES The past year has been difficult for everyone, and we know that for many families, incomes have been reduced or become more unpredictable. To ensure that every CYSO family—no matter CYSO is investing in the future of music and the their financial situation—can enjoy this fall's performances, we've next generation of leaders. W e provide music replaced our normal ticketing with a pay-what-you-can donation. education to nearly 800 young musicians ages This fall's CYSO virtual performances will debut on Saturday, 6-18 through full and string orchestras, jazz, December 19, 2020 at 7:00 pm CST. For those who are able, steelpan, chamber music, masterclasses, music the suggested donation is $40 (the equivalent of $10 per tick- composition and in-school programs. Students et for a family of four) to access all fall performance videos. learn from some of Chicago’s most respected Visit cyso.org/concerts to purchase your tickets. If you cannot professional musicians, perform in the world’s afford a ticket donation at this time, simply fill out the form with a great concert halls, and gain skills necessary for $0 amount to receive the performance link at no charge. a successful future. Though we wish we could gather in person, this fall's virtual CYSO Community Engagement Programs format does allow for loved ones to watch our young musicians support music training and access for more perform from anywhere. We encourage you to share the link to cyso.org/concerts with friends and family and invite them to than 8,500 young people each year. We work "attend" the concert debut with the CYSO community on 12/19! with youth in diverse Chicago neighborhoods through after-school ensembles, sectionals, As always, tuition only covers about 40% of the cost of CYSO's and our Ambassadors Program, which brings programs and ticket revenue is one way that we are able to sup- student musicians into CPS elementary schools port all that we offer our young musicians. Please give what you to perform interactive concerts. CYSO orches- can to support CYSO's legacy of high-quality music instruction. tras also present free community and education concerts throughout the season. CYSO alumni go on to play in the world’s fin- est orchestras and ensembles, and are also found working as doctors, lawyers, teachers, VISIT community leaders, and business profession- als. Whether or not a graduate continues their music studies after their time in CYSO, young people leave with increased self-confidence, a strong sense of discipline, and a deep apprecia- TO PURCHASE TICKETS tion for music and the arts. TO OUR FALL 2020 VIRTUAL PERFORMANCES FIND OUT MORE AT CYSO.ORG FALL CONCERT PROGRAMS SYMPHONY ORCHESTRA Florence Price (1887 - 1953) Symphony No. 1 in E minor Learn IV. Presto from a dedicated PHILHARMONIC ORCHESTRA residential faculty Sergei Prokofiev (1891 - 1953) Lieutenant Kijé V. The Burial of Kijé JAZZ ORCHESTRA Duke Ellington (1899 - 1974) Diminuendo and Crescendo in Blue CONCERT ORCHESTRA José Pablo Moncayo (1912 - 1958) Tres piezas para orquestra I. Feria ACCELERANDO STRINGS Belong Franz Joseph Haydn (1732 - 1809) Allegro from “Quinten” Quartet FALL CONCERT PROGRAMS CONCERT FALL to a fiercely arr. Brendan McBrien Op. 76, No. 2 supportive community DEBUT ORCHESTRA Frédéric Chopin (1810 - 1849) Polonaise Op. 40, No. 1 arr. William Ryden PREPARATORY STRINGS Johann Christian Bach (1735 - 1782) Allegro from Sinfonia No. 6 in G minor arr. Robert D. McCashin OVERTURE STRINGS Discover Soon Hee Newbold (b. 1974) Medieval Kings your own path KAISO STEEL ORCHESTRA Ray Holman (b. 1944) Steelband Paradise transcr. Jeannine Remy JUNIOR STEEL ORCHESTRA Aldwyn Roberts (1922-2000) Pan Explosion The adapt. Scott McConnell GROOVE STEEL ORCHESTRA EastmanFor application information Experience visit esm.rochester.edu/admissions Scott McConnell (b. 1986) What’s That? Virtual performances will debut at 7:00 pm on Saturday, December 19, 2020. To purchase tickets, visit cyso.org/concerts 7 MUSIC DIRECTOR'S LETTER Dear Friends, Welcome to Chicago Youth Symphony Orchestras' 2020-2021 season! We are living through challenging times, but CYSO—by the resilience of our students and families and the creativity of our artistic and administrative team—perseveres. In fact, CYSO is growing! In this time of mostly virtual instruction, we have added five new artistic staff members and our entire team are giving more of themselves than ever. We have temporarily lost our two most important tools for teaching music: the in-person rehearsal LETTER MUSIC DIRECTOR'S and the performance. However, this loss has inspired a whirlwind of creativity and experimentation as conductors re-learn how to teach the subject they know and love. Though in-person chamber music and other small group meetings continue, our large groups are working in a completely new way through a broad variety of online rehearsals, meetings, and masterclasses. Students are learning the art of recording since music must now be sent back- and-forth across the internet. They are studying non-instrumental musicianship skills that will prepare them to excel when performing returns and give them the tools and habits to master not only music, but other skills as well. Students are receiving more individual attention than ever as we find new ways to keep them learning and growing. Despite the loss of concerts, we now connect to a worldwide audience through streamed programming such as our virtual performance videos and online masterclass series, where this semester alone featured CYSO alumni Anthony McGill, (New York Philharmonic principal clarinetist), Luke Fieweger (Seattle Symphony associate principal bassoonist), Mary Bowden (trumpet soloist and chamber musician), and longtime friend to the organization and now CYSO parent, renowned violinist Rachel Barton Pine. Our mission is to inspire and cultivate personal excellence through music. That work must continue. With your support, nothing can stop us. CYSO’S MISSION IS TO Warm regards, INSPIRE AND CULTIVATE Allen Tinkham PERSONAL EXCELLENCE Music Director THROUGH MUSIC 8 9 EXECUTIVE DIRECTOR'S LETTER Dear Friends, Please join us in celebrating CYSO's fall 2020 student performances! In our 74 years of produc- ing youth orchestra programming, we’ve never had a fall like this. Despite the inherent challenges of this year, CYSO continues to serve as the musical homebase for our nearly 800 students, and I am so inspired by the creativity and resilience shown by the entire CYSO family. We have reinvented and reimagined literally every element of what we do as music educators this year—how we teach technique and musicality, how we facilitate teamwork and LETTER EXECUTIVE DIRECTOR'S develop social bonds among students, how we evaluate progress and help resolve challenges in students' home practice environments. Much of what we are learning this fall will help us come back even stronger when we are finally able to reconvene in person again. Our fall virtual concerts demonstrate the hard work of our students, who remain deeply dedicated to musical and personal growth. These performances were coached by a growing and incredibly talented CYSO artistic team, and facilitated by our incomparable administrative team. As we look toward the months ahead, we are confident that the CYSO community will meet each new challenge with the same commitment to excellence you have come to expect from us. Many thanks to all our CYSO families and everyone who has supported CYSO’s work this year and always. Enjoy the performances! Warm wishes, Susan Lape Executive Director 11 TABLE OF CONTENTS BRILLIANCE AWAITS. PREPARATION FOR A MUSICAL LIFE 7 Fall Concert Programs Bachelor of Music 9 Music Director's Letter Double degree: Bachelor of Music & Bachelor of Arts Bachelor of Arts 11 Executive Director's Letter NEW! Bachelor of Musical Arts in Jazz & Contemporary Improvisation 14 Board, Faculty, and Staff GO.LAWRENCE.EDU/CHIYOUTH 15 Artistic Staff Bios 23 Equity, Diversity, & Inclusion at CYSO 24 Kicking Off the New Season in the arkP 27 Rafael Noriega Recognized by City Of Chicago 28 Mental Health for Young Musicians 31 Chicago Musical Pathways Initiative OF CONTENTS TABLE 33 Fall Virtual Masterclasses 34 Spotlight on Fall Virtual Rehearsals 37 2020 CYSO Alumni Award 39 Students Create Music Mentoring Program CHICAGO IS OUR 40 Orchestra Rosters 50 Private Teachers CLASSROOM 52 Schools and Teachers Rigorous, hands-on learning in a world- class city. Study with experienced faculty 56 Contributors in a tight-knit community. Enjoy studying in a fully renovated state-of-the-art music facility, Hanson Hall. Undergraduate Auditions: For more information, contact: February 13, 2021 | February 27, 2021 Erin Matonte Assistant Director of Music, Art, Graduate Auditions: and Theatre Recruitment February 13, 2021 773-244-4583 Graduate programs offered in vocal [email protected] performance and collaborative piano (vocal coaching) www.northpark.edu/music 13 BOARD, FACULTY, AND STAFF ARTISTIC
Load more

Recommended publications
  • Following Two Records on the Top 10 Jazz Charts
    FOLLOWING TWO RECORDS ON THE TOP 10 JAZZ CHARTS ‘TRANSIENT JOURNEY’ (2010) AND ‘FOR THE PEOPLE’ (2012) PHAREZ WHITTED IS SET TO RELEASE HIS NEXT ALBUM ‘THE TREE OF LIFE’ (2014) ON TRUTH REVOLUTION RECORDS. FEATURING: JONATHAN WOOD, EDDIE BAYARD, LOVELL BRADFORD, & GREG ARTRY Powerhouse trumpeter Pharez Whitted continues to showcase his talents on his most adventurous album to date, The Tree of Life. Whitted displays “…remarkable command of the trumpet and his broad stroke as a composer, both of which are =irmly rooted in the post-­­ bop tradition.” With this new CD, Whitted adds a funk and soul element to create an album that is impressively innovative while still steeped in the jazz tradition. He states that The Tree of Life is music that is “…not just about the artist but music that is for the people to lift them up.” Many musicians come from musical families, but few can boast of having one as large as Pharez’s. Even before he was born his parents, drummer Thomas Whitted Sr. and singing bassist, Virtue Hampton Whitted were members of a jazz orchestra called the Hampton Band. It included Pharez’s uncle the legendary trombonist, Slide Hampton. His grandparents regularly invited Indianapolis musicians such as Freddie Hubbard, Wes Montgomery and his brothers Monk and Buddy to practice at their house. Being surrounded by musicians from such a young age, one can only imagine this musical lineage has helped make Pharez a force to be reckoned with. Joining Pharez on The Tree of Life is an exceptional group of musicians including, Jonathan Wood (bass), Eddie Bayard (saxophone), Lovell Bradford (piano, organ, Rhodes), and Greg Artry (drums).
    [Show full text]
  • CONNECTED APART Winter 2021
    CONNECTED APART Winter 2021 1 COMPOSE YOUR FUTURE qhere World-class faculty. State-of-the-art facilities you have to see (and hear) to believe. Endless performance and academic possibilities. All within an affordable public university setting ranked the number five college town in America.* Come see for yourself how the University of Iowa School of Music composes futures...one musician at a time. To apply, or for more information, visit music.uiowa.edu. *American Institute for Economic Research, 2017 MUSIC.UIOWA.EDU WINTER 2021 VIRTUAL PERFORMANCES The past year has been difficult for everyone, and we know that for many families, incomes have been reduced or become more unpredictable. To ensure that every CYSO family—no matter their CYSO is investing in the future of music and the financial situation—can enjoy our virtual performances, we've next generation of leaders. We provide music replaced our normal ticketing with a pay-what-you-can donation. education to nearly 800 young musicians ages 6-18 through full and string orchestras, jazz, CYSO virtual winter performances will debut on Saturday, steelpan, chamber music, masterclasses, music March 27, 2021 at 7:00 pm CST. For those who are able, the suggested donation is $40 (the equivalent of $10 per tick- composition and in-school programs. Students et for a family of four) to access all winter performance videos. learn from some of Chicago’s most respected Visit cyso.org/concerts to purchase your tickets. If you cannot professional musicians, perform in the world’s afford a ticket donation at this time, simply fill out the form with a great concert halls, and gain skills necessary for $0 amount to receive the performance link at no charge.
    [Show full text]
  • Jazz and Radio in the United States: Mediation, Genre, and Patronage
    Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition.
    [Show full text]
  • Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 08/27/2010 09:41 Am
    Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 08/27/2010 09:41 am WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 08/20/2010 to 08/26/2010 Last Period (TP) = 08/13/2010 to 08/19/2010 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 1 Kenny Burrell Be Yourself HighNote 2010 13 15 -2 2 3 Curtis Fuller I Will Tell Her Capri 2010 12 13 -1 3 6 Steve Davis Images Posi-Tone 2010 9 9 0 4 36 Fred Hersch Whirl Palmetto 2010 8 3 5 5 1 Tomas Janzon Experiences Changes 2010 7 15 -8 5 9 Nnenna Freelon Homefree Concord 2010 7 7 0 5 10 Hilario Duran Motion Alma 2010 7 6 1 8 4 Chris Massey Vibrainium Self-Released 2010 6 12 -6 8 5 Lois Deloatch Roots: Jazz, Blues, Spirituals Self-Released 2010 6 11 -5 8 6 Mark Weinstein Timbasa Jazzheads 2010 6 9 -3 8 10 Eric Reed & Cyrus Chestnut Plenty Swing, Plenty Soul Savant 2010 6 6 0 8 18 Rita Edmond A Glance At Destiny T.O.T.I. 2010 6 5 1 8 18 Amina Figarova Sketches Munich 2010 6 5 1 8 27 John Fedchock Live At The Red Sea Jazz Capri 2010 6 4 2 Festival 15 10 Jason Moran Ten Blue Note 2010 5 6 -1 15 36 Joe Chambers Horace To Max Savant 2010 5 3 2 15 49 Pharez Whitted Transient Journey Owl Studios 2010 5 2 3 18 10 Tim Warfield A Sentimental Journey Criss Cross 2010 4 6 -2 18 10 Radam Schwartz Songs For The Soul Arabesque 2010 4 6 -2 18 18 Tamir Hendelman Destinations Resonance 2010 4 5 -1 18 36 Matt Garrison Familiar Places D Clef 2010 4 3 1 18 36 Pat Bianchi Back Home Doodlin' 2010 4 3 1 18 36 Mike Clark Carnival
    [Show full text]
  • Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 09/01/2010 09:57 Am
    Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 09/01/2010 09:57 am WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 08/25/2010 to 08/31/2010 Last Period (TP) = 08/18/2010 to 08/24/2010 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 267 James Moody Moody 4B IPO 2010 14 0 14 2 2 Kenny Burrell Be Yourself HighNote 2010 9 13 -4 2 6 Steve Davis Images Posi-Tone 2010 9 8 1 4 6 Hilario Duran Motion Alma 2010 8 8 0 4 267 Freddy Cole Freddy Cole Sings Mr.B HighNote 2010 8 0 8 4 267 The Marsalis Family Music Redeems Marsalis 2010 8 0 8 7 1 Curtis Fuller I Will Tell Her Capri 2010 7 14 -7 7 267 Danilo Perez Providencia Mack Avenue 2010 7 0 7 7 267 Jim Rotondi 1000 Rainbows Posi-Tone 2010 7 0 7 10 16 Fred Hersch Whirl Palmetto 2010 6 5 1 10 78 Dr. Lonnie Smith Spiral Palmetto 2010 6 1 5 10 267 Mauricio De Souza Here. There... Pulsa 2010 6 0 6 13 3 Tomas Janzon Experiences Changes 2010 5 10 -5 13 4 Lois Deloatch Roots: Jazz, Blues, Spirituals Self-Released 2010 5 9 -4 13 12 Nnenna Freelon Homefree Concord 2010 5 6 -1 13 16 Dave Bass Gone Dave Bass 2010 5 5 0 13 22 John Fedchock Live At The Red Sea Jazz Capri 2010 5 4 1 Festival 13 267 The Vanguard Jazz Orchestra Up From The Skies: Music Of Planet Arts 2006 5 0 5 Jim McNeely 13 267 Larry Goldings & Harry Allen When Larry Met Harry Cafe Society 2010 5 0 5 20 4 Chris Massey Vibrainium Self-Released 2010 4 9 -5 20 8 Mark Weinstein Timbasa Jazzheads 2010 4 7 -3 20 16 Eric Reed & Cyrus Chestnut Plenty Swing, Plenty Soul Savant 2010 4 5 -1 20 22 Tamir Hendelman Destinations Resonance 2010 4 4 0 20 27 Pharez Whitted Transient Journey Owl Studios 2010 4 3 1 20 267 Ted Hogarth Live At The Jazz Showcase Jazz Showcase 2010 4 0 4 20 267 Sharon Jones & The I Learned The Hard Way Daptone 2010 4 0 4 Dap-Kings 27 8 Rita Edmond A Glance At Destiny T.O.T.I.
    [Show full text]
  • Wmjs Summer Concerts 2017 Souvenir Issue
    An All-Volunteer Organization Since 1986 SUMMER 2017 Vol. 31 No.7 616-490-9506 WEST MICHGAN JAZZ SOCIETY www.wmichjazz.org Proudly Presents it’s 17th season of summer concerts [email protected] Ah-Nab-Awen Park, 220 Front Ave. NW Grand Rapids 6:30-8:30 p.m. Website: www.wmichjazz.org facebook.com/ WestMIJazzSociety WMJS SUMMER CONCERTS 2017 SOUVENIR ISSUE WMJS members will get FREE parking in the MUSEUM lot on Pearl St. with their parking pass. The parking lot on Michigan will be Ellis Parking for $5.00 In this issue 2-10 Jazz in the Park Band Line-ups 12 Jazz Gumbo recap For 3 years now we have been able to present these concerts at Ah-Nab-Awen 14-19 June/July Music Schedules Park. We heavily rely on your donations, so as the bucket brigade walks around, keep our costs in mind and please be generous. Thank you in advance! June Northview High 12th School Jazz Band Directed by Greg Wells (Grand Rapids, MI) Northview High School Jazz Band is one of the premier jazz ensembles in the Michigan region. The band performs at concerts throughout the year, and has played at numerous music festivals in the Michigan area, including the Festival of the Arts in Grand Rapids. They were invited to perform at the prestigious Swing Central Jazz in Savannah, Georgia this spring. In the eleven years that Savannah has held Swing Central Jazz, Northview is only the second band from Michigan invited to participate. Quite an honor for these student musicians! Director Greg Wells actually attended Northview High School, and returned to take on the director position at his alma mater.
    [Show full text]
  • Austin Peralta
    STYCZEŃ 2013 Gazeta internetowa poświęcona muzyce improwizowanej 2084-3143 ISSN Piotr Damasiewicz Kiedy muzykę stawiasz na pierwszym miejscu,to tak, jakbyś podcinał gałąź, na której siedzisz Rozmawiają z nami Monika Lidke Aleksandra Rzepka Kuba Stankiewicz ZAPROSZENIE NA WERNISAŻ Piotr Damasiewicz, fot. Bogdan Augustyniak JazzPRESS, styczeń 2013 SPIS TREŚCI 3 – Od Redakcji 60 – Publicystyka Od Redakcji 5 – Co w RadioJAZZ.FM 60 Felieton muzyczny Macieja Nowotnego O miłości trąbki do perkusji Kiedy ten numer magazynu JazzPRESS wyświetli się Państwu na monitorach komputerów, czytników, 6 – Wydarzenia 63 Austin Peralta komórek czy innych urządzeń elektronicznych po szaleństwach sylwestrowej nocy zostaną już tylko 64 Dave Brubeck całkiem subiektywnie 10 – Płyty wspomnienia. Zresztą „słowo od redakcji” rodzi się w bólach w kilka dni po nastaniu nowego roku, któ- ry – w powszechnej opinii – w jazzie zapowiada się znakomicie. Czy tak faktycznie było dowiemy się 10 RadioJAZZ.FM poleca 68 – Wywiady już za dwanaście miesięcy. Natomiast o tych perspektywach wyczytacie co nieco w tym numerze. Ale 12 Nowości płytowe 68 Piotr Damasiewicz nie tylko o nich. W styczniowym numerze, jak to bywa w przypadku wydawnictw z przełomu roku, 16 Top Ten 2012 dziennikarzy W momencie, kiedy muzykę stawiasz na RadioJAZZ.FM i JazzPRESS pierwszym miejscu,to trochę tak, jakbyś wracamy do ubiegłorocznych wydarzeń. Przyjemnych, jak koncerty i płyty. I smutnych, jak wspomnie- podcinał gałąź, na której siedzisz 20 Recenzje nie po Davie Brubecku. 78 Monika Lidke Cassandra Wilson – Another Country Najważniejszy występ jest zawsze Zapraszam do lektury Diana Krall – Glad Rag Doll przede mną Ryszard Skrzypiec Van Morrison– Born To Sing: No Plan B 86 Aleksandra Rzepka Redaktor Naczelny Dzięki ciszy wypływa ze mnie muzyka 26 – Przewodnik koncertowy 90 Kuba Stankiewicz w przestrzeniach..
    [Show full text]
  • Pharez Whitted : Affaires De Famille Stanley Péan
    Document generated on 09/29/2021 7:26 a.m. L'Inconvénient Pharez Whitted : affaires de famille Stanley Péan Le fantasme de la survie Number 69, Summer 2017 URI: https://id.erudit.org/iderudit/85863ac See table of contents Publisher(s) L'Inconvénient ISSN 1492-1197 (print) 2369-2359 (digital) Explore this journal Cite this review Péan, S. (2017). Review of [Pharez Whitted : affaires de famille]. L'Inconvénient, (69), 73–75. Tous droits réservés © L’inconvénient, 2017 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Jazz PHAREZ WHITTED AFFAIRES DE FAMILLE Stanley Péan n réaction à un reportage gars. Cette fois-ci, au contraire des deux bop manière Blue Note, d’improvisation sensationnaliste sur la criminalité autres, mon pèlerinage est jalonné de modale et d’apports multiples : un Edans les faubourgs noirs du South rendez-vous précis. En prévision de ce soupçon de rythme bossa nova ou Side de Chicago, diffusé au début de retour dans la ville qui, après la fermeture reggae par-ci, une touche de funk, de février à l’émission de Bill O’Reilly, sur des boîtes de nuit et des bordels du Red soul ou de gospel par-là.
    [Show full text]
  • Pharez Whitted : Affaires De Famille Stanley Péan
    Document generated on 09/27/2021 1:51 a.m. L'Inconvénient Pharez Whitted : affaires de famille Stanley Péan Le fantasme de la survie Number 69, Summer 2017 URI: https://id.erudit.org/iderudit/85863ac See table of contents Publisher(s) L'Inconvénient ISSN 1492-1197 (print) 2369-2359 (digital) Explore this journal Cite this review Péan, S. (2017). Review of [Pharez Whitted : affaires de famille]. L'Inconvénient, (69), 73–75. Tous droits réservés © L’inconvénient, 2017 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Jazz PHAREZ WHITTED AFFAIRES DE FAMILLE Stanley Péan n réaction à un reportage gars. Cette fois-ci, au contraire des deux bop manière Blue Note, d’improvisation sensationnaliste sur la criminalité autres, mon pèlerinage est jalonné de modale et d’apports multiples : un Edans les faubourgs noirs du South rendez-vous précis. En prévision de ce soupçon de rythme bossa nova ou Side de Chicago, diffusé au début de retour dans la ville qui, après la fermeture reggae par-ci, une touche de funk, de février à l’émission de Bill O’Reilly, sur des boîtes de nuit et des bordels du Red soul ou de gospel par-là.
    [Show full text]
  • Check out the Entire CYSO Week Program Book
    1 MUSIC The Bienen School of Music offers workshop and gallery · A 152,000-square-foot state-of-the-art facility · Conservatory-level training combined with the academic flexibility of an elite research institution · Traditional BM, BA, MM, PhD, and DMA degrees as well as innovative dual-degree, self-designed, and double-major programs · Close proximity to downtown Chicago www.music.northwestern.edu Darnton & Hersh Fine Violins Expert appraisers, restorers and dealers in violin family instruments and bows 11 East Adams, Suite 1450 Chicago, Illinois 60603 312.566.0429 Learn more at darntonhersh.com 2 3 DIRECTORS' LETTER Dear Friends, Welcome to our first ever CYSO Week! While we normally find ourselves celebrating the accomplishments of our young musicians through a se- ries of live concerts every spring, this year the show must go on(line)! We’ll be hosting five days of live broadcasts from CYSO's Facebook page which will highlight the creativity and growth of students from all of our CYSO programs. Each night will be hosted by students and you can expect lots of great content like new virtual orchestra videos, special guests, and exciting award presentations! LETTER DIRECTORS' While you enjoy our CYSO Week content from the safety of your home, we ask that you consider making a gift to support CYSO’s continued operations. The gener- osity of our community has allowed CYSO to react to the COVID-19 crisis quickly, creatively, and compassionately. Our faculty are working harder than ever to adjust programming to suit the needs of students learning from home, and we need your support to keep this going! The learning doesn’t stop just because we’re sheltering in place and our students have proven that music-making and resilience go hand in hand.
    [Show full text]
  • 2019 Hyde Park Jazz Festival Schedule
    SEPTEMBER 28 & 29 WELCOME TO THE 13TH ANNUAL HYDE PARK JAZZ FESTIVAL We hope you enjoy this free two-day celebration of jazz, creativity, and community on the South Side of Chicago. DAVID BOYKIN: ABEEKU whose name honors the great composer of the 20th Welcome to the 13th Annual Hyde Park Jazz SATURDAY, SEPTEMBER 28, 3:30–4:30PM century, is one of the leading string quartets in Poland. Festival. We hope you enjoy this free two-day Little Black Pearl This project is co-presented with: Jazztopad Festival/ National Forum of Music in Wrocław in cooperation celebration of jazz, creativity, and communi- ABEEKU, one of the latest facets of the artistic with the Adam Mickiewicz Institute and with support ty on the South Side of Chicago. expression of composer, saxophonist, and bandleader from Polish Consulate in Chicago. /// The musicians: DAVID BOYKIN, combines electro-soul, golden-era hip- The Hyde Park Jazz Festival was created in Amir ElSaffar – composition, trumpet, vocals; Ksawery hop production, and spiritual jazz into a sensuous blend late 2006 when cultural leaders on the South Wójciński – double bass; Wacław Zimpel – clarinet; of Afro-electronic bliss. /// The musicians: David Boykin – Side met with the Hyde Park Jazz Society to Lutosławski Quartet:; Robert Kwiatkowski – 1st violin; drum machines, digital samplers, synthesizer, sax, vocals; develop an annual event that would bring new Marcin Markowicz – 2nd violin; Artur Rozmysłowicz – Emelda Lawson – keyboards; Adam Zanolini – bass audiences to Hyde Park and celebrate jazz’s viola; Maciej Młodawski – cello great legacy and bright future on Chicago’s South Side. The University of Chicago’s Office AMBROSE AKINMUSIRE TRIO featuring ANDY OBERHAUSEN’S of Civic Engagement stepped up to assist this KRIS DAVIS and NASHEET WAITS BREADWINNERS grassroots effort.
    [Show full text]
  • SHORT BIO for PHAREZ WHITTED There Are Many Moments That Can
    SHORT BIO FOR PHAREZ WHITTED There are many moments that can define a man’s life and for Pharez Whitted, this is one of them. He’s taken on the new role as Chicago’s Youth Symphony Orchestra (CYSO) Jazz Director and Howard Reich at the Chicago Tribune described Pharez perfectly - “Few Chicago musician-educators are more qualified than Whitted to build the new band, for he commands a richly deserved reputation as a trumpet virtuoso, seasoned educator and irrepressible champion of the music.” Whitted is humble with his legacy and his deep roots in music go as far back as the 1930’s in Indianapolis where the Hampton Family Band first began performing. His mother VIrtue, his uncle Slide Hampton and the other 10 siblings (12 in total) laid the foundation with their self-educated and courageous father, Clarke “Deacon” Hampton at the helm. With that level of determination and talent, Whitted was destined to inherit the gift of music. He began his career in 1982 not long after earning his Master’s Degree at Indiana University Jacobs School of Music. He’s been on staff at Chicago State University The Ohio State University and Wabash College. He recorded his first self-entitled album, ‘Pharez Whitted’ with Motown in 1994 and continued recording solo albums ever since. He’s performed with Nancy Wilson, Freddie Hubbard, Slide Hampton, John Mellencamp, Chaka Khan, Ahmad Jamal, George Duke, Kirk Whalum, Elvin Jones, Branford Marsalis and Meshell Ndegeocello to name a few. He is currently a clinician Jazz at Lincoln Center youth outreach program, he’s a staple at Rivinia’s Jazz Scholar program in Chicago and his newest role at CYSO to help find its identity and sound while bringing new faces to the young jazz scene of Chicago.
    [Show full text]