FLAVIA DOMITILLA AS DELICATA: a NEW INTERPRETATION of SUETONIUS, VESP. 3* in This Way Suetonius Informs Us About Flavia Domitill
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The Recollections of Encolpius
The Recollections of Encolpius ANCIENT NARRATIVE Supplementum 2 Editorial Board Maaike Zimmerman, University of Groningen Gareth Schmeling, University of Florida, Gainesville Heinz Hofmann, Universität Tübingen Stephen Harrison, Corpus Christi College, Oxford Costas Panayotakis (review editor), University of Glasgow Advisory Board Jean Alvares, Montclair State University Alain Billault, Université Jean Moulin, Lyon III Ewen Bowie, Corpus Christi College, Oxford Jan Bremmer, University of Groningen Ken Dowden, University of Birmingham Ben Hijmans, Emeritus of Classics, University of Groningen Ronald Hock, University of Southern California, Los Angeles Niklas Holzberg, Universität München Irene de Jong, University of Amsterdam Bernhard Kytzler, University of Natal, Durban John Morgan, University of Wales, Swansea Ruurd Nauta, University of Groningen Rudi van der Paardt, University of Leiden Costas Panayotakis, University of Glasgow Stelios Panayotakis, University of Groningen Judith Perkins, Saint Joseph College, West Hartford Bryan Reardon, Professor Emeritus of Classics, University of California, Irvine James Tatum, Dartmouth College, Hanover, New Hampshire Alfons Wouters, University of Leuven Subscriptions Barkhuis Publishing Zuurstukken 37 9761 KP Eelde the Netherlands Tel. +31 50 3080936 Fax +31 50 3080934 [email protected] www.ancientnarrative.com The Recollections of Encolpius The Satyrica of Petronius as Milesian Fiction Gottskálk Jensson BARKHUIS PUBLISHING & GRONINGEN UNIVERSITY LIBRARY GRONINGEN 2004 Bókin er tileinkuð -
An Encoded Saturnian Theme Peter Mark Adams
The Sola-Busca Tarocchi An Encoded Saturnian Theme Peter Mark Adams The Sola-Busca is a Ferrarese tarocchi produced at the court of the House of Este, Dukes of Ferrara, Reggio and Modena, and dating from 1491. It is the earliest complete deck of tarocchi cards in existence and its fine detail is attributable to its production from copper engraving plates. The Sola-Busca disguises its true import beneath historical narratives derived from Plutarch, Livy and the Alexander Romance literary tradition; but this carefully prepared ‘surface’ has been rendered unstable and polysemous by the systematic use of ambiguity in the spelling of names and the presence of symbolic counters that point towards deeper, occulted levels of meaning. Trump XVIII Lentulo depicts a figure placing a large, freestanding liturgical candle upon an altar with his left hand, whilst his right hand grips his beard. The figure is richly dressed in a long, single-piece gown whose opulence stands out amongst the austere military-style dress of the majority of trumps. The strange arrangement of the head covering is suggestive of an ancient cap known as a pilleus rather than hair. What does this attention grabbing display portend? In Book XIV of Martial’s Epigrams, On the Presents Made to Guests at Feasts, we learn, “Now, while the knights and the lordly senators delight in the festive robe (Latin: synthesibus), and the cap of liberty (Latin: pillea) is assumed by our Jupiter; and while the slave, as he rattles the dice-box, has no fear of the Aedile … what can I do better, Saturn, on these days of pleasure, which your son himself has consecrated to you”. -
Vespasia Polla Vespasiani Family*
Vespasia Polla Vespasiani Family* Titus Flavius Petronius Sabinus c45 BCE Centurion Reserve Army Vespasius Pollo of Pompeii, Tax Collector Reate Sabinia Italy-15 Rome [+] Tertulia Military Tribune ?-45 Tertuilius di Roma 32 BCE Lazio Italy -9AD Rome Nursia + ? = Titus Flavius I Sabinus Tax Collector + = Vespasia & Banker c20 BCE Rieti Lazio Italy-? Polla 19 BCE-? = Flavius = Titus Flavius Caesar Vespasianus Augustus 9 Falacrinae-79 Rieti, Italy Proconsul = Titus Flavius II Sabinus Consul of Rome c8-69 Vespasia c10 of Africa 53-69, Emperor of Rome 69-79 + 1. 38 AD Domitilla the Elder 2 Sabratha + 1. 63 AD Arrechina Clementina Arrechinus 1 BCE-c10BCE North Africa (present Libya)-66 Rome; +[2.] Antonia Caenis ?-74 = 3 children Tertulla c12-65; +2. Marcia Furnilla Petillius Rufus, Prefect of Rome c 18 AD + ? Caesia = 1. Titus Flavius Caesar = 1. Titus Flavius Caesar Domitianus Augustus = 1. Flavia = Quintus Petillius Cerialis Vespasianus Augustus 39 51-96 Rome Emperor of Rome 81-96 + 1. 70 Domitilla the Caesius Rufus Caesii Senator Rome-81 Rieti Emperor of Domitia Longina; [+] 2. Julia Flavia 64-91 Rome Younger 45- of Rome, Governor of Britain Rome 79-81 +1. Marcia 66 Rome +60 30 Ombrie Italy-83 Furnilla+ 2. Arrecina Tertulla Cassius Labienus Posthumus = 1. Titus Flavius [PII265-270] + ? = + =Flavia Saint + = Titus Flavius III Caesar 73-82 Rome = 1. Julia Flavia 64-91 Domitilla ?-95< Clemens Sabinus 50-95 Rome = Marcus Postumia Festus de Afranius Hannibalianus Rome, Consul Suffect de Rome ?- Afranii Prince of Syria c200- = Titus Flavius IV -
The Lives of the Saints
Itl 1 i ill 11 11 i 11 i I 'M^iii' I III! II lr|i^ P !| ilP i'l ill ,;''ljjJ!j|i|i !iF^"'""'""'!!!|| i! illlll!lii!liiy^ iiiiiiiiiiHi '^'''liiiiiiiiilii ;ili! liliiillliili ii- :^ I mmm(i. MwMwk: llliil! ""'''"'"'''^'iiiiHiiiiiliiiiiiiiiiiiii !lj!il!|iilil!i|!i!ll]!; 111 !|!|i!l';;ii! ii!iiiiiiiiiiilllj|||i|jljjjijl I ili!i||liliii!i!il;.ii: i'll III ''''''llllllllilll III "'""llllllll!!lll!lllii!i I i i ,,„, ill 111 ! !!ii! : III iiii CORNELL UNIVERSITY LIBRARY l,wj Cornell Unrversity Library BR 1710.B25 1898 V.5 Lives ot the saints. Ili'lll I 3' 1924 026 082 572 Cornell University Library The original of tliis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924026082572 THE ilibes? of tlje t)atnt0 REV. S. BARING-GOULD SIXTEEN VOLUMES VOLUME THE FIFTH THE ILities of tlje g)amt6 BY THE REV. S. BARING-GOULD, M.A. New Edition in i6 Volumes Revised with Introduction and Additional Lives of English Martyrs, Cornish and Welsh Saints, and a full Index to the Entire Work ILLUSTRATED BY OVER 400 ENGRAVINGS VOLUME THE FIFTH LONDON JOHN C. NFMMO &-• NEW YORK . LONGMANS, GREEN. CO. MDCCCXCVIll / , >1< ^-Hi-^^'^ -^ / :S'^6 <d -^ ^' Printed by Ballantyne, Hanson &> CO. At the Ballantyne Press *- -»5< im CONTENTS PAGE Bernardine . 309 SS. Achilles and comp. 158 Boniface of Tarsus . 191 B. Alcuin 263 Boniface IV., Pope . 345 S. Aldhelm .... 346 Brendan of Clonfert 217 „ Alexander I., Pope . -
Calendar of Roman Events
Introduction Steve Worboys and I began this calendar in 1980 or 1981 when we discovered that the exact dates of many events survive from Roman antiquity, the most famous being the ides of March murder of Caesar. Flipping through a few books on Roman history revealed a handful of dates, and we believed that to fill every day of the year would certainly be impossible. From 1981 until 1989 I kept the calendar, adding dates as I ran across them. In 1989 I typed the list into the computer and we began again to plunder books and journals for dates, this time recording sources. Since then I have worked and reworked the Calendar, revising old entries and adding many, many more. The Roman Calendar The calendar was reformed twice, once by Caesar in 46 BC and later by Augustus in 8 BC. Each of these reforms is described in A. K. Michels’ book The Calendar of the Roman Republic. In an ordinary pre-Julian year, the number of days in each month was as follows: 29 January 31 May 29 September 28 February 29 June 31 October 31 March 31 Quintilis (July) 29 November 29 April 29 Sextilis (August) 29 December. The Romans did not number the days of the months consecutively. They reckoned backwards from three fixed points: The kalends, the nones, and the ides. The kalends is the first day of the month. For months with 31 days the nones fall on the 7th and the ides the 15th. For other months the nones fall on the 5th and the ides on the 13th. -
Expulsion from the Senate of the Roman Republic, C.319–50 BC
Ex senatu eiecti sunt: Expulsion from the Senate of the Roman Republic, c.319–50 BC Lee Christopher MOORE University College London (UCL) PhD, 2013 1 Declaration I, Lee Christopher MOORE, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 2 Thesis abstract One of the major duties performed by the censors of the Roman Republic was that of the lectio senatus, the enrolment of the Senate. As part of this process they were able to expel from that body anyone whom they deemed unequal to the honour of continued membership. Those expelled were termed ‘praeteriti’. While various aspects of this important and at-times controversial process have attracted scholarly attention, a detailed survey has never been attempted. The work is divided into two major parts. Part I comprises four chapters relating to various aspects of the lectio. Chapter 1 sees a close analysis of the term ‘praeteritus’, shedding fresh light on senatorial demographics and turnover – primarily a demonstration of the correctness of the (minority) view that as early as the third century the quaestorship conveyed automatic membership of the Senate to those who held it. It was not a Sullan innovation. In Ch.2 we calculate that during the period under investigation, c.350 members were expelled. When factoring for life expectancy, this translates to a significant mean lifetime risk of expulsion: c.10%. Also, that mean risk was front-loaded, with praetorians and consulars significantly less likely to be expelled than subpraetorian members. -
Roman Religion
4 Roman Religion 1. “By pietas and fides the Romans Reached TheiR PResent eminence” the strength of Rome rested on a number of foundations. Among these were its extraordinarily vital political culture and its capacity to sustain warfare for extended periods of time. Previous chapters have emphasized these features, but in this chapter and the next, focus shifts to less obvious sources of Rome’s strength, namely the special character of its society whose dual foundations were the household and the civic religion of the city. Roman Religiosity during the period of the Republic, outsiders were struck by the religiosity of the Romans. In the second century b.c., Polybius, a Greek statesman and historian who lived much of his adult life in Rome, claimed that it was “scrupulous fear of the gods that kept the Roman commonwealth together” (6.56). A century or so later another expatriate Greek, Dionysius of Halicarnassus, was also impressed by the concern of Romans for religion. Writing about the second king of Rome, dionysius noted that as a result of Numa’s activities, Rome possessed more religious observances than any other city “Greek or non-Greek, even among those who thought of themselves as most god- fearing” (2.63). Needless to say, Romans themselves promoted the belief that fidelity to their oaths and treaties and their general reverence for the gods explained their imperial success. “the gods look kindly on these qualities, for it was by pietas and fides that Romans reached their present eminence” declared the consul Q. Marcius Philippus in 169 b.c. -
© Copyright 2014 Morgan E. Palmer
© Copyright 2014 Morgan E. Palmer Inscribing Augustan Personae: Epigraphic Conventions and Memory Across Genres Morgan E. Palmer A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2014 Reading Committee: Alain M. Gowing, Chair Catherine M. Connors Stephen E. Hinds Program Authorized to Offer Degree: Classics University of Washington Abstract Inscribing Augustan Personae: Epigraphic Conventions and Memory Across Genres Morgan E. Palmer Chair of the Supervisory Committee: Professor Alain M. Gowing Department of Classics This dissertation investigates the ways in which authors writing during the reign of the emperor Augustus, a period of increased epigraphic activity, appropriate epigraphic conventions in their work. Livy, Ovid, and Virgil furnish case studies to explore the ways in which Augustan authors create epigraphic intertexts that call upon readers to remember and synthesize literary and epigraphic sources. Investigation of Livy is foundational to my discussion of Ovid and Virgil because his selective treatment of epigraphic sources illustrates how inscriptions can be both authoritative and subjective. Augustan poets exploit the authority and subjectivity of inscriptions in accordance with their own authorial purposes and the genres in which they write, appropriating epigraphic conventions in ways that are both traditional and innovative. This blending of tradition and innovation parallels how the emperor himself used inscriptions to shape and control -
The Alleged Persecution of the Roman Christians by the Emperor Domitian
Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1-1-2005 The alleged persecution of the Roman Christians by the emperor Domitian Ken Laffer Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Religion Commons Recommended Citation Laffer, K. (2005). The alleged persecution of the Roman Christians by the emperor Domitian. https://ro.ecu.edu.au/theses/639 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/639 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. -
Flavian Visual Propaganda : Building a Dynasty
Constructing the Past Volume 8 Issue 1 Article 10 Spring 2007 Flavian Visual Propaganda : Building a Dynasty Michael Vasta Illinois Wesleyan University Follow this and additional works at: https://digitalcommons.iwu.edu/constructing Recommended Citation Vasta, Michael (2007) "Flavian Visual Propaganda : Building a Dynasty," Constructing the Past: Vol. 8 : Iss. 1 , Article 10. Available at: https://digitalcommons.iwu.edu/constructing/vol8/iss1/10 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by editorial board of the Undergraduate Economic Review and the Economics Department at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Flavian Visual Propaganda : Building a Dynasty Abstract The Flavian triumph itself was a complex and elaborate pageant that must be examined in each of its parts. It, as Beard persuasively argues, was designed to be the “Flavian coronation, the official launch party and press night of the Flavian dynasty.” The usurpers are transformed into an “established imperial dynasty” and Titus changes from “conqueror of Jerusalem to Flavian Caesar.” The triumph is the beginning of the propaganda program designed to give legitimacy to Vespasian and his sons. -
99-114 the Suicides of Otho and Nero in Suetonius Mb
THE SUICIDES OF OTHO AND NERO IN SUETONIUS M B Charles (Southern Cross Business School, Southern Cross University) and E Anagnostou-Laoutides (School of Philosophical, Historical and International Studies, Monash University) Both Otho and Nero are usually regarded as ‘bad’ emperors in the historical record, and their conduct is often assimilated. Yet Suetonius’ treatment of their suicides, while cleverly approximating the two events, nevertheless shows clear differences. While Nero appears weak and without resolve, Otho bravely shrugs off his supposed effeminacy and dies a true Roman emperor, more so since his death was intended to preserve the lives of his fellow citizens. Suetonius deliberately composed Otho’s exitus scene in such a way as to leave the reader with a positive impression of the emperor, simultaneously to the detriment of Nero. It is well known that Suetonius placed a good deal of import on the deaths of his imperial subjects, including the omens presaging them, and the precise context in which the emperors met their ends.1 These death-scenes, it follows, are meant to provide a final illumination of the character of his subjects, something very much in keeping with general attitudes in the ancient world towards death.2 Describing a person’s manner of death, to Suetonius and his contemporaries, effectively constituted providing a person’s literary epitaph, distilling much of what we need to remember about that person’s character, with Arand (2002:230-232) even suggesting that the deaths of ‘bad’ emperors offer more scope for literary effect. Given Suetonius’ general propensity to arrange his material so as to cohere with 1 Translations in this article are taken directly or else are adapted from the relevant Loeb editions. -
CLEMENT of ROME and DOMITIAN's EMPIRE 7He .Fo!
CHAPTER FOUR CLEMENT OF ROME AND DOMITIAN'S EMPIRE 7he .fo!filment qf the imperial peace in Clement's community Clement's Corinthians has been convincingly dated as contemporary with Domitian's reign (A.D. 81-96), and more specifically between A.D. 94 and 97 during which the "sudden and repeated misfortunes (ta~ ai<pvt3iou~ mt E7taA.AfJA.ou~ y£vO!lEVa~ lJ!ltV ow<popa~) and calami ties (Kat 7t€pt7ttroon~)" occurred that had delayed the sending of the letter (Cor. l, 1). 1 Christian writers from Hegesippus and Melito of Sardis onwards claimed that Domitian persecuted Christianity, so that it would be reasonable to conclude that Clement's words here refer to that reign and such a persecution. 2 Furthermore, as Irenaeus (Adv. Haer. V, 30,3) connects the Apocalypse with the reign of Domitian, it would follow that this work is a reaction to that persecution. As that persecution can also be seen as part of the plan of Domitian, as the new Augustus, to reconstruct the Imperial Cult, the developing theology of these two chronologically contemporary works can be related to the developing theology of the Imperial Cult. Since however it has been denied that Domitian persecuted Chris tianity and particularly influenced the Imperial Cult itself, we will begin by discussing the question of Domitian's persecution (section A) as a background to an analysis of the contra-cultural ideology of Order as it appears in Clement's Corinthians (section B). We shall reserve for Chapter 5 our further discussion of Domitian's reform of the cult and the reflection of that reform in the Apocalypse.