An Exclusive Interview with Sir Peter Ustinov
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Capitol Dome
THE CAPITOL DOME The Capitol in the Movies John Quincy Adams and Speakers of the House Irish Artists in the Capitol Complex Westward the Course of Empire Takes Its Way A MAGAZINE OF HISTORY PUBLISHED BY THE UNITED STATES CAPITOL HISTORICAL SOCIETYVOLUME 55, NUMBER 22018 From the Editor’s Desk Like the lantern shining within the Tholos Dr. Paula Murphy, like Peart, studies atop the Dome whenever either or both America from the British Isles. Her research chambers of Congress are in session, this into Irish and Irish-American contributions issue of The Capitol Dome sheds light in all to the Capitol complex confirms an import- directions. Two of the four articles deal pri- ant artistic legacy while revealing some sur- marily with art, one focuses on politics, and prising contributions from important but one is a fascinating exposé of how the two unsung artists. Her research on this side of can overlap. “the Pond” was supported by a USCHS In the first article, Michael Canning Capitol Fellowship. reveals how the Capitol, far from being only Another Capitol Fellow alumnus, John a palette for other artist’s creations, has been Busch, makes an ingenious case-study of an artist (actor) in its own right. Whether as the historical impact of steam navigation. a walk-on in a cameo role (as in Quiz Show), Throughout the nineteenth century, steam- or a featured performer sharing the marquee boats shared top billing with locomotives as (as in Mr. Smith Goes to Washington), the the most celebrated and recognizable motif of Capitol, Library of Congress, and other sites technological progress. -
FILMS and THEIR STARS 1. CK: OW Citizen Kane: Orson Welles 2
FILMS AND THEIR STARS 1. CK: OW Citizen Kane: Orson Welles 2. TGTBATU: CE The Good, the Bad and the Ugly: Clint Eastwood 3. RFTS: KM Reach for the Sky: Kenneth More 4. FG; TH Forest Gump: Tom Hanks 5. TGE: SM/CB The Great Escape: Steve McQueen and Charles Bronson ( OK. I got it wrong!) 6. TS: PN/RR The Sting: Paul Newman and Robert Redford 7. GWTW: VL Gone with the Wind: Vivien Leigh 8. MOTOE: PU Murder on the Orient Express; Peter Ustinov (but it wasn’t it was Albert Finney! DOTN would be correct) 9. D: TH/HS/KB Dunkirk: Tom Hardy, Harry Styles, Kenneth Branagh 10. HN: GC High Noon: Gary Cooper 11. TS: JN The Shining: Jack Nicholson 12. G: BK Gandhi: Ben Kingsley 13. A: NK/HJ Australia: Nicole Kidman, Hugh Jackman 14. OGP: HF On Golden Pond: Henry Fonda 15. TDD: LM/CB/TS The Dirty Dozen: Lee Marvin, Charles Bronson, Telly Savalas 16. A: MC Alfie: Michael Caine 17. TDH: RDN The Deer Hunter: Robert De Niro 18. GWCTD: ST/SP Guess who’s coming to Dinner: Spencer Tracy, Sidney Poitier 19. TKS: CF The King’s Speech: Colin Firth 20. LOA: POT/OS Lawrence of Arabia: Peter O’Toole, Omar Shariff 21. C: ET/RB Cleopatra: Elizabeth Taylor, Richard Burton 22. MC: JV/DH Midnight Cowboy: Jon Voight, Dustin Hoffman 23. P: AP/JL Psycho: Anthony Perkins, Janet Leigh 24. TG: JW True Grit: John Wayne 25. TEHL: DS The Eagle has landed: Donald Sutherland. 26. SLIH: MM Some like it Hot: Marilyn Monroe 27. -
Libertarian Feminism: Can This Marriage Be Saved? Roderick Long Charles Johnson 27 December 2004
Libertarian Feminism: Can This Marriage Be Saved? Roderick Long Charles Johnson 27 December 2004 Let's start with what this essay will do, and what it will not. We are both convinced of, and this essay will take more or less for granted, that the political traditions of libertarianism and feminism are both in the main correct, insightful, and of the first importance in any struggle to build a just, free, and compassionate society. We do not intend to try to justify the import of either tradition on the other's terms, nor prove the correctness or insightfulness of the non- aggression principle, the libertarian critique of state coercion, the reality and pervasiveness of male violence and discrimination against women, or the feminist critique of patriarchy. Those are important conversations to have, but we won't have them here; they are better found in the foundational works that have already been written within the feminist and libertarian traditions. The aim here is not to set down doctrine or refute heresy; it's to get clear on how to reconcile commitments to both libertarianism and feminism—although in reconciling them we may remove some of the reasons that people have had for resisting libertarian or feminist conclusions. Libertarianism and feminism, when they have encountered each other, have most often taken each other for polar opposites. Many 20th century libertarians have dismissed or attacked feminism—when they have addressed it at all—as just another wing of Left-wing statism; many feminists have dismissed or attacked libertarianism—when they have addressed it at all—as either Angry White Male reaction or an extreme faction of the ideology of the liberal capitalist state. -
Murder on the Orient Express: a Return Ticket Wieland Schwanebeck
This is an accepted manuscript version of an article published in Adaptation 11.1 (2018) https://doi.org/10.1093/adaptation/apx025 Film Review: Murder on the Orient Express: A Return Ticket Wieland Schwanebeck Murder on the Orient Express. Dir. Kenneth Branagh. Perf. Kenneth Branagh, Michelle Pfeiffer, Judi Dench, Johnny Depp. Fox, 2017. In the first scene of Kenneth Branagh’s big-screen adaptation of Murder on the Orient Express (1934)—one of Agatha Christie’s three most popular novels, according to a 2015 poll (Flood)—famous Belgian sleuth Hercule Poirot plagues the staff members of a Jerusalem hotel with his unusual request for two eggs of identical size. He goes so far as to apply a ruler to his breakfast, only to conclude that it does not meet his requirements. The scene serves as a neat summary of the character that will likely sit well with hardcore Christie admirers—the author famously had Captain Hastings characterize Poirot as a man so meticulous that ‘a speck of dust would have caused him more pain than a bullet wound’ (1920/2007: 14)—and the shot of Branagh (the film’s star as well as its director) cowering behind his breakfast table and scrutinizing the eggs sets up Murder on the Orient Express as an adaptation that literally goes ab ovo. It invokes the initial description of the character in Christie’s debut novel, The Mysterious Affair at Styles (‘His head was exactly the shape of an egg’, 1920/2007: 14), and at the same time it is indicative of how the film reboots Christie for the twenty-first century, playing up Poirot’s tics while also humanizing him, an adaptive policy that has worked wonders for Sherlock Holmes. -
Dance Arts Society
4.0 and GO Tutorina Page 4 • The Battalion Assielife Friday • January 27, Located at 700 E. University Dr. Suite 108 Behind Golden Corral and Blockbuster Video across from the Hilton This Week/ Monday Tuesday Wednesday Thursday Friday Tribal Nation will be playing Ray Vaughan, but he said he reggae music at 3rd Floor has a more aggressive style. 01/30 01/31 02/01 02/02 Cantina's TAMU's Caribbean See related story, Page 3. Brave Combo, a band from Club party. The special event is Denton, TX will be playing at open to the public and will Jerk, a rock cover band/will|)i BANA 303 BANA 303 BANA 303 BANA 303 Stafford Opera House. A group of have Jamaican D.J.'s during the returning to The Tap. 5 -7 pm students from University of North Part 1 Part II Part III Part IV band's breaks. Texas, Brave Combo mixes rock The Maps, a rock and blues and Latin rhythms in their return band, will be playing at Swee! MATH 152 MATH 152 MATH 152 MATH 152 trip to Stafford. Saturday 7-9 pm Eugene's. Part 1 Part II Part III Part IV A* Mother's Monkey, an alternative Big Otis, a Motown and soul Moe Bandy, a veteran countn rock band, will be at Sweet singer, will be at 3rd Floor singer, will be at The Texas FINC 341 FINC 341 FINC 341 FINC 341 Eugene's. Cantina. 10-12 pm Hall of Fame. He performs Part 1 Part III Part IV throughout the year at his Part II Peeping Tom, a local cover band Chris Duarte, Texas blues American Theater in Bransom that plays some original songs, guitarist out of Austin, will be MO, but is taking his showon 4.0 amt Qo is Located OK; the, Centeypole^ Bus Routes! plays regularly at The Tap. -
The Oberlin Colloquium in Philosophy: Program History
The Oberlin Colloquium in Philosophy: Program History 1960 FIRST COLLOQUIUM Wilfrid Sellars, "On Looking at Something and Seeing it" Ronald Hepburn, "God and Ambiguity" Comments: Dennis O'Brien Kurt Baier, "Itching and Scratching" Comments: David Falk/Bruce Aune Annette Baier, "Motives" Comments: Jerome Schneewind 1961 SECOND COLLOQUIUM W.D. Falk, "Hegel, Hare and the Existential Malady" Richard Cartwright, "Propositions" Comments: Ruth Barcan Marcus D.A.T. Casking, "Avowals" Comments: Martin Lean Zeno Vendler, "Consequences, Effects and Results" Comments: William Dray/Sylvan Bromberger PUBLISHED: Analytical Philosophy, First Series, R.J. Butler (ed.), Oxford, Blackwell's, 1962. 1962 THIRD COLLOQUIUM C.J. Warnock, "Truth" Arthur Prior, "Some Exercises in Epistemic Logic" Newton Garver, "Criteria" Comments: Carl Ginet/Paul Ziff Hector-Neri Castenada, "The Private Language Argument" Comments: Vere Chappell/James Thomson John Searle, "Meaning and Speech Acts" Comments: Paul Benacerraf/Zeno Vendler PUBLISHED: Knowledge and Experience, C.D. Rollins (ed.), University of Pittsburgh Press, 1964. 1963 FOURTH COLLOQUIUM Michael Scriven, "Insanity" Frederick Will, "The Preferability of Probable Beliefs" Norman Malcolm, "Criteria" Comments: Peter Geach/George Pitcher Terrence Penelhum, "Pleasure and Falsity" Comments: William Kennick/Arnold Isenberg 1964 FIFTH COLLOQUIUM Stephen Korner, "Some Remarks on Deductivism" J.J.C. Smart, "Nonsense" Joel Feinberg, "Causing Voluntary Actions" Comments: Keith Donnellan/Keith Lehrer Nicholas Rescher, "Evaluative Metaphysics" Comments: Lewis W. Beck/Thomas E. Patton Herbert Hochberg, "Qualities" Comments: Richard Severens/J.M. Shorter PUBLISHED: Metaphysics and Explanation, W.H. Capitan and D.D. Merrill (eds.), University of Pittsburgh Press, 1966. 1965 SIXTH COLLOQUIUM Patrick Nowell-Smith, "Acts and Locutions" George Nakhnikian, "St. Anselm's Four Ontological Arguments" Hilary Putnam, "Psychological Predicates" Comments: Bruce Aune/U.T. -
Emmy Award Winners
CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. -
Steve Vizard
STEVE VIZARD Steve Vizard is a Gold Logie and multi award winning writer, performer, producer, broadcaster and lawyer. After studying Law and Philosophy at University of Melbourne, where Steve and his mates established the University Law Revue, Steve became a partner in a city law firm. While practicing international law, Steve wrote extensively for theatre and television, including co-writing his first feature film screenplay, The Bit Part, starring Nicole Kidman, for which he was nominated for a Writers Guild Award. In 1989 Steve created, produced, was head writer and starred in the iconic and multi award winning Fast Forward (and subsequently Full Frontal), which for ten years were Australia’s highest-rating and longest-running prime time television comedy shows. In the ensuing years Steve produced, created and wrote for numerous groundbreaking programmes, from the acclaimed Big Girls Blouse to The Micallef Program, helping to bring to life many of our most enduring comedic creations with artists including Eric Bana, Shaun Micallef, Jane Turner, Gina Riley, Magda Szubanski, Marg Downey, Rebel Wilson, Maryanne Fahey, Glenn Robbins, Adam Zwar, Kitty Flanagan, Julia Morris, Daina Reid and Hamish and Andy. With Andrew Knight, Steve founded and was Chairman of Artist Services, one of Australia’s largest independent film and television production houses, producing several series of SeaChange, the ABC’s highest rating drama series. Artist Services produced award-winning and internationally-acclaimed mini-series, such as Kangaroo Palace and Simone de Beauvoir’s Babies, and feature films including Richard Flanagan’s The Sound of One Hand Clapping and The Dead Letter Office as well as creating thecomedychannel with Foxtel. -
The Melbourne Spectrum
Chapter 7 The Melbourne Spectrum T IS an old saying that philosophy begins with a sense of wonder. That is a source of philosophy, but there is another one, the sense Ithat ‘that’s all bullshit (and I can explain why)’. Different philoso- phers draw on these sources in differing proportions. An uncritical sense of wonder leads one out of philosophy altogether, into the land of the fairies, to start angels from under stones, find morals at every turn and hug the rainforest. A philosopher near the other extreme — or one, like David Stove, actually occupying the extreme — will at least still be doing philosophy, but it will consist entirely of criticism of others. In the Australian intellectual tradition, the wonder/criticism mix varies not only according to individuals but according to cities. At least, it has since 1927, when John Anderson arrived in Australia and Sydney and Melbourne set off on different paths. Various writers, mainly from Melbourne, have discoursed at some length on the con- trasts between the two cities in their styles of thought, and with all due allowance made for the hot air factor, there is undoubtedly some distinct difference to be identified. Where Sydney intellectuals, fol- lowing Anderson, tend to be critical, pessimistic, classical and opposed to ‘meliorist’ schemes to improve society, Melbourne’s unctuous bien pensants are eager to ‘serve society’, meaning, to instruct the great and powerful how they ought to go about achieving Progress and the perfection of mankind.1 Manning Clark — and it is characteristic of 1 J. Docker, Australian Cultural Elites: Intellectual Traditions in Sydney and Melbourne (Sydney, 1974); V. -
Curriculum Vitae Peter Railton Current Title and Office Address
Curriculum Vitae Peter Railton Current title and office address: Home address: Gregory S. Kavka Distinguished University Professor John Stephenson Perrin Professor Arthur F. Thurnau Professor 1106 Lincoln Avenue Department of Philosophy Ann Arbor, MI 48104 The University of Michigan USA Ann Arbor, MI 48109-1003 +1 734 995 0990 USA +1 734 395 1350 (cell) Tel. +1 734 764 6285 +1 734 763 2122 Fax +1 734 763 8071 [email protected] Education Harvard University, 1968-1971, A.B. in Philosophy (1971) Princeton University, 1974-l978, Ph.D. in Philosophy (1980) Thesis: Explaining Explanation: A Realist Account of Scientific Explanation and Understanding, David Lewis, advisor Academic employment Permanent: The University of Michigan, Assistant Professor (1979-83); Associate Professor (1983-90); Professor (1990- ) Visiting: Princeton University, 1990 The University of California, Berkeley, l984-85 Honors, awards, and special fellowships External Norwegian Academy of Science and Letters, Member, Elected 2016 Institute of Philosophy Biennial Lectures, NYU, 2016 Center for the Study of Mind in Nature Lecture, University of Oslo, 2015 Dewey Lecture, American Philosophical Association, Central Division, 2015 President, American Philosophical Association, Central Division, 2011-2012 Invited Fellow, National Humanities Center, 2010-2011 American Academy of Arts and Sciences, Member, Elected 2004 Guggenheim Foundation Fellowship, 2001-02 American Council of Learned Societies Fellowship, 2000-01 National Endowment for the Humanities Fellowship, 1999-2000 -
The Order of Public Reason a Theory of Freedom and Morality in a Diverse and Bounded World
The Order of Public Reason A Theory of Freedom and Morality in a Diverse and Bounded World In this innovative and wide-ranging work, Gerald Gaus advances a revised, and more realistic, account of public reason liberalism, showing how, in the midst of fundamental disagreement about val- ues and beliefs, we can achieve a moral and political order that treats all as free and equal moral persons. The first part of the book analyzes social morality as a system of authoritative moral rules. Drawing on an earlier generation of moral philosophers such as Kurt Baier and Peter Strawson as well as current work in the social sciences, Gaus argues that our social morality is an evolved social fact, which is the necessary foundation of a mutually beneficial so- cial order. The second part considers how this system of social moral authority can be justified to all moral persons. Drawing on the tools of game theory, social choice theory, experimental psy- chology, and evolutionary theory, Gaus shows how a free society can secure a moral equilibrium that is endorsed by all, and how a just state respects, and develops, such an equilibrium. Gerald Gaus is the James E. Rogers Professor of Philosophy at the University of Arizona. He was previously professor of philosophy and political economy at Tulane University. He is the author of a number of books, including On Philosophy, Politics, and Economics (2008); Contemporary Theories of Liberalism (2003); and Justificatory Liberalism (1996). His essay “On Justifying the Moral Rights of the Moderns” won the 2009 American Philosophical Association’s Kavka Award. -
The Efron Affair 25 MARTYRS of the NEW by Murray N
MAY 1978 S1.25 who sees a chance to profit by supporting it; but one might expect a different view point among those who stress the signifi Letters cance of the "moral principles underlying I self-ownership and individual liberty." Our sense of tolerance must of course ex tend to the white South Africans who be lieve in the principles of apartheid. But when they translate those beliefs into ac The money mess a small college where the ideas of the tion, a truly consistent libertarian ethic Austrian school are prevalent. demands that we denounce those actions, "The Shattered World Economy!' by Grove City College, in Grove City, or at least refuse to support them-no mat Christopher Weber is the first article I have Pennsylvania ... , offers a stimulating en ter how profitable such support might be. read in this country whereby Americans vironment for the undergraduate follower It seems to me that this might also extend to are shown to be honest with themselves. of the Austrian school. In the classroom, the advertising policy of our publications Perhaps I have not read everything that has the economics department, led by Dr. Hans no matter how costly such a policy might been written on the subject, but, in general, F. Sennholz, vividly demonstrates to many be. people here are fed a line, such as, "It is skeptical graduates of the public school How about it, gentlemen? Does LR set good for us because it makes our exports system that there is a viable alternative to itself apart from the conservative press in look better." statism...