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Dan Zanes House Party
DAN ZANES' HOUSE PARTY! Make Your Family Band Dreams Come True with the Grammy Award-winning Dan Zanes Meet Dan Zanes & Claudia Elias Grammy Award-winner Dan Zanes occupies a unique place in American music. Referred to by Time Magazine as “the family-music genre’s most outspoken and eloquent advocate,” and by NPR as, “The Gold Standard in kid’s music,” his critically- acclaimed work has been featured on Sesame Street, Playhouse Disney, Nickelodeon, HBO Family and Sprout. In the 1980s, Zanes was a member of The Del Fuegos, a roots rock band. After becoming a father in 1994, he began trying to create music that he and his daughter could enjoy together as a shared experience, an updated version of the Folkways records he grew up on. In 2017, Zanes and his wife, Haitian-American jazz vocalist Music Therapist Claudia Eliaza, premiered Night Train 57: A Sensory Friendly Comic Folk Opera at The Kennedy Center, the first piece commissioned by The Kennedy Center to be created as a Sensory Friendly experience. Dan and Claudia believe that Sensory Friendly is the future of family entertainment and have committed to presenting their work in this inclusive manner. Zanes and Eliaza are currently touring for Night Train 57 and the new album, Lead Belly, Baby!, which celebrates the children’s music of his childhood inspiration Lead Belly – the Godfather of modern family music. In between tours, Zanes teaches guitar and ukulele on Sonic Junction, the leader in online instructional videos, and listens obsessively to Haitian music. About the Book Zanes has curated a rich selection of 64 soulful songs from an essential cross-section of folk styles while highlighting thir multicultural roots. -
Music and Inter-Generational Experiences of Social Change in South Africa
All Mixed Up: Music and Inter-Generational Experiences of Social Change in South Africa Dominique Santos 22113429 PhD Social Anthropology Goldsmiths, University of London All Mixed Up: Music and Inter-Generational Experiences of Social Change in South Africa Dominique Santos 22113429 Thesis submitted in fulfillment of the requirements for a PhD in Social Anthropology Goldsmiths, University of London 2013 Cover Image: Party Goer Dancing at House Party Brixton, Johannesburg, 2005 (Author’s own) 1 Acknowledgements I owe a massive debt to a number of people and institutions who have made it possible for me to give the time I have to this work, and who have supported and encouraged me throughout. The research and writing of this project was made financially possible through a generous studentship from the ESRC. I also benefitted from the receipt of a completion grant from the Goldsmiths Anthropology Department. Sophie Day took over my supervision at a difficult point, and has patiently assisted me to see the project through to submission. John Hutnyk’s and Sari Wastel’s early supervision guided the incubation of the project. Frances Pine and David Graeber facilitated an inspiring and supportive writing up group to formulate and test ideas. Keith Hart’s reading of earlier sections always provided critical and pragmatic feedback that drove the work forward. Julian Henriques and Isaak Niehaus’s helpful comments during the first Viva made it possible for this version to take shape. Hugh Macnicol and Ali Clark ensured a smooth administrative journey, if the academic one was a little bumpy. Maia Marie read and commented on drafts in the welcoming space of our writing circle, keeping my creative fires burning during dark times. -
Stagepage.Winter•Spring.14
STAGEPAGE.WINIt’s a Play! The Flick TERBrundibar & •But the sprinGiraffe! G.14 All My Sons Hairspray The Pirates of Penzance Les Misérables As You Like It 12th Night (a Musical) Company One Underground Railway Theater j a n u a r y New England Repertory Company Wheelock Family Theatre Artbarn Community Theater Watertown Children’s Theatre Assumption College Theatre Department Actors’ Shakespeare Project February 20 - March 15 March 6 - April 6 It’s a Play! January 10 - January 19 January 24 - February 23 February 8 - February 9 March 21 April 4 - April 6 April 17 - May 18 The Light Princess 508-339-2822 / mmas.org M2 617-879-2300 / WheelockFamilyTheatre.org B36 617-557-6537 / CompanyOne.org B3 866-811-4111 / centralsquaretheater.org B12 800-838-3006 / watertownchildrenstheatre.org B2 877-571-7469 / TheHanoverTheatre.org M13 866-811-4111 / actorsshakespeareproject.org American Repertory Theater 617-975-0050 / artbarn.org B26 Through January 5 We Are Proud To Present A Presentation... The Whipping Man No Place to Go A Midsummer Night’s Dream Sordid Lives In Between The Wholehearted Slask Song and Dance Ensemble of Poland Ethan Lipton Bristol Old Vic in association w/ Handspring Puppet Company 617-547-8300 / americanrepertorytheater.org B23 Company One New Repertory Theatre The Hanover Theatre for the Performing Arts Quannapowitt Players New Repertory Theatre Stein | Holum Projects February 20 - February 22 March 6 - March 15 January 10 - February 1 January 25 - February 16 February 9 March 21 - April 5 April 4 - April 20 April 17 - April -
KOOL & the GANG, Jersey City, N.J. in 1964, Ronald Bell and Robert
KOOL & THE GANG, Jersey City, N.J. In 1964, Ronald Bell and Robert “Kool” Bell joined Jersey City neighborhood friends Robert “Spike” Mickens, Dennis “Dee Tee” Thomas, Ricky Westfield, George Brown, and Charles Smith to create the Kool & the Gang sound - a unique blend of jazz, soul and funk. Throughout the seventies this blend produced a string of hits including “Jungle Boogie”, “Hollywood Swinging”, “Funky Stuff’ and “Summer Madness”. In 1979 the group penetrated the pop market by incorporating the smooth sounds of vocalist James “JT” Taylor with their infectious formula for making hits. Casey Kasem named Kool & the Gang the band of the eighties noting the bands steady stream of hits during the decade. “Ladies Night”, “Get Down on It” “Joanna” and the theme song to parties worldwide, “Celebration”, solidified Kool & the Gang’s musical legacy. Today, the group enjoys global fame and recognition and a following that spans generations due in part to the groups widely sampled catalogue. Kool & the Gang’s drum beats, bass, guitar and signature horn lines lace the tracks of numerous artists including the Beastie Boys, Jay-Z, Madonna, Janet Jackson, Cypress Hill, and P. Diddy. Kool & the Gang is the most sampled band in hip-hop by far. Their music is also featured on the soundtracks for Rocky, Saturday Night Fever, Pulp Fiction, Wreck-lt Ralph and countless others. For fifty years, Kool & the Gang has continued to tour the world appearing with artists such as Kid Rock, Dave Matthews Band, Elton John, The Roots and a 50-city tour with Van Halen. -
2021 LGBTQ+ Youth Convening
2021 LGBTQ+ Youth Convening Intersect & Connect Thank you for attending! Thank you for… We are incredibly grateful for the support of our sponsors… volunteers. Youth leaders and staff. Conference Schedule Saturday, May 15th, 2021 Theme: Mental Health and Support Time Action 11:00 am - 11:25 am Welcoming and Opening Speakers: Jay Henslee (US Bank) 11:30 am - 12:20 pm Workshops (50 minutes) Workshop 1 Supporting Victims of Sexual Assault Nicole Zárate (Waymakers OC) Workshop 2 Families of Color: Accepting our LGBTQ+ Loved Ones Jonatan Gutierrez (LGBTQ Center OC) & La Familia Workshop 3 Gender Transition Preparedness Jorge Juarez-Lopez (Radiant Health Centers) Workshop 4 Intersectionality x Mental Health Dr. Nadia Alvarez (CSU Fullerton’s Psychology Department) & Leslie Quezada Workshop 5 Building Communication with Your LGBTQ Teen John Sovec (Gender Odyssey) Workshop 6 Building Self-Worth as Queer Asian Americans Nikki Oei (Orange County Asian Pacific Islander Community Alliance) 12:20 pm - 12:30 pm Transition to Closing and Short Break 12:30 pm - 12:40 pm Closing Speaker: Rainbow Warriors 12:40 pm - 1:00 pm Drag Performances, Opportunity Drawings, and Closing Remarks 1 Saturday, May 22nd, 2021 Theme: Education Time Action 11:00 am - 11:25 am Welcoming and Opening Speakers: John Olson (US Bank) and Congresswoman Katie Porter 11:30 am - 12:20 pm Workshops (50 minutes) Workshop 1 Flavored Tobacco's Impact on LGBTQ+ Youth Atticus O’Daniel (LGBTQ Center OC) Workshop 2 Trans 101/102 Brit Cervantes (UCI Diversity Clinic) Workshop 3 From Condoms to Consent: Sex Education and Resource for All Courtney Bramstedt and Youth Leaders (Planned Parenthood of Orange and San Bernardino Counties) Workshop 4 Queering Banking Basics John Olson (US Bank) Workshop 5 Restorative Justice 101 Marco Ortega (OC Human Relations) Workshop 6 Archives and Art: Documenting the Self through Zines Krystal L. -
Robert Glasper's In
’s ION T T R ESSION ER CLASS S T RO Wynton Marsalis Wayne Wallace Kirk Garrison TRANSCRIP MAS P Brass School » Orbert Davis’ Mission David Hazeltine BLINDFOLD TES » » T GLASPE R JAZZ WAKE-UP CALL JAZZ WAKE-UP ROBE SLAP £3.50 £3.50 U.K. T.COM A Wes Montgomery Christian McBride Wadada Leo Smith Wadada Montgomery Wes Christian McBride DOWNBE APRIL 2012 DOWNBEAT ROBERT GLASPER // WES MONTGOMERY // WADADA LEO SmITH // OrbERT DAVIS // BRASS SCHOOL APRIL 2012 APRIL 2012 VOLume 79 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Blooming Where You're Planted
Family Folk Machine Singers Sarah Averill and Isabel Greene Heather Bain Karol Bird Hazel Boerner (7) Barbara Canin Tammy Coverdale-Bauer Mary Denmead and Nina Torkelson (8) Ryan Downing and Jen Sherer ; Althea (8) and Naomi (6) Downing-Sherer Joe and Atticus (7) Dutcher Evelyn Endris Ed Flaherty Rose Hanson Carol Howard Dave Larew Louise Larew Perry Lenz Wendy Levy Ben Lewis and Buffy Quintero; Thisbe (7) and Eliott (9) Lewis Brenda and Noah (7) Linley Jean Littlejohn and Michael Sauder; Claire (9) and Ben (5) Sauder Astrid Montuclard Joan O’Kones Blooming Where You’re Planted: Gerald Pearson Irvin Pfab Songs from Farm to Table Sara Riggs and Gabe Baird (12) Susan Spears Craig Teicher and Brenda Shaughnessy; Calvin (7) and Simone (3) Teicher April 12, 2015 - 2:30 p.m. ~ Old Capitol Senate Chamber Heather Widmayer and Caleigh (12) and Greta (9) Stanier April 19, 2015 - 3:00 p.m. Family Folk Machine String Ensemble Iowa City/Johnson County Senior Center Althea Downing-Sherer, violin Eliott Lewis, violin Claire Sauder, cello The Family Folk Machine is a non-auditioned intergenerational Caleigh Stanier, violin choir that seeks to build a strong community by singing and playing Greta Stanier, cello music with our neighbors, exploring American history and culture through song, fostering individual musical growth, Family Folk Machine Band Craig “Pappy” Klocke, mandolin, banjo, mouth harp, harmonica, etc. and pursuing excellence as an ensemble. Jean Littlejohn, guitar, banjo, and piano Tara McGovern, fiddle Dave Parsons, bass Tim Roberson, dobro Jim Schepker, guitar, 12-string guitar, and banjo Presented in collaboration with: How to be Happy Gardener Dreyer Family Band, arr. -
Rhythm, Dance, and Resistance in the New Orleans Second Line
UNIVERSITY OF CALIFORNIA Los Angeles “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Benjamin Grant Doleac 2018 © Copyright by Benjamin Grant Doleac 2018 ABSTRACT OF THE DISSERTATION “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line by Benjamin Grant Doleac Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Cheryl L. Keyes, Chair The black brass band parade known as the second line has been a staple of New Orleans culture for nearly 150 years. Through more than a century of social, political and demographic upheaval, the second line has persisted as an institution in the city’s black community, with its swinging march beats and emphasis on collective improvisation eventually giving rise to jazz, funk, and a multitude of other popular genres both locally and around the world. More than any other local custom, the second line served as a crucible in which the participatory, syncretic character of black music in New Orleans took shape. While the beat of the second line reverberates far beyond the city limits today, the neighborhoods that provide the parade’s sustenance face grave challenges to their existence. Ten years after Hurricane Katrina tore up the economic and cultural fabric of New Orleans, these largely poor communities are plagued on one side by underfunded schools and internecine violence, and on the other by the rising tide of post-disaster gentrification and the redlining-in- disguise of neoliberal urban policy. -
Billboard-1987-11-21.Pdf
ICD 08120 HO V=.r. (:)r;D LOE06 <0 4<-12, t' 1d V AiNE3'c:0 AlNClh 71. MW S47L9 TOO, £L6LII.000 7HS68 >< .. , . , 906 lIOIa-C : , ©ORMAN= $ SPfCl/I f011I0M Follows page 40 R VOLUME 99 NO. 47 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT November 21, 1987/$3.95 (U.S.), $5 (CAN.) CBS /Fox Seeks Copy Depth Many At Coin Meet See 45s As Strong Survivor with `Predator' two -Pack CD Jukeboxes Are Getting Big Play "Predator" two-pack is Jan. 21; indi- and one leading manufacturer Operators Assn. Expo '87, held here BY AL STEWART vidual copies will be available at re- BY MOIRA McCORMICK makes nothing else. Also on the rise Nov. 5-7 at the Hyatt Regency Chi- NEW YORK CBS /Fox Home Vid- tail beginning Feb. 1. CHICAGO While the majority of are video jukeboxes, some using la- cago. More than 7,000 people at- eo will test a novel packaging and According to a major -distributor jukebox manufacturers are confi- ser technology, that manufacturers tended the confab, which featured pricing plan in January, aimed at re- source, the two -pack is likely to be dent that the vinyl 45 will remain a say are steadily gaining in populari- 185 exhibits of amusement, music, lieving what it calls a "critical offered to dealers for a wholesale viable configuration for their indus- ty. and vending equipment. depth -of-copy problem" in the rent- price of $98.99. Single copies, which try, most are beginning to experi- Those were the conclusions Approximately 110,000 of the al market. -
Rock Music's Crusade of Authenticity
ROCK MUSIC’S CRUSADE OF AUTHENTICITY by DANIEL BROMFIELD A THESIS Presented to the Department of Journalism and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2016 An Abstract of the Thesis of Daniel Bromfield for the degree of Bachelor of Arts in the School of Journalism and Communications to be taken June 2016 Title: Rock Music's Crusade Of Authenticity Prof. Thomas Wheeler This thesis attempts to define rock music's standards of authenticity and explore their origins. Included are comparison of rock's standards of authenticity to those of other genres and an exploration of how authenticity has been perceived throughout the history of rock music. This study argues that rock's standards of authenticity are unusual among pop music genres in that they entail artists both writing their own songs and playing their own instruments. This is in contrast to genres like hip hop, contemporary pop, and R&B, which have their own quite different standards of authenticity. Quotes from rock fans, critics, and musicians are used to provide insight into rock's standards of authenticity and how they developed over time. ii Acknowledgements I would like to first and foremost thank my father for introducing me to music. If not for his decision to turn me on to the Beatles one sunny day in June 2006, I would surely be pursuing a far more boring career – and thesis topic. And I would like to thank my mother for giving me a great life and being endlessly supportive. -
First Night First Night
what to do • where to go • what to see December 19,2005–January 1,2006 ThTheeeOfO Offficficiaiaiall GuidGuideeetot too BOSTBOSTONON Boston’s 9 Best Bets for Ringing in the New YYearear Including: Our Guide to First Night PLUS: >What’s New in the New YearYear >Q&A with the Boston Pops’ Keith Lockhart www.panoramamagazine.com Now in our 2nd d Breaking Year!!! contents Recor COVER STORY 15 Countdown 2006 From First Night to rockin’ parties, our guide to the best places to ring in the New Year ® FEATURE 18 The Hub It Is A-Changin’ The Hilarious Celebration of Women and The Change! Panorama takes a look at what’s new in Boston in 2006 in 2006 DEPDEPARTMENTSARTMENTS 6 around the hub 6 news & notes 12 nightlife 10 on exhibit 13 dining Men 11 kids corcornerner 14 style Love It Too!!! 22 the hub directory 23 currentcurrent events TIP TOP: TheThe TopTop ofof thethe HubHub 31 clubs & bars atat thethe PrudentialPrudential CenterCenter,, where LauraLaura enjoysenjoys champagne,champagne, is is oneone 33 museums & galleries ofof manymany ggreatreat locationslocations toto 38 maps celebratecelebrate 20062006 asas thethe clockclock “YOU’LL LOVE IT. IT’S 43 sightseeing strikesstrikes midnight.midnight. Refer to story, pagepage 15.15. 48 frfreedomeedom trail PPHOTOHOTO BY HILARIOUS. GO SEE IT!” 50 shopping JOHNSAVONEJOHNSAVONE..COM - Joy Behar, The View 54 mind & body 55 rrestaurantsestaurants on the cover: 68 NEIGHBORHOODS “FRESH, FUNNY & SIMPLY Model Ashley of Maggie Inc. 78 5 questions with… gets ready for a rrollickingollicking New Year’s Eve at Top of the Hub. TERRIFIC!” Boston Pops maestro Photo: johnsavone.com KEITH LOCKHARTLOCKHART Photo: johnsavone.com - LA Times Hair: Rogue, Salon Marc Harris Great Rates For Groups! To reserve call (617) 426-4499 ext. -
Artist of the Year
THE 4 Trading Post Way Medford Lakes, New Jersey 08055 HARD REPORT' December 18, 1987 Issue #59 609-654-7272 ARTIST OF THE YEAR ZGI A a 112 MALE VOCAL ISLAND RADIO RATES THE BEST OF '87 COMEBACK BREAKTHROUGH GRATEFUL REM DEAD "DOCUMENT" "TOUCH OF GREY" IRS ARISTA FEMALE 6.vryttri,Vizer NEW FEMALE VOCAL SUZANNE VEGA ANN WILSON "SOLITUDE STANDING" "BAD ANIMALS" A&M CAPITOL IMAGE NEW MALE TURNAROUND RICHARD AEROSMITH MARX "PERMANENT EMI VACATION" GEFFEN WORLD PARTY NEW AMERICAN Private Revolution NEW IMPORT BAND ACT THE BRANDOS WORLD PARTY "HONOR AMONG "PRIVATE THIEVES" REVOLUTION" RELATIVITY CHRYSALIS AND NOW A WORD FROM OUR SPONSOR ... It's four in the morning and frcm where we sit, this Final Issue looks like a keeper. We've put a ton of time and energyinto this particular edition, and we think you'll have lots of fun with the overview. After all, with some 90 + stations responding to our sur- vey, it's basically your window on RockWorld as it went down this past year. The first year of any new business is hell on wheels, (Groanong, creaking, barking dog sound efx, please) and we've seen quite a parade in '87. When I look back over my final comments last year (after nine issues), it sounded as if we had moved mountains. And in a way we had, starting from scratch to a full service publication some 140 stations deep. But in the 12 months since, it has become readily apparent that we were barely walking then. We've extended our reporter roster well past the 200 mark; Our New Alternative and Hard Rock sections have inspired numerous imitators, and our combi- nation of high technology and people power has effectively re -defined what a tip sheet can and will be in the years to come.