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Here I Played with Various Rhythm Sections in Festivals, Concerts, Clubs, Film Scores, on Record Dates and So on - the List Is Too Long
MICHAEL MANTLER RECORDINGS COMMUNICATION FONTANA 881 011 THE JAZZ COMPOSER'S ORCHESTRA Steve Lacy (soprano saxophone) Jimmy Lyons (alto saxophone) Robin Kenyatta (alto saxophone) Ken Mcintyre (alto saxophone) Bob Carducci (tenor saxophone) Fred Pirtle (baritone saxophone) Mike Mantler (trumpet) Ray Codrington (trumpet) Roswell Rudd (trombone) Paul Bley (piano) Steve Swallow (bass) Kent Carter (bass) Barry Altschul (drums) recorded live, April 10, 1965, New York TITLES Day (Communications No.4) / Communications No.5 (album also includes Roast by Carla Bley) FROM THE ALBUM LINER NOTES The Jazz Composer's Orchestra was formed in the fall of 1964 in New York City as one of the eight groups of the Jazz Composer's Guild. Mike Mantler and Carla Bley, being the only two non-leader members of the Guild, had decided to organize an orchestra made up of musicians both inside and outside the Guild. This group, then known as the Jazz Composer's Guild Orchestra and consisting of eleven musicians, began rehearsals in the downtown loft of painter Mike Snow for its premiere performance at the Guild's Judson Hall series of concerts in December 1964. The orchestra, set up in a large circle in the center of the hall, played "Communications no.3" by Mike Mantler and "Roast" by Carla Bley. The concert was so successful musically that the leaders decided to continue to write for the group and to give performances at the Guild's new headquarters, a triangular studio on top of the Village Vanguard, called the Contemporary Center. In early March 1965 at the first of these concerts, which were presented in a workshop style, the group had been enlarged to fifteen musicians and the pieces played were "Radio" by Carla Bley and "Communications no.4" (subtitled "Day") by Mike Mantler. -
Temporal Disunity and Structural Unity in the Music of John Coltrane 1965-67
Listening in Double Time: Temporal Disunity and Structural Unity in the Music of John Coltrane 1965-67 Marc Howard Medwin A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2008 Approved by: David Garcia Allen Anderson Mark Katz Philip Vandermeer Stefan Litwin ©2008 Marc Howard Medwin ALL RIGHTS RESERVED ii ABSTRACT MARC MEDWIN: Listening in Double Time: Temporal Disunity and Structural Unity in the Music of John Coltrane 1965-67 (Under the direction of David F. Garcia). The music of John Coltrane’s last group—his 1965-67 quintet—has been misrepresented, ignored and reviled by critics, scholars and fans, primarily because it is a music built on a fundamental and very audible disunity that renders a new kind of structural unity. Many of those who study Coltrane’s music have thus far attempted to approach all elements in his last works comparatively, using harmonic and melodic models as is customary regarding more conventional jazz structures. This approach is incomplete and misleading, given the music’s conceptual underpinnings. The present study is meant to provide an analytical model with which listeners and scholars might come to terms with this music’s more radical elements. I use Coltrane’s own observations concerning his final music, Jonathan Kramer’s temporal perception theory, and Evan Parker’s perspectives on atomism and laminarity in mid 1960s British improvised music to analyze and contextualize the symbiotically related temporal disunity and resultant structural unity that typify Coltrane’s 1965-67 works. -
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
Upcoming Events in Denmark Last Updated: January 25, 2019
Upcoming events in Denmark Last updated: January 25, 2019 JAN 29.01 -01.02 Copenhagen Fashion Week Copenhagen More info 31.01-06.02 DIIS Docs & Talks film and research festival Cinemateket, Copenhagen More info FEB 01-24.02 Winter in Tivoli Copenhagen More info 01-24.02 Winter Jazz Copenhagen More info 01-24.02 Copenhagen Light Festival Copenhagen More info 02-03.02 Cyclo Cross World Championship Bogense, Fyn More info 12-13.02 Test run at CopenHill (artificial ski slope) Copenhagen More info 10-17.02 Dining Week and Cocktail Week Nationwide More info MAR 14.03 The Danish Government hosts Digitalt Topmøde 2019 Copenhagen More info 18-20.03 Danish State Visit to Argentina Argentina More info APR SCHEDULED - Arrival of two pandas in Copenhagen Zoo's new panda enclosure DATE TBC Zoologisk Have, Copenhagen More info MAY 10-12.05 Elle Style Award 2019 Copenhagen More info 23.05-01.06 CPH Stage Copenhagen More info 26.05 Election for European Parliament Nationwide More info 29.05-02.06 Distortion Copenhagen More info JUN 01.06 HRH Crown Prince Frederik in Faroe Islands to kick off Royal Run Klaksvík, Faroe Islands More info 06-16.06 Copenhagen Photo Festival Copenhagen More info 10.06 Royal Run Aarhus, Aalborg, Copenhagen, Rønne More info 19-22.06 Copenhell (heavy metal music festival) Copenhagen More info 29.06-06.07 Roskilde Festival Roskilde Dyreskueplads More info JUL 07-16.07 Copenhagen Jazz Festival Copenhagen More info SCHEDULED - Opening of Metro Cityringen DATE TBC Copenhagen More info AUG 13-18.08 Copenhagen Pride Copenhagen More info 23.08-01.09 Copenhagen Cooking and Food Festival Copenhagen More info SEP 04-06.09 MAST Northern Coasts Cooperation (maritime conference) Copenhagen More info OCT SCHEDULED - C40 Summit in Copenhagen DATE TBC Copenhagen More info NOV No November events listed DEC No December events listed The list upcoming events from the International Press Centre in Copenhagen is aimed at foreign editors, correspondents and photographers covering Denmark, highlighting some of the events that might be of interest. -
Fru Skagerrak
FRU SKAGERRAK www.fruskagerrak.com The music of Fru Skagerrak takes you on a journey through Scandinavia; from lowlands to mountains, from slow airs to lively polkas, in major and in minor, and everything in between. Fru Skagerrak- ”Lady Skagerrak” - are three master musicians - one from each Scandinavian country: Maja Kjær Jacobsen from Denmark, Elise Wessel Hildrum from Norway and Anna Lindblad from Sweden. In 2011, these three globetrotting musicians met for the first time at Tønder Festival, Denmark’s biggest Folk Festival, in a roaring session that had engulfed the backstage bar. Through the mayhem of tunes you could feel a certain Scandinavian groove, and in that moment the connection between these three fiddlers was clear. After meeting at Tønder Festival for three consecutive years, Fru Skagerrak finally saw the light of day in August 2014. The trio brings together the diverse traditions from each of their homelands, which surround the Skagerrak strait. Through a repertoire of traditional tunes, new compositions, and songs in their respective languages, they express their kinship and love of their shared heritage. The result is an explosion of the sounds that exist in Scandinavian music today. The self-titled debut album was released in May 2016 and their second album “Ankerdram” was released in April 2018. What the press says about Fru Skagerrak’s albums: "The album brims over with confidence and bravura, and the material and performances to match. There's astonishing power and fire in the unison playing, and even the oddities come out grinning. A definite triumph" - fRoots (UK) Contact: Fru Skagerrak – www.fruskagerrak.com – [email protected] - T: +45 2537 1544 p. -
Ronnie Scott's Jazz C
GIVE SOMEONE THE GIFT OF JAZZ THIS CHRISTMAS b u l C 7 z 1 0 z 2 a r J MEMBERSHIP TO e b s ’ m t t e c o e c D / S r e e i GO TO: WWW.RONNIESCOTTS.CO.UK b n OR CALL: 020 74390747 m e n v o Europe’s Premier Jazz Club in the heart of Soho, London o N R Cover artist: Roberto Fonseca (Mon 27th - Wed 29th Nov) Page 36 Page 01 Artists at a Glance Wed 1st - Thurs 2nd: The Yellowjackets N LD OUT Wed 1st: Late Late Show Special - Too Many Zooz SO o Fri 3rd: Jeff Lorber Fusion v Sat 4th: Ben Sidran e m Sun 5th Lunch Jazz: Jitter Kings b Sun 5th: Dean Brown Band e Mon 6th - Tues 7th: Joe Lovano Classic Quartet r Wed 8th: Ronnie Scott’s Gala Charity Night feat. Curtis Stigers + Special Guests Thurs 9th: Marius Neset Quintet Fri 10th - Sat 11th: Manu Dibango & The Soul Makossa Gang Sun 12th Lunch Jazz: Salena Jones “Jazz Doyenne” Sun 12th: Matthew Stevens Preverbal November and December are the busiest times Mon 13th - Tues 14th: Mark Guiliana Jazz Quartet of the year here at the club, although it has to be Wed 15th - Thurs 16th: Becca Stevens Fri 17th - Sat 18th: Mike Stern / Dave Weckl Band feat. Tom Kennedy & Bob Malach UT said there is no time when we seem to slow down. Sun 19th Lunch Jazz: Jivin’ Miss Daisy feat. Liz Fletcher SOLD O November this year brings our Fundraising night Sun 19th: Jazzmeia Horn Sun 19th: Ezra Collective + Kokoroko + Thris Tian (Venue: Islington Assembly Hall) for the Ronnie Scott’s Charitable Foundation on Mon 20th - Tues 21st: Simon Phillips with Protocol IV November 8th featuring the Curtis Stigers Sinatra Wed 22nd: An Evening of Gershwin feat. -
Vocal Jazz Ensemble and 11 O'clock Jazz Orchestra
Vocal Jazz Ensemble and 11 O’Clock Jazz Orchestra Christine Duncan and Jim Lewis, directors Wednesday, November 28, 2018 at 7:30 pm Walter Hall, 80 Queen’s Park PROGRAM But Not For Me G. and I. Gershwin Instrumental Precious E. Spalding arranged by: K. Marsh Still Travelling K. Marsh Pleasant J. Welchner Not For Human Beings Hobson’s Choice arranged by: L. Swankey Madeleine Ertel, trumpet I Want To Be Happy V. Youmans/I. Caesar arranged by: K. Marsh Vocal Jazz Ensemble Christine Duncan, director Events II and IV for Jazz Orchestra and Improvising Choir J. Lewis/C. Duncan When You Are Here H. Barstow Combined Vocal Jazz Ensemble and 11 O’Clock Jazz Orchestra Christine Duncan and Jim Lewis, directors Spectrum B. Mintzer Lately M. Schneider Energy Generation D. McCaslin Body and Soul Comp Green arranged by: R. McConnell Brandon’s First Day P. Ashwell 11 O’Clock Jazz Orchestra Jim Lewis, director Vocal Jazz Ensemble Vocalists Rhythm Section Avery Cantello Alyssa Giammaria Piano: William Hunt Kathleen O’Keefe Mairead Keogh Guitar: Dawson Chamberlain Brooklyn Bohach Emma Gilman Acoustic/Electric Bass: Anne Elgie Vannessa Gadoutsis Max Simpson Dominique Lalama Alyssa Datu Drums: Miles Fuller Isabella Hay Jenna Pinard Raquel Skilich David Bruce Abigail Mathew 11 O’Clock Jazz Orchestra Alto Saxophone Trumpet Guitar Brenon Parmar Shannon McDougall Wes White Garret Hildebrandt Lucas Udvarnoky Evan Garner Piano Tenor Saxophone Madeleine Ertel Max Donaldson Sam Demets Christian Antonacci Dermot O’Halloran Bass Trombone Leighton Harrell Baritone Saxophone Blair Scanling Thomas Steele Andrew Gormley Drums Ray Sun Evan Ng Bien Carandang For more information on U of T Jazz, visit uoftjazz.ca and follow @UofTJazz on social media. -
Gábor Juhász - Palle Mikkelborg P (2004) Titre: 60/40
Artiste: Gábor Juhász - Palle Mikkelborg P (2004) Titre: 60/40 L’aspect rythmique de l’existence La vie se fige parfois dans une certaine forme d’immobilité – du moins, elle semble l’être, lorsque vous vous trouvez seul en forêt, par exemple, retenant votre souffle, sans un seul clignotement des yeux. La forme rythmique est beaucoup plus évidente ; respiration, battements du cœur, jours, années, amour, vie... musique. J’ai entendu dire que les cycles rythmiques complexes de la musique indienne reproduisent le cours des étoiles. L’indescriptible et difficile rubato ressemble, quant à lui, à la plupart des cycles de l’existence : imprévisible. Le jazz vient du cœur, et il bat au rythme du cœur. Je remercie particulièrement mes amis Elemér, József, Péter, András et Zoltán, un groupe fort de ses connaissances sur le rythme, pour leur art et leur amour. Un grand merci également à Helen et à Palle dont la musique et l’amitié enrichissent mon existence. Je suis reconnaissant à Palle à plus d’un titre : lorsque je l’entends jouer de la trompette (retenant mon souffle, sans cligner des yeux), je peux sentir la présence de cette forme d’immobilité qui accompagne notre vie. Il est le seul à y arriver. Gábor Juhász J’ai rencontré Gábor pour la première fois au cours d’une soirée pluvieuse à Budapest, ou je donnais un concert avec Helen et Terje. Nous nous sommes séparés avec la promesse de se revoir et de jouer ensemble. Peu de temps après, György Wallner entra en contact avec moi et me demanda si je désirais jouer sur le prochain CD de Gábor et si je voulais également apporter quelques-uns de mes propres airs à enregistrer. -
Printcatalog Realdeal 3 DO
DISCAHOLIC auction #3 2021 OLD SCHOOL: NO JOKE! This is the 3rd list of Discaholic Auctions. Free Jazz, improvised music, jazz, experimental music, sound poetry and much more. CREATIVE MUSIC the way we need it. The way we want it! Thank you all for making the previous auctions great! The network of discaholics, collectors and related is getting extended and we are happy about that and hoping for it to be spreading even more. Let´s share, let´s make the connections, let´s collect, let´s trim our (vinyl)gardens! This specific auction is named: OLD SCHOOL: NO JOKE! Rare vinyls and more. Carefully chosen vinyls, put together by Discaholic and Ayler- completist Mats Gustafsson in collaboration with fellow Discaholic and Sun Ra- completist Björn Thorstensson. After over 33 years of trading rare records with each other, we will be offering some of the rarest and most unusual records available. For this auction we have invited electronic and conceptual-music-wizard – and Ornette Coleman-completist – Christof Kurzmann to contribute with some great objects! Our auction-lists are inspired by the great auctioneer and jazz enthusiast Roberto Castelli and his amazing auction catalogues “Jazz and Improvised Music Auction List” from waaaaay back! And most definitely inspired by our discaholic friends Johan at Tiliqua-records and Brad at Vinylvault. The Discaholic network is expanding – outer space is no limit. http://www.tiliqua-records.com/ https://vinylvault.online/ We have also invited some musicians, presenters and collectors to contribute with some records and printed materials. Among others we have Joe Mcphee who has contributed with unique posters and records directly from his archive. -
2015 NEA Jazz Masters 2015 NATIONAL ENDOWMENT for the ARTS
2015 NEA Jazz Masters 2015 NATIONAL ENDOWMENT FOR THE ARTS 2015 Fellows Carla Bley George Coleman Charles Lloyd Joe Segal NEA Jazz Masters 2015 Contents Introduction ..............................................................................1 A Brief History of the Program ................................................2 Program Overview ...................................................................5 2015 NEA Jazz Masters............................................................7 Carla Bley .......................................................................................8 George Coleman............................................................................9 Charles Lloyd ...............................................................................10 Joe Segal ......................................................................................11 NEA Jazz Masters, 1982–2015..............................................12 NEA Jazz Masters Awards Ceremony ...................................14 Pianist Jason Moran and guitarist Bill Frisell perform 2014 NEA Jazz Master Keith Jarrett’s “Memories of Tomorrow” at the 2014 awards concert. Photo by Michael G. Stewart The NEA is committed to preserving the legacy of jazz not just for this ”generation, but for future generations as well. ” IV NEA Jazz Masters 2015 IT IS MY PLEASURE to introduce the 2015 class of NEA Jazz Masters. The NEA Jazz Masters awards—the nation’s highest recognition of jazz in America—are given to those who have reached the pinnacle of their art: musicians -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
Danish Yearbook of Musicology 36 • 2008 / Dansk Årbog For
102 Danish Yearbook of Musicology • 2008 Still, bringing this much needed research project to fruition is in itself an impressive achievement that lays a solid and valuable foundation on which future research can build and draw inspiration for the telling of further and different stories, and thus keep ‘sounding the horn’ for a past culture that has all but succumbed to silence. Steen Kaargaard Nielsen Christian Munch-Hansen (ed.) By af jazz. Copenhagen Jazz Festival i 30 år. Copenhagen: Thaning & Appel, 2008 257 pp., illus. isbn 978-87-413-0975-0 dkk 299 Frank Büchmann-Møller and Henrik Wolsgaard-Iversen Montmartre. Jazzhuset i St. Regnegade 19, Kbhvn K Odense: Jazzsign & University Press of Southern Denmark, 2008 300 pp., illus. isbn 978-87-7674-297-3 dkk 299 Ole Izard Høyer and Anders H.U. Nielsen Da den moderne jazz kom til byen. En musikkulturel undersøgelse af det danske moderne jazzmiljø 1946–1961. Aalborg: Aalborg Universitetsforlag, 2007 157 pp., illus. isbn 978-87-7307-927-0 dkk 199 With Erik Wiedemann’s extensive work on Danish jazz in the form of his doctoral disser- tation Jazz i Danmark (Jazz in Denmark),1 the formative years of Danish jazz from the twenties until 1950 is well covered. But from that point on, there is no inclusive research material on Danish jazz. However, a great variety of literature on Danish jazz has been pub- lished dealing with this period of time, mostly biographies, coffee table books, and other books written by journalists, musicians, etc. Two of the publications under review here, By af jazz and Montmartre, fall into this category of literature.