A Spatial History of Arena Rock, 1964–79
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Český Metalový Videoklip Po Roce 2002
Masarykova universita Filosofická fakulta Ústav filmu a audiovizuální kultury Viktor Palák (FAV – AJ, magisterské prezenční) Český metalový videoklip po roce 2002 (magisterská diplomová práce) Vedoucí práce: Mgr. Petr Szczepanik, Ph.D. Brno 2007 Za pedagogickévedení bych rád poděkoval Mgr. Petru Szczepanikovi, Ph.D., za faktografickéinformacea výpomoc při kompletaci videoklipů Ladislavu Olivovi, za asistenci při kontaktování kapel Michalu Husákovi a za poskytnutí informací všem skupinám i jednotlivcům, kteří byli ochotni méhovýzkumu seúčastnit. Prohlašuji, žejsem pracoval samostatněa použil jen uvedených pramenů. V Brně, 25. června 2007 2 Obsah 1.0 Uvedení doproblematiky ______________________________________________________________________________ 4 1.1 Zdroje_____________________________________________________ 5 1.11 Metal _______________________________________________ 5 1.12 Videoklipy __________________________________________ 8 1.13 České zdroje________________________________________ 8 1.2 Selekceklipů dle doby vzniku a hudebníhožánru ___________ 9 1.3 Kapitoly ___________________________________________________ 11 222.02.0 Metalovéklipy v českých televizích ____________________________ 13 2.1 Volání pometalovéhitparádě_______________________________ 14 2.2 Nástup TV Óčko ____________________________________________ 17 333.03.0 Podoba metalových klipů _______________________________________ 22 3.1 Souhra s hudbou – otázka hlasitosti ________________________ 22 3.2 Základy metalovétypologie: diverzita a její porozumění ______ 24 -
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack. -
December 1992
VOLUME 16, NUMBER 12 MASTERS OF THE FEATURES FREE UNIVERSE NICKO Avant-garde drummers Ed Blackwell, Rashied Ali, Andrew JEFF PORCARO: McBRAIN Cyrille, and Milford Graves have secured a place in music history A SPECIAL TRIBUTE Iron Maiden's Nicko McBrain may by stretching the accepted role of When so respected and admired be cited as an early influence by drums and rhythm. Yet amongst a player as Jeff Porcaro passes metal drummers all over, but that the chaos, there's always been away prematurely, the doesn't mean he isn't as vital a play- great discipline and thought. music—and our lives—are never er as ever. In this exclusive interview, Learn how these free the same. In this tribute, friends find out how Nicko's drumming masters and admirers share their fond gears move, and what's tore down the walls. memories of Jeff, and up with Maiden's power- • by Bill Milkowski 32 remind us of his deep ful new album and tour. 28 contributions to our • by Teri Saccone art. 22 • by Robyn Flans THE PERCUSSIVE ARTS SOCIETY For thirty years the Percussive Arts Society has fostered credibility, exposure, and the exchange of ideas for percus- sionists of every stripe. In this special report, learn where the PAS has been, where it is, and where it's going. • by Rick Mattingly 36 MD TRIVIA CONTEST Win a Sonor Force 1000 drumkit—plus other great Sonor prizes! 68 COVER PHOTO BY MICHAEL BLOOM Education 58 ROCK 'N' JAZZ CLINIC Back To The Dregs BY ROD MORGENSTEIN Equipment Departments 66 BASICS 42 PRODUCT The Teacher Fallacy News BY FRANK MAY CLOSE-UP 4 EDITOR'S New Sabian Products OVERVIEW BY RICK VAN HORN, 8 UPDATE 68 CONCEPTS ADAM BUDOFSKY, AND RICK MATTINGLY Tommy Campbell, Footwork: 6 READERS' Joel Maitoza of 24-7 Spyz, A Balancing Act 45 Yamaha Snare Drums Gary Husband, and the BY ANDREW BY RICK MATTINGLY PLATFORM Moody Blues' Gordon KOLLMORGEN Marshall, plus News 47 Cappella 12 ASK A PRO 90 TEACHERS' Celebrity Sticks BY ADAM BUDOFSKY 146 INDUSTRY FORUM AND WILLIAM F. -
Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
RADIATION SAFETY OFFICE Table of Contents
Center for Radiological Research − 630 W. 168th St., New York, NY 10032 − http://crr-cu.org ANNUAL REPORT 2007 Eric J. Hall Director Howard B. Lieberman Editor Jinshuang Lu Assistant Editor CENTER FOR RADIOLOGICAL RESEARCH • ANNUAL REPORT 2007 Table of Contents CONTENTS.................................................................................................................................................................................1 COLLABORATING DEPARTMENTS AND INSTITUTIONS....................................................................................................4 ACKNOWLEDGEMENT OF SUPPORT.....................................................................................................................................4 RELATED WEB SITES..............................................................................................................................................................4 INTRODUCTION ........................................................................................................................................................................5 STAFF NEWS .............................................................................................................................................................................6 COLUMBIA COLLOQUIUM AND LABORATORY SEMINARS..............................................................................................7 STAFF LISTING .........................................................................................................................................................................8 -
AXS TV Canada Schedule for Mon. January 13, 2020 to Sun. January 19, 2020
AXS TV Canada Schedule for Mon. January 13, 2020 to Sun. January 19, 2020 Monday January 13, 2020 4:00 PM ET / 1:00 PM PT 6:00 AM ET / 3:00 AM PT The Top Ten Revealed Tom Green Live Epic Songs of ‘73 - Find out which epic songs of ‘73 make our list as rock experts like Eddie Andrew Dice Clay - It’s a reunion of the true bad boys of comedy as actor and legendary stand-up Money, Lita Ford, Clem Burke (Blondie), Caleb Quaye (Elton John) and Jack Russell (Jack Russell’s comedian Andrew Dice Clay reconnects with his running mate Tom for a no-holds-barred discus- Great White) count us down! sion of life, show-biz, and whatever else pops up. 4:30 PM ET / 1:30 PM PT 7:00 AM ET / 4:00 AM PT The Day The Rock Star Died Classic Albums Michael Jackson - Michael Jackson was a singer, songwriter, dancer and known simply as “The Phil Collins: Face Value - The program includes several previously unseen performances as well as King of Pop.” His contributions to music, dance, and highly publicized personal life made him a rare home movies of the studio sessions where Phil Collins worked closely with Hugh Padgham global figure in popular culture for over four decades. and the Earth, Wind & Fire horn section. Featuring the classic ‘In The Air Tonight,’ ‘Behind The Lines,’ ‘Please Don’t Ask,’ ‘I Missed Again’ and ‘This Must Be Love.’ 5:00 PM ET / 2:00 PM PT The Ronnie Wood Show 8:00 AM ET / 5:00 AM PT Bobby Gillespie - Joining Ronnie this week is lead singer and founding member of Primal Rock Legends Scream, Scottish-born Bobby Gillespie. -
Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2017 Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood Kevin Mercer University of Central Florida Part of the History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Mercer, Kevin, "Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood" (2017). Electronic Theses and Dissertations, 2004-2019. 5540. https://stars.library.ucf.edu/etd/5540 HIPPIELAND: BOHEMIAN SPACE AND COUNTERCULTURAL PLACE IN SAN FRANCISCO’S HAIGHT-ASHBURY NEIGHBORHOOD by KEVIN MITCHELL MERCER B.A. University of Central Florida, 2012 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2017 ABSTRACT This thesis examines the birth of the late 1960s counterculture in San Francisco’s Haight-Ashbury neighborhood. Surveying the area through a lens of geographic place and space, this research will look at the historical factors that led to the rise of a counterculture here. To contextualize this development, it is necessary to examine the development of a cosmopolitan neighborhood after World War II that was multicultural and bohemian into something culturally unique. -
Bob Dylan Performs “It's Alright, Ma (I'm Only Bleeding),” 1964–2009
Volume 19, Number 4, December 2013 Copyright © 2013 Society for Music Theory A Foreign Sound to Your Ear: Bob Dylan Performs “It’s Alright, Ma (I’m Only Bleeding),” 1964–2009 * Steven Rings NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.13.19.4/mto.13.19.4.rings.php KEYWORDS: Bob Dylan, performance, analysis, genre, improvisation, voice, schema, code ABSTRACT: This article presents a “longitudinal” study of Bob Dylan’s performances of the song “It’s Alright, Ma (I’m Only Bleeding)” over a 45-year period, from 1964 until 2009. The song makes for a vivid case study in Dylanesque reinvention: over nearly 800 performances, Dylan has played it solo and with a band (acoustic and electric); in five different keys; in diverse meters and tempos; and in arrangements that index a dizzying array of genres (folk, blues, country, rockabilly, soul, arena rock, etc.). This is to say nothing of the countless performative inflections in each evening’s rendering, especially in Dylan’s singing, which varies widely as regards phrasing, rhythm, pitch, articulation, and timbre. How can music theorists engage analytically with such a moving target, and what insights into Dylan’s music and its meanings might such a study reveal? The present article proposes one set of answers to these questions. First, by deploying a range of analytical techniques—from spectrographic analysis to schema theory—it demonstrates that the analytical challenges raised by Dylan’s performances are not as insurmountable as they might at first appear, especially when approached with a strategic and flexible methodological pluralism. -
The Sixties Counterculture and Public Space, 1964--1967
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 2003 "Everybody get together": The sixties counterculture and public space, 1964--1967 Jill Katherine Silos University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Silos, Jill Katherine, ""Everybody get together": The sixties counterculture and public space, 1964--1967" (2003). Doctoral Dissertations. 170. https://scholars.unh.edu/dissertation/170 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Nat Geo Taps the A-List for Its Latest Premium Play, ‘Breakthrough’ Advances in Biotechnology
NOVEMBER / DECEMBER 15 Nat Geo taps the A-list for its latest premium play, ‘Breakthrough’ CANADA POST AGREEMENT NUMBER 40050265 PRINTED IN CANADA USPS AFSM 100 Approved Polywrap USPS AFSM 100 Approved NUMBER 40050265 PRINTED IN CANADA POST AGREEMENT CANADA US $7.95 USD Canada $8.95 CDN Int’l $9.95 USD G<ID@KEF%+*-* 9L==8CF#EP L%J%GFJK8><G8@; 8LKF ALSO: VR – THE BIG PICTURE | AMY BERG TALKS JANIS GIJIKJK; A PUBLICATIONPUBLICATION OF BRUNICOBRUNICO COMMUNICATIONSCOMMUNICATIONS LTD.LTD. Realscreen Cover.indd 2 2015-11-09 4:33 PM Are you our next winner? Celebrating excellence in non-fi ction and unscripted entertainment Awards will be presented at the 2016 edition of Realscreen West, Santa Monica CA, June 9, 2016 Final entry deadline: Friday, February 5, 2016 To submit your entries go to awards.realscreen.com RS.27203.27200.RSARSW.indd 3 2015-11-10 10:05 AM contents november / december 15 DiscoveryVR intends to teach 13 viewers How to Survive in the Wild 22 through immersive content. BIZ Vice pacts with A+E, Rogers for cable channels; Montgomery set to lead ITV Studios U.S. Group ................................. 9 INGENIOUS Legendary rock icon Janis Joplin is the focal point of Amy Berg’s latest, Janis: Little Girl Blue. Amy Berg celebrates Janis Joplin .......................................................13 SPECIAL REPORTS 26 SCIENCE FOCUS Three science projects that tackle breakthroughs and big questions; a chat with Science Channel’s Marc Etkind ......................16 Couldn’t make it to Realscreen London? See what you VFX/ANIMATION missed in our photo page. Looking at the big picture for virtual reality content; Rebuilding history with CGI ..............................................................22 “It’s so diffi cult now to REALSCREEN LONDON deliver visual spectacle The scene at our UK conference’s second edition .............................26 that makes your eyes AND ONE MORE THING open again.” 18 Chris Evans talks Top Gear ............................................................... -
An Analysis of the American Outdoor Sport Facility: Developing an Ideal Type on the Evolution of Professional Baseball and Football Structures
AN ANALYSIS OF THE AMERICAN OUTDOOR SPORT FACILITY: DEVELOPING AN IDEAL TYPE ON THE EVOLUTION OF PROFESSIONAL BASEBALL AND FOOTBALL STRUCTURES DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Chad S. Seifried, B.S., M.Ed. * * * * * The Ohio State University 2005 Dissertation Committee: Approved by Professor Donna Pastore, Advisor Professor Melvin Adelman _________________________________ Professor Janet Fink Advisor College of Education Copyright by Chad Seifried 2005 ABSTRACT The purpose of this study is to analyze the physical layout of the American baseball and football professional sport facility from 1850 to present and design an ideal-type appropriate for its evolution. Specifically, this study attempts to establish a logical expansion and adaptation of Bale’s Four-Stage Ideal-type on the Evolution of the Modern English Soccer Stadium appropriate for the history of professional baseball and football and that predicts future changes in American sport facilities. In essence, it is the author’s intention to provide a more coherent and comprehensive account of the evolving professional baseball and football sport facility and where it appears to be headed. This investigation concludes eight stages exist concerning the evolution of the professional baseball and football sport facility. Stages one through four primarily appeared before the beginning of the 20th century and existed as temporary structures which were small and cheaply built. Stages five and six materialize as the first permanent professional baseball and football facilities. Stage seven surfaces as a multi-purpose facility which attempted to accommodate both professional football and baseball equally.