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The Musical Number and the Sitcom
ECHO: a music-centered journal www.echo.ucla.edu Volume 5 Issue 1 (Spring 2003) It May Look Like a Living Room…: The Musical Number and the Sitcom By Robin Stilwell Georgetown University 1. They are images firmly established in the common television consciousness of most Americans: Lucy and Ethel stuffing chocolates in their mouths and clothing as they fall hopelessly behind at a confectionary conveyor belt, a sunburned Lucy trying to model a tweed suit, Lucy getting soused on Vitameatavegemin on live television—classic slapstick moments. But what was I Love Lucy about? It was about Lucy trying to “get in the show,” meaning her husband’s nightclub act in the first instance, and, in a pinch, anything else even remotely resembling show business. In The Dick Van Dyke Show, Rob Petrie is also in show business, and though his wife, Laura, shows no real desire to “get in the show,” Mary Tyler Moore is given ample opportunity to display her not-insignificant talent for singing and dancing—as are the other cast members—usually in the Petries’ living room. The idealized family home is transformed into, or rather revealed to be, a space of display and performance. 2. These shows, two of the most enduring situation comedies (“sitcoms”) in American television history, feature musical numbers in many episodes. The musical number in television situation comedy is a perhaps surprisingly prevalent phenomenon. In her introduction to genre studies, Jane Feuer uses the example of Indians in Westerns as the sort of surface element that might belong to a genre, even though not every example of the genre might exhibit that element: not every Western has Indians, but Indians are still paradigmatic of the genre (Feuer, “Genre Study” 139). -
The Capitol Dome
THE CAPITOL DOME The Capitol in the Movies John Quincy Adams and Speakers of the House Irish Artists in the Capitol Complex Westward the Course of Empire Takes Its Way A MAGAZINE OF HISTORY PUBLISHED BY THE UNITED STATES CAPITOL HISTORICAL SOCIETYVOLUME 55, NUMBER 22018 From the Editor’s Desk Like the lantern shining within the Tholos Dr. Paula Murphy, like Peart, studies atop the Dome whenever either or both America from the British Isles. Her research chambers of Congress are in session, this into Irish and Irish-American contributions issue of The Capitol Dome sheds light in all to the Capitol complex confirms an import- directions. Two of the four articles deal pri- ant artistic legacy while revealing some sur- marily with art, one focuses on politics, and prising contributions from important but one is a fascinating exposé of how the two unsung artists. Her research on this side of can overlap. “the Pond” was supported by a USCHS In the first article, Michael Canning Capitol Fellowship. reveals how the Capitol, far from being only Another Capitol Fellow alumnus, John a palette for other artist’s creations, has been Busch, makes an ingenious case-study of an artist (actor) in its own right. Whether as the historical impact of steam navigation. a walk-on in a cameo role (as in Quiz Show), Throughout the nineteenth century, steam- or a featured performer sharing the marquee boats shared top billing with locomotives as (as in Mr. Smith Goes to Washington), the the most celebrated and recognizable motif of Capitol, Library of Congress, and other sites technological progress. -
8 Pm 8:30 9 Pm 9:30 10 Pm 10:30 11 Pm A&E Live PD: Rewind (TV14) Live Live PD (TV14) Live PD -- Live PD (TV14) Live PD -- 10.17.19
Friday Prime-Time Cable TV 8 pm 8:30 9 pm 9:30 10 pm 10:30 11 pm A&E Live PD: Rewind (TV14) Live Live PD (TV14) Live PD -- Live PD (TV14) Live PD -- 10.17.19. Å PD: Rewind 317. (N) Å 04.10.20. (N) Å AMC The Karate Kid ›› (1986) Ralph Macchio, Noriyuki “Pat” The Karate Kid Part II ›› (1986) Ralph Mac- Morita. (PG) Å chio, Noriyuki “Pat” Morita. (PG) Å ANP Tanked: Sea-Lebrity Edition (TV14) Prankster-comedy duo Tanked (TVPG) Rock star DJ Tanked Jeff Dunham and Jeff Termaine order tanks with a sense Ashba wants another tank (TVPG) Shark of humor. (N) but he needs it ASAP. Å Byte. Å BBC From Russia Goldfinger ›››› (1964) Sean Connery, Gert Frobe. Agent 007 drives an Graham Norton With Love Aston Martin, runs into Oddjob and fights Goldfinger’s scheme to rob Fort Compilation. (1963) (6) Å Knox. (PG) Å (N) Å BET This Christmas ›› (2007) Delroy Lindo, Idris Welcome Home Roscoe Jenkins ›› (2008) Martin Lawrence, Elba. (PG-13) (7) Å James Earl Jones. (PG-13) Å Bravo Shahs of Sunset (TV14) GG Shahs of Sunset (TV14) Des- Watch What Shahs of Sunset (TV14) Des- undergoes emergency sur- tiney surprises Sara’s broth- Happens tiney surprises Sara’s broth- gery, and the crew rallies er, Sam, for his birthday. (TV14) (N) Å er, Sam, for his birthday. Å around her. Å (N) Å CMT Mom (TV14) Mom (TV14) Mom (TV14) Mom (TV14) Mom (TV14) Mom (TV14) Best Me (PG- Å Å Å Å Å Å 13) Å Com Tosh.0 (TV14) Tosh.0 (TV14) Tosh.0 (TV14) Tosh.0 (TV14) Kevin Hart: Seriously Funny Crank Yankers Ticket Girl. -
Tv Land Awards to Honor Comedic Icon Don Rickles with This Year’S Legend Award
TV LAND AWARDS TO HONOR COMEDIC ICON DON RICKLES WITH THIS YEAR’S LEGEND AWARD Show Will Tape on Sunday, April 19th and Air on Sunday, April 26th at 8PM ET/PT on TV LAND Los Angeles, CA - March 31, 2009 – Multi-talented Don Rickles, the world’s most beloved “outrageous comic,” actor and author will be bestowed the Legend Award at “The 2009 TV Land Awards,” it was announced today by Larry W. Jones, president, TV Land. The Legend Award is presented to an entertainer or a television show that has stood the test of time and ranks among the most memorable and celebrated in television and movie history. “The 2009 TV Land Awards,” hosted by Neil Patrick Harris ("How I Met Your Mother," Harold and Kumar Go To White Castle and Assassins ) and will tape on Sunday, April 19th at the Gibson Amphitheatre in Universal City to air on TV Land during a special presentation of TV Land PRIME on Sunday, April 26th at 8pm ET/PT. Previous recipients of the Legend Award include “The Carol Burnett Show,” “Cheers,” Garry Marshall, “The Andy Griffith Show” and “The Dick Van Dyke Show.” “I feel honored that TV Land has finally woken up and decided to make me this year’s recipient of the Legend Award,” says Don Rickles. “Throughout my career, I have loved entertaining people and to be recognized for my achievements is truly extraordinary.” “Don Rickles is a national treasure whose comedy transcends generations,” states Jones. “He is a true pioneer who has won the hearts of millions across the world with his quick wit and sarcasm. -
FILMS and THEIR STARS 1. CK: OW Citizen Kane: Orson Welles 2
FILMS AND THEIR STARS 1. CK: OW Citizen Kane: Orson Welles 2. TGTBATU: CE The Good, the Bad and the Ugly: Clint Eastwood 3. RFTS: KM Reach for the Sky: Kenneth More 4. FG; TH Forest Gump: Tom Hanks 5. TGE: SM/CB The Great Escape: Steve McQueen and Charles Bronson ( OK. I got it wrong!) 6. TS: PN/RR The Sting: Paul Newman and Robert Redford 7. GWTW: VL Gone with the Wind: Vivien Leigh 8. MOTOE: PU Murder on the Orient Express; Peter Ustinov (but it wasn’t it was Albert Finney! DOTN would be correct) 9. D: TH/HS/KB Dunkirk: Tom Hardy, Harry Styles, Kenneth Branagh 10. HN: GC High Noon: Gary Cooper 11. TS: JN The Shining: Jack Nicholson 12. G: BK Gandhi: Ben Kingsley 13. A: NK/HJ Australia: Nicole Kidman, Hugh Jackman 14. OGP: HF On Golden Pond: Henry Fonda 15. TDD: LM/CB/TS The Dirty Dozen: Lee Marvin, Charles Bronson, Telly Savalas 16. A: MC Alfie: Michael Caine 17. TDH: RDN The Deer Hunter: Robert De Niro 18. GWCTD: ST/SP Guess who’s coming to Dinner: Spencer Tracy, Sidney Poitier 19. TKS: CF The King’s Speech: Colin Firth 20. LOA: POT/OS Lawrence of Arabia: Peter O’Toole, Omar Shariff 21. C: ET/RB Cleopatra: Elizabeth Taylor, Richard Burton 22. MC: JV/DH Midnight Cowboy: Jon Voight, Dustin Hoffman 23. P: AP/JL Psycho: Anthony Perkins, Janet Leigh 24. TG: JW True Grit: John Wayne 25. TEHL: DS The Eagle has landed: Donald Sutherland. 26. SLIH: MM Some like it Hot: Marilyn Monroe 27. -
'When Calls the Heart' Production Bios Brad Krevoy
‘WHEN CALLS THE HEART’ PRODUCTION BIOS BRAD KREVOY (Executive Producer) – Brad Krevoy co‐founded the Motion Picture Corporation of America (MPCA) in 1986 and has played a key role in the finance, development, production and distribution of more than 100 motion picture and television projects that have grossed more than 500 million USD and have garnered multiple Academy Award®, DGA, Golden Globe®, WGA, Emmy® and Humanitas awards and nominations. His producing credits include the smash hit comedy “Dumb and Dumber” starring Jim Carrey and Jeff Daniels, the Peabody Award-winning TV movie “Annie,” Kevin Spacey’s directorial debut “Albino Alligator,” “A Love Song for Bobby Long” starring John Travolta and Scarlett Johansson, “Kingpin” starring Woody Harrelson, Dennis Quaid and Bill Murray, “Jungle 2 Jungle” with Tim Allen and Martin Short, the Chris Farley comedy “Beverly Hills Ninja” and “Taking Chance” starring Kevin Bacon, which was the most watched HBO Original film in five years when released and which received multiple Emmy®, Golden Globe®, WGA, DGA, SAG, and Humanitas awards and nominations. In 1996, Krevoy sold MPCA and became co-president of Orion Pictures, where he released such films as Victor Nunez’s critically acclaimed “Ulee’s Gold” starring Peter Fonda and director Sergei Bodrov’s “Prisoner of the Mountains,” an Academy Award® and Golden Globe® nominee for Best Foreign Language Film. Krevoy’s revitalized Orion Pictures was sold to Kirk Kerkorian’s MGM/UA in 1997. Krevoy subsequently restarted MPCA. The new MPCA’s recent productions include “Taking Chance” and Disney’s “Beverly Hills Chihuahua 2,” which was the best-selling DVD release worldwide when released. -
1 Nominations Announced for the 19Th Annual Screen Actors Guild
Nominations Announced for the 19th Annual Screen Actors Guild Awards® ------------------------------------------------------------------------------------------------------------------------------ Ceremony will be Simulcast Live on Sunday, Jan. 27, 2013 on TNT and TBS at 8 p.m. (ET)/5 p.m. (PT) LOS ANGELES (Dec. 12, 2012) — Nominees for the 19th Annual Screen Actors Guild Awards® for outstanding performances in 2012 in five film and eight primetime television categories as well as the SAG Awards honors for outstanding action performances by film and television stunt ensembles were announced this morning in Los Angeles at the Pacific Design Center’s SilverScreen Theater in West Hollywood. SAG-AFTRA Executive Vice President Ned Vaughn introduced Busy Philipps (TBS’ “Cougar Town” and the 19th Annual Screen Actors Guild Awards® Social Media Ambassador) and Taye Diggs (“Private Practice”) who announced the nominees for this year’s Actors®. SAG Awards® Committee Vice Chair Daryl Anderson and Committee Member Woody Schultz announced the stunt ensemble nominees. The 19th Annual Screen Actors Guild Awards® will be simulcast live nationally on TNT and TBS on Sunday, Jan. 27 at 8 p.m. (ET)/5 p.m. (PT) from the Los Angeles Shrine Exposition Center. An encore performance will air immediately following on TNT at 10 p.m. (ET)/7 p.m. (PT). Recipients of the stunt ensemble honors will be announced from the SAG Awards® red carpet during the tntdrama.com and tbs.com live pre-show webcasts, which begin at 6 p.m. (ET)/3 p.m. (PT). Of the top industry accolades presented to performers, only the Screen Actors Guild Awards® are selected solely by actors’ peers in SAG-AFTRA. -
Summer 2020 Lineup
NEW RELEASES SUMMER 2020 Coronavirus Pandemic FRONTLINE is working tirelessly to bring you the facts, perspectives and stories that explain this unprecedented time with five special programs. With the world reeling from the coronavirus outbreak, FRONTLINE presents a special report from Seattle—the first U.S. city struck by the virus and a bellwether for what was to hit the rest of the country. Veteran science reporter and FRONTLINE correspondent Miles O’Brien tells the inside story of Seattle’s fight to identify and contain the novel coronavirus, traveling through the locked-down city—from the hospital where patient one was treated to the nursing home where the outbreak exploded. In almost real time, doctors, patients and public health officials recount the dramatic story of how the unusually well-prepared city hoped that it had averted a crisis, then confronted the grim reality of the fast-spreading virus. The film shows how the federal government’s missteps early on impacted cities like Seattle, and highlights the contrast between the two Washingtons—between the Trump administration’s messaging in Washington, D.C., and the increasingly dire situation on the ground in Washington State. As the pandemic continues to take its toll, O’Brien has remained in Seattle to document the ongoing fight and its significance as a cautionary tale for the rest of the country. 1x60 Play Program Produced by Miles O’Brien for FRONTLINE. 2 COVID’s Hidden Toll FRONTLINE investigates how the COVID crisis has hit vulnerable immigrants and undocumented workers. The film features stories from the pandemic’s invisible victims, including crucial farm and meat-packing workers who lack protections and have been getting sick. -
Mcfadden-Mini Page-Mary Poppins
Supercalifragilisticexpialidocious 3. What does one need to understand in order to Flying with Mary Poppins: use ‘green screen’ effectively? Mini Page: Week of March 23-29, 2014 A how gravity behaves CCSS: reading non-fiction text B how heat behaves C how light behaves Vocabulary: Locate the words below in the Mini D how sound behaves Page. Does the context make clear the meaning of the words? Find other words critical to understanding the text and explain their meaning and significance. 4. What was the ‘first’ in “Mary Poppins”? • su·per·cal·i·frag·i·lis·tic·ex·pi·al·i·do·cious - A hiring a governess to teach music adjective used as a nonsense word by children to B mixing ‘live action’ and ‘animation’ express approval C using a blue screen with a matte mask (http://dictionary.reference.com/) D having Andrews and Melies work together • governess – a woman employed to live with a family and to care for and to teach the young children living in the household. 5. Which award did Walt Disney receive for • animation - the process of creating a “Mary Poppins”? continuous motion and shape-change-illusion by means of the rapid display of a sequence of still A Academy Award images that minimally differ ... the making of a B Golden Globe Award cartoon….(Wikipedia) C Pulitzer Prize • The prefix ‘co’/’com’ – with; together D Tony Award 1. Which is most like the relationship below? Ans: Melies : “A Trip to the Moon.” 1b 3c A animation : cartoon 2d 4b B Disney : “Mary Poppins” C sodium vapor : green screen 3c 5a D Dick Van Dyke : Julie Andrews Use the News: Find examples of current movies that employ animation. -
Murder on the Orient Express: a Return Ticket Wieland Schwanebeck
This is an accepted manuscript version of an article published in Adaptation 11.1 (2018) https://doi.org/10.1093/adaptation/apx025 Film Review: Murder on the Orient Express: A Return Ticket Wieland Schwanebeck Murder on the Orient Express. Dir. Kenneth Branagh. Perf. Kenneth Branagh, Michelle Pfeiffer, Judi Dench, Johnny Depp. Fox, 2017. In the first scene of Kenneth Branagh’s big-screen adaptation of Murder on the Orient Express (1934)—one of Agatha Christie’s three most popular novels, according to a 2015 poll (Flood)—famous Belgian sleuth Hercule Poirot plagues the staff members of a Jerusalem hotel with his unusual request for two eggs of identical size. He goes so far as to apply a ruler to his breakfast, only to conclude that it does not meet his requirements. The scene serves as a neat summary of the character that will likely sit well with hardcore Christie admirers—the author famously had Captain Hastings characterize Poirot as a man so meticulous that ‘a speck of dust would have caused him more pain than a bullet wound’ (1920/2007: 14)—and the shot of Branagh (the film’s star as well as its director) cowering behind his breakfast table and scrutinizing the eggs sets up Murder on the Orient Express as an adaptation that literally goes ab ovo. It invokes the initial description of the character in Christie’s debut novel, The Mysterious Affair at Styles (‘His head was exactly the shape of an egg’, 1920/2007: 14), and at the same time it is indicative of how the film reboots Christie for the twenty-first century, playing up Poirot’s tics while also humanizing him, an adaptive policy that has worked wonders for Sherlock Holmes. -
Le Deuil De La Télévision Deborah Esch
Document generated on 10/02/2021 10:36 a.m. Surfaces Le Deuil de la Télévision Deborah Esch Volume 1, 1991 URI: https://id.erudit.org/iderudit/1065254ar DOI: https://doi.org/10.7202/1065254ar See table of contents Publisher(s) Les Presses de l’Université de Montréal ISSN 1188-2492 (print) 1200-5320 (digital) Explore this journal Cite this article Esch, D. (1991). Le Deuil de la Télévision. Surfaces, 1. https://doi.org/10.7202/1065254ar Copyright © Deborah Esch, 1991 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Le Deuil de la Télévision Deborah Esch La télévision est, à plus d'un titre, affaire de survie. Le feuilleton Knots Landing en donne un bon exemple ou alors il n'est rien[1]. L'histoire de ce feuilleton, qui est resté bien longtemps à l'affiche, commence de manière malencontreuse mais symptomatique puisque son lancement fut différé. En effet, alors que l'idée de ce programme avait été initialement élaborée en 1977, c'est-à-dire avant l'avènement du feuilleton mélodramatique en heures de haute écoute (et de sa prolifération avec Dynastie, l'Empire des Colby, Falconcrest et Flamingo Road ), sa focalisation explicite sur la classe moyenne éveilla les réserves des programmateurs de CBS. -
Dance Arts Society
4.0 and GO Tutorina Page 4 • The Battalion Assielife Friday • January 27, Located at 700 E. University Dr. Suite 108 Behind Golden Corral and Blockbuster Video across from the Hilton This Week/ Monday Tuesday Wednesday Thursday Friday Tribal Nation will be playing Ray Vaughan, but he said he reggae music at 3rd Floor has a more aggressive style. 01/30 01/31 02/01 02/02 Cantina's TAMU's Caribbean See related story, Page 3. Brave Combo, a band from Club party. The special event is Denton, TX will be playing at open to the public and will Jerk, a rock cover band/will|)i BANA 303 BANA 303 BANA 303 BANA 303 Stafford Opera House. A group of have Jamaican D.J.'s during the returning to The Tap. 5 -7 pm students from University of North Part 1 Part II Part III Part IV band's breaks. Texas, Brave Combo mixes rock The Maps, a rock and blues and Latin rhythms in their return band, will be playing at Swee! MATH 152 MATH 152 MATH 152 MATH 152 trip to Stafford. Saturday 7-9 pm Eugene's. Part 1 Part II Part III Part IV A* Mother's Monkey, an alternative Big Otis, a Motown and soul Moe Bandy, a veteran countn rock band, will be at Sweet singer, will be at 3rd Floor singer, will be at The Texas FINC 341 FINC 341 FINC 341 FINC 341 Eugene's. Cantina. 10-12 pm Hall of Fame. He performs Part 1 Part III Part IV throughout the year at his Part II Peeping Tom, a local cover band Chris Duarte, Texas blues American Theater in Bransom that plays some original songs, guitarist out of Austin, will be MO, but is taking his showon 4.0 amt Qo is Located OK; the, Centeypole^ Bus Routes! plays regularly at The Tap.