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Rock Music's Crusade of Authenticity
ROCK MUSIC’S CRUSADE OF AUTHENTICITY by DANIEL BROMFIELD A THESIS Presented to the Department of Journalism and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2016 An Abstract of the Thesis of Daniel Bromfield for the degree of Bachelor of Arts in the School of Journalism and Communications to be taken June 2016 Title: Rock Music's Crusade Of Authenticity Prof. Thomas Wheeler This thesis attempts to define rock music's standards of authenticity and explore their origins. Included are comparison of rock's standards of authenticity to those of other genres and an exploration of how authenticity has been perceived throughout the history of rock music. This study argues that rock's standards of authenticity are unusual among pop music genres in that they entail artists both writing their own songs and playing their own instruments. This is in contrast to genres like hip hop, contemporary pop, and R&B, which have their own quite different standards of authenticity. Quotes from rock fans, critics, and musicians are used to provide insight into rock's standards of authenticity and how they developed over time. ii Acknowledgements I would like to first and foremost thank my father for introducing me to music. If not for his decision to turn me on to the Beatles one sunny day in June 2006, I would surely be pursuing a far more boring career – and thesis topic. And I would like to thank my mother for giving me a great life and being endlessly supportive. -
Artist of the Year
THE 4 Trading Post Way Medford Lakes, New Jersey 08055 HARD REPORT' December 18, 1987 Issue #59 609-654-7272 ARTIST OF THE YEAR ZGI A a 112 MALE VOCAL ISLAND RADIO RATES THE BEST OF '87 COMEBACK BREAKTHROUGH GRATEFUL REM DEAD "DOCUMENT" "TOUCH OF GREY" IRS ARISTA FEMALE 6.vryttri,Vizer NEW FEMALE VOCAL SUZANNE VEGA ANN WILSON "SOLITUDE STANDING" "BAD ANIMALS" A&M CAPITOL IMAGE NEW MALE TURNAROUND RICHARD AEROSMITH MARX "PERMANENT EMI VACATION" GEFFEN WORLD PARTY NEW AMERICAN Private Revolution NEW IMPORT BAND ACT THE BRANDOS WORLD PARTY "HONOR AMONG "PRIVATE THIEVES" REVOLUTION" RELATIVITY CHRYSALIS AND NOW A WORD FROM OUR SPONSOR ... It's four in the morning and frcm where we sit, this Final Issue looks like a keeper. We've put a ton of time and energyinto this particular edition, and we think you'll have lots of fun with the overview. After all, with some 90 + stations responding to our sur- vey, it's basically your window on RockWorld as it went down this past year. The first year of any new business is hell on wheels, (Groanong, creaking, barking dog sound efx, please) and we've seen quite a parade in '87. When I look back over my final comments last year (after nine issues), it sounded as if we had moved mountains. And in a way we had, starting from scratch to a full service publication some 140 stations deep. But in the 12 months since, it has become readily apparent that we were barely walking then. We've extended our reporter roster well past the 200 mark; Our New Alternative and Hard Rock sections have inspired numerous imitators, and our combi- nation of high technology and people power has effectively re -defined what a tip sheet can and will be in the years to come. -
The Comment, September 24, 1987
Bridgewater State University Virtual Commons - Bridgewater State University The ommeC nt Campus Journals and Publications 1987 The ommeC nt, September 24, 1987 Bridgewater State College Volume 65 Number 1 Recommended Citation Bridgewater State College. (1987). The Comment, September 24, 1987. 65(1). Retrieved from: http://vc.bridgew.edu/comment/603 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. The Comment Bridgewater State College September 24, 1987 Vol. LXV No. 1 Bridgewater, MA Changes are in store for next year's freshman applicants By Chris Perra in which a student can apply. two years, this cap on admissions The College will inform students will be continued in an effort to Students applying to of acceptance or rejection between reduct the student to faculty ratio. Bridgewater next year will April 1 and April 15; the student, As it stands now, the ratio is encounter a system very different in turn. must notify the College approximately 23: 1. The ideal from the one present students as to his intention by May 1. In ratio that is being worked towards met. order to give a student a chance to is 17:1. Prospective students will express him or herself in works, have to submit a writing sample separate from their academic President Indelicato stated that ·in addition to their application. credentials, the College will is was the administration's hope This essay ,on an as yet undecided institute a system for that the . admissions topic, will be reviewed by the administering voluntary competitiveness level will be admissions office. -
Boston College Law School Magazine Spring 1997 Boston College Law School
Boston College Law School Digital Commons @ Boston College Law School Boston College Law School Magazine 4-1-1997 Boston College Law School Magazine Spring 1997 Boston College Law School Follow this and additional works at: http://lawdigitalcommons.bc.edu/bclsm Part of the Legal Education Commons Recommended Citation Boston College Law School, "Boston College Law School Magazine Spring 1997" (1997). Boston College Law School Magazine. Book 9. http://lawdigitalcommons.bc.edu/bclsm/9 This Magazine is brought to you for free and open access by Digital Commons @ Boston College Law School. It has been accepted for inclusion in Boston College Law School Magazine by an authorized administrator of Digital Commons @ Boston College Law School. For more information, please contact [email protected]. PUBLICATION NOTE B OSTON COLLFCL LAw SCHOOL D EAN Aviam Soifer DIRECTOR OF I NSTITUTIONAL ADvANCEME"T Deborah Blackmore Abrams EDITOR IN CHIEF ViclD Sanders CONTRIBUTING EDITORS Suzanne DeMers Paula Ogier Robin L. Rosiello Boston College Law School Magazine has undergone a number of design and comenr changes in chis issue. W e welcome readers' comments on rh e new prese ntation. You may conrace liS by phone at (617) 552-2873; by mail at Boston College Law School, Rarar House, 885 Centre Street, Newton, MA On the Cover: 021 59- 1163; or bye-mail at sa [email protected]. Copyright 1997, Boston College law School. Art and the law converge in many ways. All publi cation rights reserved. Painter Alex Katz's Granite Passage is Opinions expressed in Boston College Law part of alumnus William Farley's private School Magazine do nO( necessarily reflect rhe views of Boston College Law School collection, and Karen Watson's edgy or Bosron College. -
1. Rush - Tom Sawyer 2
1. Rush - Tom Sawyer 2. Black Sabbath - Iron Man 3. Def Leppard - Photograph 4. Guns N Roses - November Rain 5. Led Zeppelin - Stairway to Heaven 6. AC/DC - Highway To Hell 7. Aerosmith - Sweet Emotion 8. Metallica - Enter Sandman 9. Nirvana - All Apologies 10. Black Sabbath - War Pigs 11. Guns N Roses - Paradise City 12. Tom Petty - Refugee 13. Journey - Wheel In The Sky 14. Led Zeppelin - Kashmir 15. Jimi Hendrix - All Along The Watchtower 16. ZZ Top - La Grange 17. Pink Floyd - Another Brick In The Wall 18. Black Sabbath - Paranoid 19. Soundgarden - Black Hole Sun 20. Motley Crue - Home Sweet Home 21. Derek & The Dominoes - Layla 22. Rush - The Spirit Of Radio 23. Led Zeppelin - Rock And Roll 24. The Who - Baba O Riley 25. Foreigner - Hot Blooded 26. Lynyrd Skynyrd - Freebird 27. ZZ Top - Cheap Sunglasses 28. Pearl Jam - Alive 29. Dio - Rainbow In The Dark 30. Deep Purple - Smoke On The Water 31. Nirvana - In Bloom 32. Jimi Hendrix - Voodoo Child (Slight Return) 33. Billy Squier - In The Dark 34. Pink Floyd - Wish You Were Here 35. Rush - Working Man 36. Led Zeppelin - Whole Lotta Love 37. Black Sabbath - NIB 38. Foghat - Slow Ride 39. Def Leppard - Armageddon It 40. Boston - More Than A Feeling 41. AC/DC - Dirty Deeds Done Dirt Cheap 42. Ozzy Osbourne - Crazy Train 43. Aerosmith - Walk This Way 44. Led Zeppelin - Dazed & Confused 45. Def Leppard - Rock Of Ages 46. Ozzy Osbourne - No More Tears 47. Eric Clapton - Cocaine 48. Ted Nugent - Stranglehold 49. Aerosmith - Dream On 50. Van Halen - Eruption / You Really Got Me 51. -
Punk · Film RARE PERIODICALS RARE
We specialize in RARE JOURNALS, PERIODICALS and MAGAZINES Please ask for our Catalogues and come to visit us at: rare PERIODIcAlS http://antiq.benjamins.com music · pop · beat · PUNk · fIlM RARE PERIODICALS Search from our Website for Unusual, Rare, Obscure - complete sets and special issues of journals, in the best possible condition. Avant Garde Art Documentation Concrete Art Fluxus Visual Poetry Small Press Publications Little Magazines Artist Periodicals De-Luxe editions CAT. Beat Periodicals 296 Underground and Counterculture and much more Catalogue No. 296 (2016) JOHN BENJAMINS ANTIQUARIAT Visiting address: Klaprozenweg 75G · 1033 NN Amsterdam · The Netherlands Postal address: P.O. BOX 36224 · 1020 ME Amsterdam · The Netherlands tel +31 20 630 4747 · fax +31 20 673 9773 · [email protected] JOHN BENJAMINS ANTIQUARIAT B.V. AMSTERDAM cat.296.cover.indd 1 05/10/2016 12:39:06 antiquarian PERIODIcAlS MUSIC · POP · BEAT · PUNK · FILM Cover illustrations: DOWN BEAT ROLLING STONE [#19111] page 13 [#18885] page 62 BOSTON ROCK FLIPSIDE [#18939] page 7 [#18941] page 18 MAXIMUM ROCKNROLL HEAVEN [#16254] page 36 [#18606] page 24 Conditions of sale see inside back-cover Catalogue No. 296 (2016) JOHN BENJAMINS ANTIQUARIAT B.V. AMSTERDAM 111111111111111 [#18466] DE L’AME POUR L’AME. The Patti Smith Fan Club Journal Numbers 5 and 6 (out of 8 published). October 1977 [With Related Ephemera]. - July 1978. [Richmond Center, WI]: (The Patti Smith Fan Club), (1978). Both first editions. 4to., 28x21,5 cm. side-stapled wraps. Photo-offset duplicated. Both fine, in original mailing envelopes (both opened a bit rough but otherwise good condition). EUR 1,200.00 Fanzine published in Wisconsin by Nanalee Berry with help from Patti’s mom Beverly. -
Relacion De Articulos Ordenados
Artículos ordenados por autor (1985-2009) Grupo / artículo / nº de revista / página / mes / año ??? ALBERT COLLINS - In memoriam - nº 94, pag 19, Abril-1994 ANDY SHERNOFF - Fotomatón - nº 134, pag 11, Diciembre-1997 ÁNGEL ALTOLAGUIRRE - Fotomatón - nº 129, pag 16, Junio-1997 BEN VAUGHN - Fotomatón - nº 140, pag 15, Junio-1998 BOMBARDEROS - Munición pesada - nº 29, pag 14, Mayo-1988 BUDDY HOLLY - Buddy - nº 51, pag 14, Mayo-1990 BYRDS - Pájaros empapelados - nº 47, pag 15, Enero-1990 CALVIN JOHNSON - Fotomatón - nº 127, pag 16, Abril-1997 CARL PERKINS - Rockabilly magnetoscopico - nº 29, pag 13, Mayo-1988 CHUCK BERRY - Brown eyed handsome man - nº 22, pag 5, Octubre-1987 COME - Total Blackout - nº 119, pag 13, Julio/Agosto-1996 DEAN WAREHAM - Fotomatón - nº 133, pag 16, Noviembre-1997 DUANE ALLMAN - Lo que el viento se llevó - nº 173, pag 48, Junio-2001 ELLIOT SHARP - Trigonometría musical - nº 33, pag 14, Octubre-1988 ERNESTO PRIBATA - Fotomatón - nº 141, pag 17, Julio/Agosto-1998 EXTRAÑOS AQUÍ - Esperanza malagueña - nº 38, pag 64, Marzo-1989 FANG - Fotomatón - nº 144, pag 8, Noviembre-1998 FLECHAZOS - Examen de conciencia - nº 34, pag 14, Noviembre-1988 FLECHAZOS - Fotomatón - nº 131, pag 16, Septiembre-1997 FLORES DEL MAL - Disparos botánicos - nº 30, pag 12, Junio-1988 FRANK BLACK - Fotomatón - nº 150, pag 12, Mayo-1999 FUZZTONES - Fuzzin' All Over Spain - nº 28, pag 12, Abril-1988 GEMA SUBTERFUGE - Fotomatón - nº 132, pag 16, Octubre-1997 HANK - Fotomatón - nº 151, pag 16, Junio-1999 HOWARD DEVOTO - Devoción lujuriosa - nº 52, pag 12, Junio-1990 IAN SVENONIOUS - Fotomatón - nº 138, pag 11, Abril-1998 J.P.S. -
Boston Summer Arts Weekend
Program guide a Free three-day, jam-Packed artS and july 27-29 muSic celeBration in the heart oF coPley Square! A R T S E H C R O B S O K ST AR ON LANDM SU ZA NN E VEGA S M N E H A T E N I A R L THE LOW M R A O T W H E O N M F A O S, N bostonsummerarts.com SOUL QUEE #BosSummerartsWknd We’re pleased to present the Boston Globe WGBH Summer Arts Weekend, Friday, July 27 to Sunday, July 29 on Copley Square. VisittheCitizensBankGreaterBostonFoodBankTruck on Friday or Saturday, and donate a jar of peanut butter or jelly toprovideahealthytreatforneighborsinneed. Visit www.summerartsboston.com to learn more. Member FDIC. Citizens Bank is a brand name of RBS Citizens, N.A. and Citizens Bank of Pennsylvania. WELCOME ALL On behalf of The Boston Globe, WGBH and Citizens Bank, welcome to the inaugural Summer Arts Weekend. Over the next three days, we will showcase everything the Greater Boston arts scene has to offer, from incredible theater and music, to vibrant dance and stunning visual arts, to laugh-out-loud comedy. It’s going to be quite a celebration and we are excited to have you join us. Boston has a diverse and rich arts and cultural community. The arts organizations help shape the identity of our city and contribute significantly to its economic well-being. This weekend, we invite you to explore, play and learn more about all of the arts and cultural organizations in Greater Boston. -
Beatthe HEAT in Boston
what to do • where to go • what to see July 16–29, 2007 The Officficialial GuGuideide to BOSBOSTONTON BEATthe HEAT in Boston PLUSPLUS:: HarryHarry Potter PartiesParties All ArAroundound TTownown The Police TTakeake Fenway Park Dining Deals in Boston and Cambridge www.panoramamagazine.com www.panoramamagazine.com Come to Product availability may vary by store 2000707CELEbearATING 10 YEARS OF HUGS Visit us at Faneuil Hall Marketplace Over 300 stores worldwide! æ www.buildabear.com æ (toll free) 1-877-789-BEAR (2327) Coupon expires August 31, 2007. Coupons may not be combined and cannot be bought, sold or exchanged for cash or coupons. Not valid on prior purchases, a Build-A-Party® celebration, Bear Buck$® card, in Eat With Your Bear Hands Cafe, in Build-A-Bear Workshop® within Rainforest Cafe® or in Build-A-Dino® within T-REX CafeTM. Not valid with any other offer. Local and state taxes, as applicable, are payable by bearer. Must present original coupon at time of purchase or enter 5-digit code on web purchase. Photocopies prohibited. Valid in the U.S. only. Valid for coupon recipient only. Limit one coupon per person, per visit. Nontransferable. Offer good while supplies last. Void where Key #91388 prohibited or restricted. Where required cash value 1/100 of 1 cent. contents COVER STORY 20 Let’s Get Wet LIFE’S A BEACH: Katie enjoys the scenic beauty Boston’s best bets for of Malibu Beach in Dorchester. summertime fun in, on Refer to story, page 20. PHOTO BY and around the water T IM L LEWELLYN DEPARTMENTS 8 around the hub 8 NEWS & NOTES 16 STYLE 12 DINING 18 NIGHTLIFE 14 ON EXHIBIT 26 the hub directory 27 CURRENT EVENTS 33 MUSEUMS & GALLERIES 38 CLUBS & BARS 40 SIGHTSEEING 45 MAPS 52 EXCURSIONS 55 FREEDOM TRAIL 57 SHOPPING 64 RESTAURANTS 80 NEIGHBORHOODS 94 5 questions with… Rap legend D.M.C. -
Dulcie Taylor Amy Mantis & the Space Between Asa Brebner
•Our 35th Year Proudly Promoting All Things Music• FREE! December 2020 Asa Brebner Tribute Elvin Bishop Dulcie Taylor Amy Mantis & The Space Between Reboot: Elvin Bishop - November 2005 In the business of music, you’d be hard who played blues in Oklahoma. It was pretty Pepper Shakers. As I got a little better, I was able at that time so we gravitated right for each other. pressed to find a more down-to-earth guy than hard getting started. I had those little pawn shop to get gigs with people like JT Brown. He was kind METRONOME: What year did you go solo? Elvin Bishop. Since the age of eighteen, he’s been guitars with the strings two inches off the neck. of a known saxophone player around Chicago. Late sixties maybe. I’m not good with dates. quietly storing away stories and tales of a career It’s a tribute to human persistence that I stuck Hound Dog Taylor... you’ve probably heard of METRONOME: Was it The Elvin Bishop Band? filled with larger-than-life events. From playing with it at all. him. Junior Wells gave me a few gigs. He was nice Yeah. with great Chicago bluesmen like Muddy Waters, METRONOME: What was your first pro gig? enough to. Then I got with Butterfield. METRONOME: What was the name of your Lightnin’ Hopkins and Albert Collins to jamming Before I got with [Paul] Butterfield, I played with METRONOME: How did you meet Paul? first record? with Jimi Hendrix, Elvin Bishop has done it all some little bands. -
Why Does Country & Western Music
NEW ENGLAND COUNTRY & WESTERN MUSIC: SELF-RELIANCE, COMMUNITY EXPRESSION, AND REGIONAL RESISTANCE ON THE NEW ENGLAND FRONTIER BY CLIFFORD R. MURPHY B.A. GETTYSBURG COLLEGE, 1994 M.A. BROWN UNIVERSITY, 2005 SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE PROGRAM IN MUSIC: ETHNOMUSICOLOGY AT BROWN UNIVERSITY. PROVIDENCE, RHODE ISLAND MAY 2008 © 2008 CLIFFORD R. MURPHY This dissertation by Clifford R. Murphy is accepted in its present form by the Department of Music as satisfying the dissertation requirement for the degree of Doctor of Philosophy. (signed and dated copy on file at Brown University) Date_______________ _________________________ Jeff Todd Titon, Advisor Recommended to the Graduate Council Date_______________ __________________________ Jennifer Post, Reader Date_______________ __________________________ Paul Buhle, Reader Date_______________ __________________________ Rose Subotnik, Reader Approved by the Graduate Council Date_______________ __________________________ Sheila Bonde, Dean of the Graduate School iii CURRICULUM VITAE Clifford R. Murphy was born in Ridgewood, New Jersey in 1972 and was raised in New Hampshire in the towns of Durham and Newmarket. Cliff learned to play guitar at age 16, graduated from Newmarket High School in 1990, and attended Gettysburg College where he majored in History and English. Following graduation in 1994, Cliff returned to New Hampshire and spent the next nine years working as a singer, songwriter, and rhythm guitarist in the internationally -
"Rock Against Reagan": the Punk Movement, Cultural Hegemony, and Reaganism in the Eighties
University of Northern Iowa UNI ScholarWorks Dissertations and Theses @ UNI Student Work 2016 "Rock against Reagan": The punk movement, cultural hegemony, and Reaganism in the eighties Johnathan Kyle Williams University of Northern Iowa Let us know how access to this document benefits ouy Copyright ©2016 Johnathan Kyle Williams Follow this and additional works at: https://scholarworks.uni.edu/etd Part of the Cultural History Commons Recommended Citation Williams, Johnathan Kyle, ""Rock against Reagan": The punk movement, cultural hegemony, and Reaganism in the eighties" (2016). Dissertations and Theses @ UNI. 239. https://scholarworks.uni.edu/etd/239 This Open Access Thesis is brought to you for free and open access by the Student Work at UNI ScholarWorks. It has been accepted for inclusion in Dissertations and Theses @ UNI by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. Copyright by JOHNATHAN KYLE WILLIAMS 2015 All Rights Reserved “ROCK AGAINST REAGAN”: THE PUNK MOVEMENT, CULTURAL HEGEMONY, AND REAGANISM IN THE EIGHTIES An Abstract of a Thesis Submitted in Partial Fulfillment of the Requirements for the Degree Master of Arts Johnathan Kyle Williams University of Northern Iowa May, 2016 ABSTRACT Despite scholars’ growing interest in the cultural movement known as punk, there has been a lack of focus on the movement’s relationship to its historical context. Punk meant rebellion, and this research looks at how the rebellion of the American punk movement during the eighties [1978 to 1992], was aimed at the president Ronald Reagan. Their dissent, however, was not only directed towards Reagan, but the culture that he encompassed.