2019 Hyde Park Jazz Festival Schedule

Total Page:16

File Type:pdf, Size:1020Kb

2019 Hyde Park Jazz Festival Schedule SEPTEMBER 28 & 29 WELCOME TO THE 13TH ANNUAL HYDE PARK JAZZ FESTIVAL We hope you enjoy this free two-day celebration of jazz, creativity, and community on the South Side of Chicago. DAVID BOYKIN: ABEEKU whose name honors the great composer of the 20th Welcome to the 13th Annual Hyde Park Jazz SATURDAY, SEPTEMBER 28, 3:30–4:30PM century, is one of the leading string quartets in Poland. Festival. We hope you enjoy this free two-day Little Black Pearl This project is co-presented with: Jazztopad Festival/ National Forum of Music in Wrocław in cooperation celebration of jazz, creativity, and communi- ABEEKU, one of the latest facets of the artistic with the Adam Mickiewicz Institute and with support ty on the South Side of Chicago. expression of composer, saxophonist, and bandleader from Polish Consulate in Chicago. /// The musicians: DAVID BOYKIN, combines electro-soul, golden-era hip- The Hyde Park Jazz Festival was created in Amir ElSaffar – composition, trumpet, vocals; Ksawery hop production, and spiritual jazz into a sensuous blend late 2006 when cultural leaders on the South Wójciński – double bass; Wacław Zimpel – clarinet; of Afro-electronic bliss. /// The musicians: David Boykin – Side met with the Hyde Park Jazz Society to Lutosławski Quartet:; Robert Kwiatkowski – 1st violin; drum machines, digital samplers, synthesizer, sax, vocals; develop an annual event that would bring new Marcin Markowicz – 2nd violin; Artur Rozmysłowicz – Emelda Lawson – keyboards; Adam Zanolini – bass audiences to Hyde Park and celebrate jazz’s viola; Maciej Młodawski – cello great legacy and bright future on Chicago’s South Side. The University of Chicago’s Office AMBROSE AKINMUSIRE TRIO featuring ANDY OBERHAUSEN’S of Civic Engagement stepped up to assist this KRIS DAVIS and NASHEET WAITS BREADWINNERS grassroots effort. The Festival now includes more SATURDAY, SEPTEMBER 28, 8:00–9:00PM SATURDAY, SEPTEMBER 28, 1:30–2:30PM than 34 programs in a dozen venues across the & 9:30–10:30PM Oriental Institute neighborhood. We are tremendously grateful to Logan Center Performance Penthouse all of our sponsors, donors, and venue partners ANDY OBERHAUSEN’S BREADWINNERS is a dynamic AMBROSE AKINMUSIRE is on a quest for new for their continued support. original music project existing somewhere between the paradigms, weaving inspiration from various genres, The concerts/programs in the 2019 Hyde Park fluid intersection of jazz, rock, and experimental music. arts, and experiences into bold, new, and unflinching Jazz Festival represent the creative diversity Led by saxophonist Andy Oberhausen, this Chicago- yet graceful forms. Pianist-composer KRIS DAVIS is the in Chicago jazz and feature some of the most based quartet melds complex composition, effects, and Associate Director of Creative Development at Berklee compelling emerging and venerable artists free-wheeling improvisation into a powerful creative for the Institute of Jazz and Gender Justice. She runs on the national and international scene, all statement which defies expectations at every turn. presented in more than a dozen of the most her own contemporary jazz and improvisation label, /// The musicians: Kurt Lubbe – drums; Andy distinctive settings anywhere. and has been voted both Rising Star Artist and Rising Oberhausen – alto sax and effects; Patrick Mulcahy – Star Pianist in Downbeat. Drummer and music educator In addition to performances and other programs, bass; Tim Stine – guitar the Festival includes local cuisine, artisan pop- NASHEET WAITS is a New York native and son of up shops, picnic areas, a story share booth, legendary percussionist Frederick Waits. He has played ANGEL BAT DAWID’S and an outdoor dance floor. The Festival has as a member of M’BOOM and several Antonio Hart also expanded its support of artists in the ensembles. /// The musicians: Ambrose Akinmusire – REQUIEM FOR JAZZ development of special projects. This year in trumpet; Kris Davis – piano; Nasheet Waits – drums SATURDAY, SEPTEMBER 28, 1:00–2:00PM collaboration with the Logan Center, we are Logan Center Performance Hall pleased to commission Chicago composers, AMIR ELSAFFAR’S AHWAAL, featuring In the film, The Cry of Jazz, Chicago-born composer, Angel Bat Dawid and Isaiah Collier. In addition, we KSAWERY WÓJCIŃSKI, WACŁAW filmmaker, and writer Edward Bland declares: “Jazz is are extremely excited to welcome six musicians dead.” And in her 12-part, orchestrated funeral mass from Poland, who will perform with Chicago- ZIMPEL, and LUTOSŁAWSKI QUARTET REQUIEM FOR JAZZ, born composer and trumpeter Amir ElSaffar in SATURDAY, SEPTEMBER 28, 11:00PM–MIDNIGHT service avant-garde composer, the Rockefeller Chapel for what promises to be Rockefeller Chapel clarinetist, and singer ANGEL BAT DAWID responds. Drawing on themes from the film, as well as on the an extraordinary listening experience. Amir ElSaffar presents the Chicago premiere of musical healing work of spirituals and hush harbors, The Hyde Park Jazz Festival would not be AHWAAL, a program mixing different musical worlds Requiem for Jazz explores and memorializes the death possible without the support of our nearly 300 and blurring intercultural borders. Ahwaal is an and ongoing life of jazz, and features Chicago-based volunteers. If you ever want to know what keeps important concept in Sufism, describing the states of and Chicago-influenced musicians, dancers, and visual the Festival Team going, it’s the support and consciousness (including joy, fear, ecstasy, intoxication, artists. /// The musicians: Vincent Davis – percussion; enthusiasm that come from a community of and intimacy) that define spiritual progression toward individuals willing to contribute their time and Dr. Charles Joseph Smith – piano; Dr. Adam Zanolini – the divine, and transcendence of the ego-self. energy to make the Festival happen. All of the flute; Xristian Espinoza – tenor saxophone; Isaiah The states are said to arise and vanish, as flashes of artists who have agreed to share their work with Collier – soprano saxophone; Jayden Berkman – tenor lightning. One of the most sought-after jazz double you are extraordinary. I invite you to consider the saxophone; Sam Trump – trumpet; Julian Otis – tenor; bassists in Poland, KSAWERY WÓJCIŃSKI activates significance of this event for Chicago and the Phillip Armstrong – baritone; Aquarius Ester – dance; his gift of lightness, easiness, and musical erudition opportunity you have to help us keep it FREE. Viktor Le Givens – dance; Norman W. Long – electronics; to switch between guises and stylistics — from jazz We would like to be here for everyone well Jonathan Woods – visuals; J’niya Blunt – violin; Jeremiah in its more accessible form, through avant-garde, to into the future. We sincerely appreciate your Hunt – bass; Tramaine Parker – soprano; Monique Polish folk music. Multi-instrumentalist, composer, and contributions at the venues of $5 — or perhaps Golding – alto; Hannah Washington – clarinet; Fred $13 for 13 years — to help us keep going! producer WACŁAW ZIMPEL is inspired by electronics, Jackson Jr. – alto saxophone; Michelle Manson – viola; minimalism, and roots music from across the world, Thank you and ENJOY! Liz Gomez – visual artist; Dajour Smith – violin in addition to jazz. He applies endless possibilities of Artistic and Executive Director Kate Dumbleton, electronics and loops to his oeuvre to create a whole new musical language. The LUTOSŁAWSKI QUARTET, ANGELO HART TRIO in music. Former Artistic Director of the Chicago Jazz JOEY BRINK SATURDAY, SEPTEMBER 28, 4:00–5:00PM Ensemble, Hall is currently a Professor of Jazz Studies and SUNDAY, SEPTEMBER 29, 1:00–2:00PM Hyde Park Bank Ethnomusicology at DePaul and Director of the DePaul Rockefeller Chapel Carillon Jazz Studies program. /// The musicians: Geof Bradfield College friends ANGELO HART (a pianist) and JOEY BRINK is the official University Carillonneur at – saxophones, bass clarinet; Victor Garcia – trumpet; BEN DILLINGER (bassist) recently teamed up with the University of Chicago, where he performs twice Dana Hall – drums/cymbals; Clark Sommers – bass; John saxophonist JAKE WARK, and the musical connection daily on the 72-bell Rockefeller Memorial Carillon and Wojciechowski – alto and tenor saxophones, flutes was instantaneous. Now a dynamic trio, they explore directs the University of Chicago Guild of Carillonneurs. the vast possibilities of composition and improvisation, GREG WARD’S ROGUE PARADE /// The musicians: Joey Brink – carillon and the ways in which one is rooted within the other. /// The musicians: Ben Dillinger – bass; Angelo Hart – SUNDAY, SEPTEMBER 29, 4:00–5:00PM JUAN PASTOR’S CHINCHANO Wagner Stage at Midway Plaisance & Woodlawn Ave. piano; Jake Wark – tenor saxophone SUNDAY, SEPTEMBER 29, 5:00–6:00PM Considered one of the most versatile saxophonists of his West Stage at Midway Plaisance & Ellis Ave. ARI BROWN QUINTET generation, bandleader, composer, and arranger GREG Drummer/percussionist and composer JUAN PASTOR SATURDAY, SEPTEMBER 28, 1:30–2:30PM WARD is proud to present his new, innovative group finds himself caught between two homes: his native Wagner Stage at Midway Plaisance & Woodlawn Ave. ROGUE PARADE, which uses a unique exploration of Lima, Peru, and Chicago, where he has lived for the two-guitar instrumentation to blend the sonic worlds A Chicago native, ARI BROWN is an internationally past thirteen years. The uniquely impassioned sound of acoustic and electric. /// The musicians: Matt Gold – renowned saxophonist, flautist, and pianist, as well as a of
Recommended publications
  • Highly Recommended New Cds for 2018
    Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Young and Terry Promane Octet Volume Two Modica Music Phil Parisot Creekside OA2 John Stowell And Ulf Bandgren Night Visitor Origin Eric Reed A Light In Darkness WJ3 Katharine McPhee I Fall In Love Too Easily BMG Takaaki Otomo New Kid In Town Troy Dr. Lonnie Smith All In My Mind Blue Note Clovis Nicolas Freedom Suite Ensuite Sunnyside Wayne Escoffery Vortex Sunnyside Steve Hobbs Tribute To Bobby Challenge Adam Shulman Full Tilt Cellar Live` Scott Hamilton Live At Pyat Hall Cellar Live Keith O’ Rourke Sketches From The Road Chronograph Jason Marsalis Melody Reimagined Book One Basin Street 1 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dan Block Block Party High Michael Waldrop Origin Suite Origin Roberto Margris Live In Miami J Mood Dan Pugach Nonet Plus One Unit UTR Jeff Hamilton Live From San Pedro Capri Phil Stewart Melodious Drum Cellar Live Ben Paterson That Old Feeling Cellar Live Jemal Ramirez African Skies Joyful Beat Michael Dease Reaching Out Positone Ken Fowser Don’t Look Down Positone New Faces Straight Forward Positone Emmet Cohen With Ron Carter Masters Legacy Series Volume Two Cellar Live Bob Washut Journey To Knowhere N/C Mike Jones and Penn Jillette The Show Before The Show Capri 2 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Tull Texting And Driving Toy Car Corcoran Holt The Mecca Holt House Music Bill Warfield For Lew Planet Arts Wynton Marsalis United We Swing Blue Engine Scott Reeves Without A Trace Origin
    [Show full text]
  • Tenor Saxophone Mouthpiece When
    MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter,
    [Show full text]
  • Downbeat-2-19-Soul-Fingers-Pages
    Jazz / BY DENISE SULLIVAN MAGNUS CONTZEN Draksler/Eldh/Lillinger Punkt.Vrt.Plastik INTAKT 318 ++++ Bobby Broom The lineup of any ensemble has an alchemical quality to it. The right combination of personal- A Personalized Perspective ities and styles can yield nothing less than gold. Three trios and a quartet—led by a drummer, guitarist John Chiodini (Natalie Cole, Tony But throw in one bad element and it quickly can a guitarist, a keyboardist and a bassist, re- Bennet) and organist Joe Bagg (Madeleine turn leaden. spectively—demonstrate an ability to cast a Peyroux, Larry Coryell) through two pieces That was the risk drummer Christian wide net and still remain within the jazz tradi- by Brazilian musician César Camargo Maria- Lillinger and bassist Petter Eldh took when they tion. From originals to classic rock standards, no, plus a samba, “Cascades Of The 7 Water- started working with pianist Kaja Draksler in a soul, blues and a touch of Brazil, these play- falls” by Alex Malheiros, as well as the Chiod- new trio. The pair already were familiar with ers rely on their deep love and knowledge of ini-penned “Cheetahs And Gazelles,” with its one another, having provided the backbone for modes and material, and a commitment to own Brazilian changes. Seiwell was a found- the marvelous free-jazz quartet Amok Amor. laying it down. ing member of Paul McCartney’s Wings and Draksler was the X-factor they brought into their Known for his work on the Hammond there’s a dramatic version of “Live & Let Die” creative partnership, a new source of heat that B-3 organ, Raphael Wressnig lets loose included here, plus a guest appearance by on Chicken Burrito (Pepper Cake 2110; rocker Edgar Winter, who hits the saxophone could bend their playing into new shapes.
    [Show full text]
  • Where to Study Jazz 2019
    STUDENT MUSIC GUIDE Where To Study Jazz 2019 JAZZ MEETS CUTTING- EDGE TECHNOLOGY 5 SUPERB SCHOOLS IN SMALLER CITIES NEW ERA AT THE NEW SCHOOL IN NYC NYO JAZZ SPOTLIGHTS YOUNG TALENT Plus: Detailed Listings for 250 Schools! OCTOBER 2018 DOWNBEAT 71 There are numerous jazz ensembles, including a big band, at the University of Central Florida in Orlando. (Photo: Tony Firriolo) Cool perspective: The musicians in NYO Jazz enjoyed the view from onstage at Carnegie Hall. TODD ROSENBERG FIND YOUR FIT FEATURES f you want to pursue a career in jazz, this about programs you might want to check out. 74 THE NEW SCHOOL Iguide is the next step in your journey. Our As you begin researching jazz studies pro- The NYC institution continues to evolve annual Student Music Guide provides essen- grams, keep in mind that the goal is to find one 102 NYO JAZZ tial information on the world of jazz education. that fits your individual needs. Be sure to visit the Youthful ambassadors for jazz At the heart of the guide are detailed listings websites of schools that interest you. We’ve com- of jazz programs at 250 schools. Our listings are piled the most recent information we could gath- 120 FIVE GEMS organized by region, including an International er at press time, but some information might have Excellent jazz programs located in small or medium-size towns section. Throughout the listings, you’ll notice changed, so contact a school representative to get that some schools’ names have a colored banner. detailed, up-to-date information on admissions, 148 HIGH-TECH ED Those schools have placed advertisements in this enrollment, scholarships and campus life.
    [Show full text]
  • Jazz Workshop Dana Hall, Director Jazz Orchestra Thomas Matta, Director Jazz Ensemble Bob Lark, Director Program Jazz Workshop Dana Hall, Director
    Thursday, May 25, 2017 • 8:00 P.M. Jazz Workshop Dana Hall, director Jazz Orchestra Thomas Matta, director Jazz Ensemble Bob Lark, director DePaul Student Center 2250 North Sheffield Avenue • Chicago Thursday, May 25, 2017 • 8:00 P.M. DePaul Student Center JAZZ WORKSHOP Dana Hall, director JAZZ ORCHESTRA Thomas Matta, director JAZZ ENSEMBLE Bob Lark, director PROGRAM JAZZ WORKSHOP Dana Hall, director Dan Higgins A New Start Bob Meyer In The Moment Joel Adams Love Song Benjamin Phillips Little Warrior Dan Burke Living in the Existential Vacuum Sammy Galop and Peter DeRose; arr. Alex Blomarz Autumn Serenade Ben Voigt B’s Blues DEPAUL JAZZ ENSEMBLES • MAY 25, 2017 PROGRAM JAZZ ORCHESTRA Thomas Matta, director To be selected from the following: Bill Holman Told You So George and Ira Gershwin; arr. Ted Nash Our Love Is Here To Stay Matt Harris Cabeza De Carne Mike Crotty The Poet Jim McNeely Extra Credit Harry Warren & Al Dubin; arr. Frank Mantooth I Only Have Eyes For You Thelonius Monk; arr. Ryan Adamsons Epistophry JAZZ ENSEMBLE Bob Lark, director Juan Tizol & Duke Ellington; arr. John Wasson Caravan Bob Lark; arr. Chris Madsen Rum Point Phil Woods Randi Thomas Matta Another Shuffle DEPAUL JAZZ ENSEMBLES • MAY 25, 2017 PROGRAM Richard Rodgers & Lorenz Hart; arr. Thomas Matta It Never Entered My Mind Joseph Clark Blaze Sammy Mysels, Nelson Cogane & Dick Robertson; arr. Joseph Clark Yesterday’s Gardenias DEPAUL JAZZ ENSEMBLES • MAY 25, 2017 BIOGRAPHIES Drummer, composer, ethnomusicologist, and bandleader Dana Hall has been an important musician on the international music scene since 1992, after leaving aerospace engineering for a life in music.
    [Show full text]
  • Following Two Records on the Top 10 Jazz Charts
    FOLLOWING TWO RECORDS ON THE TOP 10 JAZZ CHARTS ‘TRANSIENT JOURNEY’ (2010) AND ‘FOR THE PEOPLE’ (2012) PHAREZ WHITTED IS SET TO RELEASE HIS NEXT ALBUM ‘THE TREE OF LIFE’ (2014) ON TRUTH REVOLUTION RECORDS. FEATURING: JONATHAN WOOD, EDDIE BAYARD, LOVELL BRADFORD, & GREG ARTRY Powerhouse trumpeter Pharez Whitted continues to showcase his talents on his most adventurous album to date, The Tree of Life. Whitted displays “…remarkable command of the trumpet and his broad stroke as a composer, both of which are =irmly rooted in the post-­­ bop tradition.” With this new CD, Whitted adds a funk and soul element to create an album that is impressively innovative while still steeped in the jazz tradition. He states that The Tree of Life is music that is “…not just about the artist but music that is for the people to lift them up.” Many musicians come from musical families, but few can boast of having one as large as Pharez’s. Even before he was born his parents, drummer Thomas Whitted Sr. and singing bassist, Virtue Hampton Whitted were members of a jazz orchestra called the Hampton Band. It included Pharez’s uncle the legendary trombonist, Slide Hampton. His grandparents regularly invited Indianapolis musicians such as Freddie Hubbard, Wes Montgomery and his brothers Monk and Buddy to practice at their house. Being surrounded by musicians from such a young age, one can only imagine this musical lineage has helped make Pharez a force to be reckoned with. Joining Pharez on The Tree of Life is an exceptional group of musicians including, Jonathan Wood (bass), Eddie Bayard (saxophone), Lovell Bradford (piano, organ, Rhodes), and Greg Artry (drums).
    [Show full text]
  • May-June 293-WEB
    May-June 2007 Issue 293 jazz Free &blues report www.jazz-blues.com now in our 33rd year KOKO TAYLOR KOKO TAYLOR Old School Published by Martin Wahl A New CD... Communications On Tour... Editor & Founder Bill Wahl & Appearing at the Chicago Blues Festival Layout & Design Bill Wahl The last time I saw Koko Taylor Operations Jim Martin she was a member of the audience at Pilar Martin Buddy Guy’s Legends in Chicago. It’s Contributors been about 15 years now, and while I Michael Braxton, Mark Cole, no longer remember who was on Kelly Ferjutz, Dewey Forward, stage that night – I will never forget Chris Hovan, Nancy Ann Lee, Koko sitting at a table surrounded by Peanuts, Wanda Simpson, Mark fans standing about hoping to get an Smith, Dave Sunde, Duane Verh, autograph...or at least say hello. The Emily Wahl and Ron Weinstock. Queen of the Blues was in the house that night...and there was absolutely Check out our costantly updated no question as to who it was, or where website. Now you can search for CD Reviews by artists, titles, record she was sitting. Having seen her elec- labels, keyword or JBR Writers. 15 trifying live performances several years of reviews are up and we’ll be times, combined with her many fine going all the way back to 1974. Alligator releases, it was easy to un- derstand why she was engulfed by so Koko at the 2006 Pocono Blues Festival. Address all Correspondence to.... many devotees. Still trying, but I still Jazz & Blues Report Photo by Ron Weinstock.
    [Show full text]
  • CONNECTED APART Winter 2021
    CONNECTED APART Winter 2021 1 COMPOSE YOUR FUTURE qhere World-class faculty. State-of-the-art facilities you have to see (and hear) to believe. Endless performance and academic possibilities. All within an affordable public university setting ranked the number five college town in America.* Come see for yourself how the University of Iowa School of Music composes futures...one musician at a time. To apply, or for more information, visit music.uiowa.edu. *American Institute for Economic Research, 2017 MUSIC.UIOWA.EDU WINTER 2021 VIRTUAL PERFORMANCES The past year has been difficult for everyone, and we know that for many families, incomes have been reduced or become more unpredictable. To ensure that every CYSO family—no matter their CYSO is investing in the future of music and the financial situation—can enjoy our virtual performances, we've next generation of leaders. We provide music replaced our normal ticketing with a pay-what-you-can donation. education to nearly 800 young musicians ages 6-18 through full and string orchestras, jazz, CYSO virtual winter performances will debut on Saturday, steelpan, chamber music, masterclasses, music March 27, 2021 at 7:00 pm CST. For those who are able, the suggested donation is $40 (the equivalent of $10 per tick- composition and in-school programs. Students et for a family of four) to access all winter performance videos. learn from some of Chicago’s most respected Visit cyso.org/concerts to purchase your tickets. If you cannot professional musicians, perform in the world’s afford a ticket donation at this time, simply fill out the form with a great concert halls, and gain skills necessary for $0 amount to receive the performance link at no charge.
    [Show full text]
  • Jazz and Radio in the United States: Mediation, Genre, and Patronage
    Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition.
    [Show full text]
  • Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 12/07/2011 02:48 Pm
    Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 12/07/2011 02:48 pm WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 11/30/2011 to 12/06/2011 Last Period (TP) = 11/23/2011 to 11/29/2011 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 2 Freddy Cole Talk To Me HighNote 2011 12 9 3 2 20 Bill O'Connell Triple Play Plus Three Zoho 2011 11 4 7 3 41 Rene Marie Black Lace Freudian Slip Motema 2011 10 2 8 3 78 Mary Louise Knutson In The Bubble Meridian Jazz 2011 10 1 9 5 11 Joey DeFrancesco 40 HighNote 2011 9 5 4 5 284 Takuya Kuroda Edge Self-Released 2011 9 0 9 7 28 Vanguard Jazz Orchestra Forever Lasting - Live in Planet Arts 2011 8 3 5 Tokyo 7 284 Sophie Milman In The Moonlight eOne 2011 8 0 8 9 5 Dr. Michael White Adventures In New Basin Street 2011 7 7 0 Orleans Jazz Pt. 1 9 7 Jeff McLaughlin Quartet Blocks Owl Studios 2011 7 6 1 9 284 Ken Fowser & Behn DuoTone Posi-Tone 2011 7 0 7 Gillece 9 284 Jay Ashby & Steve Davis Mistaken Identity MCG Jazz 2011 7 0 7 13 1 Pat Martino Undeniable: Live At Blues HighNote 2011 6 10 -4 Alley 13 5 Alan Leatherman Detour Ahead AJL 2011 6 7 -1 13 11 Ron Carter Ron Carter's Great Big Sunnyside 2011 6 5 1 Band 13 11 Stefon Harris, David Ninety Miles Concord Picante 2011 6 5 1 Sanchez, Christian Scott 13 28 Cedar Walton The Bouncer High Note 2011 6 3 3 13 41 John Stein Hi Fly Whaling City Sound 2011 6 2 4 13 78 Lenora Zenzalai Helm I Love Myself When I'm Zenzalai 2011 6 1 5 Laughing 13 284 Ernest Stuart Solitary
    [Show full text]
  • PBKACA Membership Letter and Form
    Phi Beta Kappa Association of the Chicago Area P.O. Box 641121 Chicago, IL 60664-1121 (312) 409-1937 www.pbkaca.org December 2012 Dear PBKACA key holder: President Please join us as we celebrate PBKACA’s 75th anniversary in 2013. The world has changed Judi Strauss-Lipkin dramatically since our association’s charter was granted in 1938, but our commitment to 1540 N. State Pkwy #12C promoting excellence in the liberal arts and education at large remains the same. We need Chicago, IL 60610 your participation and financial support to achieve these goals. (312) 988-9996 Our association was busy in 2012. Our events and achievements included: Vice President Christopher Kopacz • Won the Best Mid-Sized Association Award at the PBK Triennial Conference. • Awarded our seventh $5,000 PBKACA scholarship to Zobia Chunara, a graduate of Secretary Northside College Preparatory and a freshman at Yale University, and held a special Roselind Lindau reception attended by five of our past scholarship recipients. • Presented the Distinguished Service Award to Dana Hall, the former director of Treasurer Chicago Jazz Ensemble, at our Annual Dinner. Richard Wilbur • Offered a wide variety of exclusive programs, including a tour of the Lincoln Executive Committee Museum and Library in Springfield led by the museum’s director, a guided visit of the acclaimed Lichtenstein exhibit at the Art Institute, an architectural tour of the John Ashton Randi Belisomo historic North Loop, and special performances of two new musicals written by local James Caristi Phi Betes. (Valparaiso University liaison) • Began a series of salon discussions and continued our special interest groups, Emelda Estell including the Young Professionals Group and the Book Group.
    [Show full text]
  • The Singing Guitar
    August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
    [Show full text]